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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: Yes, very good, welcome to the podcast. The Queen having

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Speaker 2: a tunnel to the dirty Bird, Now that's not particularly true.

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Speaker 3: She has. She has got a tunnel too.

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Speaker 2: You'll find this out in the podcast, a secret bar

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Speaker 2: that she can just nick off to and take the

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Speaker 2: edge off her queenly duties.

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Speaker 4: Classic queen. Is that a bit of a media beat

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Speaker 4: up that she drinks that much?

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Speaker 3: Or is she? I think she member of the royal fans.

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Speaker 3: Isn't there blood? Isn't it?

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Speaker 5: She's a hundred? I'd say she smashing a g into

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Speaker 5: every couple of hours.

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Speaker 3: I'd say, as you get older, you're not meant to

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Speaker 3: drink as much.

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Speaker 4: But whatever works for Joel's from Darwin and reminding ourselves

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Speaker 4: with that may at different medical advice in Darwin.

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Speaker 5: My liver is now one hundred years old.

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Speaker 3: Which only go to the doctor a how to drink it?

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Speaker 3: What are you doing man, it's.

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Speaker 5: Only Monday, that's five o'clock somewhere.

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Speaker 2: Yeah so no, yeah, so she But what do you

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Speaker 2: When I asked you what you where you thought her

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Speaker 2: tunnel went to? You said it was to a fast

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Speaker 2: food chain. Because you don't think she's able to eat

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Speaker 2: fast food in public well, because I think thea is

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Speaker 2: a hidden KFC under Buckingham Pass.

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Speaker 4: Yes, and I'd say in her tunnel is a disguise.

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Speaker 4: She chucks on her disguise, gets a twelve piece feed beautiful.

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Speaker 4: And as we discussed, she drinks a lot. According to

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Speaker 4: all these you know, news outlets and whatnot. She'd want

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Speaker 4: a bit of a dirty bird action to you know,

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Speaker 4: suck that alcohol out of her out of her body.

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Speaker 5: Greasy chicken.

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Speaker 3: She would going to put this chat down. Also, I

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Speaker 3: feel filthy engaging in this.

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Speaker 2: We're talking about the monarchspect by the fact that she's

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Speaker 2: got fat chicken to suck the alcohol out of her system.

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Speaker 3: Mate, I'm sorry. I think she's better than that.

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Speaker 4: I don't think anyone's too good to have some juicy,

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Speaker 4: greasy food when they're a bit hungover.

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Speaker 5: Can I give you a friendly.

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Speaker 2: That's nice for you to suggest that the queen's hung

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Speaker 2: over it all? She's either pissed the whole time. As

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Speaker 2: we discussed what she's friendly pivot me, Joe, friendly pivot.

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Speaker 5: No, if he's a friendly pivot for you, we needed

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Speaker 5: that we need to pivot.

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Speaker 3: A friendly pivot he pivot me friendly me friendly.

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Speaker 6: Like pivot to PVT me softly his voice pivot a song.

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Speaker 6: I've lost the pivoting on pivot. So you don't need

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Speaker 6: a secret tunnel to go to a KFC or a

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Speaker 6: Dirty Bird Chicken place because you're both not as famous

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Speaker 6: as the queen. But yeah, like Bruce, Wayne and Batman,

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Speaker 6: if you were to have some sort of secret compartment,

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Speaker 6: where would you want to be sneaking to around your house?

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Speaker 6: Would you want like a secret bathroom that no one

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Speaker 6: could access to it when guests wherever?

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Speaker 4: Bloody?

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Speaker 3: Hell, a secret bathroom? What are you doing?

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Speaker 4: Sorry, that's the dream, It is the actual dream.

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Speaker 3: You didn't even say a toilet that you just had

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Speaker 3: a bathroom. What for men? What are you doing? Don't

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Speaker 3: have a quick shower between toilet?

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Speaker 4: You just want a quiet room, effective.

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Speaker 3: Secret passage the bathroom. We smell the town room. What

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Speaker 3: do you do?

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Speaker 5: Do you a secret record room behind your rumpers room?

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Speaker 3: Bloody?

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Speaker 5: That sounds pretty.

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Speaker 3: Take that over a sink and a sink in a mirror.

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Speaker 2: Amazing in my bathroom, music in the house, shocking acoustics,

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Speaker 2: you know, like to be honest, secretthroom?

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Speaker 3: Take me to the smelling is.

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Speaker 5: A secret bathroom under his stairs. Actually calls it the

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Speaker 5: powder room, but we all know what it is. That

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Speaker 5: he is another toilet for you to go put by yourself, thunderbottom.

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Speaker 4: No, actually, I'm a second floor pupa and MIM's band

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Speaker 4: from the upstairs bathroom. It's my domain. It's from it. Well,

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Speaker 4: if she really wanted to use it, she could, but.

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Speaker 3: She wouldn't spontaneously combust.

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Speaker 4: She'd have to wear it like one of those Buyo

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Speaker 4: Hazards suits. Pick it up there. This has got gross.

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Speaker 4: Started off talking about the queens drinking that we're talking

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Speaker 4: about my girlfriend into a bio hasard suit to be

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Speaker 4: anywhere near my fecal matter anyway, and the podcast everyone,

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Speaker 4: that's where we were. You guys took me there.

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Speaker 2: Explain it, you know, Joel was just offering a friendly

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Speaker 2: pivot and then.

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Speaker 5: Yeah, well done, pivoted nicely.

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Speaker 4: Yeah knows Woods.

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Speaker 2: Look, mate, I'm gonna be honest. Everyone in the team

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Speaker 2: is over your rollerblades. We're all over them.

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Speaker 3: We've had enough of them.

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Speaker 4: You keep asking about my blade. My blades are my

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Speaker 4: private life, but you guys keep bringing up Look at

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Speaker 4: you you bringing up right now? You're obsessed with it.

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Speaker 4: I get it. You're jealous because.

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Speaker 3: Them you've got a much younger girlfriend.

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Speaker 2: She's brought you a gift to try and you know,

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Speaker 2: you know have something in common with you because you

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Speaker 2: know otherwise you're trying to make her watch the BBC

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Speaker 2: while she wants to watch Netflix.

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Speaker 3: We get it. Now, you're a little bit like as

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Speaker 3: a ziperpore. It's like you're a twenty year old he

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Speaker 3: got given lego for a birthday. Now we're going to

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Speaker 3: put an end of this. I'm over it personally. I

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Speaker 3: think everyone else is over it. So here's the deal.

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Speaker 3: I know you're going to be up for the challenge

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Speaker 3: because you're a competitive bastard. I know you're gonna want

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Speaker 3: to prove me wrong.

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Speaker 2: You in order to continue talking about the rollerblades, filming

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Speaker 2: yourself on the roller blades, making gags about the roller blades.

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Speaker 4: On Instagram at blade Man.

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Speaker 2: You have to you have to try and complete a

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Speaker 2: lap of this radio station.

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Speaker 3: In under forty seconds. Please on the roller blades.

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Speaker 4: It's like telling Usain Bolt to do one hundred and

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Speaker 4: twenty seconds. Come on, it's going to be too easy.

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Speaker 4: All right, I'm lightning you know I you know, I

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Speaker 4: am grease, lad, I don't.

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Speaker 3: First, I don't know that.

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Speaker 2: The only thing I know about you is that I

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Speaker 2: rode past you on the way to work, and you

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Speaker 2: can't stop when you go down a hills.

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Speaker 4: In a bad moment. There are no hills at the station, though, Rama,

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Speaker 4: there is a ramp. Just to have to take the ram.

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Speaker 3: Absolutely, you've got to take the ramp to dial things up.

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Speaker 3: You've got to do it in the hot dogs soon.

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Speaker 4: That's embarrassing. No, you've got to do it.

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Speaker 3: Well then, well, then you can't talk about your rolles anymore.

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Speaker 4: Give me the hot dog signe.

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Speaker 3: So you're going to do it in your hot dogs if.

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Speaker 4: I If I do it in under forty seconds, and

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Speaker 4: I can talk about my blades whenever I want and post,

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Speaker 4: you know, and talk about promoting my Instagram page at

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Speaker 4: blade Man.

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Speaker 3: Sure, great, Sure to be fine.

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Speaker 4: If I get under forty seconds, if you get under

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Speaker 4: forty seconds.

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Speaker 5: It'll be easy.

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Speaker 3: You've got to do it in the hot dog suit.

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Speaker 2: Fine, okay, Fine, So you can watch this on Will

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Speaker 2: and Woody on Instagram or Facebook. That's where you can

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Speaker 2: go and watch it. You can duck outside, go and

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Speaker 2: put your blades on.

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Speaker 4: Can I have some music or something to put me out?

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Speaker 7: Yeah?

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Speaker 3: Nice blade?

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Speaker 2: That was.

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Speaker 8: Blake?

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Speaker 2: Man out?

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Speaker 4: How long do I have to put on my rollerbytes?

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Speaker 3: You got the song?

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Speaker 4: I really struggle with the buckles. Can you actually help?

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Speaker 2: It's just going on and then you're going to try

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Speaker 2: and do a lab at the station in forty seconds?

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Speaker 3: Man out, stop this is all going to end, So

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Speaker 3: enjoy it while while I can. Alright, fine, goodbye. Sorry,

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Speaker 3: just had to wait for the door to close.

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Speaker 2: For everyone else that's listening, this is a stitch up.

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Speaker 2: He could easily go around the station and under forty seconds.

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Speaker 2: But some of you might remember a couple of weeks

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Speaker 2: ago Wood he stitched me up with the game of

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Speaker 2: hide and seek live on air. I thought I was

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Speaker 2: playing hide and seek and then he hit me with

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Speaker 2: a flower bomb.

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Speaker 3: It was embarrassing. It was degrading. A lot of people

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Speaker 3: enjoyed it online. My mother in.

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Speaker 2: Law liked it, which hurt. So what I'm going to

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Speaker 2: do is he's going to go for a lap at

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Speaker 2: the radio station right up next.

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Speaker 3: That's still happening. He's still going to think it's happened.

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Speaker 2: You can still watch it on Millerwoody, but the finish line,

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Speaker 2: before he gets to the end, when he's steaming home,

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Speaker 2: I have an entire bucket of flower which is going

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Speaker 2: to go all over his face. You can check it out,

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Speaker 2: and Willibody, you can keep listening here. It's gonna be

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Speaker 2: awesome right up next, Good work, mate, I'm coming out

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Speaker 2: to help me.

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Speaker 3: Now, hang it up. Turn everyone.

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Speaker 2: It is a Will and what do you hope you're

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Speaker 2: having a wonderful drive home?

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Speaker 3: It is just Will in the studio right now.

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Speaker 2: What you can't hear me at the moment, and that's

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Speaker 2: because about a week ago he conned me into a

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Speaker 2: game of hide and Seek live on radio, which was

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Speaker 2: just all a ploy for him to cover me in Flower.

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Speaker 3: The news foots through here, the news firsts through here.

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Speaker 2: I think we're nearly there, guys, we're going.

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Speaker 3: To have a winner.

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Speaker 2: Yes, it sucked. It's suck for me. I'm sure you

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Speaker 2: all had a bit of a laugh at it. You

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Speaker 2: can still see it unfortunately Instagram and Facebook, Will and Woody,

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Speaker 2: if you want to get up to speed and you

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Speaker 2: know what, go and watch it, enjoy it, revel in it,

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Speaker 2: because that gives you context for the revenge. I'm about

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Speaker 2: to enact. So Woods, as I said, can't hear me

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Speaker 2: right now. He thinks we're still on a song. He

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Speaker 2: can't hear me. You can't see that I'm speaking because

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Speaker 2: he thinks he's about to do a lap of the

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Speaker 2: station in his rollerblades.

