WEBVTT - Michael Kelly: JACK RYAN - Actor

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reloaded podcast.

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<v Speaker 2>Last week Deadline.

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<v Speaker 1>Welcome back to TV Reload. My name is Benjamin Norris,

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<v Speaker 1>and on this podcast I go behind the scenes with

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<v Speaker 1>the biggest players in television. Each episode you will get

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<v Speaker 1>a front row seat with content makers like executive producers, writers, editors,

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<v Speaker 1>and casting agents, plus the talent that we see on

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<v Speaker 1>our screens. TV Reload reloads the shows that we're all

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<v Speaker 1>currently watching and gives you a better insight into our

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<v Speaker 1>television industry and our streaming services. Today on the podcast,

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<v Speaker 1>I have a special chat with Hollywood film and television

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<v Speaker 1>actor Michael Kelly, who is promoting the latest series Jack Ryan,

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<v Speaker 1>which launches season three this week on Prime Video Australia.

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<v Speaker 1>Michael Kelly plays Mike November alongside Jack Ryan, who's played

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<v Speaker 1>by John Krasinski, who is an international fugitive who is

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<v Speaker 1>again racing against the clock to prevent global catastrophe. The

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<v Speaker 1>popular characters are from the best selling novels written by

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<v Speaker 1>Tom Clancy, novels that live in most homes around the world.

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<v Speaker 1>Michael Kelly is an actor who I honestly love. He's

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<v Speaker 1>played many roles in film and television like House of

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<v Speaker 1>Cards and the film Unbreakable. I will ask Michael today

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<v Speaker 1>how this role came, about, what producers promised him and

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<v Speaker 1>why his role has changed a little bit in series three.

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<v Speaker 1>We will also talk about that iconic role in Unbreakable,

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<v Speaker 1>because that film I absolutely love, and of course I'll

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<v Speaker 1>find out what he's up to here in Australia. However,

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<v Speaker 1>let's get started on today's episode as I welcome Michael

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<v Speaker 1>Kelly to the podcast TV Reload.

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<v Speaker 2>Jack Ryan, I think plays really well on long format, Jacob.

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<v Speaker 3>I can only imagine what's going on in your head

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<v Speaker 3>right now. So I wasn't ready necessarily to commit to

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<v Speaker 3>another six year show.

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<v Speaker 1>Every day you're under run, you're digging a hole that

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<v Speaker 1>you may not be able to get out.

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<v Speaker 2>Of those two men playing the same character, of course

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<v Speaker 2>you're going to get similar and it's.

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<v Speaker 3>A small group of hard line Russians former Plans Preserve USSR.

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<v Speaker 2>Mine November went through a real transition, especially the way

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<v Speaker 2>we see him in season three.

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<v Speaker 3>You're about to cross the line and there may be

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<v Speaker 3>no going back.

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<v Speaker 2>Because I'm trying to do the right thing. Dan, I'm

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<v Speaker 2>going to say, like dance Monkey.

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<v Speaker 1>Hi Michael Kelly, how are you, and welcome to Australia.

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<v Speaker 3>I'm very well, Benjaminoris, thank you so much and thanks

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<v Speaker 3>for having me. And it's incredible here.

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<v Speaker 1>Did you decide to come to Australia to launch this

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<v Speaker 1>new series of Jack Ryan or did John drag you here?

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<v Speaker 1>Like what's made you come down to Australia?

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<v Speaker 2>You know, I'm not sure.

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<v Speaker 3>I've heard different things about how this all went down

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<v Speaker 3>because we were in Brazil, we had to go to

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<v Speaker 3>the CIA after that, or I'm sorry, we got to

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<v Speaker 3>go to the CIA after that and then came here.

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<v Speaker 3>So it's been a bit of crazy travel. But John

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<v Speaker 3>was here obviously working or working on post production on

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<v Speaker 3>his film, and I think the way it went was

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<v Speaker 3>he was speaking without one of our publishers here and said, well,

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<v Speaker 3>Michael kelly'll come.

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<v Speaker 2>I don't come. I was like then, Carlin, I was like, hell, yeah,

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<v Speaker 2>I'll come.

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<v Speaker 3>So as hard as it's been, I was just like,

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<v Speaker 3>I am not going to pass up the opportunity to

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<v Speaker 3>see Australia.

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<v Speaker 2>I've never been here.

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<v Speaker 1>Had you been? So you've never been here before? No?

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<v Speaker 2>Wow? So I feel so grateful to have got to

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<v Speaker 2>come on this trip.

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<v Speaker 1>We need to talk about the show. But I feel like,

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<v Speaker 1>you know all Ozsie's love to give you the suggestion

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<v Speaker 1>as to where to go. Have you just stayed in

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<v Speaker 1>Sydney or are you going to try and venture out?

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<v Speaker 2>I did already, man, I got to go to the

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<v Speaker 2>Great Barrier read that's all.

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<v Speaker 1>That's all I was going to suggest. That's it. You've done.

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<v Speaker 1>You finished Australia.

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<v Speaker 3>I went to that beautiful little Elliott Island Eco Resort.

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<v Speaker 3>I cannot say enough about that place is so special.

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<v Speaker 3>You know, it's nothing like It's not like a crazy

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<v Speaker 3>fancy resort. It's a you know, self sustaining dirt runway

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<v Speaker 3>like it was magical and I truly feel more connected

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<v Speaker 3>to myself and to the earth than I have in

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<v Speaker 3>a very long time.

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<v Speaker 1>I'm glad that you had that opportunity. I did breakfast

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<v Speaker 1>radio for three years right near the Great Barrier reef

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<v Speaker 1>and we used to take competition winners to Lady Elliott,

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<v Speaker 1>you know, just on the weekend, just as you do.

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<v Speaker 2>It's not the most insane thing like I just couldn't

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<v Speaker 2>believe it, man, I couldn't. I couldn't believe it.

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<v Speaker 3>Yes, it's funny, right They give you the ear plugs

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<v Speaker 3>for next year in bed and I was like, why

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<v Speaker 3>in the world would you need ear plugs in the

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<v Speaker 3>middle of nowhere? And then you for birds. They don't

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<v Speaker 3>stop that I stopped, They don't stop, and they just

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<v Speaker 3>keep going all through the night, all through the morning.

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<v Speaker 3>But I didn't want the ear plugs, and I didn't.

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<v Speaker 3>I just left the screen door open and the screen

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<v Speaker 3>door closed. Sorry, I'm not gonna I'm.

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<v Speaker 2>Not that crazy.

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<v Speaker 1>Australian spot is the snakes will come and get you, mate.

