1 00:00:02,440 --> 00:00:07,800 Speaker 1: Get a I'm Laala Berry, nutritionist, author, actor, TV presenter 2 00:00:08,080 --> 00:00:14,040 Speaker 1: and professional oversharer. This podcast is all about celebrating failure 3 00:00:14,600 --> 00:00:17,200 Speaker 1: because I believe it's a chance for us to learn, 4 00:00:17,800 --> 00:00:22,160 Speaker 1: grow and face our blind spots. Each week I'll interview 5 00:00:22,239 --> 00:00:26,160 Speaker 1: a different guest about their highs as well as they're lows, 6 00:00:26,200 --> 00:00:34,800 Speaker 1: all in a bid to inspire us to fearlessly fail. Hello, 7 00:00:35,240 --> 00:00:37,680 Speaker 1: we have a treat for you today. Now, this is 8 00:00:37,760 --> 00:00:42,279 Speaker 1: technically a hot seat episode. After interviewing Trent Dalton, I 9 00:00:42,320 --> 00:00:44,320 Speaker 1: then do you want to jump on the hot seat quickly? 10 00:00:44,360 --> 00:00:46,640 Speaker 1: And he was like, of course, And then of course 11 00:00:46,680 --> 00:00:50,879 Speaker 1: he answered the questions so beautifully that it needs to 12 00:00:50,920 --> 00:00:55,120 Speaker 1: be its own Trent Dolton Part two, So he have 13 00:00:55,240 --> 00:00:59,320 Speaker 1: it Trent Dolton Part two on the pod. Technically a 14 00:00:59,400 --> 00:01:02,280 Speaker 1: hot seat he answered them with a bit of depth, 15 00:01:02,320 --> 00:01:04,560 Speaker 1: so it's a little bit longer than your regular hot seat. 16 00:01:04,600 --> 00:01:07,600 Speaker 1: I hope you love it, Trent Dalton, You're wonderful. 17 00:01:11,160 --> 00:01:13,679 Speaker 2: What is your name, dear friend, Trent David Dalton? 18 00:01:13,800 --> 00:01:15,520 Speaker 1: Oh, I was hoping you'd throw a middle in. 19 00:01:15,520 --> 00:01:19,200 Speaker 2: There for me of Brisbane, Queensland, Australia. Amazing. 20 00:01:19,520 --> 00:01:22,320 Speaker 1: Okay, if you had a last meal sweet or savory? 21 00:01:23,080 --> 00:01:27,520 Speaker 2: Savory? Oh? Can I ask what? Uh? Prawn sandwich? 22 00:01:28,120 --> 00:01:28,160 Speaker 3: No? 23 00:01:28,800 --> 00:01:30,840 Speaker 2: Really, salt and pepper, really. 24 00:01:31,040 --> 00:01:35,759 Speaker 3: And ideally prawn's caught by my This is impossible because 25 00:01:35,760 --> 00:01:38,959 Speaker 3: my dad's dead, but caught by my dad Morton Bay. 26 00:01:38,959 --> 00:01:41,520 Speaker 3: Prawn's caught by my dad sent to me in a 27 00:01:42,000 --> 00:01:44,720 Speaker 3: dropped at my front door step in a styropham box 28 00:01:45,000 --> 00:01:47,880 Speaker 3: around Christmas time, and like with a little notes saying 29 00:01:47,920 --> 00:01:48,480 Speaker 3: love you mate. 30 00:01:48,720 --> 00:01:50,320 Speaker 1: Can I quickly. 31 00:01:50,080 --> 00:01:52,240 Speaker 2: I'm going to cry because I said, I'm. 32 00:01:52,120 --> 00:01:55,560 Speaker 1: Actually I'm going to throw you something right now? Can 33 00:01:55,600 --> 00:01:57,960 Speaker 1: you quickly share the note that your dad left in 34 00:01:58,000 --> 00:02:03,000 Speaker 1: your letter box that you put sticky tape on. 35 00:02:03,480 --> 00:02:04,960 Speaker 2: No, I've carried around with me. 36 00:02:05,000 --> 00:02:06,960 Speaker 3: It's not in my wallet today because it started a 37 00:02:07,000 --> 00:02:10,600 Speaker 3: fray and i'd seen a safe place now. I went 38 00:02:10,639 --> 00:02:14,880 Speaker 3: to the letterbox one day, opened up the letterbox and 39 00:02:15,320 --> 00:02:18,360 Speaker 3: there was a note from my dad. My dad wrote 40 00:02:18,440 --> 00:02:21,519 Speaker 3: letters the way Clint Eastwood speaks. It's all very brief. 41 00:02:21,680 --> 00:02:24,080 Speaker 3: It's like it's like getting a note from Cormette McCarthy 42 00:02:25,120 --> 00:02:28,639 Speaker 3: and he just said, tramp, you have been a revelation. 43 00:02:29,919 --> 00:02:34,440 Speaker 2: You have done all the right things. Love it, love 44 00:02:34,480 --> 00:02:38,560 Speaker 2: your dad. Ah, what a letter what a note. 45 00:02:38,720 --> 00:02:42,959 Speaker 3: Yeah, I sort of did a version of contact to that, 46 00:02:43,160 --> 00:02:47,080 Speaker 3: just from like little streeks and stick and carried around 47 00:02:47,080 --> 00:02:48,760 Speaker 3: with me forever. And I sat on my desk as 48 00:02:48,760 --> 00:02:51,720 Speaker 3: a journal for like for the longest time. And it's 49 00:02:51,720 --> 00:02:54,600 Speaker 3: now in like our We've got this little ikea thing 50 00:02:54,639 --> 00:02:58,160 Speaker 3: where we hold our daughters certificates and and and important things. 