1 00:00:00,400 --> 00:00:03,040 Speaker 1: Jump mission with James and Amanda. 2 00:00:03,279 --> 00:00:06,160 Speaker 2: I'm almost speechless, and that's unusual for me. Our next 3 00:00:06,200 --> 00:00:09,160 Speaker 2: guest is the most honored and revered country music star 4 00:00:09,240 --> 00:00:12,600 Speaker 2: of all time. She has both set and broken dozens 5 00:00:12,600 --> 00:00:15,560 Speaker 2: of music records over her career. She's dripping in Grammys, 6 00:00:15,680 --> 00:00:17,720 Speaker 2: she's won hearts all over the world because she's an 7 00:00:17,720 --> 00:00:20,720 Speaker 2: incredibly good human. I can't believe this is actually happening. 8 00:00:20,760 --> 00:00:23,360 Speaker 2: I'm a little overwhelmed. Dolly Parton, Hello. 9 00:00:24,280 --> 00:00:27,120 Speaker 3: Well, hello to you, and thanks for having me. Thanks 10 00:00:27,120 --> 00:00:28,840 Speaker 3: for all those nice things you said. 11 00:00:28,920 --> 00:00:31,960 Speaker 1: Well look at you. I love this era of zoom meetings. 12 00:00:32,159 --> 00:00:35,000 Speaker 1: We've got, Dolly Parton. You're all festive. You've got two 13 00:00:35,120 --> 00:00:37,640 Speaker 1: Christmas trees there. You look fantastic. 14 00:00:38,840 --> 00:00:41,000 Speaker 3: You know me, I say more is better, So I 15 00:00:41,040 --> 00:00:43,360 Speaker 3: couldn't settle for one tree. I had to have two trees. 16 00:00:43,400 --> 00:00:43,919 Speaker 1: You could have two. 17 00:00:44,560 --> 00:00:47,960 Speaker 3: Okay. We've been doing a lot of commercials and a 18 00:00:47,960 --> 00:00:51,120 Speaker 3: lot of talking and promoting all these Christmas things I 19 00:00:51,159 --> 00:00:53,040 Speaker 3: have out, which is why I'm talking to you, and 20 00:00:53,040 --> 00:00:56,240 Speaker 3: I'm happy to be doing that because I love I 21 00:00:56,400 --> 00:00:58,400 Speaker 3: love everybody in your country. 22 00:00:58,880 --> 00:01:03,440 Speaker 2: Well, your book is extraordinary. It is called Storyteller, My 23 00:01:03,560 --> 00:01:06,960 Speaker 2: life in lyrics. I know that you're a prolific songwriter, 24 00:01:07,480 --> 00:01:11,520 Speaker 2: but looking through these these songs and the stories that 25 00:01:11,560 --> 00:01:15,680 Speaker 2: go with them, you say you can write a song anywhere, anytime. 26 00:01:15,800 --> 00:01:18,759 Speaker 2: What's the strangest place you've been when inspiration has hit. 27 00:01:20,520 --> 00:01:22,720 Speaker 3: Well, I've been in some pretty strange plane. I never 28 00:01:22,720 --> 00:01:26,120 Speaker 3: had that ass before. Probably in the bathroom of an airplane. 29 00:01:26,959 --> 00:01:29,520 Speaker 3: But I often write on airplanes. But it's like, if 30 00:01:29,560 --> 00:01:31,360 Speaker 3: it hits me the idea, here's for me to say, Well, 31 00:01:31,480 --> 00:01:33,200 Speaker 3: can I you know I've got something to write down. 32 00:01:33,200 --> 00:01:34,640 Speaker 3: I got to get back to my seat. But I 33 00:01:34,680 --> 00:01:39,399 Speaker 3: write in the bathtub, I write anywhere. I cook a lot, 34 00:01:39,800 --> 00:01:42,240 Speaker 3: and I write a lot in my kitchen. But there's 35 00:01:42,280 --> 00:01:44,880 Speaker 3: no place that's out of reach for me to write 36 00:01:44,880 --> 00:01:47,760 Speaker 3: a song. Yes, I'd love to tell stories and I 37 00:01:47,800 --> 00:01:49,960 Speaker 3: love to write songs. So that's why I call the 38 00:01:49,960 --> 00:01:54,120 Speaker 3: book song teller. I thought that was a good description 39 00:01:54,240 --> 00:01:54,480 Speaker 3: of me. 40 00:01:55,960 --> 