1 00:00:01,360 --> 00:00:04,440 Speaker 1: Hello, everyone, Welcome to the podcast pre chat. 2 00:00:04,680 --> 00:00:06,360 Speaker 2: Yes, big show. 3 00:00:07,800 --> 00:00:12,399 Speaker 3: Hello, very excited, very very excited. Lots of great stuff 4 00:00:12,440 --> 00:00:14,720 Speaker 3: to come, largely. 5 00:00:14,400 --> 00:00:15,560 Speaker 1: Fish out of Water radio. 6 00:00:16,400 --> 00:00:19,160 Speaker 3: Can we leave the radio studio while somebody's telling a story? 7 00:00:19,239 --> 00:00:21,680 Speaker 3: That's the question mid story. If they call fish out 8 00:00:21,720 --> 00:00:22,799 Speaker 3: of water, we lose the game. 9 00:00:23,000 --> 00:00:23,200 Speaker 4: Yeah. 10 00:00:23,280 --> 00:00:23,920 Speaker 2: Absolutely. 11 00:00:24,239 --> 00:00:28,720 Speaker 3: Also, let's talk escape Room because I have We've got 12 00:00:28,720 --> 00:00:34,280 Speaker 3: this weird like the parchment, the set of rules that 13 00:00:34,400 --> 00:00:36,720 Speaker 3: was written on the parchment. 14 00:00:36,400 --> 00:00:39,479 Speaker 5: Yesterday, the countdown is. 15 00:00:39,479 --> 00:00:47,480 Speaker 1: On, We've got this happening, and the parchment's being divided into. 16 00:00:47,240 --> 00:00:50,800 Speaker 2: Four woods and it's just stuck on the desk here. 17 00:00:51,400 --> 00:00:54,040 Speaker 2: And then so we have this board right where the 18 00:00:54,080 --> 00:00:57,160 Speaker 2: show's planned. Yeah, we planned a bit. It's not a 19 00:00:57,160 --> 00:01:01,280 Speaker 2: big deal. And there's a bit. There's a bit and 20 00:01:01,320 --> 00:01:03,959 Speaker 2: it just sort of says like, well, it doesn't really 21 00:01:03,960 --> 00:01:05,880 Speaker 2: say much. She says escape room, and then there's a 22 00:01:05,880 --> 00:01:08,720 Speaker 2: bit of green. We have no idea what that is. 23 00:01:10,080 --> 00:01:12,520 Speaker 2: So at some stage in this show we know there's 24 00:01:12,720 --> 00:01:15,399 Speaker 2: I reckon we could get taken. Then I think there's 25 00:01:15,440 --> 00:01:18,800 Speaker 2: a chance that we get grabbed at some stage during 26 00:01:18,840 --> 00:01:21,400 Speaker 2: this show. And then you're you guys are going to 27 00:01:21,480 --> 00:01:23,640 Speaker 2: hear half of a show from us in some location. 28 00:01:24,400 --> 00:01:27,399 Speaker 2: That's my that's look, that's my theory. Let's see what happens. 29 00:01:29,080 --> 00:01:33,200 Speaker 2: That's my Would you agree that the countdown is on 30 00:01:33,560 --> 00:01:35,319 Speaker 2: countdowns on puzzles today? 31 00:01:36,319 --> 00:01:37,320 Speaker 5: Don't get it wrong. 32 00:01:44,920 --> 00:01:45,920 Speaker 2: Maybe it's just a puzzle. 33 00:01:46,920 --> 00:01:50,560 Speaker 3: Well, it's definitely a puzzle, a puzzle, but she did 34 00:01:50,560 --> 00:01:52,880 Speaker 3: say don't get it wrong, so you know, you know 35 00:01:52,920 --> 00:01:54,880 Speaker 3: that could mean if you get it wrong, you're gone. 36 00:01:55,080 --> 00:01:55,520 Speaker 1: Sort of thing. 37 00:01:55,600 --> 00:01:56,520 Speaker 2: It's threatening, isn't it? 38 00:01:56,720 --> 00:01:57,240 Speaker 1: Definitely? 39 00:01:57,360 --> 00:01:59,920 Speaker 3: And particularly even that we don't know when this thing starts, 40 00:02:00,000 --> 00:02:00,960 Speaker 3: it's nah. 41 00:02:01,200 --> 00:02:02,760 Speaker 1: Would you be happy to be taken tonight? 42 00:02:04,080 --> 00:02:06,280 Speaker 2: If I got a chance to say, I just hope 43 00:02:06,280 --> 00:02:07,280 Speaker 2: my partner knows that. 44 00:02:07,520 --> 00:02:10,000 Speaker 1: Honestly, I'm sure they'll tell her partners. 45 00:02:10,000 --> 00:02:11,760 Speaker 3: But would you be happy because like Sam told me, 46 00:02:11,800 --> 00:02:13,880 Speaker 3: she's going to try out this vegan curry. 47 00:02:13,560 --> 00:02:17,880 Speaker 2: Tonight, So yeah, right, vegan curry. 48 00:02:18,200 --> 00:02:19,640 Speaker 1: Yeah. But you know, if she told me she was, 49 00:02:19,760 --> 00:02:22,680 Speaker 1: you know, cooking like you know, chicken katsu or something, 50 00:02:22,720 --> 00:02:26,280 Speaker 1: and livid, yeah curries, all right, it's all right, but 51 00:02:26,400 --> 00:02:28,000 Speaker 1: you know I've got to taking tonight, I would be like, 52 00:02:28,040 --> 00:02:31,079 Speaker 1: oh God, take my eyes. But the chicken katsu, I'd 53 00:02:31,120 --> 00:02:33,679 Speaker 1: be like, you would have to wrestle me to the ground. Yeah, 54 00:02:34,040 --> 00:02:35,640 Speaker 1: box would annoyed, Yeah, furious. 55 00:02:36,360 --> 00:02:37,880 Speaker 2: It's a good game of footy on tonight. 56 00:02:38,800 --> 00:02:39,000 Speaker 1: Yeah. 57 00:02:39,280 --> 00:02:41,520 Speaker 2: Can we know if we can watch that in the 58 00:02:41,600 --> 00:02:44,959 Speaker 2: in going? So that would be a bit disappointing. 59 00:02:45,160 --> 00:02:50,120 Speaker 1: Yeah, but yeah, yeah, you got your phones watching. 60 00:02:50,160 --> 00:02:52,200 Speaker 2: I'd rather watch it on my TV, you know what 61 00:02:52,240 --> 00:02:54,600 Speaker 2: I mean, because if we get booze in there, I'd 62 00:02:54,680 --> 00:02:55,320 Speaker 2: rather watch it. 63 00:02:56,400 --> 00:02:58,639 Speaker 1: You know, drinks on supply yesterday. 64 00:02:59,040 --> 00:03:00,919 Speaker 2: Yeah I didn't say alcohol, Holy shrinks though. 65 00:03:01,000 --> 00:03:03,760 Speaker 1: You don't get a vape in there, will Yeah. 66 00:03:04,680 --> 00:03:10,880 Speaker 2: Disgusting habit just when it gets stressful, you know, No, no, 67 00:03:11,200 --> 00:03:12,120 Speaker 2: gross disgusting. 68 00:03:12,919 --> 00:03:19,240 Speaker 1: Big brought to you by Indiana Jones and The Dial 69 00:03:19,400 --> 00:03:21,960 Speaker 1: of Destiny and all thanks to the brand new film. 70 00:03:21,960 --> 00:03:23,920 Speaker 1: We are going to be trapped in an escape room. 71 00:03:24,400 --> 00:03:25,800 Speaker 3: We don't know when it's going to be, guys, we 72 00:03:25,800 --> 00:03:27,639 Speaker 3: don't know how long we're going to be in there for. 73 00:03:27,880 --> 00:03:29,200 Speaker 3: All we know is that we've got a whole bunch 74 00:03:29,200 --> 00:03:31,280 Speaker 3: of puzzles to solve to try and get out of there, 75 00:03:31,840 --> 00:03:34,800 Speaker 3: and that will be with the help of you guys, hopefully. 76 00:03:34,840 --> 00:03:37,560 Speaker 3: So it'll be this live on air to be streamed on YouTube. 77 00:03:37,600 --> 00:03:40,080 Speaker 3: Twenty four seven on our Socials bill. And if you're 78 00:03:40,080 --> 00:03:42,080 Speaker 3: into this sort of stuff, please reach out, because it 79 00:03:42,160 --> 00:03:44,080 Speaker 3: turns out we're shit at it. 80 00:03:44,120 --> 00:03:49,280 Speaker 2: But yeah, last night half of one half fun. So 81 00:03:49,320 --> 00:03:50,840 Speaker 2: we're where we're Greece. 82 00:03:50,880 --> 00:03:53,040 Speaker 3: I'm saying that there's no enthusiasm here like you and 83 00:03:53,160 --> 00:03:56,040 Speaker 3: I a dead Keene. We are excited about this and 84 00:03:56,080 --> 00:03:58,320 Speaker 3: the amount of prep and time and and energy that's 85 00:03:58,360 --> 00:04:01,280 Speaker 3: going under this is obvious. Yeah, there are meetings on 86 00:04:01,400 --> 00:04:03,160 Speaker 3: meetings at the moment that we are not a part. 87 00:04:03,000 --> 00:04:05,960 Speaker 1: Of, but we feel like it's just about to start. 88 00:04:06,200 --> 00:04:09,360 Speaker 2: Yeah, and there's currently So we received these rules yesterday 89 00:04:09,480 --> 00:04:15,480 Speaker 2: for this trapped game. They are now split up into 90 00:04:15,480 --> 00:04:18,479 Speaker 2: four different pieces and stuck to the table in front 91 00:04:18,520 --> 00:04:21,159 Speaker 2: of us. Yeah. I don't know what that means, but 92 00:04:21,240 --> 00:04:25,320 Speaker 2: I figure it's got something to do with with Okay, perfect. 93 00:04:25,680 --> 00:04:31,120 Speaker 5: Hello, Willem Woody. The countdown is on a puzzle today. 94 00:04:32,080 --> 00:04:35,560 Speaker 5: Don't get it wrong. As you tap on the scroll, 95 00:04:35,839 --> 00:04:40,039 Speaker 5: your listeners must ring to reveal the artist and the 96 00:04:40,160 --> 00:04:45,920 Speaker 5: song that they sing. Four clues for you to ponder. Beware, 97 00:04:46,000 --> 00:04:52,080 Speaker 5: Willem Woody. One final guess besides loss or success. 98 00:04:53,800 --> 00:04:59,040 Speaker 1: Okay, all right, she is the cryptic. I can't shake 99 00:04:59,120 --> 00:05:02,640 Speaker 1: the factor that weird mystery death Voices producer LJ. 100 00:05:02,839 --> 00:05:05,039 Speaker 2: But very it's just in my head. 101 00:05:05,640 --> 00:05:08,040 Speaker 1: All right, So what we're going to do here. We've 102 00:05:08,040 --> 00:05:12,320 Speaker 1: got four bits of parchment in front of us, or 103 00:05:12,320 --> 00:05:13,640 Speaker 1: four bits of paper in front of. 104 00:05:13,680 --> 00:05:16,120 Speaker 2: Us, which is I think it's just symbolizing that we 105 00:05:16,160 --> 00:05:16,920 Speaker 2: have four clues. 106 00:05:17,000 --> 00:05:19,760 Speaker 1: She said four artists. I think she said all four. 107 00:05:20,000 --> 00:05:22,520 Speaker 2: She said, one artist, one song, four clues. 