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Speaker 3: All will be explained as I'm just kidding the nod.

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Speaker 2: He thinks we're about to go live, So just give

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Speaker 2: me a sex as I reset.

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Speaker 3: Good afternoon everyone. It is Will and Woody Woods. Are

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Speaker 3: you there, mates?

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Speaker 4: Yeah, Blade Man's here, blade Man checking play my music?

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Speaker 4: Oh my god?

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Speaker 3: All right, Tavy just joining us? What is much? Younger?

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Speaker 2: Girlfriend? Mimi gave Woody some roller blades for his birthday

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Speaker 2: to make him feel a bit more youthful, a little

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Speaker 2: bit like when your mum gives your dad or gave

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Speaker 2: your dad a Hawaiian shirt for his fortieth so he

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Speaker 2: could wear out with all his friends and make him

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Speaker 2: feel a bit more hip. You've been You've been throwing

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Speaker 2: them in out of faceboods. It's nauseating. Everyone's over it.

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Speaker 2: So I've made a ploy to stop you wearing the

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Speaker 2: roller blades. And I've said you have to stop wearing

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Speaker 2: the rollerblades. Unless you can complete a lap of this

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Speaker 2: office in the roller blades in under forty seconds.

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Speaker 4: This will be the easiest thing I have ever done.

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Speaker 4: As I said before the song, this is like telling

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Speaker 4: Usain Bold, can you do one hundred and under a minute?

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Speaker 4: This is going to be the definition of when are

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Speaker 4: we doing this thing? Blood Man sixty six six is ready.

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Speaker 4: That's my Instagram handle.

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Speaker 3: That's not your Instagram handle. But anyway, if anyone, if.

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Speaker 2: Anyone wants to watch this, they can will and what

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Speaker 2: he Facebook and Instagram. If you're wondering why he's wearing

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Speaker 2: a hot dog suit, absolutely no reason.

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Speaker 3: Yeah, I just didn't noted that as.

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Speaker 2: An extra condition to make it look like an idiot.

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Speaker 4: So yeah, I'm above it. I'm above it. Will my

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Speaker 4: railer blading. We'll do the talking, all right, mate.

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Speaker 2: So you've got forty seconds to do a lap of

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Speaker 2: the whole station. Yeah, all right, there is a finish

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Speaker 2: line ready to go.

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Speaker 3: Can you stop pacing.

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Speaker 2: Out the side of the studio like a bull about it?

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Speaker 3: About to enter the cool sum I want you you just's.

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Speaker 4: I'm warm, I'm feeling more al right doing this thing.

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Speaker 4: I'm good to go.

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Speaker 2: Okay, let's go it all right, So forty seconds on

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Speaker 2: the clock, Mate, You've got to try and do a

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Speaker 2: lap of the station under forty seconds. You got to

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Speaker 2: kick it off by going down that ramp, which I.

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Speaker 3: Reckon is going to be tough for you.

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Speaker 2: If you get in under forty seconds, you can talk

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Speaker 2: about your rollerblades all you like. Okay, are you ready?

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Speaker 4: Yes, I'm ready. Will, let's do this thing.

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Speaker 3: Okay, Woods, your time starts now.

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Speaker 4: Blight Man's off, black Man's off, going down the red Oh,

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Speaker 4: I'm down, I'm down. I'm down early, I'm down there.

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Speaker 3: I'm calling a bag.

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Speaker 4: I'm away, I'm away, I'm away. I did go down.

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Speaker 4: I got caught in a box, but I'm away. Will,

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Speaker 4: I'm flying now, almost fell over? Final turn, final straight, final, straight,

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Speaker 4: bringing it home, Bring it home?

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Speaker 3: What was that?

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Speaker 4: What do you that for?

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Speaker 3: Revenge?

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Speaker 4: In my eyes? My I can't see, I can't see.

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Speaker 3: What was my time? What was my time?

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Speaker 4: Were you even timing me? Absolutely not?

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Speaker 3: Absolutely not? Opened my eyes. Got a Willing Woody on Facebook.

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Speaker 3: More of a corn dog now, aren't you?

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Speaker 9: Oh?

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Speaker 2: Very funny of the socials.

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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: We had nave Valvo, who's a comedian in the studio

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Speaker 2: last week, Great dude, Nate, bloody funny not it's in

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Speaker 2: the studio. And he had this theory that gays walk

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Speaker 2: faster than straight people.

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Speaker 3: All right, that was his theory, and.

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Speaker 2: We tested this. We tested this in the studio because

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Speaker 2: I said was a way to test this. Google Maps

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Speaker 2: actually makes your walking speed bespoke to you, right, So,

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Speaker 2: because you walk around with your phone all the time,

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Speaker 2: it's been a very good idea of how fast you walk.

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Speaker 2: So you can see on different people's phones how fast

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Speaker 2: how fast they walk by just putting in the same

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Speaker 2: distance and then checking the times.

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Speaker 4: Are you saying right over you think the gay man

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Speaker 4: walks faster than the straight man?

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Speaker 3: I have said this for years.

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Speaker 4: Let's all put in the same destination and see what

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Speaker 4: our timing is. Mine says six minutes, yes, same, Will

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Speaker 4: you were faster walker than a man? Or are you

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Speaker 4: slower walking?

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Speaker 2: Again?

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Speaker 3: Seven minutes? That's from the raft we've all expected.

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Speaker 4: We've all suspected for a long time, and I've thought

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Speaker 4: about this. I've thought about this. It's because I've been

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Speaker 4: blading a lot.

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Speaker 2: O Seriously, town friends, Mum's listening it's okay, it's all right.

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Speaker 4: I've been blading. I'm obviously fudging the figures, but i'm blading.

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Speaker 4: I'm blading times.

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Speaker 3: That word around anyway.

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Speaker 2: So what we're what we're doing, interesting choice of words

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Speaker 2: with the topic fudging the figures.

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Speaker 9: I mean, we all.

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Speaker 2: Clinched slightly as you started saying that, yeah, because it

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Speaker 2: was it was on the line.

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Speaker 3: Anyway. What we're going to do is we're going to

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Speaker 3: do to test this theory. Right now, what are we

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Speaker 3: going to do. We're gonna find out if gays actually

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Speaker 3: walk faster?

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Speaker 4: Cool?

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Speaker 2: All right, so everybody can everybody can play this game.

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Speaker 2: It's really really simple. All you got to do now,

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Speaker 2: I've had to put down a very specific set of coordinates.

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Speaker 2: We all need the same set of coordinates, all right,

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Speaker 2: So you need to get your fine out, pull over,

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Speaker 2: do whatever you need to do, get your fine out.

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Speaker 3: Open Google Maps.

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Speaker 2: Okay, and then I want everybody listening to type in

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Speaker 2: mcg as in the sports ground in Melbourne mcg And

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Speaker 2: then secondly I want you to put Lunar.

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Speaker 3: Park also in Melbourne. All right?

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Speaker 2: Then third one, six, five tell us how long it

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Speaker 2: would take you, or Google Maps tells you. It's going

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Speaker 2: to take you to walk between those two destinations, and

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Speaker 2: make sure you've clicked walk.

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Speaker 3: I don't need to call up and you.

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Speaker 4: Know, and don't change the root. It'll give you a

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Speaker 4: few roots, but just choose the root that Google Maps

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Speaker 4: gives you. Yes, that's why it's all fair.

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Speaker 2: Mcg Lunar Park in your Google Maps, give us a call,

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Speaker 2: tell us how long it tells you to walk there,

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Speaker 2: and then Woody and I and then and then Woody

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Speaker 2: and I will be able to tell what your sexuality

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Speaker 2: is based purely on how on your time Boom.

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Speaker 3: It's going to be totally wild up next.

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Speaker 4: Totally based on science. Nith Valvo.

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Speaker 3: He said his boyfriends are scientists.

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Speaker 4: Yeah, so you know by you know association. He's a genius.

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Speaker 4: He's on the numbers six five.

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Speaker 2: Please get involved, MCG to Lunar Park in Melbourne.

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Speaker 3: Tell us what your walktime is with the money. Here's

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Speaker 3: the theory.

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Speaker 2: You can tell whether somebody is gay or straight based

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Speaker 2: on how far they how fast they walk. Now, the

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Speaker 2: way we're going to test this woods is everybody if

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Speaker 2: you've got a phone on you, which you know probably

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Speaker 2: everyone these days.

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Speaker 4: Just actually don't know where my phone.

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Speaker 3: Is okay, well you're out of the game.

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Speaker 4: We already we already know from you though.

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Speaker 3: We found out that last time.

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Speaker 4: That's true.

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Speaker 2: So the way this is going to work is you

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Speaker 2: need to put in the mcg yes, and then you

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Speaker 2: need to put in Lunar Park.

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Speaker 3: Okay.

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Speaker 2: So there are two places in Melbourne. We had to

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Speaker 2: choose a city somewhere. Went for Bondai to bronze you beforehand,

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Speaker 2: but it said that Google obligated you to get an

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Speaker 2: electric bike.

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Speaker 4: Very must be a deal with Google.

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Speaker 2: It was. We couldn't get a walk time. It kept saying,

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Speaker 2: this is the point where you hire your electric bike.

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Speaker 2: So we've gone. It's gone back to Melbourne, a little

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Speaker 2: bit more of a tacky city. So mcg to Lunar Park.

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Speaker 2: All right, that's what you need to put in your

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Speaker 2: Google Maps. I'm straight, okay, So I've got the I've

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Speaker 2: got the time.

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Speaker 3: Here on how how how long it was for me?

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Speaker 4: Our whole AG's got Peter on the line here on

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Speaker 4: thirteen one o six five.

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Speaker 3: Peter, Hey mate, how are you very very well.

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Speaker 4: Now to this point? Peter, Well, what's you what's your sexuality?

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Speaker 7: Straight?

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Speaker 4: You're Australia and one hundred percent. Yes, okay, Well it

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Speaker 4: all comes down at the time though, because I said

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Speaker 4: nath valvo d and nathh Valveaux came in the studio

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Speaker 4: last week and said that if you're a fast walker,

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Speaker 4: then you're gay.

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Speaker 3: You're gay, all right. So MCG to Luna Park. What

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Speaker 3: was your time?

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Speaker 8: One hour and twenty six minutes?

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Speaker 3: Peter straight? Oh, well done, Peter straight, Very good, Peter,

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Speaker 3: thank you very much.

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Speaker 4: That's a nice confirmation for Peter. You know he was

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Speaker 4: confused it all. It didn't sound like he was confused,

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Speaker 4: to be honest.

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Speaker 3: No, no, very sure. Now let's not ask the sexuality

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Speaker 3: this time. I reckon, okay, to be able to figure

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Speaker 3: it out based on the time.

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Speaker 4: Oh yeah, yeah, okay.

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Speaker 2: Olivia, Olivia, Yes, welcome. So you put in MCG to

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Speaker 2: Lunar Park on your Google Maps? Yes, okay, what was

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Speaker 2: your time?

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Speaker 8: An hour in sixteen minutes?

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Speaker 3: An hour in sixteen yes, I reckon, I reckon, Olivia

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Speaker 3: is straight?

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Speaker 4: Wow, Okay, there you go, Olivia. Is that true?

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Speaker 1: That is true?

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Speaker 4: There you go? Two from two, bang, two from two.

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Speaker 4: Pretty good so far, Nate valves his theory holds up.

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00:17:03,680 --> 00:17:05,679
Speaker 3: Yeah, Well, let's leave we've got Sarah here. Sarah, how

401
00:17:05,720 --> 00:17:07,080
Speaker 3: are you going good?

402
00:17:07,119 --> 00:17:07,359
Speaker 2: Thanks?

