1 00:00:00,400 --> 00:00:03,400 Speaker 1: Jump Mission with Jonesy and Amanda Well. 2 00:00:03,440 --> 00:00:06,840 Speaker 2: Our next guest is the former editor in chief of 3 00:00:06,920 --> 00:00:10,960 Speaker 2: Vogue Living. He's the ever current design guru. He watches 4 00:00:11,000 --> 00:00:12,520 Speaker 2: a judge on the block. He's been there for other 5 00:00:12,560 --> 00:00:14,840 Speaker 2: ten years, and as if he's not busy enough, he's 6 00:00:14,880 --> 00:00:17,320 Speaker 2: back tonight with his other hit show, Love It All Listed. 7 00:00:17,440 --> 00:00:18,080 Speaker 2: Neil Whittiker. 8 00:00:18,120 --> 00:00:21,400 Speaker 3: Hello, oh guys, good morning. 9 00:00:21,720 --> 00:00:23,759 Speaker 1: Great to talk to you, Neil. So in ten years 10 00:00:24,040 --> 00:00:26,160 Speaker 1: you would have seen the rise of the feature will, 11 00:00:26,160 --> 00:00:28,200 Speaker 1: and the fall of the feature wall, and now the 12 00:00:28,280 --> 00:00:29,680 Speaker 1: rise again of the feature wall. 13 00:00:29,760 --> 00:00:33,600 Speaker 3: Exactly, it's back again, isn't it. Yeah? Wow, A few 14 00:00:33,640 --> 00:00:35,320 Speaker 3: things like that going in and out of fashion. 15 00:00:35,360 --> 00:00:37,640 Speaker 2: Actually, how do you feel when you see them come back? 16 00:00:37,640 --> 00:00:40,000 Speaker 2: Because when I think that, when I see flares and 17 00:00:40,760 --> 00:00:43,000 Speaker 2: you know, high heels, I think, oh, I can't wear 18 00:00:43,000 --> 00:00:44,520 Speaker 2: that again. I did it the first time. 19 00:00:45,120 --> 00:00:47,960 Speaker 3: Well, yeah, I'm exactly the same as you. But I 20 00:00:48,000 --> 00:00:51,600 Speaker 3: guess everything comes back in a slightly different way, and 21 00:00:51,920 --> 00:00:55,080 Speaker 3: that it's the same with feature walls, So you know, 22 00:00:55,120 --> 00:00:59,080 Speaker 3: I guess each each new incarnation puts a slightly different 23 00:00:59,080 --> 00:00:59,720 Speaker 3: twist on it. 24 00:01:00,640 --> 00:01:03,600 Speaker 2: We'd Love It All Listed. This is a very interesting premise. 25 00:01:03,640 --> 00:01:06,560 Speaker 2: You find couples who or families through at the crossroads 26 00:01:06,600 --> 00:01:09,760 Speaker 2: of making a decision. They're either going to revamp the 27 00:01:09,800 --> 00:01:12,399 Speaker 2: house they're in or sell it and go, and you 28 00:01:12,480 --> 00:01:14,960 Speaker 2: show them the difference that this will make with they 29 00:01:15,000 --> 00:01:16,600 Speaker 2: can see both sides. 30 00:01:16,240 --> 00:01:21,759 Speaker 3: Now, yes, yes, absolutely, I mean so often the solution 31 00:01:22,560 --> 00:01:25,800 Speaker 3: to a family's problems, or that the house's problems is 32 00:01:26,000 --> 00:01:28,119 Speaker 3: kind of right there under their noses, and they don't 33 00:01:28,160 --> 00:01:29,880 Speaker 3: see it because they've been living there too long. You 34 00:01:29,920 --> 00:01:31,600 Speaker 3: know how you get used to your house the way 35 00:01:31,600 --> 00:01:33,759 Speaker 3: it is, and you start putting up with all its 36 00:01:33,760 --> 00:01:37,480 Speaker 3: little you know, faults and foibles, and you just can't 37 00:01:37,520 --> 00:01:40,280 Speaker 3: see it. And I guess my job is to show 38 00:01:40,319 --> 00:01:43,200 Speaker 3: them that quite often all the problems can so easily 39 00:01:43,240 --> 00:01:43,840 Speaker 3: be solved. 40 00:01:44,560 --> 00:01:47,120 Speaker 1: And I know that when I was growing up, we 41 00:01:47,160 --> 00:01:49,360 Speaker 1: lived in the one house for a long time and 42 00:01:49,400 --> 00:01:52,000 Speaker 1: my mum and dad just not over capitalized. But it 43 00:01:52,040 --> 00:01:54,160 Speaker 1: was like renovation on renovation. It was like a haus 44 00:01:54,160 --> 00:01:56,440 Speaker 1: of cards by the end of it. And then I've 45 00:01:56,440 --> 00:01:59,360 Speaker 1: always I guess I'm like a rolling stone. Or I 46 00:01:59,400 --> 00:02:01,520 Speaker 1: have a house, I live in it for about ten years, 47 00:02:01,600 --> 00:02:03,400 Speaker 1: and then I sell it and I buy another house. 