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Speaker 1: Powered by the iHeartRadio app from ninety six AIRVM to

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Speaker 1: where are your listening today?

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Speaker 2: This is Clezy and Lisa's podcast.

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Speaker 3: Coming up on the podcast Gabriel LaBelle his stars in

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Speaker 3: the Saturday night live.

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Speaker 4: Movie Toky Calls and receive your texts on What's Up

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Speaker 4: Australian and the Sure Report.

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Speaker 2: There's going to be some disappointed Oasis fans.

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Speaker 4: And the story behind the album Tina Turner's classic comeback

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Speaker 4: Private Dancer.

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Speaker 2: The Sure Report.

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Speaker 5: On ninety six AIRVM, Oasis warned fans not to purchase

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Speaker 5: tickets for their live twenty five tour from unauthorized websites,

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Speaker 5: and now thousands of tickets are set to be canceled.

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Speaker 3: Live nations canceling more than fifty thousand tickets for UK

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Speaker 3: dates listed on secondary platforms sow. These are tickets that

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Speaker 3: were snapped up and immediately appeared on resale websites, no

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Speaker 3: doubt for exorbitant prices, of course, and we've got to

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Speaker 3: not buy them so that they don't continue to do

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Speaker 3: it opportunities. The promoters say all of the invalidated tickets

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Speaker 3: will be made available at face value on ticket which

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Speaker 3: is the official seller. The original Grateful Dead Bassis. Phil

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Speaker 3: Lesh has died. He was eighty four. Lesh was one

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Speaker 3: of the longest surviving members of The Grateful Daddy. Passed

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Speaker 3: away just two days after his band was named Music

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Speaker 3: Cares Persons of the Year, recognizing the band's charitable work

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Speaker 3: to help struggling musicians with financial assistance. It's just the

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Speaker 3: band that just keeps ongoingful dead, isn't it. Absolutely Lesche,

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Speaker 3: classically trained violinist, credited his late band mate Jerry Garcia

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Speaker 3: the smiliest man ever to be in music, love him

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Speaker 3: for teaching him to play the bass guitar. Uma Thurman

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Speaker 3: and two time Oscar winner Sir Anthony Hopkins are going

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Speaker 3: to star in a new movie together from the director

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Speaker 3: of Notes on a Scandal and Iris Richard Air. It's

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Speaker 3: called The Housekeeper, set in the mystic, brooding and wild

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Speaker 3: landscape of Cornwall, England. Thurman's the Housekeeper and the grandest

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Speaker 3: storic house owned by the wealthy and widowed Lord de

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Speaker 3: Withers played by Hopkins, who falls prey to the glance

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Speaker 3: of a young and beautiful visitor, the novelist Daphne de Morier.

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Speaker 3: So I think it's loosely going to sort of be

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Speaker 3: the premise of Rebecca de Mario's great novel. Adele has

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Speaker 3: revealed she's lost some of her hearing in one ear

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Speaker 3: after battling an ear infection. Performing at the Coliseum in

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Speaker 3: Las Vegas over the weekend, she told her audience, I

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Speaker 3: have an ear infection, which is pretty grim. It was

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Speaker 3: worse than childbirth. It's a rare water bacteria, very hard

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Speaker 3: to treat. She added that she's wanted to chop the

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Speaker 3: ear off a few times.

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Speaker 2: She only she's.

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Speaker 3: Only got a few more shows on a Vegas run,

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Speaker 3: and then towards the end of next month she's going

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Speaker 3: on an indefinite hiatus, so that'll give the ear time

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Speaker 3: to come good.

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Speaker 2: And moist eyes everywhere? Do you say?