00:01:58,440 Speaker 2: You say you wrote, you think you wrote Joline and 41 00:01:58,480 --> 00:02:00,800 Speaker 2: I will always love you. On the set day, what 42 00:02:00,920 --> 00:02:01,680 Speaker 2: a hell of a day. 43 00:02:01,800 --> 00:02:02,360 Speaker 1: That's a day. 44 00:02:03,200 --> 00:02:05,080 Speaker 3: I know, I don't know for the same day or 45 00:02:05,120 --> 00:02:07,120 Speaker 3: the same week, but it was on the same cassette 46 00:02:07,160 --> 00:02:10,000 Speaker 3: and they were back to that. I actually recorded both 47 00:02:10,080 --> 00:02:13,200 Speaker 3: those songs though in the same album Jolene and on 48 00:02:13,240 --> 00:02:15,640 Speaker 3: the Joline album. I Will Always Love You was also 49 00:02:15,720 --> 00:02:19,360 Speaker 3: on that album, and so it was a good week 50 00:02:19,400 --> 00:02:21,800 Speaker 3: for me or a good night because it was we 51 00:02:21,840 --> 00:02:24,880 Speaker 3: founded on the same cassette those two songs, and I 52 00:02:24,919 --> 00:02:27,360 Speaker 3: thought that was amazing myself. I had no idea that 53 00:02:27,440 --> 00:02:28,800 Speaker 3: I had written them at the same time. 54 00:02:29,360 --> 00:02:32,000 Speaker 1: Speaking about your love of Australia, last time you were 55 00:02:32,040 --> 00:02:35,040 Speaker 1: he you traveled around it on your very own boss, 56 00:02:35,400 --> 00:02:37,760 Speaker 1: and your boss there's a bit of trouble at the 57 00:02:37,800 --> 00:02:40,840 Speaker 1: time because because of some sort of bureaucratic thing, yours 58 00:02:40,880 --> 00:02:43,360 Speaker 1: is an American boss and it was too big for 59 00:02:43,440 --> 00:02:48,000 Speaker 1: Australian rhads, which seems odd to me. But Anthony Albanezi 60 00:02:48,800 --> 00:02:50,920 Speaker 1: was the man that managed to get your bus through. 61 00:02:51,120 --> 00:02:53,600 Speaker 1: He is now running as the opposition. He could be 62 00:02:53,639 --> 00:02:55,519 Speaker 1: our next prime minister. Did you know that? 63 00:02:55,919 --> 00:02:58,960 Speaker 3: Oh well, I have to say thanks though to Anthony 64 00:02:59,040 --> 00:03:03,120 Speaker 3: for alana Us to bring our bus into there. We 65 00:03:03,280 --> 00:03:05,320 Speaker 3: shipped it over because I was so used to my 66 00:03:05,400 --> 00:03:08,840 Speaker 3: own bus and I didn't understand. I didn't know about 67 00:03:08,840 --> 00:03:10,800 Speaker 3: all the trouble that it took to get it there. 68 00:03:11,280 --> 00:03:13,520 Speaker 3: I just came over there and got on the bus 69 00:03:13,560 --> 00:03:16,560 Speaker 3: and rode it around. But that was pretty amazing. All 70 00:03:16,560 --> 00:03:18,240 Speaker 3: the stuff you have to go through, but that was 71 00:03:18,280 --> 00:03:20,680 Speaker 3: one of the best trips we've ever had work on 72 00:03:20,680 --> 00:03:23,240 Speaker 3: that tour in Australia. 73 00:03:23,320 --> 00:03:27,200 Speaker 2: With many of the songs, the early kind of folk 74 00:03:27,240 --> 00:03:30,120 Speaker 2: and country songs had a real darkness to them, and 75 00:03:30,160 --> 00:03:32,200 Speaker 2: I know that you've tapped into a lot of You 76 00:03:32,280 --> 00:03:34,440 Speaker 2: were the one of the first female songwriters to tap 77 00:03:34,480 --> 00:03:38,400 Speaker 2: into the to the darkness of real emotion. It's amazing 78 00:03:38,440 --> 00:03:40,320 Speaker 2: that you were able to do that and still sustain 79 00:03:40,760 --> 00:03:43,040 Speaker 2: such a career that it wasn't seen as a downer. 