1 00:00:00,680 --> 00:00:04,200 Speaker 1: Powered by the iHeart Radio app from ninety six airfam 2 00:00:04,360 --> 00:00:06,280 Speaker 1: to wherever you're listening today. 3 00:00:06,559 --> 00:00:09,040 Speaker 2: This is Clarsy and Leases podcast. 4 00:00:09,240 --> 00:00:11,639 Speaker 1: Coming up. On the podcast, we catch up with Percamedia 5 00:00:11,640 --> 00:00:14,800 Speaker 1: and Claire Hooper on embarrassing moments, especially in public, and 6 00:00:14,840 --> 00:00:16,360 Speaker 1: we open the phones and ask what yours were. 7 00:00:16,600 --> 00:00:20,400 Speaker 3: Clary talks about his mysterious center Link account, miss smells, 8 00:00:20,440 --> 00:00:23,279 Speaker 3: a scam. 9 00:00:22,160 --> 00:00:24,759 Speaker 1: Sure report, baf DE nominations released. 10 00:00:24,520 --> 00:00:26,640 Speaker 2: And Bennochet Swing's bar to tell us about we live 11 00:00:26,680 --> 00:00:27,080 Speaker 2: in time. 12 00:00:27,680 --> 00:00:29,200 Speaker 1: I think things are about to get tough for me 13 00:00:29,480 --> 00:00:30,479 Speaker 1: on the financial front. 14 00:00:30,520 --> 00:00:32,760 Speaker 2: Liase, what do you got an email? You're worried about? 15 00:00:32,760 --> 00:00:33,400 Speaker 2: What's going on? 16 00:00:34,479 --> 00:00:36,800 Speaker 1: Curring got an email from the Australian Government. I'm going 17 00:00:36,800 --> 00:00:39,479 Speaker 1: to read it out to you. Important update regarding your 18 00:00:39,520 --> 00:00:41,239 Speaker 1: center Link account. This is his came through to me. 19 00:00:41,280 --> 00:00:42,880 Speaker 2: Yesterday, your center Link account. 20 00:00:42,920 --> 00:00:45,440 Speaker 1: I sent a Link account you ready? Do you use her? 21 00:00:45,520 --> 00:00:47,280 Speaker 1: Doesn't even use my name? Do you do? 22 00:00:47,400 --> 00:00:50,160 Speaker 2: You doesn't know who you are? What am I using 23 00:00:50,880 --> 00:00:52,240 Speaker 2: first as your first? 24 00:00:53,600 --> 00:00:57,640 Speaker 1: Yeah? By the way, it's from the Australian government. Australian 25 00:00:58,480 --> 00:01:04,080 Speaker 1: Government are yes see that's the oldie. I'm still worried. 26 00:01:04,080 --> 00:01:07,520 Speaker 1: I'm such a dear user, I've got to stop using. 27 00:01:07,840 --> 00:01:11,040 Speaker 1: We request that you urgently verify and update your Centerlink 28 00:01:11,040 --> 00:01:14,720 Speaker 1: account information betcher, which has been identified for review due 29 00:01:14,760 --> 00:01:19,280 Speaker 1: to recent activity. This action is necessary to ensure your 30 00:01:19,400 --> 00:01:21,680 Speaker 1: age pension payments continue smoothly. 31 00:01:22,120 --> 00:01:28,399 Speaker 3: H are very DAYU hGe pnton government, bloody government, mister Gordon, 32 00:01:28,640 --> 00:01:29,400 Speaker 3: you're stuffed. 33 00:01:29,680 --> 00:01:31,520 Speaker 1: Look isn't the age pacier right for me? I was 34 00:01:31,520 --> 00:01:36,280 Speaker 1: born in sixty five, so sixty seven fifty nine. Complete 35 00:01:36,280 --> 00:01:38,440 Speaker 1: this by January twenty. They've given me a date to 36 00:01:38,640 --> 00:01:41,560 Speaker 1: the four days. I've only got four days. So what 37 00:01:41,600 --> 00:01:43,959 Speaker 1: it's got is, of course there's something in blue capitals. 38 00:01:44,319 --> 00:01:48,160 Speaker 1: No capitals. I think government was enough. So there are 39 00:01:48,240 --> 00:01:49,960 Speaker 1: four lines of things for me to press which are 40 00:01:49,960 --> 00:01:52,840 Speaker 1: in blue. First of those is log onto your micuve 41 00:01:52,880 --> 00:01:54,560 Speaker 1: account and complete the update. The second one is a 42 00:01:54,560 --> 00:01:57,720 Speaker 1: beauty review of the attached documents for detailed instructions. The 43 00:01:57,760 --> 00:02:01,600 Speaker 1: third ones is gather and provide the requested information. Ah, 44 00:02:01,680 --> 00:02:04,320 Speaker 1: there it is, yep out the request. You know what 45 00:02:04,360 --> 00:02:06,680 Speaker 1: that's going to be, don't yeah? Of course, And the 46 00:02:06,680 --> 00:02:09,799 Speaker 1: fourth one says, don't be a dickhead. All updates must 47 00:02:09,800 --> 00:02:12,040 Speaker 1: be completed by January twenty. They give me the deadline again, 48 00:02:12,160 --> 00:02:14,400 Speaker 1: January twenty. I've got four days lease to take care. 49 00:02:14,440 --> 00:02:17,040 Speaker 1: If no action is taken by this date, your services 50 00:02:17,080 --> 00:02:21,440 Speaker 1: may be temporarily suspended until the necessary updates well and 51 00:02:21,480 --> 00:02:24,600 Speaker 1: truly made. And say, I won't get my pension now 52 00:02:25,960 --> 00:02:29,120 Speaker 1: if you fudge my age up by eight years floody 53 00:02:29,120 --> 00:02:32,400 Speaker 1: fifty nine? Right do you scammer? If you want my details, 54 00:02:32,639 --> 00:02:34,320 Speaker 1: if you fudge it down by eight years, you can 55 00:02:34,360 --> 00:02:36,799 Speaker 1: have all my bloody details. Right, you can have all that. 56 00:02:37,000 --> 00:02:38,720 Speaker 1: If you want me to press the blue thing you 57 00:02:38,720 --> 00:02:41,080 Speaker 1: want to put a virus into my device, I'm happy 58 00:02:41,120 --> 00:02:42,600 Speaker 1: with that. If you fudge my name, if you go 59 00:02:42,680 --> 00:02:45,960 Speaker 1: down eight years, I'll be fifty one. Right, said that, 60 00:02:46,680 --> 00:02:49,200 Speaker 1: I'll give you my firstborn. I'll give you my bank details. 61 00:02:49,200 --> 00:02:50,919 Speaker 1: In fact, you can send me photos of Brad Pitt 62 00:02:50,960 --> 00:02:53,320 Speaker 1: in a hospital gown and say it's you and you 63 00:02:53,400 --> 00:02:55,200 Speaker 1: love me forever. I'll send you at one point three 64 00:02:55,240 --> 00:02:57,160 Speaker 1: million dollars. But don't fudge it the other way. 65 00:02:59,240 --> 00:02:59,959 Speaker 2: How very rude. 66 00:03:00,760 --> 00:03:02,840 Speaker 1: Nine, Thank you Government to. 67 00:03:02,880 --> 00:03:04,000 Speaker 2: Tell them to borger off. 68 00:03:04,960 --> 00:03:10,400 Speaker 1: It gets time. 69 00:03:08,080 --> 00:03:12,959 Speaker 4: For another Fringe Festival act with Clazy and Lisa. 70 00:03:13,400 --> 00:03:14,480 Speaker 2: Claire Hooper is. 71 00:03:14,400 --> 00:03:16,600 Speaker 3: Going to be in town next week with her show 72 00:03:16,880 --> 00:03:19,840 Speaker 3: Nothing to See Here from the twentieth to the twenty 73 00:03:19,840 --> 00:03:22,480 Speaker 3: fifth at the Record Buttic gets her available through fringeworld 74 00:03:22,520 --> 00:03:28,840 Speaker 3: dot com dot au. She hasn't quite touchdown yet. So morning, Claire, Claire. 