1
00:00:01,080 --> 00:00:04,480
Speaker 1: Powered by the Myart Radio WAB from ninety six Air

2
00:00:04,480 --> 00:00:06,800
Speaker 1: Am to whereever you're listening today.

3
00:00:07,160 --> 00:00:09,879
Speaker 2: This is Clezy and Lisa's podcast.

4
00:00:10,039 --> 00:00:11,960
Speaker 3: On the Podcast Today, which would your calls on when

5
00:00:11,960 --> 00:00:14,240
Speaker 3: you were blindsided by a breakup?

6
00:00:14,720 --> 00:00:17,880
Speaker 4: Chris Hemsworth's mate Ben o'hee talks about Furiosa, a mad

7
00:00:17,920 --> 00:00:18,800
Speaker 4: Max Saga.

8
00:00:18,640 --> 00:00:22,200
Speaker 3: John Gleason's back with Taskmaster, Grace Slade has been Saved,

9
00:00:22,200 --> 00:00:24,239
Speaker 3: Helleluja and a Maya.

10
00:00:24,040 --> 00:00:26,520
Speaker 2: One slip up that almost made Closes Day.

11
00:00:27,320 --> 00:00:29,600
Speaker 4: Lisa, I was listening to a podcast during the week

12
00:00:29,840 --> 00:00:33,159
Speaker 4: of a woman who said so she started her story,

13
00:00:33,400 --> 00:00:37,280
Speaker 4: she said, four weeks after my sixtieth birthday, sixtieth, two

14
00:00:37,320 --> 00:00:40,560
Speaker 4: weeks after her twenty fifth wedding anniversary. Yes, she said,

15
00:00:40,920 --> 00:00:43,239
Speaker 4: my husband told me he was having an affair with

16
00:00:43,240 --> 00:00:44,879
Speaker 4: a thirty four year old woman and he was in

17
00:00:44,920 --> 00:00:49,400
Speaker 4: love with said woman, bastard. And she said she was,

18
00:00:49,920 --> 00:00:54,680
Speaker 4: as you would be, completely blindsided. So everything she had

19
00:00:54,720 --> 00:00:58,320
Speaker 4: in mind, that they'd been sick, mad, everything that had planned,

20
00:00:58,440 --> 00:01:01,840
Speaker 4: everything their future plan, including a lot of holidays. They

21
00:01:01,840 --> 00:01:04,080
Speaker 4: were about to both retire, and I think he just

22
00:01:04,160 --> 00:01:07,720
Speaker 4: retired finances. And then she said the psychology kicked in.

23
00:01:07,800 --> 00:01:10,240
Speaker 4: She said, So he sat a couple of weeks ago

24
00:01:10,240 --> 00:01:12,319
Speaker 4: at our twenty fifth anniversary, knowing that he was in

25
00:01:12,360 --> 00:01:15,200
Speaker 4: love with someone else, and all of us, all those

26
00:01:15,240 --> 00:01:18,040
Speaker 4: things that came up. I could go on, Actually we'll

27
00:01:18,080 --> 00:01:19,679
Speaker 4: go on just a little bit. She said that she

28
00:01:19,840 --> 00:01:22,120
Speaker 4: was the main breadwinner in the relationship and when they

29
00:01:22,160 --> 00:01:24,200
Speaker 4: broke up and it went through the process, no kids,

30
00:01:24,400 --> 00:01:26,320
Speaker 4: went through the process, he got more than fifty percent.

31
00:01:27,240 --> 00:01:28,920
Speaker 2: This is a trigger. I started talking.

32
00:01:30,200 --> 00:01:32,120
Speaker 4: I don't know how, but he ended up with more

33
00:01:32,120 --> 00:01:34,119
Speaker 4: than fifty percent and she had to leave the family home.

34
00:01:34,600 --> 00:01:36,480
Speaker 4: I don't know what happened there. That sounds bizarre.

35
00:01:36,560 --> 00:01:38,240
Speaker 2: Well have you have you got time? I'll tell you

36
00:01:38,280 --> 00:01:38,800
Speaker 2: what happened.

37
00:01:39,160 --> 00:01:42,880
Speaker 3: Starts with the shambolic ridiculousness the dark family court.

38
00:01:42,720 --> 00:01:45,280
Speaker 4: Is Yep, that was a trigger. Sorry, I shouldn't have

39
00:01:45,280 --> 00:01:45,640
Speaker 4: be on there.

40
00:01:46,160 --> 00:01:47,280
Speaker 2: I'll get myself in trouble.

41
00:01:47,360 --> 00:01:50,600
Speaker 4: So this we know you want this woman the word

42
00:01:53,640 --> 00:01:56,120
Speaker 4: stay strong. I'm with you, this woman to use the

43
00:01:56,120 --> 00:01:58,440
Speaker 4: word blindside and wait, that is the perfect word. When

44
00:01:58,480 --> 00:02:00,280
Speaker 4: have you been blindsided by the break cup?

45
00:02:00,320 --> 00:02:00,720
Speaker 5: Overall life?

46
00:02:00,880 --> 00:02:02,680
Speaker 2: Two number I'm telling you here for a drink.

47
00:02:02,800 --> 00:02:05,080
Speaker 4: A number is eighty six seven five three, I know,

48
00:02:07,160 --> 00:02:09,519
Speaker 4: drink my God. The good side of the podcast is

49
00:02:09,560 --> 00:02:10,720
Speaker 4: by the time I got to the end, she's written

50
00:02:10,720 --> 00:02:11,919
Speaker 4: a book about it by the time I got to it,

51
00:02:11,960 --> 00:02:13,679
Speaker 4: and she said it was actually it was the worst

52
00:02:13,720 --> 00:02:16,720
Speaker 4: thing to happen. At the time, she was okay financially,

53
00:02:16,919 --> 00:02:17,680
Speaker 4: continue to work for.

54
00:02:17,639 --> 00:02:20,440
Speaker 6: Three months, but she had to pay for him girlfriend.

55
00:02:20,480 --> 00:02:22,360
Speaker 6: Of course he's probably left him by now. I know

56
00:02:22,360 --> 00:02:26,600
Speaker 6: they're still together. They're still together now, which one hurts. Yeah,

57
00:02:26,680 --> 00:02:27,800
Speaker 6: I sure, pop ups and kids.

58
00:02:28,480 --> 00:02:30,840
Speaker 4: So this woman is now with someone else and realizes

59
00:02:30,840 --> 00:02:32,520
Speaker 4: that the best thing that could happen. I thought that

60
00:02:32,560 --> 00:02:34,519
Speaker 4: was a happy ending, and she's now sixty seven and

61
00:02:34,600 --> 00:02:39,320
Speaker 4: moved on. However, blindsided, blindside, it happens. Look, it does

62
00:02:39,440 --> 00:02:40,560
Speaker 4: no warning whatsoever.

63
00:02:40,960 --> 00:02:43,320
Speaker 3: No one likes to talk about it the day after.

64
00:02:43,400 --> 00:02:45,840
Speaker 3: But maybe you'd like to talk about it now enough

65
00:02:45,880 --> 00:02:46,639
Speaker 3: time may have passed.

66
00:02:47,040 --> 00:02:47,720
Speaker 4: Do you feel.

67
00:02:47,480 --> 00:02:50,600
Speaker 2: Comfortable with time comes chattiness?

68
00:02:50,680 --> 00:02:53,600
Speaker 6: Yeah, of course definitely.

69
00:02:54,840 --> 00:02:56,840
Speaker 4: Maybe a little pinch of bitchin as well.

70
00:02:57,120 --> 00:02:59,240
Speaker 2: When we are blindsided by a breakup.

71
00:02:59,320 --> 00:03:02,680
Speaker 3: Jenny and Shan, what a hello, Hello, how are you

72
00:03:03,000 --> 00:03:04,360
Speaker 3: good for us?

73
00:03:04,560 --> 00:03:07,760
Speaker 7: Well, I've been married sixteen years. We had all the

74
00:03:07,840 --> 00:03:11,800
Speaker 7: kids growing up, and everything, and youngest was about to

75
00:03:12,120 --> 00:03:16,200
Speaker 7: start an apprenticeship on the Monday, and I came home

76
00:03:16,240 --> 00:03:18,840
Speaker 7: on the Sunday and I ate him talking to this

77
00:03:18,960 --> 00:03:23,639
Speaker 7: girl in the patio and I just looked at some

78
00:03:23,800 --> 00:03:27,240
Speaker 7: momental that and it happened to be his secretary that

79
00:03:27,280 --> 00:03:30,760
Speaker 7: he was working with up on size. And just when

80
00:03:30,760 --> 00:03:32,880
Speaker 7: you think you've got it all, you've gone through all

81
00:03:32,919 --> 00:03:36,240
Speaker 7: the crap with the kids and everything. Yeah, and yet

82
00:03:36,520 --> 00:03:39,280
Speaker 7: it knocked me for sick. And he was a person

83
00:03:39,320 --> 00:03:42,000
Speaker 7: who said he wouldn't sacrifice his wife or family for

84
00:03:42,040 --> 00:03:44,200
Speaker 7: anyone else because he couldn't get off them or he

85
00:03:44,200 --> 00:03:45,640
Speaker 7: couldn't get off us.

86
00:03:45,920 --> 00:03:48,400
Speaker 2: And it had to be a working cliche.

87
00:03:48,960 --> 00:03:51,840
Speaker 7: It was a payment that yeah it was. I mean, yeah,

88
00:03:51,880 --> 00:03:56,160
Speaker 7: it just just destroyed the family. And now he's with

89
00:03:56,280 --> 00:04:00,520
Speaker 7: someone that's like three years older than the youngest. Kids

90
00:04:00,560 --> 00:04:04,840
Speaker 7: are older than where it was in my twenties, with

91
00:04:04,920 --> 00:04:07,600
Speaker 7: a full mortgage, they haven't working full time, and he's

92
00:04:07,640 --> 00:04:10,560
Speaker 7: living the life of Riley with this young girl on

93
00:04:10,600 --> 00:04:12,440
Speaker 7: his arm, traveling the world.