51 00:02:58,200 --> 00:03:01,600 Speaker 3: I've got Eddie Vetda's guitar pick. Yeah, and next to 52 00:03:01,639 --> 00:03:06,600 Speaker 3: that is this letter from bad Stop. It. It's the 53 00:03:06,600 --> 00:03:09,000 Speaker 3: most beautiful thing I've ever Yeah, one of the one 54 00:03:09,000 --> 00:03:11,520 Speaker 3: of the most beautiful things I've ever received in the letterbox. 55 00:03:11,600 --> 00:03:14,400 Speaker 1: Yeah, if you could have a superpower, what would it 56 00:03:14,440 --> 00:03:17,520 Speaker 1: be time travel? Oh yeah, that'd be nice. That'd be 57 00:03:17,600 --> 00:03:18,080 Speaker 1: real nice. 58 00:03:18,160 --> 00:03:21,880 Speaker 3: Yeah, I'm just a massive you know, closet. No, not 59 00:03:21,919 --> 00:03:23,840 Speaker 3: even closet. I'm quite open about it. Back to the 60 00:03:23,880 --> 00:03:26,360 Speaker 3: future nerd. Like it's the most meaningful piece of pop 61 00:03:26,360 --> 00:03:27,000 Speaker 3: culture to me. 62 00:03:26,960 --> 00:03:30,120 Speaker 1: In my judge, I've never seen no, I know, and 63 00:03:30,160 --> 00:03:36,680 Speaker 1: I'm a child of nineteen eighty five, Like, yeah. 64 00:03:34,840 --> 00:03:36,960 Speaker 2: Can you when you put it on, can you call 65 00:03:37,000 --> 00:03:38,880 Speaker 2: me a zoom watch together? 66 00:03:39,440 --> 00:03:42,760 Speaker 1: I promise you the moment that I watched it, It's happen. 67 00:03:43,240 --> 00:03:45,400 Speaker 2: Doing it like you and Boss, You and the boss. Yeah, 68 00:03:46,080 --> 00:03:47,400 Speaker 2: you guys are doing it. Man, I'm going to grab 69 00:03:47,400 --> 00:03:49,480 Speaker 2: a couple of beers and I'll just go I'll be like, 70 00:03:49,640 --> 00:03:51,720 Speaker 2: wait for this moment. Are you ship? 71 00:03:51,880 --> 00:03:57,840 Speaker 3: I'm so I'm so happy for you if I had Okay, 72 00:03:57,880 --> 00:03:59,720 Speaker 3: here's what I'd do. If I could time travel, I'd 73 00:03:59,760 --> 00:04:02,040 Speaker 3: go back to nineteen eighty five, to the time when 74 00:04:02,080 --> 00:04:04,080 Speaker 3: I hadn't seen back to the future, and I watch 75 00:04:04,120 --> 00:04:06,240 Speaker 3: it for the first That's amazing. 76 00:04:06,400 --> 00:04:07,480 Speaker 2: That's how much it means to me. 77 00:04:07,600 --> 00:04:09,480 Speaker 1: Is this where the Michael J. Fox love came? 78 00:04:09,600 --> 00:04:12,000 Speaker 2: That's where it all began. Oh, I love where it started. 79 00:04:12,720 --> 00:04:15,800 Speaker 1: Okay, So there's two questions about fear. So one is 80 00:04:15,840 --> 00:04:18,039 Speaker 1: do you have one? And the second one is do 81 00:04:18,080 --> 00:04:20,320 Speaker 1: you have an irrational feel Like? I have an irrational 82 00:04:20,360 --> 00:04:22,719 Speaker 1: fear that there's because I live in Byron, that there's 83 00:04:22,720 --> 00:04:25,320 Speaker 1: a snake coiled up in the toilet every we and 84 00:04:25,400 --> 00:04:28,680 Speaker 1: I have to pull the check. Good, right, So that's 85 00:04:28,720 --> 00:04:30,960 Speaker 1: my irrational fear. But do you It's two questions, why 86 00:04:31,000 --> 00:04:31,680 Speaker 1: do you have a fear? 87 00:04:31,680 --> 00:04:31,960 Speaker 2: Fear? 88 00:04:32,480 --> 00:04:34,920 Speaker 1: Yeah, then do you have an irrational one? 89 00:04:35,040 --> 00:04:35,280 Speaker 2: Yeah? 90 00:04:35,560 --> 00:04:40,960 Speaker 3: My you know, my first genuine fear is just just 91 00:04:41,080 --> 00:04:43,800 Speaker 3: dying before dying, before I get to spend you know, 92 00:04:44,160 --> 00:04:47,799 Speaker 3: another sixty years with my daughters. Yeah, and my irrational 93 00:04:47,839 --> 00:04:52,039 Speaker 3: fear is going downstairs. There's there's there's a sliding door 94 00:04:52,080 --> 00:04:54,880 Speaker 3: and it's all built of glass in our house and 95 00:04:54,920 --> 00:04:57,920 Speaker 3: when the lights are off, there's moonlight behind the glass. 