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<v Speaker 2>It was so funny. We went by to a room

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<v Speaker 2>one night and I went to close my door and

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<v Speaker 2>something just came flying in. I was like, son, bit,

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<v Speaker 2>what was that. I just like, I'm not going to

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<v Speaker 2>find it. I'm not going to find it. Sover a

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<v Speaker 2>sleeping together tonight.

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<v Speaker 1>Well, congratulations, congratulations on this role. You know, I grew

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<v Speaker 1>up watching and loving the Tom Clancy characters. You know,

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<v Speaker 1>how well did you know the universe before signing up

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<v Speaker 1>as Mike November?

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<v Speaker 3>I knew, you know, most American men my age were

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<v Speaker 3>boys during the come up into Tom Clancy, Jack Ryan,

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<v Speaker 3>So did you live for it? Man?

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<v Speaker 2>It was like, who was playing mnaxt?

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<v Speaker 3>What was going to be the story and what was

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<v Speaker 3>going to be the film, and it's a really big

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<v Speaker 3>deal in our country. I'm not sure about here, but

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<v Speaker 3>he's an icon and so to get to be a

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<v Speaker 3>part of that was just an incredible honor.

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<v Speaker 1>Man. All I remember was so my stepfather was English

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<v Speaker 1>and my grandfather Australian, but they loved the books, and

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<v Speaker 1>so whenever a film came out, right back to the

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<v Speaker 1>Hunt for Red October, we all got dragged as kids

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<v Speaker 1>off to see the films, so we didn't miss any

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<v Speaker 1>of them. And I can still remember Patriot Games. There

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<v Speaker 1>was a scene on the roof and I was so

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<v Speaker 1>terrified that my mum had to take me out to

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<v Speaker 1>get a chopped top. So the series is in my DNA.

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<v Speaker 2>And so when you get you know, I was still

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<v Speaker 2>on House of Cards.

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<v Speaker 3>I was finishing the end of that run and I

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<v Speaker 3>got the you know, would you be interested in coming

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<v Speaker 3>to join Jack Ryan for a year for one season?

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<v Speaker 2>And I was like, oh, hell yeah.

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<v Speaker 3>You know, I didn't have to make because typically when

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<v Speaker 3>you jump onto another show, it's a six year contract.

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<v Speaker 3>While that sounds good for the actor, it's beneficial of

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<v Speaker 3>the studio. Only they can keep you for six years,

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<v Speaker 3>but if you want out, you.

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<v Speaker 2>Can't get out.

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<v Speaker 3>So I wasn't ready necessarily to commit to another six

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<v Speaker 3>year show. So they were like, Jack Ryan, one season,

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<v Speaker 3>you in and out. I was like, sweet, wait, I

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<v Speaker 3>get to be.

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<v Speaker 2>They sent me the first episode in the first season

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<v Speaker 2>they did, and I was like, oh my god, this

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<v Speaker 2>looks like a movie like John was so terrific as

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<v Speaker 2>Jack Ryan. I was like, yeah, guys, I'm in. And

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<v Speaker 2>then it just thankfully kept going.

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<v Speaker 1>So I also love that you had sort of requirements

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<v Speaker 1>because House of Cards were so iconic, and obviously you

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<v Speaker 1>were kind of tired and looking for something different. So

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<v Speaker 1>he said, you know, don't put me in a suit.

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<v Speaker 1>And then the first day you turned up, they put

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<v Speaker 1>you in a suit for Jack Ryan, and I just

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<v Speaker 1>thought that was that was genius.

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<v Speaker 2>Totally, because the producers they straight up laden me.

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<v Speaker 3>They're like, no, man, maybe like, you know, a couple

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<v Speaker 3>scenes in a suit and time maybe maybe, like, but

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<v Speaker 3>hardly at all.

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<v Speaker 2>And I was like, all right, cool.

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<v Speaker 3>Oh by the way, I don't speak Spanish either, and

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<v Speaker 3>they were like, no problem, me hardly speaks any Spanish.

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<v Speaker 3>I was like, okay, cool, I can because if you

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<v Speaker 3>need someone who speaks Spanish, you guys should probably hire

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<v Speaker 3>someone else. Even though I really wanted the job, I

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<v Speaker 3>was just being one hundred percent on it cut to

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<v Speaker 3>me having to learn interrogation scenes in Spanish and wearing

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<v Speaker 3>a suit and tie.

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<v Speaker 1>I just can't believe how good you are at this.

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<v Speaker 1>And I honestly thought they'd kill you off in series two.

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<v Speaker 1>So I was surprised pleasantly but to see you back

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<v Speaker 1>for season three, and I also noticed that they're getting

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<v Speaker 1>you to do more things, which made me wonder, did

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<v Speaker 1>you say, get rid of the ties, get rid of

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<v Speaker 1>the Spanish, I want to go out and do some

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<v Speaker 1>more action. Did they write that in for you or

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<v Speaker 1>were you just pleasantly surprised at that?

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<v Speaker 2>I certainly, you know, while we were doing two, and

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<v Speaker 2>as we got to the end of two, and.

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<v Speaker 3>You saw as as Mike turned it, turned his back

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<v Speaker 3>so to speak, on the CIA because he knew.

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<v Speaker 2>It was the right thing to do.

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<v Speaker 3>In his heart, he knew Jack was right, and he

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<v Speaker 3>was like, I'm throwing it on the line. I'm going

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<v Speaker 3>So as that happened, I think the interesting thing that

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<v Speaker 3>happened with that was the relationship with Greer and Jack,

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<v Speaker 3>their relationship grew, there was a familiarity, and it also

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<v Speaker 3>happened to coincide with me and John and Wendell becoming

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<v Speaker 3>very tight and very good friends. And so that sense

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<v Speaker 3>of humor that we have in real life started to

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<v Speaker 3>started to write some lines or that, and then it's

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<v Speaker 3>sort of the character. You know, on a show like this,

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<v Speaker 3>you don't typically get to see a character make such

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<v Speaker 3>a change. You know, these shows are pretty straightforward. That's

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<v Speaker 3>your character, that's how you play. But my November went

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<v Speaker 3>through a real transition, especially the way we see him

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<v Speaker 3>in season three. You know, he's off on his own

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<v Speaker 3>and Jack needs his help. So it's been a you know,

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<v Speaker 3>a great.

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<v Speaker 2>Challenge as an actor to also get to do that

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<v Speaker 2>and change.

