1
00:00:00,400 --> 00:00:03,040
Speaker 1: Jump Mission with joins and Amanda.

2
00:00:03,320 --> 00:00:06,200
Speaker 2: This has been gillies new song. Have I listened to this.

3
00:00:14,640 --> 00:00:17,840
Speaker 1: And you try to take it? I like it?

4
00:00:18,440 --> 00:00:21,800
Speaker 2: Ben Gillies, of course from Silverchair Fame. Silverchair sold more

5
00:00:21,840 --> 00:00:24,360
Speaker 2: than nine million albums, one more aris than any other

6
00:00:24,440 --> 00:00:27,840
Speaker 2: artist in history. So Ben Gillies is now a solo

7
00:00:28,000 --> 00:00:30,280
Speaker 2: artist and that is his new song, Ben Hello.

8
00:00:31,040 --> 00:00:33,800
Speaker 3: Hello, Hey Ben, how I love that song. It's so

9
00:00:33,880 --> 00:00:35,680
Speaker 3: great and it is, if you don't mind me saying

10
00:00:35,720 --> 00:00:36,839
Speaker 3: Silverchair esque.

11
00:00:37,720 --> 00:00:40,440
Speaker 1: So really, yeah, I said I can't hear it. I

12
00:00:40,560 --> 00:00:43,199
Speaker 1: just I just make it and I like it, and

13
00:00:43,479 --> 00:00:43,960
Speaker 1: that's it.

14
00:00:44,440 --> 00:00:47,120
Speaker 3: Do you find it hard to sing and play the drums?

15
00:00:48,880 --> 00:00:51,600
Speaker 1: Well on this track? I guess when you're in the

16
00:00:51,640 --> 00:00:54,080
Speaker 1: sto you're going to play drums and sing at the

17
00:00:54,080 --> 00:00:56,360
Speaker 1: same time. But I guess I'm playing other instrums on

18
00:00:56,400 --> 00:00:59,840
Speaker 1: it as well. But yeah, it is. It is when

19
00:00:59,840 --> 00:01:02,440
Speaker 1: you when you sing him play drums. It's definitely charting.

20
00:01:02,680 --> 00:01:04,760
Speaker 3: Yeah, Because I look at Robert sometimes at midnight all

21
00:01:04,840 --> 00:01:06,600
Speaker 3: and last time they too, and I'm sitting there, jeez,

22
00:01:06,600 --> 00:01:08,160
Speaker 3: how do you keep doing that? I'd be dead.

23
00:01:08,959 --> 00:01:12,000
Speaker 1: Oh he's the master of it, not rob He's Yeah,

24
00:01:12,360 --> 00:01:13,760
Speaker 1: he's pretty good at doing that stuff.

25
00:01:14,000 --> 00:01:17,360
Speaker 2: Well, so Silver Chair has been in the quote indefinite

26
00:01:17,480 --> 00:01:22,319
Speaker 2: hibernation since twenty eleven. Why the new solo stuff? Now,

27
00:01:22,319 --> 00:01:24,240
Speaker 2: have you been thinking about this for a long time?

28
00:01:25,600 --> 00:01:27,560
Speaker 1: Yeah, I mean I put a record out under a

29
00:01:27,640 --> 00:01:33,280
Speaker 1: Monica about seven years ago, and yeah, that was a

30
00:01:33,319 --> 00:01:35,480
Speaker 1: bit of a I guess a creative perds, but I

31
00:01:35,600 --> 00:01:38,640
Speaker 1: just didn't feel ready to put out my own music.

32
00:01:38,680 --> 00:01:40,600
Speaker 1: You know, I lost a bit of confidence, I think

33
00:01:40,640 --> 00:01:44,160
Speaker 1: with my music writing because I did a lot of

34
00:01:44,160 --> 00:01:47,080
Speaker 1: writing in the early days of Silver too, and then

35
00:01:47,200 --> 00:01:50,600
Speaker 1: Dan kind of took over the writing. Jude Is. I

36
00:01:50,680 --> 00:01:52,800
Speaker 1: just want to still being creative within the band, but

37
00:01:52,880 --> 00:01:55,960
Speaker 1: I just wasn't writing, you know, as much as most

38
00:01:56,160 --> 00:01:58,960
Speaker 1: been confidence, So I just had to get a you know,

39
00:01:59,160 --> 00:02:01,280
Speaker 1: it's a bit little while. Oh I took years, but

40
00:02:01,400 --> 00:02:03,680
Speaker 1: she still got it back and I'm really excited to

41
00:02:03,720 --> 00:02:05,320
Speaker 1: be these account.

