1 00:00:00,080 --> 00:00:01,320 Speaker 1: We're very excited about this. 2 00:00:02,400 --> 00:00:04,520 Speaker 2: We only found out about a week beforehand, and normally 3 00:00:04,519 --> 00:00:06,720 Speaker 2: we don't normally get these chats, but we got a 4 00:00:06,800 --> 00:00:08,680 Speaker 2: chat with Billy Eilish, which and I think it's rare 5 00:00:08,680 --> 00:00:10,400 Speaker 2: that you and I have someone that we're both. 6 00:00:10,280 --> 00:00:12,719 Speaker 1: Kind of equally in adoration of. 7 00:00:12,840 --> 00:00:17,480 Speaker 2: But she's she's in the pocket probably one hundred and 8 00:00:17,520 --> 00:00:19,560 Speaker 2: fifty million people right now who think she's just the 9 00:00:19,600 --> 00:00:20,760 Speaker 2: absolute cat's pajamas. 10 00:00:20,760 --> 00:00:22,400 Speaker 3: And there's a reason why she's so popular, and that 11 00:00:22,480 --> 00:00:25,760 Speaker 3: is because she's just bloody. Also, the great news is 12 00:00:25,800 --> 00:00:28,560 Speaker 3: she exceeded all expectations. Now we're about to play the chat, 13 00:00:28,560 --> 00:00:30,760 Speaker 3: but we just thought before we play the audio of 14 00:00:30,880 --> 00:00:35,080 Speaker 3: the chat with Billy Ye. This thing was done at, 15 00:00:35,120 --> 00:00:37,760 Speaker 3: like we're saying it probably a forty million dollar property. 16 00:00:37,840 --> 00:00:40,440 Speaker 3: Can't say where it was, but there were views of 17 00:00:40,560 --> 00:00:41,240 Speaker 3: a harbor. 18 00:00:41,960 --> 00:00:43,800 Speaker 1: We can say it's the Sydney Harbor. That's fine. There's 19 00:00:43,840 --> 00:00:45,320 Speaker 1: enough there will too much. 20 00:00:46,280 --> 00:00:48,040 Speaker 4: People might be able to figure it out. But because 21 00:00:48,040 --> 00:00:49,920 Speaker 4: paps and stuff are, they're nuts. 22 00:00:50,280 --> 00:00:51,880 Speaker 2: Gone there when we got there and then one of 23 00:00:51,920 --> 00:00:53,640 Speaker 2: the record rips out the front and we were like, 24 00:00:53,680 --> 00:00:55,560 Speaker 2: oh wow, cool location. He was like, yeah, the paps 25 00:00:55,560 --> 00:00:58,480 Speaker 2: have already found it though, so she's hunted. 26 00:00:58,640 --> 00:01:00,640 Speaker 1: So I started posing just in you never know. 27 00:01:01,800 --> 00:01:04,480 Speaker 3: Anyway, we walk down there, walking to the house, and 28 00:01:04,560 --> 00:01:08,080 Speaker 3: it's it's it's such a surreal experience because you see 29 00:01:08,120 --> 00:01:09,600 Speaker 3: Billy there she is, and she was. 30 00:01:10,160 --> 00:01:12,080 Speaker 2: Through about three security guards. So we're just hanging out 31 00:01:12,080 --> 00:01:12,880 Speaker 2: in the foyer of. 32 00:01:12,840 --> 00:01:16,080 Speaker 3: Course, and then there's Billy looking over a fence into 33 00:01:16,120 --> 00:01:18,160 Speaker 3: Sydney Harbor and it's one of those weird things where 34 00:01:18,160 --> 00:01:21,560 Speaker 3: it's like we do we walk over to her and 35 00:01:21,640 --> 00:01:23,679 Speaker 3: like introduce ourselves and then start the chat or do 36 00:01:23,720 --> 00:01:26,400 Speaker 3: we wait for her to engage with us anyway? 