1 00:00:00,920 --> 00:00:05,960 Speaker 1: This is gem Nation with Jonesy. It's my favorite person 2 00:00:06,000 --> 00:00:07,640 Speaker 1: in this building's groundskeeper. 3 00:00:07,680 --> 00:00:07,920 Speaker 2: Looking. 4 00:00:08,280 --> 00:00:11,440 Speaker 1: There's no such thing as just what is your last day? 5 00:00:11,720 --> 00:00:14,920 Speaker 2: Hello morning again, and it actually is lose what is 6 00:00:14,960 --> 00:00:16,720 Speaker 2: your last day? 7 00:00:16,880 --> 00:00:18,400 Speaker 1: You know, lou I'm probably going to get a bit 8 00:00:18,440 --> 00:00:23,160 Speaker 1: emotional about this. Can I say some words though? Because 9 00:00:23,200 --> 00:00:26,320 Speaker 1: you are the beating heart of this radio station and 10 00:00:26,360 --> 00:00:29,760 Speaker 1: this building. You're the we walk in, we see your 11 00:00:29,800 --> 00:00:31,880 Speaker 1: face and we know everything's going to be all right. 12 00:00:32,280 --> 00:00:34,640 Speaker 1: And I don't know if people know that how supportive 13 00:00:34,680 --> 00:00:37,279 Speaker 1: you are of all of us behind the scenes. When 14 00:00:37,320 --> 00:00:39,640 Speaker 1: I got my Order of Australian Medal, you're not allowed 15 00:00:39,680 --> 00:00:42,440 Speaker 1: to know how you've been nominated or whatever. You were 16 00:00:42,479 --> 00:00:45,199 Speaker 1: a big part of that, and I'm so grateful. When 17 00:00:45,280 --> 00:00:47,479 Speaker 1: Jones and I were contestants on Dancing with the Stars, 18 00:00:47,520 --> 00:00:51,040 Speaker 1: you got this building galvanized to support us. You do 19 00:00:51,080 --> 00:00:53,159 Speaker 1: a lot of work for kidney health. We sort of 20 00:00:53,240 --> 00:00:56,360 Speaker 1: joke about groundskeeper, Louis, but you are such an incredible 21 00:00:56,480 --> 00:00:59,120 Speaker 1: human and it's a privilege to have known you, Louis, 22 00:00:59,120 --> 00:01:01,160 Speaker 1: and I feel sad that this is your last day. 23 00:01:01,680 --> 00:01:04,960 Speaker 2: Well, obviously I'm working with the professionals and behind us 24 00:01:04,959 --> 00:01:07,520 Speaker 2: there's a great dim we had. Yes, he was the 25 00:01:07,520 --> 00:01:10,200 Speaker 2: start of the example we had Coral. Coral was the one, 26 00:01:10,520 --> 00:01:15,160 Speaker 2: the one pulling, the one that at nine o'clock says, 27 00:01:15,360 --> 00:01:16,000 Speaker 2: one vote. 28 00:01:15,760 --> 00:01:17,600 Speaker 1: For God's sake because the talent's not going to get 29 00:01:17,600 --> 00:01:20,400 Speaker 1: them through. Right at you two, that's enough first cause 30 00:01:21,680 --> 00:01:23,800 Speaker 1: well you know, I'm sad that you're leaving. 31 00:01:23,880 --> 00:01:24,080 Speaker 2: Lou. 32 00:01:24,280 --> 00:01:27,120 Speaker 1: You two have an interesting history because whatever I'm here 33 00:01:27,120 --> 00:01:31,640 Speaker 1: because when I first when you first started, or hands hands, 34 00:01:31,640 --> 00:01:33,200 Speaker 1: he used to do this hands, he used to do 35 00:01:33,240 --> 00:01:34,160 Speaker 1: that hands. He was great. 36 00:01:34,440 --> 00:01:36,920 Speaker 2: That was like working with. 37 00:01:39,880 --> 00:01:45,600 Speaker 1: The many bangs. Und about Kyle Kyley. He makes more 38 00:01:45,640 --> 00:01:46,640 Speaker 1: money than you. 39 00:01:47,400 --> 00:01:49,600 Speaker 2: But but I'm going to miss you. You have been fantastic. 