1 00:00:00,360 --> 00:00:05,040 Speaker 1: Thrilling podcasting now, but a very very special guest in 2 00:00:05,120 --> 00:00:06,640 Speaker 1: the studio in James Blood. 3 00:00:06,840 --> 00:00:10,319 Speaker 2: Hey, how are you doing? It is great to be 4 00:00:10,360 --> 00:00:13,440 Speaker 2: back and you're listening to me, James Bunk Well and good, 5 00:00:15,080 --> 00:00:17,160 Speaker 2: how are you mate? I'm really well, it's very nice 6 00:00:17,160 --> 00:00:17,480 Speaker 2: to be here. 7 00:00:17,520 --> 00:00:20,640 Speaker 1: It's so good to say you again. You're last time, 8 00:00:20,680 --> 00:00:23,279 Speaker 1: last time we saw you, you didn't have a go 9 00:00:23,360 --> 00:00:25,480 Speaker 1: to very I didn't have a go to go to 10 00:00:25,560 --> 00:00:29,479 Speaker 1: Thanks very much for the first first attempt second actually 11 00:00:29,520 --> 00:00:30,080 Speaker 1: in your life. 12 00:00:30,240 --> 00:00:33,040 Speaker 3: Yeah, and your thoughts off the bat, James. 13 00:00:32,880 --> 00:00:34,400 Speaker 2: I just don't think you should ever let your mother 14 00:00:34,400 --> 00:00:34,960 Speaker 2: cut your hair. 15 00:00:36,320 --> 00:00:42,000 Speaker 1: And no, last time we saw you, well, you actually 16 00:00:42,080 --> 00:00:44,480 Speaker 1: did a voice off impersonation with Woody. 17 00:00:44,960 --> 00:00:47,240 Speaker 2: And there was a battery and we were connected to 18 00:00:47,760 --> 00:00:49,479 Speaker 2: your balls. 19 00:00:49,720 --> 00:00:52,640 Speaker 1: Yes, yes, that's right, there's an electric shock. Here's a 20 00:00:52,640 --> 00:00:53,599 Speaker 1: little bit of audio of that. 21 00:00:53,960 --> 00:00:55,160 Speaker 2: Let's bring this bitch and. 22 00:00:55,240 --> 00:00:56,280 Speaker 1: Let's bring this bitch in. 23 00:00:57,040 --> 00:00:57,959 Speaker 3: Come on, we'll come in. 24 00:00:57,920 --> 00:01:04,040 Speaker 1: Here, you bitch. I haven't asked you about that since. 25 00:01:04,080 --> 00:01:06,440 Speaker 1: Have you ever been in an interview situation where somebody 26 00:01:06,560 --> 00:01:09,680 Speaker 1: didn't impersonate off with you, result being electric shock to 27 00:01:09,720 --> 00:01:10,240 Speaker 1: the testicles? 28 00:01:10,360 --> 00:01:12,880 Speaker 2: Never in my life yet have I experienced anything like that. 29 00:01:13,000 --> 00:01:15,080 Speaker 2: It was incredible to see and I was really proud 30 00:01:15,120 --> 00:01:15,280 Speaker 2: of you. 31 00:01:15,560 --> 00:01:17,440 Speaker 3: Oh, thank you so much, because he lost. 32 00:01:17,760 --> 00:01:19,800 Speaker 1: You didn't win one of them. You got like five 33 00:01:19,959 --> 00:01:21,280 Speaker 1: solid shocks. 34 00:01:21,160 --> 00:01:22,840 Speaker 3: I know if you see the video. Though one of 35 00:01:22,880 --> 00:01:24,080 Speaker 3: them we almost nailed it. 36 00:01:24,280 --> 00:01:26,560 Speaker 4: Yeah, absolutely, there was the I think it was the 37 00:01:26,800 --> 00:01:28,679 Speaker 4: I don't like any of my music, my music ship. 38 00:01:29,120 --> 00:01:30,480 Speaker 3: I think you said that to an answer. 39 00:01:31,120 --> 00:01:32,960 Speaker 2: It was convincing, and thank you very much. 40 00:01:33,120 --> 00:01:34,800 Speaker 1: I believe in that shock to the nuts mat I 41 00:01:34,840 --> 00:01:35,800 Speaker 1: did get a shot to the nuts. 42 00:01:35,800 --> 00:01:36,960 Speaker 3: I believe in that interview as well. 43 00:01:37,080 --> 00:01:41,040 Speaker 4: James, you gave us the mission of finding a buried 44 00:01:41,120 --> 00:01:43,560 Speaker 4: mannequin which is in a forest nee. 45 00:01:43,360 --> 00:01:45,480 Speaker 2: Of property and I've been she's called Nadia. 