Speaker 1: It's in the news today, but it was actually on
Speaker 1: TV Reload, the podcast Past Detailine.
Speaker 2: Welcome back guys to TV Reload. As you may know,
Speaker 2: my name is Benjamin Norris and this is your podcast
Speaker 2: to get all the inside goss on the popular TV
Speaker 2: shows you may be watching from around the world. Undeniably,
Speaker 2: our TV sets are a major part of our home entertainment,
Speaker 2: and yet very little is known about how our favorite
Speaker 2: shows get made. So each episode I've been finding guests
Speaker 2: that want to dive just that little bit deeper into
Speaker 2: the shows they're currently making, so that you can hear
Speaker 2: all their exclusive stories and gain access to the biggest
Speaker 2: names in Australian television. I want to thank you for
Speaker 2: downloading or subscribing to this podcast however you've found it.
Speaker 2: I love hearing your feedback, so make sure you leave
Speaker 2: a review or a comment on your chosen podcast platform.
Speaker 2: On today's chat, I'm joined by the delightfully talented Kate
Speaker 2: Box and Madeline Sami, who both feature in the leading
Speaker 2: role of Deadlock, which has just started on Prime Video
Speaker 2: of Australia. Kate Box is an Australian stage, film and
Speaker 2: television actress. I particularly know her role as Lou Kelly
Speaker 2: and Wentworth. Credits are endless and I feel like her
Speaker 2: career is just heating up. Madeleine Sami is a New
Speaker 2: Zealand actress, director, comedian and musician. She started her acting
Speaker 2: career in theater before moving into television, where she created,
Speaker 2: wrote and starred in Super City. They both are fantastic
Speaker 2: in Deadlock, the latest comedy series from the Cats, who
Speaker 2: you would probably know as the creators of the catering
Speaker 2: show said in Tasmania. Deadlock is preparing for its winter
Speaker 2: festival when a local man turns up dead. Two detectives,
Speaker 2: very different in style, played by Kate and Madeleine are
Speaker 2: forced to work together, and I can tell you that
Speaker 2: this story is an absolute riot. I will ask the
Speaker 2: girls if it was hard to get the comedy right,
Speaker 2: and if Madeleine's performance could be distracting for Kate Box
Speaker 2: at times. We will unpack LGBTI content and if we've
Speaker 2: come a long way when it comes to queer storytelling.
Speaker 2: We will also talk about the amazing supporting roles and
Speaker 2: if having a fun set makes a good series. Plus,
Speaker 2: we will get plenty of exclusives from behind Find the
Speaker 2: scenes of Deadlock which I can tell you keeps getting
Speaker 2: better with each episode, so check it out on Prime
Speaker 2: Video Australia. Anyway, let's get both Kate and Madeline into
Speaker 2: the podcast, and guys, I really hope you enjoy this episode.
Speaker 2: Hi girls, how are you both good?
Speaker 3: Good? Thank you? How are you well?
Speaker 2: I'm very well, thank you and so excited to have
Speaker 2: you both here today. You know, I'd heard a lot
Speaker 2: about this project since it started, as I have a
Speaker 2: friend who auditioned and does have a small role in
Speaker 2: the series. But I've been lucky enough to see it
Speaker 2: all and I want to say to you both it
Speaker 2: keeps getting better as it goes along.
Speaker 3: Ah, thank you, thank you the whole thing.
Speaker 2: Yes, I've seen it all and I might as well
Speaker 2: be wearing a T shirt because I'm a big fan.
Speaker 2: But Madeline, the series balances quirky humor with a murder mystery.
Speaker 2: How did this project come about for you? And how
Speaker 2: does it feel trying to blend those two elements together.
Speaker 3: Well, I was.
Speaker 1: Actually involved in the writing process, so I worked on
Speaker 1: episode five of Deadlock, so I lived with the story
Speaker 1: for a long time and the kind of different places
Speaker 1: the Cakes were taking it and trying it, and then
Speaker 1: when I got asked to audition, I thought it was
Speaker 1: I thought the Cakes were doing a joke on me.
