1 00:00:00,040 --> 00:00:04,120 Speaker 1: What should we launch in show me perfect tennis? 2 00:00:04,400 --> 00:00:08,119 Speaker 2: No way. 3 00:00:08,840 --> 00:00:11,600 Speaker 1: Welcome back to the Tennis FM. You're on with Fridgie 4 00:00:11,640 --> 00:00:14,720 Speaker 1: of the Choe, big week around the world, with all 5 00:00:14,760 --> 00:00:17,680 Speaker 1: the tennis tournaments going on, let's junk in with jod 6 00:00:17,680 --> 00:00:25,640 Speaker 1: in the tennis chopper. Sounds like you're about to spit 7 00:00:25,760 --> 00:00:29,520 Speaker 1: on Fridgie an American accent. You can try. 8 00:00:29,800 --> 00:00:34,519 Speaker 3: God damn it, Fridge. It's really high up here, and 9 00:00:35,240 --> 00:00:35,880 Speaker 3: is that good? 10 00:00:37,000 --> 00:00:43,720 Speaker 1: It's not great, but uh we already American. You are American. 11 00:00:43,520 --> 00:00:47,280 Speaker 3: American chopper guy. 12 00:00:47,600 --> 00:00:49,800 Speaker 1: Well, the Chod is a little out of practice, but 13 00:00:50,320 --> 00:00:53,480 Speaker 1: it's good to have him back. Sam Touton is back 14 00:00:53,479 --> 00:00:56,000 Speaker 1: in the studio. Everybody, no. 15 00:00:57,560 --> 00:01:01,560 Speaker 3: Security, I won't tell you into No one even looked 16 00:01:01,600 --> 00:01:02,640 Speaker 3: at me when I just came in. 17 00:01:02,680 --> 00:01:05,520 Speaker 1: How did you feel like walking through the empty grounds? 18 00:01:05,680 --> 00:01:07,559 Speaker 1: The carnival is packed up and left town. 19 00:01:07,720 --> 00:01:10,360 Speaker 3: It's really kind of made me lose respect for the 20 00:01:10,440 --> 00:01:12,760 Speaker 3: organization because it's so big when you hear during the 21 00:01:12,840 --> 00:01:16,560 Speaker 3: tournament and then now it's like no one caress and 22 00:01:16,560 --> 00:01:18,960 Speaker 3: there's nothing even to steal. These offices suck. 23 00:01:19,160 --> 00:01:20,720 Speaker 1: Yeah, it's a parking lot out there. 24 00:01:20,800 --> 00:01:21,640 Speaker 3: Yeah, it's terrible. 25 00:01:21,680 --> 00:01:24,120 Speaker 1: They pave paradise. They put up a parking lot. 26 00:01:24,200 --> 00:01:26,400 Speaker 3: That's so true. I think that's what they were talking 27 00:01:26,400 --> 00:01:28,080 Speaker 3: to Joni. Is that what she was doing? 28 00:01:28,040 --> 00:01:31,040 Speaker 1: Well, I go with the Counting Crows version. 29 00:01:33,280 --> 00:01:35,520 Speaker 3: Of course. What a band? What a band? 30 00:01:35,560 --> 00:01:39,080 Speaker 1: What a hair doo? Pineapple head himself. Speaking of music, 31 00:01:39,440 --> 00:01:41,679 Speaker 1: let's get into the number one hit of the day. 32 00:01:43,520 --> 00:01:49,559 Speaker 1: There goes Craig Tyly. Watch him as he goes. 33 00:01:49,440 --> 00:01:59,400 Speaker 3: Due always nice since finally great job with the AO. 34 00:02:00,720 --> 00:02:04,840 Speaker 3: No no no, no no no no no. 35 00:02:11,840 --> 00:02:17,480 Speaker 1: Oh so sad Craig Tyler has left us. 36 00:02:17,560 --> 00:02:20,359 Speaker 3: Left the building, and I've been allowed in. Is there 37 00:02:20,360 --> 00:02:24,919 Speaker 3: a correlation? Imagine if I'm next in line for the throne, 38 00:02:25,480 --> 00:02:26,880 Speaker 3: I can't like fathom a. 39 00:02:26,880 --> 00:02:28,160 Speaker 1: Will are you putting yourself for it? 40 00:02:28,440 --> 00:02:31,240 Speaker 3: Well? I was thinking about this on the drive in, 41 00:02:31,600 --> 00:02:33,720 Speaker 3: and I know I'm not thinking I could, like maybe 42 00:02:33,800 --> 00:02:35,760 Speaker 3: I'll get the job, but like I was like, what 43 00:02:35,960 --> 00:02:37,720 Speaker 3: is the job? Do you know what I mean? And 44 00:02:37,760 --> 00:02:39,880 Speaker 3: it's like he was a party in my head. He's 45 00:02:39,919 --> 00:02:41,040 Speaker 3: just a bit of a party guy. 46 00:02:41,200 --> 00:02:43,799 Speaker 1: I mean, remember we had a man he played stingpong 47 00:02:43,840 --> 00:02:47,040 Speaker 1: with us, drinking drinking, yes, Smiley, but. 48 00:02:46,880 --> 00:02:49,239 Speaker 3: What did he do? The Australian Open now one of 49 00:02:49,280 --> 00:02:52,120 Speaker 3: the premier sporting events in the world, and everyone's like, 50 00:02:52,520 --> 00:02:54,239 Speaker 3: what a guy, Look what he's done with the thing. 51 00:02:54,639 --> 00:02:57,200 Speaker 3: But he kind of just put in like a lot 52 00:02:57,200 --> 00:03:00,840 Speaker 3: of bars, some food stalls, got people come and enjoy 53 00:03:01,080 --> 00:03:05,360 Speaker 3: the fund, like I've hosted a house card to me, 54 00:03:05,440 --> 00:03:07,800 Speaker 3: the tennis stuff will take care of itself. Yeah, he 55 00:03:07,840 --> 00:03:10,440 Speaker 3: didn't really change anything to do with the tennis. No, 56 00:03:10,760 --> 00:03:14,200 Speaker 3: it was still what he maybe gave a few like 57 00:03:14,280 --> 00:03:16,080 Speaker 3: strategical wild cards maybe. 58 00:03:16,320 --> 00:03:21,960 Speaker 1: Yeah. He brought Daria Kazakina over from Russia. Okay, so 59 00:03:22,080 --> 00:03:25,840 Speaker 1: now we have a top female tennis player playing for Australia. 60 00:03:25,880 --> 00:03:28,200 Speaker 3: Okay, well I could do more of that. I can do. 61 00:03:28,200 --> 00:03:29,840 Speaker 3: Do you want me to go through the Russian handbook 62 00:03:29,919 --> 00:03:32,240 Speaker 3: right now? I'll go to any country. I don't care 63 00:03:32,240 --> 00:03:33,680 Speaker 3: what it is. But you know what I mean, like 64 00:03:34,040 --> 00:03:36,160 Speaker 3: he created a party atmosphere. 65 00:03:36,240 --> 00:03:41,120 Speaker 1: We should give context. Craig, Australian Open has left. He's 66 00:03:41,240 --> 00:03:42,720 Speaker 1: going to the US. 67 00:03:43,120 --> 00:03:45,320 Speaker 3: Of all the places to try to turn. 68 00:03:45,160 --> 00:03:48,040 Speaker 1: Around the US Open. Not to say it needs turning around. 69 00:03:47,840 --> 00:03:50,440 Speaker 3: That's what I mean. It's not like I mean, it's 70 00:03:50,440 --> 00:03:51,839 Speaker 3: already the biggest kind of thing. 71 00:03:51,920 --> 00:03:54,440 Speaker 1: Okay, Well, give us your pitch. What would you do 72 00:03:54,960 --> 00:03:57,440 Speaker 1: now for the Australian Open to make it even bigger 73 00:03:57,480 --> 00:04:00,840 Speaker 1: and better? Okay, and your new role is the head 74 00:04:01,000 --> 00:04:01,400 Speaker 1: of the. 75 00:04:02,040 --> 00:04:05,560 Speaker 3: Okay, number one, I'm taking the MCG. So it's just 76 00:04:05,680 --> 00:04:09,240 Speaker 3: next door and it just sits there during the Slam week. 77 00:04:09,440 --> 00:04:12,640 Speaker 3: I don't know why we're not utilizing it rod Laver Arena. 78 00:04:12,800 --> 00:04:14,800 Speaker 3: I mean it's fantastic, but come on, we're going to 79 00:04:14,800 --> 00:04:18,680 Speaker 3: put center court on the MCG one hundred thousand people. 80 00:04:19,880 --> 00:04:23,200 Speaker 3: You could sell one hundred thousand tickets to the final, 81 00:04:23,680 --> 00:04:26,080 Speaker 3: to the men's have women's final easily. 82 00:04:25,720 --> 00:04:28,200 Speaker 1: But you're sitting so far away. If it's a square 83 00:04:28,320 --> 00:04:29,320 Speaker 1: tennis court. 84 00:04:30,200 --> 00:04:32,240 Speaker 3: Just put there's some big screens out there. Have you 85 00:04:32,279 --> 00:04:35,520 Speaker 3: ever watched AFL? They're tiny, tiny little men running around. 86 00:04:35,520 --> 00:04:37,719 Speaker 3: It's hard to know what's going on. You put the 87 00:04:37,760 --> 00:04:40,359 Speaker 3: court down there you can watch it. Also, I'm going 88 00:04:40,440 --> 00:04:42,680 Speaker 3: to go five set, women are playing five sets. 89 00:04:42,800 --> 00:04:45,159 Speaker 1: I like that. That's been proposed actually, I. 90 00:04:45,160 --> 00:04:48,800 Speaker 3: Mean Craig himself even spoke about that. Then we get 91 00:04:48,839 --> 00:04:53,159 Speaker 3: we're selling more airtime for the TV broadcast, more money generated, 92 00:04:53,880 --> 00:04:57,039 Speaker 3: which means more bars. So then if we've got the 93 00:04:57,160 --> 00:05:01,320 Speaker 3: MCG available, that takes pressure off Rod is now free. 94 00:05:01,640 --> 00:05:07,039 Speaker 1: Rave Cave, Ravecave, Rave Cave to our international listener having 95 00:05:07,080 --> 00:05:10,880 Speaker 1: a rave cave. Mcg is the Melbourne Cricket Ground. 96 00:05:10,720 --> 00:05:12,000 Speaker 3: Hundred thousand seats. 97 00:05:11,720 --> 00:05:14,400 Speaker 1: And you think one hundred thousand people, what's rod Labor capacity. 98 00:05:14,560 --> 00:05:17,720 Speaker 1: I think it's fifteen, fifteen to twenty yeah. Yeah, so 99 00:05:17,760 --> 00:05:21,080 Speaker 1: you think rod Labor gets packed, you know. Also, but 100 00:05:21,160 --> 00:05:24,960 Speaker 1: you think there's enough demand for one hundred thousand tennis fans. 101 00:05:24,760 --> 00:05:27,680 Speaker 3: That's super yeah. Yeah, yeah. We have to lower the 102 00:05:27,920 --> 00:05:30,760 Speaker 3: ticket price so it's going to be spread out more overall, 103 00:05:30,760 --> 00:05:33,919 Speaker 3: more revenue comes in. What a spectacle. People talk about 104 00:05:34,480 --> 00:05:37,640 Speaker 3: Arthur ash Stadium and that being massive, that's all people 105 00:05:37,680 --> 00:05:38,960 Speaker 3: talk about. They're like, Wow, it's so. 106 00:05:38,960 --> 00:05:39,599 Speaker 1: Big, that's stupid. 