46 00:01:45,560 --> 00:01:48,760 Speaker 3: Nadia, Yeah, yeah, yeah, and the surely. 47 00:01:49,160 --> 00:01:51,720 Speaker 1: Sure this isn't going to at that was very much 48 00:01:51,720 --> 00:01:52,720 Speaker 1: an off mic chat. 49 00:01:53,240 --> 00:01:55,200 Speaker 4: Well we're on air now, does the office still stand 50 00:01:55,240 --> 00:01:57,360 Speaker 4: that we can have a party? 51 00:01:57,680 --> 00:01:59,600 Speaker 2: Totally? So yeah, what do you need to tell? A backstory? 52 00:01:59,600 --> 00:02:01,400 Speaker 2: Which I have nightclub in Abtha at the end of 53 00:02:01,400 --> 00:02:04,600 Speaker 2: my garden course Blunty's Nightclub with a sign saying Blunty's 54 00:02:04,640 --> 00:02:09,519 Speaker 2: Nightclub where everybody's beautiful. And I have a mannequin on 55 00:02:09,560 --> 00:02:13,800 Speaker 2: the door called Splana. Yeah, yeah, but she's not She's 56 00:02:13,919 --> 00:02:16,440 Speaker 2: there was someone before her. There was Nadia, whose back 57 00:02:16,560 --> 00:02:22,440 Speaker 2: was broken in a late night experiment, and and so 58 00:02:22,480 --> 00:02:24,800 Speaker 2: I had to dispose of her, and and I buried 59 00:02:24,800 --> 00:02:27,000 Speaker 2: her in the forest just behind my house, in a 60 00:02:27,040 --> 00:02:28,920 Speaker 2: shallow grave, with her hands just sticking out, just so 61 00:02:28,919 --> 00:02:31,040 Speaker 2: someone can find her in a few years. She's wearing 62 00:02:31,200 --> 00:02:33,800 Speaker 2: she's there waiting. She's wearing an ex girlfriend's wedding dress. 63 00:02:34,320 --> 00:02:36,359 Speaker 2: So pretty standard stuff. 64 00:02:36,720 --> 00:02:39,200 Speaker 3: Just the just the life of James Blunt, isn't it all. 65 00:02:39,600 --> 00:02:41,560 Speaker 1: Well, look, we're gonna have it. We're gonna have more 66 00:02:41,560 --> 00:02:44,320 Speaker 1: of it. I promise ordinary chat after you play a 67 00:02:44,360 --> 00:02:45,639 Speaker 1: song for us, because you've actually come in here to 68 00:02:45,680 --> 00:02:47,960 Speaker 1: perform the two two tune this afternoon. 69 00:02:48,040 --> 00:02:51,680 Speaker 2: That's right. I'm here with Will and Woody to play 70 00:02:51,800 --> 00:02:53,720 Speaker 2: the true true tune perfect. 71 00:02:57,600 --> 00:02:59,440 Speaker 1: And this is a real throwback, this one, because this 72 00:02:59,480 --> 00:03:01,200 Speaker 1: is from back to Bedline. This is my favorite song, 73 00:03:01,360 --> 00:03:04,760 Speaker 1: Back to Bedlin. Before you get into it, just. 74 00:03:04,000 --> 00:03:06,400 Speaker 2: From the Golden Age, the golden era of music. This 75 00:03:06,440 --> 00:03:08,040 Speaker 2: is found about the between the two thousand and four 76 00:03:08,040 --> 00:03:08,919 Speaker 2: two thousand and six era. 77 00:03:09,120 --> 00:03:12,520 Speaker 1: Oh yeah, there is obviously Monster record for you. I mean, 78 00:03:12,600 --> 00:03:15,360 Speaker 1: like really put you right in front of everybody, front 79 00:03:15,360 --> 00:03:17,880 Speaker 1: and center all over the world. Can I just ask 80 00:03:18,000 --> 00:03:20,520 Speaker 1: very quickly, will you know that was your beautiful No? No, 81 00:03:21,280 --> 00:03:22,560 Speaker 1: it was part of the record, though, wasn't it in 82 00:03:22,560 --> 00:03:24,280 Speaker 1: the same Yeah? Exactly, yeah, yeah, yeah, it's a right. 