1 00:00:00,040 --> 00:00:04,160 Speaker 1: Andy Lee's in the studios, going to have you an 2 00:00:04,160 --> 00:00:04,920 Speaker 1: in mate. 3 00:00:05,200 --> 00:00:08,760 Speaker 2: So that's a new applause. Yea change things up. 4 00:00:08,760 --> 00:00:09,680 Speaker 3: We've changed things up. 5 00:00:10,080 --> 00:00:13,200 Speaker 4: People think you're not innovating full sound effect over all. 6 00:00:13,320 --> 00:00:15,120 Speaker 2: Was it like, let's go through everyone from starting. That's 7 00:00:15,120 --> 00:00:15,600 Speaker 2: a good question. 8 00:00:15,840 --> 00:00:18,159 Speaker 1: Our EP captain poop Pen's had a real issue with 9 00:00:18,200 --> 00:00:19,040 Speaker 1: the game show music. 10 00:00:19,040 --> 00:00:19,560 Speaker 2: Now, I'm not sure. 11 00:00:19,640 --> 00:00:21,400 Speaker 1: Was this still knocking around while you were. 12 00:00:23,600 --> 00:00:27,760 Speaker 4: Yes, yes, and that's been mixed it. 13 00:00:27,760 --> 00:00:31,040 Speaker 3: Well, he doesn't like it. He thinks it's time to 14 00:00:31,080 --> 00:00:32,760 Speaker 3: move on overused. 15 00:00:33,680 --> 00:00:34,639 Speaker 5: It was every time we. 16 00:00:38,400 --> 00:00:41,000 Speaker 3: Generally speaking, if a break is slowing down a little bit, 17 00:00:41,000 --> 00:00:42,160 Speaker 3: we'll just start playing the game. 18 00:00:44,880 --> 00:00:48,160 Speaker 4: Breakfast shows would always play music underneath, just to care 19 00:00:48,600 --> 00:00:50,920 Speaker 4: in the air. I'm always wary of when I'm watching 20 00:00:50,920 --> 00:00:53,640 Speaker 4: any drama or scripted comedy if a music cut just 21 00:00:53,800 --> 00:00:56,240 Speaker 4: starts from nowhere, I always go, oh. 22 00:00:56,160 --> 00:00:58,680 Speaker 2: You guys didn't think this scene was good enough? Is 23 00:00:58,680 --> 00:00:59,120 Speaker 2: that right? 24 00:00:59,440 --> 00:01:02,000 Speaker 4: It's like you thought this labored a bit. See now 25 00:01:02,000 --> 00:01:03,640 Speaker 4: you're just trying to trick me with some music, and 26 00:01:03,640 --> 00:01:04,679 Speaker 4: it's worked quick. 27 00:01:04,840 --> 00:01:08,120 Speaker 1: You never turn after you content brand. 28 00:01:08,120 --> 00:01:08,880 Speaker 5: You can't turn it off. 29 00:01:08,920 --> 00:01:10,600 Speaker 1: You've got to note Ben Ben watching the bottom and 30 00:01:10,600 --> 00:01:11,280 Speaker 1: the beautiful that. 31 00:01:11,400 --> 00:01:14,880 Speaker 2: Gets so annoyed because I'll be watching something I go, 32 00:01:15,040 --> 00:01:17,920 Speaker 2: you guys, what no, carry on? Carry on? 33 00:01:18,000 --> 00:01:19,759 Speaker 4: And then I can't actually let it go, like did 34 00:01:19,760 --> 00:01:20,800 Speaker 4: you see the continue. 35 00:01:22,560 --> 00:01:23,400 Speaker 3: Wearing a hat? 36 00:01:23,480 --> 00:01:27,280 Speaker 2: You're not wearing a hat? Come on every time? 37 00:01:27,640 --> 00:01:29,560 Speaker 3: You also someone who picks the killer all the time, 38 00:01:29,600 --> 00:01:31,720 Speaker 3: like you're just like you know who the bad person is. 39 00:01:31,800 --> 00:01:33,679 Speaker 3: Very early in any TV show or movie, I. 40 00:01:34,600 --> 00:01:37,560 Speaker 4: Like, I like the pause to discuss what are we thinking? 