94
00:04:12,560 --> 00:04:14,240
Speaker 8: And then yeah, it.

95
00:04:14,360 --> 00:04:19,800
Speaker 2: Was crap, Jenny's crap. But you are better off without him, Yeah, oh.

96
00:04:19,520 --> 00:04:22,360
Speaker 7: Look absolutely, I mean I just laugh as him now

97
00:04:22,400 --> 00:04:25,240
Speaker 7: I just think to myself, really, can't you see what'd

98
00:04:25,279 --> 00:04:26,279
Speaker 7: him from to you? You know?

99
00:04:26,440 --> 00:04:30,200
Speaker 4: But was it, Jenny, when we use the word blindside,

100
00:04:30,440 --> 00:04:32,400
Speaker 4: was it dispelay for do you feel sick? What was it?

101
00:04:32,880 --> 00:04:32,960
Speaker 8: No?

102
00:04:33,240 --> 00:04:35,960
Speaker 7: I just couldn't get my heads around it. It generally

103
00:04:36,200 --> 00:04:39,520
Speaker 7: was my It was me forever. I you know, I

104
00:04:39,720 --> 00:04:41,800
Speaker 7: just couldn't get me head round it. And if it

105
00:04:41,839 --> 00:04:45,600
Speaker 7: wasn't for me, me kids, especially the oldest one. Yeah,

106
00:04:45,720 --> 00:04:50,080
Speaker 7: she kept me going. It really did destroy me. And

107
00:04:50,120 --> 00:04:53,320
Speaker 7: that was like in twenty sixteen. But I just yeah,

108
00:04:53,600 --> 00:04:55,720
Speaker 7: just knocked your off you for one minute, you're having

109
00:04:55,720 --> 00:04:58,480
Speaker 7: a great happy day. And I walked in. I could

110
00:04:58,560 --> 00:05:00,320
Speaker 7: hear him under the paty and I thought, so are

111
00:05:00,360 --> 00:05:03,400
Speaker 7: you taught to me? Doors? Of course she was actually

112
00:05:03,440 --> 00:05:05,920
Speaker 7: taught to me, because he was saying all these nice things.

113
00:05:05,920 --> 00:05:09,680
Speaker 7: She was with a friend in the garden playing. I

114
00:05:09,760 --> 00:05:11,520
Speaker 7: just said to her, oh, you know, can your friend

115
00:05:11,600 --> 00:05:14,440
Speaker 7: go home? And she said what's going on? And when

116
00:05:14,480 --> 00:05:16,400
Speaker 7: passed your bags, I said we'll leave, and so she

117
00:05:16,520 --> 00:05:19,000
Speaker 7: Dad's happened an affair. She was devastated.

118
00:05:19,279 --> 00:05:22,600
Speaker 4: Yeah, oh yeah, hi, Jim, we really appreciate you opening up.

119
00:05:22,640 --> 00:05:24,719
Speaker 4: It's very personal and very now a lot of hurt.

120
00:05:24,880 --> 00:05:28,600
Speaker 7: No is all good, great day guy to Jenny.

121
00:05:29,400 --> 00:05:36,240
Speaker 4: Gosh, that's a real blind sightings yes, out of nowhere.

122
00:05:36,640 --> 00:05:39,880
Speaker 2: Anyway, Jenny sounds pretty together, she's pretty strong.

123
00:05:39,880 --> 00:05:40,479
Speaker 4: Eight years later.

124
00:05:40,720 --> 00:05:43,680
Speaker 2: For eight years, it's a while, but it's not long.

125
00:05:43,760 --> 00:05:45,039
Speaker 2: In those years, you.

126
00:05:45,080 --> 00:05:47,599
Speaker 4: Think in that circumstance, you see photos of him with her,

127
00:05:47,760 --> 00:05:50,440
Speaker 4: the new one, and go looks ridiculous.

128
00:05:50,880 --> 00:05:52,040
Speaker 2: It sounded a bit ridiculous.

129
00:05:52,200 --> 00:05:54,720
Speaker 4: Much younger. I remember being on year seven grade seven

130
00:05:54,800 --> 00:05:58,120
Speaker 4: camp right with carp Primary School. We're on grade seven camp,

131
00:05:58,120 --> 00:05:59,720
Speaker 4: and I worked up the carriage to ask a girl

132
00:06:00,080 --> 00:06:02,839
Speaker 4: called joe And to go around with me. Yeah, so

133
00:06:02,960 --> 00:06:04,120
Speaker 4: I asked Jane to go round with.

134
00:06:04,120 --> 00:06:05,840
Speaker 2: You asked yourself. You didn't send your best mate. No,

135
00:06:05,880 --> 00:06:07,359
Speaker 2: I didn't send my best mates. That was how it

136
00:06:07,400 --> 00:06:07,720
Speaker 2: was done.

137
00:06:07,800 --> 00:06:10,480
Speaker 4: However, she said yes, and I was so astounded. I

138
00:06:10,560 --> 00:06:13,400
Speaker 4: ran back to my mates and said she said, yes,

139
00:06:13,440 --> 00:06:15,159
Speaker 4: I'm going round with Joe Anne. And then I was

140
00:06:15,200 --> 00:06:17,440
Speaker 4: so scared to go back to Joe Anne. I kept

141
00:06:17,760 --> 00:06:20,000
Speaker 4: We were walking around the campside or whatever with my mates,

142
00:06:20,800 --> 00:06:24,200
Speaker 4: and then someone was sent as a messenger to say, actually,

143
00:06:24,279 --> 00:06:27,680
Speaker 4: Joan's changed their mind, doesn't You're dropped. She doesn't really

144
00:06:27,720 --> 00:06:30,560
Speaker 4: know you. So I got dropped before the first pash.

145
00:06:30,920 --> 00:06:32,800
Speaker 4: Oh no, and I was blindsided.

146
00:06:32,880 --> 00:06:33,120
Speaker 9: Last.

147
00:06:33,160 --> 00:06:35,680
Speaker 2: Well you as soon as you lose, mister Claire.

148
00:06:35,760 --> 00:06:37,919
Speaker 4: Well, I was hanging with my mates. Should be proud

149
00:06:37,920 --> 00:06:40,479
Speaker 4: of myself. Round with Joe Anne.

150
00:06:42,040 --> 00:06:43,440
Speaker 2: You took your opportunity there.

151
00:06:43,560 --> 00:06:44,920
Speaker 4: No, I was just too slow.

152
00:06:45,000 --> 00:06:47,200
Speaker 2: Was it really about Joanne? Was it about points with

153
00:06:47,240 --> 00:06:47,640
Speaker 2: your mate?

154
00:06:48,000 --> 00:06:48,839
Speaker 4: Points with my mates?

155
00:06:48,880 --> 00:06:53,440
Speaker 2: I was twelve Boston, Joe allen.

156
00:06:53,200 --> 00:06:56,440
Speaker 10: Brook many years ago.

157
00:06:56,880 --> 00:07:02,680
Speaker 8: I actually separated all now that we septrated, I would

158
00:07:02,720 --> 00:07:06,320
Speaker 8: say about twenty years ago now, and with the day

159
00:07:06,400 --> 00:07:10,400
Speaker 8: that What had happened is my brother had passed away

160
00:07:10,440 --> 00:07:12,800
Speaker 8: a few days before Christmas, and we.

161
00:07:12,800 --> 00:07:16,080
Speaker 10: Thought we did it all done and buried by the.

162
00:07:16,040 --> 00:07:18,840
Speaker 8: Time Christmas day, right, So we had him buried on

163
00:07:18,960 --> 00:07:24,680
Speaker 8: the day before Christmas, and that situlate day, we all

164
00:07:24,760 --> 00:07:26,760
Speaker 8: sort of went down to Mantra on the monment of

165
00:07:27,040 --> 00:07:30,600
Speaker 8: holiday vacation. So we just carried on our the normal

166
00:07:30,680 --> 00:07:33,680
Speaker 8: things that we were going to do. And my aunt

167
00:07:33,880 --> 00:07:36,120
Speaker 8: told me that that night that he said to me,

168
00:07:36,560 --> 00:07:41,120
Speaker 8: leaving me to somebody else. And that was the day

169
00:07:41,160 --> 00:07:44,160
Speaker 8: before Christmas, mind you, and I said, well that was

170
00:07:44,200 --> 00:07:45,320
Speaker 8: great timing.

171
00:07:45,000 --> 00:07:47,440
Speaker 10: Because I just buried my brother.

172
00:07:47,240 --> 00:07:49,200
Speaker 8: And then he helped him the day before Christmas. But

173
00:07:49,960 --> 00:07:52,679
Speaker 8: he was going to lead me to somebody else.

174
00:07:53,480 --> 00:07:56,920
Speaker 5: And then I said, well that's well good, but you know,

175
00:07:57,080 --> 00:07:58,720
Speaker 5: I'm going to make it up a little bit more

176
00:07:58,760 --> 00:08:01,880
Speaker 5: because I said to him, Christmas, I'm not telling my

177
00:08:02,160 --> 00:08:03,960
Speaker 5: family and my parents, what's to.

178
00:08:03,920 --> 00:08:08,200
Speaker 8: Go with here? Christmas Day has lunch with us to

179
00:08:08,200 --> 00:08:11,160
Speaker 8: pretend nothing happened. That was one of the worst Christmas

180
00:08:11,240 --> 00:08:12,200
Speaker 8: I've ever gone through.

181
00:08:12,600 --> 00:08:16,600
Speaker 2: Yeah, yeah, fight Christmas is a good timing of these people.

182
00:08:16,640 --> 00:08:17,440
Speaker 4: Unbelievable.

183
00:08:17,680 --> 00:08:21,080
Speaker 3: I know the day that you you know, I had

184
00:08:21,120 --> 00:08:22,120
Speaker 3: the funeral for your.

185
00:08:22,000 --> 00:08:26,760
Speaker 2: Father, It's beyond.