108 00:05:22,160 --> 00:05:23,279 Speaker 1: Four clues for one song. 109 00:05:23,320 --> 00:05:26,799 Speaker 3: Well done, good listening, Thank you Jesus Christ. 110 00:05:26,920 --> 00:05:27,120 Speaker 1: Together. 111 00:05:27,200 --> 00:05:29,479 Speaker 3: Wait, we're not competing against I think we're competing with 112 00:05:29,520 --> 00:05:29,800 Speaker 3: each other. 113 00:05:30,080 --> 00:05:32,599 Speaker 2: Good point. We're very competitive. So just tap it, you 114 00:05:32,720 --> 00:05:34,039 Speaker 2: tap it, and then we'll get a. 115 00:05:34,080 --> 00:05:39,039 Speaker 1: Cool I don't want to be anything. 116 00:05:39,200 --> 00:05:44,320 Speaker 2: Than what I mean from the from the show One 117 00:05:44,360 --> 00:05:45,440 Speaker 2: Tree Hill it is. 118 00:05:45,600 --> 00:05:49,479 Speaker 3: Yeah, So that's clue one. Everyone, I've tapped on the 119 00:05:49,480 --> 00:05:52,279 Speaker 3: first piece of parchment. That's clue one. By the way, 120 00:05:52,279 --> 00:05:55,720 Speaker 3: thirteen one and sixty five. If you can figure this out. 121 00:05:55,760 --> 00:05:56,880 Speaker 2: But what are we trying to figure around? 122 00:05:56,880 --> 00:05:58,280 Speaker 3: I think we're trying to figure out the artist. That's 123 00:05:58,279 --> 00:05:59,239 Speaker 3: what you said, there's an artist. 124 00:05:59,279 --> 00:05:59,920 Speaker 2: We've got a Gavinder. 125 00:06:00,720 --> 00:06:01,800 Speaker 1: No, that's one clue. 126 00:06:02,360 --> 00:06:04,919 Speaker 2: It's one part of Okay, I'm tabbing the parchment. 127 00:06:05,360 --> 00:06:08,760 Speaker 1: Okay, clue to alight. Here we go, Well, Dane Will. 128 00:06:09,160 --> 00:06:10,160 Speaker 2: It's great technique. 129 00:06:10,160 --> 00:06:12,920 Speaker 1: Well to try to see that you can set your emotion. 130 00:06:13,680 --> 00:06:18,680 Speaker 1: It's you and me shearing in central Queensland when we're 131 00:06:18,760 --> 00:06:20,120 Speaker 1: visiting Rude Jude I. 132 00:06:20,160 --> 00:06:23,440 Speaker 2: We're shearing a sheep, and specifically the audio said it 133 00:06:23,480 --> 00:06:28,800 Speaker 2: was you shearing a sheep. She Oh, might have it. 134 00:06:29,680 --> 00:06:31,400 Speaker 2: I'm not gonna not gonna lock anything in, but I 135 00:06:31,480 --> 00:06:31,880 Speaker 2: might have it. 136 00:06:31,920 --> 00:06:34,840 Speaker 1: What you made the link between shearing and shearing, I think? 137 00:06:36,040 --> 00:06:38,359 Speaker 2: And also hill, one tree on the hill, one house 138 00:06:38,400 --> 00:06:40,920 Speaker 2: on the hill is a shearing song. Anyway, we'll keep going. 139 00:06:40,960 --> 00:06:42,960 Speaker 1: I think it's castle on a hill. All right, here 140 00:06:43,000 --> 00:06:47,400 Speaker 1: we go. All right, so the next one, Okay, here 141 00:06:47,440 --> 00:06:47,680 Speaker 1: we go. 142 00:06:48,000 --> 00:06:49,960 Speaker 6: Why would you want to go out to a restaurant 143 00:06:49,960 --> 00:06:52,080 Speaker 6: when this keeps coming up night after night. 144 00:06:52,600 --> 00:06:55,760 Speaker 2: That's from The Castle. That's a grab from the movie 145 00:06:55,800 --> 00:06:58,520 Speaker 2: The Castle. Wow as Michael Cayton. So it could be 146 00:06:58,560 --> 00:06:59,320 Speaker 2: Michael Caton. 147 00:06:59,360 --> 00:07:02,400 Speaker 1: That could be the Oh God, have everybody solved it? 148 00:07:02,560 --> 00:07:03,120 Speaker 2: Have we? 149 00:07:03,839 --> 00:07:05,800 Speaker 1: Okay, so you're saying that's a castle. 150 00:07:05,560 --> 00:07:08,280 Speaker 2: That's that's well, that's that's a scene from the movie 151 00:07:08,320 --> 00:07:10,240 Speaker 2: The Castle, but it's also Michael Kate and the act 152 00:07:10,240 --> 00:07:11,320 Speaker 2: is saying it, so it could be either way. 153 00:07:11,480 --> 00:07:14,320 Speaker 1: Okay, fourth, okay, so fourth, fourth, fourth clue, you're ready 154 00:07:14,320 --> 00:07:14,440 Speaker 1: for it. 155 00:07:14,640 --> 00:07:22,360 Speaker 2: I'm ready. T B album, go again, it's happening TBD album. 156 00:07:22,600 --> 00:07:24,120 Speaker 1: Oh I think I know that hang. 157 00:07:25,640 --> 00:07:35,680 Speaker 2: B album? What's that backwards bit B dow anbum album? 158 00:07:35,720 --> 00:07:37,760 Speaker 2: This is the album, that's what it says. 159 00:07:37,800 --> 00:07:40,720 Speaker 1: Okay, okay, So they're the clues. Can we hear the clues? 160 00:07:41,400 --> 00:07:43,080 Speaker 1: Can we hear the clues? Like one after the other 161 00:07:43,120 --> 00:07:46,560 Speaker 1: and thirty one oh six five? If you think you know. 162 00:07:47,960 --> 00:07:51,640 Speaker 3: Which artist these clues are pointing to, then please call 163 00:07:51,680 --> 00:07:53,400 Speaker 3: on thirty one O six five. I'm gonna play them 164 00:07:53,440 --> 00:07:55,200 Speaker 3: all for you so you guys can wrap your ears 165 00:07:55,240 --> 00:07:55,520 Speaker 3: around it. 166 00:07:55,560 --> 00:07:55,760 Speaker 2: Again. 167 00:07:55,800 --> 00:07:59,120 Speaker 1: Here's the first one. Oh, here we go d well 168 00:07:59,240 --> 00:07:59,960 Speaker 1: Dane will. 169 00:08:00,480 --> 00:08:04,080 Speaker 2: Great technique, well, trying to complete that the consent your emotion. 170 00:08:04,400 --> 00:08:05,760 Speaker 1: Okay, that's the sharing clue. 171 00:08:05,800 --> 00:08:10,600 Speaker 3: The next one is this album that's very terrified that one. 172 00:08:10,640 --> 00:08:12,720 Speaker 6: Next one, why would you want to go out to 173 00:08:12,800 --> 00:08:15,480 Speaker 6: a restaurant when this keeps coming up night after night? 174 00:08:16,200 --> 00:08:19,960 Speaker 1: As Michael Katon in The Castle and referring to a clue. 175 00:08:20,040 --> 00:08:20,440 Speaker 1: Is this. 176 00:08:23,040 --> 00:08:28,680 Speaker 7: I don't want to be anything The Close four Close Guys, 177 00:08:29,960 --> 00:08:34,719 Speaker 7: Escape Room Trapped starts right now. 178 00:08:34,600 --> 00:08:36,720 Speaker 1: On Will and what this is our opening puzzle. 179 00:08:36,960 --> 00:08:37,480 Speaker 2: It's got to be. 180 00:08:38,040 --> 00:08:39,000 Speaker 1: I feel like if we. 181 00:08:38,920 --> 00:08:41,240 Speaker 3: Don't get this, we're going in tonight. I feel like 182 00:08:41,400 --> 00:08:43,520 Speaker 3: that's what I've got it. The penances. 183 00:08:43,720 --> 00:08:44,600 Speaker 2: Can we tell them all again? 184 00:08:44,679 --> 00:08:45,000 Speaker 1: I think so? 185 00:08:45,440 --> 00:08:46,560 Speaker 2: I think so, let's do it. 186 00:08:46,880 --> 00:08:50,440 Speaker 1: Here we go. Clue one, alright, here we go, Dan Well, 187 00:08:50,520 --> 00:08:51,120 Speaker 1: Dane Will. 188 00:08:51,760 --> 00:08:53,360 Speaker 2: Great technique, Well, trying. 189 00:08:53,200 --> 00:08:55,320 Speaker 1: To complete that the consent your emotion? 190 00:08:56,200 --> 00:08:59,920 Speaker 2: All right, that's you shearing a sheep in Charleville. Yes, 191 00:09:00,160 --> 00:09:02,160 Speaker 2: for a tour we did for a woman called Rude Jude. 192 00:09:02,200 --> 00:09:04,760 Speaker 2: It could be about anything like that. Yeah, okay, here's 193 00:09:04,800 --> 00:09:05,439 Speaker 2: number two. 194 00:09:06,760 --> 00:09:08,840 Speaker 1: Album. I know what that is. 195 00:09:09,080 --> 00:09:10,240 Speaker 2: That sounds like scat to me. 196 00:09:10,400 --> 00:09:10,800 Speaker 1: All right. 197 00:09:11,120 --> 00:09:13,880 Speaker 6: Clue three, Why would you want to go out to 198 00:09:13,920 --> 00:09:16,640 Speaker 6: a restaurant when this kid's coming up night after night. 199 00:09:17,240 --> 00:09:19,800 Speaker 2: It's from the movie The Castle, but it's Michael Caton 200 00:09:19,920 --> 00:09:22,080 Speaker 2: saying that the actor, Yeah, his name in the film 201 00:09:22,120 --> 00:09:24,760 Speaker 2: is Daryl Kerrigan, Darryl Braithwaite. All of a sudden, it 202 00:09:24,760 --> 00:09:26,560 Speaker 2: comes to mind, he's to and he's referring to a 203 00:09:26,600 --> 00:09:29,920 Speaker 2: castle role, so it could be anything there, Okay, final one. 204 00:09:32,280 --> 00:09:36,280 Speaker 7: I don't want to be anything other than what I meant. 205 00:09:38,360 --> 00:09:41,120 Speaker 2: Gavin de Grare and that song was famous from the 206 00:09:41,160 --> 00:09:42,880 Speaker 2: TV show One Tree Hill. 207 00:09:43,080 --> 00:09:45,040 Speaker 1: Yes, what else do we know about One Tree Hill? 208 00:09:45,960 --> 00:09:46,600 Speaker 2: Very hot guy? 209 00:09:46,679 --> 00:09:51,720 Speaker 3: Chad Michael Murray, Chad Michael Murray, Chad Chad Frogar nickelback. 210 00:09:52,120 --> 00:09:55,000 Speaker 1: Yeah, another artist in there? So yeah, or we've been 211 00:09:55,080 --> 00:09:58,720 Speaker 1: told that all those four clues point towards an artist 212 00:09:58,800 --> 00:10:00,920 Speaker 1: and a song. Okay, so that's where we're trying to 213 00:10:00,920 --> 00:10:01,079 Speaker 1: get to. 214 00:10:01,200 --> 00:10:02,760 Speaker 3: Guys, if you've got any information or you can help 215 00:10:02,840 --> 00:10:03,880 Speaker 3: us the end one at six to five. This is 216 00:10:03,880 --> 00:10:05,720 Speaker 3: what we're going to be doing with you at some 217 00:10:05,880 --> 00:10:07,400 Speaker 3: stage once we're in the escape room. 218 00:10:07,440 --> 00:10:09,120 Speaker 1: So we thought it was a great, great chance to 219 00:10:09,160 --> 00:10:10,160 Speaker 1: test this out right now. 220 00:10:10,360 --> 00:10:12,240 Speaker 3: I'm not sure what the punishment for getting this wrong is, 221 00:10:12,240 --> 00:10:13,920 Speaker 3: but I'm guessing that if we get this wrong, we're 222 00:10:13,920 --> 00:10:14,319 Speaker 3: going in the. 223 00:10:14,320 --> 00:10:15,160 Speaker 1: Escape room right now. 224 00:10:15,600 --> 00:10:18,120 Speaker 2: I haven't packed well, no, obviously. 