48 00:02:03,920 --> 00:02:05,919 Speaker 1: But the problem with that is the last house I bought, 49 00:02:06,120 --> 00:02:08,280 Speaker 1: we just renovated the kitchen in the old house, and 50 00:02:08,320 --> 00:02:10,480 Speaker 1: now I've moved into a house which has got an unrenovate. 51 00:02:10,600 --> 00:02:12,600 Speaker 1: We know it's a good kitchen, but it's not as 52 00:02:12,639 --> 00:02:13,639 Speaker 1: good as the kitchen I. 53 00:02:13,639 --> 00:02:16,880 Speaker 2: Left, and you get stamp duty renovation, moving costs, all 54 00:02:16,880 --> 00:02:17,080 Speaker 2: of that. 55 00:02:17,960 --> 00:02:22,040 Speaker 3: Yeah, it's a term expensive thing, isn't it. Moving? So 56 00:02:22,320 --> 00:02:24,720 Speaker 3: sometimes it really is in their best interest to stay 57 00:02:24,760 --> 00:02:26,519 Speaker 3: exactly where they are. But you know, I have to 58 00:02:26,560 --> 00:02:28,680 Speaker 3: say there are other times where I totally get it. 59 00:02:28,720 --> 00:02:30,520 Speaker 3: I can see why they would want to move on, 60 00:02:30,880 --> 00:02:33,360 Speaker 3: and when I hear the amount of money, you know, 61 00:02:33,400 --> 00:02:36,639 Speaker 3: that they've made through the renovation that I've done for them. 62 00:02:36,880 --> 00:02:40,079 Speaker 3: You know, I sometimes privately think to myself, my God, 63 00:02:40,120 --> 00:02:41,079 Speaker 3: if I was you, i'd move. 64 00:02:41,440 --> 00:02:43,080 Speaker 2: It must be very half of them, though, when they 65 00:02:43,080 --> 00:02:46,000 Speaker 2: see their own house looking amazing, to still choose to go. 66 00:02:46,080 --> 00:02:48,600 Speaker 2: It's easier that you move and you don't look back. 67 00:02:48,639 --> 00:02:51,240 Speaker 2: It's very hard to see a good job done on 68 00:02:51,240 --> 00:02:51,520 Speaker 2: on it. 69 00:02:52,280 --> 00:02:54,639 Speaker 3: Well, yes it is. I think that happens a lot. 70 00:02:55,040 --> 00:02:58,119 Speaker 3: They're very torn at the final decision. But of course, 71 00:02:58,160 --> 00:03:00,400 Speaker 3: you know, Andrew, my co host, has shown them all 72 00:03:00,400 --> 00:03:04,080 Speaker 3: this amazing real estate. He's tempted them with all these 73 00:03:04,320 --> 00:03:06,920 Speaker 3: shiny ball balls, all the things that they could afford 74 00:03:06,919 --> 00:03:10,920 Speaker 3: if they were to sell. So there's always a genuine 75 00:03:11,040 --> 00:03:13,400 Speaker 3: dilemma and a sense of jeopardy there. And you know, 76 00:03:13,520 --> 00:03:16,840 Speaker 3: Andrew and I actually never know which way the couple 77 00:03:16,880 --> 00:03:19,200 Speaker 3: is going to go until that very moment when we're 78 00:03:19,200 --> 00:03:21,480 Speaker 3: standing in front of them, and we asked the question, 79 00:03:21,600 --> 00:03:24,520 Speaker 3: we don't want to know. We asked the producers not 80 00:03:24,600 --> 00:03:26,520 Speaker 3: to tell us which way they're going to go. So 81 00:03:26,560 --> 00:03:29,399 Speaker 3: it's a genuine reveal moment for us as well. 82 00:03:29,400 --> 00:03:33,440 Speaker 2: It's not an interesting sideline here. You've got some home 83 00:03:33,520 --> 00:03:36,560 Speaker 2: fragrances that you've named after your dogs. Do they smell 84 00:03:36,640 --> 00:03:37,240 Speaker 2: like dogs? 85 00:03:39,560 --> 00:03:44,320 Speaker 3: No, fortunately they don't. They don't. Yeah. I decided that 86 00:03:44,360 --> 00:03:46,960 Speaker 3: when I was adding candles and home fragrances into my 87 00:03:47,000 --> 00:03:50,680 Speaker 3: home wares range, it will be lovely to yeah, to 88 00:03:50,760 --> 00:03:54,160 Speaker 3: pay tribute to the dogs. So yes, I've got an Otis, 89 00:03:54,160 --> 00:03:57,320 Speaker 3: a t bow and a mister Graham and the smell 90 00:03:58,480 --> 00:04:01,120 Speaker 3: smell like the dogs, but they're of their fragrances that 91 00:04:01,160 --> 00:04:05,280 Speaker 3: are inspired by the dog's characters, like mister Graham for example, 92 00:04:05,560 --> 00:04:07,600 Speaker 3: he loves to run on the beach, so that that 93 00:04:07,760 --> 00:04:11,440 Speaker 3: particular fragrance is very sort of fresh and smells a 94 00:04:11,440 --> 00:04:12,240 Speaker 3: bit like the ocean. 95 00:04:13,320 --> 00:04:15,520 Speaker 2: I've got two friends that I went to Tokyo with 96 00:04:15,600 --> 00:04:18,440 Speaker 2: many years ago, and they bought this beautiful fragrance that 97 00:04:18,440 --> 00:04:20,760 Speaker 2: they were spraying on themselves, and we went back to Tokyo. 98 00:04:20,880 --> 00:04:23,120 Speaker 2: Ten years later. They'd run out of this, couldn't find 99 00:04:23,120 --> 00:04:25,240 Speaker 2: it anywhere. They went back to the store and said, 100 00:04:25,240 --> 00:04:27,760 Speaker 2: do you still sell this? And they said, oh, this home, 101 00:04:27,839 --> 00:04:31,280 Speaker 2: this room deodorizer, Yes we do. They've been spraying it 102 00:04:31,480 --> 00:04:33,280 Speaker 2: on themselves for ten years. 103 00:04:34,920 --> 00:04:35,880 Speaker 3: Thank Hilarius. 104 00:04:35,880 --> 00:04:36,720 Speaker 1: That's always good. 105 00:04:37,320 --> 00:04:39,119 Speaker 2: Maybe you could put a hint of mister Graham behind 106 00:04:39,160 --> 00:04:40,159 Speaker 2: your ears. 107 00:04:40,680 --> 00:04:43,080 Speaker 3: And there'll be another one coming because I've added another 108 00:04:43,160 --> 00:04:46,039 Speaker 3: dog to our lives. The range was designed, so there's 109 00:04:46,080 --> 00:04:49,080 Speaker 3: going to be a fourth dog fragrance called Teddy coming 110 00:04:49,160 --> 00:04:50,080 Speaker 3: up sometime soon. 111 00:04:50,320 --> 00:04:51,240 Speaker 1: Smells like Teddy. 112 00:04:52,279 --> 00:04:54,080 Speaker 2: I have to be careful what you call your dog. 113 00:04:56,240 --> 00:04:58,640 Speaker 1: Well, I'm pleased. I'm pleased to hear that the feature 114 00:04:58,680 --> 00:05:01,600 Speaker 1: walls back. What about the feature Naked Lady Tyle? Will 115 00:05:01,640 --> 00:05:02,520 Speaker 1: that ever come back? 116 00:05:03,480 --> 00:05:06,000 Speaker 3: Oh? I know exactly what you mean. No, I don't 117 00:05:06,040 --> 00:05:07,960 Speaker 3: think it will. You know, no, I think we've moved 118 00:05:08,000 --> 00:05:11,360 Speaker 3: on with our tile taste were tiles have become pretty sophisticated. 119 00:05:11,360 --> 00:05:13,240 Speaker 3: But I grew up with those tiles too in England 120 00:05:13,279 --> 00:05:15,640 Speaker 3: in the seventies. I know exactly what you're talking about. 121 00:05:15,720 --> 00:05:18,360 Speaker 1: What was with the naked Lady tyle? However, naked lady 122 00:05:18,360 --> 00:05:20,200 Speaker 1: wall paper? It was just a thing in the seventies. 123 00:05:20,279 --> 00:05:22,640 Speaker 3: Was it just a thing? Neil? 124 00:05:22,680 --> 00:05:23,039 Speaker 1: Thank you? 125 00:05:24,360 --> 00:05:26,320 Speaker 3: Oh no, look at it. It's a pleasure. I would 126 00:05:26,360 --> 00:05:28,520 Speaker 3: love to talk tiles and feature walls with you guys 127 00:05:28,560 --> 00:05:29,240 Speaker 3: all morning, but. 128 00:05:31,279 --> 00:05:39,080 Speaker 1: You've got fragrances to crack open. Returns tonight, Graham, mister Graham, 129 00:05:39,800 --> 00:05:43,760 Speaker 1: just Graham, not mister Graham, tonight eight thirty on Fox 130 00:05:43,880 --> 00:05:45,240 Speaker 1: Tale Near What Thanks. 131 00:05:45,320 --> 00:05:46,359 Speaker 2: Nice to talk to you, Neil. 132 00:05:47,240 --> 00:05:52,080 Speaker 3: Cheers, guys, OK, see you bye. Jonesy and Amanda's