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Speaker 4: The footage of her seeing Celindian on the crowd at

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Speaker 4: one of the very emotional. It's been a bit of

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Speaker 4: a funeral. Online fer about a Sydney surf life saving

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Speaker 4: club having a bit of a to do just to

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Speaker 4: raise a bit of money, Okay, a weekend sausage is

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Speaker 4: or at Tamarama in Eastern suburbs. Of course, fancy part

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Speaker 4: of Sydney. I think the average house price is seven

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Speaker 4: million bucks. You want a unit it's over two million. However,

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Speaker 4: that aside, people were up in arms because a sausage

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Speaker 4: sizzle at their fundraiser for the club for those people

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Speaker 4: that save lives and pluck people from the ocean were

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Speaker 4: six dollars for a snag and some onions in a

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Speaker 4: bunk in the role. All right, However, what I think

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Speaker 4: is worse was it a bun or was it a

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Speaker 4: piece of bread? I know it was actually it was

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Speaker 4: actually the right bun the role.

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Speaker 3: Oh well, yeah, fancy, of course that's the whole, that's

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Speaker 3: the hot dog.

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Speaker 4: The story goes deeper to talk about the Sydney locals

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Speaker 4: who were absolutely livid when they went to Vivid the

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Speaker 4: Vivid Light Festival. Yeah, sausage sizzle there eight dollars fifty.

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Speaker 4: It's just like Australia's getting up there, isn't it fifty?

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Speaker 4: What does a sausage cost at Bunnings? I wouldn't four bucks?

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Speaker 4: Four bucks and two dollars for caning soft drink or

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Speaker 4: something like that, haven't they.

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Speaker 3: I've never had a sausage at bunning for a date.

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Speaker 3: Very fussy about sages, really, yes, you know, I won't

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Speaker 3: have them off a communal hot platum Yeah, you won't.

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Speaker 2: Go down the park like you think someone's peen on

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Speaker 2: or something. Yes, yes I do. Well, I don't think

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Speaker 2: they've cleaned it before. But anyway, that's another another story

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Speaker 2: for another time.

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Speaker 4: So the Surf Life Saving Club in Sydney side, I

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Speaker 4: think vivid eight dollars fifty for a sausage is all.

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Speaker 2: That is just astra in Australia.

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Speaker 3: So what's what's when you consider, you know, how much

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Speaker 3: you pay for a huge slab of sausages supermarket?

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Speaker 2: Yeah, a few onions or you win win the meat tray.

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Speaker 2: I think that's very on Australian. What else? What else

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Speaker 2: is onun Australian.

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Speaker 3: I think the most UnAustralian thing in the history of

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Speaker 3: Australiana is to not give a thank you wave in traffic.

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Speaker 2: Yeah, since the invention.

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Speaker 3: Of the wheel, Yeah, it has been an Australian thing.

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Speaker 2: That's a thing to do, is to give the acknowledgment.

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Speaker 3: Just to even if you're just raising one finger, how

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Speaker 3: hard is it to raise one finger? Pinky sometimes do

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Speaker 3: and by the way, I mean not the middle finger bird.

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Speaker 3: That's a different type, but that's also pretty Australian. But

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Speaker 3: that's how we that's our we acknowledge other behavior on

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Speaker 3: the road. I'm talking about when someone and even if

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Speaker 3: you know that you are in the one with the

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Speaker 3: right of way, I still the fact that they are

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Speaker 3: just not, you know, charging out in front of me

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Speaker 3: to get around the car that's on you park there

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Speaker 3: on the side.

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Speaker 6: Of the road.

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Speaker 3: I still will acknowledge that they at least realized I

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Speaker 3: was there. It gets me really upset, gets me incredibly upset.

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Speaker 3: And yet if you give a thank you wave, I'm

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Speaker 3: I'm coming run to cookie in.

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Speaker 2: It's beautiful. I'm so grateful.

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Speaker 3: The difference between how annoyed you are and how grateful

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Speaker 3: you are.

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Speaker 2: Is it is incredible.

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Speaker 4: Is a big gap, isn't it. Yeah, an Australian someone

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Speaker 4: saying the words.

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Speaker 2: I don't like bunnies, I don't like bunnings. You can

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Speaker 2: imagine someone saying that it's at Australian. I don't like bunnies.