403
00:17:07,359 --> 00:17:09,440
Speaker 3: Are you very well? Thank you? Mcg to learn a

404
00:17:09,480 --> 00:17:12,040
Speaker 3: park you put it into your phone? Yeah, all right?

405
00:17:12,119 --> 00:17:14,800
Speaker 3: Do gays? Do gays walk fast? That's what we're testing.

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Speaker 3: What was your time?

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Speaker 8: One hour and fourteen minutes?

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Speaker 3: I reckon, Sarah.

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Speaker 4: Could be gay? Interesting? Sarah?

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Speaker 5: Are you gay?

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00:17:25,760 --> 00:17:25,800
Speaker 10: No?

412
00:17:25,960 --> 00:17:26,520
Speaker 7: I'm straight?

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00:17:26,800 --> 00:17:29,720
Speaker 2: Oh, j Well, I'm sorry to break it to you. Well,

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00:17:29,720 --> 00:17:31,040
Speaker 2: I'm not sorry to break it to you, Sarah, but

415
00:17:31,800 --> 00:17:32,360
Speaker 2: how excited?

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Speaker 3: Rejoice?

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00:17:33,040 --> 00:17:33,240
Speaker 2: Yeah?

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Speaker 3: And what a time for you? Next? Top Mardi Gras? Yeah?

419
00:17:37,520 --> 00:17:40,800
Speaker 3: Do you have any one hundred percent sure? Sarah?

420
00:17:42,240 --> 00:17:43,520
Speaker 4: You a partner to partner?

421
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Speaker 2: Sarah?

422
00:17:44,320 --> 00:17:46,040
Speaker 8: Yeah, I do have a partner. I've been with him

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Speaker 8: for two years now.

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Speaker 3: Tough convert tonight?

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Speaker 4: Then should you call him?

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Speaker 3: We might have to. That's a tough converot, but.

427
00:17:53,080 --> 00:17:53,960
Speaker 4: Yeah, that's right.

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Speaker 3: Relationship technically a lie.

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Speaker 2: Let's go to the dean. I know I didn't say

430
00:18:00,480 --> 00:18:02,640
Speaker 2: this would be easy. This is tough for something. Probably

431
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Speaker 2: figure this out because again I'm straight. I'm in an

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Speaker 2: hour and sixteen? Yeah you can that's your time? One

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Speaker 2: hour and fourteen's gay?

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Speaker 3: Are you gay? Yeah? John?

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Speaker 4: So sorry? So the only. I mean, we're one hundred

436
00:18:23,359 --> 00:18:26,159
Speaker 4: percent strike rade there. The amazing thing is that Sarah,

437
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Speaker 4: Sarah is.

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00:18:26,720 --> 00:18:31,479
Speaker 3: Still on the phone. Sarah, Sarah, are you there? Sarah?

439
00:18:32,119 --> 00:18:35,119
Speaker 3: Are you there? How are you feeling?

440
00:18:36,320 --> 00:18:39,119
Speaker 7: Yeah, it's feeling all right, feeling still straight?

441
00:18:39,920 --> 00:18:42,160
Speaker 2: Yeah? Well all right, well, hell let me just test

442
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Speaker 2: that for a second. If I said to you, picture

443
00:18:45,960 --> 00:18:47,920
Speaker 2: Woody nude, oiled up, what do you think to yourself?

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00:18:50,920 --> 00:18:51,560
Speaker 2: Doesn't turn me?

445
00:18:52,960 --> 00:18:58,000
Speaker 4: That's just defensive to me. Now can we flip it

446
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Speaker 4: on me?

447
00:19:00,200 --> 00:19:01,800
Speaker 3: But I enjoyed that it was los.

448
00:19:01,920 --> 00:19:04,280
Speaker 1: Everyone looks the rhymm Woody podcast.

449
00:19:05,560 --> 00:19:09,800
Speaker 4: It's time for believe or not. It used to be

450
00:19:09,840 --> 00:19:12,359
Speaker 4: a jovial segment, but it's got real, it's got serious.

451
00:19:12,480 --> 00:19:13,840
Speaker 4: I reckon, you've won seven in a row.

452
00:19:13,920 --> 00:19:15,480
Speaker 3: Well, it used to be jovial for you when you

453
00:19:15,560 --> 00:19:17,560
Speaker 3: were in the game. You're not even in the game.

454
00:19:17,800 --> 00:19:20,280
Speaker 4: No, that's a fair comment because right now you're walking

455
00:19:20,359 --> 00:19:22,160
Speaker 4: the walk. Now if you haven't heard this bit before,

456
00:19:22,200 --> 00:19:24,600
Speaker 4: it's what he's believed or not. Effectively, to say, a

457
00:19:24,600 --> 00:19:26,879
Speaker 4: whole bunch of stories on the topic. Some of them

458
00:19:26,880 --> 00:19:28,280
Speaker 4: are true, if some of them are not true. Will

459
00:19:28,359 --> 00:19:30,520
Speaker 4: is guessing if it is true or not true. I

460
00:19:30,560 --> 00:19:33,359
Speaker 4: always have a theme, and today's theme is inspired by

461
00:19:33,400 --> 00:19:34,040
Speaker 4: this guy.

462
00:19:34,240 --> 00:19:37,240
Speaker 3: And his arms are sweaty, and these weak arms are happy.

463
00:19:37,320 --> 00:19:40,080
Speaker 2: There's vinement on a sweater already, mar spaghetti.

464
00:19:40,160 --> 00:19:44,320
Speaker 4: He's nervous, Eminem he opened a restaurant called Mum's Spaghetti.

465
00:19:45,280 --> 00:19:48,440
Speaker 4: Last week. He was actually serving spaghetti at mums Spaghetti.

466
00:19:49,000 --> 00:19:52,240
Speaker 4: So today's theme will is restaurant names.

467
00:19:52,680 --> 00:19:54,680
Speaker 3: I covered this last week, by the way that story

468
00:19:54,960 --> 00:19:56,560
Speaker 3: in my segment.

469
00:19:56,800 --> 00:19:59,159
Speaker 4: Yes, and that means I've been at I've spent the

470
00:19:59,240 --> 00:20:04,159
Speaker 4: last seven days is preparing this? That includes the weekend?

471
00:20:04,320 --> 00:20:04,480
Speaker 8: Yeah?

472
00:20:04,640 --> 00:20:06,600
Speaker 4: Sure, you know I work like around on the weekend.

473
00:20:07,320 --> 00:20:09,280
Speaker 4: So a week of prepp has gone into this. It's

474
00:20:09,320 --> 00:20:11,800
Speaker 4: best of five. Obviously we've got the time. I'll give

475
00:20:11,800 --> 00:20:14,320
Speaker 4: you one now before the song. Sure, is this a

476
00:20:14,400 --> 00:20:16,440
Speaker 4: real restaurant or a fake restaurant?

477
00:20:16,560 --> 00:20:17,200
Speaker 3: Will yeah?

478
00:20:18,720 --> 00:20:24,960
Speaker 4: Te quill a mocking bird tequiller bar? Obviously obviously a

479
00:20:25,000 --> 00:20:27,760
Speaker 4: bit of a pun on the book to kill a

480
00:20:27,960 --> 00:20:33,639
Speaker 4: mocking bird? Tequila mocking bird? Is that a real tequila bar?

481
00:20:33,800 --> 00:20:35,480
Speaker 2: I feel like it's a shame of this isn't a

482
00:20:35,560 --> 00:20:37,560
Speaker 2: tequila bar. I want to start by saying that, and

483
00:20:37,640 --> 00:20:38,760
Speaker 2: tequila is hot right now.

484
00:20:39,280 --> 00:20:40,560
Speaker 4: Yeah, yeah, super popular.

485
00:20:42,160 --> 00:20:42,800
Speaker 5: That real?

486
00:20:43,000 --> 00:20:44,760
Speaker 4: Or if I it's made it, I think it's fake though.

487
00:20:45,920 --> 00:20:47,120
Speaker 4: That is a real, my friend.

488
00:20:50,240 --> 00:20:52,600
Speaker 3: That's right. Early win, come early win. Let's go to

489
00:20:52,640 --> 00:20:54,119
Speaker 3: a song. I need a challenge.

490
00:20:54,200 --> 00:20:55,920
Speaker 4: Let's go to a song. Best of five.

491
00:20:56,320 --> 00:21:00,119
Speaker 3: I've deliberately pegged myself that handicap myself there so.

492
00:21:00,119 --> 00:21:02,040
Speaker 4: I can come home with a take away.

493
00:21:02,080 --> 00:21:04,000
Speaker 3: The early week, I was leaning toward that being the truth.

494
00:21:04,040 --> 00:21:04,840
Speaker 3: Everyone heard that, and.

495
00:21:04,880 --> 00:21:06,000
Speaker 4: Will and Woody believe it or not.

496
00:21:06,240 --> 00:21:08,000
Speaker 3: There we are doing what he's believing or not.

497
00:21:08,880 --> 00:21:15,879
Speaker 4: It's time for believe it or not. He's got some

498
00:21:16,119 --> 00:21:18,879
Speaker 4: weird facts and stores.

499
00:21:19,000 --> 00:21:20,160
Speaker 8: Some of them real.

500
00:21:23,280 --> 00:21:29,520
Speaker 4: Okay, so today we are doing restaurant names. I am

501
00:21:29,600 --> 00:21:32,920
Speaker 4: one nil up at this stage, up in a bat.

502
00:21:32,920 --> 00:21:34,240
Speaker 4: I'm a bit up in the back. So I've lost

503
00:21:34,280 --> 00:21:38,359
Speaker 4: seven in a row. Okay, let's get straight into it.

504
00:21:38,480 --> 00:21:41,920
Speaker 4: Will sure at number two.

505
00:21:43,000 --> 00:21:44,960
Speaker 3: I think this is the best of three scenario today.

506
00:21:45,240 --> 00:21:46,200
Speaker 4: No, no, best of five.

507
00:21:46,240 --> 00:21:47,880
Speaker 3: I think we're running out of time. It's best of three.

508
00:21:48,359 --> 00:21:49,560
Speaker 3: You can get through as many as you want.

509
00:21:49,560 --> 00:21:51,240
Speaker 4: I've always said that, thank you very much.

510
00:21:52,320 --> 00:21:53,360
Speaker 3: He gets through more.

511
00:21:53,640 --> 00:21:55,600
Speaker 4: This sort of chat, this sort of chats what ruins

512
00:21:55,600 --> 00:21:57,760
Speaker 4: it Okay, here we go. Second restaurant, Yes, because if

513
00:21:57,760 --> 00:21:58,800
Speaker 4: you win this, you could win it all.

514
00:21:59,800 --> 00:22:01,640
Speaker 3: If it's best of three, I wanted the best to find.

515
00:22:01,640 --> 00:22:04,359
Speaker 4: Okay, I spent too long on the restaurant names. Okay,

516
00:22:05,720 --> 00:22:09,760
Speaker 4: got ninety nine problems, and this food ain't one. That's

517
00:22:09,800 --> 00:22:14,560
Speaker 4: a Mexican restaurant. Ain't one as in one one one

518
00:22:14,640 --> 00:22:17,560
Speaker 4: as in j U a nue. Got nine to nine

519
00:22:17,640 --> 00:22:20,879
Speaker 4: problems and this food ain't Juan Mexican restaurant. Is that

520
00:22:20,960 --> 00:22:22,520
Speaker 4: a real restaurant or is that a fake one?

521
00:22:23,000 --> 00:22:23,720
Speaker 3: I think it's fake.

522
00:22:24,359 --> 00:22:25,320
Speaker 4: Yeah, that'd be that's a fake.