37 00:01:26,400 --> 00:01:28,520 Speaker 2: We chose the latter, yeah, which I think was a 38 00:01:28,560 --> 00:01:30,759 Speaker 2: good decision in there, let her have a time, want 39 00:01:30,760 --> 00:01:31,559 Speaker 2: to like, you know, call. 40 00:01:31,440 --> 00:01:34,520 Speaker 1: Out to her. That's it, yeah, exactly. Yeah, Yeah, would 41 00:01:34,520 --> 00:01:35,039 Speaker 1: have been stange. 42 00:01:35,120 --> 00:01:38,040 Speaker 3: So we sat down in our chairs and I'm pretty 43 00:01:38,120 --> 00:01:40,920 Speaker 3: happy that there's no audio of this, but then we 44 00:01:41,000 --> 00:01:43,800 Speaker 3: engaged in I think some of the world you engaged. 45 00:01:46,160 --> 00:01:49,680 Speaker 2: I was slightly involved because but what they're sitting out 46 00:01:49,720 --> 00:01:51,800 Speaker 2: the audio and the cameras and by the those like 47 00:01:51,840 --> 00:01:55,680 Speaker 2: fifteen to twenty people kind of just circulating around three chairs, 48 00:01:55,680 --> 00:01:59,680 Speaker 2: which is incredibly uncomfortable. There's someone there's microphones on these 49 00:01:59,760 --> 00:02:02,120 Speaker 2: chairs next to an infinity pool overlooking the harbor, so 50 00:02:02,560 --> 00:02:06,320 Speaker 2: there's plenty going on. Her mum's there, I recognized from 51 00:02:06,360 --> 00:02:10,600 Speaker 2: the docco her record or her publicist is there as well, 52 00:02:10,800 --> 00:02:12,959 Speaker 2: just kind of sitting and waiting for you, by the way, 53 00:02:13,000 --> 00:02:14,160 Speaker 2: so everyone's watching you. 54 00:02:14,240 --> 00:02:16,680 Speaker 1: There's two cameras on you, two cameras on her, and. 55 00:02:16,639 --> 00:02:18,480 Speaker 4: She's walked over by this hade and introduced herself. 56 00:02:19,120 --> 00:02:22,600 Speaker 1: She's casual, she's chill, and me she's so cool. 57 00:02:23,680 --> 00:02:26,480 Speaker 2: She's wearing a classic cool outfit, which is just you know, 58 00:02:26,560 --> 00:02:28,799 Speaker 2: she looks like she's about to drop in at the 59 00:02:28,800 --> 00:02:31,079 Speaker 2: skate park, which, as you said to me afterwards, like 60 00:02:31,080 --> 00:02:32,440 Speaker 2: I don't think anyone else can pull that off at 61 00:02:32,480 --> 00:02:33,080 Speaker 2: the moment. 62 00:02:32,840 --> 00:02:34,079 Speaker 1: I don't think so, but she can. 63 00:02:34,160 --> 00:02:37,480 Speaker 2: She's got the seat that the spectacles, the square spectacles 64 00:02:37,480 --> 00:02:39,200 Speaker 2: on with those eyes that we. 65 00:02:39,120 --> 00:02:39,959 Speaker 1: All know so well. 66 00:02:40,160 --> 00:02:42,560 Speaker 2: The baggy shirt, she's got the three quarter shorts, the 67 00:02:42,560 --> 00:02:47,000 Speaker 2: baggy shirt, and then the bit that we both last on. 68 00:02:47,320 --> 00:02:49,280 Speaker 2: Then we had the moment I think we both realized 69 00:02:49,560 --> 00:02:51,520 Speaker 2: I've got something relatable I can talk to her about. 70 00:02:51,919 --> 00:02:53,640 Speaker 2: I used to wear those skate shoes when I was 71 00:02:53,639 --> 00:02:54,560 Speaker 2: in year six. 72 00:02:55,000 --> 00:02:57,079 Speaker 3: And then all of a sudden, we're talking about look 73 00:02:57,080 --> 00:02:59,880 Speaker 3: at the cushion on your tongue of your shoes compared 74 00:02:59,880 --> 00:03:02,320 Speaker 3: to cushion on my tongue. And I even presented my 75 00:03:02,440 --> 00:03:05,960 Speaker 3: foot to show her how thin my tongue was. Thankfully 76 00:03:06,560 --> 00:03:07,720 Speaker 3: none of that was recorded. 