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Speaker 2: Buddies is Australian. Yeah. What about you're at the cricket

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Speaker 2: and you cheer Johnny Bestow hitting for I don't even

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Speaker 2: know who.

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Speaker 4: If you know, you know Australian. That's that is very

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Speaker 4: un Australian. Don't do it take my word for it.

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Speaker 2: Should I be at the cricket anytime soon? Wakay. I'll

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Speaker 2: tell you what. Let's go to the cricket and I'll

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Speaker 2: buy your sausage and onion.

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Speaker 3: Tim and Bold I've said, just confirmed with Bunning sausages

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Speaker 3: or three dollars fifty and he agrees on the thank

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Speaker 3: you wave for traffic. If he doesn't get his wave,

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Speaker 3: he goes all George from Seinfeld, where's my wave?

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Speaker 2: Be my wave? I'm the same Tim. It's like the

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Speaker 2: difference in my reaction this. It frightens me sometimes a

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Speaker 2: bit of livable. What am I capable of? Well? I

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Speaker 2: think we know Karen in Cardina? What is ourn Australian?

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Speaker 2: I reckon Karen good Day?

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Speaker 6: So mine one's probably a bit deep. But I would

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Speaker 6: say not showing your appreciation and support fans act Day.

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Speaker 4: Yeah yeah, not respecting veterans, that's yeah, that's that.

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Speaker 2: You can't go too deep there, that is that is act.

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Speaker 6: Well.

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Speaker 7: I'm English and you know I've been living there for

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Speaker 7: twenty years and unserved, and you know I love Jack Day.

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Speaker 2: Yeah yeah yeah.

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Speaker 4: Or the clown that makes a noise during the minute

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Speaker 4: silence or whatever, be yeah, well yeah, yeah.

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Speaker 2: Karen, Thanks Karen, thank.

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Speaker 3: You very much.

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Speaker 2: Yeah, we we think we all agree with that.

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Speaker 3: One Breton ball divis what do you think is an Australian?

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Speaker 6: I reckon letting kiwis claim anything whether it's yeah.

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Speaker 3: But to be fair, it's very fair. We've we've taken

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Speaker 3: crowded house and over. I will fight till the death.

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Speaker 3: That is Australian. I don't care what they say, but

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Speaker 3: we take you know, we take Russell Crow.

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Speaker 2: We'll take everything, Richard, we can choose to.

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Speaker 3: I think that's an agreement. That's a friendly agreement we

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Speaker 3: have with our neighbors.

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Speaker 2: Dragon. Yeah, yeah, yeah, sam.

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Speaker 3: Neil, oh yeah, we'll definitely take sam Neil.

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Speaker 2: Take sam Neil Brett. Thank you, Thanks, Rat. That's funny.

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Speaker 4: What's an Australian Give us a call this morning inten

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Speaker 4: sixty five. We'll get texting as well. TEXTLLN is starting

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Speaker 4: to get busy.

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Speaker 2: Dear me.

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Speaker 3: Craig's gotten quite political of the day. Craig and Singleton

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Speaker 3: and said, what's an Australian is not taking an upgrade

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Speaker 3: to business?

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Speaker 2: Yeah, I'd like to see anyone it didn't as in

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Speaker 2: it's offered, you don't seen the front page of today's paper.

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Speaker 4: Yeah, absolutely, Yeah.

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Speaker 2: The Prime Minister Honor in Bellevue. What's an Australian good morning?

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Speaker 8: Just an Australian when you ask to bring a plate

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Speaker 8: and you don't, yes, or we're still bring a box

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Speaker 8: of frozen something that you've got to cook in my

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Speaker 8: kitchen where I don't want to make exactly.

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Speaker 3: He doesn't take a plate to bring a plate dinner? Yeah, wow,

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Speaker 3: that's amazing.

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Speaker 4: Happened to me once about fifteen years ago, had a

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Speaker 4: whole crew over and it was bringing it was bring

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Speaker 4: a plate, adult spring and it go rocked up with

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Speaker 4: nothing and.