96 00:04:58,400 --> 00:05:01,240 Speaker 3: And my irrational fear is seeing man just staring at me. 97 00:05:01,600 --> 00:05:05,760 Speaker 1: Oh, can I say, in Lola in the mirror, I 98 00:05:05,800 --> 00:05:09,160 Speaker 1: love there was a little sneaky serial killer situation, Like 99 00:05:09,279 --> 00:05:10,560 Speaker 1: I love that you through that. 100 00:05:11,200 --> 00:05:11,440 Speaker 2: Well. 101 00:05:11,520 --> 00:05:13,960 Speaker 3: I wonder actually now you say that whether he does 102 00:05:14,000 --> 00:05:17,520 Speaker 3: not come from that, do you reckon? Like that guy 103 00:05:17,600 --> 00:05:20,360 Speaker 3: in the book is always just doing those little like. 104 00:05:20,360 --> 00:05:21,839 Speaker 2: He's just there standing. 105 00:05:22,520 --> 00:05:26,719 Speaker 3: There's something so terrifying to me about a stranger standing 106 00:05:26,760 --> 00:05:28,359 Speaker 3: behind glass just staring at me. 107 00:05:28,520 --> 00:05:29,760 Speaker 2: That's my irrational fear. 108 00:05:30,000 --> 00:05:35,799 Speaker 3: Men aged about fifty five in a wood just stare 109 00:05:35,920 --> 00:05:40,239 Speaker 3: in darkness, staring at my rider's room kind of sliding 110 00:05:40,240 --> 00:05:42,719 Speaker 3: glass door out right out the back. Because it's like, 111 00:05:42,800 --> 00:05:44,600 Speaker 3: why the hell would that guy be there at nine 112 00:05:44,600 --> 00:05:46,480 Speaker 3: point thirty on a Tuesday night as I go down 113 00:05:46,560 --> 00:05:47,360 Speaker 3: and turn the light off. 114 00:05:47,560 --> 00:05:49,320 Speaker 1: Gee, I don't know if you've seen this as I'm 115 00:05:49,320 --> 00:05:52,000 Speaker 1: sure your daughters will know about this, but there is 116 00:05:53,480 --> 00:05:57,039 Speaker 1: a TikTok trend right now where get ready for your 117 00:05:57,120 --> 00:05:59,440 Speaker 1: daughter's film me because I just did this to my 118 00:05:59,520 --> 00:06:05,000 Speaker 1: boyfriend where you ask either your dad or partner if 119 00:06:05,400 --> 00:06:08,520 Speaker 1: how often they think about the Roman Empire? Right, And 120 00:06:08,600 --> 00:06:11,640 Speaker 1: usually someone will say to you, A male will say 121 00:06:11,640 --> 00:06:14,760 Speaker 1: to you every couple of weeks, once a week, right, 122 00:06:15,000 --> 00:06:18,400 Speaker 1: that's true? Yeah, right, okay, so and that it perplexes 123 00:06:18,480 --> 00:06:21,479 Speaker 1: us females. We're like, what you think about the Roman 124 00:06:21,520 --> 00:06:24,640 Speaker 1: Empire once every you know, we don't think about at all. 125 00:06:24,680 --> 00:06:27,760 Speaker 2: Ever, it's big to us men. It's big, right, it's got. 126 00:06:27,680 --> 00:06:30,120 Speaker 1: To do the whole the masculinity thing and creating an 127 00:06:30,120 --> 00:06:30,760 Speaker 1: empire and. 128 00:06:30,720 --> 00:06:34,279 Speaker 2: All that kind of yeah, fascinating sandals. 129 00:06:34,520 --> 00:06:36,839 Speaker 1: But you ask a female, especially a female that lives 130 00:06:36,880 --> 00:06:39,120 Speaker 1: in LA, I literally can I will be like, that 131 00:06:39,200 --> 00:06:42,000 Speaker 1: person could be a murderer, that person could be a murderer. Yeah, 132 00:06:42,040 --> 00:06:44,560 Speaker 1: I'd walk with pepper spray. And it's not like it 133 00:06:44,680 --> 00:06:47,040 Speaker 1: is just obviously LA is a bit different. There's very 134 00:06:47,040 --> 00:06:49,880 Speaker 1: relaxed gun laws and things like that, right, But yeah, 135 00:06:49,960 --> 00:06:52,599 Speaker 1: you I think females are like and it probably is 136 00:06:52,640 --> 00:06:58,240 Speaker 1: also a sad Tide about like to be living in 137 00:06:58,279 --> 00:06:59,800 Speaker 1: a world where we don't where we do have to 138 00:06:59,839 --> 00:07:00,520 Speaker 1: have that kind. 139 00:07:00,360 --> 00:07:02,679 Speaker 2: Of films really awful. Yeah right, totally. 140 00:07:02,760 --> 00:07:06,960 Speaker 1: But it's also it's also interesting because like, oh wow, 141 00:07:07,200 --> 00:07:10,000 Speaker 1: like a always my brain will be like, oh with 142 00:07:10,120 --> 00:07:12,920 Speaker 1: that person's I can think of walking mate, I can 143 00:07:13,040 --> 00:07:15,880 Speaker 1: see it. But yeah, the Roman Empire thing, get ready 144 00:07:15,920 --> 00:07:17,640 Speaker 1: for that. I put money on one of your. 145 00:07:19,280 --> 00:07:19,720 Speaker 2: Text me. 146 00:07:19,760 --> 00:07:23,239 Speaker 1: When that happens, you'll be like, I know what's coming here? 147 00:07:24,480 --> 00:07:27,040 Speaker 2: Yeah yeah, once a week. Yeah yeah, yeah, So there 148 00:07:27,040 --> 00:07:27,200 Speaker 2: you go. 149 00:07:27,280 --> 00:07:30,440 Speaker 1: It's true. Okay, do you have a favorite city? I 150 00:07:30,440 --> 00:07:31,880 Speaker 1: feel like I might know the answer to this. 151 00:07:32,120 --> 00:07:35,200 Speaker 3: Yeah, sorry, Brisbane, I mean, and it's you know, it's 152 00:07:35,240 --> 00:07:38,000 Speaker 3: just a gizzilion reasons for that, and you know, one 153 00:07:38,040 --> 00:07:40,840 Speaker 3: of them being that, you know, my favorite football team 154 00:07:40,880 --> 00:07:41,760 Speaker 3: just made the Grand Final. 