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Speaker 1: This is Will and Woody. Good after that, everyone. I

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Speaker 1: hope you're having a great Monday, Will, and what are

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Speaker 1: you getting your home? All thanks to Pizza Hut's unreal deals. Now, Woods,

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Speaker 1: there's two wonderful things that are happening later this show.

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Speaker 2: Okay, Yeah.

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Speaker 1: Firstly, Eric Banner is joining us on the show to

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Speaker 1: talk all about his brand new Netflix show, Dirty John.

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Speaker 2: Yeah, you can find out what we brought up.

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Speaker 1: Oh, well, that was gonna be my second thing, which

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Speaker 1: was actually quite amazing. I don't think we've ever been

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Speaker 1: dished such a big complement in an interview.

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Speaker 3: Yeah, that is the deepest research anyone has done on

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Speaker 3: an interview for many many years.

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Speaker 1: Take that, Tracy Grimshaw, I don't know if she's ever

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Speaker 1: been made that comment. Sandra Sully, on the other hand,

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Speaker 1: Oh Sully was good. You know that Sally would have

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Speaker 1: dived the depths of his file. You know she would have.

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Speaker 1: So Banner's going to join us. He's loaded with compliments.

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Speaker 1: Have we done our research?

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Speaker 2: You know, we have the oath we have for the

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Speaker 2: first time ever and it's a great interview. We should

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Speaker 2: do more research.

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Speaker 1: I think we should in general. Also, guys, we know

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Speaker 1: the success of our trading for the yacht was huge.

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Speaker 1: But gee whiz, gee whiz, we want to give it

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Speaker 1: another crack. And that's obviously because we had to give

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Speaker 1: away the yacht last time because of someone who you're

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Speaker 1: a little bit too keen when they spoke to the

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Speaker 1: first person we.

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Speaker 2: Tracked that anti wrinkled cream in two weeks time is

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Speaker 2: going to turn into a yacht, and that yacht will

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Speaker 2: be yours. I'm in a lot of legal trouble because

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Speaker 2: of their comment. I'm in and out of the courts

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Speaker 2: outside of the show. And yeah, well, the good is

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Speaker 2: to be accountable for what you say.

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Speaker 1: Well, we've got you do you do, particularly when your

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Speaker 1: job is working as a radio announside.

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Speaker 2: I'm finding that out.

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Speaker 1: We have got a brand new thing we're going to

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Speaker 1: be trying to swap for a little bit later on

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Speaker 1: in the show. You guys can get involved. We'd love

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Speaker 1: for you to get involved, and that's going to be

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Speaker 1: happening on Will and Woodie It. Let's find o the

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Speaker 1: big things we probably won't be covering later on. Now.

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Speaker 1: You and I spoke about this last time, But the Academy,

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Speaker 1: the guys who run the oscars, they have come under

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Speaker 1: fire recently for suggesting that awards that are in sub

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Speaker 1: categories will be presented during ad breaks of the ceremonies.

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Speaker 2: I'm trying to cut down time, that's.

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Speaker 1: Right, and you and I spoke about this last time. Firstly,

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Speaker 1: the first component is that the awards that aren't deemed

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Speaker 1: to be like the big awards are going to be

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Speaker 1: dished out during ads, so not live on TV. So

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Speaker 1: like you know your best, your best prosthetics, I met

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Speaker 1: the guy who prosthetics and you didn't even know that

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Speaker 1: he actually had an Academy award, So.

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Speaker 2: It's correct, didn't ever know he did prosthetics.

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Speaker 1: Will we figured out what his name was though last time.

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Speaker 2: Sir Richard Taylor, Wow, I can't leave you.

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Speaker 1: Remember, never forget his name.

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Speaker 2: No, dad, here's a picture of my face on a

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Speaker 2: dart board and he shed somewhere.

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Speaker 1: So anyway, the reason that he is is because super

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Speaker 1: influential actors Spike Lee, Brad Pitt, Martin Scorsese have all

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Speaker 1: written in and said it was being really insult to

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Speaker 1: those art forms and they won't be happy with it.

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Speaker 2: Yeah, I agree to the candidate.

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Speaker 1: Well, they've brought it back. They had candidates.

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Speaker 2: Oh, sorry, they've canned the idea to can it though.

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Speaker 1: Yeah, that's right, confusing but correct.

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Speaker 2: Yeah yeah yeah, moving on Wilbur to fidty cent. Yeah,

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Speaker 2: my boy fifth, a veteran NYPD officer, is under investigation

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Speaker 2: for allegedly telling his colleagues to shoot fifty cent on site. Wow, yep,

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Speaker 2: this happened last June at a boxing event.

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Speaker 1: Has he been shot? He had?

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Speaker 2: Yeah, fiddy got your number of times? Actually, that was

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Speaker 2: that song Many Men? What's that one?

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Speaker 1: Many Men has a song Got Many Men, which is

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Speaker 1: about him getting shot. Many Men wish death upon me.

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Speaker 2: Apparently Eminem and Dre found him with shotgun shells all

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Speaker 2: through it. Eminem and Dre found him in it. And

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Speaker 2: now this might be wrong, but the story I've heard,

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Speaker 2: and that's what they show in the film clip of

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Speaker 2: in the Club, is they found him. All shut up?

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Speaker 1: You sure it's not in the film clip of Many

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Speaker 1: Men where he talks about getting shot.

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Speaker 2: Could be in a number of music videos. I've been

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Speaker 2: sorry back on this story though. So the officer has

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Speaker 2: said that he was joking. He was like, oh, but

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Speaker 2: I was joking though, when I told people to shoot

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Speaker 2: fifty cents on site and My question to you is,

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Speaker 2: as a lawyer, yeah, is it ever a good defense

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Speaker 2: to say yeah, but I was just joking. What do

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Speaker 2: you think I think? No, but I'm not a lawyer.

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Speaker 1: I don't think. I don't think it isn't a good defense,

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Speaker 1: A good defense, I should say a good answer.

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Speaker 2: Moving on, I mean, what do you think do.

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Speaker 1: You think it's going to stand up for Igan? Say

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Speaker 1: I was only joking.

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Speaker 2: I've never been in a court room. I don't know

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Speaker 2: if you can get up as a defense and go

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Speaker 2: a you're on a prosecution. He's kidding.

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Speaker 1: No, you can't do well. It depends on how serious

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Speaker 1: it is, Sorr. We're getting told to me. One final

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Speaker 1: story here Karl Stefanovic. Here's him after the logis one year. Look,

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Speaker 1: I can't speak well. I can't speak from personal experience

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Speaker 1: because I went to bit early. But Lisa everything right

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Speaker 1: with the marriage.

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Speaker 3: You know.

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Speaker 1: He as apparently expected to remain host of Channel nine's

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Speaker 1: this time next year. So he's getting paid, expected to

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Speaker 1: be paid two million dollars for five days worth of filming. Wow,

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Speaker 1: so still the host there, good news for Carl and

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Speaker 1: Sope doesn't rock up slightly inebriated this time around, it's

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Speaker 1: gonna be trying to swap our way to a limo

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Speaker 1: a little bit later on in the show. But Woods,

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Speaker 1: not until the weekend did I realize how appealing babies

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Speaker 1: were to women. Was I knew that, like, you know,

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Speaker 1: they get clucky, et cetera. But I mean in terms

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Speaker 1: of like how powerful they are as making a guy appealing.

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Speaker 1: If you're good with babies as a man, it's like

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Speaker 1: you just I mean, I was gonna say stealing candy

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Speaker 1: from a baby. I mean, it seems a bit apt here,

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Speaker 1: but yeah. I met a friend of mine's baby over

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Speaker 1: the weekend and he took a few photos of me

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Speaker 1: with the child, Max, the little boy, super cute kid.

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Speaker 1: I then forwarded the photos to my girlfriend and the

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Speaker 1: reaction was immense.

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Speaker 2: Oh, I'm ready between the lines, very good. Well I'm not, actually,

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Speaker 2: I'm just hearing the lyrics of the song. No, I've

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Speaker 2: I've got a single friend. He's a good friend of

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Speaker 2: mine and his instagram is pretty much exclusively photos now

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Speaker 2: with his nephew with him.

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Speaker 1: Such good pr yep, right, great, So I'm glad you're

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Speaker 1: on the same page as me, because here's what I'm thinking, mate,

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Speaker 1: you're a single pringle. You're out in the ocean right now,

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Speaker 1: and it's a jungle out there. It's tough for you.

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Speaker 1: I am struggling and you're struggling. I've got more struggles

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Speaker 1: to talk about in this show, so stick around for them.

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Speaker 1: You're struggling hardcore And like I've just I'm not on

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Speaker 1: the gram as they call it these days, but I

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Speaker 1: have flicked on your gram. Yeah, and I can see why.

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Speaker 1: I think I think we need a bit of a rebrand, Bro,

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Speaker 1: I've been your name is Woody Woodlaw. I mean I

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Speaker 1: don't even.

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Speaker 2: Know that's my handle. I didn't want to give away

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Speaker 2: my real, real last name.

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Speaker 1: Smart Well, I think let's start with but despite the

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Speaker 1: fact that it says Woody white Law and text underneath,

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Speaker 1: and then you tag at Will and Woody, So trying

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Speaker 1: to get some promo for the showing, Yeah, well, people

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Speaker 1: can figure out who you are. But I'm just looking

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Speaker 1: at your photos, Bro, I mean like they're nice, like

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Speaker 1: it's endearing. I mean four of five, which is nice

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Speaker 1: for me as friends.

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Speaker 2: Weirdly, it's just photos of Will through his living room window.

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Speaker 2: I like taking shots of it.

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Speaker 1: It's really nice that I'm in the photos. But man,

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Speaker 1: I think we needed I think we need to step

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Speaker 1: up who we are going to start putting photos out

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Speaker 1: where we're gonna get a little bit of attention. And

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Speaker 1: I have been talking about you and you know, like

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Speaker 1: hopefully getting a few women looking at the photos going wow, Woody,

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Speaker 1: I think you need to check a baby in there.

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Speaker 2: So just a photo of a baby, well, here, a

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Speaker 2: random baby.

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Speaker 1: Here's where I come unstuck, because I am I've been

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Speaker 1: in a relationship for a long time and I'm off Instagram,

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Speaker 1: so I'm just, in general, probably the wrong person to

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Speaker 1: talk to. But I thought that I was a good

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Speaker 1: starting point. I started as soon as I as soon

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Speaker 1: as I realized how much attention my girlfriend has given

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Speaker 1: me for the baby photo, I was like, this is it.

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Speaker 1: We've got to get Woody with a baby. This is

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Speaker 1: the start of the rebrand. So I know that the

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Speaker 1: photo has to include you with a baby, right, But

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Speaker 1: I think, I think, I really I kind of want

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Speaker 1: other people to help with here, because I'm this is

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Speaker 1: where I'm coming on stuck. I'd love to hear from

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Speaker 1: other people. What else could be in the rebrand launch

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Speaker 1: photo for Woods? What else could be in the ultimate

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Speaker 1: pair shot for you. We've got a.

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Speaker 2: Back, so it's like we're trying to find me the

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Speaker 2: perfect dating photo.

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Speaker 1: Yeah, I think I think you need a bit of

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Speaker 1: a launch piece.

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Speaker 2: So I can have like I could be like balancing

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Speaker 2: a baby like on one and then maybe holding like

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Speaker 2: a dumbbell you know.

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Speaker 1: People, Yeah, you're working out with a baby.

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Speaker 2: Wow, he works out with a with a child. Yeah yeah,

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Speaker 2: what an impressive man. Yeah, I'll slip into his dams.

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Speaker 1: Yeah yeah, yeah, yeah, I don't know about that.

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Speaker 2: One might be dangerous, I.

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Speaker 1: Think, And I just don't know if we get anyone

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Speaker 1: to volunteer their child for you to.

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Speaker 2: Hold up one hand in Yeah, yeah, that's fair, but

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Speaker 2: for good reason, a good reason.

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Speaker 1: There's lots of the room here and thirty one and

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Speaker 1: six fives another. I'd love to just hear from people

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Speaker 1: what is what is alluring about a guy in a photo?

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Speaker 1: And I don't want to hear like, you know, like

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Speaker 1: just get his shirt off, like when you look at

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Speaker 1: a photo, like a baby's a perfect example. Could he

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Speaker 1: be painting? Could you be cooking? Could you be cooking

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Speaker 1: with the baby?