225 00:10:18,160 --> 00:10:20,600 Speaker 1: Right, Daniella, whatever do you what hapen to you? Yetti 226 00:10:20,679 --> 00:10:23,880 Speaker 1: full of snacks? Daniella? Can you get one of the clues? 227 00:10:25,200 --> 00:10:27,800 Speaker 4: I believe I know the one that you guys don't know. 228 00:10:28,160 --> 00:10:32,440 Speaker 1: Ah, this one album? What is that? 229 00:10:33,000 --> 00:10:33,360 Speaker 5: Yes? 230 00:10:33,960 --> 00:10:34,880 Speaker 8: I believe that. 231 00:10:34,960 --> 00:10:37,880 Speaker 4: He's in Spanish and it means divide album. 232 00:10:39,200 --> 00:10:45,680 Speaker 2: Really wow, there were there and it's got to be 233 00:10:45,960 --> 00:10:49,080 Speaker 2: Edge Sheering Castle on the Hill because it's from One 234 00:10:49,120 --> 00:10:52,720 Speaker 2: Tree Hill, the song Shearing the Sheep Shearing, Yes, from 235 00:10:52,720 --> 00:10:56,240 Speaker 2: This Teeth, the movie Castle. We've got tanure here, Tanya, 236 00:10:56,760 --> 00:10:58,640 Speaker 2: what are you thinking? Where's your head out? With all 237 00:10:58,640 --> 00:10:59,240 Speaker 2: these clues? 238 00:11:00,080 --> 00:11:02,680 Speaker 8: Oh, I reckon, You're in pretty much in the right area. 239 00:11:02,880 --> 00:11:05,719 Speaker 8: It's definitely a grab from the Castle and seen two 240 00:11:05,760 --> 00:11:06,440 Speaker 8: one three Hill. 241 00:11:06,920 --> 00:11:07,600 Speaker 1: Yeah, I reckon. 242 00:11:07,720 --> 00:11:09,920 Speaker 2: I read one three Hill. It could get any other way, though, 243 00:11:09,920 --> 00:11:11,560 Speaker 2: because I feel like once we lock in an answer. 244 00:11:11,760 --> 00:11:14,200 Speaker 1: She said, you get one answer and that's successful failure 245 00:11:14,240 --> 00:11:15,920 Speaker 1: because the other way we reckon, We lock it in. 246 00:11:15,960 --> 00:11:20,240 Speaker 1: Fortune favors the brave here woods whoa, whoa, all right, 247 00:11:20,280 --> 00:11:22,280 Speaker 1: I reckon, we go for it. I'm backing you. I 248 00:11:22,320 --> 00:11:26,480 Speaker 1: reckon you. Divide the album, Divide the album? 249 00:11:26,679 --> 00:11:31,439 Speaker 3: Oh yeah, exactly means divide the album in Spanish. There's 250 00:11:31,480 --> 00:11:34,280 Speaker 3: only one person who's releasing an album called Divide. 251 00:11:35,120 --> 00:11:36,560 Speaker 1: There might be more than one, but we only know 252 00:11:36,640 --> 00:11:37,000 Speaker 1: of one. 253 00:11:37,120 --> 00:11:40,280 Speaker 2: Every single clue points towards Edgar. Okay, we are going 254 00:11:40,320 --> 00:11:43,720 Speaker 2: to lock in. How's it? We're going to lock in 255 00:11:44,520 --> 00:11:46,839 Speaker 2: ed Sheer and Castle on the Hill. 256 00:11:55,600 --> 00:12:06,640 Speaker 9: Congratulations, success, absolutely, bitch of pis, thank you. 257 00:12:06,760 --> 00:12:07,400 Speaker 2: We have got this. 258 00:12:07,480 --> 00:12:09,840 Speaker 1: Get us in the room, babys in there. 259 00:12:11,080 --> 00:12:12,959 Speaker 2: We're good at this. We figured this out. But we 260 00:12:13,640 --> 00:12:15,760 Speaker 2: figured that in a minute. Seriously, we do know. 261 00:12:15,800 --> 00:12:17,800 Speaker 1: We didn't even were not well. We love, we know 262 00:12:17,840 --> 00:12:18,400 Speaker 1: we needed the help. 263 00:12:18,400 --> 00:12:21,560 Speaker 2: Actually we love the help. We love to confirm it. Yeah, 264 00:12:21,600 --> 00:12:23,080 Speaker 2: but you and I had this after two clues? 265 00:12:23,120 --> 00:12:24,119 Speaker 1: Could we be genius? 266 00:12:24,160 --> 00:12:24,280 Speaker 5: On? 267 00:12:25,160 --> 00:12:31,640 Speaker 2: We're born from this. 268 00:12:31,600 --> 00:12:34,960 Speaker 10: Charlie Poof live in concert in Australia for the first 269 00:12:35,000 --> 00:12:37,960 Speaker 10: time here the Hits this October. Tickets on sale two 270 00:12:38,000 --> 00:12:42,040 Speaker 10: pm tomorrow from Live Nation dot com dot Au. 271 00:12:43,120 --> 00:12:45,200 Speaker 2: You want your tickets though Will and Woody dot com 272 00:12:45,240 --> 00:12:48,960 Speaker 2: to register and it's very easy to win these tickets. 273 00:12:49,000 --> 00:12:52,120 Speaker 2: Basically you have to guess the song that I am 274 00:12:52,240 --> 00:12:55,199 Speaker 2: humming inside the pooth boo. 275 00:13:01,679 --> 00:13:05,400 Speaker 1: All right, can I just ask? I mean this killed yesterday, 276 00:13:05,440 --> 00:13:06,880 Speaker 1: There's no doubt about it. It's a hot second. 277 00:13:06,960 --> 00:13:10,959 Speaker 3: But is there any is there any correlation between the 278 00:13:11,000 --> 00:13:14,600 Speaker 3: word like truth and poof and booth or did you 279 00:13:14,840 --> 00:13:19,640 Speaker 3: is just because it rhymes like pooth and booth just rhyme, right, yeah, okay. 280 00:13:19,679 --> 00:13:21,760 Speaker 1: All let's get into it. Kate and Jayden name. 281 00:13:21,640 --> 00:13:23,719 Speaker 2: And I don't actually step into a booth. I play 282 00:13:23,800 --> 00:13:26,600 Speaker 2: some audio. Oh, make it sound like I'm stepping into 283 00:13:26,600 --> 00:13:26,920 Speaker 2: a book. 284 00:13:26,920 --> 00:13:28,400 Speaker 1: Do you make it sound like you're steping into a booth? 285 00:13:28,920 --> 00:13:31,079 Speaker 2: I was sort of did you Kate and Jaden actually 286 00:13:31,120 --> 00:13:33,040 Speaker 2: ask you? Kay, did you actually think I was stepping 287 00:13:33,040 --> 00:13:36,520 Speaker 2: into some sort of specialized booth to start humming? 288 00:13:38,040 --> 00:13:38,240 Speaker 3: Yeah? 289 00:13:38,320 --> 00:13:41,200 Speaker 2: Of course, yeah, yeah, great, I'm glad the theater of 290 00:13:41,240 --> 00:13:44,640 Speaker 2: the mind is working. Kate, you are taking on Jaden today, 291 00:13:45,000 --> 00:13:47,960 Speaker 2: and again the rules are super simple. Here inside the 292 00:13:47,960 --> 00:13:50,760 Speaker 2: pooth booth, I just start humming along to a song 293 00:13:50,800 --> 00:13:54,080 Speaker 2: that has been played in my ears. Okay, with your 294 00:13:54,200 --> 00:13:57,439 Speaker 2: names as buzzers. As soon as you know the song, 295 00:13:58,440 --> 00:14:03,439 Speaker 2: yell at your name and have a gain. Yes is 296 00:14:03,520 --> 00:14:04,000 Speaker 2: cracked off? 297 00:14:17,120 --> 00:14:22,280 Speaker 1: Jideniden, Okay, Jayden, what's the song? Jade? Your first? Oh? 298 00:14:22,640 --> 00:14:26,640 Speaker 11: Oh jeez, let's get the party started. 299 00:14:27,080 --> 00:14:30,160 Speaker 2: Yeah, yeah, you know what, I'll give it to you, Jaden. 300 00:14:30,200 --> 00:14:34,720 Speaker 1: You can have it. Didn't even need the artist, didn't 301 00:14:34,720 --> 00:14:38,160 Speaker 1: even generous. And also you're shi Hama. 302 00:14:38,280 --> 00:14:39,560 Speaker 3: So you know I gonna give him a bene of 303 00:14:39,600 --> 00:14:42,360 Speaker 3: a doubt now, so ready for the next song? 304 00:14:42,960 --> 00:14:43,480 Speaker 2: Re started? 305 00:14:43,520 --> 00:14:43,760 Speaker 1: I know. 306 00:14:56,040 --> 00:15:01,400 Speaker 11: Jiden, I'm must confessed le me and. 307 00:15:04,600 --> 00:15:07,200 Speaker 1: O. Kate, you get a guess Jayden can't can't get it? 308 00:15:07,280 --> 00:15:10,640 Speaker 4: Kate, more time, Brittany, hit me baby one more time, Brittany, 309 00:15:11,000 --> 00:15:11,320 Speaker 4: it is. 310 00:15:13,160 --> 00:15:13,360 Speaker 12: Work. 311 00:15:13,400 --> 00:15:16,320 Speaker 1: It's what all got? One more song? 312 00:15:16,320 --> 00:15:16,440 Speaker 13: Now? 313 00:15:16,440 --> 00:15:18,480 Speaker 3: Can I just before we play this song? The set 314 00:15:18,560 --> 00:15:20,200 Speaker 3: up here is that our button push of Tom Wood. 315 00:15:20,200 --> 00:15:22,400 Speaker 3: He has these special head headphones on it. Tom can 316 00:15:22,480 --> 00:15:24,680 Speaker 3: start the song on any stage, which means what are you? 317 00:15:24,800 --> 00:15:26,960 Speaker 3: Totally out of control? 318 00:15:27,000 --> 00:15:28,600 Speaker 1: And Tom stopped? 319 00:15:37,520 --> 00:15:55,000 Speaker 12: No, come on, Okate. 320 00:15:54,800 --> 00:15:55,680 Speaker 4: I can't believe it. 321 00:15:55,880 --> 00:15:56,480 Speaker 8: Just stop. 322 00:15:57,000 --> 00:16:00,440 Speaker 1: I can't believe it. Just stop is no but to lyric, 323 00:16:00,520 --> 00:16:03,080 Speaker 1: can't believe the durs stop does sound a lot like 324 00:16:03,120 --> 00:16:04,040 Speaker 1: a part of the song. 325 00:16:08,720 --> 00:16:11,200 Speaker 4: Come on Uptown funk Kate. 326 00:16:13,000 --> 00:16:22,400 Speaker 1: Correct? Well that Jake, great pop birth. You're going You're going? 