83 00:03:24,280 --> 00:03:27,720 Speaker 1: I've got my facts right. So woods the semi by 84 00:03:27,800 --> 00:03:31,320 Speaker 1: the sea line, what do you think it is? 85 00:03:31,680 --> 00:03:31,800 Speaker 5: So? 86 00:03:31,919 --> 00:03:34,600 Speaker 4: I believe the line those three wise men they've got 87 00:03:34,639 --> 00:03:37,960 Speaker 4: a semi by the sea means there's three guys on 88 00:03:38,000 --> 00:03:38,560 Speaker 4: a beach. 89 00:03:38,360 --> 00:03:42,839 Speaker 3: That have got particularly half excited a semi Yeah. 90 00:03:42,960 --> 00:03:44,080 Speaker 1: Yeah, that's what I'm saying. 91 00:03:44,280 --> 00:03:47,120 Speaker 3: Yeah, yeah, yeah, is that what you're meaning? 92 00:03:47,320 --> 00:03:51,960 Speaker 4: No, okay, it's good to clarify that thing. 93 00:03:52,040 --> 00:03:53,600 Speaker 3: A lot of people would have been confused about. 94 00:03:54,800 --> 00:03:55,560 Speaker 1: Nobody in the. 95 00:03:56,840 --> 00:04:00,480 Speaker 6: You were talking about three bikes the ocean. All right, 96 00:04:01,080 --> 00:04:03,680 Speaker 6: show me crag into it. I didn't ever want to 97 00:04:03,720 --> 00:04:05,720 Speaker 6: know what it's about anymore. Let's just get into it. 98 00:04:06,000 --> 00:04:08,640 Speaker 6: James Blut Liva, Milly, this is the cheetoo. Changes need 99 00:04:08,640 --> 00:04:10,840 Speaker 6: a kiss. 100 00:04:21,520 --> 00:04:24,120 Speaker 7: She said to me, Go steady on me. 101 00:04:24,680 --> 00:04:26,960 Speaker 5: Won't you tell me what the wise man said when 102 00:04:27,040 --> 00:04:31,000 Speaker 5: they came down from heaven smoked nine till seven, all 103 00:04:31,040 --> 00:04:34,560 Speaker 5: the ship that they could find, but they couldn't escape 104 00:04:34,600 --> 00:04:35,760 Speaker 5: from you, couldn't be. 105 00:04:35,720 --> 00:04:36,440 Speaker 7: Free of you. 106 00:04:36,720 --> 00:04:39,360 Speaker 5: And now they know there's no way out, and they're 107 00:04:39,920 --> 00:04:42,560 Speaker 5: really sorry now, But what they've done. There were three 108 00:04:42,560 --> 00:04:45,040 Speaker 5: wise men to trying to have some fun. 109 00:04:45,960 --> 00:04:50,039 Speaker 7: Look, whoo's alone? Now? It's not me, it's not me. 110 00:04:52,000 --> 00:04:56,960 Speaker 5: Those three wise men, they got a semi by the sea. 111 00:04:57,839 --> 00:05:02,440 Speaker 7: You gotta yourself the where I now? 112 00:05:03,880 --> 00:05:08,040 Speaker 5: You gotta ask yourself the question where I now? 113 00:05:10,080 --> 00:05:12,000 Speaker 7: Really sorry, now they want to know. 114 00:05:12,120 --> 00:05:15,440 Speaker 5: They got caught up in your talent show, with you 115 00:05:15,560 --> 00:05:18,479 Speaker 5: predict the little baskets in your fancy dress. You just 116 00:05:18,680 --> 00:05:19,400 Speaker 5: judge each. 117 00:05:19,200 --> 00:05:21,080 Speaker 1: Other and try to impress. 118 00:05:21,160 --> 00:05:24,760 Speaker 5: But they couldn't escape from you, couldn't be free of you. 119 00:05:25,000 --> 00:05:27,640 Speaker 7: And now they know there's no way out. 120 00:05:27,279 --> 00:05:30,200 Speaker 5: And they're really sorry now, But what they've done. 121 00:05:30,360 --> 00:05:34,600 Speaker 7: There were three wise men to try to have some fun. Look, 122 00:05:34,720 --> 00:05:40,719 Speaker 7: who's alone? Now? It's not me? It's not me. Those 123 00:05:40,800 --> 00:05:41,800 Speaker 7: three wise men. 124 00:05:41,960 --> 00:05:46,839 Speaker 5: They haven't got a semi by the CD. Who gotta 125 00:05:46,920 --> 00:05:50,520 Speaker 5: ask yourself the question where I now? 126 00:05:52,279 --> 00:06:10,520 Speaker 7: Who gotta ask yourself the question where I? Now? Look, 127 00:06:10,680 --> 00:06:11,600 Speaker 7: who's alone? 