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Speaker 2: Working on a car? What about just like slaving away

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Speaker 2: on a car, and there's like mechanical oil.

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Speaker 1: Where's the baby?

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Speaker 2: And the baby's in the driver's seat and I'm just

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Speaker 2: going like, give it homes, mate, So the baby's in

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Speaker 2: there rebbing the engine.

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Speaker 1: I got on your what each. I don't think you

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Speaker 1: understand what babies can count do, So we're going to

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Speaker 1: work a little bit on that. But we're trying to

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Speaker 1: relaunch your pr mate. I had a shot with a

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Speaker 1: baby on the weekend. I realized very quickly, just given

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Speaker 1: how nuts every woman I showed it to was going

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Speaker 1: for it, that we need to get you in a

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Speaker 1: photo with a baby. It's a great starting point. I

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Speaker 1: can't add much more than that. Thankfully Elias is called up. Yeah, Lias,

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Speaker 1: talk to us, Elias, so you're there, or Elias, I

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Speaker 1: should say, Mate, talk to us. What do you think

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Speaker 1: we needed, buddy.

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Speaker 2: That's a sure way to get one.

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Speaker 3: You've got to get a baby girl about five six

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Speaker 3: years old.

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Speaker 4: With the best uncle shirt pointing towards you best uncle.

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Speaker 1: Alion, mate, Thanks very much for that. I think a

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Speaker 1: branded T shirt of some sort is brilliant. You probably

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Speaker 1: want be the child's uncle, so we don't want to.

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Speaker 1: I don't like deceptive a nice photo, like your world's

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Speaker 1: best cook.

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Speaker 2: Like I'm with stupid, but I'm not stupid than the baby.

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Speaker 2: That's that's just that could be quite it's unrealistic with

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Speaker 2: the baby had an, I'm with stupid.

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Speaker 1: Deprecatinga's gone on thirty one six five Tanika, ok.

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Speaker 5: Yeah, we like our men to do so why not

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Speaker 5: take a picture of yourself doing the vacuuming or hang

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Speaker 5: out some wash?

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Speaker 2: How about this, Tanika? Baby in one arm, vacuum cleaner

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Speaker 2: in the other arm. You fainted, You fainted, You loved

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Speaker 2: it so much that you fainted, Tanka, I like domestic

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Speaker 2: chaws lovely with a cute apron on as well. Will yeah,

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Speaker 2: I like apron Yeah, nice cleaning headband or you know, yeah,

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Speaker 2: a little.

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Speaker 1: Bit careful, just brainstorming, just brain no bad idea to brainstorm.

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Speaker 1: Chris's just called on thirty one and six five, Christa, Hey,

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Speaker 1: how you's going? Yeah we're good mate, let's talk to us.

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Speaker 1: The ultimate per shot from woods. I think we've got

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Speaker 1: a baby in there. What's the next.

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Speaker 3: Okay, best thing I think to pull some chicks will

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Speaker 3: be a baby koala?

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Speaker 6: Oh?

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Speaker 1: Two animals? Sorry?

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Speaker 2: Nice?

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Speaker 1: I mean like an animal and a human.

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Speaker 2: Yeah, are we concerned about a koala being near a baby?

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Speaker 2: Like they can they can be a bit scratchy, Christal.

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Speaker 3: A bit scratchy. Yeah maybe maybe not together in a cage.

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Speaker 1: Yeah, animal, what are the babies in a cage? What about? Oh, Christal?

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Speaker 1: What about a dog? What about a dog in a baby?

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Speaker 3: True?

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Speaker 5: Yes, you could do that like a little puppy maybe.

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Speaker 1: Yeah, yeah, it could be nice. What do you reckon?

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Speaker 2: Cute little puppy dog? And if I'll keep them away

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Speaker 2: from each other, you know what.

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Speaker 1: We need one of those fairy penguins. You know those

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Speaker 1: fairy penguins they've got, didn't Philip Island and Victoria?

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Speaker 2: Yeah? Yeah, yeah, good, Yeah, that's not bad. Very penguin

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Speaker 2: and a baby penguin on my head holding the.

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Speaker 1: Baby anything like that. I'm feeling. I think she's right,

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Speaker 1: like puppy's good. What's the cutest animal in the world?

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Speaker 2: Mea cat?

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Speaker 1: Mea Cat's cute?

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Speaker 2: Will you get a mere cat?

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Speaker 7: You?

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Speaker 1: Mea cat?

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Speaker 7: Me catty?

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Speaker 2: So get this, a mere cat would go on my

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Speaker 2: head because the sentinel goes to the highest point in

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Speaker 2: the enclosure. Perfect, so it'll get on my head if

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Speaker 2: i'd assist stand there for long enough, I'd love that.

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Speaker 2: And then I stand there with a baby, I'd love that.

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Speaker 2: Not bad.

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Speaker 1: We got a baby mea can't T shirt Brandon T shirt.

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Speaker 1: Jack's called thirty one and six five.

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Speaker 5: Jake, Okay, you started off with a bit of dog.

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Speaker 5: But when need to get Will's puppy involved and you

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Speaker 5: need to all be asleep on the couch, you know

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Speaker 5: that shot with.

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Speaker 1: Yeah, Jack, I think you know it's like wood, he's

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Speaker 1: had to stay at home, you know, yeah, look.

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Speaker 2: What a guy, What a guy.

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Speaker 1: He's he sacrificing. And then you know, and then like

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Speaker 1: the tea, it can read like you know, standing Saturday

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Speaker 1: night in you know, yeah, I like the money there.

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Speaker 1: I know there's a little bit more here though wards

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Speaker 1: in I'm like some dry ice in there. It's just

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Speaker 1: it's it's everyone's in danger, so you look, you're looking

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Speaker 1: after them.

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Speaker 2: I'm the baby in danger.

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Speaker 1: Though you're helping them.

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Speaker 2: I also look disgusting when I sleep. Have you ever

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Speaker 2: said you've seen me asleep? It's appalling. I don't know

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Speaker 2: if people have seen my nose, but for whatever reason,

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Speaker 2: when I sleep, the nose is big. And then sleep

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Speaker 2: in one side. What about a tractor. You want a

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Speaker 2: tractor with the baby? Okay, yeah, I'm feeling that. So

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Speaker 2: I'm holding the baby. Yeah, I'm in a tractor and

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Speaker 2: the puppy as well. We'll get the puppy in there

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Speaker 2: as well. Maybe baby tractor mere cat on the roof

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Speaker 2: of the tractor with some dry ice. Okay, I don't

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Speaker 2: really get the dry ice one, but I'm willing to

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Speaker 2: track a bit of dry eyes in there.

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Speaker 1: Oh well, let's leave it in this space. If you've

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Speaker 1: got any more suggestions, hit us up. Because I think

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Speaker 1: this photo it's building. I think we've got a few

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Speaker 1: building blocks. I want to work on it more tomorrow though, sure,

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Speaker 1: because I think we're gonna get the perfect shot here. Yeah,

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Speaker 1: he set you, bro, He's going to be trying to

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Speaker 1: trade our way all the way to something new. After

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Speaker 1: five o'clock Woods, you guys can find out what that's

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Speaker 1: obviously got a yacht last time. That's very exciting. But mate,

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Speaker 1: I want to tell you about this story that I

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Speaker 1: saw today, which I know is just going to tickle

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Speaker 1: your fancy because I know that you're a huge fan

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Speaker 1: of Russell Crowe.

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Speaker 2: Oh yeah, big time.

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Speaker 1: I also know that you're a huge fan of the

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Speaker 1: movie Gladiator.

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Speaker 2: It's perfect, it's perfect film.

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Speaker 1: Amazing that he said it's a perfect film. So apparently, No,

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Speaker 1: I've read this online. This is very much apparently. But

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Speaker 1: do you know the musician Nick Cave.

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Speaker 2: I do very dark and brooding.

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Speaker 1: Yes, yes, internationally respected. He's a big like as a performer,

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Speaker 1: as a writer, as a musician. There's honestly so much

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Speaker 1: to love about him.

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Speaker 2: Had that song with Kylie Minogue, which I'm sure we

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Speaker 2: would have spun.

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Speaker 1: I'm sure we would have. Russell Crow goes to Nick

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Speaker 1: Cave apparently and said to him, mate, can you do

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Speaker 1: me a favor? I was wondering if you could write

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Speaker 1: a Gladiator sequel, Russell asked Nick. Russell asked Nick Cave,

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Speaker 1: can you please write me in gladiadaequal?

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Speaker 2: He's bringing back Glidias.

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Speaker 1: Well, Maximus, my.

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Speaker 2: Name is Maximus, Decimus.

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Speaker 1: Urdius, glideous. Maximus is another word for your bum. But

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Speaker 1: he goes, he's bringing back the bomb. He has.

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Speaker 2: Russell growing Gladiator has there's a scene anyway, so.

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Speaker 1: He goes Nick Gave and he says, mate, can you

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Speaker 1: bring back Maximus? Can we do it? Or can you

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Speaker 1: do a Gladiada sequel, and only Nick gave said to him, mate, Russell,

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Speaker 1: I'd absolutely love to just a quick question you die.

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Speaker 2: Sorry spoiler, Russ I'm not sure you've seen the film

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Speaker 2: you did die?

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Speaker 1: Watched the five?

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Speaker 2: Do you not think you're dead there whenever I'm and

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Speaker 2: carries you?

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Speaker 1: Yeah? Yeah, apparently Russell Groage just said, mate, you're the writer.

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Speaker 2: St It's great's a hard challenge, but it did.

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Speaker 1: I am so glad that Gladiator two never got made

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Speaker 1: because because I'm so annoyed these days, often when they

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Speaker 1: are announcing a new sequel, it kills me. It absolutely

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Speaker 1: kills me.

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Speaker 2: Mate. Top guns right there, right now, another one, aren't they?

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Speaker 1: Yeah?

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Speaker 2: They released a shot of Tom Cruise on set, and

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Speaker 2: Cruise is belt.

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Speaker 1: Kilmer in it.

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Speaker 2: I don't know if Kilmas in it.

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Speaker 1: I think Kilmer would more likely be the beach ball

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Speaker 1: than the guy playing beach volleyball. Hang on, he's struggling

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Speaker 1: into the cockpit these days. Let's talk. Let's talk other

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Speaker 1: movies on thirty one and six five that they've made

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Speaker 1: too many of Zoolander. Oh, that was just one too far.

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Speaker 2: Zoolander one was a brilliant movie that was a great

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Speaker 2: comedy too.

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Speaker 1: Yeah, well I'm happy to hear TV shows here as well.

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Speaker 1: Modern Family I thought just went far too far.

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Speaker 2: Is that still going Modern Family?

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Speaker 1: I really hope not.

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Speaker 2: Have they brought in like new families like that shit?

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Speaker 2: Because the kids got really old as well, and it

387
00:18:22,680 --> 00:18:25,200
Speaker 2: was awkward, like you're like twenty three now, like.

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Speaker 1: Weird, and then they had to kind of like come

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Speaker 1: up with new plots for them and all that sort

390
00:18:29,400 --> 00:18:32,800
Speaker 1: of gear. Well. Also, I'm also talking about yeah TV

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Speaker 1: shows as well, So Two and a Half Men, Charlie

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Speaker 1: Sheen when he went, I don't know, they kept pushing there,

393
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Speaker 1: didn't they? They pushed hard.

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Speaker 2: I think that's done now as well. Like there was

395
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Speaker 2: such a weird story thing that like did Charlie just

396
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Speaker 2: like die? And then they brought in his brother who

397
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Speaker 2: was Ashton Kutcher. They tried to explain it in some way,

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Speaker 2: right is what didn't make sense.

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Speaker 1: The other point is, like the other ones that kill

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Speaker 1: me is when you know that you've got a really

401
00:18:54,160 --> 00:18:56,280
Speaker 1: good narrative there, but they just divided it up to

402
00:18:56,280 --> 00:18:57,760
Speaker 1: try and make more money out of it. Like yeah,

403
00:18:58,000 --> 00:19:01,800
Speaker 1: hundred games, second last Hunger Game movie, what was that?

404
00:19:01,840 --> 00:19:01,919
Speaker 3: Like?

405
00:19:02,000 --> 00:19:05,320
Speaker 1: Burning Phoenix or like you know, they ran out of

406
00:19:05,359 --> 00:19:08,600
Speaker 1: titles as well. Yeah, yeah, yeah, that was just the

407
00:19:08,800 --> 00:19:10,960
Speaker 1: entire movie was just a set up. And because I

408
00:19:11,040 --> 00:19:13,560
Speaker 1: knew there was another one coming, I knew that they

409
00:19:13,560 --> 00:19:15,120
Speaker 1: weren't going to give me anything that I wanted out

410
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Speaker 1: of it.