186
00:08:26,160 --> 00:08:29,080
Speaker 8: If that's what I said, you know, it's wrong time.

187
00:08:29,880 --> 00:08:32,640
Speaker 8: Wait at least another few days or something.

188
00:08:32,800 --> 00:08:35,319
Speaker 4: Boxing Day on the day that he.

189
00:08:35,360 --> 00:08:36,760
Speaker 8: Had been buried, and then it was.

190
00:08:36,760 --> 00:08:38,360
Speaker 10: Christmas Bird Day the next the.

191
00:08:38,320 --> 00:08:41,640
Speaker 8: Following day as well. Yeah, made a bit of a

192
00:08:41,640 --> 00:08:43,719
Speaker 8: particularly because, like I said, I didn't want to tell

193
00:08:43,760 --> 00:08:48,880
Speaker 8: my parents, no, no ptain that nothing has happened. Day.

194
00:08:50,600 --> 00:08:51,480
Speaker 8: Are you timing to go?

195
00:08:51,920 --> 00:08:53,959
Speaker 4: Yeah, you're doing You're pulling bond bonds with the family,

196
00:08:54,160 --> 00:08:55,800
Speaker 4: doing fake smiles. That's all.

197
00:08:55,880 --> 00:08:58,240
Speaker 2: Yeah, thank you for sharing.

198
00:08:58,400 --> 00:09:02,800
Speaker 4: Yeah, I appreciate your honesty, Joe. Yeah, well, I mean

199
00:09:02,840 --> 00:09:04,160
Speaker 4: wait until Boxing Day or something.

200
00:09:04,360 --> 00:09:08,320
Speaker 2: I mean wait un till after Christmas period. Just oh

201
00:09:08,360 --> 00:09:11,400
Speaker 2: my god. Well obviously joy she buried her brother.

202
00:09:11,559 --> 00:09:14,120
Speaker 4: Yeah, and josephered through Christmas Day, but there was a bit.

203
00:09:14,360 --> 00:09:15,760
Speaker 4: It was a really tough day for him too.

204
00:09:17,080 --> 00:09:19,120
Speaker 2: Yes, that was her worst Christmas ever out of the way.

205
00:09:19,280 --> 00:09:20,800
Speaker 4: Yeah, can I get better?

206
00:09:20,880 --> 00:09:25,480
Speaker 3: Only get better from their very honest callse today. Debbiean Thornley,

207
00:09:25,520 --> 00:09:27,760
Speaker 3: when were you blindsided by a breakup?

208
00:09:28,040 --> 00:09:28,240
Speaker 5: Oh?

209
00:09:28,440 --> 00:09:33,080
Speaker 11: It was probably about fifteen years ago. Now with this

210
00:09:33,200 --> 00:09:36,000
Speaker 11: guy for probably about eight and a half years. Didn't

211
00:09:36,040 --> 00:09:38,600
Speaker 11: want to get married, didn't want to have kids. We

212
00:09:38,640 --> 00:09:43,280
Speaker 11: went for the holiday up to Elquestro and having tea,

213
00:09:43,720 --> 00:09:47,920
Speaker 11: he asked me to marry him. Had to ring everybody

214
00:09:47,960 --> 00:09:51,439
Speaker 11: in person knew that he was asked me. It was great,

215
00:09:51,520 --> 00:09:56,160
Speaker 11: I'm finally getting married woman. And but a year later

216
00:09:56,240 --> 00:09:59,960
Speaker 11: I thought something just not right. I just had this feeling.

217
00:10:00,880 --> 00:10:05,800
Speaker 11: And he had been printing out some emails and leaving

218
00:10:05,840 --> 00:10:08,160
Speaker 11: them around the house next to the computer and I

219
00:10:08,480 --> 00:10:11,440
Speaker 11: for me to find So I found the evidence of

220
00:10:11,880 --> 00:10:15,679
Speaker 11: him having an affair. So her name is in our

221
00:10:15,720 --> 00:10:17,920
Speaker 11: teledex so I got on the phone and rang her

222
00:10:18,000 --> 00:10:19,679
Speaker 11: up and spoke to her for two hours.

223
00:10:20,720 --> 00:10:21,040
Speaker 2: Wow.

224
00:10:21,720 --> 00:10:25,120
Speaker 11: Everything. She was a married woman. I had met her,

225
00:10:25,600 --> 00:10:32,720
Speaker 11: he worked with her. Yeah, and she happened to be

226
00:10:33,200 --> 00:10:38,480
Speaker 11: pregnant and have a miscarriage and yeah. So when he

227
00:10:38,520 --> 00:10:40,560
Speaker 11: came home, I confronted him and he was like, but

228
00:10:40,640 --> 00:10:42,920
Speaker 11: I love you. I love you, and hears your rings,

229
00:10:43,240 --> 00:10:45,640
Speaker 11: threw it at him, showed him the door and said

230
00:10:45,679 --> 00:10:50,560
Speaker 11: see you later. And I think Karma come back and

231
00:10:50,600 --> 00:10:54,080
Speaker 11: got him because he went to England for a holiday

232
00:10:54,679 --> 00:11:00,480
Speaker 11: and got stuck there during COVID and he's still there giggling.

233
00:11:05,120 --> 00:11:09,880
Speaker 4: Damn sh funny how life turns, life changes so quickly.

234
00:11:11,040 --> 00:11:11,440
Speaker 2: Thanks to.

235
00:11:13,320 --> 00:11:14,800
Speaker 4: Yeah, thanks Debby.

236
00:11:15,160 --> 00:11:17,600
Speaker 2: Hey have you been to Google yet today?

237
00:11:18,080 --> 00:11:18,640
Speaker 4: I haven't it.

238
00:11:19,200 --> 00:11:22,240
Speaker 3: On the Google homepage, there's always a picture of something

239
00:11:22,320 --> 00:11:25,280
Speaker 3: or someone and it's being you know, celebrated for Sumhere

240
00:11:25,320 --> 00:11:28,160
Speaker 3: it's a person, it's the anniversary of their birth, or

241
00:11:28,200 --> 00:11:32,319
Speaker 3: you know someone who invented something like the plutonium Marie

242
00:11:32,400 --> 00:11:37,480
Speaker 3: Curry or something for someone incredible. Well, today there's a

243
00:11:37,520 --> 00:11:45,040
Speaker 3: picture of the accordion. Because everything deserves a day, even

244
00:11:45,080 --> 00:11:45,800
Speaker 3: the accordion.

245
00:11:45,880 --> 00:11:47,000
Speaker 2: All hail the accordion.

246
00:11:47,040 --> 00:11:49,880
Speaker 3: The musical cord concord of sounds from a family of

247
00:11:49,920 --> 00:11:54,000
Speaker 3: box shape musical instruments of the bellows driven free readererophone,

248
00:11:54,800 --> 00:11:57,959
Speaker 3: first invented in Berlin in eighteen twenty two by Christian

249
00:11:58,200 --> 00:11:59,920
Speaker 3: Friedrich Ludwig Bush.

250
00:12:00,400 --> 00:12:02,680
Speaker 4: Oh, good on him, Good lord.

251
00:12:03,000 --> 00:12:05,640
Speaker 3: It's the silliest sounding instrument in the history of instruments,

252
00:12:05,640 --> 00:12:06,880
Speaker 3: isn't it, which is why I just wanted.

253
00:12:06,720 --> 00:12:07,360
Speaker 2: To play A little bit.

254
00:12:07,440 --> 00:12:09,160
Speaker 4: Makes me want to put on a striped shirt or something.

255
00:12:09,160 --> 00:12:12,240
Speaker 4: I don't know, just get in a gondola.

256
00:12:15,480 --> 00:12:18,200
Speaker 3: Yeah, they made it famously because I was like a vibe.

257
00:12:18,200 --> 00:12:21,760
Speaker 3: When it first was invented by Christian freder Colford Bush Bushman,

258
00:12:22,040 --> 00:12:24,719
Speaker 3: it was you know, it was popular in Germany, and

259
00:12:24,760 --> 00:12:26,439
Speaker 3: then they went mad for it in Russia.

260
00:12:26,840 --> 00:12:29,520
Speaker 4: Oh yes, Russia. And it wouldn't have been the same

261
00:12:29,600 --> 00:12:31,400
Speaker 4: according if it was called the Bushman, would it. It

262
00:12:31,520 --> 00:12:32,520
Speaker 4: just sounds like something.

263
00:12:32,360 --> 00:12:36,280
Speaker 2: Australian starting it played a couple of gum leaves.

264
00:12:36,520 --> 00:12:37,520
Speaker 4: He's playing the Bushman.

265
00:12:37,720 --> 00:12:41,239
Speaker 2: No, he's not. Accordion, take us to the break Accordion.

266
00:12:41,400 --> 00:12:42,559
Speaker 4: Yes, players out.

267
00:12:45,040 --> 00:12:48,520
Speaker 1: More Crazy More Lisa More Podcasts.

268
00:12:51,480 --> 00:12:55,480
Speaker 2: Reread the flick with Ben o'she Good morning man, Good

269
00:12:55,520 --> 00:12:59,880
Speaker 2: morning guys, welcome, been looking forward to hearing all about Furiosa.

270
00:13:00,200 --> 00:13:04,520
Speaker 9: Oh yeah, we've been waiting for the backstory. Who should

271
00:13:04,520 --> 00:13:05,440
Speaker 9: we get that out of the way first?

272
00:13:05,480 --> 00:13:05,640
Speaker 8: Yeah?

273
00:13:05,679 --> 00:13:08,280
Speaker 2: Please, you can give me a review of this story.

274
00:13:08,679 --> 00:13:09,040
Speaker 5: So yeah.

275
00:13:09,040 --> 00:13:11,320
Speaker 9: So a couple of weeks ago, very fortunate to go

276
00:13:11,400 --> 00:13:14,840
Speaker 9: to Sydney for the Australian premiere of Furiosa, a Mad

277
00:13:14,880 --> 00:13:18,599
Speaker 9: Max Saga, the prequel to Mad Max Fury Road. I

278
00:13:18,760 --> 00:13:21,760
Speaker 9: got to speak to George Miller, the director who's been

279
00:13:21,800 --> 00:13:26,160
Speaker 9: there from the starts forty five year journey since nineteen

280
00:13:26,240 --> 00:13:28,400
Speaker 9: seventy nine when the first Mad Max movie came out.