75 00:03:29,840 --> 00:03:32,960 Speaker 5: Morning, I've sent my children ahead of me, have you. 76 00:03:33,200 --> 00:03:37,920 Speaker 5: We're already in that weltering post summer and and I 77 00:03:37,960 --> 00:03:39,760 Speaker 5: will catch them up next week. 78 00:03:40,000 --> 00:03:42,200 Speaker 3: You know what we're not We haven't had I don't 79 00:03:42,240 --> 00:03:44,680 Speaker 3: want to put the you know, the kibosh, I don't 80 00:03:44,680 --> 00:03:45,840 Speaker 3: want to jinx it. 81 00:03:45,880 --> 00:03:48,360 Speaker 2: But we haven't had a sweltering summer. 82 00:03:48,440 --> 00:03:51,400 Speaker 3: Yes, but just in time for your arrival, We've got 83 00:03:51,440 --> 00:03:54,120 Speaker 3: a couple of forty degree days next week. Now tell 84 00:03:54,200 --> 00:03:56,160 Speaker 3: us about nothing to See here? 85 00:03:57,320 --> 00:04:02,680 Speaker 2: Sorry, sorry, Claire. A good shange. 86 00:04:04,400 --> 00:04:10,360 Speaker 5: This is a lovely little comedy show about how humiliated 87 00:04:10,400 --> 00:04:12,840 Speaker 5: we are every day in public. Like it's just the 88 00:04:12,880 --> 00:04:16,320 Speaker 5: reality of being human beings, is that we are gonna 89 00:04:16,839 --> 00:04:19,240 Speaker 5: We're going to do little stumbles on the street when 90 00:04:19,240 --> 00:04:21,320 Speaker 5: we're not in the mood for it. You know what, 91 00:04:21,400 --> 00:04:23,600 Speaker 5: I like one of my favorite things to spot at 92 00:04:23,600 --> 00:04:26,400 Speaker 5: the moment when you're out of a cafe or it's 93 00:04:26,440 --> 00:04:29,720 Speaker 5: just somebody waiting at someone who hasn't seen them yet. 94 00:04:30,000 --> 00:04:34,400 Speaker 5: It's just like the most beautifully, painfully gorgeous like that. 95 00:04:34,400 --> 00:04:37,080 Speaker 5: Don't be harmed by it, but it amuses me so much. 96 00:04:37,120 --> 00:04:39,719 Speaker 5: It's like, no one they haven't seen you yet, because 97 00:04:39,760 --> 00:04:42,680 Speaker 5: the rest of us have. We're all looking, we're all invested. 98 00:04:42,800 --> 00:04:45,440 Speaker 2: Now, at what point do you just give up? 99 00:04:46,680 --> 00:04:47,000 Speaker 5: Stop? 100 00:04:47,200 --> 00:04:47,760 Speaker 2: They're not going to. 101 00:04:47,760 --> 00:04:50,360 Speaker 5: Say, well, you can really tell what sort of gambler 102 00:04:50,440 --> 00:04:52,920 Speaker 5: someone is. For me, like, people just go, I'm going 103 00:04:52,920 --> 00:04:54,760 Speaker 5: to cut my losses. I'll just walk to them. And 104 00:04:54,760 --> 00:04:57,000 Speaker 5: then there's the people who are like, I've already gone 105 00:04:57,080 --> 00:04:59,520 Speaker 5: all I'm sticking it out there. 106 00:05:00,200 --> 00:05:02,840 Speaker 3: Yeah, but even more frustrating, pretend since they've seen you 107 00:05:02,960 --> 00:05:03,400 Speaker 3: and wrappers. 108 00:05:03,480 --> 00:05:07,000 Speaker 1: Yeah, exactly. At a gig if you're a black perth arena, 109 00:05:07,040 --> 00:05:08,960 Speaker 1: you see the people doing it there, like from like 110 00:05:09,279 --> 00:05:12,120 Speaker 1: sixty meters away. It's so frustrated the way. 111 00:05:12,480 --> 00:05:14,400 Speaker 6: Yeah, it's absdorable. 112 00:05:14,720 --> 00:05:16,719 Speaker 5: You know when I do it myself and I feel 113 00:05:16,720 --> 00:05:19,560 Speaker 5: like I never feel more like my own mother than 114 00:05:19,920 --> 00:05:21,440 Speaker 5: when I'm waving across the crowd. 115 00:05:22,600 --> 00:05:22,800 Speaker 6: Yeah. 116 00:05:24,400 --> 00:05:27,359 Speaker 3: Have you ever left the toilet at a restaurant or 117 00:05:27,360 --> 00:05:30,320 Speaker 3: something with the skirt or dress tucked into the back 118 00:05:30,440 --> 00:05:31,680 Speaker 3: of unickers. 119 00:05:32,040 --> 00:05:35,159 Speaker 5: No, but I believe it's waiting for me, which is 120 00:05:35,200 --> 00:05:38,640 Speaker 5: why I just don't wear dresses like the keys. Never 121 00:05:39,400 --> 00:05:40,359 Speaker 5: never wear the jail. 122 00:05:40,440 --> 00:05:41,240 Speaker 7: Wear a dress. 123 00:05:41,680 --> 00:05:43,599 Speaker 2: Yeah, is the day it's going to happen. 124 00:05:43,600 --> 00:05:46,320 Speaker 1: Safety in the pants. 125 00:05:47,320 --> 00:05:48,720 Speaker 5: Is there a male equivalent? 126 00:05:49,080 --> 00:05:49,400 Speaker 2: There is? 127 00:05:49,520 --> 00:05:54,200 Speaker 3: Yes, there is fly down definitely, Yeah, definitely yes. 128 00:05:54,640 --> 00:05:55,840 Speaker 2: Toilet paper of the shoe. 129 00:05:56,080 --> 00:05:58,800 Speaker 1: Oh, any kind of toilet paper anywhere is bad, isn't it. Yeah? 130 00:05:59,000 --> 00:06:01,320 Speaker 1: How about flying through the like Supergirl? Clear? Have you 131 00:06:01,360 --> 00:06:03,160 Speaker 1: done that? Because it's so bad, especially if you're not 132 00:06:03,200 --> 00:06:03,839 Speaker 1: in your eighties. 133 00:06:03,960 --> 00:06:07,839 Speaker 5: Oh look it's yeah, that's right. But I'm grateful to 134 00:06:07,920 --> 00:06:10,360 Speaker 5: be young enough. But it doesn't taught me in hospital. 135 00:06:10,440 --> 00:06:12,840 Speaker 5: But the number of humbles I've taken in public, you. 136 00:06:12,800 --> 00:06:13,880 Speaker 7: Know, there's I did that. 137 00:06:13,960 --> 00:06:14,279 Speaker 6: There was. 138 00:06:14,440 --> 00:06:17,040 Speaker 5: I made a list of stories of me falling over, 139 00:06:17,240 --> 00:06:20,080 Speaker 5: and I wouldn't even remotely fit there. I reckon I've 140 00:06:20,080 --> 00:06:22,479 Speaker 5: got ten percent of them all fitted in. One of 141 00:06:22,520 --> 00:06:24,560 Speaker 5: the ones that doesn't even make it into the show 142 00:06:25,000 --> 00:06:28,520 Speaker 5: happened down on that down on that beautiful corner on 143 00:06:28,720 --> 00:06:31,960 Speaker 5: Rose Street, right before the old Horseshoe Bridge, and I 144 00:06:32,040 --> 00:06:36,120 Speaker 5: ran in his hot tip. If you're wearing summer shoes 145 00:06:36,240 --> 00:06:39,440 Speaker 5: to keep your feet cool. What happened is your toes 146 00:06:39,560 --> 00:06:41,920 Speaker 5: flare to keep them from falling off when you run. 147 00:06:41,960 --> 00:06:44,320 Speaker 5: And I ran in wide legt pants and I went 148 00:06:44,400 --> 00:06:47,200 Speaker 5: intow shoes and my right toe caught in the left 149 00:06:47,279 --> 00:06:49,919 Speaker 5: pant and I hobbled myself right as I hit the 150 00:06:49,920 --> 00:06:53,080 Speaker 5: traffic lights. I mean, you know some people juggle at 151 00:06:53,120 --> 00:06:56,680 Speaker 5: the traffic lights. I just I just performed sideways than 152 00:06:56,760 --> 00:06:59,600 Speaker 5: for batics, and I had to take myself into an 153 00:06:59,600 --> 00:07:01,240 Speaker 5: alley for a little cry. 154 00:07:03,800 --> 00:07:04,320 Speaker 1: Recovery. 