41 00:01:37,680 --> 00:01:41,120 Speaker 4: You guys been watching White Lotus absolutely OK. Because after 42 00:01:41,120 --> 00:01:45,560 Speaker 4: episode one my early call I said, oh no, I 43 00:01:45,560 --> 00:01:48,880 Speaker 4: think right, And it was after like the first scene 44 00:01:49,080 --> 00:01:49,920 Speaker 4: episode you. 45 00:01:50,560 --> 00:01:51,280 Speaker 3: Who's going to do? 46 00:01:52,600 --> 00:01:53,680 Speaker 2: So there's there's what. 47 00:01:53,640 --> 00:01:57,160 Speaker 1: We can do. First episode it's the first scene there's 48 00:01:57,160 --> 00:01:57,960 Speaker 1: a shooting. 49 00:01:57,760 --> 00:01:59,080 Speaker 2: Lots of gunshots going on. 50 00:01:59,480 --> 00:02:02,200 Speaker 4: Yeah, And I actually said to Beck pretty full on 51 00:02:02,800 --> 00:02:05,240 Speaker 4: scene to start with, because it sounds like someone's having 52 00:02:05,240 --> 00:02:06,760 Speaker 4: a mass shootio fun. 53 00:02:07,560 --> 00:02:10,519 Speaker 2: We you know, it's fun, just like one person. 54 00:02:11,720 --> 00:02:15,480 Speaker 4: And the backstory is to oneah total and then I'm like, 55 00:02:15,639 --> 00:02:16,600 Speaker 4: you know what's happened. 56 00:02:17,320 --> 00:02:19,880 Speaker 2: One of the monkeys in Thailand has found a. 57 00:02:19,840 --> 00:02:24,280 Speaker 4: Gun running around and that is good. 58 00:02:24,680 --> 00:02:26,800 Speaker 1: And they've been talking about the monkeys from the start. 59 00:02:27,240 --> 00:02:30,040 Speaker 1: They make a big thing about the monkeys the episode. 60 00:02:30,080 --> 00:02:33,560 Speaker 4: I think someone someone does try to and a monkey, 61 00:02:34,000 --> 00:02:37,400 Speaker 4: and that's what makes it feel like a bit of he's. 62 00:02:37,200 --> 00:02:39,720 Speaker 1: On the record now as well, he's on the record. 63 00:02:39,760 --> 00:02:41,520 Speaker 3: We'll have you on after the finale, I reckon. 64 00:02:41,720 --> 00:02:44,280 Speaker 4: So the problem is they showed a lot of monkeys 65 00:02:44,280 --> 00:02:45,320 Speaker 4: in episode one. 66 00:02:45,440 --> 00:02:48,280 Speaker 2: They haven't been showing monkeys a lot since I'm going 67 00:02:48,360 --> 00:02:49,400 Speaker 2: cold on my own theory. 68 00:02:49,480 --> 00:02:52,359 Speaker 3: Or maybe they're we've given you. 69 00:02:52,320 --> 00:02:55,000 Speaker 1: All everyone remember the monkeys now, that's all they need 70 00:02:55,040 --> 00:02:57,480 Speaker 1: to do. Geez, looking he's. 71 00:02:57,320 --> 00:02:58,000 Speaker 2: Never turns off. 72 00:02:58,120 --> 00:03:01,720 Speaker 3: He turns off and speaking speaking of like quite seriously 73 00:03:01,840 --> 00:03:03,680 Speaker 3: about never turning off. And I mean, we could be 74 00:03:03,720 --> 00:03:05,320 Speaker 3: talking about so many things right now. 75 00:03:05,360 --> 00:03:07,800 Speaker 4: So you've got one hundred starts to nine at seven thirty, 76 00:03:07,840 --> 00:03:08,959 Speaker 4: Channel nine to nine now. 77 00:03:08,919 --> 00:03:12,399 Speaker 2: New family friendly slot seven thirty. They've pushed us into primetime. 