40 00:01:49,640 --> 00:01:52,600 Speaker 1: Remember that time when I was on the TV show 41 00:01:52,920 --> 00:01:53,880 Speaker 1: Undercover Boss? 42 00:01:54,000 --> 00:01:54,560 Speaker 2: Remember that? 43 00:01:54,880 --> 00:01:55,760 Speaker 1: Remember that time? 44 00:01:56,600 --> 00:02:00,120 Speaker 2: So nice? I do? Remember a boss CEO Friends and 45 00:02:00,240 --> 00:02:03,280 Speaker 2: Jones goes under cover to find out what's happening in 46 00:02:03,360 --> 00:02:06,920 Speaker 2: the company. Okay, Lou, so what could I be doing? 47 00:02:07,000 --> 00:02:10,360 Speaker 2: But Johonsey, you're not the boss. I'm glad you feel 48 00:02:10,360 --> 00:02:13,639 Speaker 2: that way, Lou, But you're not the boss and you're 49 00:02:13,639 --> 00:02:16,920 Speaker 2: not given under cover. What do you want me to do? Well, 50 00:02:17,080 --> 00:02:18,799 Speaker 2: we have a big bin in the back. You can 51 00:02:18,840 --> 00:02:23,360 Speaker 2: go and clean it. He don't much appreciated, fool. 52 00:02:30,840 --> 00:02:43,359 Speaker 1: Oh no, now I'm trapped in him. Oo oooo I 53 00:02:43,560 --> 00:02:48,239 Speaker 1: was in that bin for hours, Lou. You you've been 54 00:02:48,320 --> 00:02:50,359 Speaker 1: amazing for us. Hey, let me do something. 55 00:02:51,360 --> 00:02:56,240 Speaker 2: What are you doing? Either you're going to strip off? Lou? 56 00:02:56,320 --> 00:02:59,040 Speaker 1: Thought it too the Hello, Lou, We've got a dozen 57 00:02:59,040 --> 00:03:01,960 Speaker 1: beautiful wines for with our with a picture of us 58 00:03:01,960 --> 00:03:03,639 Speaker 1: on the front. So even when you're at home with 59 00:03:03,680 --> 00:03:06,280 Speaker 1: Elizabeth enjoying a drink, you can never forget what you've 60 00:03:06,320 --> 00:03:09,839 Speaker 1: meant to place near the fire place at the five 61 00:03:09,880 --> 00:03:11,400 Speaker 1: o'clock five am? 62 00:03:13,280 --> 00:03:14,200 Speaker 2: Can you do what you like? 63 00:03:14,280 --> 00:03:17,400 Speaker 1: Now? We love you, Lou, We lovely appreciate it. 64 00:03:17,440 --> 00:03:19,840 Speaker 2: If I could play any song for you? 65 00:03:19,880 --> 00:03:20,600 Speaker 1: What song? 66 00:03:20,720 --> 00:03:23,880 Speaker 2: There's one? That one one of the old Tome favorites. Yeah, 67 00:03:24,160 --> 00:03:26,799 Speaker 2: Compromise of forty fifty six seventy eighty is one of 68 00:03:26,840 --> 00:03:29,519 Speaker 2: the songs that will stay forever. We go and can 69 00:03:29,520 --> 00:03:33,160 Speaker 2: I sing it? Yeah? Go baby, don't hurt me, don't 70 00:03:33,240 --> 00:03:34,880 Speaker 2: hurt me no more. 71 00:03:35,240 --> 00:03:37,280 Speaker 1: Also, let me take this piece of paper from management. 72 00:03:37,280 --> 00:03:40,440 Speaker 1: I think this is okay, reveal what song is that? 73 00:03:42,600 --> 00:03:43,680 Speaker 1: I know it's what is love? 74 00:03:43,840 --> 00:03:46,520 Speaker 2: How do I exactly okay, well put it on. Lou 75 00:03:46,640 --> 00:03:49,080 Speaker 2: Thank you, Thank you for you have been a great mate. 76 00:03:49,200 --> 00:03:50,880 Speaker 2: Thank you very much, thank you for looking. 77 00:03:50,680 --> 00:03:52,040 Speaker 1: Out I have for love to you, lou and thank 78 00:03:52,080 --> 00:03:52,520 Speaker 1: you you. 79 00:03:52,920 --> 00:03:53,839 Speaker 2: I've shut the door out. 80 00:03:54,160 --> 00:03:56,200 Speaker 1: You're supposed to be on the other side of us, 81 00:03:56,320 --> 00:03:59,760 Speaker 1: You're on the other side of this sound effect. I'm 82 00:03:59,760 --> 00:04:02,240 Speaker 1: gonna miss lap sounds for you, Louis. 83 00:04:02,280 --> 00:04:04,160 Speaker 2: We love you, my man. What is love? 84 00:04:05,080 --> 00:04:06,360 Speaker 1: Maybe you don't hurt me. 85 00:04:07,480 --> 00:04:09,920 Speaker 2: Don't hurt me no more. 86 00:04:12,840 --> 00:04:17,720 Speaker 1: Wabe you don't hurt me, don't hurt me no more.