523
00:22:25,359 --> 00:22:35,120
Speaker 3: Really one has nothing to do with Mexican food. There's

524
00:22:35,160 --> 00:22:35,800
Speaker 3: nowhere near it.

525
00:22:36,040 --> 00:22:37,639
Speaker 2: You want to go? Here we go?

526
00:22:37,960 --> 00:22:44,439
Speaker 4: Fair enough? Thanks one. The notorious p I G Barbecue?

527
00:22:44,720 --> 00:22:45,120
Speaker 7: Not bad?

528
00:22:45,720 --> 00:22:49,200
Speaker 2: Is that a real rappers by the way, apart from

529
00:22:49,240 --> 00:22:50,800
Speaker 2: Tequila Mockingbird.

530
00:22:50,680 --> 00:22:55,040
Speaker 4: The notorious p I G Barbecue? Is that real? Or

531
00:22:55,160 --> 00:23:01,320
Speaker 4: is that fake American restaurant? But I think it's that

532
00:23:01,520 --> 00:23:01,840
Speaker 4: is real?

533
00:23:01,920 --> 00:23:02,359
Speaker 3: My friend?

534
00:23:05,560 --> 00:23:08,080
Speaker 4: Two to one, best of five. If I get the

535
00:23:08,119 --> 00:23:13,000
Speaker 4: next one, I've got it. Okay, here we go. His

536
00:23:13,119 --> 00:23:20,880
Speaker 4: next restaurant is called Thie Rannosaurus Food with Bite. Thie

537
00:23:21,080 --> 00:23:25,840
Speaker 4: Rhannosaurus food with bite? Is that real or is that fake?

538
00:23:25,920 --> 00:23:27,639
Speaker 4: Will it's for the win for me?

539
00:23:28,920 --> 00:23:30,520
Speaker 3: Tie Rannosaurus.

540
00:23:30,680 --> 00:23:35,200
Speaker 4: Tie Rannosaurus food with bite is their second line and

541
00:23:35,280 --> 00:23:40,720
Speaker 4: it's just standard Thie food. Yeah, there's no other America.

542
00:23:42,400 --> 00:23:46,520
Speaker 4: It's in the US. Tyrannosaurus food with bite.

543
00:23:46,600 --> 00:23:48,680
Speaker 3: Thi Renaisaurus food with the food? Why is it food

544
00:23:48,720 --> 00:23:49,160
Speaker 3: with bite?

545
00:23:49,320 --> 00:23:52,720
Speaker 4: That's just their second line food thy Renosaurus then run

546
00:23:52,800 --> 00:23:54,840
Speaker 4: and it just says food with bite.

547
00:23:55,800 --> 00:23:58,800
Speaker 2: Food with food with thy Renoisaurus food with bit.

548
00:24:00,160 --> 00:24:01,760
Speaker 3: It's a real I think it's real.

549
00:24:02,800 --> 00:24:03,199
Speaker 9: Damn it.

550
00:24:05,760 --> 00:24:08,960
Speaker 11: In the gophers about doesn't he gophus about it? It

551
00:24:09,040 --> 00:24:12,240
Speaker 11: was about lured you into a false sense of security. There,

552
00:24:12,480 --> 00:24:14,159
Speaker 11: do you hit me at the restaurant? You know that

553
00:24:14,280 --> 00:24:16,520
Speaker 11: dinosaurs in my bag? You know, dinosaurs in my bag.

554
00:24:16,720 --> 00:24:21,439
Speaker 3: Don't enter my dojo. Don't enter my dojo, say out there,

555
00:24:22,040 --> 00:24:23,320
Speaker 3: try to hit me with that America thing.

556
00:24:23,440 --> 00:24:29,760
Speaker 4: Oh go on, Okay, Oh Jesus sorry, I'm just very stressed. Okay,

557
00:24:31,720 --> 00:24:32,760
Speaker 4: I've done him to lose here.

558
00:24:33,400 --> 00:24:35,760
Speaker 3: If I if I win, I go to like ten

559
00:24:35,840 --> 00:24:38,680
Speaker 3: in a row. If I lose nine and one and

560
00:24:38,880 --> 00:24:39,359
Speaker 3: I take.

561
00:24:39,240 --> 00:24:40,520
Speaker 4: That, I hate it. Okay, here we go.

562
00:24:41,000 --> 00:24:42,800
Speaker 3: You this, This is everything.

563
00:24:42,880 --> 00:24:44,159
Speaker 4: I appreciate, This is everything for me.

564
00:24:44,240 --> 00:24:46,080
Speaker 3: Could be the end of the segment, all right, maybe

565
00:24:46,119 --> 00:24:46,720
Speaker 3: I should run it.

566
00:24:47,520 --> 00:24:48,879
Speaker 4: Yeah, it's almost that time, isn't it?

567
00:24:49,280 --> 00:24:49,600
Speaker 3: All right?

568
00:24:50,400 --> 00:24:54,200
Speaker 4: This is a fruit and ved shop, Fruit and bed shop. Yeah,

569
00:24:54,480 --> 00:24:58,680
Speaker 4: beats by Andre beats spelled b E e t s.

570
00:24:58,840 --> 00:25:02,280
Speaker 4: Beats by Andre. Yeah, yeah, fruit and ved Shop. Obviously

571
00:25:02,320 --> 00:25:05,440
Speaker 4: it's a gag on beats roots. Beats by Andre. Is

572
00:25:05,480 --> 00:25:09,240
Speaker 4: that a real or fake Fruit and veg shop? Beats

573
00:25:09,359 --> 00:25:14,160
Speaker 4: by Andre by Andre? And I think it's a play

574
00:25:14,200 --> 00:25:17,800
Speaker 4: on beats by dres In. That's a company, beats by Drek.

575
00:25:17,880 --> 00:25:19,359
Speaker 4: About these beats by Andre?

576
00:25:19,600 --> 00:25:22,960
Speaker 2: I didn't even think about that. Beats by Andre. Oh

577
00:25:23,160 --> 00:25:27,439
Speaker 2: my god, this is tough. That could be a place

578
00:25:30,119 --> 00:25:31,840
Speaker 2: beats by beat.

579
00:25:33,200 --> 00:25:33,639
Speaker 3: Where is it?

580
00:25:34,040 --> 00:25:41,680
Speaker 4: American America? America, Americans. They're crazy, Yeah, they're.

581
00:25:41,560 --> 00:25:43,040
Speaker 3: Crazy, guys and you guys.

582
00:25:43,080 --> 00:25:45,399
Speaker 4: Beats by Andre, beats by Andre.

583
00:25:46,600 --> 00:25:47,240
Speaker 3: I think it's real.

584
00:25:48,119 --> 00:25:53,800
Speaker 4: That's everything.

585
00:25:55,680 --> 00:26:01,280
Speaker 3: Everything is good. Yes, it's a good moment.

586
00:26:01,400 --> 00:26:01,840
Speaker 7: Well done.

587
00:26:01,920 --> 00:26:02,880
Speaker 3: Congratulations.

588
00:26:03,320 --> 00:26:05,440
Speaker 2: Right up next one of the great all time radio

589
00:26:05,560 --> 00:26:08,600
Speaker 2: stitch ups on what He who goes from Here to Zero?

590
00:26:12,359 --> 00:26:14,000
Speaker 1: It's the Will and Woody podcast.

591
00:26:14,960 --> 00:26:17,679
Speaker 3: Was the Queen It's been revealed. It's got a secret tunnel,

592
00:26:18,200 --> 00:26:22,120
Speaker 3: Secret tunnel.

593
00:26:23,440 --> 00:26:26,960
Speaker 5: Through the mountain, Secret secret.

594
00:26:28,040 --> 00:26:29,280
Speaker 2: Tunnel audio?

595
00:26:29,520 --> 00:26:31,520
Speaker 4: What the hell did I just listen to?

596
00:26:31,880 --> 00:26:34,640
Speaker 3: Well, to be fair, you see a new story called

597
00:26:34,680 --> 00:26:35,320
Speaker 3: secret Tunnel.

598
00:26:35,440 --> 00:26:37,960
Speaker 2: Quite hard to conceive of, you know, like audio to

599
00:26:38,000 --> 00:26:40,440
Speaker 2: punctuate that, and our alreado produced Tim just lobbed and

600
00:26:40,520 --> 00:26:45,159
Speaker 2: he was like, I reckon, I've got it with him.

601
00:26:45,240 --> 00:26:47,440
Speaker 3: No, No, it sounds like you just made it. There's

602
00:26:47,480 --> 00:26:50,800
Speaker 3: absolutely no doubt about that. But no, that was a thing.

603
00:26:50,960 --> 00:26:52,320
Speaker 3: Believe it in online somewhere.

604
00:26:52,600 --> 00:26:54,200
Speaker 2: And he didn't just google it like he was like,

605
00:26:54,280 --> 00:26:57,200
Speaker 2: there's a secret tunnel song anyway, like straw I audio

606
00:26:57,240 --> 00:26:57,719
Speaker 2: produced him.

607
00:26:57,760 --> 00:26:58,280
Speaker 3: Is it weird? Guy?

608
00:26:58,400 --> 00:26:58,959
Speaker 4: That's off to him?

609
00:26:59,200 --> 00:27:01,120
Speaker 3: But anyway, the Queen she has a secret tunnel. Seven

610
00:27:01,160 --> 00:27:04,159
Speaker 3: hundred and seventy five rooms in Buckingham Palaces, a lot

611
00:27:04,200 --> 00:27:07,119
Speaker 3: of rooms. Well better way to get around than not

612
00:27:07,359 --> 00:27:07,680
Speaker 3: in them.

613
00:27:08,560 --> 00:27:12,000
Speaker 2: So she's got yea seven hundred seventy five rooms and

614
00:27:12,520 --> 00:27:14,760
Speaker 2: she's got a secret tunnel. Now, if you had a

615
00:27:14,840 --> 00:27:16,879
Speaker 2: secret tunnel in bucking In Palace, where would you like

616
00:27:16,920 --> 00:27:17,440
Speaker 2: it to lead you?

617
00:27:17,840 --> 00:27:18,080
Speaker 7: Oh?

618
00:27:18,560 --> 00:27:23,240
Speaker 4: Geez, good question will probably just like a like a

619
00:27:23,520 --> 00:27:25,879
Speaker 4: like a like a dirty convenience store or like a

620
00:27:26,000 --> 00:27:27,600
Speaker 4: dirty fast food restaurant.

621
00:27:27,640 --> 00:27:28,119
Speaker 3: You know what I mean?

622
00:27:28,200 --> 00:27:31,280
Speaker 4: Like you're the queen. You can't just get in the rolls.

623
00:27:31,520 --> 00:27:32,160
Speaker 4: What does she drive?

624
00:27:32,359 --> 00:27:33,280
Speaker 3: I don't think she drives.

625
00:27:33,480 --> 00:27:35,280
Speaker 4: Oh you can't just get in the horse and carriage

626
00:27:35,359 --> 00:27:36,639
Speaker 4: or no.

627
00:27:36,960 --> 00:27:39,520
Speaker 3: No, it means in she doesn't drive, and she doesn't

628
00:27:39,520 --> 00:27:41,240
Speaker 3: go in a car she gets driven.

629
00:27:41,440 --> 00:27:43,840
Speaker 4: Oh excuse me, Well, whatever car she gets driven in,

630
00:27:44,480 --> 00:27:46,880
Speaker 4: she wouldn't be able if she goes to KFC, for example,

631
00:27:46,960 --> 00:27:49,400
Speaker 4: everyone goes, oh my god, the queen needs the dirty Bird.

632
00:27:49,960 --> 00:27:51,920
Speaker 4: But if she had a secret tunnel where she just

633
00:27:52,000 --> 00:27:52,480
Speaker 4: popped up.