327 00:16:22,520 --> 00:16:22,720 Speaker 14: Kate? 328 00:16:23,200 --> 00:16:25,160 Speaker 1: Yeah, well done. Two out of the three there. Charlie 329 00:16:25,160 --> 00:16:27,440 Speaker 1: Perth live in concert industry for the first time. Here 330 00:16:27,560 --> 00:16:30,160 Speaker 1: the hits of this October diggets on Sol two o'clock 331 00:16:30,200 --> 00:16:32,480 Speaker 1: tomorrow for everybody else Live Nation dot Com, dot you. 332 00:16:32,840 --> 00:16:35,560 Speaker 1: But for you, guys, because your listeners of this beautiful 333 00:16:35,600 --> 00:16:37,080 Speaker 1: radio show head on to willim when you dot com 334 00:16:37,120 --> 00:16:39,280 Speaker 1: you get a chance to play again tomorrow, thank god 335 00:16:39,320 --> 00:16:40,120 Speaker 1: for the last time. 336 00:16:40,480 --> 00:16:44,360 Speaker 2: What's the most embarrassing place that you You've found a 337 00:16:44,480 --> 00:16:52,720 Speaker 2: lost item? You thought it was gone, Maybe you accused 338 00:16:52,800 --> 00:16:55,920 Speaker 2: someone of stealing it, maybe you called the cops and 339 00:16:55,920 --> 00:16:57,520 Speaker 2: then it turned up somewhere. 340 00:16:57,680 --> 00:17:00,880 Speaker 3: Very great story about this, But there is nothing better 341 00:17:01,080 --> 00:17:04,680 Speaker 3: than when your dad accuses you of taking his sunglasses 342 00:17:04,680 --> 00:17:05,480 Speaker 3: and they're on his head. 343 00:17:06,480 --> 00:17:11,720 Speaker 1: Yes, great moments with one of you. 344 00:17:15,000 --> 00:17:19,080 Speaker 2: Yeah, it's extraordinary. Now back to the Maltese police, because 345 00:17:19,280 --> 00:17:24,959 Speaker 2: they put out a warrant for someone to be found. 346 00:17:25,720 --> 00:17:28,160 Speaker 2: They thought he was involved in a crime. They put 347 00:17:28,160 --> 00:17:29,840 Speaker 2: it on all the social media. They were like, who 348 00:17:29,840 --> 00:17:31,879 Speaker 2: has seen this man? His photo was up there, da 349 00:17:31,960 --> 00:17:35,680 Speaker 2: da da da. Anyway, a few days later they realized 350 00:17:36,280 --> 00:17:41,600 Speaker 2: that he was actually in prison. You've already got him. 351 00:17:42,800 --> 00:17:49,080 Speaker 2: You've already got him. Really good. I like that. Not 352 00:17:49,200 --> 00:17:52,000 Speaker 2: so good for the Maltese police anyway've got to call 353 00:17:52,040 --> 00:17:56,400 Speaker 2: here from V on thirteen one six y five V 354 00:17:56,840 --> 00:18:00,680 Speaker 2: An embarrassing time you found a lost item? 355 00:18:01,640 --> 00:18:01,880 Speaker 4: Yes? 356 00:18:02,160 --> 00:18:02,240 Speaker 14: So? 357 00:18:03,920 --> 00:18:05,880 Speaker 8: Why Gooday? How are you guys. 358 00:18:09,240 --> 00:18:09,640 Speaker 14: All right. 359 00:18:09,840 --> 00:18:13,440 Speaker 8: So I was working night shift at one stage, and 360 00:18:13,880 --> 00:18:17,520 Speaker 8: I quickly put some clothes in the dryer, and I 361 00:18:17,720 --> 00:18:20,119 Speaker 8: was rushing in the morning to take my kids to 362 00:18:20,480 --> 00:18:23,080 Speaker 8: school to drop them off. And I was one of 363 00:18:23,080 --> 00:18:25,320 Speaker 8: the moms that took my kids all the way up 364 00:18:25,560 --> 00:18:31,720 Speaker 8: to their classrooms. And anyway, I looking, where are my undies? 365 00:18:31,800 --> 00:18:34,679 Speaker 8: Oh my god, I can't find them. So I quickly 366 00:18:34,680 --> 00:18:37,320 Speaker 8: found another page, just quickly put something on, got dressed, 367 00:18:37,359 --> 00:18:40,960 Speaker 8: went up to school and my son's about to put 368 00:18:41,080 --> 00:18:43,199 Speaker 8: his jumper on in front of his whole class, like 369 00:18:43,320 --> 00:18:47,320 Speaker 8: they're getting ready to walk me. And he puts his 370 00:18:47,640 --> 00:18:50,879 Speaker 8: arms through his spleen and what pulls onto the ground 371 00:18:51,080 --> 00:18:52,240 Speaker 8: My d strings. 372 00:18:53,520 --> 00:18:56,840 Speaker 1: Well d string on. 373 00:18:59,320 --> 00:18:59,840 Speaker 15: Moy. 374 00:19:00,320 --> 00:19:02,639 Speaker 8: I just quickly just walked up, just picked them up, 375 00:19:02,720 --> 00:19:07,280 Speaker 8: and then just said have a good day, love you bye. 376 00:19:07,920 --> 00:19:10,720 Speaker 2: My my brother, thanks for the thanks for the gold 377 00:19:10,840 --> 00:19:14,600 Speaker 2: v Goad story me. That's standing work story. My brother 378 00:19:14,640 --> 00:19:17,880 Speaker 2: once he he actually called the cops about this one. 379 00:19:17,960 --> 00:19:20,000 Speaker 2: So he had a big, a big night out. It 380 00:19:20,040 --> 00:19:22,399 Speaker 2: was a Bucks party and he woke up and he 381 00:19:22,480 --> 00:19:24,520 Speaker 2: was like, don't don't have my phone, don't have my wallet, 382 00:19:25,200 --> 00:19:28,280 Speaker 2: and he and he in his mind he couldn't. His 383 00:19:28,359 --> 00:19:29,720 Speaker 2: member was a bit hazy on the way that he 384 00:19:29,760 --> 00:19:31,720 Speaker 2: got home, so he was like, I reckon, the cab 385 00:19:31,800 --> 00:19:34,840 Speaker 2: driver has stolen my phone and my wallet. Oh wow, 386 00:19:34,920 --> 00:19:38,040 Speaker 2: So put in a report, et cetera. Anyway, yeah, yeah, 387 00:19:38,200 --> 00:19:41,320 Speaker 2: he made the phone call, et. 388 00:19:41,119 --> 00:19:41,760 Speaker 1: Put in a report. 389 00:19:41,760 --> 00:19:42,320 Speaker 2: Absolutely. 390 00:19:42,400 --> 00:19:42,600 Speaker 1: Yeah. 391 00:19:42,760 --> 00:19:45,000 Speaker 2: Anyway, A couple of days later, my dad was at 392 00:19:45,040 --> 00:19:48,600 Speaker 2: the front of the house and he saw like the 393 00:19:48,960 --> 00:19:52,320 Speaker 2: corner of some leather like just on the sidewalk there 394 00:19:52,400 --> 00:19:54,240 Speaker 2: in the dirt, and he was like, hell's going on here? 395 00:19:54,800 --> 00:19:57,520 Speaker 2: And he walked over to it and it was like 396 00:19:57,560 --> 00:20:02,640 Speaker 2: a shallow grave and effect my brother, so's his phone 397 00:20:02,680 --> 00:20:05,600 Speaker 2: and his wallet was in a shallow grave at the front. 398 00:20:06,040 --> 00:20:08,359 Speaker 2: And so apparently what happened was he got out of 399 00:20:08,359 --> 00:20:09,880 Speaker 2: the cab and had a little bit of a snooze 400 00:20:09,880 --> 00:20:12,240 Speaker 2: on the sidewalk and decided the best thing to do 401 00:20:12,440 --> 00:20:15,360 Speaker 2: was to bury his phone and wallet so he wouldn't 402 00:20:15,400 --> 00:20:19,760 Speaker 2: get rolled. And he couldn't remember doing that. 403 00:20:23,359 --> 00:20:27,520 Speaker 1: I don't know whether it's genius, it was, Jimmy goat sub. 404 00:20:31,760 --> 00:20:35,520 Speaker 2: First interactions with your partner's parents. 405 00:20:35,320 --> 00:20:37,280 Speaker 4: That don't impress me much. 406 00:20:38,520 --> 00:20:42,560 Speaker 2: They sell they are so important critical You put so 407 00:20:42,720 --> 00:20:46,000 Speaker 2: much pressure on that and numbers thirteen one oh sixty five. 408 00:20:46,040 --> 00:20:48,119 Speaker 2: I'd love you to come on air and share with 409 00:20:48,280 --> 00:20:51,280 Speaker 2: us your first interaction with your partner's parents, if you 410 00:20:51,359 --> 00:20:53,879 Speaker 2: had a stinker, if something went wrong there, because I 411 00:20:54,000 --> 00:20:56,160 Speaker 2: got to find those story is quite funny, and I 412 00:20:56,200 --> 00:20:59,560 Speaker 2: was inspired to ask that question Wilbert because there's a 413 00:20:59,560 --> 00:21:06,439 Speaker 2: bloke who's getting absolutely hammered online because he so he 414 00:21:06,600 --> 00:21:08,800 Speaker 2: was trying to help his current partner. He was like, 415 00:21:08,840 --> 00:21:11,199 Speaker 2: we're gonna meet my parents. I want this to go 416 00:21:11,280 --> 00:21:14,320 Speaker 2: well for you. So what you're gonna have to do 417 00:21:14,840 --> 00:21:16,720 Speaker 2: is cook a really great meal. 418 00:21:19,680 --> 00:21:22,560 Speaker 1: Hell, I really throw back to that gender stereotype question 419 00:21:22,560 --> 00:21:23,399 Speaker 1: I was asking before. 420 00:21:23,560 --> 00:21:26,640 Speaker 2: Yeah, Wow, totally wild. Yeah. So, and he really doubled down. 421 00:21:26,640 --> 00:21:28,680 Speaker 2: He was like, to impress my dad, it's got to 422 00:21:28,760 --> 00:21:31,080 Speaker 2: be you that's cooking. I can't help you. It's just 423 00:21:31,200 --> 00:21:36,040 Speaker 2: a soul just backfight on the big fella online. As 424 00:21:36,040 --> 00:21:38,160 Speaker 2: I said before, he's getting camed. 425 00:21:38,440 --> 00:21:41,040 Speaker 3: An argument there like if he's a bad cook. Like 426 00:21:41,119 --> 00:21:44,280 Speaker 3: if he's a bad cook and he just wants a 427 00:21:44,359 --> 00:21:48,080 Speaker 3: nice meal. But he's saying, in order to impress him, 428 00:21:48,280 --> 00:21:50,600 Speaker 3: you have to prove that you can cook as a woman. 429 00:21:51,240 --> 00:21:55,520 Speaker 2: I think that was the reading in between the lines there. 