155 00:07:41,880 --> 00:07:45,360 Speaker 2: I'll start there. But yeah, it's. 156 00:07:46,840 --> 00:07:49,360 Speaker 3: Okay, I'll say not I'll say a city, not Brisbane, 157 00:07:49,440 --> 00:07:50,520 Speaker 3: and it would be New York. 158 00:07:50,680 --> 00:07:51,280 Speaker 2: Yeah. 159 00:07:51,440 --> 00:07:53,840 Speaker 1: Oh yeah, well the energy alone. 160 00:07:54,160 --> 00:07:56,240 Speaker 3: I only saw it for the first time, you know, 161 00:07:56,280 --> 00:07:58,360 Speaker 3: about four years ago, and my family and I were 162 00:07:58,400 --> 00:08:01,280 Speaker 3: lucky enough to go and and we hopped out at 163 00:08:01,520 --> 00:08:03,280 Speaker 3: basically you come up you know where it is like 164 00:08:03,320 --> 00:08:05,480 Speaker 3: it's like I think it's Penn Station. You come up 165 00:08:05,920 --> 00:08:08,320 Speaker 3: and we The first vision of New York I got 166 00:08:08,360 --> 00:08:11,280 Speaker 3: was on just out the front of Madison Square Garden 167 00:08:11,800 --> 00:08:14,760 Speaker 3: and it was just a sea of yellow cabs and 168 00:08:14,960 --> 00:08:18,560 Speaker 3: it was a skyline of buildings and it was everything. 169 00:08:18,760 --> 00:08:20,720 Speaker 3: New York just was everything and more that I thought 170 00:08:20,760 --> 00:08:21,120 Speaker 3: it would be. 171 00:08:22,040 --> 00:08:24,560 Speaker 1: Oh, there's something so magical about it. See when I 172 00:08:24,680 --> 00:08:27,040 Speaker 1: had a book brought out in America and my publishers 173 00:08:27,040 --> 00:08:29,520 Speaker 1: were in the flat iron building at the very top 174 00:08:29,760 --> 00:08:31,200 Speaker 1: stop it, and I was like, I have to stand 175 00:08:31,200 --> 00:08:35,920 Speaker 1: in the corner. Still it's still run on like water, 176 00:08:36,120 --> 00:08:38,040 Speaker 1: like the elevator that goes up and down. 177 00:08:38,360 --> 00:08:38,720 Speaker 2: Yeah. 178 00:08:38,920 --> 00:08:42,319 Speaker 1: Yeah, yeah, there's something so magical about New York City. 179 00:08:42,640 --> 00:08:47,440 Speaker 1: What about Nature Spot? Like I know, you know, like 180 00:08:47,520 --> 00:08:48,880 Speaker 1: is it an Australian nature as well? 181 00:08:49,280 --> 00:08:52,520 Speaker 3: Yeah, you don't have to give Sorry, it's a hot 182 00:08:52,559 --> 00:08:54,360 Speaker 3: seat I've got I know. 183 00:08:55,120 --> 00:08:57,000 Speaker 2: Here I am relaxing in like a cool seat. 184 00:08:57,080 --> 00:09:04,760 Speaker 3: Yeah. Oh oh man, okay, I'm given that. This is 185 00:09:04,960 --> 00:09:07,520 Speaker 3: This is a it's my one of my all time 186 00:09:07,559 --> 00:09:10,400 Speaker 3: favorite moments. I grew up in this seaside spot, you know, 187 00:09:10,559 --> 00:09:13,480 Speaker 3: part of my life. We'd all ride our bicycles down 188 00:09:13,520 --> 00:09:17,400 Speaker 3: from Brackenridge down at this place called Sandgate, and it's 189 00:09:17,440 --> 00:09:20,400 Speaker 3: just the smell of seaweed and it's like it's seaside. 190 00:09:20,440 --> 00:09:24,120 Speaker 3: It's Morton Bay, and it's the smell of cod frying 191 00:09:24,679 --> 00:09:26,439 Speaker 3: in the fish and chip shops. It's the smell of 192 00:09:26,480 --> 00:09:28,960 Speaker 3: chlorine from the Sandgate swimming pool. But then there's this 193 00:09:29,120 --> 00:09:33,400 Speaker 3: rock wall. And one day my daughter, my youngest daughter 194 00:09:33,440 --> 00:09:38,600 Speaker 3: and I we had this thing in our family called MPH. 195 00:09:38,840 --> 00:09:42,800 Speaker 3: It means moment of pure happiness and by law, as 196 00:09:43,000 --> 00:09:45,720 Speaker 3: a member of the Dalton family, you have to tell 197 00:09:45,840 --> 00:09:50,400 Speaker 3: someone when you are experiencing an MPH. And it's that 198 00:09:50,440 --> 00:09:53,360 Speaker 3: feeling where everything comes together and from