634
00:27:52,560 --> 00:27:54,480
Speaker 3: So you're the queen in this you've made yourself the

635
00:27:54,560 --> 00:27:56,320
Speaker 3: queen in this scenario as well? Was I not supposed

636
00:27:56,359 --> 00:27:56,960
Speaker 3: to be the queen?

637
00:27:58,080 --> 00:27:58,119
Speaker 10: Me?

638
00:28:00,119 --> 00:28:04,160
Speaker 3: Fine, you can be the queen to the hypothetical shore.

639
00:28:05,000 --> 00:28:06,600
Speaker 3: So you reckon. The Queen's got a tunnel to the

640
00:28:06,640 --> 00:28:07,240
Speaker 3: dirty Bird.

641
00:28:07,880 --> 00:28:10,920
Speaker 4: Yeh, lucky about it, just just to not get the

642
00:28:10,920 --> 00:28:13,000
Speaker 4: attention of the paparazzi when she wants a little you know,

643
00:28:13,520 --> 00:28:15,120
Speaker 4: twelve twelve piece facet.

644
00:28:16,400 --> 00:28:17,359
Speaker 3: Face mate, or she'd be.

645
00:28:17,359 --> 00:28:19,000
Speaker 4: Hung after a few G and t's on a Saturday.

646
00:28:19,160 --> 00:28:19,520
Speaker 4: She needs it.

647
00:28:19,520 --> 00:28:21,240
Speaker 3: I don't think she'd have a hangover either. I reckon,

648
00:28:21,320 --> 00:28:24,600
Speaker 3: she's machine. I just don't think she gets hungover. Caon,

649
00:28:24,720 --> 00:28:27,720
Speaker 3: She's just she's an absolute trooper mate, she's a of

650
00:28:27,800 --> 00:28:28,720
Speaker 3: a by gone ere.

651
00:28:28,840 --> 00:28:31,600
Speaker 4: Yeah, apparently morning TG and maybe she just she never

652
00:28:32,160 --> 00:28:33,400
Speaker 4: she never gets to hangover. STD.

653
00:28:33,480 --> 00:28:35,159
Speaker 3: She's basically just saying she's an alcoholic. I did.

654
00:28:35,320 --> 00:28:35,879
Speaker 4: I didn't say that.

655
00:28:39,160 --> 00:28:41,200
Speaker 3: She never gets to hungover because she just pissed all

656
00:28:41,240 --> 00:28:44,200
Speaker 3: the time. No, but I will tell you her secret

657
00:28:44,240 --> 00:28:45,680
Speaker 3: tunnel is to a secret bar.

658
00:28:46,040 --> 00:28:50,080
Speaker 4: There we go, who's calling her? Who's calling her?

659
00:28:50,320 --> 00:28:53,080
Speaker 2: Yeah, so she's got a secret tunnel to a little

660
00:28:53,120 --> 00:28:57,080
Speaker 2: bar that she's got underneath the palace. According to Princess

661
00:28:57,120 --> 00:28:59,400
Speaker 2: Eugeney's husband, that's cool.

662
00:28:59,480 --> 00:29:01,640
Speaker 3: Jack brooks Bank the.

663
00:29:01,680 --> 00:29:04,320
Speaker 2: Most British name you've ever heard in your whole life. Yeah,

664
00:29:04,440 --> 00:29:07,920
Speaker 2: Jack brooks Bank, he's in He's in tequila, of course

665
00:29:07,960 --> 00:29:09,560
Speaker 2: he is. That's where all the cash is these days.

666
00:29:09,600 --> 00:29:11,160
Speaker 2: He's got a bar and he reckons there's a tunnel

667
00:29:11,200 --> 00:29:12,400
Speaker 2: that the queen can use to get to the bar.

668
00:29:12,720 --> 00:29:16,560
Speaker 2: Totally extraordinary. I also think that the queen is an

669
00:29:16,560 --> 00:29:18,600
Speaker 2: amazing obviously has to have an amazing ability to exit

670
00:29:18,680 --> 00:29:21,920
Speaker 2: a conversation and nothing better than being able to go.

671
00:29:22,000 --> 00:29:24,520
Speaker 2: I'm exiting a conversation, oh excuse me, And I'm also

672
00:29:24,600 --> 00:29:27,080
Speaker 2: exiting down this secret tunnel I've got she's gone.

673
00:29:27,240 --> 00:29:28,720
Speaker 4: You know she's got tricks, though. Have you heard about

674
00:29:28,720 --> 00:29:29,320
Speaker 4: her bag trick?

675
00:29:30,760 --> 00:29:31,760
Speaker 3: I think you've told me about this.

676
00:29:32,680 --> 00:29:34,720
Speaker 4: If she puts a bag on a certain chair, she's

677
00:29:34,760 --> 00:29:36,600
Speaker 4: sending her advisor as a message that she wants to

678
00:29:36,600 --> 00:29:38,000
Speaker 4: be wrapped up in a conversation.

679
00:29:38,280 --> 00:29:39,120
Speaker 3: Oh wow, So they.

680
00:29:39,080 --> 00:29:41,440
Speaker 4: Come over and go, Queenie, we need to go. They

681
00:29:41,440 --> 00:29:43,400
Speaker 4: wouldn't sound like her. Sorry, they'd be like, queen, we

682
00:29:43,440 --> 00:29:48,520
Speaker 4: need to go. Love. So I'm sorry, voices, But that's

683
00:29:48,560 --> 00:29:50,040
Speaker 4: that's her wanting to be wrapped up. Yeah. If she

684
00:29:50,080 --> 00:29:51,200
Speaker 4: puts a bag on a chair.

685
00:29:51,080 --> 00:29:54,880
Speaker 2: Oh so she doesn't wrap it up herself, she's actually, yeah,

686
00:29:54,920 --> 00:29:56,960
Speaker 2: she's bad wrapping up. Well, she probably doesn't want to

687
00:29:57,400 --> 00:29:59,240
Speaker 2: need she doesn't have to need to be that person anymore.

688
00:29:59,520 --> 00:30:02,280
Speaker 2: But one it was also on the other side of.

689
00:30:03,280 --> 00:30:04,680
Speaker 3: The spectrum here, Woods is you.

690
00:30:04,840 --> 00:30:07,480
Speaker 2: You are awful at exiting conversations. Whether you had a

691
00:30:07,520 --> 00:30:09,960
Speaker 2: secret tunnel or not, you absolutely suck at it.

692
00:30:10,000 --> 00:30:11,960
Speaker 4: I think it's rude. I just find it rude.

693
00:30:12,120 --> 00:30:12,520
Speaker 3: No, it's not.

694
00:30:12,720 --> 00:30:14,720
Speaker 2: I actually think it's quite pleasant when someone wraps up

695
00:30:14,720 --> 00:30:16,600
Speaker 2: a conversation because you both want to leave. You don't

696
00:30:16,720 --> 00:30:18,520
Speaker 2: know the point when we're like, we're languishing here. Can

697
00:30:18,560 --> 00:30:19,440
Speaker 2: someone has wrapped this up?

698
00:30:19,480 --> 00:30:19,920
Speaker 3: It's nice.

699
00:30:20,040 --> 00:30:22,280
Speaker 4: Yeah, I'll have you if they do it, go for it.

700
00:30:22,360 --> 00:30:22,560
Speaker 3: Yeah.

701
00:30:22,560 --> 00:30:23,880
Speaker 2: And I want to put this on show for everyone

702
00:30:23,960 --> 00:30:25,960
Speaker 2: up next. So look, thirteen one oh six five is

703
00:30:25,960 --> 00:30:28,600
Speaker 2: a phone number. Can you guys please just give us

704
00:30:28,600 --> 00:30:30,480
Speaker 2: all because I want to show you how bad Woody

705
00:30:30,560 --> 00:30:31,640
Speaker 2: is at ending conversations.

706
00:30:32,560 --> 00:30:33,280
Speaker 3: Just give us a call.

707
00:30:33,680 --> 00:30:33,800
Speaker 2: You know.

708
00:30:33,840 --> 00:30:35,120
Speaker 3: All you got to do is just have a general

709
00:30:35,160 --> 00:30:36,160
Speaker 3: conversation with Woods.

710
00:30:36,280 --> 00:30:36,960
Speaker 4: It makes me nervous.

711
00:30:37,040 --> 00:30:38,840
Speaker 3: Just have a chat with him, and then he's got

712
00:30:38,880 --> 00:30:39,959
Speaker 3: to try and end the convo.

713
00:30:40,320 --> 00:30:41,000
Speaker 4: I don't want to do this.

714
00:30:41,160 --> 00:30:42,640
Speaker 3: I know you don't. That's the best part about it.

715
00:30:42,720 --> 00:30:43,680
Speaker 3: Give us a call for everyone.

716
00:30:43,880 --> 00:30:45,240
Speaker 4: Six five makes me anxious.

717
00:30:45,320 --> 00:30:46,800
Speaker 2: Just come on the air, have a chat with Woods.

718
00:30:46,800 --> 00:30:48,240
Speaker 2: It can be about your life, it can be about

719
00:30:48,240 --> 00:30:49,600
Speaker 2: your kids. To give me about whatever you want.

720
00:30:49,960 --> 00:30:51,640
Speaker 3: He's just got to end it. No, listen to the

721
00:30:51,840 --> 00:30:52,520
Speaker 3: Woody capsule.

722
00:30:52,720 --> 00:30:56,000
Speaker 1: I'm sorry. Had the podcast left on two time speed

723
00:30:56,080 --> 00:30:59,640
Speaker 1: there sounded like a Chipmunk. It's the Will and Woody podcast.

724
00:31:00,040 --> 00:31:02,080
Speaker 3: The Queen has a secret tunnel that leads to a

725
00:31:02,120 --> 00:31:03,600
Speaker 3: cocktail room. There you go, guys.

726
00:31:04,440 --> 00:31:07,760
Speaker 2: So we are talking about escaping a conversation. She's got

727
00:31:07,800 --> 00:31:10,880
Speaker 2: the perfect escape. Woods, You're awful at escaping a conversation.

728
00:31:11,120 --> 00:31:13,560
Speaker 4: So I find it rude. I find it rude to

729
00:31:14,040 --> 00:31:18,040
Speaker 4: leave a convo. So I just linger. I hang around,

730
00:31:18,480 --> 00:31:20,800
Speaker 4: which funnily, and I realized that when I look back

731
00:31:20,840 --> 00:31:23,280
Speaker 4: on it now, that would probably be more annoying for people.

732
00:31:24,440 --> 00:31:26,440
Speaker 4: I just I just hang around like a bad smell.

733
00:31:26,760 --> 00:31:28,960
Speaker 3: Yes, well, you know you're you're quite easy to wrap up.

734
00:31:29,000 --> 00:31:31,880
Speaker 3: To be fair, I do it for a living. Look

735
00:31:32,760 --> 00:31:35,320
Speaker 3: six five. The way this is going to work, you guys,

736
00:31:35,440 --> 00:31:37,960
Speaker 3: just give us a call, right, give us called. Just

737
00:31:38,000 --> 00:31:39,080
Speaker 3: start a convo with Woods.

738
00:31:39,200 --> 00:31:40,480
Speaker 4: Oh this makes me really stressful.

739
00:31:40,520 --> 00:31:42,760
Speaker 2: Mine, I will say, I will say get out at

740
00:31:42,800 --> 00:31:46,280
Speaker 2: a certain point, whisper it to me. Au. They'll hear

741
00:31:46,320 --> 00:31:48,160
Speaker 2: it as well, at which point you have to try

742
00:31:48,160 --> 00:31:50,760
Speaker 2: and get out of the convo. I hate this, and

743
00:31:50,800 --> 00:31:53,200
Speaker 2: then if you get there, we'll celebrate. If I feel

744
00:31:53,200 --> 00:31:55,160
Speaker 2: like it's clunky, it's awkward, and it's done badly, then

745
00:31:55,600 --> 00:31:56,400
Speaker 2: you'll hear a buzz.