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Speaker 2: It was a two hour tea.

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00:19:16,640 --> 00:19:17,800
Speaker 1: It was a two hour tees.

413
00:19:18,080 --> 00:19:23,120
Speaker 2: Evan almighty, Oh, Bruce, almighty, great film. Really just leave

414
00:19:23,160 --> 00:19:23,560
Speaker 2: it there.

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00:19:23,720 --> 00:19:26,440
Speaker 1: Oh that's gotta be all the work. We're asking you guys,

416
00:19:27,040 --> 00:19:28,399
Speaker 1: what did they make? Too many of?

417
00:19:28,920 --> 00:19:30,640
Speaker 2: Got another one for you, And I'm a huge fan

418
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Speaker 2: of this movie. Predator. The first Predator is absolutely elite,

419
00:19:35,760 --> 00:19:38,119
Speaker 2: and they've done like three or four of them. The

420
00:19:38,119 --> 00:19:42,760
Speaker 2: most reason one was Predator v aliennother movie's totally do

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00:19:42,840 --> 00:19:46,520
Speaker 2: that makes sense? Stupid? You got angry when I saw that.

422
00:19:46,640 --> 00:19:49,240
Speaker 1: Well there they are both aliens, so you know you

423
00:19:49,280 --> 00:19:49,760
Speaker 1: can see it.

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00:19:50,200 --> 00:19:52,720
Speaker 2: Don't just pick villains out of two movies and go

425
00:19:53,119 --> 00:19:53,960
Speaker 2: what if we took them on?

426
00:19:54,880 --> 00:19:55,359
Speaker 1: Give me another?

427
00:19:56,440 --> 00:19:58,320
Speaker 2: Well another example when they've done that, Yeah, pretty sure,

428
00:19:58,320 --> 00:20:03,240
Speaker 2: Godzilla fought something. God deal, Yeah, Godzilla fights King, go on,

429
00:20:03,400 --> 00:20:08,360
Speaker 2: and they actually have stop just grabbing popular characters, make

430
00:20:08,400 --> 00:20:12,119
Speaker 2: them fight. Yeah, stupid, like write a new movie.

431
00:20:12,400 --> 00:20:16,520
Speaker 1: It's so lazy, isn't it. It's just like I'm Crowell

432
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Speaker 1: and Deville the joker.

433
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Speaker 2: I mean, actually that's not bad. We got Macca here

434
00:20:21,359 --> 00:20:24,959
Speaker 2: on thirteen one O six five. Macca, what do they

435
00:20:24,960 --> 00:20:25,800
Speaker 2: make one too many of?

436
00:20:26,440 --> 00:20:30,880
Speaker 3: I reckon Breaking Bad Man really well, I really because

437
00:20:30,880 --> 00:20:33,400
Speaker 3: it took three so for it to actually get interesting,

438
00:20:33,480 --> 00:20:35,399
Speaker 3: you know, and the fact that now they want to

439
00:20:35,400 --> 00:20:37,080
Speaker 3: make a movie out of her? How are they going

440
00:20:37,119 --> 00:20:37,760
Speaker 3: to see? Everything?

441
00:20:37,760 --> 00:20:38,080
Speaker 7: You want?

442
00:20:38,280 --> 00:20:38,480
Speaker 1: Oh?

443
00:20:38,840 --> 00:20:40,800
Speaker 2: I didn't hear that, Macca. They wanted to make a

444
00:20:40,840 --> 00:20:41,720
Speaker 2: movie like.

445
00:20:41,840 --> 00:20:43,760
Speaker 3: Yeah, apparently done what They're going to make a movie

446
00:20:43,800 --> 00:20:47,720
Speaker 3: out of Breaking Bad And it took three seasons for

447
00:20:47,840 --> 00:20:49,160
Speaker 3: it to actually get interesting.

448
00:20:49,359 --> 00:20:51,000
Speaker 1: A lot of money on the table there, there's a

449
00:20:51,000 --> 00:20:51,920
Speaker 1: lot of money on the table.

450
00:20:52,200 --> 00:20:54,840
Speaker 2: Brian. Brian agreed to doing the movie.

451
00:20:55,080 --> 00:20:56,000
Speaker 5: Yeah, both of them.

452
00:20:55,880 --> 00:21:00,280
Speaker 1: Have Oh, like what you want to hear? As a

453
00:21:00,280 --> 00:21:02,160
Speaker 1: big fan, and I loved this show. I really loved

454
00:21:02,160 --> 00:21:04,639
Speaker 1: this show. But I think they just started tacking on

455
00:21:04,680 --> 00:21:07,720
Speaker 1: too many scrubs. Was a big fan of Love Zach

456
00:21:07,800 --> 00:21:11,560
Speaker 1: Brafft love it and the show is brilliant, Just too

457
00:21:11,560 --> 00:21:14,440
Speaker 1: many and it sucks that it leaves such a sour

458
00:21:14,560 --> 00:21:15,199
Speaker 1: taste in him mouth.

459
00:21:15,200 --> 00:21:17,680
Speaker 2: I've got to get out on top, definitely. Brady Bunch

460
00:21:17,720 --> 00:21:19,919
Speaker 2: was another one. Actually, huge fan of the early seasons

461
00:21:19,920 --> 00:21:20,560
Speaker 2: of The Brady Bunch.

462
00:21:20,800 --> 00:21:21,800
Speaker 1: What in the seventies?

463
00:21:22,320 --> 00:21:28,800
Speaker 2: Yeah, yeah, Lizzie, Liz, Hi, how are you going.

464
00:21:28,640 --> 00:21:30,320
Speaker 1: To talk to us? Mate? What do they make too

465
00:21:30,320 --> 00:21:30,639
Speaker 1: many of?

466
00:21:31,400 --> 00:21:33,760
Speaker 4: I think the Fast and the Furious movies.

467
00:21:35,119 --> 00:21:37,760
Speaker 2: I've got to disagree with you here, Liz. I think

468
00:21:37,800 --> 00:21:38,760
Speaker 2: they're getting better and better.

469
00:21:38,840 --> 00:21:41,760
Speaker 1: I think I generally agree. I think that is just

470
00:21:41,800 --> 00:21:45,240
Speaker 1: a that is a cult genre where that just that's

471
00:21:45,320 --> 00:21:47,520
Speaker 1: kind of accepting of the fact that it's getting ridiculous,

472
00:21:47,560 --> 00:21:48,840
Speaker 1: which I don't mind it is.

473
00:21:48,920 --> 00:21:50,160
Speaker 5: I think it's too far now.

474
00:21:50,359 --> 00:21:51,480
Speaker 1: Yeah, fair enough.

475
00:21:51,480 --> 00:21:53,800
Speaker 2: Taking away Tokyo Drift, we all know that was an

476
00:21:53,800 --> 00:21:57,280
Speaker 2: absolute stinker. I love all of them. You know they're

477
00:21:57,280 --> 00:21:59,000
Speaker 2: going to bring out, Liz, a movie where it's just

478
00:21:59,119 --> 00:22:02,840
Speaker 2: Dwayne the Rock Johns's character taking on Jason Stadum's character.

479
00:22:03,520 --> 00:22:05,480
Speaker 4: Oh, I wouldn't mind that.

480
00:22:06,800 --> 00:22:10,040
Speaker 2: They're just the movie where those two fighting that they're

481
00:22:10,080 --> 00:22:12,960
Speaker 2: from the same franchise, though, I'm find no fair enough

482
00:22:13,000 --> 00:22:15,639
Speaker 2: if they brought in Rocky Balboa to take on Duane

483
00:22:15,680 --> 00:22:16,200
Speaker 2: the Rock Johns.

484
00:22:16,440 --> 00:22:18,760
Speaker 1: Yes, that's when they're crossing boundaries. I'd be get all right,

485
00:22:18,800 --> 00:22:22,320
Speaker 1: Blinda's called sixty five, Blinda, talk to us. What do

486
00:22:22,400 --> 00:22:23,280
Speaker 1: they make too many of.

487
00:22:24,720 --> 00:22:25,560
Speaker 4: Star Wars?

488
00:22:27,920 --> 00:22:32,320
Speaker 1: Are you talking about the original films here? The second

489
00:22:32,359 --> 00:22:33,160
Speaker 1: set of films?

490
00:22:33,240 --> 00:22:33,320
Speaker 3: No?

491
00:22:33,720 --> 00:22:34,960
Speaker 1: Sorry, all of them.

492
00:22:35,280 --> 00:22:37,720
Speaker 4: The first one was okay, but then the first one.

493
00:22:38,520 --> 00:22:38,760
Speaker 2: Sorry.

494
00:22:39,240 --> 00:22:42,439
Speaker 1: It's universally agreed. It is universally agreed that The Empire

495
00:22:42,440 --> 00:22:44,240
Speaker 1: Strikes Back is the best film. And that's that's not

496
00:22:44,320 --> 00:22:44,880
Speaker 1: the first one.

497
00:22:45,720 --> 00:22:48,680
Speaker 3: Nah, it's just ridiculous that pot one goes forward and

498
00:22:48,800 --> 00:22:49,280
Speaker 3: back and.

499
00:22:49,320 --> 00:22:51,680
Speaker 1: Do you like? Sorry, Blinda, do you like Star Wars?

500
00:22:51,720 --> 00:22:56,240
Speaker 1: I think I need a preference. Do you like Star Wars? Okay,

501
00:22:56,320 --> 00:22:58,399
Speaker 1: so you're just saying you dislike Star Wars is a

502
00:22:58,440 --> 00:22:59,920
Speaker 1: crap franchise is one of a call.

503
00:23:01,400 --> 00:23:01,720
Speaker 7: Like it?

504
00:23:02,200 --> 00:23:05,280
Speaker 1: You didn't like it? Just start me? Oh my god,

505
00:23:06,119 --> 00:23:09,000
Speaker 1: it's not just cool. You don't lie.

506
00:23:09,800 --> 00:23:13,640
Speaker 2: How we got Courtney here? Courtney? What do you think

507
00:23:13,680 --> 00:23:15,359
Speaker 2: they made one too many of?

508
00:23:16,280 --> 00:23:18,720
Speaker 5: I think they made one too many home alone movies?

509
00:23:18,880 --> 00:23:21,240
Speaker 3: Like how many times can they leave their child at home?

510
00:23:21,280 --> 00:23:23,119
Speaker 3: Befo Sox season on their Cage.

511
00:23:24,320 --> 00:23:25,920
Speaker 1: The concept was a bit flawed.

512
00:23:26,119 --> 00:23:28,080
Speaker 2: I feel like the first time you leave your child

513
00:23:28,119 --> 00:23:31,200
Speaker 2: at home alone, and you know, traumatize him. You're probably

514
00:23:31,240 --> 00:23:32,000
Speaker 2: never going to do it again.

515
00:23:32,480 --> 00:23:35,880
Speaker 3: I think you still go keep him closer, Yeah.

516
00:23:35,960 --> 00:23:36,480
Speaker 2: Keep him close.

517
00:23:36,560 --> 00:23:39,480
Speaker 1: They get and more importantly, I'm pretty sure it's the

518
00:23:39,480 --> 00:23:43,000
Speaker 1: Wet Bandits in the second one. So surely they lose

519
00:23:43,240 --> 00:23:45,359
Speaker 1: a little bit of interest and get a bit disheartened

520
00:23:45,359 --> 00:23:47,360
Speaker 1: when they get played the same pranks on them by

521
00:23:47,359 --> 00:23:47,960
Speaker 1: the same kid.

522
00:23:48,240 --> 00:23:50,560
Speaker 2: Yeah, a lot of holes there.

523
00:23:50,840 --> 00:23:53,480
Speaker 1: Yeah, cool Courtney, No, really good Courtney, Thanks so much

524
00:23:53,480 --> 00:23:57,040
Speaker 1: for that. I really appreciate cheap About the dozen? Did

525
00:23:57,040 --> 00:23:58,480
Speaker 1: they make more than one of them? Oh?

526
00:23:58,560 --> 00:23:59,040
Speaker 2: Yeah they did.

527
00:23:59,119 --> 00:23:59,760
Speaker 1: How many of them?

528
00:24:00,720 --> 00:24:01,520
Speaker 2: There was a few others?