107 00:05:39,640 --> 00:05:42,040 Speaker 3: We're going to dwarf it. We're going to go because 108 00:05:42,080 --> 00:05:43,480 Speaker 3: it's four times that year. 109 00:05:44,839 --> 00:05:48,760 Speaker 1: But Arthur Ashes too. Okay, having been to a lot 110 00:05:48,760 --> 00:05:50,960 Speaker 1: of the Grand Slams, I think the bigger the stadium, 111 00:05:51,080 --> 00:05:51,839 Speaker 1: the worst it is. 112 00:05:51,880 --> 00:05:56,560 Speaker 3: Respectators, Yeah, totally, but we're not worried about like the hardcore, 113 00:05:56,680 --> 00:05:59,440 Speaker 3: rusted on tennis fans. And that's where Tyler has been 114 00:05:59,520 --> 00:06:02,360 Speaker 3: quite brillian. He's been like every man on the street. 115 00:06:02,480 --> 00:06:04,200 Speaker 3: Just come in and have an apperl sprits and that's 116 00:06:04,240 --> 00:06:06,360 Speaker 3: how we're going to turn this into the big thing. 117 00:06:06,520 --> 00:06:07,479 Speaker 3: And that I'm with him. 118 00:06:07,560 --> 00:06:10,360 Speaker 1: He brought in the assault of the earth, the com 119 00:06:10,520 --> 00:06:13,000 Speaker 1: Man and the high man, influencers, the influence. 120 00:06:13,040 --> 00:06:16,000 Speaker 3: He's a big influencer. G Yes, he's huge, which is 121 00:06:16,000 --> 00:06:18,560 Speaker 3: weird because like, if you have met the man, which 122 00:06:18,600 --> 00:06:21,479 Speaker 3: we both have, he doesn't seem like a guy who 123 00:06:21,560 --> 00:06:24,719 Speaker 3: knows what's going on with the influencer community. 124 00:06:25,080 --> 00:06:27,800 Speaker 1: He does. Man, I've seen him in the comment saying, 125 00:06:28,000 --> 00:06:37,559 Speaker 1: you know, show Bob's please, pretty lady, pretty lady? Oh stunning? Yeah, yeah, 126 00:06:37,600 --> 00:06:40,080 Speaker 1: why is this video of eight hours long? 127 00:06:40,200 --> 00:06:40,400 Speaker 4: Yeah? 128 00:06:40,480 --> 00:06:44,080 Speaker 3: Yeah, yeah. His stumma is just glued to that fire emoji. 129 00:06:44,279 --> 00:06:48,280 Speaker 1: Just loves that fire emoji. We're gonna miss him. 130 00:06:48,279 --> 00:06:49,840 Speaker 3: We're gonna miss him. What a job he's done. One 131 00:06:49,880 --> 00:06:53,800 Speaker 3: of our biggest champions of I mean, he's probably the 132 00:06:53,839 --> 00:06:55,440 Speaker 3: reason why it's still going. That's why I was worried 133 00:06:55,480 --> 00:06:57,080 Speaker 3: that is it going to all end? Now? I don't 134 00:06:57,120 --> 00:06:59,839 Speaker 3: know if they was kind of the driving force by. 135 00:07:00,120 --> 00:07:03,839 Speaker 1: Some straight laced person takes over that doesn't like the 136 00:07:03,880 --> 00:07:04,760 Speaker 1: cut of our jibs. 137 00:07:04,880 --> 00:07:08,160 Speaker 3: Yeah, we're done. Who who is around? Like, do you 138 00:07:08,200 --> 00:07:10,400 Speaker 3: think we need an Australian. 139 00:07:10,320 --> 00:07:11,960 Speaker 1: I've seen some names floated. 140 00:07:12,240 --> 00:07:17,840 Speaker 3: Yeah, Craig McLachlin, Craig McLachlin, the guy that got canceled. 141 00:07:19,640 --> 00:07:21,040 Speaker 1: It's something Maglauchlin. 142 00:07:21,200 --> 00:07:24,360 Speaker 3: He did stand up on the foot show. Have you 143 00:07:24,400 --> 00:07:25,720 Speaker 3: seen that guy? 144 00:07:26,320 --> 00:07:29,280 Speaker 1: Guy? Not that guy, it's. 145 00:07:30,640 --> 00:07:33,960 Speaker 3: Gil McLaughlin, former head of the a f L. Yes, 146 00:07:34,280 --> 00:07:37,280 Speaker 3: I think you need someone. I was being a bit joke. Well, 147 00:07:40,760 --> 00:07:42,679 Speaker 3: it's hard to get up for the idea of Craig 148 00:07:43,680 --> 00:07:46,840 Speaker 3: Maybe Craig McLachlin. It's like, what do you mean if 149 00:07:46,840 --> 00:07:49,440 Speaker 3: we can't get Craig McLachlin, Delta Good Room probably, like 150 00:07:49,480 --> 00:07:51,320 Speaker 3: that's in the world you're talking now. 151 00:07:51,400 --> 00:07:56,200 Speaker 1: She was the ambassador of Slurp it up, your dumb fucks. 152 00:07:56,560 --> 00:08:01,160 Speaker 3: Are we still on the hidick? I've been drinking it, 153 00:08:01,400 --> 00:08:01,680 Speaker 3: have you? 154 00:08:01,800 --> 00:08:01,960 Speaker 1: Yeah? 155 00:08:01,960 --> 00:08:02,800 Speaker 3: Because I was at. 156 00:08:02,880 --> 00:08:04,679 Speaker 1: Because you stole the promo bottles? 157 00:08:05,000 --> 00:08:06,280 Speaker 3: Well, I stole a few. But then I was at 158 00:08:06,280 --> 00:08:08,040 Speaker 3: a music festival the other day. There was a big sign, 159 00:08:08,080 --> 00:08:11,120 Speaker 3: so I went and got a couple of glasses. That's loyalty. 160 00:08:11,280 --> 00:08:13,680 Speaker 3: So even if it's not working through our listener base, 161 00:08:13,760 --> 00:08:14,480 Speaker 3: it's working on me. 162 00:08:14,720 --> 00:08:17,440 Speaker 1: Yeah, I love it. Are they running with my slogan? Yeah? 163 00:08:17,440 --> 00:08:18,680 Speaker 3: When I get there, they hand it to you and 164 00:08:18,800 --> 00:08:20,080 Speaker 3: they enjoy that. Fuck face. 165 00:08:21,040 --> 00:08:24,360 Speaker 1: They say, guzzle it down your stupid throats. You're thirsty ass. 166 00:08:24,360 --> 00:08:27,280 Speaker 3: Oh yeah, they say it all all and they've got 167 00:08:27,320 --> 00:08:28,960 Speaker 3: you can see, they've got a little board that they 168 00:08:29,000 --> 00:08:31,720 Speaker 3: have to ask in case someone's undercover bossing them and 169 00:08:31,760 --> 00:08:37,400 Speaker 3: they don't. They guzzle it down, you thirsty fuck knuckle. Anyway, 170 00:08:37,920 --> 00:08:39,880 Speaker 3: gil McLaughlin, he could do a good job. He's got 171 00:08:40,320 --> 00:08:43,600 Speaker 3: experience with high level administration in sport. I like a 172 00:08:43,679 --> 00:08:47,640 Speaker 3: tennis person from outside. I don't know who you bring in, Like, well, 173 00:08:47,640 --> 00:08:50,319 Speaker 3: what about these commentats? We could? Would Jim Courier come 174 00:08:50,320 --> 00:08:52,720 Speaker 3: in and do it? He's like a personal guy straining 175 00:08:52,920 --> 00:08:53,360 Speaker 3: to love. 176 00:08:53,280 --> 00:08:55,480 Speaker 1: Him he is, But does he have the business chops? 177 00:08:55,640 --> 00:08:57,960 Speaker 3: What is it again? What is the business chops? Think 178 00:08:58,000 --> 00:09:00,199 Speaker 3: you just put in a like I said, it's a 179 00:09:00,240 --> 00:09:03,440 Speaker 3: poro or an Asahi van out in the car par Yeah, 180 00:09:03,520 --> 00:09:06,120 Speaker 3: and just everyone comes and drinks nineteen dollars beers. That's 181 00:09:06,120 --> 00:09:08,680 Speaker 3: all you need to do. A Guzman No Gomez, Yeah, 182 00:09:08,720 --> 00:09:09,240 Speaker 3: no Gomett. 183 00:09:09,280 --> 00:09:11,360 Speaker 1: We just yeah, he's a better one. 184 00:09:11,360 --> 00:09:13,720 Speaker 3: I'm telling you book the MTG and you'll set up 185 00:09:13,760 --> 00:09:14,839 Speaker 3: for the next four five years. 186 00:09:14,960 --> 00:09:18,000 Speaker 1: Right, Well, I guess yeah business chops Wise, Tyler was 187 00:09:18,040 --> 00:09:22,400 Speaker 1: a coach at tennis college. Yennis College. It sounds like 188 00:09:22,400 --> 00:09:25,840 Speaker 1: a place TCU. You go to TCU. He was a 189 00:09:25,880 --> 00:09:29,880 Speaker 1: college tennis coach. And then I don't know what his 190 00:09:29,960 --> 00:09:32,880 Speaker 1: background of business is. But he did make this tournament. 191 00:09:33,080 --> 00:09:35,520 Speaker 1: He started in two thousand and five, I believe, so 192 00:09:35,679 --> 00:09:39,280 Speaker 1: twenty years of running this tournament and he made it 193 00:09:39,320 --> 00:09:40,680 Speaker 1: an amazing. 194 00:09:40,400 --> 00:09:43,200 Speaker 3: Yeah, world event. Did he coin Happy Slam? 195 00:09:43,400 --> 00:09:46,480 Speaker 1: I think yeah, who knows. There's probably some marketing person 196 00:09:46,520 --> 00:09:48,600 Speaker 1: who was like, let's make this the Happy Slam. 197 00:09:48,679 --> 00:09:50,760 Speaker 3: I mean that's done. Wonders for it. Yeah, and not 198 00:09:50,920 --> 00:09:52,960 Speaker 3: show cocoa cough smashing it round. 199 00:09:54,880 --> 00:09:55,320 Speaker 1: Whoops. 200 00:09:55,559 --> 00:09:58,800 Speaker 3: But what's he going to do with the American tennis system. 201 00:09:59,120 --> 00:10:00,000 Speaker 3: I guess it's a big. 202 00:10:00,640 --> 00:10:03,360 Speaker 1: It's a huge job. I think the I haven't been 203 00:10:03,360 --> 00:10:05,640 Speaker 1: to the US Open many times. I think, do you 204 00:10:05,640 --> 00:10:09,360 Speaker 1: think they need help? Yeah? I mean it's great, but 205 00:10:09,440 --> 00:10:12,920 Speaker 1: it's nothing like this. It's something like the AO. Yeah, 206 00:10:13,000 --> 00:10:16,920 Speaker 1: it just needs the I think it needs bigger grounds first. 207 00:10:16,920 --> 00:10:18,440 Speaker 1: But I mean, if you move it out of Queen's 208 00:10:18,480 --> 00:10:19,800 Speaker 1: people are gonna riot. 209 00:10:20,480 --> 00:10:24,160 Speaker 3: They do they have the capacity to maybe buy backspace 210 00:10:24,440 --> 00:10:26,079 Speaker 3: or like open it up somewhere else. 211 00:10:26,360 --> 00:10:29,679 Speaker 1: Look, I'm not Craig Tiley. I don't know what the 212 00:10:30,080 --> 00:10:31,800 Speaker 1: business capacity is for. 213 00:10:32,760 --> 00:10:34,680 Speaker 3: Okay, well you've crossed your name off the list of 214 00:10:34,760 --> 00:10:37,880 Speaker 3: running a professional tennis tournament. What do we do with 215 00:10:37,880 --> 00:10:38,600 Speaker 3: any solutions? 