80 00:03:43,120 --> 00:03:46,440 Speaker 1: Really well, I think a lot. 81 00:03:46,280 --> 00:03:48,640 Speaker 3: Of my a lot of my stories actually come from 82 00:03:48,680 --> 00:03:52,200 Speaker 3: the old world songs from Ireland, England, Scotland and all 83 00:03:52,240 --> 00:03:54,880 Speaker 3: those songs that used to tell stories and all the ballads. 84 00:03:55,120 --> 00:03:58,280 Speaker 3: So there's a lot of that kind of darkness in 85 00:03:58,320 --> 00:04:01,200 Speaker 3: my songs. But it's more I think just goes back 86 00:04:01,240 --> 00:04:03,520 Speaker 3: to the book. I'm really like a song teller. I'm 87 00:04:03,520 --> 00:04:06,480 Speaker 3: really like telling stories and I'm singing them. But that's 88 00:04:06,520 --> 00:04:10,000 Speaker 3: how they used to carry messages and how they used 89 00:04:10,040 --> 00:04:13,560 Speaker 3: to carry stores years ago, before they had television and radio. 90 00:04:13,840 --> 00:04:17,080 Speaker 3: They were just saying, these balladeers, would you write and 91 00:04:17,120 --> 00:04:20,000 Speaker 3: sing these songs and travel around? But I think people 92 00:04:20,080 --> 00:04:24,400 Speaker 3: just kind of hear that in my DNA, I think, 93 00:04:24,440 --> 00:04:26,280 Speaker 3: and they kind of just kind of relate to that. 94 00:04:26,640 --> 00:04:28,440 Speaker 3: But I write a lot of happy songs. Some of 95 00:04:28,480 --> 00:04:31,760 Speaker 3: my sadder songs I've written when I was happiest, and 96 00:04:31,920 --> 00:04:34,479 Speaker 3: vice versa. So as a songwriter, you just write what 97 00:04:34,600 --> 00:04:36,039 Speaker 3: comes out of you. 98 00:04:36,120 --> 00:04:39,120 Speaker 1: It's amazing. The book is such a great documentation of 99 00:04:39,160 --> 00:04:41,960 Speaker 1: your life. This small girl from Tennessee that made a 100 00:04:41,960 --> 00:04:45,480 Speaker 1: wooden micro phone with a tin can on the top, hoping, 101 00:04:45,720 --> 00:04:47,760 Speaker 1: you know, pretending that there was an audience and all 102 00:04:47,880 --> 00:04:52,400 Speaker 1: you played animals or cows or do it. It's extraordinary 103 00:04:52,480 --> 00:04:54,719 Speaker 1: where you come from. You've got your own theme part 104 00:04:55,080 --> 00:04:57,920 Speaker 1: in Dollywood. You've got a pinball machine, you know, that's 105 00:04:57,920 --> 00:04:59,960 Speaker 1: the greatest thing in the world when somebody has a 106 00:05:00,320 --> 00:05:02,520 Speaker 1: Do you have your own pinball machine in the house, 107 00:05:02,560 --> 00:05:04,680 Speaker 1: the Dolly Parton pinball machine. 108 00:05:05,000 --> 00:05:08,080 Speaker 3: Actually I do. In my basement. I have the Dolly 109 00:05:08,080 --> 00:05:11,320 Speaker 3: Parton pinball machine. And just the other day we got 110 00:05:11,320 --> 00:05:14,560 Speaker 3: a call from somebody that had one and they wanted 111 00:05:14,600 --> 00:05:16,800 Speaker 3: to know if I wanted to buy it. I said, well, 112 00:05:16,800 --> 00:05:19,680 Speaker 3: of course I do. I need to put one. You know, 113 00:05:19,720 --> 00:05:23,200 Speaker 3: I've got museums and people that always want to borrow things, 114 00:05:23,480 --> 00:05:25,359 Speaker 3: and I don't want to like taking stuff out of 115 00:05:25,360 --> 00:05:27,920 Speaker 3: my own museum. So I bought it because I figured 116 00:05:27,920 --> 00:05:31,440 Speaker 3: it'll come in handy somedays. So I thought that was 117 00:05:31,480 --> 00:05:33,440 Speaker 3: great that I got my hands on another one. 118 00:05:33,520 --> 00:05:36,920 Speaker 1: What's your highest score on your own pinball machine? Oh? 119 00:05:36,960 --> 00:05:38,160 Speaker 3: I don't even know how to play it? 120 00:05:38,200 --> 00:05:43,080 Speaker 1: Oh no, I just go to show. 121 00:05:43,200 --> 00:05:45,039 Speaker 3: I don't ride the rides at Dollywood. 