430 00:21:55,560 --> 00:21:58,320 Speaker 2: That's what's going on, and it's a bit gross, but again, 431 00:21:58,359 --> 00:22:00,280 Speaker 2: the only way I can relate to this guy that 432 00:22:00,320 --> 00:22:02,320 Speaker 2: he was just trying so hard to make that first 433 00:22:02,320 --> 00:22:05,520 Speaker 2: interaction go well. I recall a story from my own life. 434 00:22:05,520 --> 00:22:07,840 Speaker 2: This was with an ex partner, but it was the 435 00:22:07,880 --> 00:22:10,680 Speaker 2: first time that I met her dad, and because her 436 00:22:10,680 --> 00:22:13,159 Speaker 2: parents are separated, I'd already been dating her for about 437 00:22:13,440 --> 00:22:15,240 Speaker 2: I think it was about five or six months we've 438 00:22:15,280 --> 00:22:19,159 Speaker 2: been dating before I actually met her. So because of that, 439 00:22:19,200 --> 00:22:21,240 Speaker 2: I really built up this moment of meeting the dad 440 00:22:21,320 --> 00:22:23,760 Speaker 2: and my ex partner at the time. At the dinner 441 00:22:23,840 --> 00:22:26,440 Speaker 2: was wearing a singlet and it was one of those 442 00:22:27,280 --> 00:22:30,959 Speaker 2: those singlets that reacts to heat. Yeah, I mean usually 443 00:22:31,040 --> 00:22:32,000 Speaker 2: children were these. 444 00:22:31,880 --> 00:22:33,840 Speaker 1: Sorts of singlets, but those scratching snith. 445 00:22:33,600 --> 00:22:36,240 Speaker 2: And you touch it and then it changes color because 446 00:22:36,280 --> 00:22:41,520 Speaker 2: of the heat. Anyway, I think she was like low twenties. 447 00:22:41,560 --> 00:22:44,240 Speaker 2: I was like mid twenties. Anyway, they were very cool 448 00:22:44,640 --> 00:22:47,399 Speaker 2: about ten years ago. Anyway, we were talking about the 449 00:22:47,440 --> 00:22:50,560 Speaker 2: fact that her singlet changes color when it gets touched, 450 00:22:51,000 --> 00:22:55,120 Speaker 2: and I said at the dinner table, thinking I was funny. Yeah, 451 00:22:55,160 --> 00:22:57,960 Speaker 2: that single it's a real nightmare because everyone can tell 452 00:22:58,000 --> 00:23:02,680 Speaker 2: if I go for a boobhonk. I was just nervous. 453 00:23:02,760 --> 00:23:04,920 Speaker 2: I was just so nervous and it came out of 454 00:23:04,920 --> 00:23:06,720 Speaker 2: my mouth and I was like, that's not even that's 455 00:23:06,720 --> 00:23:08,400 Speaker 2: not funny, that's disrespect and the. 456 00:23:08,400 --> 00:23:12,920 Speaker 1: Dad, Oh my lord. 457 00:23:13,560 --> 00:23:16,920 Speaker 2: Yeah, it was a real out of body experience. I 458 00:23:16,960 --> 00:23:18,000 Speaker 2: don't know what happened. 459 00:23:18,560 --> 00:23:19,879 Speaker 1: If I go and he said boom. 460 00:23:20,359 --> 00:23:22,360 Speaker 2: I think I said yeah, and I thought that'd be 461 00:23:22,400 --> 00:23:24,680 Speaker 2: a bit funny. Oh my god, I think I might 462 00:23:24,720 --> 00:23:26,520 Speaker 2: have even anyway, I'm going to go in it. 463 00:23:26,600 --> 00:23:30,040 Speaker 1: You did out of your hands. Yeah, yeah. The boo 464 00:23:30,119 --> 00:23:31,560 Speaker 1: honks like an air. 465 00:23:31,400 --> 00:23:34,639 Speaker 2: Honk in there. I just saw myself out after all. 466 00:23:36,960 --> 00:23:39,800 Speaker 1: Leo is called from Hoppers Crossing Leo thirty one and 467 00:23:39,880 --> 00:23:46,199 Speaker 1: six five are taking impressions with parents in with your parents' 468 00:23:46,200 --> 00:23:50,520 Speaker 1: partners far away, Leo, Leo, save me. 469 00:23:50,560 --> 00:23:55,920 Speaker 13: Hey. This happened when I was about high school age. 470 00:23:55,960 --> 00:23:59,520 Speaker 13: I was probably sixteen seventeen eighteen there about. My girlfriend 471 00:23:59,600 --> 00:24:02,440 Speaker 13: was age to me. We had birthdays on the same 472 00:24:02,480 --> 00:24:05,720 Speaker 13: weekend as each other, and I'd never met her parents before. 473 00:24:07,080 --> 00:24:10,080 Speaker 13: We'd done the birthday party a week after the actual 474 00:24:10,119 --> 00:24:13,439 Speaker 13: birthday and we thought we'd be funny and wear name tags, 475 00:24:13,440 --> 00:24:15,920 Speaker 13: and mine st my name and her said her name. 476 00:24:16,920 --> 00:24:20,320 Speaker 13: Turns out the parents' flight to Bali ended up getting dancils. 477 00:24:20,440 --> 00:24:22,680 Speaker 13: They never made it to the airport. They turned right 478 00:24:22,720 --> 00:24:24,639 Speaker 13: back around and they walked in the front door, and 479 00:24:24,640 --> 00:24:27,760 Speaker 13: there's me with my ass through the plaster of the wall, 480 00:24:27,760 --> 00:24:30,320 Speaker 13: and the fridge just sits on its side, and I'm 481 00:24:30,320 --> 00:24:32,520 Speaker 13: wearing my name tag which says my name, and they 482 00:24:32,560 --> 00:24:34,119 Speaker 13: took one look at me, and they knew that I 483 00:24:34,240 --> 00:24:36,560 Speaker 13: was the boyfriend the day they was that that my 484 00:24:36,600 --> 00:24:38,000 Speaker 13: girlfriend was telling me them about. 485 00:24:38,280 --> 00:24:40,800 Speaker 2: Hang on, slow down. I feel like you drived a 486 00:24:40,800 --> 00:24:42,040 Speaker 2: lot of details, really funny. 487 00:24:42,040 --> 00:24:45,080 Speaker 1: Did you sound like a great story but we're missing holes? 488 00:24:45,400 --> 00:24:48,520 Speaker 2: Did you just so basically, did your new girlfriend's parents 489 00:24:48,520 --> 00:24:51,600 Speaker 2: walk in on you and your ass was hanging through 490 00:24:51,760 --> 00:24:53,760 Speaker 2: a wall and a fridge was tipped over? 491 00:24:55,359 --> 00:24:57,640 Speaker 13: Yeah, well it was a house party, and you know what. 492 00:24:57,560 --> 00:25:02,160 Speaker 2: People do a house party, right, So hang on? Why 493 00:25:02,320 --> 00:25:05,920 Speaker 2: was your ass? You felt so leo? 494 00:25:06,200 --> 00:25:09,800 Speaker 3: So her parents leave, her parents leave, You throw a 495 00:25:09,800 --> 00:25:12,280 Speaker 3: big house party at their party. Their flight gets canceled. 496 00:25:12,320 --> 00:25:15,200 Speaker 3: They come home, they've only heard about you buying over 497 00:25:15,560 --> 00:25:17,080 Speaker 3: by name at this stage. 498 00:25:17,560 --> 00:25:21,199 Speaker 1: But then they rock up at their family home and 499 00:25:21,240 --> 00:25:23,440 Speaker 1: they know that they're seeing you for the first time 500 00:25:23,480 --> 00:25:25,520 Speaker 1: because you've got your name written on your ass and 501 00:25:25,520 --> 00:25:26,680 Speaker 1: it's punched through their wall. 502 00:25:29,040 --> 00:25:31,720 Speaker 13: Now, so I was in the wall. 503 00:25:31,920 --> 00:25:41,680 Speaker 2: Yeah, yeah, your ass is in the wall a name tag. Anyway, God, 504 00:25:41,800 --> 00:25:43,000 Speaker 2: that's a complicated story. 505 00:25:43,400 --> 00:25:46,320 Speaker 3: That was close to the most brilliant story of all time, 506 00:25:46,600 --> 00:25:49,399 Speaker 3: and he absolutely butchered it. I think Leo needs to 507 00:25:49,400 --> 00:25:51,240 Speaker 3: come back tomorrow and try that again, because. 508 00:25:51,080 --> 00:25:51,680 Speaker 2: It's a cracker. 509 00:25:51,760 --> 00:25:54,600 Speaker 1: It's got all the right part, it's all there. It's 510 00:25:54,640 --> 00:25:57,600 Speaker 1: all there, something out of a movie out. Sorry, totally. 511 00:25:57,960 --> 00:26:00,879 Speaker 2: I's got a will here will. What happened when you 512 00:26:00,920 --> 00:26:02,359 Speaker 2: met your partner's parents. 513 00:26:03,320 --> 00:26:05,920 Speaker 16: Yeah, so we're from Geelong and on the way up 514 00:26:05,960 --> 00:26:08,200 Speaker 16: to Melbourne we had to pick my mother, our mother 515 00:26:08,240 --> 00:26:10,800 Speaker 16: in law up and sister in law from the Melbourne 516 00:26:10,800 --> 00:26:13,479 Speaker 16: airport for the first time for me meeting them, and 517 00:26:13,520 --> 00:26:15,800 Speaker 16: we got McDonald's drive through on the way up and 518 00:26:16,200 --> 00:26:17,880 Speaker 16: picked them up. All was good, and on the way 519 00:26:17,920 --> 00:26:20,280 Speaker 16: back I started to get the sweat a little bit 520 00:26:20,359 --> 00:26:22,520 Speaker 16: because my gats are starting to go a bit rotten. 521 00:26:22,640 --> 00:26:26,520 Speaker 16: Oh no, driving past all the surveys, I'm thinking I can't. 522 00:26:26,960 --> 00:26:28,439 Speaker 16: I can't tell them. I've got to go to the toilet, 523 00:26:28,480 --> 00:26:29,879 Speaker 16: so I'll just hold on. And then it got to 524 00:26:29,880 --> 00:26:31,680 Speaker 16: the point where I just couldn't hold on any longer, 525 00:26:31,760 --> 00:26:34,800 Speaker 16: so I had to pull over on the Melbourne Highway 526 00:26:34,800 --> 00:26:36,400 Speaker 16: and run into the bushes. And do. 527 00:26:38,240 --> 00:26:40,200 Speaker 2: You put in a bush with your partner's parents in 528 00:26:40,240 --> 00:26:40,639 Speaker 2: a bush? 529 00:26:40,720 --> 00:26:41,200 Speaker 8: Was yeah? 530 00:26:41,280 --> 00:26:41,560 Speaker 1: Correct? 531 00:26:41,600 --> 00:26:44,320 Speaker 16: When the toiler paper, it was just brilliant. 532 00:26:44,520 --> 00:26:46,680 Speaker 2: Oh my god, what did you say? So you're put 533 00:26:46,680 --> 00:26:48,960 Speaker 2: in a bush? You then obviously have to go back 534 00:26:48,960 --> 00:26:51,200 Speaker 2: to the car. What's your first line there? 