216 00:10:38,640 --> 00:10:41,080 Speaker 1: The US Okay, the US Open, I'll tell you what's 217 00:10:41,080 --> 00:10:44,600 Speaker 1: wrong with it? Right? Oh, we didn't even check in 218 00:10:44,640 --> 00:10:45,079 Speaker 1: with Ace. 219 00:10:46,440 --> 00:10:46,520 Speaker 4: You. 220 00:10:46,559 --> 00:10:47,520 Speaker 3: I don't want to be checked in. 221 00:10:47,559 --> 00:10:50,840 Speaker 1: No, no, no, because, like Ace, I feel bad. We've 222 00:10:50,880 --> 00:10:53,920 Speaker 1: had this kind of running gag since you've been gone Totten, 223 00:10:53,960 --> 00:10:56,079 Speaker 1: where I ask them something and then I immediately tell 224 00:10:56,120 --> 00:10:58,520 Speaker 1: them to shut up. Right. Oh me, I know, I know, 225 00:10:58,600 --> 00:11:00,480 Speaker 1: I know, and I think it's a bit of bullying, 226 00:11:00,559 --> 00:11:02,760 Speaker 1: and I actually you think it's a bit of a 227 00:11:02,760 --> 00:11:05,439 Speaker 1: bullet And I actually felt bad when I went back 228 00:11:05,480 --> 00:11:08,280 Speaker 1: and listen to episode. So, really, Ace, we're recording this 229 00:11:08,360 --> 00:11:11,920 Speaker 1: on a Friday. What actual plans do you have for 230 00:11:11,960 --> 00:11:19,880 Speaker 1: this weekend? Blow it out your ass, dick face? Nobody cares? 231 00:11:20,559 --> 00:11:21,480 Speaker 1: All right, So what. 232 00:11:23,840 --> 00:11:27,040 Speaker 3: He text me after this? What I would do for 233 00:11:27,080 --> 00:11:27,760 Speaker 3: the US Open? 234 00:11:29,160 --> 00:11:35,079 Speaker 1: It's needs that party atmosphere that the AO has it doesn't. 235 00:11:34,760 --> 00:11:39,080 Speaker 3: Happen, doesn't need but is it. It's like it's rowdy already. Yeah, 236 00:11:39,240 --> 00:11:40,160 Speaker 3: do they need a DJ? 237 00:11:41,480 --> 00:11:43,640 Speaker 1: I mean, who doesn't need a DJ? 238 00:11:45,679 --> 00:11:48,720 Speaker 3: That would work perfectly in the labor arena rave case, 239 00:11:50,200 --> 00:11:52,480 Speaker 3: you can do a DJ said in it. Oh god. 240 00:11:53,120 --> 00:11:57,640 Speaker 1: The Since weed has become legal in New York, they 241 00:11:57,679 --> 00:12:01,360 Speaker 1: had a problem that Arthur Ash with so many people 242 00:12:01,440 --> 00:12:04,600 Speaker 1: smoking weed in the stadium. The players were getting contact high. 243 00:12:04,720 --> 00:12:07,360 Speaker 3: It's so funny. Okay, well, that's like we can sort 244 00:12:07,400 --> 00:12:09,400 Speaker 3: that out. You can't smoke weed. 245 00:12:09,480 --> 00:12:12,600 Speaker 1: No, I'm saying more weed weed. I want every player 246 00:12:12,640 --> 00:12:13,360 Speaker 1: to be high as. 247 00:12:13,440 --> 00:12:15,840 Speaker 3: Okay, No, I like that because then that becomes like 248 00:12:16,520 --> 00:12:19,600 Speaker 3: a different style of game, do you know what I mean? 249 00:12:19,760 --> 00:12:21,880 Speaker 3: Like we have different surfaces that we have to deal with. 250 00:12:21,960 --> 00:12:24,280 Speaker 3: You have to adjust your game. When you get to 251 00:12:24,320 --> 00:12:26,480 Speaker 3: the US Open, you're gonna have to who can play 252 00:12:26,480 --> 00:12:28,720 Speaker 3: better really high? 253 00:12:28,760 --> 00:12:30,240 Speaker 1: This is the real happy Slam now. 254 00:12:30,320 --> 00:12:32,240 Speaker 3: Yeah, it would be cool because you know when you 255 00:12:32,240 --> 00:12:33,680 Speaker 3: watch them warm me up and they're just kind of 256 00:12:33,679 --> 00:12:36,520 Speaker 3: like dulling it back to each other. Imagine if that 257 00:12:36,720 --> 00:12:39,520 Speaker 3: was every game. We're talking like ten hour. 258 00:12:40,840 --> 00:12:42,920 Speaker 1: On the change of ends, they're just like having some 259 00:12:43,000 --> 00:12:44,640 Speaker 1: girritos and stuff. 260 00:12:45,520 --> 00:12:49,120 Speaker 3: Just sitting in there, just really staring off into the 261 00:12:49,160 --> 00:12:51,520 Speaker 3: distance as they're waiting for the call to get back 262 00:12:51,559 --> 00:12:54,280 Speaker 3: out onto the court. 263 00:12:55,080 --> 00:12:57,839 Speaker 1: But we wish him all the best. Craig Tyler, We're 264 00:12:57,840 --> 00:12:58,480 Speaker 1: going to miss him. 265 00:12:58,640 --> 00:13:01,640 Speaker 3: Rip the gold. Hey, guess what happen? I was driving yesterday? 266 00:13:01,760 --> 00:13:03,440 Speaker 3: Gets who I saw on the road. 267 00:13:03,760 --> 00:13:09,480 Speaker 1: Lighton Hewett No with Chubb, Chub with Chobb. Oh close call. 268 00:13:09,559 --> 00:13:11,640 Speaker 1: I still don't know what Chub actually does outside of 269 00:13:11,640 --> 00:13:13,040 Speaker 1: the close call. I don't know. 270 00:13:13,160 --> 00:13:15,080 Speaker 3: So troubles that there was there in a van and 271 00:13:15,120 --> 00:13:16,120 Speaker 3: they're just driving along. 272 00:13:16,360 --> 00:13:20,720 Speaker 1: Speaking of Chubs, we had an incident at the Dubai. 273 00:13:20,880 --> 00:13:22,520 Speaker 1: Was this in Dubairo? Was this Acapolco? 274 00:13:22,600 --> 00:13:25,520 Speaker 3: I believe this is Acapolco, Abierto, Mexicano. 275 00:13:25,640 --> 00:13:30,920 Speaker 1: It was Valentine evashero beat gailmn fees. 276 00:13:32,840 --> 00:13:35,640 Speaker 3: Soak that up. Heavens, Yes, heavens. 277 00:13:35,720 --> 00:13:38,680 Speaker 1: So this is going viral because people are saying he 278 00:13:38,840 --> 00:13:41,280 Speaker 1: was visibly aroused at the end of. 279 00:13:41,240 --> 00:13:45,040 Speaker 3: His wrecked Yes, as Ace said it to me before 280 00:13:45,400 --> 00:13:46,560 Speaker 3: he had pitched a tent. 281 00:13:46,920 --> 00:13:48,040 Speaker 1: He said, that's full tent. 282 00:13:48,400 --> 00:13:50,960 Speaker 3: Did he say full t Yeah, it looks to be 283 00:13:51,760 --> 00:13:53,520 Speaker 3: more than like it's not nothing. 284 00:13:53,760 --> 00:13:57,480 Speaker 1: I don't think he's excited in any type of arousal way. 285 00:13:57,600 --> 00:14:01,040 Speaker 1: I just think he's got like a chub pudge. 286 00:14:00,720 --> 00:14:04,360 Speaker 3: Like a free standing chub pudge, free standing day to 287 00:14:04,400 --> 00:14:05,080 Speaker 3: day chub pudge. 288 00:14:05,160 --> 00:14:09,360 Speaker 1: Yeah, I think maybe his his his bean bag. I 289 00:14:09,360 --> 00:14:10,560 Speaker 1: don't know how to talk about this. 290 00:14:12,840 --> 00:14:15,440 Speaker 3: Bag was Christian sex head talk. 291 00:14:17,200 --> 00:14:19,680 Speaker 1: Look, when you reach a certain age, you'll start to 292 00:14:19,680 --> 00:14:22,880 Speaker 1: find hairs on your bean bag when you win an 293 00:14:22,920 --> 00:14:28,280 Speaker 1: ATP five regardless he's through to the quarterfinals, chub or 294 00:14:28,320 --> 00:14:30,840 Speaker 1: no chubb. Well, put it out to the listeners. What 295 00:14:30,880 --> 00:14:31,360 Speaker 1: do you think? 296 00:14:31,520 --> 00:14:34,520 Speaker 3: Is he bean bagging or is he well if you 297 00:14:34,560 --> 00:14:36,920 Speaker 3: got a bean bag? Or is he a little bit more? 298 00:14:37,160 --> 00:14:41,120 Speaker 1: Okay, so that's how you're framing it. We have coined 299 00:14:41,120 --> 00:14:45,120 Speaker 1: a new term here, being bean bagging. Should Yeah, this 300 00:14:45,160 --> 00:14:46,000 Speaker 1: is a chub close call. 301 00:14:46,040 --> 00:14:48,360 Speaker 3: I mean it couldn't be more of a job class. 302 00:14:50,040 --> 00:14:51,320 Speaker 2: I had some stomach problems. 303 00:14:51,400 --> 00:14:53,440 Speaker 3: I took care of it during the sets. 304 00:14:53,480 --> 00:15:00,920 Speaker 1: Well, speaking of Acapoca, let's get into the headline calls acapogo. 305 00:15:01,360 --> 00:15:06,040 Speaker 1: Is it's happening all right now? For the second straight 306 00:15:06,120 --> 00:15:09,280 Speaker 1: year in Ocapoco, the top four seeds have failed to 307 00:15:09,360 --> 00:15:11,400 Speaker 1: reach the quarter finals. 308 00:15:11,520 --> 00:15:14,280 Speaker 3: It's why why is that? Why is that? Because I 309 00:15:14,320 --> 00:15:17,360 Speaker 3: thought our little man the demon, our little man a 310 00:15:17,480 --> 00:15:21,320 Speaker 3: little man. He's a little man. You know, he's coming off. 311 00:15:21,320 --> 00:15:24,280 Speaker 3: He had a win only a few weeks in Rotterdam. 312 00:15:24,360 --> 00:15:26,080 Speaker 3: I want to say he won this a few years ago. 313 00:15:26,160 --> 00:15:28,760 Speaker 1: He won it last year and the year before, I believe. 314 00:15:28,960 --> 00:15:31,080 Speaker 1: So what's yeah? 315 00:15:31,120 --> 00:15:33,520 Speaker 3: But I guess he wasn't call little man in his confidence. 316 00:15:33,920 --> 00:15:39,280 Speaker 1: Well, so he went out to an American qualifier, Kipson 317 00:15:39,720 --> 00:15:44,560 Speaker 1: early early in the tournament. Zverev went out yesterday to 318 00:15:45,000 --> 00:15:50,520 Speaker 1: mir Mir Kikmanovich near mere Mer, Mir Mir Mirror. That's 319 00:15:50,520 --> 00:15:52,720 Speaker 1: what I say when I'm calling my cat mir Mir. 320 00:15:53,840 --> 00:15:57,040 Speaker 3: The South American swing kind of rules, Like looking through 321 00:15:57,080 --> 00:15:59,880 Speaker 3: the drawls down there in Argentina and Brazil, I'm like, 322 00:16:00,240 --> 00:16:02,760 Speaker 3: these are some names that they're not making it over 323 00:16:02,800 --> 00:16:04,520 Speaker 3: here to the Australian summer. 324 00:16:04,720 --> 00:16:07,480 Speaker 1: Well, a lot of the clay court tournaments, you'll be like, 325 00:16:07,520 --> 00:16:11,000 Speaker 1: who the hell is this person special? Yeah? Yeah, yeah, 326 00:16:11,000 --> 00:16:15,520 Speaker 1: they're derogatorily. Is that a word referred to as dirt rats? 327 00:16:16,320 --> 00:16:16,640 Speaker 3: Really? 328 00:16:16,760 --> 00:16:16,920 Speaker 1: Yeah? 329 00:16:16,960 --> 00:16:20,080 Speaker 3: Yeah? You called them dirtrats before the podcast, Yeah yeah, yeah, 330 00:16:20,080 --> 00:16:20,640 Speaker 3: you didn't preface. 331 00:16:20,760 --> 00:16:22,520 Speaker 1: I call anyone who lives down there. 332 00:16:23,560 --> 00:16:25,640 Speaker 3: Dude, I play at Fitzroy North A tennis courts on 333 00:16:25,640 --> 00:16:27,560 Speaker 3: the clay sometimes. Does that make me do it right? 