Speaker 4: I thought they were doing a brank and yeah, it
Speaker 4: was kinite.
Speaker 1: It was kind of weird because I had sort of
Speaker 1: had when you're writing, you sort of have an idea
Speaker 1: of the character in your head, and it definitely didn't
Speaker 1: look like me, and.
Speaker 3: So you look like this.
Speaker 4: But I was aware, of course along the way, that
Speaker 4: the idea was to subvert a lot of these.
Speaker 1: Kind of crime genre tropes to ccenter women and then
Speaker 1: also to kind of blend comedy and the crime. And
Speaker 1: I always, as a writer thought, how are we going
Speaker 1: to do this, How we're going to balance this, How
Speaker 1: is this going to feel, you know right like tonally?
Speaker 4: How where is this going to sit?
Speaker 1: And so it's been really fun to kind of see
Speaker 1: the finished product now and be like, ah, you know,
Speaker 1: it does have a really balanced it's balanced all those
Speaker 1: elements really well, you know you laugh, But you're also
Speaker 1: still compel to.
Speaker 4: Kind of solve the crime with us as well.
Speaker 1: So I think the Kates have done a really clever
Speaker 1: job of blending those two genres.
Speaker 2: Yeah, they've really navigated that well. Because it feels and
Speaker 2: looks like Mayor of East Town, but it has the
Speaker 2: laughs of Kate and Kate's usual work. Are you excited
Speaker 2: for audiences globally to explore this world that you've been
Speaker 2: able to create.
Speaker 5: Yeah. Absolutely, it feels like it's got a real universal
Speaker 5: language to it. But also I think because it is
Speaker 5: so specifically Australian as well, it's kind of very grounded
Speaker 5: in our home and I think that's going.
Speaker 3: To be exciting for international audiences to watch as well.
Speaker 1: It's I think something that I've always felt like as
Speaker 1: a writer and a performer. Well, I always feel like
Speaker 1: if something is specific enough, and you always see this
Speaker 1: with like an Irish drama or you know, like when
Speaker 1: it's so specific and when it nails all the nuance
Speaker 1: of that of that culture, I feel like it makes
Speaker 1: it more universal, do you know what I mean?
Speaker 4: Because people, it's like you just recognize it.
Speaker 1: It's so well realized that you recognize it and you
Speaker 1: see your family and those people or your friends or whatever,
Speaker 1: even though they're Irish or Swedish and speaking different language
Speaker 1: that they kind of know.
Speaker 4: I think that's what the Caps have achieved.
Speaker 2: I reckon, you know, I want to talk about Taz
Speaker 2: in a little bit. But you know, I grew up
Speaker 2: watching murder mysteries and that probably helps me understand my
Speaker 2: love of true crime. But which murder mystery shows did
Speaker 2: you grow up watching?
Speaker 3: Kin, Yeah, I grew up with a lot of Angela lant.
Speaker 4: Me too. I was obsessed with me, she wrote same.
Speaker 5: I was a real kind of like like Nancy Drew
Speaker 5: detective novels kind of thing that was more my world.
Speaker 3: I was. I was into that.
Speaker 5: I think we were only really allowed to watch in
Speaker 5: half an hour of TV a day, and I think
Speaker 5: I spent that on either Inspector Gadget or a country practice.
Speaker 5: So I didn't necessarily watch heaps of murder mysteries, but
Speaker 5: I did. I used to read them a lot. And
Speaker 5: remember when those Choose your Own Adventure books first came in,
Speaker 5: I actually thought they were magical. I'm like, how is
Speaker 5: this all held in this one book? And I can
Speaker 5: go this way? Yeah, So I was quite obsessed with
Speaker 5: that kind of.
Speaker 1: Like you're really putting, you're really wearing your nerd on
Speaker 1: your sleep.
Speaker 3: I was the same.
Speaker 4: I loved I loved them a lot of it. I
Speaker 4: mean I watched a lot of comedy growing up.