535 00:26:51,280 --> 00:26:54,920 Speaker 16: Well, well I knew what had happened, and the good 536 00:26:54,920 --> 00:26:56,879 Speaker 16: people they are asking me if I was okay. But 537 00:26:56,920 --> 00:26:58,960 Speaker 16: the worst thing was five minutes later I still have 538 00:26:59,080 --> 00:27:00,440 Speaker 16: to say, can't you pull over again? 539 00:27:00,560 --> 00:27:00,760 Speaker 2: Oh? 540 00:27:00,920 --> 00:27:02,960 Speaker 4: Damn it all over again? 541 00:27:04,200 --> 00:27:08,680 Speaker 1: Just double dip. Oh well that's shocking. Wow, thanks to 542 00:27:08,720 --> 00:27:10,280 Speaker 1: the girl I thought mine was bad. 543 00:27:10,640 --> 00:27:13,400 Speaker 3: The first time I met my partner's mum, we sat 544 00:27:13,440 --> 00:27:16,760 Speaker 3: down a restaurant with a lovely restaurant she'd been she'd 545 00:27:16,840 --> 00:27:19,200 Speaker 3: been in an ashram in India for a while beforehand, 546 00:27:19,200 --> 00:27:21,640 Speaker 3: so she was in a very free loving, free flowing. 547 00:27:21,320 --> 00:27:21,880 Speaker 1: Sort of a moment. 548 00:27:21,960 --> 00:27:24,720 Speaker 2: Guys, that don't know when Ashram is some sort of monastery, Yeah, 549 00:27:24,800 --> 00:27:25,959 Speaker 2: kind of, let's just call it like that. 550 00:27:26,000 --> 00:27:28,359 Speaker 1: Okay. So she's in a very you know, free living, free, 551 00:27:28,520 --> 00:27:31,440 Speaker 1: you know space. She's quite a progressive woman. And about 552 00:27:31,440 --> 00:27:33,960 Speaker 1: halfway through dinner she started talking to me about this 553 00:27:34,080 --> 00:27:38,000 Speaker 1: new found sexual energy that she had that she rediscovered 554 00:27:38,000 --> 00:27:42,160 Speaker 1: in India. Wow. And Sam was just in there, going, 555 00:27:43,400 --> 00:27:44,159 Speaker 1: I'll never forget it. 556 00:27:44,200 --> 00:27:46,240 Speaker 3: She leaned over the table and like pretty much put 557 00:27:46,280 --> 00:27:47,879 Speaker 3: her hand over her mum's mouth. 558 00:27:48,160 --> 00:27:48,400 Speaker 2: Wow. 559 00:27:48,440 --> 00:27:50,760 Speaker 1: I was just yelling at her, going too much, Mum, 560 00:27:51,240 --> 00:27:51,840 Speaker 1: too much. 561 00:27:52,200 --> 00:27:54,480 Speaker 2: Wow. Yeah, and then you told me she hooked up 562 00:27:54,480 --> 00:27:56,800 Speaker 2: with the weight of that night as well. Totally. Let's go. 563 00:27:56,960 --> 00:28:00,320 Speaker 1: Let's go to Amber on a sixth rive Amber, this 564 00:28:00,359 --> 00:28:01,720 Speaker 1: is your high school sweetheart. 565 00:28:04,200 --> 00:28:05,960 Speaker 11: Yeah, hey guys, thanks going good. 566 00:28:08,960 --> 00:28:09,200 Speaker 12: Yeah. 567 00:28:09,240 --> 00:28:12,960 Speaker 11: So when I was about sixteen, my partner has really 568 00:28:13,000 --> 00:28:15,560 Speaker 11: strict parents, so he wasn't allowed to have a girlfriend. 569 00:28:15,760 --> 00:28:17,480 Speaker 11: And what he would tell them is when he was 570 00:28:17,520 --> 00:28:19,360 Speaker 11: seeing me, he was seeing his tutor. 571 00:28:19,800 --> 00:28:21,680 Speaker 2: Oh yeah, and one. 572 00:28:21,560 --> 00:28:25,000 Speaker 11: Night he was like, oh, I think I think I'm 573 00:28:25,040 --> 00:28:27,680 Speaker 11: gonna I think I'm going to come. Please tell him 574 00:28:27,720 --> 00:28:30,280 Speaker 11: that like a go girlfriend whatever. So I was at 575 00:28:30,320 --> 00:28:32,560 Speaker 11: his house, I was in his room before his parents 576 00:28:32,560 --> 00:28:35,160 Speaker 11: got home. And when we leave his room, his mum's 577 00:28:35,160 --> 00:28:38,560 Speaker 11: standing there and she walks away straight away, goes into 578 00:28:38,840 --> 00:28:41,560 Speaker 11: her grabbed out fifty dollars, hands it to me and 579 00:28:41,560 --> 00:28:49,240 Speaker 11: said thanks for muttering him. 580 00:28:49,280 --> 00:28:53,880 Speaker 3: We could be trapped at any moment in an escape room. Guys, again, 581 00:28:53,920 --> 00:28:55,920 Speaker 3: we don't know when we're going, We don't know how 582 00:28:55,960 --> 00:28:57,320 Speaker 3: long we're going to be going for the only thing 583 00:28:57,360 --> 00:28:58,920 Speaker 3: we know is that we've got to solve puzzles to 584 00:28:58,920 --> 00:28:59,880 Speaker 3: try and get out of this scene. 585 00:29:00,080 --> 00:29:01,760 Speaker 1: We all live on e can stream us on. 586 00:29:01,720 --> 00:29:04,920 Speaker 3: YouTube Wilhelm Woody search Williamoody on the socials if you 587 00:29:04,960 --> 00:29:06,880 Speaker 3: want to follow along with these puzzles. We had a 588 00:29:06,920 --> 00:29:09,200 Speaker 3: trial running the studio with you guys calling up and 589 00:29:09,200 --> 00:29:10,880 Speaker 3: helping us out, and we bloody nailed. 590 00:29:10,680 --> 00:29:11,640 Speaker 2: It, which I'm feeling good. 591 00:29:11,640 --> 00:29:15,640 Speaker 1: We've got confidence this guy. The producers are absolutely absolutely 592 00:29:15,640 --> 00:29:17,200 Speaker 1: shaking in their boots now. They add a bit of 593 00:29:17,200 --> 00:29:19,880 Speaker 1: a swagger to them. Yeap, A bit confident before all 594 00:29:19,920 --> 00:29:20,800 Speaker 1: of a sudden. 595 00:29:20,960 --> 00:29:22,440 Speaker 2: Hmmm, we've got a bit of game, don't we. 596 00:29:22,440 --> 00:29:24,640 Speaker 1: A couple of sharks in the pond a bit, yeah, a. 597 00:29:24,560 --> 00:29:28,040 Speaker 2: Couple of boody sharks. And speaking of sharks, Jakie's just 598 00:29:28,040 --> 00:29:31,360 Speaker 2: caught us on thirteen one sixty five. Now, Jakie, you build, 599 00:29:31,720 --> 00:29:35,960 Speaker 2: you build escape rooms. That's your vocation, that's yeah. 600 00:29:36,040 --> 00:29:39,000 Speaker 17: One of the contracts we do for work is build 601 00:29:39,320 --> 00:29:40,520 Speaker 17: high end escape rooms. 602 00:29:40,600 --> 00:29:43,640 Speaker 2: High end. Give us Give us the number one tip. 603 00:29:43,680 --> 00:29:45,800 Speaker 2: If you're behind the scenes here, give us the number 604 00:29:45,840 --> 00:29:47,640 Speaker 2: one tip of solving escape rooms. 605 00:29:48,080 --> 00:29:53,960 Speaker 17: May you, guys, honestly, you need to look for absolutely anything, 606 00:29:54,120 --> 00:29:58,040 Speaker 17: like I'm talking, under a chair, under a chair, leg, 607 00:29:58,240 --> 00:30:03,320 Speaker 17: a handle, just a simple thing. We'll get you guys 608 00:30:03,360 --> 00:30:04,040 Speaker 17: out of trouble. 609 00:30:04,400 --> 00:30:04,760 Speaker 2: All right. 610 00:30:04,920 --> 00:30:08,480 Speaker 3: Look, what's the difference between a like a high end 611 00:30:08,600 --> 00:30:10,440 Speaker 3: escape room and a normal escape room? Is it just 612 00:30:10,880 --> 00:30:12,840 Speaker 3: escape round plus narcotics and escorts? 613 00:30:13,000 --> 00:30:13,080 Speaker 8: Oh? 614 00:30:14,840 --> 00:30:15,480 Speaker 17: I think. 615 00:30:17,040 --> 00:30:22,520 Speaker 3: That right now though, right now the thirty one six 616 00:30:22,720 --> 00:30:25,680 Speaker 3: five just ask you you've got a riveting story, because 617 00:30:26,040 --> 00:30:29,640 Speaker 3: I want to I want to try something which we've 618 00:30:29,680 --> 00:30:31,440 Speaker 3: tried before, and I'm going to be honest, we were 619 00:30:31,480 --> 00:30:32,560 Speaker 3: very good at it perforewards. 620 00:30:32,680 --> 00:30:34,480 Speaker 2: Hell yeah, it's called fish. 621 00:30:34,280 --> 00:30:35,160 Speaker 1: Out of Water radio. 622 00:30:36,080 --> 00:30:38,440 Speaker 3: Now, now, before before we get into the game, let's 623 00:30:38,480 --> 00:30:40,640 Speaker 3: I'll give you a bit of context. Because a member 624 00:30:40,640 --> 00:30:45,280 Speaker 3: of Black Pink, these guys. 625 00:30:44,240 --> 00:30:44,480 Speaker 1: I. 626 00:30:46,520 --> 00:30:50,440 Speaker 7: Yes, yeah song. 627 00:30:50,960 --> 00:30:54,720 Speaker 2: Yeah, three female under the age of twenty five is 628 00:30:54,800 --> 00:30:57,400 Speaker 2: loving this song. No one else knows what's going on. 629 00:30:57,680 --> 00:31:02,640 Speaker 3: Yeah pop fanciers, Yeah, we're class him as a woman 630 00:31:02,720 --> 00:31:03,360 Speaker 3: under twenty five. 631 00:31:03,480 --> 00:31:03,640 Speaker 7: Now. 632 00:31:04,320 --> 00:31:09,560 Speaker 1: They are a K pop girl group and one of them, 633 00:31:09,880 --> 00:31:15,920 Speaker 1: Jenny Jenue, left just left the show during their Melbourne show. 634 00:31:16,600 --> 00:31:18,440 Speaker 1: She just left, just walked off the stage. 635 00:31:18,480 --> 00:31:19,360 Speaker 2: Any reason why. 636 00:31:19,720 --> 00:31:22,800 Speaker 1: I think she's in a bit of strife. Yeah. When 637 00:31:22,840 --> 00:31:24,400 Speaker 1: I say that, it sounds like she's in gambling dead 638 00:31:24,440 --> 00:31:24,720 Speaker 1: or something. 639 00:31:24,800 --> 00:31:26,200 Speaker 2: I don't know. 640 00:31:26,560 --> 00:31:29,040 Speaker 3: She saw the load shark in the audience is running 641 00:31:29,040 --> 00:31:30,360 Speaker 3: his finger across his neck. 642 00:31:31,960 --> 00:31:34,000 Speaker 1: No, no, no, I don't know. 643 00:31:34,200 --> 00:31:35,920 Speaker 3: I think it's something going on with her anyway, right, 644 00:31:36,080 --> 00:31:39,960 Speaker 3: quite astounding that she left mid song, Yeah, mid set, 645 00:31:40,440 --> 00:31:40,960 Speaker 3: mid show. 646 00:31:41,120 --> 00:31:41,400 Speaker 2: Sure. 647 00:31:41,480 --> 00:31:43,400 Speaker 1: So what I want to try and do right now. 648 00:31:43,360 --> 00:31:48,400 Speaker 3: Is can you and I leave the radio show mid story? 