78 00:03:12,480 --> 00:03:14,200 Speaker 3: Does that concern you that you've got. 79 00:03:14,080 --> 00:03:21,079 Speaker 2: To and you're not sure what you're like? What did 80 00:03:21,200 --> 00:03:24,720 Speaker 2: Mike God say to Sophie in that moment? Is my nephews? 81 00:03:24,800 --> 00:03:27,280 Speaker 2: Can they listen to that? But not all good or good? 82 00:03:28,919 --> 00:03:31,320 Speaker 1: The rogue music cue for anyone that's watching. 83 00:03:32,880 --> 00:03:39,640 Speaker 2: In the water, you feel some music. Second, your secrets 84 00:03:39,880 --> 00:03:40,120 Speaker 2: got that. 85 00:03:40,160 --> 00:03:42,560 Speaker 3: You've also opened an Aussie pub in New York called 86 00:03:42,600 --> 00:03:43,160 Speaker 3: Old Mates. 87 00:03:43,320 --> 00:03:43,600 Speaker 2: Yes. 88 00:03:43,960 --> 00:03:46,280 Speaker 4: Yes, If anyone has friends in New York or you're 89 00:03:46,280 --> 00:03:48,160 Speaker 4: planning to go there, we'd love to see you. This 90 00:03:48,320 --> 00:03:51,960 Speaker 4: essentially is because the last Australian pub closed down in 91 00:03:52,000 --> 00:03:53,960 Speaker 4: twenty twenty. When Hayman and I moved there in twenty 92 00:03:54,000 --> 00:03:56,600 Speaker 4: eleven to the gap year, there were six ozsie venues 93 00:03:56,720 --> 00:04:02,160 Speaker 4: or they were not like hard there was, So there's 94 00:04:02,160 --> 00:04:03,560 Speaker 4: no place to watch footy, no place to get a 95 00:04:03,560 --> 00:04:05,640 Speaker 4: nozzy beer, there's no place to hear a nassy accent. 96 00:04:05,760 --> 00:04:06,560 Speaker 2: If you're feeling. 97 00:04:06,800 --> 00:04:10,160 Speaker 1: Craving in New York obviously, well I did, really after 98 00:04:10,200 --> 00:04:11,360 Speaker 1: a while, if you're there for long enough. 99 00:04:11,440 --> 00:04:14,520 Speaker 4: And there's thirty four thousand in Manhattan, and so we 100 00:04:14,680 --> 00:04:16,840 Speaker 4: we thought we'd We thought we build a pub, not 101 00:04:16,839 --> 00:04:19,040 Speaker 4: feel Aussie theme pub. You didn't see like a kangaroo 102 00:04:19,080 --> 00:04:22,320 Speaker 4: next five kilometers sign or a half shark bitten surfboard 103 00:04:22,360 --> 00:04:25,200 Speaker 4: above the bar, crocodile serving you're kind of We thought 104 00:04:25,200 --> 00:04:28,240 Speaker 4: we like the tiles, for instance, a replica of the 105 00:04:28,279 --> 00:04:34,160 Speaker 4: builders arms in fits the downstairs laminate red lemonade bar 106 00:04:34,440 --> 00:04:38,600 Speaker 4: is the rs L in Heidelberg like a replica we've 107 00:04:38,640 --> 00:04:40,479 Speaker 4: just taken from our favorite pubs around Australia. 108 00:04:40,520 --> 00:04:42,200 Speaker 2: Wow, and it's all in there. 109 00:04:42,279 --> 00:04:42,839 Speaker 5: That's awesome. 110 00:04:42,880 --> 00:04:45,159 Speaker 3: And then Hayms and any podcast just on repeat. 