Speaker 1: I loved a lot of sketch comedy and things like that,
Speaker 1: and but like yeah Murder she wrote with big Also
Speaker 1: Magnum p I. I have a really early memory of
Speaker 1: where my sister, seven years younger than me, being born
Speaker 1: and my grandma looking after us and being up and
Speaker 1: because mum and dad were in the hospital, I got
Speaker 1: to stay up and watch Magnum p I, like at
Speaker 1: nine o'clock. And it was like one of my early
Speaker 1: memories of being like, this is what it's like being
Speaker 1: a grown up?
Speaker 5: Is it?
Speaker 4: I like what I see? Like what I see. I'm past,
Speaker 4: I'm up past night, I'm watching Magnum Pi. There's some
Speaker 4: saucy probably there's probably someone in a bikini. At some
Speaker 4: point I was like, there's some BOMs life.
Speaker 2: I'm never going to hear that Magnum p I theme
Speaker 2: song the same way again. I mean, I'm only going
Speaker 2: to think about your sister being born.
Speaker 4: Me being seven. Be you allowed to stay up late?
Speaker 2: O Kate, you're playing it's straight, well not exactly straight,
Speaker 2: but up against a lot of Madeline's comedy. Was that
Speaker 2: hard not to break character?
Speaker 3: Yeah?
Speaker 5: Look, I mean Darls, he's got a fairly massive internal
Speaker 5: life going on that she has to stray in pretty tight.
Speaker 5: I we corpsed a lot, you know, particularly early on.
Speaker 5: There were some takes where we were just like, this
Speaker 5: is so stupid, man, I don't know how to keep
Speaker 5: this together. There was absolutely those yours and then pulling
Speaker 5: yourself back in from that.
Speaker 3: I mean, for me, the thing I've.
Speaker 5: Always got in trouble with my whole life is not
Speaker 5: being able to stop laughing. Like that's what would get
Speaker 5: kicked me, you know, would kick me out of class
Speaker 5: my whole life, through primary school, high school, you know,
Speaker 5: into universities like and so I did have to kind
Speaker 5: of learn pretty hard that, you know, you've got to
Speaker 5: get a certain number of minutes shot every day, and
Speaker 5: so you do have to hold it in at some point.
Speaker 5: But I think the more Dulcy crept into me, and
Speaker 5: I was saying this to Mads, like, I never found
Speaker 5: Mads annoying.
Speaker 3: You know, there's a point where dults just start it's
Speaker 3: like enough enough.
Speaker 5: And I think once I got like I was able
Speaker 5: to kind of get into that brain, get that headspace,
Speaker 5: I found it easier to like hold into Dulcie and
Speaker 5: just find the whirlwind that was happening around me more
Speaker 5: and more infuriating. But in the early weeks of shooting
Speaker 5: that was nearly impossible.
Speaker 1: Also, I think also like in the first few episodes
Speaker 1: when it's like Eddie is just like does not want
Speaker 1: to be in the town.
Speaker 4: Things, you know, like things keep happening. Once we sort
Speaker 4: of started to.
Speaker 1: Actually, you know, once Dy and Dulcie start to work together,
Speaker 1: and you know, people will see this when they watch
Speaker 1: the show, but it does, you know, it starts to
Speaker 1: take on a sort of deeper, darker tone.
Speaker 4: I think the shows as it goes on, I feel
Speaker 4: like it must have been easier then when we were
Speaker 4: kind of yeah.
Speaker 3: It's easier that it was definitely.
Speaker 1: Definitely in the first definitely in the first few episodes
Speaker 1: when it's like when pretty much I was given license
Speaker 1: to absolutely torment tatee box, Yeah, it must have been hard.
Speaker 2: Was that on the page? Because was there a lot
Speaker 2: of ad libbing to your character to have it as
Speaker 2: large as what it is, especially in the early few episodes,
Speaker 2: I mean, or was that ad libbed the green room?
Speaker 4: Yeah, just like just before the take, after the take.
Speaker 3: TV the location, she'd rock up at my house.
Speaker 4: Stepping on the window. I've got a line I want
Speaker 4: to change.