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Speaker 2: Lucky you're a child thanks to get a dinner. We

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Speaker 2: are the bringer plate generation.

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Speaker 4: Yeah, of course, been invited to someone's house, Yeah.

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Speaker 2: Maria in Wellard or what is an Australian money?

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Speaker 9: I think it's an Australian to be working past lunchtime

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Speaker 9: on a Friday.

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Speaker 2: So true.

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Speaker 9: And I cannot get my bosses on board with this

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Speaker 9: because I have to work past lunchtime on a Friday

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Speaker 9: and its very on.

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Speaker 3: Australian Australia a half day work week, unsaving. Yes, it

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Speaker 3: is as long as your work is done. What was

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Speaker 3: that thing that Bob Hawk said on the day we

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Speaker 3: won the America's Cup.

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Speaker 2: As long as you get your work done before you

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Speaker 2: leave exactly.

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Speaker 9: I go in early every day. I'm quite happy and

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Speaker 9: I mind going in a few extra minutes early every day.

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Speaker 9: To leave early on a Friday, it's not as productive,

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Speaker 9: So I.

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Speaker 2: Tell them exactly.

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Speaker 4: So management on board, Marie, But do you fudget this

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Speaker 4: a little bit? You got a little bit earlier than

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Speaker 4: you would.

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Speaker 9: I do all about I know it is. It just

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Speaker 9: doesn't feel the same, doesn't feel good.

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Speaker 2: Yeah, ok, yeah, thanks Maria. Back belong Friday lunch.

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Speaker 4: Absolutely that was Australian. How many people are going to

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Speaker 4: be in the workplaces on Cup day?

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Speaker 3: No one comes to work here at all on a Friday.

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Speaker 3: They're all on the old w.

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Speaker 2: F Yes, yes whatever.

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Speaker 3: That means getting a lot of support on the text

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Speaker 3: line for it being an Australian to not like veggimite, yes,

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Speaker 3: or to suggest that veggiemite is too salty, or to

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Speaker 3: not like veggiemite and cheese.

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Speaker 2: Josh inshead Wi. I used to love.

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Speaker 3: When it sounds really boring, but I've always enjoyed when

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Speaker 3: my lunch, my sandwich in My lunch box at school

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Speaker 3: was veggiemite with lettuce.

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Speaker 2: Veggie might and lettuce. Do not knock it till you

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Speaker 2: try it. Yep, it's pretty boring. And hi, do you, Virgil?

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Speaker 3: Says the man whose dad thought tomato sauce was what

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Speaker 3: you put on past.

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Speaker 2: The intrum, said big an Australian.

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Speaker 3: Rule number one, must have party pies and fairy bread

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Speaker 3: at anytime. Rule number two finding out drop bears and

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Speaker 3: hoopstakes and are not real. And on the same day, Heidi, Oh,

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Speaker 3: that's just too much.

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Speaker 4: Well, like I will say, least the tomato sauce doesn't

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Speaker 4: fall far from the tree.

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Speaker 2: Merrow, Mitch, Good morning, Mitch was Australian.

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Speaker 8: The fact we've lost veggie, Mike and honest to overseas.

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Speaker 4: Company ownership ignore that.

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Speaker 2: That's awful.

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Speaker 9: And the one referring early to socks and sandals nowadays

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Speaker 9: it's socks and sliders.

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Speaker 4: Socks and sliders. Okay, okay, I'm thinking of a burger

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Speaker 4: when you say sliders. Yeah, I know what you're saying.

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Speaker 2: Thanks Mitch, Okay, thanks Mitch.

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Speaker 3: Chrissy in Hammersley, what is an Australian?

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Speaker 10: Hello? What I think is Australian is being on my

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Speaker 10: mobile phone twenty for seven while I live in Perth

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Speaker 10: that has three hundred days of sunshine per year and

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Speaker 10: the most incredible beaches and beautiful people, and I'm not

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Speaker 10: out there enjoying it.

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Speaker 2: Yes, that's true. And you're on your phone now, Chrissy.