649 00:31:49,320 --> 00:31:51,240 Speaker 2: As in, someone else's telling the story. 650 00:31:51,000 --> 00:31:54,320 Speaker 3: Someone else is telling the story. Our goal here is 651 00:31:54,360 --> 00:31:59,040 Speaker 3: to try and leave the studio mid story before somebody 652 00:31:59,120 --> 00:32:02,120 Speaker 3: or the person telling the story yells out fish out 653 00:32:02,120 --> 00:32:04,720 Speaker 3: of water. Now that's a very old Marco Polo term, 654 00:32:04,720 --> 00:32:06,440 Speaker 3: but that's the term you use if somebody jumps out 655 00:32:06,480 --> 00:32:07,600 Speaker 3: of the pool and runs across the deck. 656 00:32:08,080 --> 00:32:10,120 Speaker 1: I thought that might be nice and easy to grasp. Yeah. 657 00:32:10,640 --> 00:32:12,040 Speaker 3: One, if you want to play it. Two, what if 658 00:32:12,040 --> 00:32:13,240 Speaker 3: you can beat it, you're gonna one hundred bucks to 659 00:32:13,240 --> 00:32:15,360 Speaker 3: spend it, red Rister. Last time we were very good 660 00:32:15,360 --> 00:32:15,560 Speaker 3: at this. 661 00:32:16,120 --> 00:32:19,719 Speaker 2: Yeah. So so okay, So if they yell fish out 662 00:32:19,800 --> 00:32:22,160 Speaker 2: of water, we are out of water. If what we've 663 00:32:22,160 --> 00:32:24,480 Speaker 2: taken one step away from our microphones. When are we 664 00:32:24,520 --> 00:32:25,040 Speaker 2: out of water? 665 00:32:25,160 --> 00:32:28,200 Speaker 1: I think we're out of water. If we're out of 666 00:32:28,240 --> 00:32:29,600 Speaker 1: ear shot from the microphones. 667 00:32:29,680 --> 00:32:33,440 Speaker 2: Yeah, okay, so that headfline's down, Yes, okay, great, yes, awesome. 668 00:32:33,480 --> 00:32:36,920 Speaker 2: So so Stephanie, Hey you going good? 669 00:32:37,280 --> 00:32:37,680 Speaker 1: How are you? 670 00:32:37,840 --> 00:32:37,920 Speaker 11: So? 671 00:32:37,960 --> 00:32:40,320 Speaker 2: Do you get it? Stephanie? Your job here. You're trying 672 00:32:40,360 --> 00:32:42,080 Speaker 2: to say fish out of water, and we have stepped 673 00:32:42,080 --> 00:32:44,600 Speaker 2: away from our microphone. So if you hear too much silence, 674 00:32:44,920 --> 00:32:46,920 Speaker 2: obviously that's when you use prick up a little bit. 675 00:32:47,920 --> 00:32:49,400 Speaker 4: So we're going to try and do two things on once. 676 00:32:49,440 --> 00:32:52,040 Speaker 4: I've got to show my story. Try and listen, very. 677 00:32:51,960 --> 00:32:53,040 Speaker 1: Good your story. 678 00:32:53,200 --> 00:32:55,280 Speaker 3: Yes, And if you think we've gone away from the microphones, 679 00:32:55,320 --> 00:32:57,800 Speaker 3: you yell fish out of water. If we are away 680 00:32:57,800 --> 00:32:59,240 Speaker 3: from the microphones, I'll give you a hundred buck to 681 00:32:59,240 --> 00:33:01,840 Speaker 3: spen it red Wrister, but for night there's a swing 682 00:33:01,840 --> 00:33:02,160 Speaker 3: and miss. 683 00:33:02,160 --> 00:33:04,200 Speaker 1: We move on to the next person. Yeah, great case, Steph. 684 00:33:04,320 --> 00:33:06,760 Speaker 3: So kick off your story whenever you're ready. 685 00:33:07,240 --> 00:33:07,720 Speaker 16: Okay. 686 00:33:08,360 --> 00:33:10,960 Speaker 4: So I'm working from home with my three year old. 687 00:33:11,280 --> 00:33:14,280 Speaker 4: I'm juggling mom life and work life, and my son 688 00:33:14,400 --> 00:33:17,680 Speaker 4: is going through that self exploration stage at the moment. 689 00:33:18,040 --> 00:33:22,080 Speaker 4: So I'm doing a zoom presentation to nine to ten 690 00:33:22,160 --> 00:33:26,240 Speaker 4: other people and he walks on screen and he goes, mum, 691 00:33:26,960 --> 00:33:32,360 Speaker 4: my doodle, it's going up, and everyone in the presentation 692 00:33:32,720 --> 00:33:40,240 Speaker 4: just burst into tears, laughing, cracking up and water damn. 693 00:33:39,960 --> 00:33:45,720 Speaker 15: It, no side flies outside. But what you didn't quite 694 00:33:45,840 --> 00:33:48,479 Speaker 15: make it all the way out? Great twice, Steph. One 695 00:33:48,520 --> 00:33:50,600 Speaker 15: hundred bucks for you to spend a red rooster. Sorry 696 00:33:50,600 --> 00:33:51,440 Speaker 15: didn't hear the story. 697 00:33:51,560 --> 00:33:54,680 Speaker 2: Well done, step I think your son got well got 698 00:33:54,680 --> 00:33:56,520 Speaker 2: excited for the first time ever. Step Is that taken 699 00:33:56,600 --> 00:33:58,520 Speaker 2: from the story pretty much? 700 00:33:58,720 --> 00:34:01,280 Speaker 4: He's just realising it can go up and down. It's 701 00:34:01,440 --> 00:34:06,360 Speaker 4: very sensitive truth. Yeah, any know, it happens. 702 00:34:06,640 --> 00:34:09,160 Speaker 2: Yeah, it does. It's totally natural. But unfortunately I have 703 00:34:09,200 --> 00:34:11,480 Speaker 2: not a zoom call for It's actually a great story, Stephanie. 704 00:34:11,480 --> 00:34:13,000 Speaker 2: All Right, I don't want to have crack this again, 705 00:34:13,000 --> 00:34:14,680 Speaker 2: will because I wouldn't mind a win. We might get 706 00:34:14,920 --> 00:34:16,560 Speaker 2: poop pants. It is buzz in there, so you know 707 00:34:16,560 --> 00:34:18,120 Speaker 2: what that sounds like. There's a microphone out there. Just 708 00:34:18,120 --> 00:34:20,520 Speaker 2: say hello poop pants, Hello, Hello. Okay, so if we 709 00:34:20,640 --> 00:34:20,920 Speaker 2: if you. 710 00:34:20,880 --> 00:34:24,799 Speaker 1: Hear us through there like Pavlov's dog, if you. 711 00:34:24,719 --> 00:34:26,799 Speaker 2: Hear us from out there, then we have one. 712 00:34:27,239 --> 00:34:28,759 Speaker 3: Then we've made it all the way outside and that's 713 00:34:28,760 --> 00:34:30,640 Speaker 3: probably that's you know, it's probably a seven meter walk 714 00:34:30,680 --> 00:34:32,200 Speaker 3: once we get to the studio door, all the way 715 00:34:32,200 --> 00:34:34,399 Speaker 3: around there. So all we need is someone to tell 716 00:34:34,400 --> 00:34:36,719 Speaker 3: a story right now. Remember if you if you say 717 00:34:36,760 --> 00:34:38,680 Speaker 3: fish out of water and we're still at the microphone, 718 00:34:39,160 --> 00:34:42,280 Speaker 3: you lose next call us exactly right, nev nev welcome, 719 00:34:43,080 --> 00:34:45,799 Speaker 3: welcome there, you're going very well, thanks mate, kick it off. 720 00:34:45,840 --> 00:34:46,520 Speaker 1: What's his story? 721 00:34:47,440 --> 00:34:47,600 Speaker 5: Oh? 722 00:34:47,800 --> 00:34:50,640 Speaker 18: It was only just yesterday. Actually I had to take 723 00:34:50,680 --> 00:34:54,120 Speaker 18: the dog to the fit to get a vaccination, so 724 00:34:54,160 --> 00:34:57,160 Speaker 18: she was not feeling with it at all. But then 725 00:34:57,200 --> 00:35:02,760 Speaker 18: the groomer came, so I throughout to the groom mark water. 726 00:35:05,560 --> 00:35:06,000 Speaker 1: Loaded. 727 00:35:09,640 --> 00:35:12,120 Speaker 2: I was in. I was into the story. I wanted 728 00:35:12,120 --> 00:35:12,960 Speaker 2: to know what happened there. 729 00:35:13,800 --> 00:35:16,360 Speaker 1: We've got Meghan who is called Megan. 730 00:35:17,239 --> 00:35:18,880 Speaker 4: Get a guys, how he's going? 731 00:35:21,600 --> 00:35:25,080 Speaker 14: Okay? So my story involves the first time I met 732 00:35:25,560 --> 00:35:29,719 Speaker 14: my in laws. Their grandmother was staying there. We were 733 00:35:29,760 --> 00:35:31,640 Speaker 14: all sitting at the table outside. 734 00:35:31,640 --> 00:35:34,480 Speaker 2: We're outside, just gone got it? 735 00:35:36,920 --> 00:35:37,239 Speaker 16: Damn it? 736 00:35:45,920 --> 00:35:47,400 Speaker 2: What was ther story about Meghan. 737 00:35:49,080 --> 00:35:52,920 Speaker 14: That my grandmother pulled out her fake boob and plopped 738 00:35:52,920 --> 00:35:53,720 Speaker 14: it on the table. 739 00:35:54,280 --> 00:35:56,400 Speaker 2: Oh yeah, that's really interesting. So then what happened next? 740 00:35:57,800 --> 00:36:00,080 Speaker 14: I got up from the table and screened. 741 00:36:01,760 --> 00:36:13,680 Speaker 1: A gout outside? Everyone everywhere? 742 00:36:13,680 --> 00:36:14,279 Speaker 15: Everywhere? 743 00:36:14,440 --> 00:36:18,440 Speaker 2: Everyone everywhere, everyone everywhere. 744 00:36:19,719 --> 00:36:23,320 Speaker 10: Can we please discuss what we were discussing before the show? 745 00:36:23,560 --> 00:36:25,560 Speaker 1: What movies are we watching in the escape? 746 00:36:25,600 --> 00:36:25,719 Speaker 6: Roun? 747 00:36:25,880 --> 00:36:26,680 Speaker 2: Oh? 748 00:36:26,840 --> 00:36:27,439 Speaker 1: Great chat? 749 00:36:28,080 --> 00:36:31,960 Speaker 3: Now, look, we've discovered that we were all missed out 750 00:36:31,960 --> 00:36:35,839 Speaker 3: on a Robert Downey Junior movie called Kiss, Kiss, Bang Bang. 751 00:36:36,040 --> 00:36:37,640 Speaker 2: We're hitting that. That's not one, is it? 752 00:36:37,719 --> 00:36:40,080 Speaker 1: I think we're going to have to hit that. We 753 00:36:40,160 --> 00:36:46,279 Speaker 1: did our list of films so clearly resembles a list 754 00:36:46,320 --> 00:36:49,240 Speaker 1: of movies that we can't watch in our houses anymore. 