that fleeting moment 199 00:09:53,440 --> 00:09:56,439 Speaker 3: you get chills down your spine and everything about life 200 00:09:56,480 --> 00:09:59,400 Speaker 3: makes sense and you just kind of it's just this 201 00:09:59,600 --> 00:10:03,720 Speaker 3: throbbing sense of like I don't know, gratitude or love 202 00:10:03,760 --> 00:10:07,360 Speaker 3: for the world or whatever, just being alive. Exactly got 203 00:10:07,400 --> 00:10:07,959 Speaker 3: to write about it. 204 00:10:08,280 --> 00:10:10,360 Speaker 2: Be alive. It's the alive what I talk about in 205 00:10:10,360 --> 00:10:10,680 Speaker 2: the book. 206 00:10:11,160 --> 00:10:14,000 Speaker 3: But one day my youngest daughter, it's like son's going 207 00:10:14,040 --> 00:10:17,560 Speaker 3: down and where just my daughter looks out to the 208 00:10:17,559 --> 00:10:20,320 Speaker 3: sea and the wind's blowing her hair and we've just 209 00:10:20,360 --> 00:10:25,040 Speaker 3: had some fish and chips, and she goes, dad, mph ah, 210 00:10:25,080 --> 00:10:25,360 Speaker 3: I know. 211 00:10:25,880 --> 00:10:26,120 Speaker 2: Yeah. 212 00:10:26,200 --> 00:10:30,080 Speaker 3: So it's like, and that's just the environmental side of 213 00:10:30,080 --> 00:10:32,280 Speaker 3: that is just the smell of that sea air, and 214 00:10:32,280 --> 00:10:35,000 Speaker 3: that's the smell of my youth. And the coolest thing 215 00:10:35,000 --> 00:10:37,920 Speaker 3: in the world was is that Now that's the smell 216 00:10:37,960 --> 00:10:39,160 Speaker 3: of my daughter's youth as well. 217 00:10:39,240 --> 00:10:39,600 Speaker 2: Yeah. 218 00:10:39,640 --> 00:10:41,920 Speaker 1: And you know you've got ninety eight percent old factory 219 00:10:42,000 --> 00:10:43,080 Speaker 1: recall smell recall. 220 00:10:43,200 --> 00:10:43,720 Speaker 2: Is that right? 221 00:10:43,800 --> 00:10:46,760 Speaker 1: Yeah, so that's why it would take you all the way? 222 00:10:47,240 --> 00:10:47,880 Speaker 2: Is that right? 223 00:10:48,080 --> 00:10:49,920 Speaker 3: Is that why smell is such a Yeah, it is. 224 00:10:49,960 --> 00:10:52,720 Speaker 3: He it's like, oh so important. My wife has this 225 00:10:52,760 --> 00:10:56,240 Speaker 3: thing called Annie Julie smell, and it's like whenever she 226 00:10:56,280 --> 00:10:58,200 Speaker 3: would drive when she was a kid, she'd drive to 227 00:10:58,640 --> 00:11:01,800 Speaker 3: her Auntie Julie's house. Yeah, it was this particular plant 228 00:11:01,960 --> 00:11:05,280 Speaker 3: that she would smell. And now whenever she smells that, 229 00:11:05,320 --> 00:11:06,440 Speaker 3: she get Annie Julie smell. 230 00:11:07,559 --> 00:11:10,240 Speaker 2: That Wow. 231 00:11:10,320 --> 00:11:16,000 Speaker 1: Cool. Do you have any regrets. 232 00:11:19,160 --> 00:11:24,240 Speaker 2: During the kind of wild, unexpected. 233 00:11:25,040 --> 00:11:29,120 Speaker 3: Swirling thing about the release of Voice Fallows Universe, I 234 00:11:29,160 --> 00:11:33,840 Speaker 3: lost track, I lost sight of looking after the relationships 235 00:11:33,880 --> 00:11:38,000 Speaker 3: some important relationships in my life, and and I truly 236 00:11:38,080 --> 00:11:42,480 Speaker 3: regret not being either a better friend. I regret the 237 00:11:42,480 --> 00:11:45,439 Speaker 3: times I've not been a better brother and a better 238 00:11:45,480 --> 00:11:50,040 Speaker 3: son and a better husband. So now genuinely I'm just 239 00:11:50,240 --> 00:11:52,320 Speaker 3: thumbing my way back to heaven on that where it's 240 00:11:52,320 --> 00:11:55,920 Speaker 3: like I'm just kind of really trying to focus now 241 00:11:56,000 --> 00:11:56,520 Speaker 3: on I don't. 242 00:11:56,960 --> 00:11:59,600 Speaker 2: I genuinely I don't feel like I want. I don't. 243 00:12:00,160 --> 00:12:02,120 Speaker 2: I don't really necessarily want to climb a lot of 244 00:12:02,200 --> 00:12:03,600 Speaker 2: career mountains anymore. 245 00:12:04,320 --> 00:12:06,840 Speaker 3: Only things I'm interested now in a really big way 246 00:12:06,960 --> 00:12:08,160 Speaker 3: is my relationships. 