334 00:16:27,720 --> 00:16:29,920 Speaker 1: If you're partial to it, if you prefer I play. 335 00:16:29,840 --> 00:16:33,000 Speaker 3: Better on the clay, Yeah, A little that uneven bounced, 336 00:16:33,000 --> 00:16:36,200 Speaker 3: it slows down, it sucks. Yeah, I would say I'm 337 00:16:36,200 --> 00:16:36,800 Speaker 3: gonna do it round. 338 00:16:36,800 --> 00:16:39,920 Speaker 1: Well, Casper Rude went out as well. He's just had 339 00:16:39,920 --> 00:16:42,480 Speaker 1: a baby. What's he doing hanging out in Acapolco anyway, 340 00:16:42,600 --> 00:16:48,600 Speaker 1: it's just exactly. And Alejandro Davidovich for Kina, who I 341 00:16:48,640 --> 00:16:50,760 Speaker 1: love as a player, but I just I don't know. 342 00:16:50,880 --> 00:16:54,600 Speaker 1: He seems very temperamental and he doesn't really I think 343 00:16:54,640 --> 00:16:55,640 Speaker 1: he'll do better on the clay. 344 00:16:56,120 --> 00:16:59,280 Speaker 3: But why is the Mexican it's on a hard court. Yeah. 345 00:16:59,720 --> 00:17:03,080 Speaker 3: In Santiago right now they're playing on clay, and Paris 346 00:17:03,200 --> 00:17:04,000 Speaker 3: they played on clay. 347 00:17:04,240 --> 00:17:07,080 Speaker 1: I believe Santiago is a two to fifty event. This 348 00:17:07,119 --> 00:17:08,720 Speaker 1: one's the five hundred. So you're going to get the 349 00:17:08,720 --> 00:17:09,240 Speaker 1: better player. 350 00:17:09,440 --> 00:17:11,280 Speaker 3: Okay, you're going to get there more money on the line. 351 00:17:11,480 --> 00:17:13,600 Speaker 3: You're going to get a drug war going on well 352 00:17:13,680 --> 00:17:14,360 Speaker 3: next door. 353 00:17:14,359 --> 00:17:17,560 Speaker 1: So they were thinking of there was calls to get 354 00:17:17,560 --> 00:17:19,480 Speaker 1: all the tennis players out of there. 355 00:17:19,960 --> 00:17:22,120 Speaker 3: Well, I've read an arnicle. Don't worry about the women 356 00:17:22,160 --> 00:17:27,800 Speaker 3: and children. It's the opposite of the Titanic exactly. Women 357 00:17:27,840 --> 00:17:30,520 Speaker 3: and children go down with the ship. Get the men, please, get. 358 00:17:30,920 --> 00:17:33,399 Speaker 1: Please, we have to save caspar Rue. 359 00:17:33,560 --> 00:17:36,280 Speaker 3: Well, I read an article last week like a tennis 360 00:17:36,320 --> 00:17:39,880 Speaker 3: journal was calling on Larry Ellison in the Indian Wells. Guy. 361 00:17:39,960 --> 00:17:42,080 Speaker 3: He's like, you need to chart o a jet right now. 362 00:17:42,480 --> 00:17:44,600 Speaker 3: Get the guys out, Get them to Indian Wells for 363 00:17:44,600 --> 00:17:47,400 Speaker 3: a week early so they can practice. They're not safe down. 364 00:17:48,880 --> 00:17:51,760 Speaker 1: Which I don't know. Man, it is crazy over there 365 00:17:51,800 --> 00:17:54,919 Speaker 1: at the moment, if anyone hasn't heard, and there's a 366 00:17:55,000 --> 00:17:58,160 Speaker 1: huge drug car war happening. 367 00:17:57,840 --> 00:18:01,080 Speaker 3: Like just burning out cause left right and. 368 00:18:01,119 --> 00:18:03,640 Speaker 1: The Mexican Army is involved. I'm meant to be there 369 00:18:03,800 --> 00:18:05,919 Speaker 1: next week, flying into the very city. 370 00:18:06,080 --> 00:18:07,680 Speaker 3: Did the government cool? Mexican government? 371 00:18:07,920 --> 00:18:11,520 Speaker 1: Yeah, they called me as a like a mercenary, So 372 00:18:11,680 --> 00:18:14,199 Speaker 1: I mean they're waiting for me over there. But I 373 00:18:14,240 --> 00:18:18,920 Speaker 1: also have an all inclusive five star resort that I'm 374 00:18:19,040 --> 00:18:21,520 Speaker 1: worried I won't be able to all includive. 375 00:18:21,560 --> 00:18:23,399 Speaker 3: Get scramby Eggs. What do you yeah, what do you 376 00:18:23,400 --> 00:18:25,159 Speaker 3: mean when you say all inclusive. 377 00:18:24,880 --> 00:18:27,359 Speaker 1: It means all booze and all food is paid. 378 00:18:27,400 --> 00:18:30,280 Speaker 3: So you've got some kind of package that's so American. 379 00:18:30,640 --> 00:18:34,080 Speaker 1: It's not though, it is what it is. You love 380 00:18:34,160 --> 00:18:35,920 Speaker 1: resorts of a big resort. 381 00:18:36,119 --> 00:18:39,240 Speaker 3: Yeah, yeah, yeah, but that's so American, is it? Yeah? Dude? 382 00:18:39,320 --> 00:18:42,280 Speaker 1: Oh well, because you're like this traveler, lend me. 383 00:18:42,240 --> 00:18:45,320 Speaker 3: A little Airbnb, a little mini air a mini house 384 00:18:45,600 --> 00:18:46,560 Speaker 3: somewhere out in the country. 385 00:18:46,640 --> 00:18:50,760 Speaker 1: For there's cameras in AIRBNBA just watching you chub up 386 00:18:50,760 --> 00:18:51,399 Speaker 1: on their couch. 387 00:18:51,520 --> 00:18:56,840 Speaker 3: No, not chubbed my little bean bag, not my bean bag. 388 00:18:57,040 --> 00:18:58,120 Speaker 1: You're bean bagging there. 389 00:18:58,320 --> 00:19:00,640 Speaker 3: So you're actually but you're gonna bear Mexico. 390 00:19:00,920 --> 00:19:07,920 Speaker 1: I'm meant to fly into Portavireta on March tenth, so yeah, yeah, yeah, yeah, 391 00:19:07,960 --> 00:19:10,280 Speaker 1: yeah yeah. And I just got a text message from 392 00:19:10,280 --> 00:19:13,280 Speaker 1: the airline saying you might want to reconsider so. 393 00:19:15,320 --> 00:19:18,359 Speaker 3: And that's the way they would. Yeah, I believe, I know. 394 00:19:18,920 --> 00:19:22,080 Speaker 1: But we're already through as of recording to the quarterfinals 395 00:19:22,560 --> 00:19:27,000 Speaker 1: in Acapoco. Francis tfo is through to the quarters. He's 396 00:19:27,040 --> 00:19:32,399 Speaker 1: been playing some crazy matches. Nakashima plays Valentin Vashero, the 397 00:19:32,480 --> 00:19:36,880 Speaker 1: aforementioned beanbager, and then the highest seed left in the 398 00:19:37,000 --> 00:19:40,199 Speaker 1: draw is Koboli, who we discussed last week because he 399 00:19:40,359 --> 00:19:44,440 Speaker 1: just got a cool incredible hulk tet. 400 00:19:45,320 --> 00:19:47,959 Speaker 3: That is cool. That is cool, so cool. 401 00:19:48,720 --> 00:19:52,120 Speaker 1: Yeah, so all the top seeds out over there, Dubai 402 00:19:52,280 --> 00:19:58,119 Speaker 1: is through to the semifinals, Felix Auge ali Asim playing Medvedev, 403 00:19:58,520 --> 00:20:02,359 Speaker 1: and the other semi is rube Lev against Greek Spor. 404 00:20:02,560 --> 00:20:06,760 Speaker 1: I would love to see an all Russian final for 405 00:20:06,880 --> 00:20:08,960 Speaker 1: Dubai Medvedev Rublev would be sweet. 406 00:20:09,160 --> 00:20:11,760 Speaker 3: I would like to see Dubai played on clay, if 407 00:20:11,800 --> 00:20:12,640 Speaker 3: any kind. 408 00:20:12,440 --> 00:20:14,800 Speaker 1: Of like, so they're just melting into it, yeah. 409 00:20:14,640 --> 00:20:17,200 Speaker 3: Dude, if any like, look, it's just all sand over there, 410 00:20:17,240 --> 00:20:19,600 Speaker 3: Like surely they could make the clay much better. 411 00:20:19,480 --> 00:20:21,960 Speaker 1: Play on sand. Why not? 412 00:20:23,400 --> 00:20:24,800 Speaker 3: Just a bit of a gusta breeze, It just a 413 00:20:24,880 --> 00:20:25,800 Speaker 3: wall blows away. 414 00:20:25,880 --> 00:20:28,920 Speaker 1: Yeah yeah. So who do you like? I mean, Felix, 415 00:20:28,960 --> 00:20:31,640 Speaker 1: friend of the show. We love Felix, But I mean 416 00:20:31,720 --> 00:20:35,000 Speaker 1: I just like Medvedev kind of starting to play well, 417 00:20:35,040 --> 00:20:37,000 Speaker 1: which is important heading in Indian wells. 418 00:20:37,560 --> 00:20:41,879 Speaker 3: I think Medvedev is like underachiever in terms of his 419 00:20:42,000 --> 00:20:45,959 Speaker 3: like tenacity ability. You know, we've seen it big like 420 00:20:46,160 --> 00:20:48,640 Speaker 3: a few years ago. You would love to see him 421 00:20:48,680 --> 00:20:52,520 Speaker 3: recapture that like angry man. And I don't get me wrong, 422 00:20:52,560 --> 00:20:55,120 Speaker 3: I still think he's an angry man. But I want 423 00:20:55,119 --> 00:20:57,800 Speaker 3: to see that fire again. That year he came out 424 00:20:57,800 --> 00:21:01,359 Speaker 3: here and he was the most hated man in the country. Yeah, 425 00:21:01,400 --> 00:21:02,640 Speaker 3: it was unbelievable. 426 00:21:02,680 --> 00:21:05,320 Speaker 1: Oh man, he loves playing the villain and when he does, 427 00:21:05,359 --> 00:21:06,240 Speaker 1: it's so entertaining. 428 00:21:06,280 --> 00:21:08,520 Speaker 3: Well, some people just play the heel way better than 429 00:21:09,080 --> 00:21:11,359 Speaker 3: some people. Can't do the nice guy thing or just 430 00:21:11,400 --> 00:21:13,639 Speaker 3: be like assured of themselves. Some people just have to 431 00:21:13,640 --> 00:21:17,679 Speaker 3: be like and get everyone offside. And maybe that's what 432 00:21:17,800 --> 00:21:19,359 Speaker 3: he needs to kind of kick started. But you'd love 433 00:21:19,400 --> 00:21:21,879 Speaker 3: to see him back at the top because I don't know, 434 00:21:21,920 --> 00:21:23,679 Speaker 3: I feel like he's too talented to not be in 435 00:21:23,680 --> 00:21:26,000 Speaker 3: the conversation as being like if there's a big four 436 00:21:26,080 --> 00:21:29,040 Speaker 3: or a big five, to not kind of rejoin that. 437 00:21:29,400 --> 00:21:33,160 Speaker 1: Well, I think players figured him out because he's standing, 438 00:21:33,320 --> 00:21:36,040 Speaker 1: you know, so far back off the baseline on serve 439 00:21:36,160 --> 00:21:38,800 Speaker 1: and they just figured out just hit a deep serve 440 00:21:38,920 --> 00:21:40,640 Speaker 1: and then dropshot him and he's just. 441 00:21:40,720 --> 00:21:43,000 Speaker 3: And he's still all the way at the back. Yeah, 442 00:21:43,000 --> 00:21:44,720 Speaker 3: but I mean an elite players should be able to 443 00:21:45,400 --> 00:21:48,159 Speaker 3: adjust adjust to that. You can't stand back there and 444 00:21:48,160 --> 00:21:50,600 Speaker 3: just go, ah, they got me again. I can't believe 445 00:21:50,600 --> 00:21:51,440 Speaker 3: that they got me again. 