529
00:24:01,640 --> 00:24:04,040
Speaker 1: Does it change? Tell me it doesn't change in terms

530
00:24:04,040 --> 00:24:06,760
Speaker 1: of what it's cheaper by, Like, it's not cheaper by thirteen,

531
00:24:06,840 --> 00:24:07,440
Speaker 1: is it? I?

532
00:24:07,800 --> 00:24:10,480
Speaker 2: Actually, actually that's what it does. Because no, I think

533
00:24:10,480 --> 00:24:12,639
Speaker 2: they just took their kids to a family vacation.

534
00:24:12,840 --> 00:24:14,880
Speaker 1: Because I think the ultimate one of them that I've

535
00:24:14,960 --> 00:24:19,320
Speaker 1: ever heard was Alvin and the Chipmunks three chip wrecked.

536
00:24:20,000 --> 00:24:22,800
Speaker 2: Now that's good stuff. No, that's good stuff. They salvage

537
00:24:22,800 --> 00:24:26,119
Speaker 2: the franchise with that pun, I reckon that's worth the money.

538
00:24:26,400 --> 00:24:30,280
Speaker 2: I really need help with something I had a few

539
00:24:30,320 --> 00:24:35,600
Speaker 2: issues on the dance floor on the weekend. Will but

540
00:24:35,680 --> 00:24:37,080
Speaker 2: let me just start off by saying it wasn't my

541
00:24:37,119 --> 00:24:46,760
Speaker 2: bloody dancing is five ten thirty, but I've still got it.

542
00:24:46,800 --> 00:24:50,920
Speaker 1: Will stop growing out in the studio, stop it, stop it.

543
00:24:50,960 --> 00:24:54,200
Speaker 2: Oh okay, says you're right, we'll get onto the issue.

544
00:24:54,240 --> 00:24:55,560
Speaker 2: So so I'm on the dance floor. I'm on a

545
00:24:55,560 --> 00:24:58,600
Speaker 2: few dance floors on the weekend, and you know, naturally

546
00:24:58,680 --> 00:25:01,199
Speaker 2: on a dance floor, I'm single now, you know, you

547
00:25:01,240 --> 00:25:02,240
Speaker 2: see you see a girl.

548
00:25:03,160 --> 00:25:03,400
Speaker 1: You know.

549
00:25:05,280 --> 00:25:09,080
Speaker 2: I'm a dance floor, and you think to yourself, okay, okay.

550
00:25:11,080 --> 00:25:12,280
Speaker 2: I think there's a few eyes going on.

551
00:25:12,359 --> 00:25:15,159
Speaker 1: Okay, all right, stop saying okay, and then they know

552
00:25:15,200 --> 00:25:18,080
Speaker 1: it's they know it's okay. Or are you just saying okay?

553
00:25:18,240 --> 00:25:19,359
Speaker 1: Is in like you want to give it a go.

554
00:25:19,920 --> 00:25:21,920
Speaker 2: I don't really know okay, I just say okay, okay.

555
00:25:21,960 --> 00:25:25,520
Speaker 2: So I slowly go okay over to them, like I'll

556
00:25:25,520 --> 00:25:30,040
Speaker 2: sort of dance just groove over in there, you know,

557
00:25:30,160 --> 00:25:32,480
Speaker 2: to the girl, you know, thinking like you know, let's

558
00:25:32,520 --> 00:25:34,360
Speaker 2: you know, hey, let's let's see what's going on here.

559
00:25:35,040 --> 00:25:38,800
Speaker 2: Every single time I danced to a girl, she would

560
00:25:38,880 --> 00:25:45,000
Speaker 2: dance away okeep dance every time. Every single time I

561
00:25:45,040 --> 00:25:46,840
Speaker 2: would try to dance to be like, you know, hey,

562
00:25:46,880 --> 00:25:49,040
Speaker 2: what's going on? You know, let's let's dance together, they

563
00:25:49,080 --> 00:25:50,080
Speaker 2: would just dance off.

564
00:25:51,040 --> 00:25:54,040
Speaker 1: And I witnessed this, witness you think it must be tough.

565
00:25:54,040 --> 00:25:55,480
Speaker 1: I think it must be tough for you because you

566
00:25:55,560 --> 00:25:59,320
Speaker 1: and I have had conversations before where you've said to

567
00:25:59,359 --> 00:26:02,159
Speaker 1: me that you are a higher chance of picking up

568
00:26:02,200 --> 00:26:04,640
Speaker 1: on a dance floor than off a dance floor.

569
00:26:05,400 --> 00:26:06,960
Speaker 2: You're a higher chance, or you've.

570
00:26:06,760 --> 00:26:09,560
Speaker 1: Said this to me before that you enjoy You have

571
00:26:09,760 --> 00:26:13,040
Speaker 1: in the past been quite successful on this. Obviously this women,

572
00:26:13,080 --> 00:26:16,439
Speaker 1: we're sort of eighteen, you know, smoke machine going off

573
00:26:16,440 --> 00:26:18,600
Speaker 1: in someone's living room, that you're sure able to pull

574
00:26:19,000 --> 00:26:21,880
Speaker 1: a quick passion dash on the de floor. But maybe

575
00:26:21,920 --> 00:26:23,640
Speaker 1: that that talent of yours is gone.

576
00:26:23,920 --> 00:26:25,320
Speaker 2: It could be. And what I want to ask people

577
00:26:25,400 --> 00:26:27,480
Speaker 2: right now in thirteen one oh sixty five, that's our number.

578
00:26:27,480 --> 00:26:30,880
Speaker 2: I'm talking to girls out there. Do you ever want

579
00:26:30,920 --> 00:26:35,760
Speaker 2: a guy to come and dance to you? And it

580
00:26:35,760 --> 00:26:38,800
Speaker 2: has to be a stranger it we'll hook up with you.

581
00:26:38,880 --> 00:26:41,200
Speaker 2: Just dance over to you, Just dance over to you,

582
00:26:41,240 --> 00:26:44,159
Speaker 2: as sort of like a hey, are.

583
00:26:44,000 --> 00:26:46,439
Speaker 1: You talking like you're doing the like the last sumer?

584
00:26:46,640 --> 00:26:49,280
Speaker 2: No, no, no, no, it doesn't have to be like a cringe dance.

585
00:26:49,400 --> 00:26:52,680
Speaker 1: The fishing I saw you do the fishing rod once

586
00:26:52,720 --> 00:26:53,280
Speaker 1: on the weekend.

587
00:26:53,400 --> 00:26:55,439
Speaker 2: Well, I was out of options and I had to

588
00:26:55,480 --> 00:26:58,360
Speaker 2: try everything on a dance floor. Do you ever want

589
00:26:58,400 --> 00:27:02,120
Speaker 2: someone to dance approach to you? Because for me, I

590
00:27:02,160 --> 00:27:04,520
Speaker 2: was none from twenty five on the weekend, and I'm

591
00:27:04,600 --> 00:27:05,879
Speaker 2: questioning whether I should ever do it.

592
00:27:06,240 --> 00:27:08,960
Speaker 1: Once it became a little bit n stark over the weekend, I.

593
00:27:09,240 --> 00:27:11,479
Speaker 2: Found myself cutting up a few dance floors on the weekend.

594
00:27:11,480 --> 00:27:16,000
Speaker 2: Will But yeah, me and I know I'm a great dancer,

595
00:27:16,080 --> 00:27:17,399
Speaker 2: but I've just been single.

596
00:27:17,440 --> 00:27:17,600
Speaker 3: Now.

597
00:27:17,600 --> 00:27:19,920
Speaker 2: I started just approaching a few girls on the dance floor, like,

598
00:27:20,040 --> 00:27:23,080
Speaker 2: dance over to them. Every single time, they just got

599
00:27:23,119 --> 00:27:24,520
Speaker 2: away from me as fast as possible.

600
00:27:24,560 --> 00:27:26,120
Speaker 1: And you're saying there ain't nothing wrong with a little

601
00:27:26,160 --> 00:27:27,520
Speaker 1: bit of bumping grind, Well.

602
00:27:27,440 --> 00:27:29,600
Speaker 2: I don't know. I don't want to bump and grind.

603
00:27:30,000 --> 00:27:32,000
Speaker 2: I just want to dance next to them and be like, hey,

604
00:27:32,640 --> 00:27:33,720
Speaker 2: let's get you know what's up.

605
00:27:33,760 --> 00:27:36,080
Speaker 1: Well, I think talking to them in the first instance

606
00:27:36,160 --> 00:27:39,120
Speaker 1: is probably a bad idea because you're on the dance floor. Yeah, yeah, okay,

607
00:27:39,119 --> 00:27:40,800
Speaker 1: and even as somebody that doesn't frequend a lot of

608
00:27:40,840 --> 00:27:41,919
Speaker 1: dance flaws, I hate that.

609
00:27:42,359 --> 00:27:45,920
Speaker 2: Sure, okayancing, I'm asking girls on thirteen one oh sixty

610
00:27:45,920 --> 00:27:47,879
Speaker 2: five if it's ever good for a guy to come

611
00:27:47,960 --> 00:27:49,800
Speaker 2: up to you on a dance dance floor over the

612
00:27:49,800 --> 00:27:53,040
Speaker 2: approach shot we got Holly here, Holy, what are your thoughts?

613
00:27:53,520 --> 00:27:57,639
Speaker 5: I reckon? Well, obviously it depends on what you dancers

614
00:27:57,680 --> 00:28:00,880
Speaker 5: are like bucking a bit of ice contact for Yeah?

615
00:28:01,359 --> 00:28:03,399
Speaker 2: Right, So so how do I do that? Though? So

616
00:28:03,440 --> 00:28:04,520
Speaker 2: if I'm just like, what.

617
00:28:04,560 --> 00:28:07,000
Speaker 5: Are you making eye contact with her beforehand? Or do

618
00:28:07,000 --> 00:28:08,520
Speaker 5: you just like creepily go up?

619
00:28:08,800 --> 00:28:10,560
Speaker 2: Well, I mean I wouldn't say it was creepy, but

620
00:28:11,040 --> 00:28:14,000
Speaker 2: I feel like our eyes flicked past each other, you

621
00:28:14,040 --> 00:28:14,560
Speaker 2: know once?

622
00:28:14,880 --> 00:28:16,320
Speaker 5: Did she say the same? Do you reckon?

623
00:28:16,520 --> 00:28:16,760
Speaker 3: I did?

624
00:28:16,760 --> 00:28:19,480
Speaker 2: Well, I don't know, I don't obviously.

625
00:28:19,840 --> 00:28:22,199
Speaker 1: Unfortunately, the other question is, Holly, is it, like you know,

626
00:28:22,320 --> 00:28:25,080
Speaker 1: is it actually perchance eye contact or is it just

627
00:28:25,119 --> 00:28:28,000
Speaker 1: the fact that what he's just vigorously staring at that

628
00:28:29,080 --> 00:28:31,840
Speaker 1: just hoping that they're catching his eyes? No, you go

629
00:28:32,040 --> 00:28:32,600
Speaker 1: do the definite.

630
00:28:32,680 --> 00:28:36,480
Speaker 2: I slating first, So that means that. So if I

631
00:28:36,520 --> 00:28:38,480
Speaker 2: look at you, Holly, then you would like hold the

632
00:28:38,520 --> 00:28:41,680
Speaker 2: gaze with me. And then that's a little bit You're

633
00:28:41,720 --> 00:28:42,520
Speaker 2: not staring at.

634
00:28:42,440 --> 00:28:42,920
Speaker 1: Each other.

635
00:28:44,720 --> 00:28:46,880
Speaker 5: Creepy at the same contact.

636
00:28:46,960 --> 00:28:50,400
Speaker 2: I don't know how to do this, so confusing, So

637
00:28:50,440 --> 00:28:51,440
Speaker 2: you stare but you don't.

638
00:28:51,560 --> 00:28:53,719
Speaker 1: And the reason that eye contact happens is because you

639
00:28:53,760 --> 00:28:55,959
Speaker 1: are attracted to the person, so you keep looking at them.

640
00:28:56,000 --> 00:28:58,160
Speaker 1: And then what happens is because you're looking at each

641
00:28:58,160 --> 00:29:01,520
Speaker 1: other so much your eyes catch okay, catch them looking

642
00:29:02,040 --> 00:29:07,240
Speaker 1: just seems very confusing a mathematical player, track them and

643
00:29:07,280 --> 00:29:09,320
Speaker 1: the hope that they'll look in your direction at some

644
00:29:09,560 --> 00:29:12,360
Speaker 1: sn't just be clicking your fingers in the corner.