281
00:13:28,840 --> 00:13:32,040
Speaker 9: I got to speak to Anya Taylor Joy, who plays Furiosa,

282
00:13:32,080 --> 00:13:34,920
Speaker 9: the character made famous by Charlie Staron in Fury Road.

283
00:13:35,600 --> 00:13:38,200
Speaker 9: And got to talk to Chris Hemsworth. So interviewed them.

284
00:13:38,200 --> 00:13:41,600
Speaker 9: All fantastic and then have gone back to my hotel,

285
00:13:41,800 --> 00:13:44,000
Speaker 9: did a bit of work and thought, oh a bit bored.

286
00:13:44,160 --> 00:13:46,560
Speaker 9: Go down to the hotel gym off. I go, I'm

287
00:13:46,600 --> 00:13:48,120
Speaker 9: the only one in there doing a bit of a workout.

288
00:13:48,360 --> 00:13:51,280
Speaker 9: Next minute a ben look up. Guess who it is.

289
00:13:51,600 --> 00:13:54,360
Speaker 2: No, it's Chris Hemsworth, George Miller.

290
00:13:54,480 --> 00:13:58,280
Speaker 9: It wasn't can you imagine it wasn't George Miller, it

291
00:13:58,320 --> 00:13:59,920
Speaker 9: was it was Chris Hemswerth. So we then we chewed

292
00:13:59,920 --> 00:14:02,600
Speaker 9: the fat about we both grew up in the Northern Territory.

293
00:14:02,640 --> 00:14:05,120
Speaker 9: We talked about Mad Max, talked about some other stuff,

294
00:14:06,040 --> 00:14:10,120
Speaker 9: and then worked out side by side. It was the toughest, toughest,

295
00:14:10,600 --> 00:14:12,640
Speaker 9: toughest workout I've ever had in my life. Showing off

296
00:14:16,360 --> 00:14:19,560
Speaker 9: keeping up, I think more than showing up. And then

297
00:14:19,560 --> 00:14:21,520
Speaker 9: I sort of wavey, see you later, mate, and then

298
00:14:21,560 --> 00:14:23,760
Speaker 9: I was dragging myself around the corner.

299
00:14:24,080 --> 00:14:25,320
Speaker 2: I had to go back to my hotel room.

300
00:14:25,320 --> 00:14:28,520
Speaker 9: I had a forty five minute hot bar, just hoping

301
00:14:28,520 --> 00:14:31,280
Speaker 9: that my muscles would reattach themselves to my body.

302
00:14:32,360 --> 00:14:32,600
Speaker 11: Man.

303
00:14:32,640 --> 00:14:33,520
Speaker 2: It was.

304
00:14:33,920 --> 00:14:36,720
Speaker 9: It was tough, but he is such a lovely guy,

305
00:14:37,160 --> 00:14:39,680
Speaker 9: and he told me that he had so much more

306
00:14:39,760 --> 00:14:43,680
Speaker 9: fun playing Dementis the villain in Furiosa, than he does

307
00:14:43,720 --> 00:14:46,640
Speaker 9: being a superhero. And you look a bit comical you

308
00:14:46,680 --> 00:14:50,360
Speaker 9: watch this movie. Dementus is hilarious. He's so good and

309
00:14:50,680 --> 00:14:54,280
Speaker 9: this is the best performance of Chris Hemsler's career. He

310
00:14:54,280 --> 00:14:59,720
Speaker 9: gives Dementus like some insecurities, this bravado. There's a bit

311
00:14:59,720 --> 00:15:03,120
Speaker 9: of new wants there. He's funny but also evil like,

312
00:15:03,360 --> 00:15:05,640
Speaker 9: he's believable as a funny guy and believable as a

313
00:15:05,640 --> 00:15:08,400
Speaker 9: pretty dastardly guy as well. Really good, really really good,

314
00:15:08,480 --> 00:15:11,200
Speaker 9: very good. And so to get you up to speed,

315
00:15:11,600 --> 00:15:16,400
Speaker 9: by the way, the story got five biceps for five

316
00:15:16,480 --> 00:15:18,360
Speaker 9: more than I had attached to my arms at the

317
00:15:18,440 --> 00:15:20,920
Speaker 9: end of it. And so this film is a prequel

318
00:15:20,960 --> 00:15:23,680
Speaker 9: to Fury Road, which came out in twenty fifteen, and

319
00:15:24,000 --> 00:15:27,280
Speaker 9: is also probably one of the most challenging things that

320
00:15:27,360 --> 00:15:31,160
Speaker 9: audiences will find with Furio. So so Fury Road was incredible.

321
00:15:31,200 --> 00:15:32,680
Speaker 2: Why do they make these things in order?

322
00:15:33,080 --> 00:15:35,160
Speaker 9: Yeah, well, I think the problem. The problem was it

323
00:15:35,560 --> 00:15:40,040
Speaker 9: took a while to make this other movie. And George Miller,

324
00:15:40,040 --> 00:15:43,120
Speaker 9: the director, realized Charlie's thereon is getting a bit older,

325
00:15:44,080 --> 00:15:45,880
Speaker 9: and so I know.

326
00:15:45,840 --> 00:15:47,960
Speaker 2: I know, and as time has going from.

327
00:15:48,400 --> 00:15:52,600
Speaker 9: Pass so so physical, he's certainly nine, George Miller and so,

328
00:15:53,440 --> 00:15:56,880
Speaker 9: and he looked at de aging technology and just he

329
00:15:56,920 --> 00:16:00,440
Speaker 9: didn't like it. And he thought, well, maybe maybe will

330
00:16:00,480 --> 00:16:03,160
Speaker 9: rethink this and will do a prequel. And because you

331
00:16:03,160 --> 00:16:07,360
Speaker 9: don't really learn much about Furiosa in Fury Road, you

332
00:16:07,400 --> 00:16:11,800
Speaker 9: know that she, you know, fights for good you don't

333
00:16:11,840 --> 00:16:14,760
Speaker 9: know much about her backstory. You know she's missing an arm,

334
00:16:15,200 --> 00:16:19,160
Speaker 9: and the good news is you find out how she

335
00:16:19,240 --> 00:16:20,800
Speaker 9: loses that arm in this movie.

336
00:16:20,520 --> 00:16:21,800
Speaker 4: And it's pretty.

337
00:16:23,240 --> 00:16:26,760
Speaker 9: Thanks the word and so so that movie was such

338
00:16:26,760 --> 00:16:28,720
Speaker 9: a hit. It was huge at the box office. And

339
00:16:28,840 --> 00:16:31,040
Speaker 9: also like for me, it's one of the top five

340
00:16:31,120 --> 00:16:34,640
Speaker 9: action movies I've ever seen. It is a phenomenally good movie.

341
00:16:34,800 --> 00:16:37,560
Speaker 9: It was shot in the Namibian desert instead of the

342
00:16:37,600 --> 00:16:40,200
Speaker 9: mad Max heartland of Broken Heel in New South Wales

343
00:16:40,360 --> 00:16:43,040
Speaker 9: because of because of rainfall, Like there was a wildflower

344
00:16:43,080 --> 00:16:46,280
Speaker 9: bloom when they were trying to make it, and George

345
00:16:46,320 --> 00:16:49,600
Speaker 9: Miller walked out of his hotel a minute. In a minute,

346
00:16:49,840 --> 00:16:51,360
Speaker 9: this is supposed to be a world where there's no

347
00:16:51,480 --> 00:16:54,359
Speaker 9: water and a dystopian we can't have these pretty wildflowers.

348
00:16:54,960 --> 00:16:57,000
Speaker 9: So I went to Namibian desert. Most of it was

349
00:16:57,000 --> 00:16:59,560
Speaker 9: made with practical effects the film. That film was set

350
00:16:59,600 --> 00:17:03,080
Speaker 9: over three and it's so bonkers. It's just one action

351
00:17:03,280 --> 00:17:06,440
Speaker 9: sequence after the next, and so compared to that kind

352
00:17:06,440 --> 00:17:10,679
Speaker 9: of breakneck pace, Furiosa might initially feel a bit slow

353
00:17:10,800 --> 00:17:13,199
Speaker 9: to people like them, especially if they've just watched Fury Road.

354
00:17:13,240 --> 00:17:15,000
Speaker 9: You'll come to this new film and you go, okay,

355
00:17:15,080 --> 00:17:18,520
Speaker 9: takes place over a fifteen year period, and you might go, oh, geez,

356
00:17:18,560 --> 00:17:20,200
Speaker 9: so the pace of it, I'm just I'm not sure

357
00:17:20,240 --> 00:17:22,240
Speaker 9: about it, but you've got to stick with it because

358
00:17:22,840 --> 00:17:24,639
Speaker 9: it just picks up pace. And the whole point is

359
00:17:24,720 --> 00:17:29,040
Speaker 9: to get a pile on the trauma of this character, Furiosa,

360
00:17:29,119 --> 00:17:32,720
Speaker 9: played by first by Alia Brown the young kid, and

361
00:17:32,760 --> 00:17:35,080
Speaker 9: then by Anya Taylor Joy when she's an adult, and

362
00:17:35,160 --> 00:17:37,879
Speaker 9: just like one bad thing happens to her after another,

363
00:17:38,160 --> 00:17:41,000
Speaker 9: and most of them are done by Chris Hemsworth's character Dementus,

364
00:17:41,240 --> 00:17:43,879
Speaker 9: who's a warlord who's in charge of a horde of

365
00:17:44,040 --> 00:17:48,040
Speaker 9: bikers and head. At one point he rides a chariot

366
00:17:48,119 --> 00:17:52,159
Speaker 9: of like choppers, like chopper motorbikes, right, and he's standing

367
00:17:52,160 --> 00:17:54,480
Speaker 9: in a chariot with rains. I don't know how it works,

368
00:17:55,160 --> 00:17:57,560
Speaker 9: and in none other saying he's in this six wheeler

369
00:17:57,720 --> 00:18:01,960
Speaker 9: monster truck and the cab ism The vehicles are just insane.