111 00:04:44,920 --> 00:04:49,960 Speaker 2: Yutely you get treated by by B one and B two. 112 00:04:52,279 --> 00:04:54,480 Speaker 1: So you've got the hundred, you've got the pub and 113 00:04:54,520 --> 00:04:59,000 Speaker 1: we've got the Dimmy and which are now in all 114 00:04:59,080 --> 00:05:01,919 Speaker 1: coals and do not watch this show now is getting 115 00:05:01,920 --> 00:05:04,159 Speaker 1: picked up by the ABC for a twenty twenty five release, 116 00:05:04,200 --> 00:05:07,080 Speaker 1: which is amazing. And then hilariously, I've got to bring 117 00:05:07,080 --> 00:05:10,560 Speaker 1: this up. So Anals, our junior producer, wrote all these 118 00:05:10,640 --> 00:05:13,000 Speaker 1: on the sheet, right, she put all these down and 119 00:05:13,040 --> 00:05:16,159 Speaker 1: then she just wrote, he is very busy. When do 120 00:05:16,240 --> 00:05:23,200 Speaker 1: you think he will retire? I think jen Z question 121 00:05:23,320 --> 00:05:27,440 Speaker 1: that the correlation is what are you applying like. 122 00:05:27,560 --> 00:05:30,520 Speaker 2: Setting yourself up? You can just have like a break now, 123 00:05:29,839 --> 00:05:34,560 Speaker 2: this is not as crazy as this sounds. 124 00:05:34,640 --> 00:05:36,160 Speaker 3: Oh really, hang on what's going on? 125 00:05:36,240 --> 00:05:38,800 Speaker 4: Because Beck said the same thing to me, because you're 126 00:05:38,800 --> 00:05:39,839 Speaker 4: doing the renot as well. 127 00:05:40,360 --> 00:05:42,440 Speaker 2: Well, yes you want to go over to the break. 128 00:05:44,640 --> 00:05:54,560 Speaker 5: Retiring from is He's chosen our show to do it? 129 00:05:54,560 --> 00:05:56,680 Speaker 5: And I feel on it, We'll do it, hey Will 130 00:05:56,720 --> 00:05:57,040 Speaker 5: and what do you? 131 00:05:57,120 --> 00:06:00,880 Speaker 1: Andy Le's and the studio one hundred turns Tonight even thirty, 132 00:06:01,160 --> 00:06:05,440 Speaker 1: Channel nine and nine now new prime time gear. We're 133 00:06:05,440 --> 00:06:07,520 Speaker 1: going to get into that. We've also got the Dimmies 134 00:06:07,520 --> 00:06:10,960 Speaker 1: and Tinnies. You're dim sims now exclusive to Kyle's. 135 00:06:11,120 --> 00:06:12,600 Speaker 2: When I say I want to do something, I very 136 00:06:12,680 --> 00:06:15,839 Speaker 2: rarely stop it. Sure, yeah, yeah, which is a fault 137 00:06:15,920 --> 00:06:16,480 Speaker 2: to be honest. 138 00:06:17,360 --> 00:06:19,120 Speaker 4: And so when we said let's try and make a 139 00:06:19,160 --> 00:06:21,760 Speaker 4: premium dim sim, this is four and a half years ago. Wow. 140 00:06:21,800 --> 00:06:23,599 Speaker 3: Yeah, when you say we made. 141 00:06:23,440 --> 00:06:25,280 Speaker 2: A couple of mates having a sitting around. 142 00:06:25,640 --> 00:06:27,480 Speaker 3: I reckon I could do a better than this. 143 00:06:27,640 --> 00:06:27,800 Speaker 4: Is that? 144 00:06:27,839 --> 00:06:29,479 Speaker 2: What happens? Well, it's like, does anyone know what's in 145 00:06:29,480 --> 00:06:30,000 Speaker 2: a dim sem? 146 00:06:30,040 --> 00:06:30,240 Speaker 4: Nah? 147 00:06:30,279 --> 00:06:32,400 Speaker 2: You know what? We should make one with premium ingredients. 