645
00:29:14,400 --> 00:29:17,800
Speaker 2: We got Stella. Here is Stella. You've seen this, You've

646
00:29:17,800 --> 00:29:19,840
Speaker 2: seen this. I have.

647
00:29:20,000 --> 00:29:22,479
Speaker 5: I've actually got a different side of this. So I

648
00:29:22,520 --> 00:29:24,840
Speaker 5: actually work as a brief waitress, so I work as

649
00:29:24,880 --> 00:29:27,720
Speaker 5: one of the bartenders inside the nightclub, so like a

650
00:29:27,720 --> 00:29:28,600
Speaker 5: private bartender.

651
00:29:28,800 --> 00:29:30,200
Speaker 1: Yeah yeah, yeah, So I've.

652
00:29:30,000 --> 00:29:32,120
Speaker 5: Got some killer advice for both of you guys. Do

653
00:29:32,360 --> 00:29:35,480
Speaker 5: never go up to a girl dancing dance on your own.

654
00:29:35,680 --> 00:29:37,800
Speaker 5: Kill it and the girls will come to you, guarantee.

655
00:29:38,840 --> 00:29:40,920
Speaker 2: Is there a particular move Stell that you've seen in

656
00:29:40,960 --> 00:29:43,760
Speaker 2: your experience. That really lights on.

657
00:29:45,080 --> 00:29:47,800
Speaker 5: I really can confidence a good smile. And if you

658
00:29:47,880 --> 00:29:51,320
Speaker 5: just get down low, you will have girls all over you, guaranteed.

659
00:29:51,400 --> 00:29:53,600
Speaker 2: Okay, And now to stay do I stay down load?

660
00:29:53,920 --> 00:29:54,880
Speaker 2: I just keep it low.

661
00:29:56,240 --> 00:29:57,560
Speaker 5: Look, mix it up, they keep it.

662
00:29:59,480 --> 00:30:00,840
Speaker 1: You want to be qudding and I think you look

663
00:30:00,880 --> 00:30:02,440
Speaker 1: like you're squatting on the dance floor.

664
00:30:04,680 --> 00:30:06,680
Speaker 2: I got Sarah, And now, Sarah, what are your thoughts

665
00:30:06,680 --> 00:30:09,520
Speaker 2: on guys dancing up to girls on a dance floor.

666
00:30:10,720 --> 00:30:13,880
Speaker 4: So this happened to me on Sunday after the room,

667
00:30:14,520 --> 00:30:15,640
Speaker 4: and believe.

668
00:30:15,320 --> 00:30:20,040
Speaker 2: It or not, it was oh wow, that's a bit savage.

669
00:30:22,560 --> 00:30:26,280
Speaker 2: It's a Sunday, Yeah Sunday. Yeah, okay, Well thanks for

670
00:30:26,280 --> 00:30:33,400
Speaker 2: the cole Sarah. No, no, no, Sarah, tell us what

671
00:30:33,400 --> 00:30:33,840
Speaker 2: we did.

672
00:30:34,160 --> 00:30:36,239
Speaker 1: Tell me. This is what I want to clear up,

673
00:30:36,280 --> 00:30:39,480
Speaker 1: because he reckons that he's just casually dancing over to people.

674
00:30:39,840 --> 00:30:42,320
Speaker 1: You need to tell me. Was he doing the fishing

675
00:30:42,440 --> 00:30:43,520
Speaker 1: rod or the lasso?

676
00:30:44,600 --> 00:30:47,240
Speaker 4: I'm pretty sure he was, but I can't confirm.

677
00:30:47,560 --> 00:30:50,000
Speaker 3: He just kind of like popped out from nowhere.

678
00:30:51,520 --> 00:30:53,680
Speaker 2: It's probably because I was getting down low, like Stella

679
00:30:53,760 --> 00:30:57,479
Speaker 2: was saying, basically, well, it's the last time you and

680
00:30:57,560 --> 00:31:00,840
Speaker 2: I decided to trade on the airwaves to get ourselves

681
00:31:00,920 --> 00:31:02,040
Speaker 2: all the way to a yacht.

682
00:31:02,040 --> 00:31:05,440
Speaker 1: We had immense success until we hit a snag at

683
00:31:05,440 --> 00:31:06,720
Speaker 1: the end. If you didn't hear it, I have a

684
00:31:06,760 --> 00:31:08,320
Speaker 1: listen to this ow Jenny, do you?

685
00:31:08,440 --> 00:31:11,160
Speaker 5: Yacht started with Morgan and a crappy Christmas gift I

686
00:31:11,280 --> 00:31:16,800
Speaker 5: got discounted. I'mty wrinkled cream and I'm twenty one.

687
00:31:17,720 --> 00:31:21,240
Speaker 2: And if we swapped to a Stormtrooper outfit, a sea kayak,

688
00:31:21,400 --> 00:31:24,560
Speaker 2: which was arguably our worst trades, full table, nerf gun,

689
00:31:24,800 --> 00:31:28,600
Speaker 2: Gary the Goat, cat by a VW golf and.

690
00:31:28,600 --> 00:31:36,640
Speaker 1: Finally forty foot yacht. It was all perfect until technically.

691
00:31:36,360 --> 00:31:39,240
Speaker 2: I did say this said anti wrinkled cream. In two

692
00:31:39,280 --> 00:31:41,120
Speaker 2: weeks time, it's going to turn into a yacht, and

693
00:31:41,120 --> 00:31:43,240
Speaker 2: that yacht will be yours. Is that legally behind him?

694
00:31:43,400 --> 00:31:44,240
Speaker 3: That yot will be yours?

695
00:31:44,280 --> 00:31:46,200
Speaker 2: Hey yo will be yours? Hey yo will be yours.

696
00:31:47,320 --> 00:31:50,680
Speaker 1: That haunts me, It's haunted us, mate. We've had two

697
00:31:50,720 --> 00:31:55,760
Speaker 1: weeks since we traded anything, and the whole time we've

698
00:31:55,800 --> 00:31:58,360
Speaker 1: been walking around like there's been a raincoat over our heads.

699
00:31:58,560 --> 00:32:00,960
Speaker 2: Yeah. Well, we owned a yacht for about ten minutes

700
00:32:01,000 --> 00:32:02,600
Speaker 2: and then we had that yacht taken away from us.

701
00:32:02,720 --> 00:32:04,520
Speaker 1: Yeah, well we gave it up. Actually, we didn't have

702
00:32:04,560 --> 00:32:06,800
Speaker 1: it taken away week give We gave it to Morgan

703
00:32:06,840 --> 00:32:08,400
Speaker 1: because you promised it to Morgan.

704
00:32:08,680 --> 00:32:09,440
Speaker 2: And it's fair enough.

705
00:32:09,680 --> 00:32:11,680
Speaker 1: It was fair enough, and we were trying.

706
00:32:11,720 --> 00:32:13,360
Speaker 2: The judge was very clear when he said that.

707
00:32:15,760 --> 00:32:18,520
Speaker 1: That's true. So look what do you do when you

708
00:32:18,600 --> 00:32:19,040
Speaker 1: fall down?

709
00:32:20,280 --> 00:32:22,280
Speaker 2: You get back on the goddamn horse. Milbah.

710
00:32:22,320 --> 00:32:24,520
Speaker 1: Absolutely you do. Not the yacht because we haven't got

711
00:32:24,520 --> 00:32:26,680
Speaker 1: one anymore, but we do get back on the horse.

712
00:32:26,720 --> 00:32:28,400
Speaker 1: We've got a brand new item that we want to

713
00:32:28,440 --> 00:32:31,440
Speaker 1: trade for guys, and we're super pumped about this. We

714
00:32:31,520 --> 00:32:33,440
Speaker 1: want to be able to have it, to hold it.

715
00:32:33,320 --> 00:32:34,920
Speaker 2: To use it for all of us.

716
00:32:37,320 --> 00:32:40,680
Speaker 7: It's this, we bought a shit thing in, we get

717
00:32:40,720 --> 00:32:43,680
Speaker 7: a good thing out, We put the next thing in,

718
00:32:43,800 --> 00:32:47,280
Speaker 7: and we train it all about. We do the swappy swappy,

719
00:32:47,320 --> 00:32:48,720
Speaker 7: and we turn around.

720
00:32:49,360 --> 00:32:51,440
Speaker 1: Hopefully we get a limo.

721
00:32:52,440 --> 00:32:55,040
Speaker 2: We want a limo. Yeah, we want to limo bad.

722
00:32:55,240 --> 00:32:55,600
Speaker 1: Yeah.

723
00:32:55,640 --> 00:32:58,440
Speaker 2: So we need an item to start with obviously. Okay,

724
00:32:58,440 --> 00:33:03,480
Speaker 2: the number is thirteen one oh six five For anyone

725
00:33:03,480 --> 00:33:05,800
Speaker 2: out there. Have you just got something that you don't

726
00:33:05,800 --> 00:33:08,320
Speaker 2: want anymore. You want to get rid of this thing,

727
00:33:08,360 --> 00:33:10,760
Speaker 2: but you think it might be useful for us to

728
00:33:10,920 --> 00:33:13,680
Speaker 2: use to trade towards a limo. That's right, Please call.

729
00:33:13,920 --> 00:33:18,080
Speaker 2: Maybe it's like something that you're X owned, yeah, or something,

730
00:33:18,080 --> 00:33:19,560
Speaker 2: and you sitting in the house and you know you're

731
00:33:19,560 --> 00:33:22,120
Speaker 2: sick of seen it. Or maybe you're moving house and

732
00:33:22,160 --> 00:33:25,560
Speaker 2: you think, ah, the big rock sculpture of the elephant,

733
00:33:25,720 --> 00:33:26,880
Speaker 2: it's not coming to the.

734
00:33:26,800 --> 00:33:28,080
Speaker 1: New I don't know if we'd take that.

735
00:33:28,720 --> 00:33:30,440
Speaker 2: I would love a rock sculpture.

736
00:33:30,440 --> 00:33:32,880
Speaker 1: A lot of a lot of logistics involved there, mate,

737
00:33:32,880 --> 00:33:34,400
Speaker 1: I don't know if we want a rock sculpture that

738
00:33:34,480 --> 00:33:36,120
Speaker 1: can be worth a lot of money, but we're not

739
00:33:36,160 --> 00:33:41,000
Speaker 1: after money. Okay, let's just not Let's again, let's stop

740
00:33:41,040 --> 00:33:45,000
Speaker 1: even very obscure examples right now, because they will come

741
00:33:45,080 --> 00:33:49,160
Speaker 1: up along the way naturally. I think we need something crap, yes,

742
00:33:49,800 --> 00:33:53,520
Speaker 1: but not too crap. Yeah, it'll be rubbish. It's got

743
00:33:53,560 --> 00:33:54,240
Speaker 1: to be usable.

744
00:33:54,440 --> 00:33:56,280
Speaker 2: Saying that you think will be of value to us.

745
00:33:56,400 --> 00:34:00,680
Speaker 2: The old another man's trash is another man's treasure, one

746
00:34:00,680 --> 00:34:03,160
Speaker 2: man's trash. Whatever the saying is.

747
00:34:05,840 --> 00:34:08,640
Speaker 1: Six months of phone number. Give us a call if

748
00:34:08,640 --> 00:34:10,960
Speaker 1: you've got something that you'd like to give us to

749
00:34:11,160 --> 00:34:13,480
Speaker 1: kick all this off. We want to trade our way

750
00:34:13,520 --> 00:34:15,799
Speaker 1: to a limo Australia. So let's get involved up next to.

751
00:34:17,680 --> 00:34:20,240
Speaker 7: We bought a ship thing in, we get a good

752
00:34:20,320 --> 00:34:23,239
Speaker 7: thing out, We put the next thing in and we

753
00:34:23,360 --> 00:34:26,600
Speaker 7: train it all about. We do the swappy swappy and

754
00:34:26,640 --> 00:34:27,840
Speaker 7: we turn around.

755
00:34:28,480 --> 00:34:31,880
Speaker 2: Hopefully we get a limo. How good?

756
00:34:32,400 --> 00:34:34,160
Speaker 1: What I mean? Just give me something examples and stuff

757
00:34:34,160 --> 00:34:36,000
Speaker 1: we can do here. We get a limo, talk to me.