122 00:05:47,240 --> 00:05:49,360 Speaker 2: We spoke to Graham Norton not so long ago. He 123 00:05:49,440 --> 00:05:51,799 Speaker 2: said one of the highlights of his life was going 124 00:05:51,839 --> 00:05:54,279 Speaker 2: down the rapids in a rubber tube with you. 125 00:05:55,400 --> 00:05:58,039 Speaker 3: Oh, I know, we had the best time. I did 126 00:05:58,040 --> 00:06:01,000 Speaker 3: a show with him the other day too. Hadn't had 127 00:06:01,080 --> 00:06:03,160 Speaker 3: chance to work with him in years. That was fun. 128 00:06:03,200 --> 00:06:05,800 Speaker 3: But when he came to Dollywood, he stayed there in 129 00:06:05,839 --> 00:06:07,839 Speaker 3: that area for a few days. But we had the 130 00:06:07,880 --> 00:06:10,400 Speaker 3: best time. I think he's a crazy fool and I 131 00:06:10,520 --> 00:06:11,360 Speaker 3: just love it. 132 00:06:11,640 --> 00:06:15,960 Speaker 1: As a current, like electrical electrical election in America? Is 133 00:06:15,960 --> 00:06:18,000 Speaker 1: that given you sort of like some sort of impetus 134 00:06:18,000 --> 00:06:20,279 Speaker 1: to write more music? Is there anything that pops up 135 00:06:20,320 --> 00:06:22,480 Speaker 1: about what goes on in America at the moment. 136 00:06:23,600 --> 00:06:27,480 Speaker 3: Yeah, I'm writing more about just with the COVID and 137 00:06:28,040 --> 00:06:30,360 Speaker 3: just trying to keep people's spirits up about all the 138 00:06:30,400 --> 00:06:33,080 Speaker 3: craziness going on with our election and it's just been 139 00:06:33,160 --> 00:06:35,960 Speaker 3: a crazy year with our weather and it's just like 140 00:06:36,000 --> 00:06:39,000 Speaker 3: there's so much negativity in the out there in the world, 141 00:06:39,279 --> 00:06:41,480 Speaker 3: I mean out at there in the skies, like everything's 142 00:06:41,520 --> 00:06:43,800 Speaker 3: just kind of got us wobbly. But I'm hoping that 143 00:06:43,880 --> 00:06:46,160 Speaker 3: the universe is just being rebooted and we're going to 144 00:06:46,279 --> 00:06:49,880 Speaker 3: kind of get jolted into some kind of a steady 145 00:06:49,920 --> 00:06:52,479 Speaker 3: place where things can kind of open up again. But 146 00:06:52,520 --> 00:06:54,720 Speaker 3: I do I'm writing a lot about it because that's 147 00:06:54,760 --> 00:06:58,360 Speaker 3: the way I do express myself and write for other 148 00:06:58,400 --> 00:07:00,920 Speaker 3: people that are not able to rest themselves. So I've 149 00:07:00,920 --> 00:07:04,279 Speaker 3: written songs like I Still Believe and when life is 150 00:07:04,320 --> 00:07:07,640 Speaker 3: Good Again, you know, a subject like that, and then 151 00:07:07,760 --> 00:07:10,000 Speaker 3: talking about we need to kind of love a little more, 152 00:07:10,040 --> 00:07:12,000 Speaker 3: try to try a little harder, to be a little smarter, 153 00:07:12,120 --> 00:07:14,440 Speaker 3: and you know, it's like what all can you do? 154 00:07:14,560 --> 00:07:17,200 Speaker 3: You pray and when it gets worse, you pray harder. 155 00:07:17,800 --> 00:07:20,240 Speaker 2: For a lot of people, Dolly you're their hope, you're 156 00:07:20,280 --> 00:07:25,080 Speaker 2: their inspiration. Who's your dolly? Who fills you up? Where 157 00:07:25,120 --> 00:07:25,720 Speaker 2: do you get that? 158 00:07:26,920 --> 00:07:27,120 Speaker 1: Well? 159 00:07:27,200 --> 00:07:32,000 Speaker 3: I get my inspiration from my spiritual self, from God 160 00:07:32,320 --> 00:07:35,600 Speaker 3: and from my family, from my friends, and so I 161 00:07:35,880 --> 00:07:40,360 Speaker 3: just really don't I don't like being in my church. 