Speaker 2: Yeah, how much of Kate McCartney and Kate mcclennan's work
Speaker 2: had you both seen before starting this project? Sorry, Madeline,
Speaker 2: I know you said that you collaborated with some of
Speaker 2: the writing, but maybe, Kate, what had you seen before
Speaker 2: taking on this role.
Speaker 5: I'd already seen a lot of I think I've kind
Speaker 5: of known their work for quite a long time.
Speaker 3: I just think that they're, you know, a couple of geniuses.
Speaker 5: So I've always been drawn to their comedy because I
Speaker 5: think it really shakes up our community in a way
Speaker 5: that we really need. I think they've worked, They've known
Speaker 5: how to tread this line, you know, and they've just
Speaker 5: gotten better and better at it. I don't know, I
Speaker 5: can't think of a time where they weren't brilliant at
Speaker 5: it actually, but I think, you know, putting it within
Speaker 5: this crime Jon has just allowed it to grow into
Speaker 5: something else as well. And their capacity to writer who
Speaker 5: done it like it's wild, It is a real you do.
Speaker 3: At every turn, You're like, what.
Speaker 1: They're pretty and you know, like, what's impressive being part
Speaker 1: of that writing team as well was that they taught.
Speaker 4: Themselves, how to do it, who done it, and they've
Speaker 4: done it so good and like they're just they are.
Speaker 1: I don't use that word lightly, but I do think
Speaker 1: the Kate's genius is and I think we need to
Speaker 1: we need to say that more because yeah, again, like
Speaker 1: I was familiar with their work, and you know, even
Speaker 1: in those small you know that their attention to detail
Speaker 1: and those and those you know in the catering show
Speaker 1: and the small little jokes here and there, and you
Speaker 1: kind of what's what's so nice to see that be
Speaker 1: given the platform it's been given with Deadlock is so
Speaker 1: cool for them because that you know, we've watched the
Speaker 1: show now we're on this this kind of press tour,
Speaker 1: and so we've seen the show a few times now
Speaker 1: and every time I'm still excited to see it because
Speaker 1: there's just something else I missed. There's so many gigs,
Speaker 1: there's so many visual things, you know that for the
Speaker 1: most part, were written. I mean, you know, we got
Speaker 1: to improve a little bit, but you know, as much
Speaker 1: as kind of time would allow, I guess, but so
Speaker 1: much so much as what was on the page.
Speaker 4: And like the Ksey last night, now, Q and I,
Speaker 4: they cut most of the ed lib.
Speaker 1: Yeah, yeah, yeah, without that, mate, there are a couple
Speaker 1: of lines in there that I got on for sure.
Speaker 2: But I think as well that it's also about creating
Speaker 2: an atmosphere, and it's great that they gave you that
Speaker 2: license to add live a little bit, because I guess
Speaker 2: it's up to then in the editors suite to try
Speaker 2: and pull those performances together and make sure that they're
Speaker 2: coming off the way that they were intended very much.
Speaker 5: I mean the generosity of those two people that it
Speaker 5: was so important to them that we felt like we
Speaker 5: owned Dulcy and Eddie, that everybody, all the characters in
Speaker 5: this show felt like that they owned their character. And
Speaker 5: so for people who were as hard working and as
Speaker 5: little sleeping as those two were, their door was constantly
Speaker 5: open to you know, for any kind of question or
Speaker 5: any any suggestion or you know, any what if. Yeah,
Speaker 5: it was just it was really really important to them
Speaker 5: that we sat inside these characters as our own.
Speaker 2: And you both were in Tasmania for six months, which
Speaker 2: I would say is a long time to give up
Speaker 2: your life and to commit to a role. Is that
Speaker 2: a long shoot for a TV series being made in Australia?
Speaker 3: It was the longest day.
Speaker 5: It was a long no, yeah, I think it went
Speaker 5: was was nine months, but that was not as intense.
Speaker 5: But yeah, it was a long shoot. I think it's
Speaker 5: mad and I I mean maybe had a day off.