758
00:34:36,080 --> 00:34:38,279
Speaker 2: We just drive up to nightclubs and people think we're

759
00:34:38,320 --> 00:34:42,160
Speaker 2: a massive deal. Limo we get, we pay people to

760
00:34:42,560 --> 00:34:48,000
Speaker 2: open the door for us and boom, you know, we

761
00:34:48,239 --> 00:34:50,640
Speaker 2: drinking champagne appolic of course.

762
00:34:51,440 --> 00:34:54,560
Speaker 1: We can drive people to the year twelve formal mate.

763
00:34:54,719 --> 00:34:57,719
Speaker 1: Oh great, I was saying that it's not that good

764
00:34:58,840 --> 00:35:02,719
Speaker 1: cash though, cash, I don't know, cold hard. Why do

765
00:35:02,840 --> 00:35:03,720
Speaker 1: we do it as a favor?

766
00:35:04,960 --> 00:35:07,120
Speaker 2: Nothing's free? Inness world will. We've got Brittany here on

767
00:35:07,160 --> 00:35:09,080
Speaker 2: thirteen one oh sixty five. We need an item to

768
00:35:09,160 --> 00:35:11,640
Speaker 2: kick this all off. Brittany, what would you like to

769
00:35:11,680 --> 00:35:12,920
Speaker 2: throw down?

770
00:35:14,880 --> 00:35:17,399
Speaker 5: I would like to throw in a right cookers that.

771
00:35:17,400 --> 00:35:20,160
Speaker 1: I use rice cooker ice.

772
00:35:20,480 --> 00:35:23,040
Speaker 2: Interesting, so you've it's.

773
00:35:22,960 --> 00:35:25,000
Speaker 3: From an ex boyfriend and I've been trying to get

774
00:35:25,080 --> 00:35:25,840
Speaker 3: rid of pages.

775
00:35:26,040 --> 00:35:28,799
Speaker 2: Here's a crab gift, my boy? Is that why you

776
00:35:28,800 --> 00:35:30,200
Speaker 2: broke up with him?

777
00:35:30,480 --> 00:35:34,320
Speaker 3: Yeah?

778
00:35:35,040 --> 00:35:35,840
Speaker 1: Yeah, thanks Brittany.

779
00:35:35,840 --> 00:35:37,239
Speaker 2: Hey, Rice Cooker, I do like it.

780
00:35:37,360 --> 00:35:38,000
Speaker 1: I like it.

781
00:35:38,280 --> 00:35:40,960
Speaker 2: We've got William here, William, what would you like to

782
00:35:41,280 --> 00:35:42,120
Speaker 2: offer us, Matte.

783
00:35:42,760 --> 00:35:44,440
Speaker 4: I'm sorry, Brittany, but I think I could beat where

784
00:35:44,440 --> 00:35:46,840
Speaker 4: you've got to offer. I've got one hundred liters fish tank.

785
00:35:47,320 --> 00:35:50,280
Speaker 4: It comes with five tropical fish, a couple of guppies

786
00:35:50,320 --> 00:35:53,080
Speaker 4: and neon tetras, and I've even thrown in an angel

787
00:35:53,080 --> 00:35:53,680
Speaker 4: fish for you.

788
00:35:53,920 --> 00:35:56,160
Speaker 1: Oh my god, why do you want to give this away?

789
00:35:57,440 --> 00:35:59,160
Speaker 4: I think it's you know, the goodness of my heart

790
00:35:59,239 --> 00:36:01,560
Speaker 4: is about wonderful. See another home, and I've got an

791
00:36:01,600 --> 00:36:02,520
Speaker 4: upgraded fish tank.

792
00:36:02,600 --> 00:36:03,080
Speaker 2: So why not?

793
00:36:03,320 --> 00:36:04,719
Speaker 1: Ah? Here we go right now?

794
00:36:05,080 --> 00:36:07,239
Speaker 2: Can I ask William? So one hundred leaders actually doesn't

795
00:36:07,280 --> 00:36:09,120
Speaker 2: mean a lot to me? How big is that?

796
00:36:09,560 --> 00:36:10,279
Speaker 3: It's pretty big?

797
00:36:10,320 --> 00:36:12,160
Speaker 4: I mean you stand a fish tank in your bedroom.

798
00:36:12,160 --> 00:36:15,840
Speaker 4: You're looking about twenty or thirty liters. Fish tank is

799
00:36:15,880 --> 00:36:19,000
Speaker 4: about ten liters, so we're talking a big aquarium here, guy?

800
00:36:19,280 --> 00:36:21,040
Speaker 2: Could I could I William? Could I put a little

801
00:36:21,080 --> 00:36:21,799
Speaker 2: shark in there?

802
00:36:22,400 --> 00:36:23,480
Speaker 3: Of course you can right.

803
00:36:24,160 --> 00:36:25,359
Speaker 1: You couldn't put a shark in there.

804
00:36:26,040 --> 00:36:27,320
Speaker 3: You could put a shark in there, why not?

805
00:36:29,120 --> 00:36:30,440
Speaker 1: I don't know if that'd be I don't know if

806
00:36:30,440 --> 00:36:34,719
Speaker 1: that's give it a go, a little bit of a

807
00:36:34,719 --> 00:36:38,839
Speaker 1: baby shark in there. I'm interested. I'm not interested. I'm

808
00:36:38,880 --> 00:36:41,600
Speaker 1: not interested. You need to start thinking practically. And the

809
00:36:41,640 --> 00:36:43,560
Speaker 1: more and more you make decisions on behalf of this show,

810
00:36:43,600 --> 00:36:44,360
Speaker 1: the more we suffer.

811
00:36:44,480 --> 00:36:46,200
Speaker 2: Oh nang, no, that's true.

812
00:36:46,360 --> 00:36:48,000
Speaker 1: We are. We're going to end up with a goddamn

813
00:36:48,040 --> 00:36:50,359
Speaker 1: shark tank and you're gonna get in trouble from Peter

814
00:36:50,480 --> 00:36:51,919
Speaker 1: for putting a shark in a fish tank.

815
00:36:52,320 --> 00:36:53,960
Speaker 2: Well, sorry, aquariums they do it.

816
00:36:53,960 --> 00:36:56,920
Speaker 1: It's one hundred liters, it's not an aquarium. And more importantly,

817
00:36:56,960 --> 00:36:59,960
Speaker 1: how are we going to safely get the tank from

818
00:37:00,000 --> 00:37:02,160
Speaker 1: one side to the other. You've seen Finding Nemo. We

819
00:37:02,200 --> 00:37:03,719
Speaker 1: put all the fish in the bags and the suit

820
00:37:03,800 --> 00:37:04,920
Speaker 1: of the trade and the we're going to lose them.

821
00:37:04,960 --> 00:37:11,319
Speaker 2: He's stressful, but it's the producer's job. Agree, we've got

822
00:37:11,320 --> 00:37:11,879
Speaker 2: a lease here.

823
00:37:12,160 --> 00:37:12,440
Speaker 1: Truth.

824
00:37:12,440 --> 00:37:15,080
Speaker 2: I should not have said that, Alise, What would you

825
00:37:15,120 --> 00:37:17,439
Speaker 2: like to offer us a pole?

826
00:37:17,560 --> 00:37:18,240
Speaker 3: Dancing pole?

827
00:37:19,040 --> 00:37:21,799
Speaker 2: Now we're talking, So if I if we got this pole,

828
00:37:21,880 --> 00:37:24,600
Speaker 2: dancing pole? Is it hard to we don't play that?

829
00:37:24,600 --> 00:37:26,360
Speaker 2: That's exercise, hoole dance in is exercise?

830
00:37:27,440 --> 00:37:30,319
Speaker 1: Last is an exercise for you.

831
00:37:32,280 --> 00:37:34,520
Speaker 2: But at least could you easily install this in say

832
00:37:34,560 --> 00:37:36,040
Speaker 2: your living room?

833
00:37:36,719 --> 00:37:37,239
Speaker 3: Yes you can?

834
00:37:37,760 --> 00:37:41,040
Speaker 2: Amazing? I mean I even if we don't choose this,

835
00:37:41,480 --> 00:37:43,320
Speaker 2: I'll call you privately and maybe I can get it

836
00:37:43,320 --> 00:37:44,360
Speaker 2: in my living room.

837
00:37:44,840 --> 00:37:46,600
Speaker 1: You know, we have to give up this next thing.

838
00:37:46,800 --> 00:37:48,440
Speaker 1: We have to trade it on as well. Each of

839
00:37:48,480 --> 00:37:51,239
Speaker 1: the items you've got excited about is because you've seen

840
00:37:51,320 --> 00:37:52,759
Speaker 1: a way for you to hold on to it.

841
00:37:52,840 --> 00:37:56,239
Speaker 2: I love all of these so much. What people would

842
00:37:56,239 --> 00:37:59,920
Speaker 2: want to strip? Sorry, a dancing pole, it's for exercise.

843
00:38:02,120 --> 00:38:02,680
Speaker 1: Excuse me?

844
00:38:03,080 --> 00:38:09,319
Speaker 2: I was a slip. We've got any what what would

845
00:38:09,360 --> 00:38:09,680
Speaker 2: you like to?

846
00:38:11,040 --> 00:38:15,439
Speaker 5: I have a simple plated log. I didn't win it.

847
00:38:15,560 --> 00:38:18,920
Speaker 3: I didn't win a load yet TV A TV?

848
00:38:19,800 --> 00:38:22,440
Speaker 2: Whose is it any Well?

849
00:38:23,800 --> 00:38:27,640
Speaker 3: It's de others but no, it's just factory thing.

850
00:38:27,760 --> 00:38:29,120
Speaker 1: So it's a fair one.

851
00:38:30,160 --> 00:38:30,759
Speaker 3: Play it for you.

852
00:38:30,920 --> 00:38:33,120
Speaker 1: If you you just broke up there a little bit.

853
00:38:33,280 --> 00:38:36,240
Speaker 1: You are you telling us that it's not anyone specifically,

854
00:38:37,040 --> 00:38:40,240
Speaker 1: not anyone specifically, that's just a mold of ot.

855
00:38:41,200 --> 00:38:41,799
Speaker 2: It's the real thing.

856
00:38:41,880 --> 00:38:44,480
Speaker 1: Yeah, yeah, but it's not embossed.

857
00:38:44,080 --> 00:38:51,000
Speaker 2: With no it could be, but that is desirable. Ask

858
00:38:51,360 --> 00:38:53,319
Speaker 2: a quick question, and it's not.

859
00:38:53,840 --> 00:38:54,080
Speaker 1: It's not.

860
00:38:54,680 --> 00:38:57,680
Speaker 2: So how did you get it?

861
00:38:57,680 --> 00:38:59,400
Speaker 5: It was a gift from the guys that made it,

862
00:38:59,440 --> 00:39:01,880
Speaker 5: and we play with it and so on.

863
00:39:02,080 --> 00:39:02,839
Speaker 3: We do it every year.

864
00:39:03,160 --> 00:39:04,960
Speaker 2: Okay, all right, that's actually that's a pretty good answer.

865
00:39:04,960 --> 00:39:05,879
Speaker 2: I that's yeah.

866
00:39:07,000 --> 00:39:10,840
Speaker 1: You again, just want this so that you can stick

867
00:39:10,880 --> 00:39:12,719
Speaker 1: it on your mental with your name.

868
00:39:13,320 --> 00:39:15,520
Speaker 2: I definitely try and get a date tomorrow night and

869
00:39:15,560 --> 00:39:17,759
Speaker 2: then invite them over and be like, oh sorry, that's

870
00:39:18,440 --> 00:39:21,200
Speaker 2: that's just my LOGI that I won last year for

871
00:39:21,320 --> 00:39:26,399
Speaker 2: my show that I'm in what I was on Home

872
00:39:26,440 --> 00:39:26,960
Speaker 2: and Something.

873
00:39:27,040 --> 00:39:27,759
Speaker 1: Yeah, you probably could.

874
00:39:27,880 --> 00:39:29,360
Speaker 2: That was my cameo in Home and Away. Actually that

875
00:39:29,400 --> 00:39:33,680
Speaker 2: was one of the Blood and sandboys. So logan is great.

876
00:39:34,680 --> 00:39:38,279
Speaker 2: Dancing pole also, look mate, the aquarium, the dancing pole

877
00:39:38,280 --> 00:39:41,439
Speaker 2: that they're all huge. What are you leaning towards? Because

878
00:39:41,480 --> 00:39:42,120
Speaker 2: I love all of them.