128 00:06:11,680 --> 00:06:12,839 Speaker 8: Now? It's not me? 129 00:06:13,640 --> 00:06:17,560 Speaker 7: It's not me? Those three wordsmen. 130 00:06:17,800 --> 00:06:22,520 Speaker 5: They've got a semi by the CD from God. 131 00:06:22,640 --> 00:06:26,599 Speaker 7: Ask yourself the question where are you now? 132 00:06:28,080 --> 00:06:32,640 Speaker 5: From God? Ask yourself the question where are you now? 133 00:06:34,080 --> 00:06:43,320 Speaker 7: Yeah? We're with Wilf and Woody in Melbourne Barry. Where 134 00:06:43,520 --> 00:06:46,479 Speaker 7: are you now? I'm God? 135 00:06:46,600 --> 00:06:50,600 Speaker 5: Ask yourself the question where are you now? 136 00:06:52,400 --> 00:06:52,640 Speaker 7: God? 137 00:06:52,760 --> 00:06:58,479 Speaker 5: Ask yourself the question where are you now? 138 00:07:01,560 --> 00:07:01,800 Speaker 7: Yeah? 139 00:07:08,080 --> 00:07:12,320 Speaker 6: James Blood live in the studio here, Will and Woody 140 00:07:12,640 --> 00:07:13,800 Speaker 6: h three. 141 00:07:13,560 --> 00:07:15,600 Speaker 1: Wise men from all the way back to bed And 142 00:07:15,640 --> 00:07:17,600 Speaker 1: that was your you tune live and your radios and 143 00:07:17,640 --> 00:07:19,640 Speaker 1: staff and then wherever you are you listening to kiss? 144 00:07:19,680 --> 00:07:21,960 Speaker 1: That was sensational stuff. Huge around of reports for Johnny 145 00:07:21,960 --> 00:07:24,920 Speaker 1: as well, with just the most delectable falsetto in the background. 146 00:07:24,920 --> 00:07:27,960 Speaker 1: There mate, you look like. 147 00:07:28,440 --> 00:07:29,480 Speaker 2: He flew a long way to sing. 148 00:07:29,520 --> 00:07:34,080 Speaker 1: That was it five days in Australia for two songs? 149 00:07:34,240 --> 00:07:34,400 Speaker 8: Yeah? 150 00:07:34,480 --> 00:07:37,680 Speaker 1: Great, yeah, something like that. Perfect. James, thanks so much 151 00:07:37,680 --> 00:07:39,320 Speaker 1: for coming in mate, Really really great to see you, 152 00:07:39,760 --> 00:07:41,840 Speaker 1: really really good to see you. Man. We've got a record, 153 00:07:41,880 --> 00:07:44,280 Speaker 1: which a brand new one, which is you know, really 154 00:07:44,280 --> 00:07:46,480 Speaker 1: started to touch on a couple of pretty interesting points. 155 00:07:46,760 --> 00:07:50,520 Speaker 1: Once upon a mind. They just saw the video clip 156 00:07:50,600 --> 00:07:54,920 Speaker 1: for Monsters, so that's pretty heavy isn't that wild? That 157 00:07:55,040 --> 00:07:58,400 Speaker 1: is wild if you don't feel comfortable talking. 158 00:07:58,120 --> 00:08:00,760 Speaker 2: About hash in on it. 159 00:08:03,160 --> 00:08:05,120 Speaker 1: Yeah, I've got a little bit of it here for everybody. 160 00:08:05,240 --> 00:08:06,920 Speaker 1: I'd love to play it, but he's a little bit 161 00:08:06,920 --> 00:08:07,880 Speaker 1: of it here for you have listen. 162 00:08:08,320 --> 00:08:12,920 Speaker 7: O love your son, your father. 