162 00:07:40,680 --> 00:07:43,880 Speaker 3: We grew up not believing in idle gods, and sometimes 163 00:07:43,920 --> 00:07:45,880 Speaker 3: I get a little scared. You know, I don't think 164 00:07:45,920 --> 00:07:48,640 Speaker 3: people should worship human beings. They need to look to 165 00:07:48,680 --> 00:07:51,480 Speaker 3: something bigger and better. And I'm glad that I can 166 00:07:51,520 --> 00:07:54,160 Speaker 3: be a good example, and I'm glad if I can 167 00:07:54,240 --> 00:07:57,000 Speaker 3: be somebody's hero. But I don't ever want to be 168 00:07:57,120 --> 00:08:01,360 Speaker 3: looked at like some sort of you know, out of God, 169 00:08:01,480 --> 00:08:03,680 Speaker 3: of some sort. And I think that's not right. So 170 00:08:04,000 --> 00:08:06,520 Speaker 3: I asked God to shine through me and to let 171 00:08:06,600 --> 00:08:09,920 Speaker 3: that light direct them onto something bigger and better than me. 172 00:08:10,000 --> 00:08:12,600 Speaker 3: And I'm just asking God to use me as a vessel, 173 00:08:12,680 --> 00:08:15,920 Speaker 3: to let me do good things, to uplift mankind and 174 00:08:15,960 --> 00:08:18,720 Speaker 3: to glorify Him. And that's that is my attitude. 175 00:08:18,880 --> 00:08:22,440 Speaker 1: Well shine through you. He certainly does it. Just it's 176 00:08:22,480 --> 00:08:25,520 Speaker 1: it's so great to talk to you and and finally 177 00:08:25,560 --> 00:08:28,000 Speaker 1: get to meet you in the flesh. We were just 178 00:08:28,000 --> 00:08:29,880 Speaker 1: talking about you the other day. I didn't realize that 179 00:08:29,960 --> 00:08:33,199 Speaker 1: Islands in the Stream, which was written by the Ghib brothers, 180 00:08:33,400 --> 00:08:36,960 Speaker 1: but that was originally for for Marvin Gay. 181 00:08:38,520 --> 00:08:39,800 Speaker 3: Oh, I didn't even know that. 182 00:08:40,000 --> 00:08:40,720 Speaker 1: You didn't know that. 183 00:08:40,920 --> 00:08:43,720 Speaker 3: I did not know that. All I know about that 184 00:08:43,800 --> 00:08:47,400 Speaker 3: song was years ago. What's it now? This song is? 185 00:08:47,679 --> 00:08:49,960 Speaker 3: I don't know how old it is, but it's old. 186 00:08:50,400 --> 00:08:53,000 Speaker 3: But anyhow, when it came out, I'm older than I 187 00:08:53,080 --> 00:08:59,040 Speaker 3: want to say. I just know it was. I didn't 188 00:08:59,040 --> 00:09:02,160 Speaker 3: know exactly what you Oh, it was nineteen eighty. 189 00:09:02,040 --> 00:09:04,199 Speaker 1: No, no, no, I'm just saying it was. It doesn't 190 00:09:04,240 --> 00:09:04,640 Speaker 1: matter it was. 191 00:09:06,240 --> 00:09:08,800 Speaker 3: Anyway. The point is I got a I was living 192 00:09:08,840 --> 00:09:14,320 Speaker 3: in a little apartment up above in La and Kenny 193 00:09:14,360 --> 00:09:16,599 Speaker 3: had a studio called Line's Share, I think it was 194 00:09:16,640 --> 00:09:18,320 Speaker 3: the name of the studio, and it was just right 195 00:09:18,360 --> 00:09:22,520 Speaker 3: down further hill and so Barry they couldn't get the 196 00:09:22,559 --> 00:09:25,440 Speaker 3: song wasn't coming together, And so Barry said to Kenny, 197 00:09:25,600 --> 00:09:29,080 Speaker 3: do you happen to know Dolly Parton? And Kenny said, well, yeah, 198 00:09:29,480 --> 00:09:31,800 Speaker 3: I know her. You know, I've worked with her. He said, 199 