148 00:06:32,440 --> 00:06:36,680 Speaker 2: That'd be funny like, And we didn't realize how long 149 00:06:36,680 --> 00:06:37,200 Speaker 2: it would take. 150 00:06:37,320 --> 00:06:41,080 Speaker 4: Yeah, the minimum run was twelve thousand dimmies. Whoa what 151 00:06:41,120 --> 00:06:42,840 Speaker 4: are we going to do with twelve thousand dimmies? We 152 00:06:42,880 --> 00:06:44,800 Speaker 4: go to pop up this man and it was just 153 00:06:45,279 --> 00:06:48,920 Speaker 4: such a dumb business idea because we had beers partnering 154 00:06:48,960 --> 00:06:50,719 Speaker 4: with us, and obviously you go there and you have 155 00:06:50,800 --> 00:06:53,359 Speaker 4: like two dimmies and then you drink cans all day. Sure, 156 00:06:53,440 --> 00:06:56,200 Speaker 4: So the beer partner they kept all that money and 157 00:06:56,200 --> 00:06:58,920 Speaker 4: that was tens of thousands of dollars. And we're selling 158 00:06:58,920 --> 00:07:03,159 Speaker 4: a dimmy for like three dollars fifty a day. On 159 00:07:03,240 --> 00:07:06,320 Speaker 4: the good day, we sell like five hundred. So I 160 00:07:06,360 --> 00:07:09,679 Speaker 4: was like, let's shut this down. And then a rapper 161 00:07:09,720 --> 00:07:11,560 Speaker 4: from Coles was at one of the pop ups, and 162 00:07:11,600 --> 00:07:13,200 Speaker 4: then we can put them in stores. It says on 163 00:07:13,240 --> 00:07:16,480 Speaker 4: the back air fright one seventy yeah. And the chef 164 00:07:16,920 --> 00:07:18,920 Speaker 4: text me this morning and said, can you please tell 165 00:07:18,920 --> 00:07:19,920 Speaker 4: people to air fright one. 166 00:07:19,840 --> 00:07:21,640 Speaker 2: To eighty okay? And I was like, can it be that? 167 00:07:21,920 --> 00:07:23,160 Speaker 3: I hate to tell you. It says it's. 168 00:07:24,840 --> 00:07:33,560 Speaker 4: Two hundred okay, WHI should be one eighty. 169 00:07:32,240 --> 00:07:33,440 Speaker 2: Into a recall on the. 170 00:07:33,400 --> 00:07:36,560 Speaker 1: Podcast, Jesus Christ, this has been releasing all coals, isn't it? 171 00:07:36,880 --> 00:07:37,320 Speaker 5: Yeah? Right? 172 00:07:38,240 --> 00:07:40,120 Speaker 1: Any So, obviously a big part of the show the 173 00:07:40,120 --> 00:07:42,960 Speaker 1: podcast now is, you know, losing touch with the common man. 174 00:07:43,040 --> 00:07:44,720 Speaker 1: So we want to know whether you've actually lost touch 175 00:07:44,760 --> 00:07:47,560 Speaker 1: with the common radio man all the radio, and we 176 00:07:47,640 --> 00:07:51,320 Speaker 1: don't test at with the highly patterned game show music. 177 00:07:53,240 --> 00:07:56,559 Speaker 1: So we've got some of the music that we play 178 00:07:56,640 --> 00:07:59,120 Speaker 1: on the radio these days. Now, I don't know how, 179 00:07:59,120 --> 00:08:01,560 Speaker 1: I don't know how much commerce radio listen to you Oh. 180 00:08:01,640 --> 00:08:06,679 Speaker 4: You Guys podcast and they take out the songs beautiful 181 00:08:07,120 --> 00:08:07,600 Speaker 4: close today. 182 00:08:08,240 --> 00:08:10,760 Speaker 1: Hey, so let's see whether you can complete the lyrics 183 00:08:10,760 --> 00:08:11,640 Speaker 1: on some of these songs. 184 00:08:12,360 --> 00:08:16,440 Speaker 5: Yeah, ok, because. 