163 00:08:13,880 --> 00:08:20,040 Speaker 2: We're just too golm say, yeah, heavy stuff. Well, my 164 00:08:20,080 --> 00:08:24,640 Speaker 2: dad's not been very well, needing a kidney transplant, and 165 00:08:24,640 --> 00:08:27,120 Speaker 2: and so you want to put that out there, you know, 166 00:08:27,240 --> 00:08:30,800 Speaker 2: amazingly well before actually even before I put the song out, 167 00:08:30,840 --> 00:08:32,520 Speaker 2: someone to come forward, who's now turned out to be 168 00:08:32,559 --> 00:08:36,000 Speaker 2: a match. But during this process, people have been you know, 169 00:08:36,040 --> 00:08:38,480 Speaker 2: calling out, tweeting, saying that they've been looking for someone 170 00:08:38,520 --> 00:08:41,640 Speaker 2: to give kidneys too. I'm in you know, we're almost 171 00:08:41,679 --> 00:08:44,000 Speaker 2: double figures now, and it's in a world where people 172 00:08:44,000 --> 00:08:45,720 Speaker 2: are it seems like that we're not we're not very 173 00:08:45,800 --> 00:08:48,760 Speaker 2: nice to each other. I've been incredibly touched by how 174 00:08:49,040 --> 00:08:53,199 Speaker 2: unbelievable some some you know, some people, some individuals can be. 175 00:08:53,320 --> 00:08:54,439 Speaker 1: Yeah, congratulations. 176 00:08:54,720 --> 00:08:56,400 Speaker 2: So yeah, we did this video with my dad and 177 00:08:56,520 --> 00:08:58,920 Speaker 2: I was blubbing through the making you know that with action, 178 00:08:59,040 --> 00:09:01,920 Speaker 2: and I'm crying and the whole crew are crying on set. 179 00:09:02,080 --> 00:09:05,120 Speaker 2: And the only person not crying with my father thinking, 180 00:09:05,400 --> 00:09:10,000 Speaker 2: hang on, I'm still I'm still here. It's a very 181 00:09:10,120 --> 00:09:11,880 Speaker 2: it's a heavy video and it's and it was just 182 00:09:11,880 --> 00:09:12,880 Speaker 2: great to get him on film. 183 00:09:13,040 --> 00:09:15,200 Speaker 1: It's a beautiful song, though, mate. It really touches on 184 00:09:15,280 --> 00:09:17,960 Speaker 1: that sort of transition which I think everybody can associate, 185 00:09:18,000 --> 00:09:20,560 Speaker 1: which was is your parents moving from that sort of 186 00:09:20,760 --> 00:09:24,640 Speaker 1: infallible godlike position where you know they look after you 187 00:09:25,280 --> 00:09:28,480 Speaker 1: to the moment where you go, no, actually the tables 188 00:09:28,480 --> 00:09:30,600 Speaker 1: have turned and I've now got to do the parenting. 189 00:09:30,720 --> 00:09:34,040 Speaker 2: Yeah, totally, And yeah, I mean it's it's a strange change, 190 00:09:34,080 --> 00:09:35,959 Speaker 2: isn't it. You know, it's that page and a chapter 191 00:09:35,960 --> 00:09:37,600 Speaker 2: in our lives that we all have to have to 192 00:09:37,640 --> 00:09:39,480 Speaker 2: go through at some station. And when I hold off 193 00:09:39,480 --> 00:09:42,520 Speaker 2: for as long as possible can, Yeah, yeah. 194 00:09:42,080 --> 00:09:42,320 Speaker 7: I mean. 195 00:09:42,360 --> 00:09:44,280 Speaker 2: The funny thing about as I can really see from 196 00:09:44,280 --> 00:09:45,920 Speaker 2: the video, is there am I talking about? It might 197 00:09:45,960 --> 00:09:47,400 Speaker 2: turn to look after you, It might turn to chase 198 00:09:47,400 --> 00:09:49,200 Speaker 2: the monster's away. You look for it at the video 199 00:09:49,240 --> 00:09:50,600 Speaker 2: and you can see he's the one putting his hand 200 00:09:50,640 --> 00:09:54,480 Speaker 2: on music. Don't worry Son through the song. 201 00:09:56,840 --> 00:09:59,680 Speaker 4: So yeah, can I ask you, James, you say, quite openly, 202 00:09:59,720 --> 00:10:01,679 Speaker 4: in this how much you love your dad? 203 