370
00:18:02,359 --> 00:18:05,840
Speaker 9: And the film sort of follows like Furiosa's journey as

371
00:18:05,840 --> 00:18:07,720
Speaker 9: she sort of deals with all this trauma and then

372
00:18:07,760 --> 00:18:10,639
Speaker 9: of course she wants vengeance, and then that's what it's

373
00:18:10,680 --> 00:18:12,800
Speaker 9: all about she wants vengeance on dementis and it doesn't

374
00:18:12,840 --> 00:18:14,800
Speaker 9: matter how many years go past, It just that that

375
00:18:14,920 --> 00:18:17,480
Speaker 9: sort of desire, the revenge just burns hotter and hotter

376
00:18:17,520 --> 00:18:19,800
Speaker 9: and hotter, and then you know, we get to see

377
00:18:19,800 --> 00:18:22,960
Speaker 9: what happens as the film unfoult. It's I think the

378
00:18:23,000 --> 00:18:27,119
Speaker 9: film is brilliant, but it's not perfect. It's got Tom Burke,

379
00:18:27,200 --> 00:18:29,960
Speaker 9: the English actor who does a pretty good Aussie accent,

380
00:18:29,960 --> 00:18:33,040
Speaker 9: because of course mad Max is Australian. Said in Australia.

381
00:18:33,320 --> 00:18:36,840
Speaker 9: He plays a sort of a mentor of a young furiosa.

382
00:18:36,960 --> 00:18:40,960
Speaker 9: But that relationship is so ambiguous it doesn't feel very authentic.

383
00:18:41,000 --> 00:18:43,360
Speaker 9: You can't work out if it's a romance, if it's

384
00:18:43,400 --> 00:18:46,919
Speaker 9: a mentor situation. And so there are some stuff that

385
00:18:46,920 --> 00:18:48,479
Speaker 9: happens towards the end of the film that it kind

386
00:18:48,480 --> 00:18:50,479
Speaker 9: of doesn't have as much power as it could because

387
00:18:50,680 --> 00:18:52,640
Speaker 9: the Tom Burke character is not perfect.

388
00:18:52,680 --> 00:18:55,159
Speaker 4: Okay, also because it's you.

389
00:18:55,160 --> 00:18:57,400
Speaker 9: Know, a bit slower than Fury Road, that is probably

390
00:18:57,440 --> 00:18:59,800
Speaker 9: something else that audiences might find a little bit challenging.

391
00:19:00,359 --> 00:19:03,440
Speaker 9: He doesn't mumble like to oh my gosh, what a

392
00:19:03,520 --> 00:19:06,359
Speaker 9: mumbler that guy is. And then right at the end,

393
00:19:06,400 --> 00:19:08,320
Speaker 9: of the film, they decide to have like a like

394
00:19:08,359 --> 00:19:11,200
Speaker 9: a literal recap of Fury Road, like actual footage from

395
00:19:11,280 --> 00:19:14,400
Speaker 9: Fury Road, like for a little like three minute recap, which,

396
00:19:14,720 --> 00:19:17,320
Speaker 9: to be honest with you, is a bit weird and

397
00:19:17,400 --> 00:19:19,520
Speaker 9: it feels like it takes some of the impact away

398
00:19:19,520 --> 00:19:23,240
Speaker 9: from the conclusion. So that aside, like this is a

399
00:19:23,280 --> 00:19:27,840
Speaker 9: spectacular movie visually, it's, you know, another George Miller masterpiece.

400
00:19:28,320 --> 00:19:31,040
Speaker 9: Some of these some of these scenes which were shot

401
00:19:31,119 --> 00:19:33,000
Speaker 9: in Broken Hill, they didn't get any rain, there were

402
00:19:33,000 --> 00:19:36,600
Speaker 9: no wildflowers, and around Silverton and the town of Hay

403
00:19:37,080 --> 00:19:41,639
Speaker 9: just amazing. The cast is all really really good and

404
00:19:41,880 --> 00:19:44,480
Speaker 9: if you get into Mad Max, you will love this film.

405
00:19:44,520 --> 00:19:46,200
Speaker 9: And I think it's a film that Australians should be

406
00:19:46,240 --> 00:19:48,520
Speaker 9: proud of. The most expensive movie ever made down Under

407
00:19:49,280 --> 00:19:51,240
Speaker 9: and it's it's going to be huge around the world,

408
00:19:51,320 --> 00:19:53,280
Speaker 9: and it's so ozzy and I think that's awesome.

409
00:19:53,280 --> 00:19:55,960
Speaker 4: Okay, And you interviewed Anya. I heard a bit aloof

410
00:19:56,000 --> 00:19:58,000
Speaker 4: for she. It's just just a different kind of Carria.

411
00:19:58,400 --> 00:20:02,399
Speaker 9: She's a different kind of person of floats through the world.

412
00:20:03,560 --> 00:20:08,000
Speaker 9: She's sort of this ephemeral character. But she was lovely

413
00:20:08,040 --> 00:20:10,720
Speaker 9: to talk to and She is brilliant in this movie. Gosh,

414
00:20:10,920 --> 00:20:15,280
Speaker 9: she's never really done this type of action blockbuster before,

415
00:20:15,320 --> 00:20:17,040
Speaker 9: but she's fantastic.

416
00:20:17,320 --> 00:20:17,720
Speaker 12: So good.

417
00:20:17,960 --> 00:20:20,639
Speaker 3: All right, Well, how many I can still play chess

418
00:20:20,640 --> 00:20:25,639
Speaker 3: with one arms?

419
00:20:27,119 --> 00:20:29,520
Speaker 2: I like what you did. I'm going to give it

420
00:20:29,560 --> 00:20:34,320
Speaker 2: for very good. They look like they're having way too

421
00:20:34,400 --> 00:20:37,639
Speaker 2: much front making. Samsworth, Oh my gosh, he's having so

422
00:20:37,720 --> 00:20:38,840
Speaker 2: much funny. He's brilliant.

423
00:20:39,520 --> 00:20:42,919
Speaker 4: You mean my mate, Chris, mate Chris, and you get

424
00:20:42,920 --> 00:20:45,560
Speaker 4: to talk to George. What a trio? Well done, fantastic

425
00:20:46,560 --> 00:20:49,600
Speaker 4: you guys, someone had one job to do, right. And

426
00:20:49,720 --> 00:20:51,920
Speaker 4: if something in this world seems too good to be true,

427
00:20:52,320 --> 00:20:55,879
Speaker 4: dot dot dot usually usually, especially in the world in

428
00:20:55,920 --> 00:20:59,440
Speaker 4: which there's a scam or a potential scam around every corner.

429
00:21:00,560 --> 00:21:01,760
Speaker 2: Just paranoid about everything.

430
00:21:01,880 --> 00:21:04,800
Speaker 4: Yeah, and most of them are on your phone. You'll

431
00:21:04,800 --> 00:21:06,760
Speaker 4: see your email or you'll get a text message.

432
00:21:06,760 --> 00:21:09,080
Speaker 2: I got one of those pay your tolls? Have you

433
00:21:09,080 --> 00:21:09,680
Speaker 2: paid it yet?

434
00:21:10,520 --> 00:21:11,119
Speaker 4: You hurry up?

435
00:21:11,520 --> 00:21:13,760
Speaker 2: Play your tolls tolls?

436
00:21:14,560 --> 00:21:16,440
Speaker 4: Some of them look so convincing now as well.

437
00:21:16,400 --> 00:21:18,240
Speaker 13: You know, except that we don't have tolls. We don't

438
00:21:18,280 --> 00:21:19,760
Speaker 13: have well, not the toll one so much, but the

439
00:21:19,840 --> 00:21:23,600
Speaker 13: bank ones. And some of them are very Yeah, why

440
00:21:23,600 --> 00:21:26,880
Speaker 13: haven't you paid this? Sometimes it's just a slight font difference,

441
00:21:26,880 --> 00:21:27,280
Speaker 13: you've got.

442
00:21:27,200 --> 00:21:30,840
Speaker 4: A yeah, or sometimes the spelling is quite weird. When

443
00:21:30,920 --> 00:21:31,680
Speaker 4: banks spelled with an.

444
00:21:31,640 --> 00:21:37,520
Speaker 3: Everything's got on it the end, it's a bit of

445
00:21:37,560 --> 00:21:37,960
Speaker 3: a dead give.

446
00:21:38,119 --> 00:21:39,159
Speaker 4: So you have to give them a good read through

447
00:21:39,160 --> 00:21:41,719
Speaker 4: a couple of times. Anyway, So an email came an

448
00:21:41,760 --> 00:21:45,119
Speaker 4: email came to our house yesterday into Laurie, my wife's email,

449
00:21:45,480 --> 00:21:48,760
Speaker 4: and it was for Maya one cardholders, which she is one.

450
00:21:49,359 --> 00:21:51,800
Speaker 4: And this was you talk about an offer too good

451
00:21:51,800 --> 00:21:56,160
Speaker 4: to reviews, catnip. This was for shoppers. That's the greatest

452
00:21:56,200 --> 00:21:58,960
Speaker 4: offer in the history of offers. This said, I kid

453
00:21:58,960 --> 00:22:02,960
Speaker 4: you not end one hundred and fifty dollars meyer, Yeah,

454
00:22:03,000 --> 00:22:06,280
Speaker 4: to receive a one thousand dollar evouch to be spending

455
00:22:06,320 --> 00:22:07,359
Speaker 4: a certain period of time.

456
00:22:07,680 --> 00:22:10,920
Speaker 3: Hang on, I'm not too good at maths buy off,

457
00:22:11,000 --> 00:22:14,080
Speaker 3: but that is yeah, chicken boxes.