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<v Speaker 1>You know. Well, I have it on good authority that

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<v Speaker 1>you get along with John very well, because I've been

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<v Speaker 1>watching a lot of interviews and I spoke to Publicity

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<v Speaker 1>and they were like, you guys have been having a

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<v Speaker 1>really good time. What do you think it is about

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<v Speaker 1>the relationship between the two of you that means you

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<v Speaker 1>guys have such a good time together.

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<v Speaker 3>I think I don't know, really, I mean, I guess

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<v Speaker 3>we're very similar. People were both family first guys, you know,

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<v Speaker 3>like that we share the same values. I'm not going

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<v Speaker 3>to say we share the same sense of humor because

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<v Speaker 3>he is ten times funnier than I am, but we

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<v Speaker 3>have a good laugh often. And so it was one

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<v Speaker 3>of those things where we just we met and it

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<v Speaker 3>was like, oh, it's like my brother, man, this is great,

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<v Speaker 3>you know, And that relationship just grew and grew and grew,

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<v Speaker 3>and I think at its core that we're both inside

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<v Speaker 3>kind of the same person and that you know, there's

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<v Speaker 3>nothing more important than family, and there's nothing more important

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<v Speaker 3>than every single place we went because we travel a

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<v Speaker 3>lot for the show. We literally travel the world, and

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<v Speaker 3>it's all about grabbing that experience wherever.

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<v Speaker 2>We are, you know, And we both see that the

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<v Speaker 2>same way.

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<v Speaker 3>Like we get to a city and it's like we're all,

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<v Speaker 3>you know, we're gonna go see and do anything and

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<v Speaker 3>everything there is to do in those places, and so

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<v Speaker 3>we're adventures.

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<v Speaker 2>I guess as well.

0:10:29.600 --> 0:10:31.920
<v Speaker 1>I'm always thinking of the outtakes though, because I mean,

0:10:32.040 --> 0:10:33.880
<v Speaker 1>you know, I think it's super hilarious that you and

0:10:34.360 --> 0:10:37.079
<v Speaker 1>John have the laugh so much, you know, and you

0:10:37.360 --> 0:10:39.520
<v Speaker 1>guys have that repertoise. I'm assuming that there's a lot

0:10:39.559 --> 0:10:42.040
<v Speaker 1>of outtakes that they have when I'm making the show

0:10:42.360 --> 0:10:43.800
<v Speaker 1>with some banter between the two of you.

0:10:44.920 --> 0:10:46.640
<v Speaker 3>I mean, Jesus, we were doing press the other day

0:10:46.640 --> 0:10:49.360
<v Speaker 3>and I couldn't even get some We had to do

0:10:49.480 --> 0:10:52.640
<v Speaker 3>a couple things straight your camera and I was just like, nope,

0:10:52.880 --> 0:10:56.800
<v Speaker 3>can do that. I kept dying laughing, And once we

0:10:56.880 --> 0:10:59.960
<v Speaker 3>start laughing, you can't stop. So the outtakes from the show.

0:11:00.120 --> 0:11:03.000
<v Speaker 3>I can't imagine the amount of film wasted.

0:11:03.960 --> 0:11:05.840
<v Speaker 1>My dad went out with this woman who was very

0:11:05.880 --> 0:11:08.719
<v Speaker 1>famous here in Australia and she was morning television was

0:11:08.800 --> 0:11:11.160
<v Speaker 1>what she did, and they would send all the outtakes

0:11:11.200 --> 0:11:13.800
<v Speaker 1>of the year as a Christmas present. So as kids

0:11:13.880 --> 0:11:17.680
<v Speaker 1>we used to watch all the outtakes and there was hundreds,

0:11:17.920 --> 0:11:20.200
<v Speaker 1>but it was it was the funniest thing in the world.

0:11:20.240 --> 0:11:21.920
<v Speaker 1>It was, you know, the best. Have they ever been

0:11:21.920 --> 0:11:24.120
<v Speaker 1>able to send you a tape of outtakes? So maybe

0:11:24.160 --> 0:11:25.040
<v Speaker 1>that's under lock and key.

0:11:25.240 --> 0:11:27.080
<v Speaker 2>I've seen now, I've seen I've seen clips.

0:11:27.160 --> 0:11:30.360
<v Speaker 3>Certainly when when the editor comes across a really you know,

0:11:30.600 --> 0:11:33.439
<v Speaker 3>funny little thing, they'll they'll they'll share with us, or

0:11:33.520 --> 0:11:38.600
<v Speaker 3>production will or Amazon will, and it's it's fundering live

0:11:38.720 --> 0:11:40.880
<v Speaker 3>because you can, you know, you can take yourself back

0:11:40.920 --> 0:11:41.400
<v Speaker 3>to that day.

0:11:41.480 --> 0:11:44.240
<v Speaker 2>And I remember one one really funny one that we

0:11:44.360 --> 0:11:46.079
<v Speaker 2>were funny enough. We were in New York.

0:11:46.160 --> 0:11:50.640
<v Speaker 3>We had shot this scene in Budapeshe we shot it

0:11:50.760 --> 0:11:53.360
<v Speaker 3>again in another country because it wasn't right and it

0:11:53.440 --> 0:11:55.880
<v Speaker 3>was inside of a tent, right, So it was something

0:11:55.960 --> 0:11:59.640
<v Speaker 3>we could shoot in various locations. The exterior of that

0:12:00.200 --> 0:12:02.120
<v Speaker 3>shot in one location, and then the rest of it

0:12:02.320 --> 0:12:05.080
<v Speaker 3>was we just kept redoing it because it wasn't exactly right. Anyways,

0:12:05.120 --> 0:12:07.560
<v Speaker 3>were in the third time through it and there rewrote

0:12:07.559 --> 0:12:10.480
<v Speaker 3>the dialogue and it was very complicated, like you know,

0:12:10.600 --> 0:12:11.640
<v Speaker 3>here's the pep up.

0:12:11.960 --> 0:12:14.360
<v Speaker 2>You know, asset talk and all the CIA talk.

0:12:14.720 --> 0:12:18.560
<v Speaker 3>And we had been going for hours and lunch wasn't

0:12:18.600 --> 0:12:21.079
<v Speaker 3>for another hour, and I was I was dying, and

0:12:21.160 --> 0:12:24.160
<v Speaker 3>they came by with these Jamaican beef patties for in

0:12:24.240 --> 0:12:26.839
<v Speaker 3>New York and I was like, and I don't. I

0:12:27.000 --> 0:12:29.319
<v Speaker 3>typically don't do that, especially when you're in a scene

0:12:29.360 --> 0:12:33.120
<v Speaker 3>with somebody. And I just housed it, ate it real

0:12:33.200 --> 0:12:35.559
<v Speaker 3>because they're like, we're ready to go, and I was like,

0:12:35.880 --> 0:12:39.000
<v Speaker 3>I just jammed the whole thing down. And literally Jack

0:12:39.080 --> 0:12:42.000
<v Speaker 3>comes into the tent and he comes right up to me.