446 00:21:51,520 --> 00:21:53,800 Speaker 1: But none of these guys have been serving a volley. 447 00:21:53,840 --> 00:21:56,879 Speaker 1: How did I not see that coming? He's standing against 448 00:21:56,960 --> 00:21:59,920 Speaker 1: the chub sign in the bag they're getting. 449 00:22:00,520 --> 00:22:02,639 Speaker 3: But I'm with him, like it is if someone's like, on, 450 00:22:02,760 --> 00:22:05,040 Speaker 3: if you're playing them with their serve, man, your temptation 451 00:22:05,200 --> 00:22:07,600 Speaker 3: is just to keep getting further back. He should be 452 00:22:07,600 --> 00:22:10,640 Speaker 3: better than me, obviously, But I'm like just saying, man, 453 00:22:10,680 --> 00:22:12,280 Speaker 3: I get it. You want to get further back. 454 00:22:12,440 --> 00:22:14,720 Speaker 1: I guess why not just wait in the locker. 455 00:22:14,560 --> 00:22:17,199 Speaker 3: Room, just don't turn up. 456 00:22:23,520 --> 00:22:26,600 Speaker 1: At the end of the episode, stick around, we'll be interviewing. 457 00:22:26,160 --> 00:22:29,959 Speaker 3: Tommy Haas Sensational. Yes, I remember this interview. 458 00:22:30,040 --> 00:22:30,840 Speaker 1: It was a great interview. 459 00:22:30,960 --> 00:22:35,040 Speaker 3: Yeah, and I saw Mike beg you did you beg? 460 00:22:35,200 --> 00:22:37,680 Speaker 1: I begged a little bit. I mean, I'll be over 461 00:22:37,720 --> 00:22:40,439 Speaker 1: at Indian Wells. He runs the tournament. Yeah, hook me up. 462 00:22:40,640 --> 00:22:41,560 Speaker 3: He's got to hook you up. 463 00:22:41,600 --> 00:22:43,399 Speaker 1: You'll hear in the interview he was like, oh, maybe 464 00:22:43,480 --> 00:22:44,960 Speaker 1: you can get into NOBU. 465 00:22:45,240 --> 00:22:47,840 Speaker 3: Yeah, which is a real like that's like if you 466 00:22:47,840 --> 00:22:50,520 Speaker 3: were asking Craig Tiley when he ran the Australian Open, 467 00:22:50,600 --> 00:22:52,320 Speaker 3: being like can you hook me up? And he's like, well, 468 00:22:52,359 --> 00:22:56,080 Speaker 3: there's an apparel sprits bar in Grand Slam Oval that 469 00:22:56,160 --> 00:22:57,240 Speaker 3: you can go and have a look at it. 470 00:22:57,359 --> 00:22:59,919 Speaker 1: Yeah. Not even like you know, you can get some 471 00:23:00,119 --> 00:23:02,680 Speaker 1: free stuff. It's just like, hey, you can go there. 472 00:23:02,600 --> 00:23:05,680 Speaker 3: Dude, Yeah yeah, yeah, a top top call it Shakeshack 473 00:23:05,760 --> 00:23:07,600 Speaker 3: will be there. Yeah, so pop up there and have. 474 00:23:07,600 --> 00:23:09,400 Speaker 1: A little bit of burger. Oh like for free? 475 00:23:09,480 --> 00:23:12,960 Speaker 3: No no, no, no, no no no, but yeah, it's competitive crossing. 476 00:23:14,440 --> 00:23:16,439 Speaker 3: He's more just giving you tips of what you can do. 477 00:23:16,640 --> 00:23:23,520 Speaker 1: He is hot WTA news. In hot WTA news, the 478 00:23:23,560 --> 00:23:25,800 Speaker 1: Austin Open is happening at the moment. A lot of 479 00:23:25,840 --> 00:23:29,240 Speaker 1: Ouzie is doing well. Aila tom Lanovich, isn't it. She's 480 00:23:29,240 --> 00:23:35,040 Speaker 1: playing Iva Jovic really right now, right now as we speak, Yovich, 481 00:23:35,119 --> 00:23:38,520 Speaker 1: they're on serve to one. But tom Lanovic takes on 482 00:23:38,560 --> 00:23:44,120 Speaker 1: a screen. Tom Lanovic took out wild card Venus Williams 483 00:23:44,280 --> 00:23:49,480 Speaker 1: en route to this sixteen and she's at the US Open. 484 00:23:49,920 --> 00:23:52,480 Speaker 1: She beat Serena Williams a couple of years ago and 485 00:23:52,560 --> 00:23:57,520 Speaker 1: Serena's final US Open match, so she's just slowly taking 486 00:23:57,560 --> 00:24:00,360 Speaker 1: out the Williams sisters hopes and dreams. 487 00:24:01,359 --> 00:24:02,200 Speaker 3: She'll get their auntie. 488 00:24:02,720 --> 00:24:07,080 Speaker 1: Yeah, exactly. Burrell Australian is still in it. She be 489 00:24:07,440 --> 00:24:09,640 Speaker 1: Dollar Hide, so it's good to see. And then it's 490 00:24:09,760 --> 00:24:13,639 Speaker 1: Americans are just kind of rolling through. Peyton, Stearns and 491 00:24:13,720 --> 00:24:16,960 Speaker 1: Krueger are still in it. But this interesting thing coming 492 00:24:17,040 --> 00:24:21,199 Speaker 1: out of the Austin WTA event is that they have 493 00:24:21,280 --> 00:24:24,160 Speaker 1: their own private rage room. 494 00:24:24,240 --> 00:24:27,160 Speaker 3: Yeah it rules. Yeah, yeah, I think it's a good move. 495 00:24:27,240 --> 00:24:30,040 Speaker 1: I know players don't want to be seen smashing the reck. 496 00:24:30,160 --> 00:24:32,240 Speaker 3: Yeah yeah, yeah, So now there is a room where 497 00:24:32,280 --> 00:24:34,359 Speaker 3: you can go in and just get angry, which I 498 00:24:34,359 --> 00:24:37,200 Speaker 3: think they do. This happens for normal people in everyday life. 499 00:24:37,200 --> 00:24:38,800 Speaker 3: There are these rooms where you can just take an 500 00:24:38,800 --> 00:24:40,960 Speaker 3: axe and just like chop shit. Have you seen this 501 00:24:41,359 --> 00:24:46,760 Speaker 3: and a lot of like angry child, divorced women. I 502 00:24:46,880 --> 00:24:49,000 Speaker 3: swear we get a story on it on the project. 503 00:24:49,119 --> 00:24:49,479 Speaker 1: Yeah. 504 00:24:49,520 --> 00:24:51,199 Speaker 3: You can pay money. You pay a fee, it's like 505 00:24:51,240 --> 00:24:53,560 Speaker 3: fifteen dollars and you go in and there's just like 506 00:24:53,720 --> 00:24:56,639 Speaker 3: junk and they give you an ax and some like 507 00:24:56,880 --> 00:24:59,080 Speaker 3: safety goggles and you just get to smash it up 508 00:24:59,080 --> 00:25:01,320 Speaker 3: and take out all your rate. Really yeah, I think 509 00:25:01,359 --> 00:25:03,199 Speaker 3: you need to try you could you could try it. 510 00:25:03,480 --> 00:25:06,840 Speaker 1: I have a cry room where I sit and cry 511 00:25:07,280 --> 00:25:12,720 Speaker 1: bedroom my bedroom, thank you, but a rage room. 512 00:25:12,800 --> 00:25:13,159 Speaker 2: I don't know. 513 00:25:13,200 --> 00:25:14,240 Speaker 3: You wouldn't go to a rage Do. 514 00:25:14,200 --> 00:25:17,560 Speaker 1: You think I have a sublimated rage that needs to be. 515 00:25:17,600 --> 00:25:20,119 Speaker 3: Well, I just think you, like you suppress a lot 516 00:25:20,160 --> 00:25:22,720 Speaker 3: of it, probably, which I don't know, Shade, I think 517 00:25:22,720 --> 00:25:25,080 Speaker 3: that's the correct way to do it. Like, I agree 518 00:25:25,080 --> 00:25:27,439 Speaker 3: with you, okay, but I'm saying it could be healthy 519 00:25:27,440 --> 00:25:28,080 Speaker 3: to let it out. 520 00:25:28,119 --> 00:25:30,240 Speaker 1: Do you think Venus went into the rage room after 521 00:25:30,640 --> 00:25:33,040 Speaker 1: getting taken out in straight so it's by Tom Lanovitch. 522 00:25:33,200 --> 00:25:37,399 Speaker 3: Well, yeah, I think she probably would, but it would 523 00:25:37,440 --> 00:25:39,600 Speaker 3: suck to go in and then there's someone else in there, 524 00:25:40,240 --> 00:25:41,960 Speaker 3: Like you get in there and they're raging, and you're 525 00:25:41,960 --> 00:25:44,000 Speaker 3: gonna be like, oh wait, I'll just wait. I'll just 526 00:25:44,000 --> 00:25:45,480 Speaker 3: wait for you to finish it. Can you let me 527 00:25:45,480 --> 00:25:47,159 Speaker 3: know when your rage is done? Well, they're going to 528 00:25:47,240 --> 00:25:48,200 Speaker 3: start my rage. 529 00:25:48,280 --> 00:25:50,720 Speaker 1: They're so competitive, they'd be like their rage sit a 530 00:25:50,720 --> 00:25:51,679 Speaker 1: little better than my room. 531 00:25:51,800 --> 00:25:52,840 Speaker 3: You know what's going to happen. They're going to go 532 00:25:52,920 --> 00:25:55,639 Speaker 3: in and then someone's raging and they go they've just 533 00:25:55,720 --> 00:25:59,600 Speaker 3: lost to them or whatever, and then they'll just physically 534 00:25:59,680 --> 00:26:03,520 Speaker 3: find there's no cameras. Yeah, they'll just that's the way 535 00:26:03,560 --> 00:26:05,240 Speaker 3: to get the rage out. They just start throwing punches, 536 00:26:05,280 --> 00:26:06,919 Speaker 3: pulling hair, kicking. 537 00:26:07,119 --> 00:26:08,960 Speaker 1: I mean, then we gotta get cameras in there. 538 00:26:09,080 --> 00:26:11,159 Speaker 3: Yeah, I know that's the problem. It seems like they 539 00:26:11,200 --> 00:26:14,159 Speaker 3: shouldn't actually tell people this because right now I'm just 540 00:26:14,200 --> 00:26:16,520 Speaker 3: like I would pay any money to have that as 541 00:26:16,560 --> 00:26:19,200 Speaker 3: a separate stream. Yeah, be like you can watch what's 542 00:26:19,240 --> 00:26:21,240 Speaker 3: going on in the rage room, because imagine you watch 543 00:26:21,359 --> 00:26:24,840 Speaker 3: a game, like someone gets bundled out in straight sets, 544 00:26:24,880 --> 00:26:28,520 Speaker 3: or they lose a tiebreaker on a double fault or something, 545 00:26:28,680 --> 00:26:31,680 Speaker 3: and then you just know, like, oh, in five minutes, 546 00:26:31,760 --> 00:26:32,480 Speaker 3: the rage rooms. 