458
00:22:14,200 --> 00:22:16,360
Speaker 4: So I'm looking at it going, oh, this has got

459
00:22:16,359 --> 00:22:18,439
Speaker 4: to be a joke. This has got to be a scam.

460
00:22:18,520 --> 00:22:21,239
Speaker 4: This is a hope, don't press on anything blue. So

461
00:22:21,600 --> 00:22:23,400
Speaker 4: we started googling trying to find out and it wasn't.

462
00:22:23,400 --> 00:22:25,880
Speaker 4: We couldn't find much out. This is Earli yesterday afternoon,

463
00:22:26,320 --> 00:22:28,120
Speaker 4: and a couple of people said, oh, you've been trying

464
00:22:28,119 --> 00:22:29,960
Speaker 4: to call them to find out what's going on. But

465
00:22:30,000 --> 00:22:32,760
Speaker 4: it equates to spending one hundred and fifty dollars. So

466
00:22:32,840 --> 00:22:35,200
Speaker 4: it's not buy one, get one free eight hundred and fifty,

467
00:22:35,200 --> 00:22:36,639
Speaker 4: spend one hundred and fifty, you get one hundred and

468
00:22:36,680 --> 00:22:39,439
Speaker 4: fifty plus what you've purchased. It doesn't make sense the

469
00:22:39,480 --> 00:22:41,200
Speaker 4: company would go broke, and the share price.

470
00:22:41,080 --> 00:22:43,920
Speaker 3: World, it doesn't. It doesn't sound like, yeah, what you

471
00:22:43,960 --> 00:22:45,640
Speaker 3: would normally expect.

472
00:22:45,359 --> 00:22:47,240
Speaker 4: FI one hundred and fifty get eight hundred and fifty three.

473
00:22:47,320 --> 00:22:48,200
Speaker 2: It's really weird.

474
00:22:48,200 --> 00:22:50,160
Speaker 4: And not that I said there's a limited to one

475
00:22:50,160 --> 00:22:53,200
Speaker 4: per customer, which makes sense. Yeah, company goo broke even

476
00:22:53,240 --> 00:22:54,800
Speaker 4: just with the number, because there are thousands of my

477
00:22:54,920 --> 00:22:56,960
Speaker 4: one cardholders who utilize their card.

478
00:22:57,080 --> 00:22:57,320
Speaker 9: Yeah.

479
00:22:57,720 --> 00:23:00,480
Speaker 4: So the follow up email took three hours to come out.

480
00:23:00,480 --> 00:23:02,320
Speaker 4: Now I don't have many people clicked on this thing

481
00:23:02,480 --> 00:23:04,960
Speaker 4: or there's a lot of suspicion around. It was not

482
00:23:05,040 --> 00:23:06,600
Speaker 4: meant to be one thousand dollars. It was meant to

483
00:23:06,600 --> 00:23:11,440
Speaker 4: be one thousand points, which are made. So I checked

484
00:23:11,480 --> 00:23:13,520
Speaker 4: out and I googled that and it said one thousand

485
00:23:13,520 --> 00:23:15,560
Speaker 4: points in the my card thing in the my card

486
00:23:15,600 --> 00:23:18,240
Speaker 4: world is ten bucks. However, ten bucks, not eight hundred

487
00:23:18,240 --> 00:23:18,639
Speaker 4: and fifty.

488
00:23:18,920 --> 00:23:22,919
Speaker 3: If you had responded to get your thousand dollars for

489
00:23:22,920 --> 00:23:26,159
Speaker 3: one hundred and fifty dollars spend yeah, before they said upsie,

490
00:23:26,840 --> 00:23:28,159
Speaker 3: would they would they honor it?

491
00:23:28,200 --> 00:23:28,520
Speaker 5: Do you think?

492
00:23:28,720 --> 00:23:31,480
Speaker 4: I don't think so. I think a few people tried.

493
00:23:31,359 --> 00:23:33,240
Speaker 2: Because you click on it.

494
00:23:33,320 --> 00:23:35,399
Speaker 4: Because if you go to a supermarket and the pricing

495
00:23:35,480 --> 00:23:38,360
Speaker 4: is wrong, some have a policy where you get that

496
00:23:38,400 --> 00:23:41,280
Speaker 4: item for free. So I wonder if anyone's got a case.

497
00:23:41,800 --> 00:23:44,560
Speaker 3: Well, I mean, you said you said you would give

498
00:23:44,600 --> 00:23:46,280
Speaker 3: me this if I had this society did that?

499
00:23:46,359 --> 00:23:47,040
Speaker 2: Now give me this?

500
00:23:47,240 --> 00:23:49,400
Speaker 4: So the apology came out from the person who had

501
00:23:49,400 --> 00:23:51,520
Speaker 4: the one job and messed it up because it's a

502
00:23:51,600 --> 00:23:54,960
Speaker 4: huge difference between a thousand dollars evoucher, very much different,

503
00:23:55,000 --> 00:23:57,880
Speaker 4: and it's and ten dollars worth of points. Yeah, so

504
00:23:58,080 --> 00:24:00,679
Speaker 4: I get the feeling that person may not be at

505
00:24:00,720 --> 00:24:02,080
Speaker 4: work today after.

506
00:24:01,880 --> 00:24:04,880
Speaker 2: They follow up email their recovery.

507
00:24:05,040 --> 00:24:08,360
Speaker 4: Yeah, but you know, no, wonder we're suspicious this one

508
00:24:08,400 --> 00:24:11,080
Speaker 4: was purely a mistake. So apologies for their.

509
00:24:11,040 --> 00:24:13,240
Speaker 3: Loves, know though, if anyone took up that offer and

510
00:24:13,320 --> 00:24:14,040
Speaker 3: how they loved.

511
00:24:13,920 --> 00:24:16,200
Speaker 4: To Natasha and Hammond Park in the morning.

512
00:24:17,000 --> 00:24:18,919
Speaker 2: Hi, guys, did you get the same off a Claars

513
00:24:18,920 --> 00:24:20,200
Speaker 2: he got. I did.

514
00:24:20,359 --> 00:24:22,360
Speaker 14: I saw that email and I thought.

515
00:24:22,440 --> 00:24:23,639
Speaker 1: Wow, that is great.

516
00:24:24,160 --> 00:24:27,960
Speaker 2: Yeah, yes, please, I'm going to my Yes.

517
00:24:29,000 --> 00:24:29,200
Speaker 7: Yeah.

518
00:24:29,240 --> 00:24:32,440
Speaker 14: I went into the store like a couple of hours

519
00:24:32,480 --> 00:24:35,720
Speaker 14: after the email. I was trying on clothes, working out

520
00:24:35,720 --> 00:24:39,000
Speaker 14: one hundred and fifty dollars, and as I was like

521
00:24:39,240 --> 00:24:42,639
Speaker 14: pool on a shirt trying on I saw the second email.

522
00:24:43,040 --> 00:24:48,400
Speaker 4: No, I did get answer the question. They sent their

523
00:24:48,440 --> 00:24:49,280
Speaker 4: reply too soon.

524
00:24:50,600 --> 00:24:52,480
Speaker 5: But I mean I'm glad I didn't waste the money

525
00:24:52,520 --> 00:24:52,840
Speaker 5: as well.

526
00:24:53,000 --> 00:24:53,600
Speaker 4: Yeah of course.

527
00:24:53,760 --> 00:24:56,640
Speaker 3: Yeah, so I'd have just been so curious to see

528
00:24:56,640 --> 00:24:57,760
Speaker 3: if they would have honored it for you.

529
00:24:58,680 --> 00:25:01,359
Speaker 2: Yeah yeah, oh well never mind.

530
00:25:01,359 --> 00:25:03,439
Speaker 3: I hope you still bought what you were bygone, because

531
00:25:04,160 --> 00:25:06,119
Speaker 3: otherwise it's a waster trip to the show.

532
00:25:06,960 --> 00:25:07,840
Speaker 8: Yeah, no idea.

533
00:25:08,160 --> 00:25:09,560
Speaker 2: Plus, you kind.

534
00:25:09,320 --> 00:25:11,680
Speaker 3: Of needed to cheer yourself up then when you got

535
00:25:11,680 --> 00:25:12,399
Speaker 3: that second email.

536
00:25:12,520 --> 00:25:14,680
Speaker 4: When you worked at A thousand points it was only

537
00:25:14,680 --> 00:25:15,280
Speaker 4: ten bucks.

538
00:25:16,000 --> 00:25:17,760
Speaker 2: Yeah, thanks Natasha.

539
00:25:17,800 --> 00:25:20,679
Speaker 4: Thanks for the follow up. Natasha. Yeah, she got excited

540
00:25:20,720 --> 00:25:22,159
Speaker 4: and went shopping a couple.

541
00:25:21,920 --> 00:25:26,280
Speaker 2: Of She's in the changer, happy days are here again.

542
00:25:26,440 --> 00:25:29,639
Speaker 2: It looks really good on me. We'll have that degree.

543
00:25:30,520 --> 00:25:31,399
Speaker 4: And three of those.

544
00:25:32,840 --> 00:25:35,159
Speaker 2: Just wrap it up, make it out to Mica.

545
00:25:36,280 --> 00:25:38,359
Speaker 4: It came through, and it came through and said you

546
00:25:38,400 --> 00:25:39,800
Speaker 4: a thousand is now.

547
00:25:41,480 --> 00:25:42,080
Speaker 2: Ten bucks.

548
00:25:42,080 --> 00:25:44,760
Speaker 4: It's a thousand points. Oh dear.

549
00:25:45,520 --> 00:25:57,480
Speaker 1: The More Crazy More Lisa Poor podcasts The Sure Report

550
00:25:57,720 --> 00:26:03,480
Speaker 1: on ninety six AFM.