00:10:01,840 --> 00:10:04,959 Speaker 3: And did you always say that to him? 204 00:10:05,720 --> 00:10:05,800 Speaker 9: No? 205 00:10:05,920 --> 00:10:07,480 Speaker 2: Well, you know, my parents sent me away to boarding 206 00:10:07,480 --> 00:10:10,200 Speaker 2: school when I was seven. My dad was in the army, 207 00:10:10,200 --> 00:10:12,640 Speaker 2: so we travel around. He was based in Cypress, Hong Kong, Germany, 208 00:10:12,679 --> 00:10:14,360 Speaker 2: and so I was sent away to boarding school. And 209 00:10:14,440 --> 00:10:16,240 Speaker 2: after that so I really didn't kind of I was 210 00:10:16,320 --> 00:10:19,840 Speaker 2: quite independent. I didn't know my family that well. I 211 00:10:19,880 --> 00:10:21,800 Speaker 2: went to university and then I joined the army, the 212 00:10:21,920 --> 00:10:23,440 Speaker 2: only really and then I did music and they only 213 00:10:23,480 --> 00:10:26,520 Speaker 2: really got in touch with me when I got famous money. 214 00:10:26,760 --> 00:10:37,360 Speaker 2: Money does that money? Well, what I really mean is 215 00:10:37,360 --> 00:10:39,520 Speaker 2: that I suppose when you when you do get into music, 216 00:10:40,120 --> 00:10:43,240 Speaker 2: the world turns on its head and you know, and 217 00:10:43,720 --> 00:10:46,000 Speaker 2: it becomes a really weird place. And at that stage 218 00:10:46,000 --> 00:10:48,680 Speaker 2: you need friends and you need family. So I was 219 00:10:48,679 --> 00:10:50,400 Speaker 2: only turned around to them and said I really need 220 00:10:50,440 --> 00:10:52,880 Speaker 2: you now, and I need people to keep my feet 221 00:10:52,920 --> 00:10:56,000 Speaker 2: on the ground and yeah, and just and treat me 222 00:10:56,080 --> 00:10:57,400 Speaker 2: like like a normal human being. 223 00:10:58,440 --> 00:11:01,640 Speaker 1: Posting now I'm you're just joining us. We've got James 224 00:11:01,640 --> 00:11:02,440 Speaker 1: Blood to the studio. 225 00:11:02,760 --> 00:11:10,480 Speaker 7: Yu now my lover. 226 00:11:14,200 --> 00:11:17,839 Speaker 1: James just delivered a deliceto tune for us Freewise man mate, 227 00:11:17,840 --> 00:11:18,800 Speaker 1: Thanks again for coming in. 228 00:11:19,280 --> 00:11:19,959 Speaker 2: It's a pleasure. 229 00:11:20,040 --> 00:11:21,839 Speaker 1: Okay. So we've got a little bit of a game 230 00:11:21,880 --> 00:11:26,720 Speaker 1: line up for you. It doesn't involve any electrodes attached 231 00:11:26,720 --> 00:11:29,600 Speaker 1: to testicles or anything like that, unlike last time. It's 232 00:11:29,640 --> 00:11:33,560 Speaker 1: really basic. It's just we play a game where Woods 233 00:11:33,559 --> 00:11:35,760 Speaker 1: and I take turns complimenting women. We both think we're 234 00:11:35,760 --> 00:11:39,880 Speaker 1: pretty good at it. Okay, and you have been pigeonholed 235 00:11:39,880 --> 00:11:41,360 Speaker 1: as a bit of a serenader in the past. 236 00:11:41,480 --> 00:11:44,520 Speaker 3: Okay, but I si to think Will and I will 237 00:11:44,520 --> 00:11:45,120 Speaker 3: be better than you. 238 00:11:45,160 --> 00:11:48,720 Speaker 4: We're going to team up against you, James, and quite frankly, 239 00:11:48,760 --> 00:11:51,320 Speaker 4: I think, sure you've got it complimenting over song, but 240 00:11:51,800 --> 00:11:52,840 Speaker 4: I think we've got you covered. 