547 00:26:32,600 --> 00:26:35,800 Speaker 1: Yeah, you're thinking about it already. Yeah. I mean even 548 00:26:35,880 --> 00:26:38,840 Speaker 1: if you're like just getting smoked in a match and 549 00:26:38,880 --> 00:26:42,800 Speaker 1: like you're down a you know, zero two or whatever, Yeah, 550 00:26:42,920 --> 00:26:44,640 Speaker 1: you're going to be like you're just already thinking about 551 00:26:44,640 --> 00:26:45,080 Speaker 1: the rage room. 552 00:26:45,160 --> 00:26:48,280 Speaker 3: Well, because it's not fair, Like it doesn't The fundamental 553 00:26:48,320 --> 00:26:51,080 Speaker 3: thing of like rage and emotion is that like it 554 00:26:51,200 --> 00:26:53,639 Speaker 3: is uncontrollable sometimes and you have to let it out. 555 00:26:53,800 --> 00:26:57,720 Speaker 3: So if you, you know, double fault four times in 556 00:26:57,760 --> 00:27:00,080 Speaker 3: the first set, lose it and then you're like, oh, 557 00:27:00,119 --> 00:27:02,120 Speaker 3: I can't wait for the rage room. It's like it's 558 00:27:02,160 --> 00:27:05,200 Speaker 3: not really doing You're still suppressing the thing because you 559 00:27:05,440 --> 00:27:07,800 Speaker 3: want to take the rage out right now in the moment. Yeah. 560 00:27:08,320 --> 00:27:10,240 Speaker 3: So I don't know what the rae it's the rage 561 00:27:10,320 --> 00:27:13,879 Speaker 3: room not that healthy because you're just putting it down there. 562 00:27:14,000 --> 00:27:16,520 Speaker 3: I don't know, like it's good. I guess if people 563 00:27:16,560 --> 00:27:17,840 Speaker 3: need to get it out, But to me, I'm like, 564 00:27:17,880 --> 00:27:19,720 Speaker 3: it doesn't solve the problem if you just wanted to 565 00:27:19,760 --> 00:27:21,600 Speaker 3: break a racket in the middle of Senate. 566 00:27:21,400 --> 00:27:23,440 Speaker 1: Coor what if you got injured in the rage room? 567 00:27:23,480 --> 00:27:24,879 Speaker 3: Oh yeah, what if you have a fall and then 568 00:27:24,880 --> 00:27:26,920 Speaker 3: you're just laying there? Do people come in and rage 569 00:27:26,920 --> 00:27:27,200 Speaker 3: a room? 570 00:27:27,240 --> 00:27:29,160 Speaker 1: The next person gets to come in and then you're 571 00:27:29,200 --> 00:27:30,080 Speaker 1: part of the rage room? 572 00:27:30,119 --> 00:27:31,880 Speaker 3: What about the shame of walking out? 573 00:27:33,000 --> 00:27:38,000 Speaker 1: Ah? Yes, the shame room like my bedroom the shame room. 574 00:27:38,080 --> 00:27:41,080 Speaker 1: Yeah yeah, yeah, yeah, yeah, you need a shame room. 575 00:27:41,400 --> 00:27:43,360 Speaker 1: If yeah, your rage isn't. 576 00:27:43,720 --> 00:27:45,119 Speaker 3: Well, I think the only way to do it is. 577 00:27:45,160 --> 00:27:48,440 Speaker 3: So there's a great pub in Sydney called the Foresters. 578 00:27:48,560 --> 00:27:48,960 Speaker 1: I know it. 579 00:27:49,040 --> 00:27:50,920 Speaker 3: Yeah, And if you sit on the front balcony, it's 580 00:27:50,920 --> 00:27:53,800 Speaker 3: opposite a very prominent brothel. Yeah you can watch you 581 00:27:53,880 --> 00:27:56,600 Speaker 3: watch we probably there yeah yeah yeah. 582 00:27:56,720 --> 00:27:58,639 Speaker 1: We used to sit there and watch guys leave the 583 00:27:58,640 --> 00:28:00,080 Speaker 1: brothel and cheer as. 584 00:28:00,440 --> 00:28:02,480 Speaker 3: Yeah yeah yeah. And it would get so embarrassed, and 585 00:28:02,520 --> 00:28:04,199 Speaker 3: you'd see guys trying to go in and they'd be 586 00:28:04,240 --> 00:28:07,320 Speaker 3: like pretending to like text on their phone and then 587 00:28:07,359 --> 00:28:09,640 Speaker 3: be like oh what and then stumble into these places. 588 00:28:09,840 --> 00:28:13,320 Speaker 1: I saw a few perfectly blue sky umbrellas come out. 589 00:28:14,720 --> 00:28:16,720 Speaker 1: Dude leaveing brother. 590 00:28:17,000 --> 00:28:20,080 Speaker 3: They're just very like skin conscious. Yeah, they're worried about 591 00:28:20,080 --> 00:28:22,320 Speaker 3: the sun. Yeah yeah, yeah, but they need to put 592 00:28:22,480 --> 00:28:24,919 Speaker 3: to avoid a situation like that happening where you just 593 00:28:24,920 --> 00:28:26,520 Speaker 3: set up in front of the rage room and just 594 00:28:26,600 --> 00:28:29,600 Speaker 3: watch these people come out. They need to put it 595 00:28:29,680 --> 00:28:33,280 Speaker 3: like next to something like so someone could be coming 596 00:28:33,280 --> 00:28:36,080 Speaker 3: out of either thing. So it's either a prayer room 597 00:28:36,200 --> 00:28:39,080 Speaker 3: next to the rage room. So they're either a really 598 00:28:39,120 --> 00:28:41,960 Speaker 3: good person or a really bad person coming in and out. 599 00:28:42,000 --> 00:28:45,200 Speaker 1: So you think it goes prayer room, brothel room, rage room, 600 00:28:45,400 --> 00:28:48,240 Speaker 1: shame room. 601 00:28:48,440 --> 00:28:51,080 Speaker 3: Saying I'm not saying the ATP too need to introduce 602 00:28:51,520 --> 00:28:52,480 Speaker 3: a brothel room. 603 00:28:55,560 --> 00:28:57,880 Speaker 1: Maybe that's what Craig Tyler is going to bring to America. 604 00:28:58,040 --> 00:29:01,520 Speaker 1: Maybe I mean that would turn it round, wasn't it. Yeah? 605 00:29:01,560 --> 00:29:05,440 Speaker 3: Wait, so you're saying it goes prayer room. Wait, prayer room, 606 00:29:05,440 --> 00:29:06,120 Speaker 3: brothel room. 607 00:29:06,200 --> 00:29:07,520 Speaker 1: No, if anything, it goes. 608 00:29:07,440 --> 00:29:09,479 Speaker 3: Rage room, shame. No, no, no, because it must go 609 00:29:09,800 --> 00:29:15,520 Speaker 3: brothel show, rage, rage, prayer, shame, prayer. Yeah. Yeah, yeah, 610 00:29:15,520 --> 00:29:16,800 Speaker 3: that's the circle bathroom. 611 00:29:26,640 --> 00:29:33,880 Speaker 1: When we're we're, we're, we're, we're. This is nightmare fuel 612 00:29:34,160 --> 00:29:40,480 Speaker 1: the AI. You know, Sam, you're a huge fan of AI. 613 00:29:40,760 --> 00:29:46,520 Speaker 1: The AI. The chat g bt uh has been used, yeah, 614 00:29:46,640 --> 00:29:57,760 Speaker 1: to put tennis players into the Simpsons universe. Yeah, what 615 00:29:57,800 --> 00:30:00,120 Speaker 1: do you think is that? My favorite thing is that 616 00:30:00,160 --> 00:30:01,800 Speaker 1: if you look at the comments on this, it's a 617 00:30:01,840 --> 00:30:04,600 Speaker 1: lot of people saying is this real? Yeah? 618 00:30:04,680 --> 00:30:07,920 Speaker 3: Yeah, yeah, yeah, yeah yeah, but I also think it 619 00:30:07,960 --> 00:30:08,840 Speaker 3: does look real. 620 00:30:09,600 --> 00:30:09,840 Speaker 1: Yeah. 621 00:30:09,960 --> 00:30:11,920 Speaker 3: I'm kind of with them, like I get that it's 622 00:30:12,040 --> 00:30:14,960 Speaker 3: like part of me. This is a problem with AI. Okay, 623 00:30:15,080 --> 00:30:16,960 Speaker 3: it gets you, and you just have to admit it 624 00:30:16,960 --> 00:30:20,120 Speaker 3: when it gets you, and you can't be lulled into 625 00:30:20,160 --> 00:30:22,600 Speaker 3: commenting being like is this real, because it'll take you 626 00:30:22,640 --> 00:30:24,960 Speaker 3: fifteen seconds to go of course it's not really what trick? 627 00:30:25,400 --> 00:30:26,280 Speaker 3: It just looks real? 628 00:30:26,440 --> 00:30:28,800 Speaker 1: No, but what's tricked? Like what AI has tricked you? 629 00:30:28,920 --> 00:30:33,320 Speaker 3: And the big waves, you the big waves that are 630 00:30:33,320 --> 00:30:36,120 Speaker 3: coming in at to like the beach and people are surfing. 631 00:30:36,160 --> 00:30:37,280 Speaker 3: I'm like, holy shit. 632 00:30:37,480 --> 00:30:37,800 Speaker 1: Yeah. 633 00:30:37,840 --> 00:30:40,800 Speaker 3: And then I'm like, oh, seventeen thousand comments. 634 00:30:40,440 --> 00:30:41,880 Speaker 1: And you didn't comment as as real? 635 00:30:42,960 --> 00:30:45,400 Speaker 3: No, no, no, but other people have the it's not 636 00:30:45,440 --> 00:30:45,840 Speaker 3: really there. 637 00:30:45,920 --> 00:30:46,920 Speaker 1: You go, what an idiot? 638 00:30:46,960 --> 00:30:48,120 Speaker 3: What an idiot? They dumb it? 639 00:30:48,400 --> 00:30:50,720 Speaker 1: Are you checking the comments to see if people are 640 00:30:50,720 --> 00:30:51,760 Speaker 1: like AI fake? 641 00:30:51,960 --> 00:30:55,360 Speaker 3: Yeah? Yeah, okay, no, but I refuse to believe that 642 00:30:55,760 --> 00:30:58,520 Speaker 3: there's no one out there that never knows AI, never 643 00:30:58,560 --> 00:31:01,440 Speaker 3: knows what's real. I think it gets you sometimes quickly 644 00:31:01,440 --> 00:31:04,080 Speaker 3: and then you realize that you're wrong. These for example, 645 00:31:04,200 --> 00:31:06,640 Speaker 3: I'm like, man, how did they get what a cast? 646 00:31:07,200 --> 00:31:13,000 Speaker 1: Rinka's homer is great? Federal pretty good, that's amazing. Curios 647 00:31:13,120 --> 00:31:13,600 Speaker 1: is Nelson? 648 00:31:13,720 --> 00:31:16,000 Speaker 3: Yeah, I mean that's just it is perfect. It is 649 00:31:16,160 --> 00:31:17,080 Speaker 3: really really perfect. 650 00:31:17,440 --> 00:31:21,120 Speaker 1: Did you notice Djokovic and Nadal are missing from this 651 00:31:21,680 --> 00:31:24,840 Speaker 1: Simpsons Tennesse AI, So where would you put them in 652 00:31:24,880 --> 00:31:31,320 Speaker 1: the Simpsons universe? I think Nadal as auto really bus 653 00:31:31,400 --> 00:31:35,400 Speaker 1: driver or Hans Moreman Man is good because of the 654 00:31:35,560 --> 00:31:36,080 Speaker 1: balding hair. 655 00:31:36,120 --> 00:31:39,560 Speaker 3: Yeah yeah, yeah, it worked. Could could is this going 656 00:31:39,600 --> 00:31:43,600 Speaker 3: for like Djokovic to be like like the monorail Man 657 00:31:43,760 --> 00:31:45,520 Speaker 3: or something, because he's got a bit of that like 658 00:31:45,800 --> 00:31:48,640 Speaker 3: showman showmanship from nowhere I know he's from, maybe not 659 00:31:48,680 --> 00:31:50,080 Speaker 3: as personal as monorail Man. 660 00:31:51,040 --> 00:31:54,800 Speaker 1: Right in the pod labor kind of stuck where you 661 00:31:54,840 --> 00:31:56,800 Speaker 1: want to see Jokovic or any other player in the 662 00:31:56,800 --> 00:32:05,360 Speaker 1: Simpsons universe that doesn't exist in this ar already, this 663 00:32:05,520 --> 00:32:10,400 Speaker 1: segment is gonna blow your mind right out of your ass. 664 00:32:10,440 --> 00:32:22,960 Speaker 1: This is mikexanagrams. Didd ed it? Mixanagrams, mixagrams? 