155 00:07:05,040 --> 00:07:11,080 Speaker 3: You see that a lot in Northbury very well. My 156 00:07:11,120 --> 00:07:14,200 Speaker 3: favorite is when someone trips when they're walking and then 157 00:07:14,240 --> 00:07:17,040 Speaker 3: does a little jog to recover, and it's. 158 00:07:16,840 --> 00:07:18,640 Speaker 2: Like, I meant to do that. I was. I was 159 00:07:18,640 --> 00:07:20,520 Speaker 2: always planning on running that little bit there. 160 00:07:20,720 --> 00:07:23,280 Speaker 5: It's a durable that's I mean, that's what the phrase 161 00:07:23,320 --> 00:07:24,760 Speaker 5: woops to Daisy was invented. 162 00:07:25,960 --> 00:07:28,920 Speaker 2: Yeah, well, it's only nothing to see here now. 163 00:07:29,040 --> 00:07:32,160 Speaker 3: Can you believe it's been twenty years since your first 164 00:07:32,400 --> 00:07:36,560 Speaker 3: TV comedy spot, which was on a Rove Live in 165 00:07:36,560 --> 00:07:37,600 Speaker 3: two thousand and five. 166 00:07:38,080 --> 00:07:39,239 Speaker 6: It is wild? 167 00:07:40,400 --> 00:07:43,200 Speaker 5: Well, I mean anyone that anyone that's been in the 168 00:07:43,240 --> 00:07:46,560 Speaker 5: same job for twenty years does the same thing where 169 00:07:46,560 --> 00:07:49,480 Speaker 5: you're like a student. I never would have thought it 170 00:07:49,520 --> 00:07:54,800 Speaker 5: would last this long. Yeah, it's I mean, but to 171 00:07:54,840 --> 00:07:57,040 Speaker 5: be honest, I find it even weirder that I've been 172 00:07:57,480 --> 00:08:01,440 Speaker 5: married for nearly as long, Like that's a surely surely 173 00:08:01,480 --> 00:08:04,760 Speaker 5: with you for a freshen up. But no, I know 174 00:08:04,880 --> 00:08:05,800 Speaker 5: he sticks around. 175 00:08:06,120 --> 00:08:09,480 Speaker 1: He's still there. He's got the consistency going. Claire and 176 00:08:09,880 --> 00:08:12,360 Speaker 1: I saw a couple of posts on your Instagram this week. 177 00:08:13,040 --> 00:08:14,680 Speaker 1: Was at that first comedy gig you did that first 178 00:08:14,760 --> 00:08:18,040 Speaker 1: Row appearance when Ron Moss Ridge from Bold was there. 179 00:08:18,080 --> 00:08:20,240 Speaker 1: What was it like with the perfect jaw? 180 00:08:20,760 --> 00:08:22,840 Speaker 5: Well, actually, do you know what clarly that is? I mean, 181 00:08:22,880 --> 00:08:24,840 Speaker 5: that doesn't not explain why I stayed in the big 182 00:08:24,960 --> 00:08:27,320 Speaker 5: for twenty years. When you do your first TV spot 183 00:08:27,360 --> 00:08:29,760 Speaker 5: and you get to that Ridge from Bold and the Beautiful, well, 184 00:08:29,800 --> 00:08:31,840 Speaker 5: this business is worth it. I'm going to meet all 185 00:08:31,920 --> 00:08:34,880 Speaker 5: my heroes still just Ridge from the Bold and the Beautiful, 186 00:08:34,920 --> 00:08:37,280 Speaker 5: but I'm waiting for another celest body. 187 00:08:37,480 --> 00:08:38,640 Speaker 2: I interviewed. 188 00:08:39,720 --> 00:08:41,839 Speaker 3: His you know how that was There was always that 189 00:08:42,440 --> 00:08:44,920 Speaker 3: the three I was gonna say three way, but it 190 00:08:44,960 --> 00:08:47,559 Speaker 3: was not a three way. That was the brook Brook 191 00:08:47,640 --> 00:08:50,520 Speaker 3: Logan Brook. And then there was the gorgeous brunette. I 192 00:08:50,559 --> 00:08:55,080 Speaker 3: interviewed Brooke once. She was a bit sort of not 193 00:08:55,280 --> 00:08:56,920 Speaker 3: very not very talky. 194 00:08:57,120 --> 00:09:00,320 Speaker 1: She wasn't really warm. She's still on the show, so 195 00:09:00,400 --> 00:09:01,559 Speaker 1: she was flogging. 196 00:09:01,120 --> 00:09:04,920 Speaker 3: Her keftans and I gave her every opportunity to flog 197 00:09:04,920 --> 00:09:07,720 Speaker 3: her kelf tans, but she was not really she didn't 198 00:09:07,760 --> 00:09:10,959 Speaker 3: really come to play, unlike Ridge and unlike the woman 199 00:09:10,960 --> 00:09:15,359 Speaker 3: that played Stephanie, she was unreal to live you But anyway. 200 00:09:15,120 --> 00:09:17,359 Speaker 2: What she's incredible. 201 00:09:17,400 --> 00:09:18,480 Speaker 5: She was on Good News Week. 202 00:09:19,200 --> 00:09:20,439 Speaker 8: She's so much fun. 203 00:09:20,640 --> 00:09:28,040 Speaker 3: Yes, I think she might be gone now plugging. 204 00:09:27,679 --> 00:09:31,480 Speaker 5: A comedy show and you've brought up a beloved back 205 00:09:31,600 --> 00:09:33,320 Speaker 5: that has made Yeah, then's to move on. 206 00:09:33,400 --> 00:09:35,120 Speaker 2: Tell us about a bite to eat with Alice? 207 00:09:35,400 --> 00:09:36,640 Speaker 5: Oh yeah, that was super fun? 208 00:09:36,840 --> 00:09:37,840 Speaker 2: What a trick? 209 00:09:38,400 --> 00:09:40,840 Speaker 5: Like it's always when you get offered a spot on 210 00:09:40,960 --> 00:09:45,520 Speaker 5: a even cooking show. Yes you'll take it because I can't. 211 00:09:45,720 --> 00:09:49,240 Speaker 5: I cannot cook and I love a tasted But I 212 00:09:49,280 --> 00:09:53,640 Speaker 5: was like, yeslie, she made the most delicious tarrots butter 213 00:09:53,760 --> 00:09:55,200 Speaker 5: chicken for me, and then. 214 00:09:56,600 --> 00:09:58,040 Speaker 2: Oh wait it was the greatest. 215 00:09:58,040 --> 00:10:00,720 Speaker 5: And then I was like, I am Alice, definitely, I 216 00:10:00,760 --> 00:10:02,599 Speaker 5: am going to go and make leave myself and I 217 00:10:02,880 --> 00:10:03,160 Speaker 5: have not. 218 00:10:06,240 --> 00:10:12,560 Speaker 3: Yeah, the show with cookbook author Alice says Loveski, Yeah, 219 00:10:12,640 --> 00:10:15,160 Speaker 3: designs the menu based on your likes. 220 00:10:15,400 --> 00:10:17,000 Speaker 2: Did you promise any any better than that? 221 00:10:17,160 --> 00:10:18,680 Speaker 1: Did you promise anyone you're going to cook it? Clear 222 00:10:18,679 --> 00:10:20,200 Speaker 1: and let them down because you've got a bit busy 223 00:10:20,200 --> 00:10:20,720 Speaker 1: in the schedule. 224 00:10:21,400 --> 00:10:25,200 Speaker 5: Yeah, look it is. It is because I'm too busy 225 00:10:26,280 --> 00:10:30,000 Speaker 5: important now I can't remember how to make it. Cooking 226 00:10:30,160 --> 00:10:31,160 Speaker 5: just falls out of my head. 227 00:10:31,400 --> 00:10:34,000 Speaker 1: Oh really, you have to take notes of go back 228 00:10:34,040 --> 00:10:36,440 Speaker 1: and watch the show again. You need to ask you 229 00:10:36,440 --> 00:10:38,320 Speaker 1: are you're coming home to Perth of course on a 230 00:10:38,360 --> 00:10:40,800 Speaker 1: forty one degree day next Tuesday when you're not working? 231 00:10:41,000 --> 00:10:43,840 Speaker 1: Which is your go to Perth beach or location? Where 232 00:10:43,840 --> 00:10:44,640 Speaker 1: would you head to? 233 00:10:45,240 --> 00:10:48,040 Speaker 5: Mate? I mean, I'm not going to say anything cool, 234 00:10:48,320 --> 00:10:49,960 Speaker 5: but I lived in Scarborough. 