185 00:08:18,160 --> 00:08:28,040 Speaker 2: And I'm so and because I'm too damn clean clean. 186 00:08:28,840 --> 00:08:34,240 Speaker 4: Change lyrics very hard, Bracy Abrams. 187 00:08:33,760 --> 00:08:34,320 Speaker 2: Does she say? 188 00:08:36,600 --> 00:08:39,280 Speaker 4: At some point she said that it's the back half 189 00:08:39,320 --> 00:08:40,280 Speaker 4: of that chorus, isn't it. 190 00:08:40,280 --> 00:08:40,640 Speaker 3: We'll give it. 191 00:08:40,800 --> 00:08:46,720 Speaker 1: That's the lyrics that Yeah, it didn't seem sad, exactly. 192 00:08:49,600 --> 00:08:49,800 Speaker 4: Wrong. 193 00:08:57,600 --> 00:08:59,160 Speaker 2: Go and Yourself? 194 00:09:06,240 --> 00:09:09,599 Speaker 4: Oh, very good. 195 00:09:08,200 --> 00:09:13,000 Speaker 2: The Jaded Drive hosting the Go out of Yourself. I 196 00:09:13,000 --> 00:09:14,080 Speaker 2: do know this song. 197 00:09:14,120 --> 00:09:16,200 Speaker 4: I don't know the lyrics, but think about a lot 198 00:09:16,200 --> 00:09:17,559 Speaker 4: of these pop songs these days. 199 00:09:18,200 --> 00:09:20,520 Speaker 2: They're not nunciating us. 200 00:09:24,000 --> 00:09:25,280 Speaker 5: Pop songs these days. 201 00:09:25,679 --> 00:09:26,440 Speaker 1: You want to go another one? 202 00:09:26,559 --> 00:09:26,760 Speaker 5: Yeah? 203 00:09:26,880 --> 00:09:34,480 Speaker 2: Okay, yeah, I bet you think she's so cool? 204 00:09:41,520 --> 00:09:41,920 Speaker 4: Nice? 205 00:09:43,120 --> 00:09:43,920 Speaker 5: Well, well, I didn't know. 206 00:09:43,960 --> 00:09:45,240 Speaker 3: I don't know that. What was that? 207 00:09:45,640 --> 00:09:48,600 Speaker 2: What is it? It's gracy apron, isn't it gracy again? 208 00:09:49,600 --> 00:09:51,319 Speaker 2: Looking back? Like, Yeah, the. 209 00:09:51,320 --> 00:09:54,640 Speaker 4: Reason the reason I know yeah these songs is because 210 00:09:54,760 --> 00:09:58,000 Speaker 4: Beck plays them all to me and dances looking at 211 00:09:58,000 --> 00:10:01,960 Speaker 4: me like and and her f and still this. 212 00:10:01,840 --> 00:10:04,000 Speaker 2: Is so funny. Actually I shouldn't be saying this, but 213 00:10:04,400 --> 00:10:06,800 Speaker 2: carry on. They go, are you going to bed? 214 00:10:06,840 --> 00:10:09,880 Speaker 4: And the great because they run their own concerts, so 215 00:10:09,920 --> 00:10:12,760 Speaker 4: they did the full Ears tour where. 216 00:10:12,440 --> 00:10:14,960 Speaker 3: They hang on Beck and her friends. Yes, and you're 217 00:10:15,000 --> 00:10:15,679 Speaker 3: in bed. 218 00:10:15,520 --> 00:10:16,319 Speaker 2: I'll go to bed. 219 00:10:16,400 --> 00:10:19,480 Speaker 4: And then they sing till four in the morning, like 220 00:10:20,160 --> 00:10:22,720 Speaker 4: all of Taylor Swift and then Gracie Abrams. They sing 221 00:10:22,720 --> 00:10:24,600 Speaker 4: this one the time. The other thing they do is 222 00:10:24,640 --> 00:10:28,520 Speaker 4: they pretend they're in Victoria's Secret Shows and they put 223 00:10:28,559 --> 00:10:31,360 Speaker 4: on songs and they just strut up and down the 224 00:10:31,400 --> 00:10:34,240 Speaker 4: house as if they're models. And at times they've asked 225 00:10:34,280 --> 00:10:36,960 Speaker 4: me to sit there like I'm Adam Levine's apparently he dates. 