665 00:32:23,840 --> 00:32:25,479 Speaker 3: Why are you doing anagram segment? 666 00:32:25,600 --> 00:32:28,520 Speaker 1: Well? I did one for Emma rad A Kanu as 667 00:32:28,560 --> 00:32:31,840 Speaker 1: she was playing in Transylvania, and I switched the letters 668 00:32:31,880 --> 00:32:35,400 Speaker 1: around and it was U M named Dracula and it 669 00:32:35,560 --> 00:32:40,240 Speaker 1: was such a big hit. See he's confused. I don't 670 00:32:40,320 --> 00:32:45,480 Speaker 1: like if you don't think wordplay is a party, you're 671 00:32:45,560 --> 00:32:46,360 Speaker 1: a nerd. 672 00:32:46,440 --> 00:32:47,400 Speaker 3: All right, what are we doing? 673 00:32:47,560 --> 00:32:51,160 Speaker 1: So it's Francis Tiafo this week, who, like I said, 674 00:32:51,200 --> 00:32:56,240 Speaker 1: is playing in Acapoco. I have him. My prediction is 675 00:32:56,600 --> 00:32:58,320 Speaker 1: by the time people are hearing this will know the 676 00:32:58,360 --> 00:33:01,360 Speaker 1: winner of Acapoco. And I'm called it now on the 677 00:33:01,560 --> 00:33:05,400 Speaker 1: Friday where he's in through to the quarterfinals. I'm saying 678 00:33:05,440 --> 00:33:07,600 Speaker 1: he's gonna win, but I'm not even adding w to 679 00:33:07,680 --> 00:33:14,120 Speaker 1: his name. Okay, he's in Acapoco. He what a party city, Mexico. 680 00:33:14,280 --> 00:33:16,400 Speaker 1: It's you know, everyone loves it at the moment. It 681 00:33:16,520 --> 00:33:17,320 Speaker 1: seems fun. 682 00:33:17,400 --> 00:33:18,160 Speaker 3: It's really fun. 683 00:33:18,280 --> 00:33:21,120 Speaker 1: And you know there's a lot of temptation out there 684 00:33:21,600 --> 00:33:24,120 Speaker 1: yet Francis Teofo. But you know, I know he's got 685 00:33:24,120 --> 00:33:29,360 Speaker 1: a lovely partner as well. What if he if he 686 00:33:29,480 --> 00:33:35,160 Speaker 1: wanted to? I changed the letters around in his name 687 00:33:35,360 --> 00:33:37,959 Speaker 1: and just say, if he if he were to succumb 688 00:33:38,080 --> 00:33:42,080 Speaker 1: to temptation, this is so now I've changed the letters around. 689 00:33:42,480 --> 00:33:51,720 Speaker 1: I hope he forn A, Kate Safe, that was Mixanigrad 690 00:33:51,840 --> 00:33:56,200 Speaker 1: that did edit Malexandigram that did it. I'm not saying. 691 00:33:59,600 --> 00:34:04,480 Speaker 3: What what is that other than like a waste of 692 00:34:04,520 --> 00:34:07,440 Speaker 3: fifteen minutes of your time with that node pad no 693 00:34:07,600 --> 00:34:08,719 Speaker 3: ridington things out. 694 00:34:09,280 --> 00:34:11,279 Speaker 1: As soon as I had fornicaid, I was like, all right, 695 00:34:11,320 --> 00:34:14,879 Speaker 1: this is good, and then Safe was left over. What else? 696 00:34:14,880 --> 00:34:16,040 Speaker 1: Are you good? That's amazing? 697 00:34:16,239 --> 00:34:18,120 Speaker 3: Yeah, I mean it's it's pretty. It's good, dude, it 698 00:34:18,160 --> 00:34:20,880 Speaker 3: is good. I'm like, yeah, sick, I hope we all 699 00:34:20,920 --> 00:34:29,959 Speaker 3: done fornicate safe. Yeah, I just think well done. Are right? 700 00:34:30,040 --> 00:34:34,880 Speaker 1: Well, we got Tommy has in the interview today, Tommy 701 00:34:35,000 --> 00:34:38,360 Speaker 1: rules hooked on. I'll be in Indian Wells next week. 702 00:34:38,440 --> 00:34:41,440 Speaker 1: Oh and so I'll be overseas for the next month, 703 00:34:41,719 --> 00:34:44,560 Speaker 1: but I'll be I'll be zooming in. Yeah, I'm gonna 704 00:34:44,600 --> 00:34:45,319 Speaker 1: zoom in my back. 705 00:34:45,600 --> 00:34:46,719 Speaker 3: Note I've been fought again. 706 00:34:46,880 --> 00:34:48,839 Speaker 1: No, no, I hope you're back. Well, you might have 707 00:34:48,880 --> 00:34:51,200 Speaker 1: to cover for me on a couple apps. But uh, 708 00:34:51,360 --> 00:34:54,359 Speaker 1: March is an awesome month for tennis. We got the 709 00:34:54,760 --> 00:35:01,400 Speaker 1: wt A and the uh what fuck is abbreviation for 710 00:35:01,480 --> 00:35:02,160 Speaker 1: the men's. 711 00:35:03,760 --> 00:35:04,680 Speaker 3: What the hell? 712 00:35:06,120 --> 00:35:13,720 Speaker 1: We got thep the one thousand events, it's the Sunshine Double. 713 00:35:13,840 --> 00:35:16,160 Speaker 3: Is this where you get excited for tennis? As in 714 00:35:16,239 --> 00:35:18,560 Speaker 3: a little American, your little hot mouth be like, we're 715 00:35:18,600 --> 00:35:19,680 Speaker 3: on happen. 716 00:35:19,560 --> 00:35:22,600 Speaker 1: Now March rules? Yeah, because after the AO, you know, 717 00:35:22,640 --> 00:35:24,759 Speaker 1: all these tournaments at happening in the Middle East, blah 718 00:35:24,760 --> 00:35:26,560 Speaker 1: blah blah. But then this is. 719 00:35:26,560 --> 00:35:28,520 Speaker 3: And you're like, none of them are real. Let's get 720 00:35:28,520 --> 00:35:29,719 Speaker 3: it back to the hot land. 721 00:35:29,760 --> 00:35:30,280 Speaker 1: Thank you. 722 00:35:30,400 --> 00:35:32,040 Speaker 3: Yeah, well, I mean I kind of agree as well. 723 00:35:32,120 --> 00:35:35,520 Speaker 1: Yeah, yeah, yeah, So this is the obviously Indian Wells 724 00:35:35,560 --> 00:35:39,000 Speaker 1: and then straight after the Miami Open and two of 725 00:35:39,040 --> 00:35:42,120 Speaker 1: the best. So I'll be away, but enjoy this interview 726 00:35:42,160 --> 00:35:49,160 Speaker 1: with Tommy Haass. Good day, mate, Welcome back to pod 727 00:35:49,239 --> 00:35:53,200 Speaker 1: Labor Arena. Our guest today, former world number two Tommy Haas. 728 00:35:55,680 --> 00:35:58,520 Speaker 1: Awesome to have you here. You made the semifinals here 729 00:35:58,560 --> 00:35:59,200 Speaker 1: three times. 730 00:35:59,320 --> 00:36:02,080 Speaker 2: It's true. Was my best slam? Yeah, the happy slam here. 731 00:36:02,160 --> 00:36:04,000 Speaker 4: I don't know what it was, but I think it 732 00:36:04,080 --> 00:36:06,400 Speaker 4: was good to always, you know, end of November December, 733 00:36:06,480 --> 00:36:07,759 Speaker 4: sort of get ready to have a little bit of 734 00:36:07,840 --> 00:36:10,200 Speaker 4: time to work in a few things, try to get 735 00:36:10,239 --> 00:36:12,680 Speaker 4: physically fit, and you know, see where you're at, coming 736 00:36:12,719 --> 00:36:13,680 Speaker 4: down down under. 737 00:36:13,680 --> 00:36:16,080 Speaker 1: Right, Is it like hardcourt your favorite surface? 738 00:36:16,120 --> 00:36:18,520 Speaker 4: Then? It was, yeah, especially for a long time, even 739 00:36:18,520 --> 00:36:20,359 Speaker 4: though growing up in Germany you played you know, five 740 00:36:20,400 --> 00:36:22,560 Speaker 4: six months on the red clay and then obviously five 741 00:36:22,600 --> 00:36:25,000 Speaker 4: six months due to the weather indoors and back in 742 00:36:25,040 --> 00:36:26,520 Speaker 4: the day with a lot of carpet, so it was like, 743 00:36:26,560 --> 00:36:29,640 Speaker 4: you know, quite a big difference. But then you know, 744 00:36:29,760 --> 00:36:32,880 Speaker 4: moved to Florida to baw Terry Tennis Academy at the 745 00:36:32,880 --> 00:36:35,319 Speaker 4: age of thirteen, and they, you know, dominantly only had 746 00:36:35,320 --> 00:36:37,439 Speaker 4: hard courts, so I preferred playing on hard courts. 747 00:36:37,960 --> 00:36:40,200 Speaker 1: Were you there at the same time as z Agasy. 748 00:36:40,040 --> 00:36:42,520 Speaker 3: I was, yeah, the same time. 749 00:36:42,920 --> 00:36:44,840 Speaker 4: Was there too for a little bit longer? Yeah, because 750 00:36:44,840 --> 00:36:48,200 Speaker 4: they had then this situation where Nick boll Terry chose 751 00:36:48,280 --> 00:36:50,799 Speaker 4: to sit in the Agacy's box and then yeah, like 752 00:36:50,840 --> 00:36:52,759 Speaker 4: that and so he kind of disappeared. But Samples was 753 00:36:52,760 --> 00:36:55,840 Speaker 4: there still, Monica Salish like I got in the early nineties, 754 00:36:55,880 --> 00:36:56,480 Speaker 4: and yeah, it was. 755 00:36:56,719 --> 00:36:58,719 Speaker 2: It was great times. Yeah, it was good, good stuff. 756 00:36:58,440 --> 00:37:02,520 Speaker 1: Great and I'm excited. You're the Indian Wells tournament director. Yeah, 757 00:37:02,800 --> 00:37:05,799 Speaker 1: I'm going for my first time this year and it's 758 00:37:05,880 --> 00:37:06,920 Speaker 1: what five weeks. 759 00:37:06,719 --> 00:37:09,880 Speaker 3: Away, so doing the Indian Wells podcast as well. 760 00:37:09,880 --> 00:37:13,360 Speaker 1: I will be over there doing podlavor Arena, so like, 761 00:37:13,440 --> 00:37:14,799 Speaker 1: what perks are you going to hook? 762 00:37:16,520 --> 00:37:18,520 Speaker 4: I might be able to get you into you like 763 00:37:18,600 --> 00:37:21,879 Speaker 4: noble Like yeah, the stadium too, that's a good one 764 00:37:22,000 --> 00:37:24,920 Speaker 4: actually overlooking over looking at the tennis. 765 00:37:25,000 --> 00:37:28,759 Speaker 1: Yeah, and the seven high school friends I'm bringing with 766 00:37:28,840 --> 00:37:30,319 Speaker 1: you as. 767 00:37:30,200 --> 00:37:31,000 Speaker 2: Well to talk about that. 768 00:37:31,120 --> 00:37:33,800 Speaker 3: Yeah, as well. 769 00:37:35,120 --> 00:37:37,360 Speaker 1: I can't wait. Everyone calls it the Fifth Slam and 770 00:37:37,560 --> 00:37:38,960 Speaker 1: uh yeah here it's the best. 771 00:37:39,080 --> 00:37:40,040 Speaker 2: So it is great. 