0:12:42.120 --> 0:12:44.839
<v Speaker 3>In this take in particular, he came right up to

0:12:44.960 --> 0:12:48.079
<v Speaker 3>my face and I had seen this thing and I

0:12:48.160 --> 0:12:50.920
<v Speaker 3>had just burned, and he was just like Jesus Christ.

0:12:51.160 --> 0:12:55.080
<v Speaker 2>And it was before we could get one.

0:12:55.440 --> 0:12:57.960
<v Speaker 3>That was an infurrency, and I remember the producing director

0:12:58.040 --> 0:12:59.920
<v Speaker 3>was just sitting back there, going, this is it. Guy,

0:13:00.280 --> 0:13:01.920
<v Speaker 3>just waste my whole fucking day.

0:13:02.040 --> 0:13:06.400
<v Speaker 2>This is great. The whole day. The two of us

0:13:06.440 --> 0:13:09.680
<v Speaker 2>were like two ten year old kids, just laughing so hard.

0:13:10.120 --> 0:13:11.040
<v Speaker 2>It was really funny.

0:13:11.960 --> 0:13:14.040
<v Speaker 1>That's the will teach you for hoovering it. You know.

0:13:14.240 --> 0:13:16.199
<v Speaker 1>I was excited to chat with you today because I

0:13:16.280 --> 0:13:19.560
<v Speaker 1>have this theory and I was wondering whether you did

0:13:19.640 --> 0:13:22.720
<v Speaker 1>any research and watched this before you, you know, joined

0:13:22.760 --> 0:13:24.600
<v Speaker 1>John on the show. But do you think he's doing

0:13:24.640 --> 0:13:27.800
<v Speaker 1>a Harrison Ford impersonation with this character? I mean, is

0:13:27.880 --> 0:13:31.480
<v Speaker 1>that his inspiration? Because there's some moments in this show

0:13:31.600 --> 0:13:34.040
<v Speaker 1>where I'm like, who is that active that he sounds like?

0:13:34.160 --> 0:13:35.800
<v Speaker 1>And he sounds like Harrison Ford?

0:13:36.000 --> 0:13:37.880
<v Speaker 3>No, I think I see he does a little bit

0:13:38.559 --> 0:13:40.559
<v Speaker 3>sound like him, and I could certainly hear that, but

0:13:40.720 --> 0:13:44.679
<v Speaker 3>not it is certainly John is not one actor to

0:13:44.880 --> 0:13:47.480
<v Speaker 3>ever do someone like he's. He's his own thing, and

0:13:47.600 --> 0:13:50.600
<v Speaker 3>I think it's it's something I appreciate so much about

0:13:50.640 --> 0:13:52.839
<v Speaker 3>his work is that he would never you know, it's

0:13:52.880 --> 0:13:54.560
<v Speaker 3>always so unique what he does.

0:13:54.720 --> 0:13:58.720
<v Speaker 2>It's so him, you know. I think those two guys,

0:13:58.800 --> 0:14:01.120
<v Speaker 2>those two men playing the same character, of course you're

0:14:01.120 --> 0:14:04.000
<v Speaker 2>going to get similarities. But no, I can't speak for him,

0:14:04.200 --> 0:14:05.720
<v Speaker 2>but I'm going to God on a limit.

0:14:05.520 --> 0:14:07.760
<v Speaker 1>And say, no, I'm going to say that, Okay, who

0:14:07.960 --> 0:14:10.079
<v Speaker 1>just shows me with my fan it probably says more

0:14:10.120 --> 0:14:13.319
<v Speaker 1>about my favorite Jack Ryan to people ask you that

0:14:13.360 --> 0:14:15.480
<v Speaker 1>as well, who's your favorite Jack Ryan? After we've had

0:14:15.520 --> 0:14:18.040
<v Speaker 1>so many of them, and then make you obviously, if

0:14:18.080 --> 0:14:20.120
<v Speaker 1>we take John out of the equation, who is your favorite?

0:14:20.160 --> 0:14:21.960
<v Speaker 2>I can't it's isn't it funny?

0:14:22.000 --> 0:14:24.400
<v Speaker 3>Like it's hard to remove him from it once you've

0:14:24.440 --> 0:14:27.080
<v Speaker 3>seen it, right, it's hard to say yeah, because he

0:14:27.160 --> 0:14:28.160
<v Speaker 3>really is my favorite.

0:14:28.200 --> 0:14:31.200
<v Speaker 2>And I think the reason he's my favorite is because

0:14:31.680 --> 0:14:32.560
<v Speaker 2>I feel, to a.

0:14:32.600 --> 0:14:34.920
<v Speaker 3>Certain extent that he did what nobody else did by

0:14:35.000 --> 0:14:40.440
<v Speaker 3>bringing true heart and humanity to that character, true like

0:14:40.680 --> 0:14:43.840
<v Speaker 3>just real. It's something that I see a lot in

0:14:43.920 --> 0:14:47.240
<v Speaker 3>John's work. He has the ability to tap into this too,

0:14:47.480 --> 0:14:50.200
<v Speaker 3>that thing that's inside of him, that humanity and that

0:14:50.440 --> 0:14:53.040
<v Speaker 3>heart and that passion and that drive, and it just

0:14:53.160 --> 0:14:56.600
<v Speaker 3>comes out through not it's not necessarily what he's saying sometimes,

0:14:56.640 --> 0:14:59.200
<v Speaker 3>but it's just he has that ability to do that.

0:14:59.360 --> 0:15:02.840
<v Speaker 3>And look, those are all fine, incredibly fine actors, they've

0:15:02.880 --> 0:15:04.080
<v Speaker 3>played the role over the years.

0:15:04.720 --> 0:15:08.000
<v Speaker 2>But I think that's why he just that's what in

0:15:08.120 --> 0:15:11.560
<v Speaker 2>my head is Jack Ryan is John. Because of that, he.

0:15:11.680 --> 0:15:14.440
<v Speaker 1>Kind of has like an every man sense to him.

0:15:15.080 --> 0:15:17.080
<v Speaker 1>You want to be his friend, you know what I mean,

0:15:17.200 --> 0:15:20.560
<v Speaker 1>Like he turns this character into something more real. I

0:15:20.600 --> 0:15:23.840
<v Speaker 1>think it's the that's the word. It's the realist of

0:15:23.960 --> 0:15:26.960
<v Speaker 1>seeing this character and in real world the most relatable

0:15:27.240 --> 0:15:29.360
<v Speaker 1>and you're rooting for him the whole way through it.