00:09:31,800 --> 00:09:33,200 Speaker 3: do you know how to get in touch with her? 200 00:09:33,440 --> 00:09:36,520 Speaker 3: And Kenny said, well, I can't call my manager. See, 201 00:09:36,760 --> 00:09:39,359 Speaker 3: so they called me. They thought I was in Nashville, 202 00:09:39,679 --> 00:09:42,520 Speaker 3: and so they said they called me and they said, hey, 203 00:09:42,600 --> 00:09:44,880 Speaker 3: Kenny wants to talk to you. And so he said, well, 204 00:09:44,960 --> 00:09:46,880 Speaker 3: who are you? Said, we got a song that we'd 205 00:09:47,000 --> 00:09:49,120 Speaker 3: like you to do, so could we send you a cassette? 206 00:09:49,400 --> 00:09:52,280 Speaker 3: I said, I said, are you here in la and 207 00:09:52,320 --> 00:09:55,760 Speaker 3: he said, yeah, I'm a Line's share. I said, well, 208 00:09:55,760 --> 00:09:58,560 Speaker 3: I'm just uphill. I said, can I just come on down? 209 00:09:59,040 --> 00:10:02,000 Speaker 3: So seriously, it went that easy, and so I went 210 00:10:02,040 --> 00:10:03,760 Speaker 3: down to the studio. So as I got, you know, 211 00:10:03,800 --> 00:10:07,240 Speaker 3: cleaned up a little bit, and I walked in and 212 00:10:07,360 --> 00:10:09,520 Speaker 3: I just heard the song time too. I went out 213 00:10:09,520 --> 00:10:12,200 Speaker 3: and started singing it and it clicked and everybody said, 214 00:10:12,240 --> 00:10:14,400 Speaker 3: that's it. There said that's it. That's what I heard, 215 00:10:14,440 --> 00:10:16,600 Speaker 3: and that's what I wanted it to be, and it 216 00:10:16,760 --> 00:10:17,600 Speaker 3: just turned out great. 217 00:10:17,760 --> 00:10:20,400 Speaker 1: Well, we must apologize to it because to you, because 218 00:10:20,520 --> 00:10:23,439 Speaker 1: that is our jewet. Whenever we do karaoke, Amanda and 219 00:10:23,520 --> 00:10:27,120 Speaker 1: I do karaoke karaoke, we always do Islands in the Street. 220 00:10:27,559 --> 00:10:31,600 Speaker 3: It's never a good a great karaoke song on there. 221 00:10:31,679 --> 00:10:34,400 Speaker 1: Amanda plays Kenny's pot and I play your pop. 222 00:10:36,520 --> 00:10:38,000 Speaker 3: Can I hear a little bit about. 223 00:10:40,760 --> 00:10:41,240 Speaker 1: Enough to d. 224 00:10:42,720 --> 00:10:45,240 Speaker 3: I was trying to sing with somebody else on on 225 00:10:45,280 --> 00:10:47,079 Speaker 3: a zoom call and I was having to sing the 226 00:10:47,120 --> 00:10:49,240 Speaker 3: harm and I said, we need to stop this. We're 227 00:10:49,240 --> 00:10:51,720 Speaker 3: going to ruin our career. So let's exactly, let's don't 228 00:10:51,760 --> 00:10:54,000 Speaker 3: go there. And I think we have telling me that 229 00:10:54,120 --> 00:10:55,920 Speaker 3: I'm they're telling me I have to. 230 00:10:55,840 --> 00:10:56,520 Speaker 1: Wind this up. 231 00:10:57,200 --> 00:10:59,120 Speaker 3: I just started talking to you. 232 00:10:59,160 --> 00:11:01,520 Speaker 1: Well, Dolly, it's a treat to talk to you. Make 233 00:11:01,520 --> 00:11:03,520 Speaker 1: sure you get the book now. The song Telle of 234 00:11:03,559 --> 00:11:06,959 Speaker 1: My Life and lyrics and the album Holy Dolly christmin 235 00:11:07,600 --> 00:11:11,760 Speaker 1: Holy Dolly Christmas are available now. Dolly Parton, thank you man, 236 00:11:11,920 --> 00:11:13,800 Speaker 1: what a privilege. Thank you, Dolly, you and. 237 00:11:13,880 --> 00:11:16,160 Speaker 3: Merry Christmas and a happier new Year. 238 00:11:16,360 --> 00:11:18,240 Speaker 2: Absolutely, thank you, Dolly. 239 00:11:18,960 --> 00:11:22,040 Speaker 1: Thank you Sure with join Z and Amanda