247 00:12:08,160 --> 00:12:10,720 Speaker 2: So sort of just just. 248 00:12:10,240 --> 00:12:12,640 Speaker 3: Just doing all the right things there and not getting 249 00:12:12,679 --> 00:12:14,559 Speaker 3: lost at my own asshole for a bit and just 250 00:12:14,640 --> 00:12:19,040 Speaker 3: kind of making sure I've just got just everything squared away, 251 00:12:19,120 --> 00:12:21,760 Speaker 3: you know, in the stuff that really really matters. You 252 00:12:21,760 --> 00:12:24,120 Speaker 3: know when you're when you're off, you know when you 253 00:12:24,160 --> 00:12:24,640 Speaker 3: go away. 254 00:12:24,760 --> 00:12:28,120 Speaker 1: But I also think, like, and this isn't to psychoanalyze 255 00:12:28,160 --> 00:12:29,959 Speaker 1: you or anything like that, but I feel like you're 256 00:12:30,000 --> 00:12:35,040 Speaker 1: somebody that wants to honor the process of like Voice 257 00:12:35,080 --> 00:12:38,920 Speaker 1: follows Universe would have been a life changing experience for you. 258 00:12:39,040 --> 00:12:40,319 Speaker 1: You would have also been like, yeah, of course I 259 00:12:40,320 --> 00:12:41,680 Speaker 1: can do that. Yeah I'd love to do that. Like 260 00:12:41,960 --> 00:12:44,560 Speaker 1: I can see you kind of like being in you know, 261 00:12:44,720 --> 00:12:46,720 Speaker 1: just trying to do the right thing and then catching 262 00:12:46,760 --> 00:12:49,480 Speaker 1: yourself later and being like, oh, actually I'm a bit 263 00:12:49,480 --> 00:12:51,240 Speaker 1: burnt out and can't give the best of myself to 264 00:12:51,320 --> 00:12:51,880 Speaker 1: my family. 265 00:12:52,040 --> 00:12:54,720 Speaker 3: You've totally just now the very if my wife and 266 00:12:54,760 --> 00:12:55,960 Speaker 3: I argue it's that. 267 00:12:56,280 --> 00:12:58,480 Speaker 1: Yeah, but you can't be that's you've learned, like you've 268 00:12:58,559 --> 00:13:01,000 Speaker 1: learned from it. I think you're this is new. This 269 00:13:01,080 --> 00:13:03,679 Speaker 1: is a new era totally. 270 00:13:03,720 --> 00:13:06,400 Speaker 3: And that whole all that stuff which you could define 271 00:13:06,440 --> 00:13:09,120 Speaker 3: as my inability to say no, it all stems from 272 00:13:09,200 --> 00:13:11,400 Speaker 3: the past too. It's all stems from that kind of 273 00:13:11,400 --> 00:13:14,680 Speaker 3: insecurity of going, ah, you know, you'll never be this 274 00:13:14,840 --> 00:13:17,680 Speaker 3: lucky again, so you better get every moment, you know. 275 00:13:17,760 --> 00:13:20,240 Speaker 3: And it's like and it's not a good way to live, Like, 276 00:13:20,320 --> 00:13:22,360 Speaker 3: it's not a way. It's like no. And I've had 277 00:13:22,360 --> 00:13:24,480 Speaker 3: people tell me, really smart people just go no, man, 278 00:13:25,240 --> 00:13:27,280 Speaker 3: why don't you deserve it just as much as anyone else. 279 00:13:27,360 --> 00:13:30,200 Speaker 3: But just have this inherent kind of weirdness that you 280 00:13:30,360 --> 00:13:32,600 Speaker 3: just think it's all going to stop if you if 281 00:13:32,640 --> 00:13:33,280 Speaker 3: you don't stop. 282 00:13:33,600 --> 00:13:39,120 Speaker 1: There's this beautiful interview with Heath Ledger where a journalist says, like, 283 00:13:39,160 --> 00:13:40,760 Speaker 1: how are you feeling about all this, and he said, 284 00:13:40,800 --> 00:13:43,960 Speaker 1: I feel like I'm in a supermarket and the sale 285 00:13:43,960 --> 00:13:45,920 Speaker 1: bell has gone after him. There used to be sale 286 00:13:45,960 --> 00:13:48,240 Speaker 1: bells where you'd only have like five minutes to grab 287 00:13:48,240 --> 00:13:50,880 Speaker 1: everything on discount. It used to be like a thing 288 00:13:50,920 --> 00:13:51,760 Speaker 1: of the nineties that. 289 00:13:53,000 --> 00:13:53,520 Speaker 2: I know what you mean. 290 00:13:53,640 --> 00:13:55,960 Speaker 3: Yeah, but I'm just really feeling for that beautiful guy, 291 00:13:56,000 --> 00:13:57,280 Speaker 3: Heath Ledger, that's he. 292 00:13:57,600 --> 00:13:59,200 Speaker 1: And he was like, I feel like I'm in that. 293 00:13:59,320 --> 00:14:02,360 Speaker 1: He's like, I'm I'm running at what I can and 294 00:14:02,440 --> 00:14:04,720 Speaker 1: taking and taking opportunities because that sale bell is. 295 00:14:04,720 --> 00:14:05,880 Speaker 2: Going to stop, damn. 296 00:14:06,320 --> 00:14:09,959 Speaker 1: And I think of that sometimes and I'm like, oh, like, 297 00:14:10,400 --> 00:14:13,120 Speaker 1: but then it's this moment of self realization, which is 298 00:14:13,240 --> 00:14:15,079 Speaker 1: like what your friends have been saying to you, like, no, 299 00:14:15,120 --> 00:14:19,440 Speaker 1: you're you are the master