551
00:26:01,520 --> 00:26:05,200
Speaker 3: Well, a Memphis judge has postponed the planned foreclosure sale

552
00:26:05,200 --> 00:26:09,480
Speaker 3: of Graceland Or after Elvis's granddaughter Riley Keo, accused the

553
00:26:09,520 --> 00:26:13,840
Speaker 3: company behind the sale of committing fraud. The save comes

554
00:26:13,920 --> 00:26:17,120
Speaker 3: just one day before Graceland was due to go under

555
00:26:17,160 --> 00:26:19,520
Speaker 3: the hammer. The reason this was happening is because a

556
00:26:19,520 --> 00:26:22,879
Speaker 3: private lending company was claiming Lisa Marie Presley had borrowed

557
00:26:22,880 --> 00:26:26,919
Speaker 3: three point eight million dollars using Graceland as collateral and

558
00:26:27,000 --> 00:26:28,800
Speaker 3: hadn't paid it back before she died.

559
00:26:28,880 --> 00:26:29,400
Speaker 2: Last year.

560
00:26:29,880 --> 00:26:33,920
Speaker 3: Riley Keo sought the injunction, claiming the lending company was

561
00:26:33,960 --> 00:26:38,280
Speaker 3: a false identity created for the purpose of defrauding. In

562
00:26:38,400 --> 00:26:42,640
Speaker 3: Layman's terms, big fat scam, oh wow. Furthermore, the lawsuit

563
00:26:42,680 --> 00:26:46,880
Speaker 3: contains an affidavit from the Florida notary whose signature appears

564
00:26:46,880 --> 00:26:50,200
Speaker 3: on documents pertaining to this alleged loan. He says he

565
00:26:50,280 --> 00:26:53,800
Speaker 3: never met Lesa Marie and he never signed anything. Following

566
00:26:53,840 --> 00:26:57,720
Speaker 3: Wednesday's ruling, Elvis Presley Enterprise as told Rolling Stone. As

567
00:26:57,760 --> 00:27:01,080
Speaker 3: the court has now made clear there was no validity

568
00:27:01,160 --> 00:27:04,520
Speaker 3: to the claims, there will be no foreclosure. Graceland will

569
00:27:04,560 --> 00:27:07,560
Speaker 3: continue to operate as it has for the past forty

570
00:27:07,600 --> 00:27:10,520
Speaker 3: two years, ensuring that Elvis fans from around the world

571
00:27:10,520 --> 00:27:13,640
Speaker 3: can continue to have a best in class experience when

572
00:27:13,760 --> 00:27:16,359
Speaker 3: visiting his home. So the sailors off and the lending

573
00:27:16,359 --> 00:27:19,760
Speaker 3: company will now have time to mount a defense against

574
00:27:19,800 --> 00:27:22,439
Speaker 3: the fraud allegations. Now, if you were going to commit

575
00:27:22,480 --> 00:27:26,120
Speaker 3: this kind of scamp, why would you go.

576
00:27:26,080 --> 00:27:29,960
Speaker 2: After the most famous house bizarre in the world.

577
00:27:30,119 --> 00:27:31,680
Speaker 4: Yeah, there's a lot of people out there with money

578
00:27:31,680 --> 00:27:33,080
Speaker 4: who aren't anywhere, who are saying.

579
00:27:33,080 --> 00:27:36,399
Speaker 3: Strange timing is everything, as they say, and that couldn't

580
00:27:36,400 --> 00:27:38,800
Speaker 3: apply more here. Wrapp of fifty cent has just sold

581
00:27:38,840 --> 00:27:42,600
Speaker 3: his documentary about p Diddy in a frenzied bidding war.

582
00:27:43,080 --> 00:27:45,960
Speaker 3: He'd been hyping up his Diddy doc for months, but

583
00:27:46,040 --> 00:27:47,960
Speaker 3: of course, in what in light of what we've seen

584
00:27:48,000 --> 00:27:51,080
Speaker 3: this week with that damning video of Diddy assaulting his

585
00:27:51,200 --> 00:27:55,040
Speaker 3: former girlfriend. He signed the deal fifty cents posted on Instagram.

586
00:27:55,119 --> 00:27:58,040
Speaker 3: Netflix wins the bidding war, But if more victims keep

587
00:27:58,080 --> 00:28:01,360
Speaker 3: coming out, I'm going to need more episode. There's any

588
00:28:01,400 --> 00:28:03,639
Speaker 3: love loss between Diddy and Fiddy?

589
00:28:03,680 --> 00:28:04,160
Speaker 4: Did he Fiddy?

590
00:28:04,160 --> 00:28:05,240
Speaker 2: Fitty Diddy? No?

591
00:28:05,960 --> 00:28:12,040
Speaker 3: Did you ever watch Nurse Jackie? Brilliant show? Edie Falco

592
00:28:12,200 --> 00:28:14,680
Speaker 3: was Jackie Peyton, a nurse with a habit of getting

593
00:28:14,680 --> 00:28:18,760
Speaker 3: into the supply coupan. Well, it's coming back, Prime Videos

594
00:28:18,840 --> 00:28:21,679
Speaker 3: bringing it back with Edie Falco back on board. The

595
00:28:21,760 --> 00:28:26,199
Speaker 3: series synopsis says, ten years after we left Jackie Payton

596
00:28:26,280 --> 00:28:28,840
Speaker 3: clinging to life, in the series finale, we find her

597
00:28:28,920 --> 00:28:30,720
Speaker 3: back on her feet in spite of having lost her

598
00:28:30,800 --> 00:28:34,399
Speaker 3: nursing license. The continuation of her story will find her

599
00:28:34,440 --> 00:28:37,199
Speaker 3: facing new dilemmas in trying to be good in a

600
00:28:37,200 --> 00:28:39,760
Speaker 3: world where being bad he is often not only easier,

601
00:28:40,160 --> 00:28:42,840
Speaker 3: but a lot more fun. And there's a story this

602
00:28:42,960 --> 00:28:46,320
Speaker 3: morning I'm so excited about because it means we can play.

603
00:28:46,080 --> 00:28:55,320
Speaker 2: This for a gratuitous so enjoy groovie.

604
00:28:55,560 --> 00:28:58,960
Speaker 3: A reboot of The Monsters is in development. It's got

605
00:28:59,000 --> 00:29:02,240
Speaker 3: the working title thirteen thirteen, a reference to the Monster's

606
00:29:02,240 --> 00:29:05,000
Speaker 3: address at thirteen thirteen. Mocking bird Land, one of the

607
00:29:05,000 --> 00:29:08,160
Speaker 3: streaming channels, is expected to sign it up soon, promising

608
00:29:08,280 --> 00:29:13,520
Speaker 3: more random, ridiculous and rambunctious tasks designed to puzzle the brain.

609
00:29:14,040 --> 00:29:17,640
Speaker 3: Task Master He's back tonight seven point thirty on ten

610
00:29:18,040 --> 00:29:22,160
Speaker 3: and joining us now Tom Gleeson, the task Master himself.

611
00:29:22,600 --> 00:29:26,280
Speaker 4: Hey Tom, good, thanks for having me back. Always a

612
00:29:26,280 --> 00:29:29,360
Speaker 4: patient coming back, hear voice, So welcome.

613
00:29:30,400 --> 00:29:32,840
Speaker 2: What kind of tasks might we see this season?

614
00:29:34,080 --> 00:29:37,520
Speaker 12: Well, sometimes they can be quite simple, like build a

615
00:29:37,600 --> 00:29:41,040
Speaker 12: scarier scarecrow. I think that one's on tonight, all right,

616
00:29:41,080 --> 00:29:43,239
Speaker 12: and so's it's a bit of a craft challenge. But

617
00:29:43,640 --> 00:29:45,600
Speaker 12: you think, oh, well that sounds pretty simple. But then

618
00:29:45,640 --> 00:29:48,440
Speaker 12: watching someone like Will Anderson do craft, he's just been

619
00:29:48,520 --> 00:29:52,040
Speaker 12: using straight away because I don't know, he's a comedian,

620
00:29:52,080 --> 00:29:54,360
Speaker 12: but he's also he's always in control, and he's always

621
00:29:54,400 --> 00:29:56,600
Speaker 12: you know, he's a bit serious. Yeah, so it's good

622
00:29:56,600 --> 00:29:58,720
Speaker 12: to watch him be silly. So if you've ever wanted

623
00:29:58,760 --> 00:30:01,840
Speaker 12: to see Will Anderson the host play school, tonight, you're

624
00:30:01,840 --> 00:30:03,000
Speaker 12: getting pretty close to that.

625
00:30:03,720 --> 00:30:04,760
Speaker 4: He's not tudman.

626
00:30:06,800 --> 00:30:10,480
Speaker 12: Craft is not his specialty, and he knows that it's

627
00:30:10,520 --> 00:30:12,920
Speaker 12: fun to have him in the studio and I get

628
00:30:12,960 --> 00:30:13,800
Speaker 12: to point that out to him.

629
00:30:13,880 --> 00:30:18,600
Speaker 4: Yeah, well done, he knows his strengths. Yeah, absolutely, What

630
00:30:18,640 --> 00:30:20,280
Speaker 4: else can we expect because it's good to have the

631
00:30:20,320 --> 00:30:21,960
Speaker 4: show back. Yeah.

632
00:30:21,960 --> 00:30:24,960
Speaker 12: Well, we've also got Lloyd Langford and Anne Edmund and

633
00:30:25,040 --> 00:30:29,120
Speaker 12: people may know them from, you know, seeing other TV

634
00:30:29,200 --> 00:30:31,719
Speaker 12: shows like have You Been Paying Attention? They're a couple,

635
00:30:32,080 --> 00:30:35,080
Speaker 12: So the first time in Taskmaster history where we've had

636
00:30:35,080 --> 00:30:39,280
Speaker 12: a couple in the show and they compete, they compete viciously.

637
00:30:40,280 --> 00:30:44,840
Speaker 12: I think it might have ramifications for their relationship.

638
00:30:45,040 --> 00:30:49,320
Speaker 3: Do you find yourself from more often rewarding innovation or

639
00:30:49,360 --> 00:30:51,480
Speaker 3: berating stupidity?