Speaker 1: Yeah, we were just about in every scene and you
Speaker 1: know it's still a it's a cop show. So the
Speaker 1: physically it was very demanding as well. It's definitely the
Speaker 1: longest shoot I've done and the most demanding probably. I mean,
Speaker 1: you know, there's a lot of you know, Kate did
Speaker 1: a lot of stunt driving. I don't know if the
Speaker 1: world knows this, but Kate is a very good stunt driver.
Speaker 1: I always felt safe in that.
Speaker 3: Car with you.
Speaker 2: I feel like Kate has just balanced out, you know,
Speaker 2: all of that nerdy reading that we have accused her
Speaker 2: of earlier with you know, some amazing stunt.
Speaker 3: Driving important to bring equilibrium back.
Speaker 4: She is very good.
Speaker 1: I just want to put that out there because you know,
Speaker 1: I remember that first time we shot in the car
Speaker 1: and you had to kind of scared and make the
Speaker 1: dust kind of flyfe and I was like, yeah, pretty
Speaker 1: much pretty hot.
Speaker 4: But yeah, it was it was pretty intense.
Speaker 1: I mean I think it was one week where you know,
Speaker 1: I do it like all my stunts, massive stunts, and
Speaker 1: then I had I had a I had a couple of.
Speaker 4: Massusas and Tazzy that I'd go to the local.
Speaker 1: I just like booked myself in every weekend because I
Speaker 1: just knew, especially as the as the shoot went on
Speaker 1: and the more grueling it got, I just it was
Speaker 1: going to have to do what I could do to survive.
Speaker 3: Tom cruise to the whole thing.
Speaker 1: I did pretty much until the second to last night,
Speaker 1: and there was like it was dark and there was
Speaker 1: a paddock that we had to run across and our
Speaker 1: stunty was like, John was like, do you want to
Speaker 1: get the stundy in for this one?
Speaker 3: I was like, yeah, why not?
Speaker 1: Yeah it looks pretty uneven. I don't want to roll
Speaker 1: my ankle. And so she had a run under the
Speaker 1: only time.
Speaker 2: They say not to work with animals because they can
Speaker 2: be hard.
Speaker 3: How much of that she did work with me?
Speaker 4: Yes, she did have a tough time.
Speaker 2: But the reason why I was asking you that because
Speaker 2: how much of that seal that we'd wore A seal
Speaker 2: was real?
Speaker 3: Always real.
Speaker 1: It's a real seal, the real deal seal. We're gonna
Speaker 1: is it like a magician about Yeah, we allowed to
Speaker 1: talk about the seal. I feel like I feel like
Speaker 1: the Greyhound.
Speaker 3: The Greyhound was very real.
Speaker 2: I just wanted to know because I kept looking at
Speaker 2: that seal and wanting to know how much of it
Speaker 2: was real.
Speaker 3: Ok, it's so amazing, Benches director extraordinary.
Speaker 1: I mean, there was an exhaustive process auditioning the seal.
Speaker 1: We we went to many oceans. Yeah, all the oceans,
Speaker 1: all the big oceans, submitted.
Speaker 5: Yeah, doing a chemistry read with the.
Speaker 1: Yeah. Yeah, but we we landed on the right seal
Speaker 1: with just the right amount of just the right lack
Speaker 1: of animation.
Speaker 5: Yeah right. They didn't mind getting tranquilized. Yeah, beautiful.
Speaker 4: Just Kevin tune out.
Speaker 1: I can't remember if Kevin turns up again and again
Speaker 1: he does, surely he's another he can't remember.
Speaker 4: I can't remember the show. I can't wait to watch it.
Speaker 4: It's out today Prime Video.
Speaker 2: You know, the show has really strong LGBTI themes, but
Speaker 2: it also doesn't feel like it's hitting you over the
Speaker 2: face with that either. Have we come a long way
Speaker 2: with telling LGBTI stories.
Speaker 3: I mean, yes, yes we have. I think so.
Speaker 5: I think you just get creatives at the center that
Speaker 5: you know, you know, have moved along talking about and
Speaker 5: also have deep empathy and love for the community that
Speaker 5: they're talking about. Also, I'm in the top four kind
Speaker 5: of first four on the call sheet in this job.