746
00:31:56,320 --> 00:31:59,040
Speaker 4: So it has to be smooth, smooth, smooth smooth.

747
00:31:59,800 --> 00:32:02,240
Speaker 2: That's you can't just yeah, you can't just abruptly, or

748
00:32:02,280 --> 00:32:03,520
Speaker 2: you can end abruptly a conversation.

749
00:32:03,560 --> 00:32:05,080
Speaker 3: There's a skill to it, all. Right, Here we go.

750
00:32:05,920 --> 00:32:06,440
Speaker 4: Can I lie?

751
00:32:07,240 --> 00:32:08,840
Speaker 3: You can lie, but if it's a bad lie, then

752
00:32:08,880 --> 00:32:11,120
Speaker 3: I'll pull you up on it. Here we go, first conversation.

753
00:32:11,160 --> 00:32:12,680
Speaker 3: You've got Russell here, Russell, you've got what do you

754
00:32:12,760 --> 00:32:13,720
Speaker 3: kick it off? Where you go?

755
00:32:14,920 --> 00:32:16,240
Speaker 7: Would have the mady good?

756
00:32:16,360 --> 00:32:18,320
Speaker 4: Russ Oh that's good good.

757
00:32:18,840 --> 00:32:21,080
Speaker 2: What were your thoughts on the Old Grand Final last

758
00:32:21,080 --> 00:32:22,680
Speaker 2: week Melbourne Melbourn?

759
00:32:23,560 --> 00:32:26,880
Speaker 4: Russell was absolutely outstanding. But I don't have the time

760
00:32:26,920 --> 00:32:28,320
Speaker 4: to talk to you about it now because I'm in

761
00:32:28,360 --> 00:32:30,160
Speaker 4: the company of people that Aret Melbourn supporters, so I

762
00:32:30,160 --> 00:32:30,880
Speaker 4: wouldn't do it to him.

763
00:32:30,960 --> 00:32:32,560
Speaker 5: Russell, don't leave me like this.

764
00:32:32,680 --> 00:32:34,120
Speaker 8: I wanted to have a great conversation with you.

765
00:32:34,600 --> 00:32:36,080
Speaker 4: Yeah, well we can you watch go and watch the

766
00:32:36,120 --> 00:32:38,560
Speaker 4: replay Russell. It's much better. Honestly, no words could do

767
00:32:38,600 --> 00:32:40,440
Speaker 4: it justice. Thanks Russell, cheers mate, and talk to you.

768
00:32:41,960 --> 00:32:44,719
Speaker 1: I thought your opinion would be valued now I've come

769
00:32:44,760 --> 00:32:44,880
Speaker 1: to you.

770
00:32:45,000 --> 00:32:47,040
Speaker 4: Yeah, well, like I'm plenty of lot of the das Russell.

771
00:32:50,360 --> 00:32:50,680
Speaker 7: Were there.

772
00:32:50,920 --> 00:32:54,920
Speaker 3: You didn't you didn't end, you just left it. You

773
00:32:55,000 --> 00:32:55,800
Speaker 3: gave him an opening.

774
00:32:56,080 --> 00:32:58,320
Speaker 4: Yeah, I know, but he's talking about the boys.

775
00:32:59,200 --> 00:32:59,840
Speaker 3: It was tough for you.

776
00:33:00,000 --> 00:33:00,320
Speaker 8: It's tough.

777
00:33:00,400 --> 00:33:00,560
Speaker 4: Here.

778
00:33:01,120 --> 00:33:04,000
Speaker 3: Let's go to Helena. Ha's called hi Helena. Hello, how

779
00:33:04,080 --> 00:33:06,840
Speaker 3: are you? Yeah, I'm very well. Where are you from, Helena?

780
00:33:07,560 --> 00:33:10,160
Speaker 7: Yeah, I'm actually this was from Scotland, but actually live

781
00:33:10,160 --> 00:33:10,680
Speaker 7: in Melbourne.

782
00:33:11,000 --> 00:33:11,600
Speaker 4: Oh lovely?

783
00:33:11,680 --> 00:33:13,360
Speaker 3: All right Helena, all right, well you've got Woody here

784
00:33:13,400 --> 00:33:16,560
Speaker 3: is so just have a chat with Woods to get

785
00:33:16,600 --> 00:33:16,960
Speaker 3: out at some.

786
00:33:17,040 --> 00:33:20,480
Speaker 8: Stage, right, Okay, what would you like to know about

787
00:33:21,320 --> 00:33:21,960
Speaker 8: Escape Roots?

788
00:33:22,520 --> 00:33:24,320
Speaker 4: What would I like to know about Escape Roots?

789
00:33:25,240 --> 00:33:25,480
Speaker 7: Yep?

790
00:33:27,560 --> 00:33:34,120
Speaker 4: Nothing, thanks for joinaus Helena, pretty good.

791
00:33:35,960 --> 00:33:36,280
Speaker 5: Very good.

792
00:33:36,320 --> 00:33:39,440
Speaker 3: Well but you didn't know. You didn't even have a

793
00:33:39,480 --> 00:33:42,040
Speaker 3: conversation with her. And I'm going to say, no, you

794
00:33:42,120 --> 00:33:42,560
Speaker 3: didn't know that.

795
00:33:42,720 --> 00:33:44,080
Speaker 4: Okay, you know you didn't even.

796
00:33:43,920 --> 00:33:45,960
Speaker 3: Engage in the chat. You got out before you got in.

797
00:33:46,120 --> 00:33:49,720
Speaker 3: You got so scared rather just not get more. But

798
00:33:50,120 --> 00:33:51,800
Speaker 3: I didn't even tell you to get out. That was

799
00:33:51,920 --> 00:33:53,400
Speaker 3: the point to get either to say get.

800
00:33:53,320 --> 00:33:55,440
Speaker 4: Out, for you to get out, to be frank, but

801
00:33:55,640 --> 00:33:57,040
Speaker 4: actually I don't want to know anything about it.

802
00:33:57,160 --> 00:33:59,080
Speaker 2: There's no such thing as getting out of a conversation.

803
00:33:59,120 --> 00:34:02,040
Speaker 2: If you didn't get into the conversation, you just dismissed it.

804
00:34:02,120 --> 00:34:03,080
Speaker 2: We're going to give it another guy.

805
00:34:03,440 --> 00:34:05,200
Speaker 4: We're going back to Helen to go back to hell.

806
00:34:05,600 --> 00:34:07,479
Speaker 4: Sorry about that comment, Helena, I'm a little bit pent

807
00:34:07,640 --> 00:34:08,160
Speaker 4: up at the moment.

808
00:34:09,200 --> 00:34:09,960
Speaker 7: Okay, Well, we're.

809
00:34:09,840 --> 00:34:12,680
Speaker 8: Talking about escape routes. When you said there was definitely

810
00:34:12,920 --> 00:34:14,760
Speaker 8: secret tunnel the secret tunnels.

811
00:34:15,040 --> 00:34:17,680
Speaker 4: Yes, well my question too then about secret tunnels is

812
00:34:18,560 --> 00:34:19,160
Speaker 4: have you got one?

813
00:34:20,320 --> 00:34:22,399
Speaker 8: I don't have a secret tunnel, but the Queen does.

814
00:34:23,520 --> 00:34:23,560
Speaker 2: No.

815
00:34:23,680 --> 00:34:24,080
Speaker 3: I knew that.

816
00:34:24,280 --> 00:34:24,680
Speaker 4: I knew that.

817
00:34:24,840 --> 00:34:25,040
Speaker 5: Did you?

818
00:34:25,160 --> 00:34:25,640
Speaker 2: Do you have some?

819
00:34:26,920 --> 00:34:32,120
Speaker 8: But but did you know from when the pirates used

820
00:34:32,160 --> 00:34:33,040
Speaker 8: to landing?

821
00:34:33,160 --> 00:34:33,640
Speaker 2: Dorse it.

822
00:34:35,640 --> 00:34:36,040
Speaker 3: Get out?

823
00:34:37,360 --> 00:34:37,560
Speaker 8: Yes?

824
00:34:37,680 --> 00:34:39,640
Speaker 4: Well I know everything there is not about parts because

825
00:34:39,680 --> 00:34:41,160
Speaker 4: I come from a family of parts. There's nothing you

826
00:34:41,160 --> 00:34:43,239
Speaker 4: can teach me, Helena, Thank you so much for joining us.

827
00:34:47,560 --> 00:34:52,720
Speaker 2: Come from a family and just the biggest line, I've

828
00:34:52,760 --> 00:34:53,279
Speaker 2: got one more.

829
00:34:54,719 --> 00:34:57,440
Speaker 3: Here we go, not bad, not bad, Let's crack straight in.

830
00:35:00,560 --> 00:35:01,279
Speaker 3: Do you dinner?

831
00:35:01,880 --> 00:35:02,320
Speaker 4: I don't know.

832
00:35:03,200 --> 00:35:03,560
Speaker 1: I don't know.

833
00:35:03,719 --> 00:35:04,719
Speaker 3: Oh, come on, you got better than that.

834
00:35:05,120 --> 00:35:07,279
Speaker 4: No, actually, I genuinely don't know. I'm more of a

835
00:35:07,320 --> 00:35:09,600
Speaker 4: spontaneous dinner guy get home and then think what I'm

836
00:35:09,600 --> 00:35:10,000
Speaker 4: feeling like, I.

837
00:35:10,000 --> 00:35:12,400
Speaker 3: Don't cook you another way your girlfriend cooks for you.

838
00:35:12,640 --> 00:35:13,520
Speaker 3: You don't know what you're eating.

839
00:35:13,600 --> 00:35:16,120
Speaker 4: Yeah, that is another way of saying that, No, I

840
00:35:16,160 --> 00:35:19,120
Speaker 4: don't know. Actually she did message me before. My partner

841
00:35:19,160 --> 00:35:21,240
Speaker 4: messaged me before and she said, I'm not sure about

842
00:35:21,480 --> 00:35:23,279
Speaker 4: what's it for dinner. She's getting her second jab.

843
00:35:24,600 --> 00:35:26,040
Speaker 3: That's what I've got time. I'm going to get out

844
00:35:26,080 --> 00:35:28,799
Speaker 3: of this one. This is I'll do the getting out

845
00:35:28,880 --> 00:35:33,040
Speaker 3: for you. That was ship house. But he's believing or

846
00:35:33,080 --> 00:35:38,359
Speaker 3: not is right? Saved us all Willam Woody podcast.

847
00:35:38,880 --> 00:35:41,840
Speaker 2: The Grand Final Last night was the NRL Grand Final

848
00:35:42,080 --> 00:35:45,240
Speaker 2: League Grand Final, the Panthers and the Rabbit Ears. Panthers

849
00:35:45,280 --> 00:35:48,920
Speaker 2: one from outside the forty the knowledge worth total.

850
00:35:49,320 --> 00:35:54,719
Speaker 3: I'm Reynolds hits it, but it's well, it's short. The

851
00:35:54,960 --> 00:35:56,040
Speaker 3: Tampa's celebrate.

852
00:35:56,520 --> 00:36:00,440
Speaker 4: I think that was Reynolds's final game as well as

853
00:36:00,600 --> 00:36:04,080
Speaker 4: so you read he had the fairy tale all set

854
00:36:04,160 --> 00:36:05,359
Speaker 4: up there to take it to ot.