0:15:29.520 --> 0:15:32.120
<v Speaker 1>I think he kind of has this every man quality and.

0:15:32.200 --> 0:15:33.720
<v Speaker 3>I think, you know, I've heard him say in a

0:15:33.760 --> 0:15:35.960
<v Speaker 3>couple of interviews he says, you know, this is the

0:15:36.120 --> 0:15:38.640
<v Speaker 3>neatest thing about playing Jack Ryan. He says, is that

0:15:39.120 --> 0:15:42.120
<v Speaker 3>And I'm paraphrasing, so don't quote me exactly, but he said, basically,

0:15:42.360 --> 0:15:44.520
<v Speaker 3>you know that this is as a kid, you're reading

0:15:44.520 --> 0:15:45.840
<v Speaker 3>those books, you're watching those movies.

0:15:46.160 --> 0:15:47.720
<v Speaker 2>It's someone you can become.

0:15:48.040 --> 0:15:51.320
<v Speaker 3>He doesn't want to kay, he doesn't fly two lasers

0:15:51.360 --> 0:15:54.040
<v Speaker 3>out of his eyes. He is just the guy who

0:15:54.320 --> 0:15:57.200
<v Speaker 3>went to a good school, who went to the CIA,

0:15:57.840 --> 0:15:59.920
<v Speaker 3>and he could be yourn extra neighbor. You never know

0:16:00.280 --> 0:16:03.600
<v Speaker 3>because Cee I didn't let you know if there's agents,

0:16:03.680 --> 0:16:05.120
<v Speaker 3>as like you don't.

0:16:04.960 --> 0:16:07.160
<v Speaker 1>Know your next just letting you know living next door

0:16:07.280 --> 0:16:10.440
<v Speaker 1>to a SI agent, We're just going to blow his

0:16:10.560 --> 0:16:11.840
<v Speaker 1>cover right now. Good luck with that.

0:16:13.160 --> 0:16:16.280
<v Speaker 3>But it makes it that much more believable, right like that.

0:16:16.480 --> 0:16:18.880
<v Speaker 3>That's and I think that's why it is easy for

0:16:19.440 --> 0:16:20.760
<v Speaker 3>people to identify with that.

0:16:21.040 --> 0:16:23.600
<v Speaker 1>You know, the show's kind of proof that Tave has

0:16:23.680 --> 0:16:25.920
<v Speaker 1>come such a long way with the quality of stunts

0:16:26.000 --> 0:16:28.880
<v Speaker 1>and the writing on this show. Yeah, what about for you?

0:16:29.040 --> 0:16:31.560
<v Speaker 1>Do you like telling stories and long form as opposed

0:16:31.600 --> 0:16:34.040
<v Speaker 1>to a film where obviously there's the time constraint of

0:16:34.200 --> 0:16:35.920
<v Speaker 1>you know, getting your beginning in the middle in and

0:16:36.000 --> 0:16:39.080
<v Speaker 1>out pretty quickly. As an actor, as a character actor,

0:16:39.120 --> 0:16:41.160
<v Speaker 1>do you enjoy getting more involved?

0:16:41.320 --> 0:16:44.440
<v Speaker 3>Yeah, one hundred percent. I mean, you look at look

0:16:44.480 --> 0:16:49.400
<v Speaker 3>it out. My November doesn't go through what he's gone

0:16:49.440 --> 0:16:52.760
<v Speaker 3>through from two to three in a short story format,

0:16:52.920 --> 0:16:54.800
<v Speaker 3>right in a film format, like it would be very

0:16:54.840 --> 0:16:58.400
<v Speaker 3>difficult to have all those things happen that change that

0:16:58.520 --> 0:17:01.040
<v Speaker 3>man so much that he does he does right, or

0:17:01.040 --> 0:17:03.200
<v Speaker 3>it would just be a little bit less believable because

0:17:03.240 --> 0:17:06.560
<v Speaker 3>you spend those a little bit of time and you

0:17:06.760 --> 0:17:08.080
<v Speaker 3>see it happen over time.

0:17:08.160 --> 0:17:10.119
<v Speaker 2>I think it's far more interesting like that.

0:17:10.600 --> 0:17:13.399
<v Speaker 3>I love doing films as well, but there are some

0:17:13.600 --> 0:17:16.760
<v Speaker 3>stories that are better suited for film, and there are

0:17:16.800 --> 0:17:20.240
<v Speaker 3>some stories that are better suited for longer format television

0:17:20.480 --> 0:17:22.160
<v Speaker 3>or streaming or whatever it's called today.

0:17:22.160 --> 0:17:24.159
<v Speaker 2>I don't know it. Do you even call it television anymore?

0:17:24.280 --> 0:17:25.399
<v Speaker 2>But you know what I mean.

0:17:25.480 --> 0:17:27.840
<v Speaker 3>Like Jack Ryan, I think plays really well in long

0:17:27.920 --> 0:17:30.399
<v Speaker 3>format because you can spend the time with these characters.

0:17:30.480 --> 0:17:34.360
<v Speaker 3>You can understand the decisions more. You know, you understand

0:17:34.400 --> 0:17:37.000
<v Speaker 3>you watch Mission Impossible, you understand he goes from A

0:17:37.720 --> 0:17:40.720
<v Speaker 3>to B and it happens like that, and you get

0:17:40.760 --> 0:17:43.240
<v Speaker 3>it because the stories are very well written. But when

0:17:43.240 --> 0:17:46.719
<v Speaker 3>you get to see him make those decisions getting from

0:17:46.760 --> 0:17:49.159
<v Speaker 3>A to B and you see all those things happening,

0:17:49.240 --> 0:17:51.920
<v Speaker 3>and what forces you down this path and then that

0:17:52.080 --> 0:17:54.159
<v Speaker 3>path and then that takes you to this path. For me,

0:17:54.280 --> 0:17:56.760
<v Speaker 3>it's a I like living in you know, I'm watched

0:17:56.760 --> 0:17:59.480
<v Speaker 3>in eighteen eighty three right now, and you're just living

0:17:59.560 --> 0:18:02.159
<v Speaker 3>with these people and you can sit in silence for

0:18:02.200 --> 0:18:05.920
<v Speaker 3>a while, because that's what real life is like. Silence

0:18:06.000 --> 0:18:08.920
<v Speaker 3>happens and nothing happens, and then things happen.