235 00:10:52,320 --> 00:10:54,040 Speaker 2: Yeah, algia you go. 236 00:10:54,240 --> 00:10:56,319 Speaker 1: Absolutely, it's a bit different these days. 237 00:10:56,760 --> 00:10:58,199 Speaker 5: He's had a controversial answer. 238 00:11:00,000 --> 00:11:01,400 Speaker 1: You're trying too, had to be cooled, you say coott 239 00:11:01,480 --> 00:11:02,839 Speaker 1: but yeah, no, scards is all good. 240 00:11:03,760 --> 00:11:06,880 Speaker 5: No, I don't try and be Cool's market Cot? 241 00:11:07,320 --> 00:11:09,920 Speaker 2: You can't where near Cott of slow. 242 00:11:09,679 --> 00:11:11,440 Speaker 1: Beat, And if you do, it's embarrassing because there's all 243 00:11:11,440 --> 00:11:12,640 Speaker 1: those fancy cars around you. 244 00:11:12,760 --> 00:11:15,000 Speaker 3: Yes, well, we will see you at the beach and 245 00:11:15,040 --> 00:11:18,960 Speaker 3: in town for nothing to see here next week the 246 00:11:18,960 --> 00:11:21,079 Speaker 3: twentieth to the twenty fifth at the Wrecor Butt and 247 00:11:21,080 --> 00:11:23,440 Speaker 3: you can get tickets through Fringe world dot com dot 248 00:11:23,480 --> 00:11:24,640 Speaker 3: au clear. 249 00:11:25,080 --> 00:11:29,920 Speaker 5: Thank you so much, Nice to see you more Clezy, 250 00:11:29,960 --> 00:11:31,439 Speaker 5: more podcasts soon. 251 00:11:32,360 --> 00:11:34,640 Speaker 3: For anyone who's ever tripped on something that wasn't there, 252 00:11:34,760 --> 00:11:36,960 Speaker 3: waved across the room to someone who didn't see them, 253 00:11:37,200 --> 00:11:39,800 Speaker 3: had to spend too much time in a busy airplane toilet, 254 00:11:39,840 --> 00:11:43,439 Speaker 3: or suffered another small setback publicly humiliating themselves. 255 00:11:43,520 --> 00:11:45,600 Speaker 1: Yeah, those flying through the air ones when you're an 256 00:11:45,640 --> 00:11:49,760 Speaker 1: adult and you're not eighty something, so embarrassing. It happened 257 00:11:49,760 --> 00:11:52,240 Speaker 1: to someone who worked in this building last year who 258 00:11:52,440 --> 00:11:54,960 Speaker 1: was waving to me with her new cup, fresh cup 259 00:11:54,960 --> 00:11:57,640 Speaker 1: of coffee, and she went flying over the footpath. I 260 00:11:57,679 --> 00:12:00,480 Speaker 1: felt really quite bad, I said, buying other coffee. 261 00:12:00,480 --> 00:12:01,240 Speaker 2: Feel responsible. 262 00:12:01,320 --> 00:12:03,560 Speaker 1: I did feel responsible because she took the time well 263 00:12:03,600 --> 00:12:05,079 Speaker 1: wave to it. She waved back, and since she went 264 00:12:05,120 --> 00:12:06,559 Speaker 1: for a super girl. 265 00:12:06,600 --> 00:12:07,920 Speaker 2: No, no one likes to fall over. 266 00:12:08,760 --> 00:12:11,480 Speaker 3: What about coming out of the toilets with your dress 267 00:12:12,000 --> 00:12:13,760 Speaker 3: tucked into your panty hose? 268 00:12:14,520 --> 00:12:16,560 Speaker 1: You ever done that, not that I'm going to tell 269 00:12:16,559 --> 00:12:18,560 Speaker 1: you about, because Lorie's this thing, my wife. 270 00:12:19,200 --> 00:12:21,559 Speaker 3: How did you ever open up the phones thirteen ten 271 00:12:21,679 --> 00:12:23,679 Speaker 3: sixty five, or you can text us on zero four 272 00:12:23,720 --> 00:12:25,600 Speaker 3: seven six ninety six ninety six ninety six. 273 00:12:25,640 --> 00:12:28,280 Speaker 2: How did you publicly embarrass yourself? 274 00:12:28,320 --> 00:12:29,800 Speaker 1: And I did it on the golf course? Lease. I've 275 00:12:29,800 --> 00:12:31,600 Speaker 1: only ever played one game of golf. It was a 276 00:12:31,640 --> 00:12:33,840 Speaker 1: media golf day about fifteen twenty years ago. Did I 277 00:12:33,880 --> 00:12:36,640 Speaker 1: fall out of the buggy I'm waking. I wish I had. 278 00:12:36,679 --> 00:12:38,600 Speaker 1: That would have been less embarrassing than the way I played. 279 00:12:38,760 --> 00:12:41,360 Speaker 1: It was some professional guy who was showing us around, 280 00:12:41,360 --> 00:12:42,760 Speaker 1: and the look on his face when he saw me 281 00:12:42,880 --> 00:12:45,640 Speaker 1: have some fresh air swings and a girl from Channel 282 00:12:45,640 --> 00:12:48,320 Speaker 1: seven called Antoncliffe was sitting here. I nearly killed her 283 00:12:48,360 --> 00:12:50,320 Speaker 1: with one of my shots, one of my hits, whatever 284 00:12:50,320 --> 00:12:52,360 Speaker 1: you call it in golf, because I've never played since. 285 00:12:53,120 --> 00:12:57,040 Speaker 3: For any there's nothing like the ability of the human 286 00:12:57,080 --> 00:12:59,800 Speaker 3: body to get up and walk away like you didn't 287 00:12:59,840 --> 00:13:04,040 Speaker 3: just break your ankle when you fall over in the streets. 288 00:13:04,200 --> 00:13:05,200 Speaker 1: You're speaking from experience. 289 00:13:05,360 --> 00:13:07,920 Speaker 2: I am speaking from experience. I've done that. 290 00:13:08,200 --> 00:13:10,760 Speaker 3: I have fallen it because I've got a terrible dodgy 291 00:13:10,800 --> 00:13:13,680 Speaker 3: ankle that has failed me on many occasions. I have 292 00:13:13,880 --> 00:13:17,320 Speaker 3: fallen over in the streets and you get. 293 00:13:17,200 --> 00:13:21,000 Speaker 2: Up, you just run fine, I'm perfectly fine. And then 294 00:13:21,120 --> 00:13:22,760 Speaker 2: you know, you get around the corner and you realize 295 00:13:22,800 --> 00:13:23,640 Speaker 2: I can't walk on this. 296 00:13:24,040 --> 00:13:26,679 Speaker 1: Absolutely, I'm not fine at all. Isn't it funny though, 297 00:13:26,720 --> 00:13:29,360 Speaker 1: that people, you know, good Nature's people go to help, 298 00:13:29,400 --> 00:13:31,560 Speaker 1: And it's worse if they do, because just so embarrassing. 299 00:13:31,559 --> 00:13:32,680 Speaker 1: It rubs the embarrassment in. 300 00:13:32,840 --> 00:13:35,079 Speaker 3: It does rub the embarrassment in on the text line, 301 00:13:35,160 --> 00:13:37,680 Speaker 3: Joanne in lower Chittering says, on a packed train coming 302 00:13:37,679 --> 00:13:39,600 Speaker 3: home from a Christmas party many. 303 00:13:39,400 --> 00:13:41,920 Speaker 2: Years ago, I was sick out the doors into. 304 00:13:41,760 --> 00:13:44,960 Speaker 3: The gap between the train and the platform. That's how 305 00:13:45,000 --> 00:13:47,439 Speaker 3: they say, mind the gap, mine the gap. 306 00:13:47,520 --> 00:13:50,360 Speaker 1: Oh that's gross. We just played Neil Finn with crowded house, right. 