of your own I think 300 00:14:19,640 --> 00:14:21,720 Speaker 1: the lack of a better word, like destiny. You do 301 00:14:21,960 --> 00:14:24,520 Speaker 1: get to be the boss of how you want to 302 00:14:24,520 --> 00:14:28,640 Speaker 1: be as a human being. All right, we again, Do 303 00:14:28,680 --> 00:14:30,840 Speaker 1: you have a mantrum like a thing you live by? 304 00:14:31,840 --> 00:14:32,320 Speaker 2: Oh? 305 00:14:32,640 --> 00:14:35,000 Speaker 3: I haven't said it in a while, but talking to mirrors, 306 00:14:35,080 --> 00:14:38,360 Speaker 3: I before every big scary interview i'd ever do as 307 00:14:38,360 --> 00:14:40,440 Speaker 3: a journalist, I'd stare in the mirror and I'd say, 308 00:14:41,960 --> 00:14:46,240 Speaker 3: they don't know shit, They're gonna believe every fucking word 309 00:14:46,280 --> 00:14:47,720 Speaker 3: because you're super cool. 310 00:14:48,000 --> 00:14:49,160 Speaker 2: You're a fucking Moretta. 311 00:14:49,720 --> 00:14:50,080 Speaker 3: Really. 312 00:14:50,240 --> 00:14:50,440 Speaker 2: Yeah. 313 00:14:50,480 --> 00:14:53,400 Speaker 3: It's from Reservoir Docs, and so Tim Roth says that 314 00:14:53,440 --> 00:14:55,960 Speaker 3: when he's about to go meet as an undercover cop, 315 00:14:56,000 --> 00:14:58,680 Speaker 3: go meet Harvey Kotel. It's and I've I've sort of 316 00:14:58,720 --> 00:15:00,560 Speaker 3: transferred it to a few more like it's just I've 317 00:15:00,560 --> 00:15:03,440 Speaker 3: simplified that speech that he makes. But it used to 318 00:15:03,520 --> 00:15:06,160 Speaker 3: just it used to just get my game face on. 319 00:15:06,560 --> 00:15:09,360 Speaker 3: And it's like ridiculous. As embarrassing as that is, it's 320 00:15:09,440 --> 00:15:11,840 Speaker 3: like and it really worked. I remember, you know, just 321 00:15:11,840 --> 00:15:14,040 Speaker 3: saying that before like job interviews and stuff. 322 00:15:14,080 --> 00:15:15,240 Speaker 2: It was so ridiculous. 323 00:15:15,920 --> 00:15:18,440 Speaker 3: Yeah, they don't know shit, they're gonna believe every fucking 324 00:15:18,480 --> 00:15:21,280 Speaker 3: word because you're super cool, You're a fucking Bretta. 325 00:15:22,440 --> 00:15:23,400 Speaker 2: How embarrassing? 326 00:15:24,120 --> 00:15:26,880 Speaker 1: Embarrassing, Like I'll get nervous for big guests, like you 327 00:15:26,920 --> 00:15:28,080 Speaker 1: are one of those big guests. 328 00:15:28,360 --> 00:15:28,520 Speaker 2: Real. 329 00:15:28,640 --> 00:15:30,960 Speaker 1: Yeah, No, And I just went back to my favorite 330 00:15:31,000 --> 00:15:34,120 Speaker 1: acting notes and she's like, just be curious, and her 331 00:15:34,240 --> 00:15:36,440 Speaker 1: trick is if you get stuck in your head, take 332 00:15:36,480 --> 00:15:39,200 Speaker 1: notice of people's eyes. That's the first thing I did 333 00:15:39,360 --> 00:15:42,560 Speaker 1: was clock your beautiful big blue eyes. No, but because 334 00:15:42,560 --> 00:15:46,000 Speaker 1: it got me out of being nervous. It's brilliant, and 335 00:15:46,000 --> 00:15:49,480 Speaker 1: she's like, really means that you're just being curious anyway, totally, 336 00:15:49,560 --> 00:15:51,120 Speaker 1: and then it gets you in the right energy of 337 00:15:51,160 --> 00:15:53,840 Speaker 1: being curious and getting out of your own way. And 338 00:15:53,840 --> 00:15:56,680 Speaker 1: then her whole thing is like just be real, like 339 00:15:57,000 --> 00:16:00,800 Speaker 1: just be yourself and then nothing, all stuff up right. 340 00:16:00,880 --> 00:16:03,280 Speaker 1: I Mean, I do like the g up one as well, 341 00:16:03,320 --> 00:16:07,080 Speaker 1: but it's just it's interesting, you know, to hear all this. 342 00:16:07,240 --> 00:16:11,200 Speaker 1: I'm learning so much from you. Final final, final question, 343 00:16:11,760 --> 00:16:15,880 Speaker 1: my friend, what is the best gift you've been given? 344 00:16:17,000 --> 00:16:17,120 Speaker 2: Uh? 345 00:16:18,640 --> 00:16:25,640 Speaker 3: Sky blue Oliverti typewriter from my best mate's mum that stories. 346 00:16:24,920 --> 00:16:25,880 Speaker 1: The boot of the Subaru. 