241 00:11:53,200 --> 00:11:55,160 Speaker 2: Cay me a compliment, Melbourne, I need one. 242 00:11:55,360 --> 00:11:56,719 Speaker 1: You have such a pretty face. You should be on 243 00:11:56,760 --> 00:11:57,480 Speaker 1: a Christmas card. 244 00:11:57,720 --> 00:12:00,400 Speaker 7: I wish I knew how to quick you sometimes beautiful. 245 00:12:01,360 --> 00:12:03,280 Speaker 5: I love you, but you are the last person I 246 00:12:03,280 --> 00:12:05,160 Speaker 5: want to talk to before I go to sleep at night. 247 00:12:05,320 --> 00:12:08,800 Speaker 7: I like you very much, just as you are. 248 00:12:09,080 --> 00:12:10,640 Speaker 2: Will and Woody's compliment of. 249 00:12:11,920 --> 00:12:14,480 Speaker 3: We've got Chloe here, who's given us a ring? Chloe, 250 00:12:14,720 --> 00:12:16,040 Speaker 3: what would you like to be complimented on? 251 00:12:16,880 --> 00:12:17,080 Speaker 5: Hi? 252 00:12:17,200 --> 00:12:17,600 Speaker 7: Guys. 253 00:12:17,840 --> 00:12:21,120 Speaker 9: Well, I'm an identical twin, and ever since I was 254 00:12:21,160 --> 00:12:24,000 Speaker 9: a teen, people always said that my twin is the 255 00:12:24,040 --> 00:12:27,079 Speaker 9: more attractive one, so I kind of want to compliment, 256 00:12:27,600 --> 00:12:29,079 Speaker 9: even to hear that I'm beautiful. 257 00:12:30,160 --> 00:12:31,800 Speaker 1: Happy to go with me here? Yeah, I'm happy to 258 00:12:31,840 --> 00:12:32,839 Speaker 1: go with you if you want to shoot with it. 259 00:12:32,960 --> 00:12:36,480 Speaker 4: Chloe, I just want to tell you that every time 260 00:12:37,000 --> 00:12:41,200 Speaker 4: you look at your sister between and you think she's 261 00:12:41,240 --> 00:12:42,560 Speaker 4: more attractive. 262 00:12:42,160 --> 00:12:45,160 Speaker 3: I've got news for you. You're actually looking in a mirror. 263 00:12:46,720 --> 00:12:48,959 Speaker 1: Pretty good, tough Woods. I like that, Thank you, nice one. 264 00:12:49,000 --> 00:12:54,439 Speaker 1: Do you guys get that is so corny? Okay, James, 265 00:12:54,440 --> 00:12:56,360 Speaker 1: frind your go mate? What do you want to go with? Okay? 266 00:12:56,440 --> 00:12:59,760 Speaker 2: Let me think about this a caldon. 267 00:13:01,440 --> 00:13:05,560 Speaker 7: Oh no, Chloe, you're beautiful? 268 00:13:06,120 --> 00:13:13,760 Speaker 8: That your beauty of fault? Your BEAUTI fault your beautiful. 269 00:13:14,320 --> 00:13:15,280 Speaker 8: It's true? 270 00:13:16,280 --> 00:13:17,360 Speaker 3: Before that? 271 00:13:18,120 --> 00:13:19,280 Speaker 2: Is that even more corny? 272 00:13:20,440 --> 00:13:21,400 Speaker 1: Chloe? What do you reckon? 273 00:13:22,280 --> 00:13:22,640 Speaker 9: Guys? 274 00:13:22,800 --> 00:13:26,000 Speaker 3: I have to j Gorsey going with James. 275 00:13:27,240 --> 00:13:28,640 Speaker 7: Thank you, no worries. 276 00:13:28,800 --> 00:13:31,600 Speaker 1: He's the one trick pony. 277 00:13:33,240 --> 00:13:38,840 Speaker 2: Wonder like, thanks for calling it something else. 278 00:13:41,400 --> 00:13:42,400 Speaker 7: We'll go one more here? 279 00:13:42,679 --> 00:13:43,280 Speaker 3: You got Kate? 280 00:13:43,320 --> 00:13:43,600 Speaker 1: Here? 281 00:13:43,679 --> 00:13:45,960 Speaker 3: Kate, what do you want to be complimented on. 282 00:13:46,600 --> 00:13:50,959 Speaker 9: Hey, guys, I've recently had a big hair change, and 283 00:13:51,120 --> 00:13:54,000 Speaker 9: I would love to get complimented on my really drastic hair. 284 00:13:54,800 --> 00:13:59,440 Speaker 1: Okay, all right, I'm had to go for us, Kate. 285 00:13:59,520 --> 00:14:01,680 Speaker 1: I just read that your hair is really just like 286 00:14:01,720 --> 