307 00:13:50,440 --> 00:13:52,680 Speaker 1: I remember being at His Majesty's one night. Neil Finn's 308 00:13:52,679 --> 00:13:55,599 Speaker 1: playing guitar and planing along. I can't remember what song was, 309 00:13:55,640 --> 00:13:57,880 Speaker 1: Well were you are whatever it's called? Mean to me? 310 00:13:57,960 --> 00:13:59,719 Speaker 1: He's playing me to me and he's walking on to 311 00:14:00,080 --> 00:14:01,840 Speaker 1: and he went straight down in the front of the. 312 00:14:01,840 --> 00:14:04,840 Speaker 2: Stage and Chris Martin, Yeah. 313 00:14:04,559 --> 00:14:07,280 Speaker 1: Exactly, and then stood up and kept playing the guitar 314 00:14:07,440 --> 00:14:09,800 Speaker 1: like he what a true The show must go on, 315 00:14:09,920 --> 00:14:11,280 Speaker 1: and he could have been in a lot of pain. 316 00:14:11,360 --> 00:14:14,640 Speaker 2: It's the musicians version of didn't spill. 317 00:14:14,360 --> 00:14:17,080 Speaker 1: A drop, Very very clever and not planned. 318 00:14:17,440 --> 00:14:20,440 Speaker 3: Ronelle in Rolling Stone, good morning, welcome Renelle. 319 00:14:20,600 --> 00:14:21,560 Speaker 2: What did you do? 320 00:14:21,800 --> 00:14:25,800 Speaker 8: Good morningn't you? Bali and like most other people, get 321 00:14:26,120 --> 00:14:29,640 Speaker 8: a scooter with a family. We all have legitimate most 322 00:14:29,640 --> 00:14:32,880 Speaker 8: of my clascens is driving through a little town and 323 00:14:33,000 --> 00:14:35,920 Speaker 8: we realized we're doing the wrong route. Has to make 324 00:14:36,000 --> 00:14:39,600 Speaker 8: some kind of turn and in front of everybody in 325 00:14:40,200 --> 00:14:43,680 Speaker 8: that area and my family, the motor over little scooter 326 00:14:43,880 --> 00:14:47,400 Speaker 8: slipped and I am down on the floor. So yes, 327 00:14:47,480 --> 00:14:49,840 Speaker 8: the family looks back and say, what on earth happened? 328 00:14:49,840 --> 00:14:53,760 Speaker 8: In your mom you can actually ride and the motor bicle? 329 00:14:53,840 --> 00:14:54,520 Speaker 8: What's going on? 330 00:14:55,240 --> 00:15:01,880 Speaker 3: You're up the next minute, era Bali ditch sky exactly exactly. 331 00:15:03,560 --> 00:15:07,280 Speaker 1: Thanks, No, I have embarrassing I blame this could have 332 00:15:07,280 --> 00:15:09,080 Speaker 1: blame your equipment or at least some of the pavement 333 00:15:09,080 --> 00:15:11,440 Speaker 1: on the road or whatever. Look at it and go 334 00:15:11,520 --> 00:15:12,240 Speaker 1: what happened there? 335 00:15:13,080 --> 00:15:15,480 Speaker 3: Christy and Boldavis on the text says I was walking 336 00:15:15,520 --> 00:15:18,600 Speaker 3: with my children trick or treating, and this was the 337 00:15:18,640 --> 00:15:20,880 Speaker 3: trick I guess Christy. There were a lot of people 338 00:15:20,920 --> 00:15:23,080 Speaker 3: around because it was a busy main street. People actually 339 00:15:23,160 --> 00:15:25,680 Speaker 3: drive to this street for the Halloween decorations. Just as 340 00:15:25,680 --> 00:15:28,120 Speaker 3: a bus full of people was driving past, I stepped 341 00:15:28,120 --> 00:15:29,200 Speaker 3: in a dibbot hidden. 342 00:15:28,920 --> 00:15:30,800 Speaker 2: By the law and my ankle rolled. Well I can 343 00:15:30,840 --> 00:15:32,720 Speaker 2: relate to that, and I went down like a sack 344 00:15:32,760 --> 00:15:33,280 Speaker 2: of spud. 345 00:15:33,320 --> 00:15:35,600 Speaker 3: So they needed help to get back up and had 346 00:15:35,640 --> 00:15:38,600 Speaker 3: to continue on the walk. Because if nothing happened, it's 347 00:15:38,680 --> 00:15:41,320 Speaker 3: the title of Claire Hooper's showed nothing to see. 348 00:15:41,200 --> 00:15:43,520 Speaker 1: Nothing to see here, always embarrassing, especially we get a 349 00:15:43,560 --> 00:15:48,280 Speaker 1: round applause from people going past cards. 350 00:15:48,440 --> 00:15:51,200 Speaker 3: Yeah, hey, welcome. 351 00:15:51,360 --> 00:15:53,200 Speaker 2: What happened a. 352 00:15:53,160 --> 00:15:56,360 Speaker 9: Long time ago when I think I was about sixteen, 353 00:15:56,480 --> 00:15:59,880 Speaker 9: I was playing basketball and I thrown the ball in 354 00:16:00,040 --> 00:16:00,760 Speaker 9: and the game. 355 00:16:00,520 --> 00:16:03,320 Speaker 5: Had sort of moved to the other end of the court. 356 00:16:03,080 --> 00:16:06,080 Speaker 9: But my girlfriend was on the sideline and she took 357 00:16:06,080 --> 00:16:08,200 Speaker 9: a photo and I was pulling a funny face, but 358 00:16:08,280 --> 00:16:11,440 Speaker 9: I didn't realize the game had turned back towards where 359 00:16:11,440 --> 00:16:14,360 Speaker 9: I was coming from, and I run straight into the 360 00:16:14,360 --> 00:16:15,920 Speaker 9: girl with the ball and got a foul. 361 00:16:16,640 --> 00:16:18,720 Speaker 1: Oh yeah, that's not good. 362 00:16:20,240 --> 00:16:21,880 Speaker 5: Not good in front of like a lot of people 363 00:16:21,920 --> 00:16:22,800 Speaker 5: sitting on the side. 364 00:16:22,880 --> 00:16:26,040 Speaker 1: Yeah that's right. Yeah, maybe thinking you did it deliberately. 365 00:16:27,640 --> 00:16:32,000 Speaker 2: Thanks to you too, bye. 366 00:16:33,280 --> 00:16:37,000 Speaker 1: Yeah, easy to embarrass yourself playing sports. Absolutely done that. 367 00:16:37,040 --> 00:16:40,240 Speaker 1: Trying to play three on three basketball once, yea, so embarrassing. 368 00:16:41,560 --> 00:16:43,800 Speaker 1: I was just bad. I was playing against playing sporting 369 00:16:43,840 --> 00:16:46,600 Speaker 1: one down at Lord's and the opposition had Adria embarrassed 370 00:16:46,600 --> 00:16:48,680 Speaker 1: in Chris Main wearing you know, real sports people. 371 00:16:48,440 --> 00:16:50,400 Speaker 2: Against me if you had the hish over those two. 372 00:16:50,560 --> 00:16:53,600 Speaker 1: But I couldn't play sport like real sports people. Alita 373 00:16:53,720 --> 00:16:56,760 Speaker 1: athleets in their day Louise and joodl up. 374 00:16:56,800 --> 00:16:58,000 Speaker 2: What's your story Louise? 375 00:16:58,320 --> 00:17:01,400 Speaker 7: Yeah, Hi, we have a in a past one night 376 00:17:01,600 --> 00:17:04,400 Speaker 7: with quite a few people, and there was a few 377 00:17:04,440 --> 00:17:08,720 Speaker 7: people there that actually didn't know very well. So we've 378 00:17:08,760 --> 00:17:10,760 Speaker 7: had dinner and then we've decided to put the good 379 00:17:10,800 --> 00:17:15,239 Speaker 7: old Wii on. So with this particular game, we're on 380 00:17:15,280 --> 00:17:18,040 Speaker 7: the beach. People were coming at you with swords and 381 00:17:18,040 --> 00:17:20,879 Speaker 7: they coming quicker as you go through the levels. So 382 00:17:21,000 --> 00:17:24,440 Speaker 7: I'm swinging the baton trying to fight them off with 383 00:17:24,440 --> 00:17:28,359 Speaker 7: my imaginary sword. So I stood up because I couldn't 384 00:17:28,400 --> 00:17:31,920 Speaker 7: quite get aim particularly right to give it all the 385 00:17:31,920 --> 00:17:36,359 Speaker 7: best I could give. But as I've swun, I've actually 386 00:17:36,359 --> 00:17:43,160 Speaker 7: started farting. And they weren't silent once. These were loud ones, 387 00:17:43,560 --> 00:17:46,160 Speaker 7: and every time I did it because I was laughing 388 00:17:46,240 --> 00:17:48,840 Speaker 7: at the same time, and I kept doing it over 389 00:17:49,040 --> 00:17:52,560 Speaker 7: and over and. 390 00:17:52,400 --> 00:17:55,520 Speaker 2: Choice do I throw the game or do I just 391 00:17:55,600 --> 00:17:56,160 Speaker 2: keep going? 