772 00:37:40,160 --> 00:37:42,200 Speaker 4: Yeah, and we were happy about the fact that the 773 00:37:42,200 --> 00:37:45,719 Speaker 4: players called the Fitslam and yeah, great venue, great, great, 774 00:37:45,760 --> 00:37:48,439 Speaker 4: great ten you know, tournament and in general and uh yeah, 775 00:37:48,480 --> 00:37:50,560 Speaker 4: we always try to raise the bar of a year 776 00:37:50,600 --> 00:37:52,600 Speaker 4: as well, you know, being done in Australia, we always 777 00:37:52,600 --> 00:37:54,520 Speaker 4: see what they do here as well, which is incredible. 778 00:37:54,560 --> 00:37:56,560 Speaker 4: So yeah, it's just around the corner. Look forward to 779 00:37:56,560 --> 00:37:57,040 Speaker 4: having you there. 780 00:37:57,120 --> 00:37:59,799 Speaker 1: Great. Uh. I just want to ask you this because 781 00:37:59,800 --> 00:38:03,480 Speaker 1: i'd to an interview where your opinion on pickleball was expressed. 782 00:38:05,000 --> 00:38:05,920 Speaker 2: Was it really did I say that? 783 00:38:06,000 --> 00:38:06,200 Speaker 4: Yeah? 784 00:38:07,080 --> 00:38:09,520 Speaker 1: I did? Okay, Well, what would you say? Pickleball is 785 00:38:09,520 --> 00:38:12,080 Speaker 1: tennis for people with no athletic ability. 786 00:38:11,800 --> 00:38:14,799 Speaker 2: Pretty much, okay, which is a great thing. 787 00:38:14,840 --> 00:38:17,960 Speaker 4: By the way, Tennis is not for everyone's Like my 788 00:38:18,000 --> 00:38:20,279 Speaker 4: youngest daughter got really into tennis now in the past 789 00:38:20,280 --> 00:38:22,000 Speaker 4: two years, and you know, I've been trying to help 790 00:38:22,040 --> 00:38:24,160 Speaker 4: a little bit, and it's such a hard sport and 791 00:38:24,200 --> 00:38:25,839 Speaker 4: you realize it, right. It's like when you know how 792 00:38:25,880 --> 00:38:27,440 Speaker 4: to play and you're always like, listen, I told you 793 00:38:27,520 --> 00:38:29,640 Speaker 4: enough for the tenth time. Just you know, quick steps 794 00:38:29,640 --> 00:38:31,520 Speaker 4: over there, turn your shoulders, you know, come under the 795 00:38:31,520 --> 00:38:33,160 Speaker 4: ball and through and finish the swing. 796 00:38:33,200 --> 00:38:34,879 Speaker 2: And it's like, you know, you. 797 00:38:34,840 --> 00:38:36,879 Speaker 4: Say it so easily, but it's not so easily done 798 00:38:37,120 --> 00:38:39,120 Speaker 4: where it's like you take a you know, pickleball racket, 799 00:38:39,160 --> 00:38:40,080 Speaker 4: which is already a shame. 800 00:38:40,320 --> 00:38:42,000 Speaker 2: You know, once you hold it in your hand, you can't. 801 00:38:44,239 --> 00:38:48,960 Speaker 4: It's like bring some cheese and. 802 00:38:47,160 --> 00:38:48,440 Speaker 2: And then the ball and the sound. 803 00:38:51,239 --> 00:38:52,960 Speaker 4: It's like there should be like a you know, an 804 00:38:52,960 --> 00:38:55,200 Speaker 4: age limit when you're able to play this game. 805 00:38:55,719 --> 00:39:00,400 Speaker 2: What they say, I mean, earl. 806 00:39:01,000 --> 00:39:04,200 Speaker 1: Ostile pass in America are making a fortune because it's 807 00:39:04,239 --> 00:39:07,320 Speaker 1: all old people just blowing out joints and knees and everything. 808 00:39:07,360 --> 00:39:09,520 Speaker 2: Have you played, Tommy, I actually have? 809 00:39:09,960 --> 00:39:12,719 Speaker 3: Yeah, and you get no enjoyment out of it at all? 810 00:39:13,680 --> 00:39:19,560 Speaker 4: Really well, yeah, if it's not tennis, then then play 811 00:39:20,440 --> 00:39:21,520 Speaker 4: ping pong or something like that. 812 00:39:22,080 --> 00:39:25,600 Speaker 3: And then if you're out of all options, maybe played pickaball. 813 00:39:25,200 --> 00:39:29,560 Speaker 4: No not even then then find some new game or 814 00:39:29,600 --> 00:39:31,359 Speaker 4: I don't know, go to the golf course or something. 815 00:39:31,440 --> 00:39:33,959 Speaker 2: Yeah, exactly, don't don't don't bother, just. 816 00:39:33,920 --> 00:39:36,960 Speaker 1: Quickly what we have you like? I know your nickname 817 00:39:37,000 --> 00:39:41,480 Speaker 1: was Hassy for you still hear that? 818 00:39:41,760 --> 00:39:45,360 Speaker 4: Yeah, my close friends still call me Hosy. Sure, absolutely, because. 819 00:39:45,200 --> 00:39:51,399 Speaker 1: I thought of some better n Well, you'll be the judge. 820 00:39:51,120 --> 00:39:52,560 Speaker 2: Before somebody has name. 821 00:39:53,320 --> 00:39:54,280 Speaker 3: We don't know what's coming. 822 00:39:54,520 --> 00:39:56,520 Speaker 1: Well, so tell me what you think of these. We'll 823 00:39:56,560 --> 00:39:57,400 Speaker 1: start with this one. 824 00:39:59,000 --> 00:40:03,200 Speaker 4: Still he's huge. He's huge in Germany. That's a big starts. 825 00:40:03,280 --> 00:40:07,440 Speaker 4: So that's hastle half like that. 826 00:40:07,520 --> 00:40:08,520 Speaker 1: Yeah, you don't mind. 827 00:40:08,640 --> 00:40:09,960 Speaker 4: It's a great picture. I might have to take a 828 00:40:09,960 --> 00:40:12,399 Speaker 4: picture of that picture posted. 829 00:40:13,680 --> 00:40:13,960 Speaker 2: My phone. 830 00:40:13,960 --> 00:40:16,839 Speaker 1: I did, Yeah, just make sure. 831 00:40:16,880 --> 00:40:19,600 Speaker 4: Look, he was obviously at the time, you know, globally, 832 00:40:19,920 --> 00:40:23,239 Speaker 4: you know, with bay Watch and night huge. But it's 833 00:40:23,239 --> 00:40:25,840 Speaker 4: funny because in America it seems like everybody comes up 834 00:40:25,880 --> 00:40:27,960 Speaker 4: to your time and says, David as big as we 835 00:40:28,000 --> 00:40:30,920 Speaker 4: think he is. In Germany, I'm like, but in that country, right, 836 00:40:32,040 --> 00:40:34,160 Speaker 4: you know, he did sing when the Berlin Walk came out. 837 00:40:34,520 --> 00:40:36,840 Speaker 4: He did sing there with like a disco jacket. I 838 00:40:36,840 --> 00:40:38,879 Speaker 4: guess that's people people still remember. 839 00:40:38,680 --> 00:40:40,960 Speaker 1: Yeah, and his albums apparently. 840 00:40:40,560 --> 00:40:42,680 Speaker 2: So in Germany I think, yeah, I love it. 841 00:40:42,800 --> 00:40:50,720 Speaker 4: Yeah, you know it's these these uh, these older moms 842 00:40:50,880 --> 00:40:53,960 Speaker 4: minus quite well with the older dreams son in law 843 00:40:54,040 --> 00:40:54,279 Speaker 4: kind of. 844 00:40:54,520 --> 00:41:02,040 Speaker 1: Yes, we call them pet rafter fans. Yeah, we got 845 00:41:02,080 --> 00:41:05,400 Speaker 1: more for you. This next one I call Peeping Tom. 846 00:41:06,000 --> 00:41:09,759 Speaker 3: Peeping Tom probably not that into that, I. 847 00:41:09,719 --> 00:41:12,520 Speaker 4: Know, it's like I'm or something. 848 00:41:13,400 --> 00:41:14,760 Speaker 3: No, it's just you and the bush. 849 00:41:15,080 --> 00:41:15,720 Speaker 2: Yeah, bushes. 850 00:41:15,800 --> 00:41:19,360 Speaker 3: Yeah, I don't think he's into that from grace. 851 00:41:19,560 --> 00:41:22,560 Speaker 4: Yeah, there's my face is actually the expression also was 852 00:41:22,600 --> 00:41:23,480 Speaker 4: not was not quite sure? 853 00:41:23,719 --> 00:41:26,040 Speaker 1: Yeah, all right, we'll skip that. We got one more 854 00:41:26,120 --> 00:41:30,960 Speaker 1: for you, the Dominator. Much better, much better. But you're 855 00:41:30,960 --> 00:41:32,960 Speaker 1: gonna love the tagline. 856 00:41:33,160 --> 00:41:36,200 Speaker 2: It's onto something. 857 00:41:36,239 --> 00:41:41,400 Speaker 4: Yeah, that's that's class. Another picture for sure. I gotta 858 00:41:41,440 --> 00:41:42,680 Speaker 4: post that on social media. 859 00:41:42,840 --> 00:41:45,480 Speaker 1: Well, we'll get the pictures with you and probably. 860 00:41:45,360 --> 00:41:47,359 Speaker 2: Probably could do it in a in a pretty good 861 00:41:47,400 --> 00:41:51,040 Speaker 2: Arnold xcent. Right, can you give it you stuff? 862 00:41:51,360 --> 00:41:51,720 Speaker 3: Baby? 863 00:41:52,200 --> 00:41:53,440 Speaker 2: Yeah, it's good, you know. 864 00:41:53,480 --> 00:42:00,359 Speaker 1: Tommy, Yeah, sure, Tommy. We've been closing the interview used 865 00:42:00,360 --> 00:42:02,600 Speaker 1: by doing a one point slam on the ping pong 866 00:42:02,680 --> 00:42:08,960 Speaker 1: table over there. No, no, no, that's actually we made that. 867 00:42:08,920 --> 00:42:10,799 Speaker 2: Out of a I'm happy to play, for sure. 868 00:42:10,960 --> 00:42:12,960 Speaker 1: We made that out of a tiny door. We sold 869 00:42:12,960 --> 00:42:15,399 Speaker 1: off Diego Schwartzman's dressing room, so. 870 00:42:18,040 --> 00:42:19,120 Speaker 3: His tennis rackets are there. 871 00:42:19,400 --> 00:42:26,400 Speaker 1: Yeah, exactly, So, Tommy, I think I'm gonna verse you 872 00:42:26,440 --> 00:42:28,880 Speaker 1: in the ping pong. We don't have a million dollars 873 00:42:28,920 --> 00:42:32,040 Speaker 1: to give away, so I think that the steaks, No, no, no, 874 00:42:32,360 --> 00:42:35,480 Speaker 1: how about this for the steaks. If I lose, you 875 00:42:35,520 --> 00:42:37,319 Speaker 1: can hit a ping pong ball at my back as 876 00:42:37,320 --> 00:42:40,799 Speaker 1: hard as you can. But yeah yeah, but if I win, 877 00:42:41,520 --> 00:42:46,839 Speaker 1: then I get exclusive treatment of Dean Wells all the way. 878 00:42:47,080 --> 00:42:54,400 Speaker 3: Just one point huh to one point? Yeah, let's do it. 879 00:42:54,800 --> 00:42:55,120 Speaker 2: Here we go. 880 00:42:58,760 --> 00:43:05,000 Speaker 3: Hi, Okay, we're at the one point. Slam at Oh god, 881 00:43:05,120 --> 00:43:09,760 Speaker 3: it was over before announced it that was Tommy Has 882 00:43:10,040 --> 00:43:13,640 Speaker 3: beats Mike. His Indian World's v I P treatment is 883 00:43:13,719 --> 00:43:14,640 Speaker 3: down the drain. 884 00:43:15,239 --> 00:43:19,640 Speaker 1: Now Tommy Has gets to slam the ball at. 885 00:43:19,680 --> 00:43:27,279 Speaker 4: Mike was. 886 00:43:29,440 --> 00:43:31,240 Speaker 2: A star. Love you stuff, baby,