Speaker 3: We're all queer like. It's just I think it's just
Speaker 3: about us making it really.
Speaker 4: But it's also about you know, I think we've moved
Speaker 4: We're at a pointland.
Speaker 3: There's a lot of.
Speaker 1: We're laughing at the community as well as giving respect
Speaker 1: to the community. And I think definitely probably there was
Speaker 1: a time where there was a sensitivity around things or
Speaker 1: you know that it was just like a bunch of
Speaker 1: like coming out stories in everything, everything had to have
Speaker 1: trauma or whatever. And I feel like with Deadlock, like
Speaker 1: you say, it's it's we're able to take this and
Speaker 1: also be you know, like we're able to kind of
Speaker 1: be more playful with queerness in this show as well
Speaker 1: as kind of be serious at times as well. So
Speaker 1: it feels it feels like a nuanced representation in this show.
Speaker 2: The show opens with a sex scene between Kate and
Speaker 2: your character's partner, but after watching the show for a
Speaker 2: few episodes, I just didn't think of this as being
Speaker 2: a gay story.
Speaker 3: We're living within it, like we're not kind of presenting it.
Speaker 5: It's just life from within this so and I think
Speaker 5: obviously there is a as we get further and further
Speaker 5: into the series and it gets darker and darker, you know,
Speaker 5: there's it deals with some pretty yeah, massive questions in
Speaker 5: our society about you know, various communities and how we
Speaker 5: how we treat various communities.
Speaker 3: And I just think that.
Speaker 5: That that despite the fact that it is this wild,
Speaker 5: you know, wild seering comedy, there has always just been
Speaker 5: this real need to keep it anchored in these people's
Speaker 5: voices as well, because as we get further and further
Speaker 5: into the drama, I think I've.
Speaker 3: Lost my train of thought.
Speaker 4: But you know, as we get further and further with you, you.
Speaker 2: You soundedlike you were just getting very deep.
Speaker 5: Yeah, to never get the ships and giggles too much,
Speaker 5: you know, to always kind of have these very very
Speaker 5: strong voices held up throughout the whole thing.
Speaker 2: The supporting cast is also amazing. You've got Tom Ballard,
Speaker 2: Pamela Raye, Alicia Gardner, and Susie Yusuf. They're all very funny,
Speaker 2: very accomplished actors. The buzz from the set was that
Speaker 2: everyone was having a bloody good time. Is having a
Speaker 2: fun vibe on set imperative to making good content?
Speaker 4: I think so.
Speaker 1: I mean I've always felt like that, Like I feel like,
Speaker 1: you know, and and again it comes back down to
Speaker 1: like the atmosphere that Andy at guesswork and the Kate
Speaker 1: set from the top, you know, like they like Kate
Speaker 1: Sie before, they made it feel like it was ours.
Speaker 1: They the scripts are so good, so you're excited to
Speaker 1: be saying these words and playing these characters. We're all
Speaker 1: you know, Susie Yusuf has got so many as Elena
Speaker 1: has so many great one liners, and you know, her
Speaker 1: character getting to be this really kind of uptight you know,
Speaker 1: her comedy is all in her stress and how uptight
Speaker 1: she is, and she plays it so beautifully and Harvey
Speaker 1: who's her husband, like opposite her that their dynamic.
Speaker 3: Is so great.
Speaker 1: There's all this lovely detail in the writing, I think.
Speaker 1: And you know, yeah, when you get to come in
Speaker 1: as a character like that and you have something really
Speaker 1: fun and interesting to play with, I.
Speaker 4: Think everyone felt like their character was like a.
Speaker 1: Gift and you know, enjoyed that and then like getting
Speaker 1: to kind of bounce off each other in these big scenes,
Speaker 1: and you know there is it does create this kind
Speaker 1: of atmosphere of fun and you know, you're you're kind
Speaker 1: of all buzzing on the chemistry that we're creating together,
Speaker 1: and you know, it's.