879
00:39:42,520 --> 00:39:44,200
Speaker 1: You know, I'm a practical thinking here mate, and you

880
00:39:44,239 --> 00:39:47,080
Speaker 1: lost to a yacht, so fair enough. I think we

881
00:39:47,120 --> 00:39:48,839
Speaker 1: just had anything practically. And I also need to double

882
00:39:48,880 --> 00:39:51,560
Speaker 1: check that you actually don't want this. Firstly, the fish

883
00:39:51,600 --> 00:39:54,399
Speaker 1: tank really hard to move one hundred liters lots of fish.

884
00:39:54,440 --> 00:39:55,879
Speaker 1: I also don't want to hurt the fish, and I've

885
00:39:55,880 --> 00:39:57,319
Speaker 1: got to move it on quickly, and then the fish

886
00:39:57,400 --> 00:39:58,879
Speaker 1: might get distressed that we're moving them around.

887
00:39:58,920 --> 00:40:00,760
Speaker 2: I don't wand I get that pre at the call William,

888
00:40:00,760 --> 00:40:01,520
Speaker 2: but I do get that.

889
00:40:01,600 --> 00:40:03,920
Speaker 1: It gets out of the strip of pole, the dancing

890
00:40:03,960 --> 00:40:10,040
Speaker 1: pole and the logi. I'm just like, who else is

891
00:40:10,080 --> 00:40:12,520
Speaker 1: going to want the logi? If we get the logi.

892
00:40:12,440 --> 00:40:16,120
Speaker 2: It's huge for cred If someone says a LOGI on

893
00:40:16,200 --> 00:40:19,319
Speaker 2: your on your shelf, it's just like, Wow, I didn't

894
00:40:19,320 --> 00:40:22,359
Speaker 2: realize you worked in TV. You talented of a you know,

895
00:40:22,400 --> 00:40:23,839
Speaker 2: like it's you.

896
00:40:23,800 --> 00:40:25,600
Speaker 1: Didn't But what if you're not working in TV. You're

897
00:40:25,600 --> 00:40:26,920
Speaker 1: just saying You're just thinking it's like a nice you know,

898
00:40:26,960 --> 00:40:28,560
Speaker 1: it's definitely it's a talking point.

899
00:40:28,600 --> 00:40:31,279
Speaker 2: It's a talking it's a lie. People are happy to

900
00:40:31,280 --> 00:40:33,960
Speaker 2: lie to impress. People will Yeah, of course they are. Okay,

901
00:40:34,920 --> 00:40:36,040
Speaker 2: I'm I'm yeah.

902
00:40:35,840 --> 00:40:37,359
Speaker 1: You're the youve got logo written.

903
00:40:37,560 --> 00:40:39,879
Speaker 2: I'm concerned about the installation of the pole and whether

904
00:40:39,920 --> 00:40:42,040
Speaker 2: people would want to actually install a pole and a

905
00:40:42,040 --> 00:40:45,239
Speaker 2: lot of effort. I'll talk to a lace off air

906
00:40:45,280 --> 00:40:47,800
Speaker 2: do you want to and I'll get the pole for myself.

907
00:40:47,840 --> 00:40:50,120
Speaker 1: Okay, so you're happy, So that part of his bed satisfied,

908
00:40:50,160 --> 00:40:52,399
Speaker 1: I'll get the okay, great, I reckon, we got the logo,

909
00:40:52,440 --> 00:40:54,279
Speaker 1: then let's get let's get the let's kick it off

910
00:40:54,280 --> 00:40:54,640
Speaker 1: with the LOGI.

911
00:40:54,760 --> 00:41:02,640
Speaker 2: Let's get let's get the logo anyway, would like? Yes,

912
00:41:03,400 --> 00:41:04,399
Speaker 2: thank you so much.

913
00:41:06,280 --> 00:41:09,200
Speaker 1: Annie. I just need to confirm with you, just just

914
00:41:09,440 --> 00:41:12,320
Speaker 1: straight up right here. You are giving us the LOGI

915
00:41:13,200 --> 00:41:18,759
Speaker 1: like just for nothing? For nothing, Well you can sort

916
00:41:18,800 --> 00:41:22,000
Speaker 1: that out with him on the other side, touch with him.

917
00:41:22,000 --> 00:41:25,120
Speaker 1: But we are getting the LOGI for nothing. Would he

918
00:41:25,239 --> 00:41:26,360
Speaker 1: do not say anything?

919
00:41:27,640 --> 00:41:27,880
Speaker 7: That's it.

920
00:41:28,280 --> 00:41:30,919
Speaker 1: We're trading to a limousine with this and it won't

921
00:41:30,960 --> 00:41:32,120
Speaker 1: be given to any at the end.

922
00:41:32,320 --> 00:41:35,879
Speaker 2: No, well not any you get nothing. I don't want

923
00:41:35,880 --> 00:41:37,640
Speaker 2: to great.

924
00:41:37,400 --> 00:41:38,960
Speaker 1: Perfectly your ride. We'll give you a ride one day.

925
00:41:42,200 --> 00:41:43,320
Speaker 2: I'm sorry.

926
00:41:43,360 --> 00:41:45,239
Speaker 1: All right, we're gonna go. We're going to go to

927
00:41:45,280 --> 00:41:47,319
Speaker 1: the traffic. The trades kicked up with the logi. If

928
00:41:47,360 --> 00:41:48,600
Speaker 1: you want your hands on that will do the same

929
00:41:48,640 --> 00:41:50,840
Speaker 1: thing tomorrow. Very excited to move forward. We've got a

930
00:41:50,960 --> 00:41:52,000
Speaker 1: very special guest up next.

931
00:41:52,080 --> 00:41:54,080
Speaker 2: Yes, Eric Banner is going to be joining us in

932
00:41:54,120 --> 00:41:55,480
Speaker 2: the studio, so stick around.

933
00:41:55,239 --> 00:41:59,280
Speaker 3: For that.

934
00:41:59,360 --> 00:42:01,640
Speaker 1: Flash who says driving a play?

935
00:42:02,320 --> 00:42:02,480
Speaker 2: Hey?

936
00:42:02,560 --> 00:42:05,760
Speaker 1: OK, yeah, really really well, thanks mate, it's a pleasure

937
00:42:05,760 --> 00:42:07,600
Speaker 1: to have you on the show. We are a couple

938
00:42:07,640 --> 00:42:10,239
Speaker 1: of big fans here, but we are not as big

939
00:42:10,280 --> 00:42:13,400
Speaker 1: a fans as the guy who works in the studio

940
00:42:13,520 --> 00:42:16,080
Speaker 1: next to us as a sound engineer in the studio

941
00:42:16,160 --> 00:42:19,200
Speaker 1: next to us, by the name of Ray, who used

942
00:42:19,239 --> 00:42:21,920
Speaker 1: to produce your show, The Schnitzel Brothers.

943
00:42:22,280 --> 00:42:23,960
Speaker 3: Ah, I remember Ray.

944
00:42:24,440 --> 00:42:29,440
Speaker 2: Yeah, he definitely remembers you, Eric, And he also thinks

945
00:42:29,520 --> 00:42:32,840
Speaker 2: Eric that you owe him a couple of commodore seats.

946
00:42:33,160 --> 00:42:34,120
Speaker 1: What is that about?

947
00:42:34,640 --> 00:42:36,600
Speaker 3: Where did he get that from? You know, let's not

948
00:42:36,680 --> 00:42:37,760
Speaker 3: take the deep dive.

949
00:42:37,920 --> 00:42:41,520
Speaker 1: Right, He actually send us a little bit of audio.

950
00:42:42,080 --> 00:42:44,040
Speaker 1: We certainly didn't know that you had a radio show.

951
00:42:44,440 --> 00:42:46,040
Speaker 1: How many years ago do you reckon that was? Would

952
00:42:46,040 --> 00:42:46,440
Speaker 1: have been the night?

953
00:42:46,520 --> 00:42:51,240
Speaker 3: I reckon it was about nineteen to twenty years ago? Wow?

954
00:42:51,440 --> 00:42:53,720
Speaker 2: And do you have fond memories of the Schnitzel Brothers.

955
00:42:54,000 --> 00:42:56,520
Speaker 3: I do. It was Dave and I on a Sunday night,

956
00:42:56,920 --> 00:43:01,080
Speaker 3: I think six till eight pm, perhaps, beautif Yeah, rocking

957
00:43:01,160 --> 00:43:06,359
Speaker 3: slot if you can get it. Yeah, no, I loved it.

958
00:43:06,400 --> 00:43:08,160
Speaker 3: I had a great time, loved it.

959
00:43:08,200 --> 00:43:12,360
Speaker 1: Well, mate, we've actually Ray's actually knocked up. He's found

960
00:43:12,360 --> 00:43:15,680
Speaker 1: a c D. He reckons and we're not sure we

961
00:43:15,880 --> 00:43:18,000
Speaker 1: listen to this, but we think this could be you

962
00:43:18,680 --> 00:43:21,399
Speaker 1: calling the show as a character. I don't know if

963
00:43:21,400 --> 00:43:24,280
Speaker 1: you've heard this or anything, but this is you. He's

964
00:43:24,320 --> 00:43:28,640
Speaker 1: put it down as sick man Sam, and it sounds

965
00:43:28,680 --> 00:43:31,200
Speaker 1: like you're out the front of a ticket office or

966
00:43:31,200 --> 00:43:34,120
Speaker 1: something trying to grab some last minute tickets to go

967
00:43:34,160 --> 00:43:37,399
Speaker 1: and see Sam. Grekay, okay, let's have a listen to this.

968
00:43:37,719 --> 00:43:39,240
Speaker 3: I'm trying to get in. No one's got.

969
00:43:43,719 --> 00:43:50,239
Speaker 1: Are you on the mobile? No one's give me, no

970
00:43:50,320 --> 00:43:52,399
Speaker 1: one's Oh my.

971
00:43:52,320 --> 00:43:54,960
Speaker 2: God, is that you?

972
00:43:55,480 --> 00:44:03,080
Speaker 3: That is me? Is the deepest research anyone who's done

973
00:44:03,360 --> 00:44:05,680
Speaker 3: on an interview for many many years.

974
00:44:05,719 --> 00:44:09,160
Speaker 1: So thank you, I thank Gray. I think we've got

975
00:44:09,239 --> 00:44:10,520
Speaker 1: heaps of it. So I'll try and get and send

976
00:44:10,520 --> 00:44:11,880
Speaker 1: it over to later on.

977
00:44:12,320 --> 00:44:14,080
Speaker 2: Well, he'll give you more audio if you give him

978
00:44:14,080 --> 00:44:15,080
Speaker 2: the car seats. That's the deal.

979
00:44:17,880 --> 00:44:21,279
Speaker 1: Well, stick around car seats or not. Eric Banner a

980
00:44:21,320 --> 00:44:23,920
Speaker 1: little bit more right up next about playing possibly the

981
00:44:23,920 --> 00:44:27,080
Speaker 1: most deadly person on Netflix right now. Yeah, that villain

982
00:44:27,160 --> 00:44:30,279
Speaker 1: in Dirty John and diving into the whole psyche of

983
00:44:30,480 --> 00:44:32,080
Speaker 1: playing a villain. Up next with Eric Banner and well,

984
00:44:32,200 --> 00:44:34,600
Speaker 1: look what's very special guest with us right now? In

985
00:44:34,680 --> 00:44:35,160
Speaker 1: Eric Banner.

986
00:44:35,280 --> 00:44:38,680
Speaker 2: Yes, the star of the new Netflix show Dirty John.

987
00:44:39,920 --> 00:44:42,640
Speaker 1: I have three friends who have met their husband's own way.

988
00:44:44,760 --> 00:44:46,959
Speaker 3: I'm John, Hey, the safe kidder.

989
00:44:47,360 --> 00:44:50,000
Speaker 2: You play Dirty John. And I've got to ask you, Eric,

990
00:44:50,000 --> 00:44:51,799
Speaker 2: when your agent comes up to you and says, Eric,

991
00:44:51,800 --> 00:44:55,319
Speaker 2: I've got a role for you. It's called Dirty John

992
00:44:55,360 --> 00:44:56,840
Speaker 2: and your John, how do you feel?

993
00:44:57,640 --> 00:45:00,760
Speaker 3: Oh, you know, just sign up straight away for the PREMI.