855
00:36:05,640 --> 00:36:07,880
Speaker 3: Yeah, the fairy tale. Sorry, I just can't get over

856
00:36:07,880 --> 00:36:10,359
Speaker 3: and raised boys and outrageous.

857
00:36:11,040 --> 00:36:12,319
Speaker 4: He puts it on a little bit, little bit.

858
00:36:12,560 --> 00:36:14,240
Speaker 3: He's got to lean into the boud.

859
00:36:15,760 --> 00:36:18,600
Speaker 4: It's not as it's almost like he knew it was

860
00:36:18,640 --> 00:36:20,920
Speaker 4: his thing, so he am Yeah, that's.

861
00:36:20,760 --> 00:36:22,759
Speaker 3: What you'd go for if you if you spoke log

862
00:36:22,840 --> 00:36:25,880
Speaker 3: this course you will. But we have like a good.

863
00:36:27,560 --> 00:36:28,120
Speaker 10: So no, so.

864
00:36:30,320 --> 00:36:34,440
Speaker 2: I will drop into that blood who's one of the playoffs.

865
00:36:34,600 --> 00:36:38,399
Speaker 2: Yeah he proposed actually at the game.

866
00:36:38,640 --> 00:36:39,160
Speaker 3: Good on him.

867
00:36:39,840 --> 00:36:42,480
Speaker 2: After the game, I should say, not out the game. Yes,

868
00:36:42,600 --> 00:36:46,320
Speaker 2: he ducks off and here's the commentary team having a

869
00:36:46,320 --> 00:36:46,920
Speaker 2: good laugh about it.

870
00:36:49,200 --> 00:36:51,200
Speaker 3: He'll get a premiership ring tonight. But it looks like

871
00:36:51,360 --> 00:36:51,960
Speaker 3: he's bought his.

872
00:36:52,040 --> 00:36:55,520
Speaker 2: Own fling as well, not for himself but his partners

873
00:36:56,040 --> 00:36:57,560
Speaker 2: wild under Brian they.

874
00:36:57,520 --> 00:37:06,239
Speaker 10: Won that sop gide well they won frea good no,

875
00:37:06,400 --> 00:37:10,279
Speaker 10: good on him gets herself a ring, huge one knee

876
00:37:10,280 --> 00:37:13,879
Speaker 10: proposing to Oh she agrees and I reckon.

877
00:37:13,920 --> 00:37:16,040
Speaker 3: The only reason that she did agree. I'm sure they're

878
00:37:16,280 --> 00:37:16,839
Speaker 3: very in love.

879
00:37:17,000 --> 00:37:20,920
Speaker 2: Sure is because while he proposed, Brian toe he's bleeding

880
00:37:21,000 --> 00:37:21,560
Speaker 2: from the eye.

881
00:37:21,800 --> 00:37:25,280
Speaker 4: That's hot? Was it free flowing blood?

882
00:37:26,520 --> 00:37:27,839
Speaker 3: I think there's a bit of claret there. I don't

883
00:37:27,840 --> 00:37:29,960
Speaker 3: think he's not He's not, you know, he's not weeping

884
00:37:30,040 --> 00:37:30,560
Speaker 3: from the eye.

885
00:37:30,760 --> 00:37:32,080
Speaker 4: No, no, no, But he hasn't covered up with a

886
00:37:32,120 --> 00:37:32,840
Speaker 4: bandad or anything.

887
00:37:33,840 --> 00:37:36,239
Speaker 2: He just he just won a Grand final and then

888
00:37:36,239 --> 00:37:39,279
Speaker 2: he's walked off, bleeding from the eye, drops to one knee.

889
00:37:39,400 --> 00:37:40,959
Speaker 4: All right, you're banging up a bit in the change dreams.

890
00:37:41,000 --> 00:37:42,279
Speaker 4: I reckoned just to make the blood.

891
00:37:42,480 --> 00:37:43,560
Speaker 3: A chance to get to the change rooms.

892
00:37:43,600 --> 00:37:43,719
Speaker 2: Mate.

893
00:37:43,760 --> 00:37:44,759
Speaker 3: He's gone straight from the field.

894
00:37:44,880 --> 00:37:46,160
Speaker 4: No where did he put the ring? He's gone to

895
00:37:46,200 --> 00:37:47,560
Speaker 4: the chain dams to get the ring. Unless he was

896
00:37:48,000 --> 00:37:48,759
Speaker 4: shelving the ring.

897
00:37:48,719 --> 00:37:49,280
Speaker 9: For the whole.

898
00:37:52,960 --> 00:37:57,000
Speaker 3: That's yeah, no, no, so he so he proposed he's

899
00:37:57,040 --> 00:37:57,560
Speaker 3: bleeding from.

900
00:37:57,480 --> 00:37:59,680
Speaker 2: The eye and she obviously she bloody loves it there

901
00:37:59,680 --> 00:38:03,960
Speaker 2: and love on course. Here's a question for everyone. Do

902
00:38:04,280 --> 00:38:07,480
Speaker 2: chicks dig scars on thirteen one six five?

903
00:38:07,840 --> 00:38:08,600
Speaker 4: Depends on the scar?

904
00:38:09,200 --> 00:38:10,080
Speaker 3: Yeah? Did did you?

905
00:38:10,200 --> 00:38:12,200
Speaker 2: And like, you know, let's let's let's extend that. I'd

906
00:38:12,239 --> 00:38:13,800
Speaker 2: love to hear this call. Did you hook up with

907
00:38:13,880 --> 00:38:15,080
Speaker 2: someone because they had a hot scar?

908
00:38:15,400 --> 00:38:15,640
Speaker 4: Oh?

909
00:38:16,160 --> 00:38:19,879
Speaker 2: Yeah, because Iragon scars are pretty hot? Yeah, Argon scars

910
00:38:19,920 --> 00:38:20,359
Speaker 2: are pretty ok.

911
00:38:20,480 --> 00:38:21,319
Speaker 3: It always just reminds me.

912
00:38:21,320 --> 00:38:24,640
Speaker 2: Of that scene in The Replacements, that that good Iron

913
00:38:24,719 --> 00:38:27,080
Speaker 2: movie with Keanu Reeves where he runs out and delivers

914
00:38:27,120 --> 00:38:28,200
Speaker 2: that speech to the team.

915
00:38:29,040 --> 00:38:32,000
Speaker 9: I know you I know you, and I wish I

916
00:38:32,000 --> 00:38:35,239
Speaker 9: could see something that was close and inspirational. That just

917
00:38:35,280 --> 00:38:40,600
Speaker 9: wouldn't be our star pin Heels Chicks Dig Scars, Glory

918
00:38:41,760 --> 00:38:42,320
Speaker 9: Last Forever.

919
00:38:43,600 --> 00:38:44,400
Speaker 4: That's a great speech.

920
00:38:44,520 --> 00:38:49,680
Speaker 2: I mean, who says penhels Chicks dig Scars last forever.

921
00:38:49,880 --> 00:38:50,600
Speaker 4: Yeah, he's betty much.

922
00:38:51,560 --> 00:38:51,879
Speaker 5: It does.

923
00:38:52,120 --> 00:38:52,160
Speaker 2: So.

924
00:38:52,239 --> 00:38:56,440
Speaker 4: I've got a couple of scars on my be fair,

925
00:38:56,560 --> 00:38:58,960
Speaker 4: these are big scars. That's on my left arm here

926
00:38:59,040 --> 00:39:00,840
Speaker 4: and not huge will.

927
00:39:00,760 --> 00:39:02,880
Speaker 3: There from when you branded yourself with a fork.

928
00:39:03,000 --> 00:39:05,000
Speaker 4: You see, this is the problem. I've done a good

929
00:39:05,040 --> 00:39:07,160
Speaker 4: story behind the scar, but if you just take the

930
00:39:07,200 --> 00:39:10,240
Speaker 4: scar on face value, I thought that would be quite sexy.

931
00:39:11,960 --> 00:39:12,840
Speaker 3: I can barely see it.

932
00:39:13,360 --> 00:39:15,279
Speaker 4: They've sort of pinked a little bit. I need to

933
00:39:15,400 --> 00:39:16,680
Speaker 4: like scratch him up a little bit of thing.

934
00:39:17,239 --> 00:39:18,520
Speaker 3: I think I've got audio of you doing this.

935
00:39:18,640 --> 00:39:22,400
Speaker 2: By the way, you're gonna hum a jingle of what

936
00:39:22,520 --> 00:39:25,160
Speaker 2: he doesn't guess the jingle he has to brand himself

937
00:39:25,640 --> 00:39:26,359
Speaker 2: with a fork.

938
00:39:30,600 --> 00:39:32,279
Speaker 3: It was just you just burning yourself with a fork.

939
00:39:32,320 --> 00:39:33,960
Speaker 2: It was actually we actually got told to jump off

940
00:39:34,000 --> 00:39:35,319
Speaker 2: the air after that because it was a bit wild.

941
00:39:35,360 --> 00:39:37,920
Speaker 2: We might have We're at your house and thing's got

942
00:39:37,960 --> 00:39:40,320
Speaker 2: a bit weird during lockdown. But anyway, you've got a

943
00:39:40,360 --> 00:39:42,920
Speaker 2: couple of fork marks on your arm. I'd love to

944
00:39:42,960 --> 00:39:45,120
Speaker 2: hear from some people here thirty one six. Honestly, I

945
00:39:45,200 --> 00:39:46,839
Speaker 2: mean even if you haven't hooked up with a guy

946
00:39:46,920 --> 00:39:51,360
Speaker 2: with scars thirty one o six five, do chickstick scars?

947
00:39:51,760 --> 00:39:53,239
Speaker 3: You're a woman out there. If a guy's got a

948
00:39:53,280 --> 00:39:55,200
Speaker 3: big scar on him, is it buddy hot? Is it

949
00:39:55,280 --> 00:39:57,920
Speaker 3: actually hot? That's the that's the question, that's I've got

950
00:39:57,960 --> 00:40:01,480
Speaker 3: a lip scar. Yeah, again, I can't see that one.

951
00:40:02,040 --> 00:40:05,200
Speaker 3: Do chicks dig scars? Keanu Reeves certainly thought so. In

952
00:40:05,239 --> 00:40:06,799
Speaker 3: the movie The Replacements, I.

953
00:40:06,840 --> 00:40:09,879
Speaker 9: Know you, I know you, and I wish I could

954
00:40:09,880 --> 00:40:13,360
Speaker 9: see something that was close and inspirational that just wouldn't

955
00:40:13,360 --> 00:40:18,640
Speaker 9: be our star Pain Heels, chickstick Scars, Glory.

956
00:40:19,440 --> 00:40:26,480
Speaker 2: Last Forever, Pain Hills, Chicks, dick Scars, Glory Last Forever.

957
00:40:26,560 --> 00:40:27,920
Speaker 2: It's a man try to live your life vibe. You

958
00:40:27,920 --> 00:40:30,960
Speaker 2: haven't seen The Replacements. That's a great watch. So did

959
00:40:31,000 --> 00:40:32,520
Speaker 2: you hook up with someone because of this car? I

960
00:40:32,600 --> 00:40:36,200
Speaker 2: mean alternatively here, like do you use your scar to

961
00:40:36,280 --> 00:40:36,719
Speaker 2: hook up?

962
00:40:37,880 --> 00:40:42,839
Speaker 3: Like those little knit bites that you've got on your

963
00:40:42,960 --> 00:40:43,279
Speaker 3: arm there?

964
00:40:43,320 --> 00:40:45,800
Speaker 4: Woods? What are you referring to your scars? Oh, my

965
00:40:46,239 --> 00:40:47,279
Speaker 4: big scars on my arm.