0:18:09.040 --> 0:18:10.240
<v Speaker 2>And I love it.

0:18:10.359 --> 0:18:13.119
<v Speaker 1>I love that we forget in a way that TV

0:18:13.400 --> 0:18:16.320
<v Speaker 1>and film and all of that's kind of a companionship.

0:18:16.400 --> 0:18:18.480
<v Speaker 1>And the more real that you see these people, the

0:18:18.600 --> 0:18:20.240
<v Speaker 1>more you connect to them. You know, the more you

0:18:20.320 --> 0:18:22.960
<v Speaker 1>see yourself in the TV shows that you watch, the

0:18:23.040 --> 0:18:25.719
<v Speaker 1>more relatable it is. So I you know, I can

0:18:25.800 --> 0:18:28.879
<v Speaker 1>see that. Do you get protective over your characters as

0:18:28.960 --> 0:18:31.359
<v Speaker 1>time goes on? I mean, you've played some pretty iconic characters,

0:18:31.520 --> 0:18:32.959
<v Speaker 1>you know, House of Cards would be one of them.

0:18:33.040 --> 0:18:36.879
<v Speaker 1>But do you get protective over these characters? And you

0:18:36.960 --> 0:18:39.760
<v Speaker 1>know not, I don't know, want creative control over them?

0:18:39.920 --> 0:18:40.520
<v Speaker 2>No, I don't.

0:18:40.680 --> 0:18:45.879
<v Speaker 3>I am not a not a writer, And funny enough,

0:18:45.880 --> 0:18:47.680
<v Speaker 3>I was always going to direct the last season als

0:18:47.680 --> 0:18:49.879
<v Speaker 3>the Car. When it went down the last episodes, they

0:18:49.960 --> 0:18:51.800
<v Speaker 3>ended up not doing it.

0:18:51.920 --> 0:18:55.760
<v Speaker 2>But I'm not creative in that way for my characters.

0:18:56.320 --> 0:18:58.399
<v Speaker 3>I always feel that the writers, you know, these are

0:18:58.440 --> 0:19:01.280
<v Speaker 3>people who spent their lives writing, you know, their lives creating.

0:19:02.359 --> 0:19:06.520
<v Speaker 2>Will I occasionally give feedback if asked, what do you

0:19:06.560 --> 0:19:08.560
<v Speaker 2>think would Doug do this? Or we might do that?

0:19:08.720 --> 0:19:11.200
<v Speaker 3>You know, then I can say, well that seems to

0:19:11.240 --> 0:19:13.879
<v Speaker 3>fit logically, and what what I think of the character?

0:19:14.000 --> 0:19:16.960
<v Speaker 2>Sure, but I don't. I'm not protective in that way.

0:19:17.000 --> 0:19:19.960
<v Speaker 2>I often joke on set. I might just tell me.

0:19:19.960 --> 0:19:21.480
<v Speaker 3>Where to stand and tell me what to say, like

0:19:22.720 --> 0:19:26.440
<v Speaker 3>dance monkey, I'll dance you know likes. That's because I

0:19:26.480 --> 0:19:28.240
<v Speaker 3>feel like there are people who are better suited for

0:19:28.280 --> 0:19:28.840
<v Speaker 3>that than I am.

0:19:29.040 --> 0:19:30.920
<v Speaker 1>It must be surreal, though, to get to play these

0:19:31.000 --> 0:19:33.800
<v Speaker 1>characters with so much, you know, interest in them. Do

0:19:33.840 --> 0:19:36.040
<v Speaker 1>your friends and do your family, do your neighbors try

0:19:36.080 --> 0:19:37.760
<v Speaker 1>and hit you up for the twists and turns on

0:19:38.119 --> 0:19:39.400
<v Speaker 1>Jack Ryan or the show.

0:19:40.560 --> 0:19:42.439
<v Speaker 3>I'm well, going back to House of Cards, you got

0:19:42.520 --> 0:19:44.080
<v Speaker 3>to be damn good at it? Like that was that

0:19:44.280 --> 0:19:47.240
<v Speaker 3>was crazy? I mean, I remember season two. Kate Mar's

0:19:47.359 --> 0:19:50.000
<v Speaker 3>character was not there for all of season two. Obviously

0:19:50.119 --> 0:19:53.600
<v Speaker 3>she died, but we had to keep up the you know,

0:19:53.720 --> 0:19:56.560
<v Speaker 3>we were tweeting pictures of each other during filming of

0:19:56.600 --> 0:19:58.400
<v Speaker 3>the second season that we had taken them all during

0:19:58.640 --> 0:19:59.320
<v Speaker 3>season one.

0:20:00.040 --> 0:20:03.760
<v Speaker 2>And just you have to be to be a good liar.

0:20:04.160 --> 0:20:06.359
<v Speaker 3>But the cool thing is is like my folks, my

0:20:06.480 --> 0:20:08.720
<v Speaker 3>brother and sisters, they don't even ask because they know

0:20:09.320 --> 0:20:11.000
<v Speaker 3>I'm not going to tell them, and they don't want

0:20:11.040 --> 0:20:13.719
<v Speaker 3>me to tell them. Like it's funny because people they

0:20:13.840 --> 0:20:15.960
<v Speaker 3>want to know, but you know, they don't want to know,

0:20:16.280 --> 0:20:18.680
<v Speaker 3>so there's no point in out because they want to

0:20:18.760 --> 0:20:20.480
<v Speaker 3>be surprised. They want to see it for the first

0:20:20.520 --> 0:20:24.000
<v Speaker 3>time and feel it. And you know, it's like Sixth Sense.

0:20:24.080 --> 0:20:26.320
<v Speaker 3>If you ever if you remember that film, like if

0:20:26.359 --> 0:20:29.720
<v Speaker 3>somebody told you what happens before you watched it, that sucks,

0:20:30.600 --> 0:20:31.679
<v Speaker 3>you know, It's really funny.

0:20:31.840 --> 0:20:34.680
<v Speaker 1>Was that I was in Bali, and I don't know

0:20:34.720 --> 0:20:36.359
<v Speaker 1>if you've ever been to Bali, but I was in

0:20:36.480 --> 0:20:39.480
<v Speaker 1>Bali and they was selling those illegal Davy days and

0:20:39.760 --> 0:20:43.080
<v Speaker 1>this man said to me, uh, this is the Sixth Sense.