77 00:03:08,560 --> 00:03:09,680 Speaker 1: No, I'll never see a lot of day. 78 00:03:09,720 --> 00:03:12,640 Speaker 3: But just after I presented the tongue of my shoe 79 00:03:12,680 --> 00:03:14,799 Speaker 3: to her, the interview did start. And I think before 80 00:03:14,800 --> 00:03:18,640 Speaker 3: we play the audio, I got an interesting question early, 81 00:03:19,200 --> 00:03:21,959 Speaker 3: but then afterwards you deliver a compliment and it gets 82 00:03:21,960 --> 00:03:25,400 Speaker 3: pretty bloody emotional. So here is our chat with Billy. 83 00:03:27,240 --> 00:03:27,560 Speaker 1: Billy. 84 00:03:27,760 --> 00:03:31,239 Speaker 3: Wow, so lovely to meet you in person. Yeah, there's 85 00:03:31,280 --> 00:03:33,760 Speaker 3: so much we want to talk about with the new album. 86 00:03:33,880 --> 00:03:36,320 Speaker 3: But before we get into that, I've heard you talk 87 00:03:36,360 --> 00:03:38,760 Speaker 3: before about the fun that you try and keep with 88 00:03:38,800 --> 00:03:40,880 Speaker 3: Phineas during the writing process. 89 00:03:41,240 --> 00:03:43,360 Speaker 4: And there's a game that you play. I don't think 90 00:03:43,400 --> 00:03:46,280 Speaker 4: Will knows the game. I don't even know the game 91 00:03:47,040 --> 00:03:48,680 Speaker 4: called fear or Fart. 92 00:03:48,840 --> 00:03:51,720 Speaker 5: Oh God, I should have never brought this up to 93 00:03:51,840 --> 00:03:54,680 Speaker 5: the world. Yes, it's true, true. 94 00:03:54,800 --> 00:03:58,000 Speaker 4: Can you explain to Will what the game it is? 95 00:03:58,640 --> 00:04:01,920 Speaker 5: Oh? God, Okay, this is why I can't share things. 96 00:04:02,560 --> 00:04:03,400 Speaker 4: Sorry, I'm sorry. 97 00:04:03,400 --> 00:04:03,960 Speaker 1: I love this. 98 00:04:04,280 --> 00:04:07,600 Speaker 5: Okay, Well, it's very simple. Basically, there's a there's two 99 00:04:07,640 --> 00:04:10,160 Speaker 5: categories and everything in the world can be put into 100 00:04:10,200 --> 00:04:13,680 Speaker 5: these two categories. And the categories are fear or far. 101 00:04:14,560 --> 00:04:19,719 Speaker 5: And it's basically like fear. Fear is like, you know, 102 00:04:20,279 --> 00:04:23,000 Speaker 5: the second guessing of it all, kind of being self conscious, 103 00:04:23,040 --> 00:04:26,520 Speaker 5: self deprecating, the you're doing it out of fear, not 104 00:04:26,560 --> 00:04:28,960 Speaker 5: out of fear, but it's like it comes from a 105 00:04:29,000 --> 00:04:31,800 Speaker 5: place of like not being sure and not being And 106 00:04:31,839 --> 00:04:33,960 Speaker 5: then fart is like you like the smell of your 107 00:04:34,000 --> 00:04:36,680 Speaker 5: own farts. You can do no wrong. You are, You're 108 00:04:36,680 --> 00:04:37,720 Speaker 5: the greatest to ever do it. 109 00:04:38,680 --> 00:04:39,919 Speaker 4: What about for Will and I You've only known this 110 00:04:39,960 --> 00:04:40,920 Speaker 4: for about ten seconds now. 111 00:04:42,560 --> 00:04:44,440 Speaker 5: I think fear is in the moment right in front 112 00:04:44,480 --> 00:04:46,960 