392 00:17:57,960 --> 00:18:02,160 Speaker 7: By this stage everyone was in laughing. The more I laughed, 393 00:18:02,320 --> 00:18:07,399 Speaker 7: the more it happened. So that was my embarrassing moment. 394 00:18:08,800 --> 00:18:13,080 Speaker 3: That's hilarious that that definitely fits. 395 00:18:12,760 --> 00:18:16,119 Speaker 1: The brave for a game away and ended up in the. 396 00:18:19,640 --> 00:18:25,000 Speaker 3: Next start being probably thank you Louis, thank you Sia 397 00:18:26,400 --> 00:18:27,280 Speaker 3: match in Belgium. 398 00:18:27,320 --> 00:18:29,560 Speaker 2: What about you? How do you embarrass yourself in public? 399 00:18:30,200 --> 00:18:30,400 Speaker 1: Hi? 400 00:18:30,840 --> 00:18:35,200 Speaker 6: I moved up to Kartha probably about fifteen twenty years ago, 401 00:18:35,280 --> 00:18:38,560 Speaker 6: and first day I was there, I watched the trench 402 00:18:39,160 --> 00:18:41,520 Speaker 6: speed racing with the boats. I was out there for 403 00:18:41,560 --> 00:18:43,600 Speaker 6: about I was out there for about six hours, you know, 404 00:18:43,760 --> 00:18:48,000 Speaker 6: drinking beers, you know how youngsters do it. And unfortunately 405 00:18:48,000 --> 00:18:51,000 Speaker 6: that really really burnt. And the next week I went 406 00:18:51,040 --> 00:18:53,000 Speaker 6: and played my first footy game up there. It was 407 00:18:53,040 --> 00:18:55,840 Speaker 6: a derby, so the whole tower was there and as 408 00:18:55,880 --> 00:18:59,240 Speaker 6: I run out during the speed racing. I had long 409 00:18:59,280 --> 00:19:02,080 Speaker 6: shorts on. Now I have footy shorts on. So it 410 00:19:02,200 --> 00:19:04,720 Speaker 6: went red hearth, white. 411 00:19:04,520 --> 00:19:06,920 Speaker 1: Legs and blue shorts. 412 00:19:07,280 --> 00:19:12,879 Speaker 6: Now the whole crowd they just whistling and they're singing 413 00:19:12,920 --> 00:19:18,399 Speaker 6: the American Independent of red, White, Blue. The whole town 414 00:19:18,560 --> 00:19:22,000 Speaker 6: started giggling. You can imagine the sausagees all afterwards. 415 00:19:22,600 --> 00:19:24,920 Speaker 1: Logo everyone, they're just. 416 00:19:25,119 --> 00:19:29,119 Speaker 6: Taking the pits out of the whole day. Most embarrassing thing. 417 00:19:29,760 --> 00:19:32,720 Speaker 1: You and your technicallor legs about it. Twenty years later, 418 00:19:32,760 --> 00:19:34,680 Speaker 1: I'm still cut love it. Manny Good on your Home 419 00:19:34,680 --> 00:19:35,080 Speaker 1: in the Brain. 420 00:19:38,280 --> 00:19:41,840 Speaker 3: More clezyas more podcast soon. 421 00:19:44,080 --> 00:19:48,680 Speaker 1: The Sure Report on ninety six AIRM. 422 00:19:48,880 --> 00:19:52,800 Speaker 3: The nominations for the Bafters have been announced overnight and 423 00:19:52,840 --> 00:19:55,760 Speaker 3: that movie are Merely a Peretz, which cleaned up at 424 00:19:55,760 --> 00:19:58,960 Speaker 3: the Golden Globes looks set to continue its success. Do 425 00:19:59,000 --> 00:20:02,119 Speaker 3: you know much about this? It's out in cinemas in 426 00:20:02,119 --> 00:20:06,680 Speaker 3: Australia today. It's a musical crime comedy about a Mexican 427 00:20:06,760 --> 00:20:09,760 Speaker 3: lawyer who's offered a job to help a notorious cartel 428 00:20:09,880 --> 00:20:13,719 Speaker 3: boss retire and transition into living as a woman. 429 00:20:14,200 --> 00:20:17,320 Speaker 1: Wow, that's better than Home and Away. Primo amazing. 430 00:20:17,640 --> 00:20:21,240 Speaker 3: It's picked up eleven nominations at the Bapts, including Best Director, 431 00:20:21,520 --> 00:20:24,919 Speaker 3: Lead Actress, Supporting Actress, and Best Film. Is just pipped 432 00:20:25,640 --> 00:20:28,840 Speaker 3: by the nominations for Conclave, which has twelve. That is 433 00:20:28,880 --> 00:20:33,719 Speaker 3: a political thriller about a papal conclave choosing the next pope. 434 00:20:34,680 --> 00:20:38,119 Speaker 3: So let's have a look at some of, not all of, 435 00:20:38,240 --> 00:20:41,560 Speaker 3: because there is as always way too many to go through. 436 00:20:41,840 --> 00:20:45,800 Speaker 3: But up for Best Film, you've got Conclave and Amelia 437 00:20:45,840 --> 00:20:50,879 Speaker 3: Perez up against a complete Unknown, The Brutalist, and Anora. 438 00:20:51,400 --> 00:20:57,040 Speaker 3: In the Leading Actress category, Cynthia Arivo from Wicked is 439 00:20:58,200 --> 00:21:00,800 Speaker 3: going up against dem Moore, who won the Golden Globe 440 00:21:00,800 --> 00:21:06,240 Speaker 3: for the Substance. Carlos Sophia Gascon, who plays said cartel 441 00:21:06,320 --> 00:21:10,080 Speaker 3: boss in Amelia Perez is up for that award as well, 442 00:21:10,200 --> 00:21:12,679 Speaker 3: and Sirsha Ronan, who is in a movie called The 443 00:21:12,680 --> 00:21:14,840 Speaker 3: Outrun which I don't know anything about it all our 444 00:21:14,920 --> 00:21:18,200 Speaker 3: best Leading Actor. I find when Adrian Brody is nominated 445 00:21:18,240 --> 00:21:19,080 Speaker 3: he often does win. 446 00:21:19,240 --> 00:21:20,760 Speaker 1: He's pretty consident he did win. 447 00:21:20,640 --> 00:21:22,240 Speaker 2: The Globe for The Brutalist. 448 00:21:22,359 --> 00:21:26,920 Speaker 3: He's up against Timothy Chalamay for a Complete Unknown, and 449 00:21:27,119 --> 00:21:31,119 Speaker 3: Ray Fines, who's he plays the cardinal in charge of 450 00:21:31,160 --> 00:21:34,360 Speaker 3: choosing the pope in that movie l Ponklave Hugh Grant 451 00:21:34,480 --> 00:21:39,480 Speaker 3: with that movie Heretic, which we talked to Ben about 452 00:21:39,359 --> 00:21:41,040 Speaker 3: at the end of last year, which you both said 453 00:21:41,040 --> 00:21:44,040 Speaker 3: we like the sound of. He's been nominated, and Sebastian 454 00:21:44,080 --> 00:21:48,080 Speaker 3: stan playing Trump in The Apprentice. Best Supporting Actress. You've 455 00:21:48,080 --> 00:21:51,800 Speaker 3: got Ariana Grande for Wicked. She's up against Selena Gomez 456 00:21:51,800 --> 00:21:55,440 Speaker 3: who's in Amelia Perez, Felicity Jones in The Brutalist, Jamie 457 00:21:55,520 --> 00:21:58,720 Speaker 3: Lee Curtis in The Last Show Girl. That's the one 458 00:21:58,720 --> 00:22:03,200 Speaker 3: that Pamela Anderson. I think Isabella Rossalini is in Conclave, 459 00:22:03,320 --> 00:22:08,120 Speaker 3: and Zoe Saldana, who won the Gold Globe from Amelia Perez, 460 00:22:08,160 --> 00:22:10,840 Speaker 3: and Best Supporting Actor, This is about our only looking guy. 461 00:22:10,920 --> 00:22:15,280 Speaker 2: Peace is nominated for The Brutalist. Kieran Culkin is. 462 00:22:15,280 --> 00:22:17,760 Speaker 3: A very good chance though to take it out for 463 00:22:17,800 --> 00:22:20,840 Speaker 3: a real pain. And then you've also got Jeremy Strong, 464 00:22:20,880 --> 00:22:23,520 Speaker 3: who probably stole the Apprentice. 