00:14:05,440 Speaker 1: an add on to However, however gorgeous you currently are, 287 00:14:05,480 --> 00:14:07,240 Speaker 1: I just don't think that it really matters anything. And 288 00:14:07,320 --> 00:14:09,319 Speaker 1: to be honest, I think you could have no hair 289 00:14:09,360 --> 00:14:11,520 Speaker 1: and you'd still be absolutely stunning. So that's from me. 290 00:14:13,679 --> 00:14:16,360 Speaker 1: Thank you at all, Thanks very much. 291 00:14:16,520 --> 00:14:20,480 Speaker 2: Okay, Kate, this is James. Hey, James, Hey, I'm well, 292 00:14:20,880 --> 00:14:23,760 Speaker 2: you know, when I look at you, I think, don't 293 00:14:23,960 --> 00:14:24,880 Speaker 2: you're beautiful? 294 00:14:26,840 --> 00:14:30,840 Speaker 8: You're BEAUTI fun, I mean, it's your beautiful. 295 00:14:31,960 --> 00:14:38,520 Speaker 1: True, it's predictable, Kate, what do you think? I mean, 296 00:14:39,680 --> 00:14:40,440 Speaker 1: how long is this. 297 00:14:40,440 --> 00:14:41,000 Speaker 7: Going to last? 298 00:14:41,040 --> 00:14:41,280 Speaker 5: More? 299 00:14:41,840 --> 00:14:46,000 Speaker 1: Never? Verset James in a compliment of he will always win. 300 00:14:46,120 --> 00:14:46,760 Speaker 7: I don't know how much. 301 00:14:46,840 --> 00:14:48,160 Speaker 1: I don't know how many more decades you're going to 302 00:14:48,200 --> 00:14:50,520 Speaker 1: write out of that thing, mate, but it's disgusting. 303 00:14:50,000 --> 00:14:56,920 Speaker 2: To be honest, frankly, hopefully no one coming, James, but 304 00:14:57,160 --> 00:14:58,040 Speaker 2: it's been in the studio. 305 00:14:58,080 --> 00:15:00,600 Speaker 1: Thanks so much for joinings. You can joining this November 306 00:15:00,680 --> 00:15:02,680 Speaker 1: on his twenty twenty Australian Too. If you want tickets, 307 00:15:02,720 --> 00:15:04,720 Speaker 1: James Bunt dot com if you want to get involved, 308 00:15:04,760 --> 00:15:07,240 Speaker 1: and please please do yourself a favor and go and 309 00:15:07,280 --> 00:15:09,280 Speaker 1: get yourself once upon a mind. It's available to download 310 00:15:09,280 --> 00:15:11,760 Speaker 1: the stream and all the services monsters. I genuinely think 311 00:15:12,040 --> 00:15:14,720 Speaker 1: is one of the better tunes that you've put together before. 312 00:15:14,880 --> 00:15:16,760 Speaker 1: Like that. That that the concept of actually coming to 313 00:15:16,800 --> 00:15:18,800 Speaker 1: terms of who your parents are and doing that in 314 00:15:18,800 --> 00:15:19,400 Speaker 1: front of your dad. 315 00:15:19,440 --> 00:15:21,040 Speaker 2: Thank you, and I have said, you know my tool. 316 00:15:21,080 --> 00:15:22,480 Speaker 2: I'm touring with Jason Morass. 317 00:15:22,600 --> 00:15:26,840 Speaker 1: Oh finally a reason to get down and see you. 318 00:15:26,920 --> 00:15:30,240 Speaker 2: Yeah, totally, that's why. That's why I got him along 319 00:15:32,320 --> 00:15:34,600 Speaker 2: and we're selling tickets from now with there it's not 320 00:15:34,640 --> 00:15:36,560 Speaker 2: till November, so there's no excuse. 321 00:15:36,680 --> 00:15:41,520 Speaker 1: Yeah yeah, James, thanks so much, coming in mate, much appreciate. 322 00:15:41,560 --> 00:15:42,800 Speaker 1: Ready to see a lout of James Bund and the 323 00:15:43,160 --> 00:15:44,120 Speaker 1: Kiss Willing would you get in. 324 00:15:44,000 --> 00:15:45,240 Speaker 7: You see what you're hearing. 325 00:15:45,440 --> 00:15:48,680 Speaker 5: Find us on Instagram and Facebook search Willan Woody