226 00:10:39,679 --> 00:10:42,000 Speaker 2: They do the little wink to me as they go fast. 227 00:10:42,480 --> 00:10:44,760 Speaker 4: So I'm sitting there with the midst to be out 228 00:10:46,200 --> 00:10:47,920 Speaker 4: slowly coicking the stores. 229 00:10:49,320 --> 00:10:51,320 Speaker 1: This is the best and the worst thing I've ever 230 00:10:51,360 --> 00:10:52,000 Speaker 1: been about off. 231 00:10:52,200 --> 00:10:54,480 Speaker 2: But yeah, so all these songs are always on a. 232 00:10:56,280 --> 00:10:59,680 Speaker 4: Normally as I'm in bed, just vaguely hearing them, so 233 00:10:59,720 --> 00:11:01,920 Speaker 4: maybe they are enunciating the lyrics. I just hear it 234 00:11:02,000 --> 00:11:03,920 Speaker 4: through five walls as I've tried to get as far 235 00:11:03,960 --> 00:11:05,440 Speaker 4: away from the from it as possible. 236 00:11:08,040 --> 00:11:11,720 Speaker 1: One hundred also returns tonight seven thirty, Channel nine and 237 00:11:11,800 --> 00:11:13,520 Speaker 1: nine Now if you want to go and see Andy 238 00:11:13,600 --> 00:11:18,719 Speaker 1: on the TV's games. So Mike gold seend Hamish as well. 239 00:11:18,800 --> 00:11:20,640 Speaker 2: Yes, pumped to be back. 240 00:11:20,720 --> 00:11:22,640 Speaker 4: And then one hundred dozzes from all around the country 241 00:11:22,679 --> 00:11:24,280 Speaker 4: and they delivered just the greatest stories. 242 00:11:24,280 --> 00:11:26,920 Speaker 2: I'll leave you with this one. What percent of a 243 00:11:26,960 --> 00:11:29,320 Speaker 2: strange do you think have a secret family? 244 00:11:29,880 --> 00:11:33,360 Speaker 3: Oh, gotta be low the towns. 245 00:11:33,800 --> 00:11:36,040 Speaker 2: You think one of three? 246 00:11:36,880 --> 00:11:37,880 Speaker 3: I have a secret family? 247 00:11:38,120 --> 00:11:38,959 Speaker 2: Five percent? 248 00:11:39,280 --> 00:11:41,840 Speaker 3: That's very high. 249 00:11:41,880 --> 00:11:44,560 Speaker 1: And what counts you to a secret family? 250 00:11:45,080 --> 00:11:47,280 Speaker 2: Just a family? The rest of your family members don't 251 00:11:47,320 --> 00:11:48,280 Speaker 2: know no idea about. 252 00:11:48,520 --> 00:11:50,640 Speaker 4: What did Someone on the on the zoom call you 253 00:11:50,640 --> 00:11:52,760 Speaker 4: have a secret family, and I said, well, there should 254 00:11:52,760 --> 00:11:54,240 Speaker 4: be five people up there didn't want to talk about it, 255 00:11:54,240 --> 00:11:56,240 Speaker 4: and someone's just rung the doorbell and going, yeah, okay, 256 00:11:56,240 --> 00:11:56,839 Speaker 4: I'll have a word. 257 00:11:57,120 --> 00:11:59,480 Speaker 2: So it's great. It's my favorite part of the show. 258 00:11:59,520 --> 00:12:01,480 Speaker 2: It's probably the same when you guys get calls Colling 259 00:12:01,559 --> 00:12:04,360 Speaker 2: and surprise you. It's a part of the show. 260 00:12:05,320 --> 00:12:07,200 Speaker 1: Check it out tonight seven thirty John nine to nine. 261 00:12:07,240 --> 00:12:07,880 Speaker 5: Our thanks, Andy,