Speaker 5: of me. It's a little fear, but that's good. But 113 00:04:47,120 --> 00:04:48,960 Speaker 5: the thing is that it doesn't mean good or bad. 114 00:04:49,080 --> 00:04:51,240 Speaker 5: It just means fear or fart totally, you know what 115 00:04:51,279 --> 00:04:54,279 Speaker 5: I'm saying. So like, like my first album, When We 116 00:04:54,320 --> 00:04:57,200 Speaker 5: All Fall Asleepoord we Go was fear. My second album, 117 00:04:57,240 --> 00:05:00,799 Speaker 5: Happier Than Ever was fart. Yeah, and this new album 118 00:05:00,920 --> 00:05:01,200 Speaker 5: was Fear. 119 00:05:01,800 --> 00:05:03,680 Speaker 1: Yeah, for sure, what did you just right down? 120 00:05:03,720 --> 00:05:07,560 Speaker 2: I wanna well, I just sorry you just mentioned your record, 121 00:05:07,920 --> 00:05:11,600 Speaker 2: so hit me hard and soft and I've got this thing. 122 00:05:12,240 --> 00:05:14,120 Speaker 1: So I said it before this chat. I was like, 123 00:05:14,240 --> 00:05:15,560 Speaker 1: this is going to be really intimidating. 124 00:05:15,600 --> 00:05:17,720 Speaker 2: I don't normally get intimidated, but I've just listened to 125 00:05:17,800 --> 00:05:22,960 Speaker 2: that record so much, and I said, like, shitlights six. 126 00:05:23,320 --> 00:05:26,920 Speaker 2: So I had this moment where I was listening to it, 127 00:05:27,000 --> 00:05:30,000 Speaker 2: probably in December. I was traveling by myself, and I 128 00:05:30,080 --> 00:05:32,680 Speaker 2: was like, if I ever get the chance to say 129 00:05:32,680 --> 00:05:34,680 Speaker 2: this to her, I'm going to say this to her. 130 00:05:34,880 --> 00:05:36,200 Speaker 2: So yeah, I've had a bit of time to think 131 00:05:36,240 --> 00:05:37,760 Speaker 2: about this, and I didn't know we have this interview 132 00:05:37,839 --> 00:05:39,240 Speaker 2: until like a week ago, and I was like, oh 133 00:05:39,240 --> 00:05:41,000 Speaker 2: my god, I've got to tell her the thing. 134 00:05:41,200 --> 00:05:43,200 Speaker 1: Tell me okay, you're ready. 135 00:05:43,520 --> 00:05:45,840 Speaker 2: Yeah, So I said, I like words, and I just 136 00:05:45,880 --> 00:05:49,479 Speaker 2: feel like I've written this in a words Yeah. So 137 00:05:49,480 --> 00:05:51,800 Speaker 2: I've written this kind of like I'm saying it to 138 00:05:51,920 --> 00:05:53,320 Speaker 2: you rather than as a review. 139 00:05:53,440 --> 00:05:55,679 Speaker 1: But it's largely about the last two. 140 00:05:55,520 --> 00:05:58,040 Speaker 2: Songs, which I think are probably your best two songs. 141 00:05:58,160 --> 00:05:59,560 Speaker 2: Oh my god, particularly together. 142 00:06:00,279 --> 00:06:00,640 Speaker 1: Thanks. 143 00:06:00,760 --> 00:06:04,440 Speaker 4: Okay, don't get farty after this, I can see you 144 00:06:04,480 --> 00:06:08,039 Speaker 4: getting farty, getting a little farty for Billy. 