465 00:22:24,119 --> 00:22:27,280 Speaker 2: In other news today, Dave Grohl. 466 00:22:27,119 --> 00:22:30,880 Speaker 3: Spent his fifty sixth birthday yesterday cooking food for families 467 00:22:30,880 --> 00:22:34,160 Speaker 3: displaced by the La fires. The Foo Fighters frontman spent 468 00:22:34,200 --> 00:22:36,880 Speaker 3: the day with La based feed the Streets, serving up Chile. 469 00:22:37,080 --> 00:22:39,520 Speaker 3: Dave actually owns his own barbecue business and he's cooked 470 00:22:39,520 --> 00:22:42,040 Speaker 3: and served up barbecue to the homeless and first responders 471 00:22:42,080 --> 00:22:42,560 Speaker 3: for years. 472 00:22:43,400 --> 00:22:45,480 Speaker 2: And a new anthology. 473 00:22:45,040 --> 00:22:47,840 Speaker 3: Book about bon Jovi is coming out this year au 474 00:22:47,840 --> 00:22:51,920 Speaker 3: Thord and narrated by John bon Jovi. The book covers 475 00:22:52,000 --> 00:22:54,639 Speaker 3: the band's four decade career and it's limited to just 476 00:22:54,720 --> 00:22:56,200 Speaker 3: fifteen hundred copies, which. 477 00:22:56,119 --> 00:22:59,840 Speaker 2: Isn't many, isn't it. They're all signed by John. 478 00:23:00,119 --> 00:23:02,600 Speaker 3: You can get in early to reserve your copy at 479 00:23:02,640 --> 00:23:04,840 Speaker 3: because I don't think it comes out to all about June, 480 00:23:05,400 --> 00:23:09,480 Speaker 3: but get into reserve your copy at the bon joviebook 481 00:23:09,640 --> 00:23:12,680 Speaker 3: dot com. Okay, fifteen hundred will get snapped up pretty quick, 482 00:23:12,760 --> 00:23:13,640 Speaker 3: can imagine. 483 00:23:13,320 --> 00:23:16,440 Speaker 1: You imagine pretty costly too, because very much into collectors item. 484 00:23:16,800 --> 00:23:18,840 Speaker 2: Yeah. I don't know what they're going for, but. 485 00:23:20,080 --> 00:23:22,960 Speaker 1: There you go, all right, a comprehensive look at what's 486 00:23:23,000 --> 00:23:24,800 Speaker 1: going on. I love the fact that the two former 487 00:23:24,840 --> 00:23:28,240 Speaker 1: succession actors are both nominated against each other. Yes, strong 488 00:23:28,280 --> 00:23:30,399 Speaker 1: and that's unreal great. 489 00:23:30,720 --> 00:23:36,160 Speaker 2: The flick with Ben good Morning Morning. 490 00:23:37,119 --> 00:23:39,840 Speaker 3: Norms are out today, so you know it's all about 491 00:23:39,840 --> 00:23:40,280 Speaker 3: a million. 492 00:23:42,720 --> 00:23:47,879 Speaker 4: Yeah, yeah, Adrian Brodie, the brutalist Wicked got kind of 493 00:23:47,920 --> 00:23:49,320 Speaker 4: like a cold shoulders. 494 00:23:49,400 --> 00:23:52,960 Speaker 2: Yeah, yeah, I expect Wicked. 495 00:23:53,440 --> 00:23:57,200 Speaker 4: Yeah, but and I wish look, I wish this to 496 00:23:57,280 --> 00:23:59,720 Speaker 4: start the year off. I was bringing you a movie 497 00:23:59,720 --> 00:24:02,439 Speaker 4: that was happy, we could really have some fun with. 498 00:24:02,760 --> 00:24:02,920 Speaker 7: No. 499 00:24:03,320 --> 00:24:04,840 Speaker 4: It's the sort of movie where you have to bring 500 00:24:04,880 --> 00:24:08,280 Speaker 4: your box of tissues into the cinema or you'll be 501 00:24:08,359 --> 00:24:11,159 Speaker 4: leaving you a sort of red raw eyes from rubbing them. 502 00:24:11,160 --> 00:24:14,080 Speaker 4: It's a it's a weepy they call it a rom com. 503 00:24:14,160 --> 00:24:18,200 Speaker 4: We Live in Time. Really well, that's you know, that's 504 00:24:18,240 --> 00:24:19,840 Speaker 4: kind of what it is. And there is there is 505 00:24:19,880 --> 00:24:23,680 Speaker 4: some humor, but Pald Sydney sweety No, no, No, it's 506 00:24:23,720 --> 00:24:27,600 Speaker 4: definitely not. Definitely not It's more like, you know, like 507 00:24:27,680 --> 00:24:29,639 Speaker 4: a sort of the fault in our stars some of 508 00:24:29,640 --> 00:24:31,760 Speaker 4: these other movies where you go in and you go, okay, 509 00:24:31,800 --> 00:24:36,320 Speaker 4: this it's going to be pretty tough slog And it's 510 00:24:36,359 --> 00:24:41,679 Speaker 4: about this couple. It's relationship between Tobias played by Andrew Garfield, 511 00:24:41,920 --> 00:24:45,800 Speaker 4: who is a sales representative for a breakfast cereal company. 512 00:24:45,840 --> 00:24:48,840 Speaker 4: Pretty sort of unassuming, you know, maybe a little bit boring, 513 00:24:49,000 --> 00:24:53,080 Speaker 4: this kind of dude and Almont played by the Great 514 00:24:53,119 --> 00:24:56,159 Speaker 4: Florence Pue A Almot Almot the Great played by the 515 00:24:56,160 --> 00:24:59,040 Speaker 4: Great Florence Pew, who was a former figure skater turned 516 00:24:59,640 --> 00:25:02,439 Speaker 4: really really brilliant young chef, and so she's kind of, 517 00:25:02,480 --> 00:25:05,000 Speaker 4: you know, feisty, emotional, all this kind of stuff. So 518 00:25:05,000 --> 00:25:07,879 Speaker 4: they're sort of opposites a track situation, and the film 519 00:25:07,920 --> 00:25:11,520 Speaker 4: tells a story of their relationship and the fact that 520 00:25:11,520 --> 00:25:15,080 Speaker 4: that Almet Florence has to deal with this terminal diagnosis. 521 00:25:15,800 --> 00:25:17,639 Speaker 4: And so you straight away you go, okay, well, this 522 00:25:17,720 --> 00:25:19,679 Speaker 4: is going to be sad. It's going to be a 523 00:25:19,680 --> 00:25:21,960 Speaker 4: tear jerker, you know, Marley and Me kind of stuff 524 00:25:22,000 --> 00:25:22,880 Speaker 4: we're talking about here. 525 00:25:23,680 --> 00:25:24,960 Speaker 2: But that's a dog. 526 00:25:28,760 --> 00:25:30,400 Speaker 4: Maybe a few least maybe you won't find this sad 527 00:25:30,440 --> 00:25:33,639 Speaker 4: at all as long as the dog survives. But the 528 00:25:33,640 --> 00:25:37,200 Speaker 4: way they tell this story is in a nonlinear way. 529 00:25:37,240 --> 00:25:39,239 Speaker 4: So instead of just going okay, the couple meet at 530 00:25:39,240 --> 00:25:40,840 Speaker 4: the start, and then they get to know each other, 531 00:25:40,840 --> 00:25:43,120 Speaker 4: they have new courtship, they get married, they have a kid, 532 00:25:43,119 --> 00:25:45,199 Speaker 4: and then at the end someone dies. That's kind of 533 00:25:45,200 --> 00:25:49,040 Speaker 4: standard in this it's all chopped and changed and moved around. 