0:20:43.200 --> 0:20:46.159
<v Speaker 1>He's like big movie in America. He said, Bruce Willis

0:20:46.240 --> 0:20:50.080
<v Speaker 1>is a ghost. And so I watched the whole of

0:20:50.160 --> 0:20:53.280
<v Speaker 1>Sixth Sense before I was out in the cinemas in Australia,

0:20:53.320 --> 0:20:54.440
<v Speaker 1>and that was the reason why I bought it. And

0:20:54.560 --> 0:20:56.119
<v Speaker 1>that's why don't know why I was buying these illegal

0:20:56.200 --> 0:20:58.400
<v Speaker 1>Davy Days, but I still to this day I never

0:20:58.520 --> 0:21:01.480
<v Speaker 1>bought another illegal David Ay. The whole experience was ruined.

0:21:01.560 --> 0:21:03.760
<v Speaker 1>But yeah, I watched all of the Sixth Sense knowing

0:21:03.800 --> 0:21:06.040
<v Speaker 1>the Purce Willis was a ghost. Big mistake. Huge.

0:21:06.160 --> 0:21:09.399
<v Speaker 2>I remember my buddy, we were working in this instinement

0:21:09.480 --> 0:21:12.919
<v Speaker 2>shop in Chelsea when I was still working other jobs,

0:21:13.560 --> 0:21:15.400
<v Speaker 2>and he said to me, he goes, have you seen

0:21:15.840 --> 0:21:17.560
<v Speaker 2>have you seen Sixth Sense yet? And I was like no,

0:21:18.160 --> 0:21:20.840
<v Speaker 2>and he's like, dude, you're going after work and I

0:21:20.960 --> 0:21:22.879
<v Speaker 2>was like, I'll see it and he was like because

0:21:22.880 --> 0:21:24.399
<v Speaker 2>I was like I see them people. I was like,

0:21:24.600 --> 0:21:24.879
<v Speaker 2>I don't know.

0:21:24.920 --> 0:21:26.680
<v Speaker 3>It doesn't love like a movie for me. And he

0:21:26.840 --> 0:21:29.159
<v Speaker 3>was like, go see it today after work, and he

0:21:29.320 --> 0:21:32.240
<v Speaker 3>literally walked with me after work to the theater and

0:21:32.359 --> 0:21:33.280
<v Speaker 3>I went in to see it.

0:21:33.600 --> 0:21:35.560
<v Speaker 2>He had already seen it, so he stayed out. And

0:21:35.680 --> 0:21:37.680
<v Speaker 2>then I called him later that night and I was like,

0:21:37.960 --> 0:21:40.200
<v Speaker 2>thank you so much. He was like, now you see why.

0:21:40.520 --> 0:21:42.240
<v Speaker 2>He's like I just didn't want someone to tell you

0:21:42.880 --> 0:21:44.840
<v Speaker 2>before you had a chance to see it. So I

0:21:45.000 --> 0:21:45.679
<v Speaker 2>was very grateful.

0:21:46.080 --> 0:21:47.840
<v Speaker 1>And then did you is that the reason why? Because

0:21:47.840 --> 0:21:49.920
<v Speaker 1>didn't you do Unbreakable, did you work with them not?

0:21:50.320 --> 0:21:53.719
<v Speaker 2>That was a golden opportunity, man, I was that one.

0:21:53.800 --> 0:21:55.280
<v Speaker 2>That was so cool because it was one of my

0:21:56.160 --> 0:21:57.560
<v Speaker 2>It was very early in my career.

0:21:57.640 --> 0:22:00.880
<v Speaker 3>And I remember the casting director, Doug when I were

0:22:00.960 --> 0:22:02.880
<v Speaker 3>friendly at the time, and it was like, I really

0:22:02.920 --> 0:22:03.240
<v Speaker 3>want you to.

0:22:03.280 --> 0:22:05.480
<v Speaker 2>Meet this director and it's it's not a big role,

0:22:05.520 --> 0:22:07.040
<v Speaker 2>but it's really it's a cool role.

0:22:07.119 --> 0:22:09.639
<v Speaker 3>And I just remember reading and then I remember the

0:22:09.720 --> 0:22:12.359
<v Speaker 3>trailer coming out and we were playing poker over at

0:22:12.359 --> 0:22:14.480
<v Speaker 3>my house and all the guys were downstairs in the

0:22:14.520 --> 0:22:18.560
<v Speaker 3>basement and I was upstairs and they just started screaming, dude.

0:22:18.760 --> 0:22:21.000
<v Speaker 3>And by the time I got down the stairs, I

0:22:21.200 --> 0:22:23.680
<v Speaker 3>was still the voiceover for the whole commercial.

0:22:23.680 --> 0:22:24.800
<v Speaker 2>And I was like, oh my god.

0:22:27.320 --> 0:22:29.560
<v Speaker 3>You know, it was a small role, but it became

0:22:30.160 --> 0:22:32.840
<v Speaker 3>the voiceover for the whole trailer, you know, and you know,

0:22:32.960 --> 0:22:36.320
<v Speaker 3>it's just that was that was a great, great honor man,

0:22:36.359 --> 0:22:38.159
<v Speaker 3>to be a part of m.

0:22:38.240 --> 0:22:42.840
<v Speaker 1>Night film is my favorite Unbreakable. I just it's so good.

0:22:42.880 --> 0:22:44.679
<v Speaker 1>I mean the sixth Sense is kind of a bit

0:22:44.720 --> 0:22:46.119
<v Speaker 1>of a popcorn film in a way. I mean there

0:22:46.200 --> 0:22:47.680
<v Speaker 1>is a lot of depth to it as well, and

0:22:47.800 --> 0:22:50.720
<v Speaker 1>Tony is so good at it, and Bruce is really

0:22:50.720 --> 0:22:52.520
<v Speaker 1>good at it, Like it's a great it's a great film.

0:22:52.560 --> 0:22:55.320
<v Speaker 1>But Unbreakable gets me every time you like start to

0:22:55.440 --> 0:22:58.359
<v Speaker 1>watch it, and it's one of his more it's longer films,

0:22:58.440 --> 0:23:00.399
<v Speaker 1>but it's absolutely brilliant.

0:23:00.560 --> 0:23:02.280
<v Speaker 2>One of my coolest moments that I ever had on

0:23:02.400 --> 0:23:05.600
<v Speaker 2>a set. So we were reading through that.