640
00:30:52,520 --> 00:30:55,720
Speaker 12: Well, I do reward innovation that I'm going to be

641
00:30:55,800 --> 00:31:00,760
Speaker 12: honest with you. That doesn't happen frequently, but it does

642
00:31:00,840 --> 00:31:04,120
Speaker 12: happen every now and then. More likely I'm brating Josh Thomas,

643
00:31:04,160 --> 00:31:09,440
Speaker 12: but just being Josh. Yeah, I mean it reminded me

644
00:31:09,480 --> 00:31:11,400
Speaker 12: of Good Newsweek. Actually, I used to be on Good

645
00:31:11,440 --> 00:31:14,360
Speaker 12: Newsweek with Josh Thomas all the time, and I always

646
00:31:14,360 --> 00:31:16,320
Speaker 12: give him a thrashing and he would always pay out me,

647
00:31:16,360 --> 00:31:18,120
Speaker 12: and it was it was just like old time.

648
00:31:19,600 --> 00:31:20,520
Speaker 4: Just gone back and forward.

649
00:31:20,600 --> 00:31:21,080
Speaker 2: School week.

650
00:31:21,280 --> 00:31:23,480
Speaker 4: Yeah, but you go thrive on that right.

651
00:31:24,160 --> 00:31:26,960
Speaker 12: Yeah, and that's part of the fun. I mean, you

652
00:31:27,040 --> 00:31:29,360
Speaker 12: have a different car for each season. This is season two.

653
00:31:29,360 --> 00:31:32,080
Speaker 12: We're launching tonight. You've got the five comedians there, they're

654
00:31:32,080 --> 00:31:35,400
Speaker 12: there for the whole season, and we all do know

655
00:31:35,520 --> 00:31:38,280
Speaker 12: each other, so it's yeah, so the banter is pretty

656
00:31:39,000 --> 00:31:41,600
Speaker 12: it goes really close to the edge because we like

657
00:31:41,640 --> 00:31:42,400
Speaker 12: to push each other.

658
00:31:43,040 --> 00:31:45,920
Speaker 3: I was reading on just a little blurb about what's

659
00:31:45,960 --> 00:31:47,560
Speaker 3: coming up. It said one of the things one of

660
00:31:47,560 --> 00:31:53,040
Speaker 3: the tasks coming up is fielding a lesson with lemons.

661
00:31:51,800 --> 00:31:54,160
Speaker 2: What what is that?

662
00:31:55,280 --> 00:31:59,040
Speaker 12: Fielding a lesson with lemons? Yeah, yeah, well I think

663
00:31:59,080 --> 00:32:02,040
Speaker 12: that it's it's a bit hard to describe. In fact,

664
00:32:02,120 --> 00:32:05,000
Speaker 12: I've been that. Tom cashman less, a tom My assistant,

665
00:32:05,080 --> 00:32:07,400
Speaker 12: struggled to describe it, and I had to describe it

666
00:32:07,440 --> 00:32:10,240
Speaker 12: for him. Essentially, it's whoever can throw a lemon the

667
00:32:10,240 --> 00:32:13,400
Speaker 12: furthest and catch it. But for every lemon you drop,

668
00:32:13,520 --> 00:32:16,320
Speaker 12: you lose a meter. And then they also juice the lemons,

669
00:32:16,360 --> 00:32:19,200
Speaker 12: and you subtract how much juices are extracted from the

670
00:32:19,280 --> 00:32:21,400
Speaker 12: drop lemons. This is the kind of stuff they have

671
00:32:21,440 --> 00:32:22,240
Speaker 12: to wrap the heathery.

672
00:32:22,440 --> 00:32:22,680
Speaker 2: Yeah.

673
00:32:22,760 --> 00:32:25,480
Speaker 3: Yeah, And have you ever heard the old story Tom

674
00:32:25,520 --> 00:32:29,080
Speaker 3: about apparently if you eat a lemon in front of

675
00:32:29,080 --> 00:32:31,120
Speaker 3: a sax softeners, they won't be able to play.

676
00:32:31,360 --> 00:32:34,120
Speaker 2: Really, oh yeah, I have not seen that.

677
00:32:34,240 --> 00:32:38,240
Speaker 3: Might be able to incorporate this. I like to see

678
00:32:38,280 --> 00:32:41,680
Speaker 3: it either proven or disproven. Something to do with the puckering.

679
00:32:42,080 --> 00:32:44,000
Speaker 3: I mean it starts a word we should get.

680
00:32:44,520 --> 00:32:47,960
Speaker 12: Maybe we need to get like a five saxophones, one

681
00:32:48,000 --> 00:32:51,680
Speaker 12: French contestant, yes, and then we just rip into like

682
00:32:51,800 --> 00:32:57,800
Speaker 12: an eighties love ballad that require a very good saxophone.

683
00:32:58,920 --> 00:33:01,680
Speaker 12: The song I would just like chout out on lemons

684
00:33:01,680 --> 00:33:06,320
Speaker 12: and say, yes, sounds wonderful. That's right up my alley. Actually,

685
00:33:06,320 --> 00:33:07,040
Speaker 12: I think it sounds.

686
00:33:06,840 --> 00:33:09,760
Speaker 4: Perfect all the time. You can get the second couple

687
00:33:09,800 --> 00:33:11,600
Speaker 4: on and have the Clinton's on and see Bill can

688
00:33:11,640 --> 00:33:14,360
Speaker 4: play and the hilaries go on. The lemon Is it

689
00:33:14,760 --> 00:33:19,240
Speaker 4: because she's sat for a couple of the time the lemons

690
00:33:17,640 --> 00:33:22,920
Speaker 4: jus lemons?

691
00:33:23,200 --> 00:33:23,480
Speaker 12: Exactly?

692
00:33:23,920 --> 00:33:24,200
Speaker 8: We need?

693
00:33:24,280 --> 00:33:24,480
Speaker 5: Yeah.

694
00:33:24,920 --> 00:33:27,280
Speaker 4: But I just want to digress slightly because I saw

695
00:33:27,280 --> 00:33:29,600
Speaker 4: an episode of Hard Quiz, the start of an episode

696
00:33:29,600 --> 00:33:31,960
Speaker 4: of Hard Quiz the other day, and I watched you

697
00:33:32,280 --> 00:33:34,640
Speaker 4: for five minutes to talk to the contestants, and it

698
00:33:34,840 --> 00:33:37,720
Speaker 4: was brilliant, right, but you have to draw the line

699
00:33:37,720 --> 00:33:39,120
Speaker 4: because you're taking the mickey out of these people as

700
00:33:39,160 --> 00:33:41,560
Speaker 4: you're introducing them. But it was very funny every time.

701
00:33:41,720 --> 00:33:43,760
Speaker 4: But in your in your gig and in comedy, you

702
00:33:43,760 --> 00:33:45,800
Speaker 4: have to be careful not to go over the line

703
00:33:45,800 --> 00:33:47,120
Speaker 4: and upset them do that. How do you get that

704
00:33:47,160 --> 00:33:49,080
Speaker 4: balance right? Because it was actually really good too. I'm

705
00:33:49,120 --> 00:33:51,600
Speaker 4: being sick of fancy, But how do you find that line?

706
00:33:53,240 --> 00:33:56,320
Speaker 12: Well, the trick is editing. So what I do is

707
00:33:57,120 --> 00:33:59,440
Speaker 12: I go too far on the day. Then I let

708
00:33:59,480 --> 00:34:02,440
Speaker 12: other people worry about that. So I let the lawyers, ye,

709
00:34:02,560 --> 00:34:04,920
Speaker 12: editors worry about it. But the thing is, if you

710
00:34:04,960 --> 00:34:07,120
Speaker 12: don't go too far on the day, then you've got

711
00:34:07,120 --> 00:34:10,120
Speaker 12: nothing to cut back. So I prefer to provide them

712
00:34:10,160 --> 00:34:12,359
Speaker 12: with a full tree with long branches and they get

713
00:34:12,400 --> 00:34:16,319
Speaker 12: to trim, rather than giving them like a chump to leave.

714
00:34:16,719 --> 00:34:20,040
Speaker 3: Yeah, after the event, do you know what I reckon

715
00:34:20,120 --> 00:34:21,200
Speaker 3: it is that saves you?

716
00:34:21,360 --> 00:34:22,799
Speaker 2: It's the twinkle in your arm?

717
00:34:22,920 --> 00:34:26,839
Speaker 12: Oh yes, yeah, well I mean that, you know what,

718
00:34:26,920 --> 00:34:31,320
Speaker 12: maybe maybe that might be the secret. Essentially, I actually

719
00:34:31,360 --> 00:34:34,840
Speaker 12: have no malice for anybody. Yeah, so that's why it's okay.

720
00:34:35,640 --> 00:34:39,120
Speaker 12: I genuinely couldn't care about anyone or saying anything to anybody,

721
00:34:39,320 --> 00:34:42,680
Speaker 12: and I hand it out pretty evenly, so maybe that's

722
00:34:42,719 --> 00:34:43,799
Speaker 12: the trick. Maybe I'm not there.

723
00:34:44,239 --> 00:34:46,920
Speaker 3: Yeah, there is definitely a twinkle in the eye that

724
00:34:47,080 --> 00:34:48,360
Speaker 3: sort of makes it all okay.

725
00:34:48,440 --> 00:34:51,160
Speaker 4: There's also showing what's on that editing room floor. Oh yes,

726
00:34:51,320 --> 00:34:56,080
Speaker 4: definitely want to see that stuff. For seeing you and

727
00:34:56,120 --> 00:34:57,520
Speaker 4: your twinkle back.

728
00:34:57,280 --> 00:35:04,279
Speaker 3: On the seventh thirty Timeslot tonight for task Masker a

729
00:35:04,400 --> 00:35:06,720
Speaker 3: Taskmaster Australia.

730
00:35:07,320 --> 00:35:10,160
Speaker 12: Thank you, Tom, thank you thanks for having me back.

731
00:35:10,520 --> 00:35:16,560
Speaker 2: Crazy and Lisam