42
00:02:05,120 --> 00:02:07,000
Speaker 3: But I can really feel that as well, because as

43
00:02:07,120 --> 00:02:10,400
Speaker 3: young men, when you were forming, going through and developing

44
00:02:10,400 --> 00:02:12,840
Speaker 3: a songwriter as yourself, and as you said, with Daniel

45
00:02:12,960 --> 00:02:15,440
Speaker 3: would he would take over the songwriting, so you would

46
00:02:15,440 --> 00:02:16,920
Speaker 3: have felt like, oh, hang on a minute, well what

47
00:02:16,960 --> 00:02:17,919
Speaker 3: about my stuff here?

48
00:02:18,919 --> 00:02:21,520
Speaker 1: Yeah, exactly. I mean, particularly that I had that outlet

49
00:02:21,880 --> 00:02:25,680
Speaker 1: in the early days of the band, and then just

50
00:02:26,280 --> 00:02:29,760
Speaker 1: as a songwriter. You know, it's like a need. It's

51
00:02:29,760 --> 00:02:32,680
Speaker 1: something that you have to satisfy, and I guess I

52
00:02:32,800 --> 00:02:36,120
Speaker 1: just want. I wasn't looking after my knee, so but

53
00:02:36,280 --> 00:02:40,080
Speaker 1: now you know, I'm making sure that they're well looked after.

54
00:02:40,760 --> 00:02:44,560
Speaker 2: We got to know you better through Jackie with Housewives

55
00:02:44,560 --> 00:02:46,959
Speaker 2: of Melbourne. She's always said right from the beginning that

56
00:02:47,000 --> 00:02:49,639
Speaker 2: you know you're a private person. How did you find

57
00:02:50,080 --> 00:02:51,640
Speaker 2: that whole process.

58
00:02:52,840 --> 00:02:53,800
Speaker 1: Thought of housewives?

59
00:02:54,000 --> 00:02:57,320
Speaker 2: Yeah, did you enjoy being being having us see more

60
00:02:57,360 --> 00:02:58,160
Speaker 2: of your life like that?

61
00:03:00,000 --> 00:03:02,440
Speaker 1: That's not really, that's not my things. I just I can't.

62
00:03:02,639 --> 00:03:05,400
Speaker 1: I just did that so just because you know, I

63
00:03:05,480 --> 00:03:08,359
Speaker 1: wanted to support my wife. It wasn't not something I'm

64
00:03:08,400 --> 00:03:09,200
Speaker 1: really into.

65
00:03:09,600 --> 00:03:11,640
Speaker 3: Yeah, you've got to keep the wife happy, happy wife,

66
00:03:11,680 --> 00:03:15,440
Speaker 3: happy life. Mate. We all I understand that, you know,

67
00:03:15,520 --> 00:03:17,560
Speaker 3: my wife's painting our house. At the moment, I don't

68
00:03:17,560 --> 00:03:20,280
Speaker 3: want to. I don't want it to do it. I'd

69
00:03:20,400 --> 00:03:22,560
Speaker 3: rather just be because it looked fine before. But you know,

70
00:03:22,600 --> 00:03:24,560
Speaker 3: what do you say you just go paint the house

71
00:03:24,800 --> 00:03:25,400
Speaker 3: or make it.

72
00:03:26,160 --> 00:03:27,920
Speaker 1: I guess the place for Covi out saying if you

73
00:03:27,960 --> 00:03:30,400
Speaker 1: want to paint it like purple or something, you know,

74
00:03:30,600 --> 00:03:32,000
Speaker 1: you run with that to make it happy.

75
00:03:32,120 --> 00:03:34,079
Speaker 3: You just got to go with it. You really you've

76
00:03:34,120 --> 00:03:36,040
Speaker 3: got to say, oh honey, do you need to do that?

77
00:03:36,240 --> 00:03:36,960
Speaker 3: Do you need to pay?