Speaker 5: A courageous atmosphere I reckon as well, Like, yeah, we
Speaker 5: all felt so incredibly supported, which means that you have
Speaker 5: the courage to to be better, like to kind of yeah,
Speaker 5: have make bigger choices and to throw more stuff out
Speaker 5: because you don't have to fire if it's going to
Speaker 5: fall on its face. But because you supported and trusted,
Speaker 5: I think, yeah, the level of avery and everyone's performance
Speaker 5: was really high because yeah, yeah.
Speaker 1: We had that we had a beautiful crew to like,
Speaker 1: you know, they were all just you know, term and
Speaker 1: lighting and our directors and Katie and Millwright and Simon, like.
Speaker 4: You know, we we we could see.
Speaker 1: That they were creating something beautiful and they all gave
Speaker 1: us the space to kind of play and tolerated our
Speaker 1: bullshit as well. But you know, like it felt like
Speaker 1: it was throughout every kind of department. So we had
Speaker 1: this like and we were all kind of stuck on
Speaker 1: this island together, like no one could leave, so we
Speaker 1: sort of created like a little little family really, which, yeah,
Speaker 1: it was nice.
Speaker 4: It was just like going to work and hanging out
Speaker 4: with your mates and having a lass.
Speaker 2: I could honestly talk to you both all day and night.
Speaker 2: You're both so funny and the series is so much fun.
Speaker 2: But before you go, I want to ask, what is
Speaker 2: something from behind the scenes, something that we won't see,
Speaker 2: but kind of like a behind the scenes secret of
Speaker 2: making Deadlock.
Speaker 5: There was a lot of thermals under everything. Yeah, layers
Speaker 5: and layers.
Speaker 4: By the end of By the end of the shoot,
Speaker 4: so many heat so.
Speaker 3: Many heat packs, leggings. Yeah, I think I.
Speaker 1: Maxed out at maybe like four layers I could sit
Speaker 1: under at one point, but and then with strategic heat
Speaker 1: packs like maybe six or so and still then cold.
Speaker 5: And a hot water bottom, which we but if you
Speaker 5: keep like right between your thighs right at the top there,
Speaker 5: you know in that software that's kind of got the
Speaker 5: most spread throughout your whole body.
Speaker 2: So you go, yeah, were you filming Deadlock or were
Speaker 2: you filming alone?
Speaker 3: Yeah? Yeah, yeah, alone with heaps of people.
Speaker 2: Yeah, I mean thermals have come along because like last
Speaker 2: night I was out for dinner, with my best friend.
Speaker 2: And she announced that, you know, after an hour, that
Speaker 2: she was wearing thermal wear as evening wear.
Speaker 3: It was an evening termal it is my formal filmal germal.
Speaker 2: The two of you, it's like a race to the joke.
Speaker 2: You're both so quick anyway, Thank you so much both
Speaker 2: for your time today. You're both so fantastic in it.
Speaker 2: I should let you go.
Speaker 4: Thank you so much, your friend in it.
Speaker 2: Ben Evie Jones.
Speaker 4: I love eb we love me me.
Speaker 2: I've been saying for a very long time about how
Speaker 2: funny it is that people know her from like goggle
Speaker 2: Box or I'm a celebrity and now she's like a
Speaker 2: fantastic presenter. But I think she's a born actress.
Speaker 3: Heaven.
Speaker 1: He took me out for a beer because I was
Speaker 1: just been I was just here for two months shooting
Speaker 1: at another TV show, and we went out for a beer.
Speaker 4: She took me to like an old man pub. We
Speaker 4: had like a beer at a parmy.
Speaker 1: And then she's been so cute sending me because she's
Speaker 1: got screeners obviously, so she's singing messages all the time.
Speaker 1: But she's watching it and like sending me messages about
Speaker 1: little little and sending me little clips and cackling in
Speaker 1: the background like she's such a lovely Yeah.
Speaker 2: Anyway, enjoy yourselves. I look forward to seeing more of
Speaker 2: your work in the future, and good luck with chatting
Speaker 2: with the media today. Thank you, bye guys.