966
00:40:48,000 --> 00:40:50,759
Speaker 2: Yeah, they wouldn't be bigger than a fingernail, are you

967
00:40:51,920 --> 00:40:53,680
Speaker 2: I'm not at all fingernails?

968
00:40:53,760 --> 00:40:53,960
Speaker 6: Are you?

969
00:40:54,040 --> 00:40:54,600
Speaker 4: Absolute?

970
00:40:54,719 --> 00:40:54,919
Speaker 3: Which?

971
00:40:55,160 --> 00:40:55,440
Speaker 10: But I.

972
00:40:57,400 --> 00:40:59,120
Speaker 3: Wasn't an opportunity for you to rag on me.

973
00:40:59,280 --> 00:41:01,040
Speaker 4: That's my whole that's my whole pink.

974
00:41:01,040 --> 00:41:02,200
Speaker 3: It's not your whole pinky. Mate.

975
00:41:02,200 --> 00:41:04,080
Speaker 2: You can't even see them anyway, look for anyone six.

976
00:41:04,280 --> 00:41:06,040
Speaker 2: But like Mimi has never been like, oh geez, get

977
00:41:06,080 --> 00:41:09,080
Speaker 2: your scars out, mate. Now she hates my scars, hates them. Well,

978
00:41:09,120 --> 00:41:13,120
Speaker 2: she's just like, oh pathetic, just lookspathetic, just looks yeah, yeah, yeah, theypathetic.

979
00:41:13,320 --> 00:41:14,960
Speaker 3: I also, have you got a big scar on your

980
00:41:15,000 --> 00:41:16,399
Speaker 3: neck from when she gave you a iccy the other day?

981
00:41:16,640 --> 00:41:17,240
Speaker 4: That wasn't scarred?

982
00:41:17,239 --> 00:41:17,719
Speaker 3: Has it? Yeah?

983
00:41:17,719 --> 00:41:20,719
Speaker 4: A little bit, that's a bit hot. I had a

984
00:41:21,000 --> 00:41:23,120
Speaker 4: few scars on my knee from when I got knee surgery.

985
00:41:23,239 --> 00:41:25,759
Speaker 3: Oh, mate, like that's not a scar. I'm talking like

986
00:41:25,880 --> 00:41:27,759
Speaker 3: a like have you got like a knife wound?

987
00:41:28,760 --> 00:41:30,440
Speaker 4: No, exactly, probably would have known about it.

988
00:41:30,480 --> 00:41:31,759
Speaker 2: Have you got a scar from when you, you know,

989
00:41:31,920 --> 00:41:34,239
Speaker 2: jump the fence getting out of prison? I mean that's

990
00:41:34,280 --> 00:41:34,840
Speaker 2: a scar.

991
00:41:34,960 --> 00:41:37,280
Speaker 3: Yeah, and surely that's hot. Scars.

992
00:41:37,320 --> 00:41:40,120
Speaker 2: We're about to find out we've got Gabby, Gabby, and

993
00:41:40,239 --> 00:41:41,560
Speaker 2: we've only got Gabby.

994
00:41:41,640 --> 00:41:44,440
Speaker 3: By the way, I just realized that it's a public holiday.

995
00:41:46,880 --> 00:41:50,200
Speaker 2: It's currently snowing in Melbourne, so got better things to

996
00:41:50,280 --> 00:41:55,320
Speaker 2: know than call us Gabby a scars six chickstick scars totally.

997
00:41:55,920 --> 00:41:58,239
Speaker 7: We definitely dig scars, But I also think it kind

998
00:41:58,280 --> 00:41:58,759
Speaker 7: of depends on.

999
00:41:58,840 --> 00:42:02,279
Speaker 4: How the star was a quiet Yeah, okay, okay, so

1000
00:42:02,400 --> 00:42:04,600
Speaker 4: I got hit in the face with a hockey stick

1001
00:42:05,239 --> 00:42:14,279
Speaker 4: when I was ten years old. Gabby sexy, sexy? Yeah, yeah, yeah, yeah, sorry,

1002
00:42:14,320 --> 00:42:16,600
Speaker 4: that was yes there, okay, cool, Yeah, my lip's just

1003
00:42:16,640 --> 00:42:17,160
Speaker 4: a bit an event.

1004
00:42:17,200 --> 00:42:20,560
Speaker 2: Cool cool, Gabby Wood. He has a scar from a

1005
00:42:20,719 --> 00:42:23,360
Speaker 2: fork that he lit up and then branded himself with.

1006
00:42:23,560 --> 00:42:24,120
Speaker 3: Is that sexy?

1007
00:42:24,880 --> 00:42:25,920
Speaker 7: No, because that's stupid.

1008
00:42:26,160 --> 00:42:26,920
Speaker 3: Oh yeah, stupid.

1009
00:42:27,000 --> 00:42:30,319
Speaker 4: It was very okay, So if you're stupid with hey,

1010
00:42:30,640 --> 00:42:31,279
Speaker 4: getting kid with.

1011
00:42:31,280 --> 00:42:32,960
Speaker 3: A hockey stick at ten years old.

1012
00:42:32,840 --> 00:42:36,680
Speaker 7: That's not sexy, No, But like as you age, it

1013
00:42:36,840 --> 00:42:38,600
Speaker 7: kind of is because you're like it's kind of that

1014
00:42:38,719 --> 00:42:41,080
Speaker 7: sympathy fact that you're like, oh my god, I have

1015
00:42:41,200 --> 00:42:42,560
Speaker 7: it to you and now stuck with you for the

1016
00:42:42,640 --> 00:42:45,920
Speaker 7: rest of your life and then you don't bring yourself so.

1017
00:42:46,040 --> 00:42:48,239
Speaker 2: You think you guys hot his scar because you feel

1018
00:42:48,320 --> 00:42:51,279
Speaker 2: sorry for him. Mister Howie got the scar totally. Have

1019
00:42:51,440 --> 00:42:53,000
Speaker 2: you slipped through the guy? Have you slept with the

1020
00:42:53,000 --> 00:42:53,919
Speaker 2: guy because of his scar?

1021
00:42:54,000 --> 00:42:54,320
Speaker 3: Gabby?

1022
00:42:56,239 --> 00:42:56,279
Speaker 2: No?

1023
00:42:57,000 --> 00:43:00,160
Speaker 7: I have not, But doesn't mean that I don't. I'm

1024
00:43:00,160 --> 00:43:00,960
Speaker 7: the attractive like that?

1025
00:43:01,239 --> 00:43:03,360
Speaker 4: What's the hottest guy you've ever seen? Gabby?

1026
00:43:04,800 --> 00:43:09,200
Speaker 7: And I'm probably there was a boyfriend I had, but

1027
00:43:09,440 --> 00:43:11,840
Speaker 7: I didn't sleep with him because of it. But he

1028
00:43:12,000 --> 00:43:15,640
Speaker 7: jumped a fence and he's like impaled his sy is

1029
00:43:15,719 --> 00:43:17,160
Speaker 7: so hot hot.

1030
00:43:18,880 --> 00:43:19,520
Speaker 2: I don't know why.

1031
00:43:19,800 --> 00:43:22,719
Speaker 3: I was like, oh that was nice, yeah, nice? He

1032
00:43:22,800 --> 00:43:25,320
Speaker 3: impaled himself on a fence. I mean what was the

1033
00:43:25,640 --> 00:43:28,360
Speaker 3: what was the fence though it was a metal fence?

1034
00:43:28,719 --> 00:43:28,759
Speaker 10: No?

1035
00:43:28,880 --> 00:43:30,560
Speaker 3: No, like what sort of place, getting out of prison

1036
00:43:30,680 --> 00:43:31,000
Speaker 3: or something?

1037
00:43:32,640 --> 00:43:35,520
Speaker 7: No, just like jumping a fence doing like Parkol.

1038
00:43:39,400 --> 00:43:44,160
Speaker 2: Parks not hards hot man jumping parkor is Gabby Parkles hart?

1039
00:43:44,239 --> 00:43:44,480
Speaker 3: Isn't it?

1040
00:43:46,480 --> 00:43:50,000
Speaker 4: Sorry? Jumping off things like park benches onto buildings is hot.

1041
00:43:49,960 --> 00:43:51,920
Speaker 3: Just because it's it's called park or doesn't mean you

1042
00:43:52,040 --> 00:43:53,000
Speaker 3: jump off a park bench.

1043
00:43:53,040 --> 00:43:54,280
Speaker 4: I'm seeing the YouTube video.

1044
00:43:54,320 --> 00:43:56,560
Speaker 3: Mate Parkles that you jump between buildings and stuff.

1045
00:43:56,960 --> 00:43:57,400
Speaker 4: Stupid.

1046
00:43:57,520 --> 00:43:58,799
Speaker 3: No, that parkour is hot?

1047
00:43:58,960 --> 00:43:59,920
Speaker 4: Why are you so defense?

1048
00:44:02,000 --> 00:44:02,680
Speaker 3: I'm not into it.

1049
00:44:03,000 --> 00:44:03,680
Speaker 2: I just look at it.

1050
00:44:03,920 --> 00:44:05,040
Speaker 3: I'm so far from it.

1051
00:44:05,440 --> 00:44:06,759
Speaker 2: But I think it would be hot if I could

1052
00:44:06,840 --> 00:44:09,359
Speaker 2: do it. If they jump, they jump across buildings. It's

1053
00:44:09,400 --> 00:44:11,600
Speaker 2: like the matrix. I don't see like the matrix.

1054
00:44:11,680 --> 00:44:14,360
Speaker 4: I don't see her jumping onto a metal fence is

1055
00:44:14,440 --> 00:44:15,799
Speaker 4: any stupider than Brandy.

1056
00:44:15,920 --> 00:44:18,640
Speaker 3: Jump onto the fence? He was doing parkour, so he's

1057
00:44:18,680 --> 00:44:21,480
Speaker 3: crap at parkour. I think it's park or whatever.

1058
00:44:21,719 --> 00:44:28,560
Speaker 4: Let's go to Alexia here, Alexia, hi, Hi, Now you've

1059
00:44:28,600 --> 00:44:29,800
Speaker 4: got it. You've got a scar.

1060
00:44:31,239 --> 00:44:33,080
Speaker 7: I have on my right arm.

1061
00:44:33,320 --> 00:44:35,160
Speaker 8: I have nine scars.

1062
00:44:35,840 --> 00:44:39,360
Speaker 4: No wow w and sorry. The producers are telling me

1063
00:44:39,480 --> 00:44:43,120
Speaker 4: that you used to lie to a guy about how

1064
00:44:43,160 --> 00:44:45,080
Speaker 4: you got your scars.

1065
00:44:46,280 --> 00:44:47,880
Speaker 8: I went out one night and I used to have

1066
00:44:48,080 --> 00:44:50,480
Speaker 8: quite a bit of like they're very prominent and a

1067
00:44:50,520 --> 00:44:53,480
Speaker 8: little bit. I saw it to me and I was

1068
00:44:53,680 --> 00:44:56,640
Speaker 8: really like nervous about getting my arm out in public.

1069
00:44:56,680 --> 00:44:59,120
Speaker 8: And some said, just come up with a good story.

1070
00:44:59,360 --> 00:45:00,440
Speaker 4: Yeah, of course, said The.

1071
00:45:00,840 --> 00:45:03,160
Speaker 8: English guy approached me one night and he's like, oh

1072
00:45:03,239 --> 00:45:05,480
Speaker 8: my god, what happened? I said it was a fair attack.

1073
00:45:08,280 --> 00:45:11,000
Speaker 8: And he looked at me and I said, yeah, those

1074
00:45:11,160 --> 00:45:14,040
Speaker 8: drop theres. You've got to watch him, and they're very good.