78
00:03:37,040 --> 00:03:38,640
Speaker 2: But have you got the whole set up at home?

79
00:03:38,720 --> 00:03:38,880
Speaker 1: Ben?

80
00:03:38,960 --> 00:03:41,080
Speaker 2: And so covid has been kind of a nice experience.

81
00:03:41,240 --> 00:03:43,160
Speaker 2: You can just go into your own music studio and

82
00:03:43,200 --> 00:03:43,760
Speaker 2: just do it all.

83
00:03:45,000 --> 00:03:47,640
Speaker 1: Yeah. I kind of think covid, you know, it's it's

84
00:03:47,680 --> 00:03:53,560
Speaker 1: that sucked. But you know, I think for Newso's for

85
00:03:53,680 --> 00:03:56,760
Speaker 1: recording writing music, it hasn't really changed much because you

86
00:03:56,880 --> 00:03:59,520
Speaker 1: just go into your little ural Dan and you just

87
00:03:59,640 --> 00:04:02,040
Speaker 1: kind of here creating. So in that sense it's great.

88
00:04:02,760 --> 00:04:04,440
Speaker 1: It's a bit of a pain in the backside that

89
00:04:04,480 --> 00:04:07,520
Speaker 1: you can't go out and tour and promote your music,

90
00:04:07,600 --> 00:04:10,360
Speaker 1: but you know that doesn't mean that the music goes

91
00:04:10,440 --> 00:04:10,800
Speaker 1: to stop.

92
00:04:11,560 --> 00:04:13,080
Speaker 3: And do you catch up with the other guys from

93
00:04:13,080 --> 00:04:16,080
Speaker 3: Silverchair still? Are you guys? I know there's indefinite hibernation,

94
00:04:16,240 --> 00:04:18,640
Speaker 3: but you guys, because you're good friends, you're good friends.

95
00:04:19,680 --> 00:04:21,920
Speaker 1: Yeah. Well, I mean we've been mates and through in

96
00:04:22,000 --> 00:04:24,479
Speaker 1: primary schools, so yeah, you know, I definitely keep in

97
00:04:24,520 --> 00:04:27,360
Speaker 1: contact with the guys. And when I think I want

98
00:04:27,400 --> 00:04:30,280
Speaker 1: to for dinner with Chris on the weekend, I don't think.

99
00:04:30,320 --> 00:04:30,560
Speaker 1: I know.

100
00:04:32,960 --> 00:04:33,920
Speaker 3: It was a big night.

101
00:04:35,960 --> 00:04:38,840
Speaker 1: I want to do now we wrap around it. But

102
00:04:39,200 --> 00:04:40,279
Speaker 1: we're well, well behaved.

103
00:04:40,360 --> 00:04:43,159
Speaker 3: Well you're getting older now. And also for the Silverchair fans,

104
00:04:43,360 --> 00:04:46,560
Speaker 3: indefinite hibernation, no reunion, whatsoever would you say?

105
00:04:48,080 --> 00:04:50,160
Speaker 1: Look not at the moment. I don't know who knows

106
00:04:50,200 --> 00:04:52,120
Speaker 1: what I'm happened with a band that it may happen,

107
00:04:52,200 --> 00:04:55,360
Speaker 1: it may not. I guess this strange. We just focusing

108
00:04:55,440 --> 00:04:58,200
Speaker 1: on our own stuff, you know. And I'm so happy

109
00:04:58,360 --> 00:05:01,000
Speaker 1: doing my own music and having my own outlets.

110
00:05:01,040 --> 00:05:04,960
Speaker 3: Ser well, it's great and breathing, breathe out. I love it,

111
00:05:05,040 --> 00:05:07,599
Speaker 3: can I it's so sweet. Your voice is so sweet.

112
00:05:07,640 --> 00:05:11,080
Speaker 3: I know it's lovely. It's beautiful.

113
00:05:11,480 --> 00:05:13,960
Speaker 2: Now, go and paint the house purpose, paint the house purpose.

114
00:05:15,960 --> 00:05:18,400
Speaker 1: Good on you, Ben, Thanks for having me go.

115
00:05:18,839 --> 00:05:19,400
Speaker 3: Thank you, Ben.

116
00:05:19,520 --> 00:05:22,480
Speaker 1: Talk to you so with Joins and Amanda