755 00:36:49,800 --> 00:36:52,799 Speaker 1: Because next up the rank was lethal weapon two. So 756 00:36:53,040 --> 00:36:55,000 Speaker 1: I think you want to watch we can watch one? 757 00:36:55,560 --> 00:36:55,840 Speaker 9: Maybe? 758 00:36:56,280 --> 00:37:00,000 Speaker 1: How many weapons are. 759 00:36:58,600 --> 00:37:00,000 Speaker 2: How many weapons are there? 760 00:37:00,040 --> 00:37:00,680 Speaker 1: Rellie Gibson. 761 00:37:00,760 --> 00:37:05,160 Speaker 3: I mean it's very yeah, could even before we. 762 00:37:05,239 --> 00:37:06,759 Speaker 2: Might have to double up. You want to do that? 763 00:37:06,840 --> 00:37:10,280 Speaker 1: You want to do a lethal weapon marathon? 764 00:37:10,719 --> 00:37:12,919 Speaker 2: Yeah? 765 00:37:13,040 --> 00:37:14,399 Speaker 1: God, that sounds good. 766 00:37:14,560 --> 00:37:16,520 Speaker 2: Yeah, let's definitely do nobody else. 767 00:37:17,560 --> 00:37:19,640 Speaker 1: First one is good. Second one rates higher than the 768 00:37:19,640 --> 00:37:23,719 Speaker 1: first one on Rotten Tomatoes. They're not they good good 769 00:37:23,960 --> 00:37:28,799 Speaker 1: strong word but but yeah, okay, Mel Gibson's heart. It's 770 00:37:29,440 --> 00:37:30,280 Speaker 1: like young Gibson. 771 00:37:31,680 --> 00:37:33,560 Speaker 2: He wears like a tight jean from memory. 772 00:37:34,280 --> 00:37:38,000 Speaker 3: Oh yeah, he's he's wearing an eighties tight leather jeans. 773 00:37:38,080 --> 00:37:40,920 Speaker 3: Yeah yeah, yeah, yeah, tucked in tea. Yeah, maybe I 774 00:37:41,000 --> 00:37:42,319 Speaker 3: might throw a leather jacket around there. 775 00:37:43,000 --> 00:37:47,920 Speaker 2: Yeah, I have to watch them time you guys got 776 00:37:47,920 --> 00:37:48,200 Speaker 2: to bed. 777 00:37:49,320 --> 00:37:51,560 Speaker 1: Is that why it's called lethal weapon? Because he's a 778 00:37:51,640 --> 00:37:52,160 Speaker 1: lethal weapon? 779 00:37:53,760 --> 00:37:57,319 Speaker 3: I don't think No, I think it's called lethal he is, 780 00:37:57,560 --> 00:38:00,319 Speaker 3: he's got he is the lethal weapon in the bit. 781 00:38:00,239 --> 00:38:02,040 Speaker 2: Though, Is Danny Glover a lethal weapon? 782 00:38:02,160 --> 00:38:07,719 Speaker 1: No, he's sort of like a bumbling cup. Yeah yeah right. 783 00:38:07,960 --> 00:38:10,120 Speaker 3: Anyway, what else are we thinking of watching for? Because 784 00:38:10,160 --> 00:38:12,239 Speaker 3: I think we're losing everyone who's not a lethal weapon fan? 785 00:38:13,040 --> 00:38:16,160 Speaker 2: Why don't we hit the Wicks the night after John 786 00:38:16,160 --> 00:38:16,800 Speaker 2: Wick one two. 787 00:38:17,080 --> 00:38:18,960 Speaker 1: And before I haven't seen four. Have you seen four? 788 00:38:18,960 --> 00:38:19,640 Speaker 2: No, I haven't seen four. 789 00:38:19,960 --> 00:38:21,440 Speaker 1: S Well, we just go straight to four. 790 00:38:22,320 --> 00:38:24,000 Speaker 2: Do them all piss off? Now, if we're going to 791 00:38:24,080 --> 00:38:29,000 Speaker 2: do a series, let's get all in and then you 792 00:38:29,040 --> 00:38:29,960 Speaker 2: guys can do your own thing. 793 00:38:32,480 --> 00:38:36,560 Speaker 1: Rules. No control of the TV even nine hours? 794 00:38:36,640 --> 00:38:37,960 Speaker 2: How dont we watch? How about this? 795 00:38:38,040 --> 00:38:38,400 Speaker 1: Okay? 796 00:38:38,520 --> 00:38:41,520 Speaker 10: So we watch Lethal Weapon two without watching Leathal Weber one. 797 00:38:42,080 --> 00:38:44,960 Speaker 10: We watched John Week another number, and then we watch 798 00:38:45,000 --> 00:38:46,479 Speaker 10: one of the Indiana Jones as well. 799 00:38:47,320 --> 00:38:48,719 Speaker 1: You know, it's like we're watching. 800 00:38:48,640 --> 00:38:51,640 Speaker 10: Trilogies or a series of movies, but we don't watch 801 00:38:51,680 --> 00:38:52,319 Speaker 10: the first one. 802 00:38:52,400 --> 00:38:54,040 Speaker 1: We watch them out of Yeah. 803 00:38:53,880 --> 00:38:56,359 Speaker 3: You know what would be good is if we could 804 00:38:56,360 --> 00:38:57,920 Speaker 3: watch the new Indiana Jones. 805 00:38:59,320 --> 00:39:00,000 Speaker 2: When does it come out? 806 00:39:00,200 --> 00:39:00,920 Speaker 1: June twenty eight? 807 00:39:02,360 --> 00:39:03,800 Speaker 2: Surely they'll send us an advance. 808 00:39:03,800 --> 00:39:07,200 Speaker 1: Well, we're in the Indiana Jones escape room. 809 00:39:07,280 --> 00:39:09,120 Speaker 2: So who do you know? 810 00:39:09,160 --> 00:39:09,239 Speaker 5: What? 811 00:39:09,920 --> 00:39:12,520 Speaker 2: Who do you know? Do you know anyone? 812 00:39:13,440 --> 00:39:20,200 Speaker 1: Lucasfilms. Yeah, George called George called George George. 813 00:39:20,200 --> 00:39:20,759 Speaker 2: They're in there. 814 00:39:20,960 --> 00:39:23,520 Speaker 1: Well, in there at Lucas Films. 815 00:39:23,800 --> 00:39:27,560 Speaker 2: Far off email, Yeah, hit him up. 816 00:39:27,920 --> 00:39:34,839 Speaker 1: Hello at Lucasfilms. Junior junior producer, Lucas. This is the. 817 00:39:34,800 --> 00:39:39,120 Speaker 3: Way, do we know someone at Lucasfilm's AB. 818 00:39:39,480 --> 00:39:42,200 Speaker 1: Junior producer A B. Do we know do you know 819 00:39:42,239 --> 00:39:44,000 Speaker 1: someone at Lucasfilms? Especially? 820 00:39:44,760 --> 00:39:45,560 Speaker 2: Who do you speak to it? 821 00:39:45,640 --> 00:39:50,480 Speaker 3: Lucasfilm's AB, everybody, everybody you know. 822 00:39:50,640 --> 00:39:52,759 Speaker 1: I know you're not exaggerating because I lip redd and 823 00:39:52,760 --> 00:39:54,520 Speaker 1: that's what she said and I couldn't believe she said it. 824 00:39:55,200 --> 00:39:59,879 Speaker 3: Everybody have funn in Europe baby, Oh yeah yeah. 825 00:40:00,040 --> 00:40:03,440 Speaker 1: Junior producer AB goes to Europe tomorrow, guys. So now 826 00:40:03,480 --> 00:40:08,160 Speaker 1: I would recommend staying clear of the country's Croatia, France, Italy. 827 00:40:10,160 --> 00:40:10,600 Speaker 1: Is that it? 828 00:40:11,040 --> 00:40:14,319 Speaker 2: That's it. I'm going to say right now, right now, 829 00:40:14,440 --> 00:40:17,400 Speaker 2: if anyone, if anyone sees her overseas and gets a 830 00:40:17,400 --> 00:40:20,960 Speaker 2: photo with her, what will you give them? Would give 831 00:40:21,000 --> 00:40:24,200 Speaker 2: the spinal pillow for my own money, I'm going to 832 00:40:24,200 --> 00:40:27,480 Speaker 2: buy a spinal ase pillow and that's all your expensive. 833 00:40:27,520 --> 00:40:29,320 Speaker 1: That's a couple of hundred bucks. That's very generous. 834 00:40:29,640 --> 00:40:32,920 Speaker 2: Yeah, you're welcome. Yeah, we still doing I think we still. 835 00:40:34,680 --> 00:40:39,400 Speaker 3: A spinal nice Yeah find Junior producer A B. 836 00:40:39,600 --> 00:40:41,000 Speaker 2: Yeah, Yeah, I love that. 837 00:40:41,200 --> 00:40:42,480 Speaker 1: I don't think I think she I don't think she 838 00:40:42,480 --> 00:40:42,799 Speaker 1: wants that. 839 00:40:42,800 --> 00:40:45,440 Speaker 2: I think she wants. 840 00:40:44,320 --> 00:40:46,000 Speaker 1: To be she wants to mix it with the foreigners. 841 00:40:46,040 --> 00:40:52,400 Speaker 3: I think that's the idea, right raw Croatiam what. 842 00:40:51,520 --> 00:40:52,880 Speaker 2: I'm going to meet everybody? 843 00:40:53,280 --> 00:40:54,719 Speaker 1: Boom love it. 844 00:40:55,680 --> 00:40:58,680 Speaker 2: They'll all love me. I'll be a sigh happy days. 845 00:41:00,360 --> 00:41:04,080 Speaker 2: Hopefully they'll love me anyway they will, I definitely will. 846 00:41:04,280 --> 00:41:07,520 Speaker 1: Have you got your ab Have you got like your 847 00:41:07,600 --> 00:41:10,440 Speaker 1: opening sort of line to people when you're like when 848 00:41:10,480 --> 00:41:13,600 Speaker 1: they're like, when you're like, Hi, I'm analyse. Have you 849 00:41:13,640 --> 00:41:16,760 Speaker 1: got like a like a little you know, one liner 850 00:41:16,800 --> 00:41:17,360 Speaker 1: about yourself? 851 00:41:18,920 --> 00:41:20,719 Speaker 2: No? I don't, but I'm now going to brainstorm. 852 00:41:20,840 --> 00:41:24,399 Speaker 1: You probably need to think of someone you probably before 853 00:41:24,400 --> 00:41:26,879 Speaker 1: I catch my flight, so you can just role play. 854 00:41:26,920 --> 00:41:28,520 Speaker 1: But why would his role player? I was like, Hey, 855 00:41:28,640 --> 00:41:31,040 Speaker 1: hi analysay, I am well, I live in Melbourne? 856 00:41:31,080 --> 00:41:31,440 Speaker 18: What do you do? 857 00:41:31,640 --> 00:41:34,880 Speaker 1: Sorry to bump into this, but sorry to rust. We 858 00:41:35,160 --> 00:41:35,920 Speaker 1: talked about that thing. 859 00:41:36,080 --> 00:41:36,400 Speaker 16: What thing? 860 00:41:36,480 --> 00:41:40,279 Speaker 2: I think the thing that we're doing. I mean, yeah, right, 861 00:41:42,360 --> 00:41:44,360 Speaker 2: are you about to take us taking it? Are you 862 00:41:44,400 --> 00:41:48,320 Speaker 2: taking us screen? Anyway? 863 00:41:48,440 --> 00:41:59,239 Speaker 1: We're doing it? That that thing there? Ah? Perfect, I 864 00:42:00,280 --> 00:42:02,840 Speaker 1: tell everyone, But I babe with heatons later like