145 00:06:09,279 --> 00:06:12,320 Speaker 2: The outro to Bittersweet is the intro to Blue, just 146 00:06:12,360 --> 00:06:14,559 Speaker 2: as the outro to this record feels like the intro 147 00:06:14,680 --> 00:06:18,200 Speaker 2: to a New You from brassy open filter. Since, through 148 00:06:18,279 --> 00:06:22,279 Speaker 2: sultry bohemian serenades, befitting the mul on rouge, you chant 149 00:06:22,320 --> 00:06:25,960 Speaker 2: with ghostly wisdom. I'm still on my knees, and that's 150 00:06:26,000 --> 00:06:28,280 Speaker 2: the moment I realized that this record will be beyond 151 00:06:28,320 --> 00:06:32,279 Speaker 2: your teenage tenacity. For when the rolling drums have Blue hit, 152 00:06:32,560 --> 00:06:35,960 Speaker 2: refraining many of this record's familiar melodies, you start to 153 00:06:36,040 --> 00:06:38,919 Speaker 2: undermine their meaning. I told you a lie, you say, 154 00:06:39,200 --> 00:06:43,159 Speaker 2: foreshadowing a depth which echoes through that final track. For 155 00:06:43,200 --> 00:06:45,480 Speaker 2: I challenge anyone listening to it not to uncover a 156 00:06:45,520 --> 00:06:48,800 Speaker 2: blueness beyond its simple definition. And as I learn of 157 00:06:48,800 --> 00:06:51,239 Speaker 2: this song's origins, maybe that is what you once meant. 158 00:06:51,680 --> 00:06:54,200 Speaker 2: But as your music has grown, so have you, And 159 00:06:54,360 --> 00:06:57,440 Speaker 2: like all great artists, your songs no longer answer questions, 160 00:06:57,920 --> 00:07:02,880 Speaker 2: but ask them. And so as the percussive ratatat tat 161 00:07:03,000 --> 00:07:06,760 Speaker 2: of the final Latin style drop arrives, I don't blame 162 00:07:06,839 --> 00:07:09,960 Speaker 2: you but I can't change you. Don't hate you, but 163 00:07:10,040 --> 00:07:13,880 Speaker 2: we can't save you. We're given this thesis. The blue 164 00:07:13,960 --> 00:07:16,400 Speaker 2: is not to be afraid of. That blue as humans 165 00:07:16,440 --> 00:07:18,760 Speaker 2: is what we are. And the faster we accept the 166 00:07:18,880 --> 00:07:22,880 Speaker 2: victimhood of our father's plans as the violin's wail, the 167 00:07:22,960 --> 00:07:23,680 Speaker 2: faster we can. 168 00:07:23,600 --> 00:07:24,720 Speaker 1: See how beautiful that is. 169 00:07:25,880 --> 00:07:30,880 Speaker 2: Who is this woman, This woman who has documented her 170 00:07:31,000 --> 00:07:33,720 Speaker 2: plight with such touching honesty so as to make the 171 00:07:33,760 --> 00:07:37,400 Speaker 2: most eloquent coming of age art of her generation. This 172 00:07:37,440 --> 00:07:40,040 Speaker 2: woman who, since a girl, has laid bare her suffering 173 00:07:40,120 --> 00:07:43,880 Speaker 2: with such ferocity that it now burns like a lighthouse 174 00:07:43,920 --> 00:07:46,400 Speaker 2: of relief for anyone who may have lost their way. 175 00:07:47,400 --> 00:07:51,320 Speaker 2: What a gift that is, What a gift you are. 176 00:07:51,440 --> 00:07:58,080 Speaker 5: Oh my god, everybody's gonna cry over there from Will. 177 00:07:58,920 --> 00:08:03,920 Speaker 1: That's amazing. Well wow, yeah I didn't really know. I 178 00:08:03,960 --> 00:08:04,320 Speaker 1: just wanted to. 179 00:08:04,440 --> 00:08:07,920 Speaker 5: When did you read that, like right after today? 180 00:08:08,960 --> 00:08:10,440 Speaker 1: Yeah, that's amazing. 181 00:08:10,880 --> 00:08:14,640 Speaker 2: Thanks, thank you, thank you for thanks for the thank 182 00:08:14,720 --> 00:08:15,440 Speaker 2: you for the music. 