994
00:45:02,239 --> 00:45:04,359
Speaker 1: Just to get people on shake here though, because I mean,

995
00:45:04,480 --> 00:45:05,759
Speaker 1: I'm sure if you heard what do you just say

996
00:45:05,800 --> 00:45:08,000
Speaker 1: Dirty John? There you're thinking about the fact that Eric's

997
00:45:08,000 --> 00:45:13,239
Speaker 1: playing some sort of perverted bloke Dirty is in like

998
00:45:13,840 --> 00:45:19,080
Speaker 1: quite malicious? Oh yeah, and that it's real is really

999
00:45:19,200 --> 00:45:22,600
Speaker 1: terrifying because it sounds like you actually ostensibly are quite

1000
00:45:22,640 --> 00:45:23,280
Speaker 1: clean cut.

1001
00:45:23,680 --> 00:45:23,879
Speaker 7: Eric.

1002
00:45:24,160 --> 00:45:29,239
Speaker 3: Yeah, He's a complete and other sociopath nightmare who is

1003
00:45:29,320 --> 00:45:33,560
Speaker 3: able to present as a well presenting, well meaning normal

1004
00:45:33,600 --> 00:45:38,600
Speaker 3: person and con women. And he meets this woman by

1005
00:45:38,640 --> 00:45:42,239
Speaker 3: the name of Deborah Mule via online dating. It just

1006
00:45:42,320 --> 00:45:46,440
Speaker 3: goes from bad to worse and she's kind of oblivious

1007
00:45:46,480 --> 00:45:48,919
Speaker 3: to who he really is. But then along the way

1008
00:45:48,960 --> 00:45:52,480
Speaker 3: he learns more and more about him. And what makes

1009
00:45:52,520 --> 00:45:55,239
Speaker 3: the show or the podcast as well so intriguing is

1010
00:45:55,280 --> 00:45:58,560
Speaker 3: not only how much of a shocking human being John

1011
00:45:58,600 --> 00:46:02,759
Speaker 3: Mehan is, but also the reaction of his partner to

1012
00:46:02,840 --> 00:46:05,400
Speaker 3: learning about him. And it's it's what gets people talking,

1013
00:46:05,440 --> 00:46:09,200
Speaker 3: It's what gets people fascinated in the storyline because it's

1014
00:46:09,239 --> 00:46:11,920
Speaker 3: a bit of an interesting study in human behavior.

1015
00:46:12,239 --> 00:46:15,960
Speaker 2: Yeah, and I want to ask actually Eric about playing

1016
00:46:16,080 --> 00:46:20,040
Speaker 2: such a such an evil character. I was actually talking

1017
00:46:20,080 --> 00:46:25,560
Speaker 2: to another The Castle alumni, Stephen Curry, who recently played

1018
00:46:25,600 --> 00:46:28,600
Speaker 2: a serial killer, and we asked him, when he's playing

1019
00:46:28,680 --> 00:46:30,799
Speaker 2: such an evil character, does that, you know, have an

1020
00:46:30,840 --> 00:46:34,760
Speaker 2: impact on his psyche? And his response was, no, mate,

1021
00:46:34,840 --> 00:46:35,760
Speaker 2: it's just pretends.

1022
00:46:35,760 --> 00:46:39,160
Speaker 1: He's don't get me wrong, you do a lot of work, okay,

1023
00:46:39,680 --> 00:46:43,320
Speaker 1: but at the same time, it's pretending.

1024
00:46:44,000 --> 00:46:45,920
Speaker 2: How do you go Eric, you know, you know, you're

1025
00:46:45,920 --> 00:46:49,399
Speaker 2: doing your nine two or five job playing this dirty John.

1026
00:46:50,040 --> 00:46:51,239
Speaker 2: How are you when you go home?

1027
00:46:51,480 --> 00:46:55,399
Speaker 3: Oh? No, it definitely had an effect, yeah for sure, Yeah, yeah, yeah, yeah.

1028
00:46:55,400 --> 00:46:58,560
Speaker 3: Now he hung around a little bit and I definitely

1029
00:46:58,560 --> 00:47:03,080
Speaker 3: felt uncomfortable occasionally in the company of women. Whilst playing

1030
00:47:03,120 --> 00:47:07,320
Speaker 3: this part, I felt, yeah, I felt I felt unclean.

1031
00:47:07,719 --> 00:47:10,680
Speaker 1: Really, wow, I can I ask Eric? You also played

1032
00:47:10,680 --> 00:47:13,319
Speaker 1: the very very famous role in Australian TV. I think

1033
00:47:13,360 --> 00:47:15,240
Speaker 1: we've got a bit of audio of Chopper eight.

1034
00:47:15,400 --> 00:47:17,959
Speaker 6: You try getting from where you're sitting to the front door,

1035
00:47:18,000 --> 00:47:20,319
Speaker 6: because I reckon I could shoot you from where you're

1036
00:47:20,360 --> 00:47:22,480
Speaker 6: sitting to the front door, because that's about as long

1037
00:47:22,520 --> 00:47:25,560
Speaker 6: as you've got to produce some money for me right now.

1038
00:47:26,320 --> 00:47:27,360
Speaker 2: It makes my skin crawl.

1039
00:47:27,680 --> 00:47:29,480
Speaker 3: That's the same guy that was trying to get tickets

1040
00:47:29,480 --> 00:47:30,600
Speaker 3: to the Sam grecor.

1041
00:47:36,040 --> 00:47:39,319
Speaker 1: A cross over there. You're right, well, I don't know

1042
00:47:39,400 --> 00:47:41,799
Speaker 1: how the guy make trying to get tickets for sam

1043
00:47:41,840 --> 00:47:45,880
Speaker 1: Greco was to sort of snap out of afterwards. But

1044
00:47:46,600 --> 00:47:47,800
Speaker 1: how did it go with Jobber?

1045
00:47:48,239 --> 00:47:51,040
Speaker 3: Oh? Look, yeah, And in all honestly, they you know,

1046
00:47:51,120 --> 00:47:53,080
Speaker 3: some of them you can get rid of very quickly,

1047
00:47:53,120 --> 00:47:56,640
Speaker 3: and others they do hang around and sometimes they leave

1048
00:47:56,680 --> 00:48:00,319
Speaker 3: pieces of them forever, like so yeah, I don't mind

1049
00:48:00,360 --> 00:48:04,320
Speaker 3: that so much. Sometimes that means that, you know, months afterwards,

1050
00:48:04,320 --> 00:48:06,960
Speaker 3: you might ever thought that's similar to one of their thoughts,

1051
00:48:07,000 --> 00:48:09,440
Speaker 3: you know, and then sort of catch yourself so look,

1052
00:48:09,480 --> 00:48:11,440
Speaker 3: it doesn't manifest itself in day to day. It's not

1053
00:48:11,440 --> 00:48:14,239
Speaker 3: that sort of thing that someone else would notice. That's

1054
00:48:14,280 --> 00:48:16,920
Speaker 3: stuff that's going on in my brain.

1055
00:48:16,680 --> 00:48:17,680
Speaker 2: And your thoughts.

1056
00:48:17,280 --> 00:48:20,239
Speaker 1: Can I ask Eric, did you have a similar sort

1057
00:48:20,280 --> 00:48:23,600
Speaker 1: of conundrum going on when you were playing Pointer.

1058
00:48:23,719 --> 00:48:26,960
Speaker 3: Once upon a Thorn last week? There was this chick right,

1059
00:48:27,239 --> 00:48:28,240
Speaker 3: there was a real spark.

1060
00:48:28,520 --> 00:48:31,600
Speaker 6: And then we'll share on what.

1061
00:48:31,719 --> 00:48:35,759
Speaker 3: I am very fortunate that he was around in the

1062
00:48:35,800 --> 00:48:37,759
Speaker 3: period that he was, because I don't reckon I get

1063
00:48:37,760 --> 00:48:39,280
Speaker 3: away with you in two thousand and eighteen.

1064
00:48:39,560 --> 00:48:43,839
Speaker 7: Yeah, true, he was a man of his time.

1065
00:48:46,760 --> 00:48:49,359
Speaker 2: Yeah, he'll stay in the nineties Pointer, We'll keep him

1066
00:48:49,360 --> 00:48:50,400
Speaker 2: in the nineties.

1067
00:48:50,480 --> 00:48:54,600
Speaker 1: In the nineties with the Shitzel Brothers, which was an

1068
00:48:54,600 --> 00:48:56,800
Speaker 1: absolute pleasure to listen to. And it's a pleasure to

1069
00:48:56,800 --> 00:48:58,359
Speaker 1: talk to you again here, Eric, I think so much

1070
00:48:58,360 --> 00:49:01,399
Speaker 1: for joining us on the show. Make congradulation brand new John.

1071
00:49:01,760 --> 00:49:04,759
Speaker 1: It's sexy, it's provocative, but most importantly and most alluring,

1072
00:49:05,160 --> 00:49:07,040
Speaker 1: it's a true story, which you know and if it

1073
00:49:07,080 --> 00:49:09,479
Speaker 1: makes his skin crawl watching it, imagine Eric feels playing

1074
00:49:09,560 --> 00:49:13,399
Speaker 1: this bloke on Netflix exclusively, Dirty John. Eric Banner, thanks

1075
00:49:13,400 --> 00:49:14,440
Speaker 1: so much, mate, it's been a pleasure.

1076
00:49:14,440 --> 00:49:15,319
Speaker 3: Thanks so much for having me.

1077
00:49:15,360 --> 00:49:17,000
Speaker 2: Guys, it's been a belter.

1078
00:49:16,840 --> 00:49:19,759
Speaker 1: Of a show, huge big moments.

1079
00:49:20,280 --> 00:49:23,000
Speaker 2: As everyone knows. We went from anti wrinkled cream to

1080
00:49:23,080 --> 00:49:25,399
Speaker 2: a yacht a couple of weeks ago. We then lost

1081
00:49:25,400 --> 00:49:26,960
Speaker 2: that yacht. We don't have to get into why.

1082
00:49:27,400 --> 00:49:29,720
Speaker 1: Because you promised it to a listener, say the airways.

1083
00:49:29,719 --> 00:49:31,840
Speaker 2: I said, we don't have to get into why, but

1084
00:49:31,880 --> 00:49:33,319
Speaker 2: we want to do it again because we want to

1085
00:49:33,360 --> 00:49:35,680
Speaker 2: own something. This time we want a limo. At the

1086
00:49:35,800 --> 00:49:38,600
Speaker 2: end of two weeks, we would like a limousine for

1087
00:49:38,640 --> 00:49:41,239
Speaker 2: the two of us to actually own. Yes, and today

1088
00:49:41,440 --> 00:49:45,600
Speaker 2: we received a logie, a genuine silver logi. So if

1089
00:49:45,640 --> 00:49:48,040
Speaker 2: you want to trade for that, then tune in tomorrow

1090
00:49:48,120 --> 00:49:50,040
Speaker 2: from four and that logi it could be yours.

1091
00:49:50,080 --> 00:49:52,759
Speaker 1: That's square one. Can't wait to see what's going to

1092
00:49:52,760 --> 00:49:54,239
Speaker 1: be happening over the next couple of weeks. Guys, As

1093
00:49:54,280 --> 00:49:56,280
Speaker 1: would said, you can get involved. It's about five o'clock.

1094
00:49:56,280 --> 00:49:59,040
Speaker 1: We're doing it most days. Also, I've missed anything for

1095
00:49:59,080 --> 00:50:01,400
Speaker 1: the show of the podcast about is on there? Yeah,

1096
00:50:01,600 --> 00:50:03,839
Speaker 1: brilliant chat about his new TV show Dirty John. Our

1097
00:50:03,840 --> 00:50:05,719
Speaker 1: managers just textas to say that he heard that and

1098
00:50:05,719 --> 00:50:07,040
Speaker 1: loved it, so you know huge.

1099
00:50:07,040 --> 00:50:09,080
Speaker 2: He's up to episode five of Dirty John as it's

1100
00:50:09,160 --> 00:50:09,560
Speaker 2: very good.

1101
00:50:09,680 --> 00:50:13,040
Speaker 1: Yes, so thanks Mark, see tomorrow, see what you're hearing.

1102
00:50:13,200 --> 00:50:16,480
Speaker 5: Find us on Instagram and Facebook search Will and Woodie.

1103
00:50:16,680 --> 00:50:22,520
Speaker 2: Reaching back, he has a Russell crow Russell growing gladiads.

1104
00:50:22,719 --> 00:50:23,880
Speaker 2: There's a scene anyway,