534 00:25:49,080 --> 00:25:52,280 Speaker 4: You get the terminal diagnosis in pretty much the first scene, 535 00:25:52,600 --> 00:25:55,399 Speaker 4: and then it jumps to something happens towards the end 536 00:25:55,440 --> 00:25:57,280 Speaker 4: of their relationship, and then it jumps back to how 537 00:25:57,280 --> 00:25:59,800 Speaker 4: they first met, and then it jumps to having a kid, 538 00:25:59,800 --> 00:26:01,840 Speaker 4: and it jumps to them talking about having this. 539 00:26:01,920 --> 00:26:02,880 Speaker 2: There's a lot of jumping. 540 00:26:03,480 --> 00:26:05,919 Speaker 4: There's so much jumping, so much jumping around, and that 541 00:26:06,080 --> 00:26:09,439 Speaker 4: is probably the biggest fault with this film, because when 542 00:26:09,440 --> 00:26:12,720 Speaker 4: you've got actors like Andrew Garfield and Florence Pugh, you 543 00:26:12,800 --> 00:26:14,320 Speaker 4: just want to get out of their way, just let 544 00:26:14,320 --> 00:26:15,360 Speaker 4: them do their job. 545 00:26:15,440 --> 00:26:19,040 Speaker 3: But the whole we live in time is that that's 546 00:26:19,080 --> 00:26:19,840 Speaker 3: jumping about you. 547 00:26:20,600 --> 00:26:24,159 Speaker 4: So the idea behind it is that any relationship is 548 00:26:24,240 --> 00:26:26,600 Speaker 4: really just kind of, you know, sort of a sum 549 00:26:26,760 --> 00:26:30,560 Speaker 4: total of individual moments that have more meaning than everything else. 550 00:26:30,600 --> 00:26:32,080 Speaker 4: Like you don't need to see the bit where you're 551 00:26:32,119 --> 00:26:34,479 Speaker 4: sitting on a couch on a Tuesday night binge watching 552 00:26:34,520 --> 00:26:37,760 Speaker 4: squid games. That's not really that important to the relationship. 553 00:26:37,960 --> 00:26:40,040 Speaker 4: It's you know, it's these other moments. You know, where 554 00:26:40,040 --> 00:26:42,639 Speaker 4: you got married or where you first met, and so 555 00:26:43,000 --> 00:26:45,800 Speaker 4: you can kind of get the totality of the relationship 556 00:26:45,880 --> 00:26:49,720 Speaker 4: if you just focus on those moments. Did you need 557 00:26:49,760 --> 00:26:53,679 Speaker 4: to jump jumble them around, probably not I Reckon. It's 558 00:26:53,720 --> 00:26:57,200 Speaker 4: threatened by John Crowley, who previously gave us the movie 559 00:26:57,240 --> 00:27:00,000 Speaker 4: Brooklyn in twenty fifteen, which is a real slow burned drama. 560 00:27:00,119 --> 00:27:03,959 Speaker 4: I love amazing film. It was nominated for Best Picture 561 00:27:04,240 --> 00:27:06,800 Speaker 4: at the Academy Awards at the time. So you know, 562 00:27:06,840 --> 00:27:09,040 Speaker 4: if you like that movie I Reckon, you'd give this 563 00:27:09,080 --> 00:27:11,840 Speaker 4: a chance and you'd go, okay, like, I appreciate what 564 00:27:11,960 --> 00:27:14,560 Speaker 4: John Crowley the director is bringing to it, and obviously 565 00:27:14,680 --> 00:27:17,880 Speaker 4: you appreciate Andrew Garfield and Florence Pugh because their performance 566 00:27:17,960 --> 00:27:18,440 Speaker 4: is a really good. 567 00:27:18,480 --> 00:27:19,840 Speaker 1: Florence in particular is incredible. 568 00:27:20,000 --> 00:27:22,760 Speaker 4: She is She is so good, and even though the 569 00:27:22,880 --> 00:27:26,639 Speaker 4: film is often quite frustrating because of the time jumping, 570 00:27:28,280 --> 00:27:30,119 Speaker 4: you're just happy to see her on the screen. Anytime 571 00:27:30,200 --> 00:27:32,960 Speaker 4: she's on the screen, and it is pretty sad towards 572 00:27:33,040 --> 00:27:33,280 Speaker 4: the end. 573 00:27:33,280 --> 00:27:35,600 Speaker 1: You know, don't mind the time jump, but to maybe 574 00:27:35,600 --> 00:27:37,800 Speaker 1: find some skill how to use your skills in making a. 575 00:27:38,600 --> 00:27:41,280 Speaker 4: Just feels unnecessary in this case, because you know, the 576 00:27:41,320 --> 00:27:44,520 Speaker 4: actors just do it do it well on their own. 577 00:27:44,640 --> 00:27:45,199 Speaker 2: You don't need to. 578 00:27:45,280 --> 00:27:48,320 Speaker 4: Kind of like, if you didn't have actors of this caliber, 579 00:27:48,440 --> 00:27:50,600 Speaker 4: you'd probably go, Okay, we need to do some kind 580 00:27:50,600 --> 00:27:52,560 Speaker 4: of a plot twist to make it a bit more 581 00:27:52,600 --> 00:27:55,440 Speaker 4: interesting and elevated above just being a kind of standard, 582 00:27:55,760 --> 00:27:58,639 Speaker 4: you know, sort of weepy romance film. But they're so 583 00:27:58,760 --> 00:28:01,040 Speaker 4: good you just want to, you know, lea lead. 584 00:28:00,920 --> 00:28:03,000 Speaker 1: Them to let them cook. 585 00:28:03,320 --> 00:28:06,360 Speaker 2: Well, what what kind of score are we giving it? 586 00:28:06,720 --> 00:28:09,280 Speaker 4: Well, because of the talent of the acts and the 587 00:28:09,359 --> 00:28:13,040 Speaker 4: director and the director, I give it three very silent. 588 00:28:13,119 --> 00:28:15,800 Speaker 4: Some people will really love it, some people will find 589 00:28:15,800 --> 00:28:18,720 Speaker 4: it very frustrating. I think everybody will find it pretty sad, 590 00:28:19,400 --> 00:28:19,919 Speaker 4: so they go. 591 00:28:20,359 --> 00:28:22,080 Speaker 3: We had a story, there was a story around the 592 00:28:22,080 --> 00:28:25,120 Speaker 3: other day talking about how this year is just absolutely 593 00:28:25,200 --> 00:28:27,760 Speaker 3: chockers full of sophy equals sequels coming out. 594 00:28:27,800 --> 00:28:29,920 Speaker 2: There's sequts about something every week. 595 00:28:30,119 --> 00:28:33,760 Speaker 3: But I feel like there's some actually some other good movies, 596 00:28:33,840 --> 00:28:35,720 Speaker 3: standalone movies coming out this year. 597 00:28:35,640 --> 00:28:36,160 Speaker 2: So huge. 598 00:28:36,160 --> 00:28:38,000 Speaker 4: Its going to be a huge year because last year 599 00:28:38,080 --> 00:28:40,719 Speaker 4: was a right off because of the previous year's actors 600 00:28:40,760 --> 00:28:45,200 Speaker 4: and writers strike. Finally we're finally catching up to everything 601 00:28:45,200 --> 00:28:47,360 Speaker 4: that was supposed to come out last year. So it's 602 00:28:47,480 --> 00:28:48,720 Speaker 4: going to be a bumper year. 603 00:28:49,040 --> 00:28:50,920 Speaker 2: The next few weeks alone, I I mentioned, You've got 604 00:28:50,960 --> 00:28:55,760 Speaker 2: some great stuff, really really great movies, all right, that's 605 00:28:55,880 --> 00:28:56,200 Speaker 2: all right. 606 00:28:56,280 --> 00:28:59,320 Speaker 1: Guys crazy and Lisa