183 00:08:15,640 --> 00:08:17,920 Speaker 5: That is so so. 184 00:08:18,720 --> 00:08:20,840 Speaker 2: I realized that you kind of I read that Phineas 185 00:08:20,880 --> 00:08:22,680 Speaker 2: wasn't on the road with you, and I feel realized 186 00:08:22,680 --> 00:08:24,160 Speaker 2: it might be a bit lonely and you probably don't 187 00:08:24,200 --> 00:08:26,120 Speaker 2: get a lot of, like, you know, just good pump 188 00:08:26,240 --> 00:08:26,800 Speaker 2: ups and stuff. 189 00:08:26,840 --> 00:08:29,000 Speaker 1: So I kind of wanted to give you a compliment. 190 00:08:30,520 --> 00:08:33,160 Speaker 2: And just say thank you for everything. 191 00:08:35,360 --> 00:08:42,320 Speaker 5: You bring up my brother and I'm like, I'm totally fine. 192 00:08:42,400 --> 00:08:44,880 Speaker 2: Yeah, I can imagine you guys actually close relationship with 193 00:08:44,960 --> 00:08:47,040 Speaker 2: someone like that and you make something like that and 194 00:08:47,040 --> 00:08:49,480 Speaker 2: then like the person that unlocks all that stuff within 195 00:08:49,520 --> 00:08:51,440 Speaker 2: you is not there to do it with you. 196 00:08:51,480 --> 00:08:55,960 Speaker 1: That must be tough. Sorry, I just I've been really 197 00:08:56,000 --> 00:08:59,839 Speaker 1: feeling you recently. Yeah, well thanks for the. 198 00:08:59,800 --> 00:09:03,800 Speaker 5: Music, Thanks for that. Wow, we all got tears in 199 00:09:03,880 --> 00:09:06,920 Speaker 5: this bit. Wow, my god. 200 00:09:07,200 --> 00:09:08,320 Speaker 1: And I think your shoes are cool. 201 00:09:11,400 --> 00:09:12,160 Speaker 2: Thank you so much. 202 00:09:12,400 --> 00:09:16,360 Speaker 5: Pleasure christ you both have like stunning beautiful blue eyes. 203 00:09:17,000 --> 00:09:17,319 Speaker 5: It's all. 204 00:09:19,000 --> 00:09:19,240 Speaker 4: I was. 205 00:09:19,280 --> 00:09:23,360 Speaker 5: Also hearing you read that, I mean, so well put 206 00:09:23,520 --> 00:09:26,760 Speaker 5: and so beautiful, and so I feel like you. I 207 00:09:26,760 --> 00:09:29,320 Speaker 5: felt so seen and understood, and I just think he's 208 00:09:29,360 --> 00:09:31,960 Speaker 5: for writing that. And also all I could hear was 209 00:09:32,200 --> 00:09:35,720 Speaker 5: h two oh when you were talking because it's Australian. 210 00:09:36,240 --> 00:09:40,640 Speaker 5: We're in Australia, and I was, yeah, anyway, I love it. 211 00:09:40,920 --> 00:09:42,600 Speaker 3: Just on your brother, actually was it was it hard 212 00:09:42,640 --> 00:09:45,440 Speaker 3: to I know, Phineas in your writing process. Wants to 213 00:09:45,480 --> 00:09:47,000 Speaker 3: know what's going on when you come up with a 214 00:09:47,080 --> 00:09:49,480 Speaker 3: lyric yeah or whatnot? Was it is it hard to 215 00:09:49,520 --> 00:09:51,920 Speaker 3: reveal to Phineas the stuff that's going on for you 216 00:09:52,000 --> 00:09:53,040 Speaker 3: when you're when you're writing. 217 00:09:54,200 --> 00:09:58,120 Speaker 5: Honestly, of all people know, of all the people in 218 00:09:58,160 --> 00:10:02,079 Speaker 5: the world, Phineas is the kind of the one person 219 00:10:02,120 --> 00:10:06,040 Speaker 5: that I feel like I could say absolutely anything to 220 00:10:06,440 --> 00:10:09,880 Speaker 5: And I don't feel like scared, if anything. I think 221 00:10:09,920 --> 00:10:11,600 Speaker 5: when I do feel scared to tell him the truth, 222 00:10:11,600 --> 00:10:14,360 Speaker 5: it's more just that I don't want him to worry 223 00:10:14,400 --> 00:10:19,720 Speaker 5: about me or think I'm lame, but he doesn't ever 224 00:10:20,000 --> 00:10:23,920 Speaker 5: And and you know the times when I've been too 225 00:10:23,960 --> 00:10:27,439 Speaker 5: scared to tell him something, when I do tell him, 226 00:10:27,840 --> 00:10:30,200 Speaker 5: I always am like, Oh, why was I worried? 