347 00:16:26,080 --> 00:16:29,560 Speaker 2: Right, yeah, so yeah. 348 00:16:29,760 --> 00:16:35,360 Speaker 3: January sixth, twenty twenty, we were at the funeral of 349 00:16:35,400 --> 00:16:39,600 Speaker 3: my best mate's mum, Kath Kelly, and I'm looking around 350 00:16:39,600 --> 00:16:42,720 Speaker 3: the funeral hall and seeing that there are no seats 351 00:16:42,800 --> 00:16:46,680 Speaker 3: to be gotten if you turn up late to this funeral, 352 00:16:46,720 --> 00:16:49,400 Speaker 3: because kath Kelly lives such a rich life that late 353 00:16:49,400 --> 00:16:53,360 Speaker 3: comers couldn't find a seat at her funeral. We go 354 00:16:53,480 --> 00:16:59,080 Speaker 3: outside and we're having beers to toast kaf as per 355 00:16:59,080 --> 00:17:02,880 Speaker 3: her structions to her lovely son, Greg Kelly, my mate. 356 00:17:02,920 --> 00:17:06,160 Speaker 3: We just call him Kel. And her request was, there's 357 00:17:06,200 --> 00:17:10,639 Speaker 3: thirty four x goul cans in the fridge that I 358 00:17:10,680 --> 00:17:14,159 Speaker 3: wasn't able to drink before the the ambulance took her 359 00:17:14,200 --> 00:17:17,960 Speaker 3: away to the hospital, so please drink them at the funeral. 360 00:17:18,440 --> 00:17:20,600 Speaker 3: And we're there toasting her, and I turned to Kel 361 00:17:20,640 --> 00:17:22,359 Speaker 3: and I said, man, your mum used to write me 362 00:17:22,440 --> 00:17:26,080 Speaker 3: these letters on her typewriter and I'd get them at 363 00:17:26,119 --> 00:17:27,879 Speaker 3: work and they were the most touching things. I just 364 00:17:27,880 --> 00:17:29,320 Speaker 3: want you to know she meant the world to me, 365 00:17:29,359 --> 00:17:31,560 Speaker 3: and she's a big reason why I went a little 366 00:17:31,560 --> 00:17:34,560 Speaker 3: bit further, like I don't think Boycewaller's universe would have 367 00:17:34,600 --> 00:17:37,000 Speaker 3: been written without her encouragement. She'd write me these most 368 00:17:37,000 --> 00:17:41,679 Speaker 3: amazing letters. Miss Olivetti was her best friend. And he goes, ah, well, 369 00:17:41,720 --> 00:17:44,840 Speaker 3: there was one more thing, mum requested Tramp, and he 370 00:17:45,119 --> 00:17:47,399 Speaker 3: opens up the back of the Subaru, leans in and 371 00:17:47,400 --> 00:17:51,119 Speaker 3: pulls out a sky blue Olivetti typewriter and it's Kat's typewriter, 372 00:17:51,200 --> 00:17:52,840 Speaker 3: and he says, she wanted you to have it, best 373 00:17:52,880 --> 00:17:54,120 Speaker 3: best gift they ever received. 374 00:17:54,560 --> 00:17:56,960 Speaker 1: That was the moment that I messaged you because I'd 375 00:17:56,960 --> 00:17:57,679 Speaker 1: started crying. 376 00:17:58,720 --> 00:18:03,159 Speaker 2: Wow. Wow, Yes, what a gift, What an amazing gift. 377 00:18:03,520 --> 00:18:05,359 Speaker 3: And she ties back to that stuff I'm telling you 378 00:18:05,400 --> 00:18:08,000 Speaker 3: about about like she had it right, you know, like 379 00:18:08,320 --> 00:18:11,040 Speaker 3: she's the woman who sends the other Christmas cards at 380 00:18:11,119 --> 00:18:13,840 Speaker 3: you know who you know at Christmas time, even if 381 00:18:13,840 --> 00:18:15,560 Speaker 3: you haven't sent one back for five years. 382 00:18:15,600 --> 00:18:16,080 Speaker 2: You know what I mean. 383 00:18:16,119 --> 00:18:18,359 Speaker 3: It's that that type of human being. It's just like 384 00:18:18,720 --> 00:18:20,040 Speaker 3: I just want to I just want to reach that 385 00:18:20,160 --> 00:18:21,240 Speaker 3: level of humanity, you know. 386 00:18:22,200 --> 00:18:24,400 Speaker 1: Yeah, I think you're well on your way if you're 387 00:18:24,400 --> 00:18:27,520 Speaker 1: not there already. Thank you so much, Trent Dalton. You've 388 00:18:27,560 --> 00:18:29,600 Speaker 1: given me so much extra time today and you are 389 00:18:29,640 --> 00:18:31,080 Speaker 1: absolutely awesome. 390 00:18:31,320 --> 00:18:33,480 Speaker 3: One of the great pleasures of my life. Lola, thanks 391 00:18:33,480 --> 00:18:34,480 Speaker 3: for having me happy. 392 00:18:36,440 --> 00:18:42,080 Speaker 1: That's a wrap on another episode of Fearlessly Failing. As always, 393 00:18:42,200 --> 00:18:45,600 Speaker 1: thank you to our guests, and let's continue the conversation 394 00:18:45,760 --> 00:18:51,520 Speaker 1: on Instagram. I'm at Gyumo Lollaberry. This potty my word 395 00:18:51,560 --> 00:18:56,320 Speaker 1: for podcast is available on all streaming platforms. I'd love 396 00:18:56,320 --> 00:18:59,399 Speaker 1: it if you could subscribe, rate and comment, and of 397 00:18:59,440 --> 00:19:01,040 Speaker 1: course spread the loud