0:23:05.680 --> 0:23:08.320
<v Speaker 3>Scene and you know, basically I'm talking and the whole time,

0:23:08.359 --> 0:23:10.679
<v Speaker 3>Bruce was just like, I don't I don't know what happened,

0:23:11.920 --> 0:23:15.720
<v Speaker 3>and and and m Night was like, hang on, guys,

0:23:16.280 --> 0:23:18.639
<v Speaker 3>because it was a wonder that whole The whole scene

0:23:18.720 --> 0:23:22.520
<v Speaker 3>is just him pushing in over the dying body and

0:23:22.680 --> 0:23:24.240
<v Speaker 3>me and him in the background, right, and then it

0:23:24.280 --> 0:23:28.879
<v Speaker 3>gets to a two shot of us profile and so

0:23:29.000 --> 0:23:32.520
<v Speaker 3>it was this long, doing one take, don't function up

0:23:32.640 --> 0:23:35.879
<v Speaker 3>kind of thing, and he said, guys, can I can

0:23:35.920 --> 0:23:36.640
<v Speaker 3>we clear the set?

0:23:37.040 --> 0:23:39.119
<v Speaker 2>And it was just me and M.

0:23:39.240 --> 0:23:43.240
<v Speaker 3>Knight and Bruce and I'm sitting there and I'm just

0:23:43.400 --> 0:23:47.240
<v Speaker 3>listening to m Night talk and Bruce give feedback, and

0:23:47.359 --> 0:23:49.600
<v Speaker 3>I'm just sort of like, this is this is the

0:23:49.680 --> 0:23:52.320
<v Speaker 3>most insane thing ever. Like I said, it's one of

0:23:52.400 --> 0:23:54.800
<v Speaker 3>my early movies. And I look up across the room

0:23:54.800 --> 0:23:57.640
<v Speaker 3>and there's Robin Wright just stand there across the room,

0:23:57.800 --> 0:23:59.879
<v Speaker 3>just watching m Night talk to the two of us.

0:23:59.880 --> 0:24:03.040
<v Speaker 3>And I was like, holy shit, I'm doing it. I

0:24:03.160 --> 0:24:05.520
<v Speaker 3>am in fucking Hollywood and I'm doing it.

0:24:07.880 --> 0:24:09.639
<v Speaker 2>It was just such a surreal moment.

0:24:09.760 --> 0:24:11.840
<v Speaker 3>And then all those years later, and you know, I

0:24:11.920 --> 0:24:14.320
<v Speaker 3>told Robin the story and she was like, oh, that's

0:24:14.400 --> 0:24:14.920
<v Speaker 3>so cute.

0:24:15.320 --> 0:24:17.399
<v Speaker 1>Did you remember you? Did you remember as And of

0:24:17.480 --> 0:24:19.240
<v Speaker 1>course she'd remember, but does she remember that moment?

0:24:19.280 --> 0:24:21.600
<v Speaker 2>I should say, probably don't remember.

0:24:22.160 --> 0:24:24.600
<v Speaker 1>Anyway, it's your life. It seems more potent for.

0:24:24.640 --> 0:24:27.560
<v Speaker 2>You exactly, Like she's like, oh, yeah, you were there.

0:24:27.680 --> 0:24:29.200
<v Speaker 2>That's cool, that's amazing.

0:24:29.480 --> 0:24:29.920
<v Speaker 3>I think.

0:24:30.000 --> 0:24:31.760
<v Speaker 1>I mean, you've made some brilliant films. When I was

0:24:31.840 --> 0:24:33.600
<v Speaker 1>going to interview, I was talking to a friend of

0:24:33.640 --> 0:24:37.560
<v Speaker 1>mine and he was like, name three movies, and the

0:24:37.680 --> 0:24:42.000
<v Speaker 1>movies that I named was Unbreakable, The Change Link, Man

0:24:42.080 --> 0:24:45.800
<v Speaker 1>on the Moon and Secret in their Eyes. Honestly, You've

0:24:45.880 --> 0:24:49.119
<v Speaker 1>You've got a fantastic resume, some fantastic characters. But no

0:24:49.240 --> 0:24:51.240
<v Speaker 1>matter whether or not it's a small role or a

0:24:51.280 --> 0:24:54.360
<v Speaker 1>big role, and I always enjoy watching you. I think

0:24:54.400 --> 0:24:56.720
<v Speaker 1>you do a brilliant job. Everyone who joins the podcast

0:24:56.800 --> 0:24:59.080
<v Speaker 1>has to tell a story about something from behind the scenes.

0:24:59.480 --> 0:25:01.399
<v Speaker 1>Is it anything like a behind the scenes secret, like

0:25:01.480 --> 0:25:04.639
<v Speaker 1>something strange that people you know who watch Jack Bryan

0:25:04.960 --> 0:25:07.120
<v Speaker 1>wouldn't say, Like how long do you get to learn

0:25:07.160 --> 0:25:08.760
<v Speaker 1>your lines? So maybe that's a good secret.

0:25:08.840 --> 0:25:09.800
<v Speaker 2>I don't know now.

0:25:10.240 --> 0:25:12.480
<v Speaker 3>Sometimes not long enough because John likes to rewrite on

0:25:12.720 --> 0:25:16.200
<v Speaker 3>the day so or that or that morning before he

0:25:16.240 --> 0:25:17.960
<v Speaker 3>gets to work, so that's kind of a funny thing.

0:25:18.040 --> 0:25:20.600
<v Speaker 3>He'll come, he'll come to set and he'll be like, hey, dude,

0:25:20.640 --> 0:25:22.680
<v Speaker 3>all right, so check it out. I got the scene,

0:25:22.760 --> 0:25:24.440
<v Speaker 3>figured it out now. And he's like, so you're just

0:25:24.520 --> 0:25:26.960
<v Speaker 3>gonna forget I'll say this, and now you're gonna say

0:25:26.960 --> 0:25:28.960
<v Speaker 3>that instead of me. And then I'm gonna take this

0:25:29.040 --> 0:25:30.679
<v Speaker 3>monologue from here and we're gonna put it over here.

0:25:30.680 --> 0:25:33.200
<v Speaker 3>And I'm like, dude, like I can't do it. And

0:25:33.480 --> 0:25:36.119
<v Speaker 3>but there was one thing that I became better at

0:25:36.200 --> 0:25:38.440
<v Speaker 3>because of him. So I'm as much as I hated

0:25:38.480 --> 0:25:40.240
<v Speaker 3>it on the day, I'm grateful.

0:25:39.920 --> 0:25:42.120
<v Speaker 1>For it now brilliant. I love it. That's the best

0:25:42.160 --> 0:25:45.760
<v Speaker 1>sacred ever. Thanks man, being you're an Australia and enjoyed

0:25:45.800 --> 0:25:47.640
<v Speaker 1>sheading to the Australian media as well.

0:25:47.800 --> 0:25:49.280
<v Speaker 2>You got a buddy. Thank you man, Have a good

0:25:49.320 --> 0:25:49.639
<v Speaker 2>vie later.