227 00:10:30,240 --> 00:10:31,000 Speaker 4: It's just Phineas. 228 00:10:31,040 --> 00:10:33,000 Speaker 5: He loves me so much and he'll always love me, 229 00:10:33,040 --> 00:10:35,880 Speaker 5: And it's just so amazing to have somebody like that. 230 00:10:36,000 --> 00:10:38,800 Speaker 5: I feel like we all deserve to have somebody like 231 00:10:38,840 --> 00:10:41,320 Speaker 5: that where it's just doesn't matter. You could say anything 232 00:10:41,360 --> 00:10:45,640 Speaker 5: and they would be just as much there as they are. 233 00:10:46,480 --> 00:10:50,400 Speaker 5: So yeah, Wow, I'm so touched by that. What do 234 00:10:50,480 --> 00:10:52,319 Speaker 5: you call that? Like a it's not really is it 235 00:10:52,360 --> 00:10:57,440 Speaker 5: a poem. 236 00:10:58,240 --> 00:10:59,679 Speaker 2: That's really what I wanted because I was like, how 237 00:10:59,720 --> 00:11:02,520 Speaker 2: do I there's no question I can ask you, which 238 00:11:02,559 --> 00:11:04,880 Speaker 2: is gonna Like, I would rather just tell you how 239 00:11:04,960 --> 00:11:05,520 Speaker 2: good you are? 240 00:11:06,280 --> 00:11:09,120 Speaker 1: Great you are, rather than do you want to keep this? 241 00:11:09,280 --> 00:11:09,400 Speaker 5: Oh? 242 00:11:09,480 --> 00:11:11,280 Speaker 2: Yeah, I wrote it down so I could rip it 243 00:11:11,320 --> 00:11:11,640 Speaker 2: out for you. 244 00:11:11,760 --> 00:11:13,640 Speaker 4: Oh my god, I would love to keep it. 245 00:11:14,600 --> 00:11:17,560 Speaker 5: Also, just what you said after also like so touching 246 00:11:17,640 --> 00:11:19,760 Speaker 5: and it just really means a lot to me. Thank 247 00:11:19,800 --> 00:11:20,439 Speaker 5: you so much. 248 00:11:20,480 --> 00:11:23,319 Speaker 2: Good. I don't know how many people would just eye 249 00:11:23,360 --> 00:11:27,120 Speaker 2: bore you and tell you that. I'm sure lots of 250 00:11:27,120 --> 00:11:27,480 Speaker 2: people do. 251 00:11:27,559 --> 00:11:28,640 Speaker 1: But I get a chance to write it. 252 00:11:28,760 --> 00:11:30,480 Speaker 5: Oh my god, thank you so much. 253 00:11:30,679 --> 00:11:31,040 Speaker 1: Pleasure. 254 00:11:31,280 --> 00:11:34,040 Speaker 5: That was amazing. Wow, that just made my day. Thank 255 00:11:34,080 --> 00:11:35,880 Speaker 5: you so much. Guys, are you coming to the show? 256 00:11:36,160 --> 00:11:41,640 Speaker 3: Yes, next Wednesday, we're coming locked in good Yeah, pretty. 257 00:11:41,280 --> 00:11:45,440 Speaker 1: Cool, super cool, Yeah, super rattling. 258 00:11:45,679 --> 00:11:48,080 Speaker 4: We had a chat before Hamah. 259 00:11:48,080 --> 00:11:50,280 Speaker 3: It was like, it'd be nice for her to have 260 00:11:50,400 --> 00:11:52,880 Speaker 3: the words as well, so potentially you can rewrite it 261 00:11:52,880 --> 00:11:54,520 Speaker 3: because you'd handwritten. 262 00:11:53,960 --> 00:11:54,959 Speaker 1: The open letter. 263 00:11:55,080 --> 00:11:57,280 Speaker 3: Yeah, but we also both decided that it would be 264 00:11:57,320 --> 00:12:00,440 Speaker 3: weird for you to offer her afterwards, like, hey, do 265 00:12:00,480 --> 00:12:02,440 Speaker 3: you want the letter that I wrote you? But there 266 00:12:02,480 --> 00:12:04,600 Speaker 3: was eyes said, or do you want the letter that 267 00:12:04,600 --> 00:12:06,800 Speaker 3: we'll wrote you? And she like, I think you can 268 00:12:06,840 --> 00:12:09,240 Speaker 3: tell when someone like at that level of fame is 269 00:12:09,280 --> 00:12:11,200 Speaker 3: just saying yes, because it's like I'll be rude to 270 00:12:11,240 --> 00:12:15,400 Speaker 3: say yeah, you know, she like she really. 271 00:12:15,120 --> 00:12:16,000 Speaker 1: Did want those. Yeah. 272 00:12:16,120 --> 00:12:18,120 Speaker 4: So I mean, in my head, she's reread that a 273 00:12:18,160 --> 00:12:18,880 Speaker 4: number of times. 274 00:12:18,960 --> 00:12:20,800 Speaker 2: Same in my head, why is she Yeah, I think 275 00:12:20,800 --> 00:12:23,480 Speaker 2: she's put in a scrap book like my favorite things. 276 00:12:23,559 --> 00:12:25,920 Speaker 4: I'm thinking pillow case, he sleeps, she sleeps, the. 277 00:12:25,840 --> 00:12:26,360 Speaker 1: Other the other. 278 00:12:26,440 --> 00:12:29,320 Speaker 2: The other point this worth mentioning is so we had 279 00:12:29,360 --> 00:12:30,880 Speaker 2: this moment with her, We have that she takes the 280 00:12:31,200 --> 00:12:33,600 Speaker 2: notes off us and then I was mentioned before her 281 00:12:33,679 --> 00:12:35,679 Speaker 2: mum and her pr agent is sitting there, so we've 282 00:12:35,720 --> 00:12:37,120 Speaker 2: got to walk past her mom. 283 00:12:37,559 --> 00:12:39,160 Speaker 1: Yeah, and her mom is sitting there. 284 00:12:39,000 --> 00:12:43,040 Speaker 2: With just she's clearly been crying quite a lot. Yeah, 285 00:12:43,200 --> 00:12:46,040 Speaker 2: And she stopped me, and I didn't realize it was 286 00:12:46,040 --> 00:12:48,600 Speaker 2: her mum until sort of afterwards, and then she said 287 00:12:48,679 --> 00:12:50,360 Speaker 2: she stopped me, and she said to me, she was like, 288 00:12:50,600 --> 00:12:53,240 Speaker 2: thank can like as her like from her a mother, 289 00:12:53,720 --> 00:12:55,440 Speaker 2: Can I just say to you because you forget like 290 00:12:55,480 --> 00:12:57,640 Speaker 2: it's Billie Eilish, right, it's not a daughter, it's not 291 00:12:57,679 --> 00:12:58,680 Speaker 2: a she's not a girl. 292 00:12:59,240 --> 00:13:03,840 Speaker 1: She's the star. And her mum said to me, thank you. 293 00:13:03,280 --> 00:13:06,000 Speaker 2: So much for telling her that, like she really needed that, 294 00:13:06,360 --> 00:13:10,079 Speaker 2: which just yeah, again validated the whole thing. 295 00:13:10,320 --> 00:13:10,480 Speaker 5: Was. 296 00:13:10,559 --> 00:13:11,160 Speaker 1: It was awesome. 297 00:13:11,200 --> 00:13:13,000 Speaker 2: It was really one of the coolest things I've ever done. 298 00:13:13,120 --> 00:13:14,040 Speaker 1: Was it felt very good. 299 00:13:14,120 --> 00:13:16,040 Speaker 3: And if you want to watch it, yeah, you can 300 00:13:16,360 --> 00:13:18,760 Speaker 3: on Instagram and TikTok.