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Speaker 10: I am on my phone to spread the message here

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Speaker 10: guys talking, Yeah, I'm just talking about getting into internet

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Speaker 10: and all that kind of stuff outside.

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Speaker 2: Yeah.

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Speaker 10: Yeah, I've just taken up smoking, which is terrible like

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Speaker 10: for my health, but wonderful for my mental health to

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Speaker 10: actually go outside quite a few times a day and

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Speaker 10: look at the trees and.

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Speaker 2: Clapping my addiction for sharing. A guest.

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Speaker 4: Say, I've just taken just take it up smoking and

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Speaker 4: almost sounding happy about it.

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Speaker 2: But fresh air and a dart last cool shylight.

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Speaker 10: Hello morning, how are you going?

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Speaker 2: What's on Australian sharloh?

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Speaker 11: I think the rising cost of the little tomato sauce

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Speaker 11: packets is very.

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Speaker 12: Well.

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Speaker 9: They've gone from being free to almost like a dollar twenty.

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Speaker 10: It's some point.

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Speaker 2: Yeah, I thought about there's never enough in one for

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Speaker 2: a pile two three three, yeah, three, absolutely, you're right.

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Speaker 2: One stage it were three.

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Speaker 3: Wow, very un Australian serve. The accompaniment with the pie

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Speaker 3: so sold separately.

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Speaker 2: Yeah no, not there for it. Thanks Charlotte.

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Speaker 1: Day More more Lisa more podcasts soon.

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Speaker 3: Saturday Night Live is an institution on American TV and

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Speaker 3: its influence, of course, is felt worldwide. And it is

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Speaker 3: about to turn fifty, so it's definitely time for this.

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Speaker 3: The movie Saturday Night is in Cinema's October thirty first

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Speaker 3: and the star of the movie in the role of

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Speaker 3: Lorne Michaels, the man behind Saturday Night Live, Gabriel LaBelle,

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Speaker 3: is with us. Good morning mate, good morning. First of all, congratulations.

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Speaker 3: The movie is just a hope.

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Speaker 2: It's a triumph man. I love the premise of it.

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Speaker 3: It is the hour and a half in the NBC

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Speaker 3: studios before the very first show, Gabriel.

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Speaker 2: It's practically in real time, isn't.

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Speaker 6: It it is.

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Speaker 12: The film starts at ten pm on October eleventh, nineteen

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Speaker 12: seventy five, and ends at eleven thirty pm of the

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Speaker 12: same night.

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Speaker 4: So incredible, man, after all the adrenaline, I needed to

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Speaker 4: lie down after this. But it is just a rollicking ride,

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Speaker 4: at times dangerous, and you're on You're in almost every frame. Man,

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Speaker 4: that's a lot of hard work.

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Speaker 12: Yeah, we were fortunate to have only ten hour days,

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Speaker 12: so at like six six thirty pm every day I

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Speaker 12: could go home and get like a full night's sleep.

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Speaker 6: That isn't the case. Almost done at all?

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Speaker 3: Was making the movie as frenetic as those nineteen minutes

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Speaker 3: clearly were, you know.

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Speaker 6: Not at all, because there is a lot of chaos

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Speaker 6: and a lot of hearts.

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Speaker 12: But Jason choreographed everything before we got there, so we

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Speaker 12: had it all figured out.

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Speaker 6: It was very calm, and everyone there was awesome.

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Speaker 12: Everyone, the cast, the crew was just so grateful to

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Speaker 12: be a part of a project so cool, and everyone's

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Speaker 12: just so funny and laughing all the time and having

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Speaker 12: the just best creative experience someone could hope for going

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Speaker 12: into a film.

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Speaker 2: Yeah, who's gonna ask about Jason rob I mean, what

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Speaker 2: kind of director is he?

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Speaker 4: Man?

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Speaker 2: Is he everything you want?

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Speaker 4: You know?

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Speaker 2: Micro manager? Does he let you fly or a bit

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Speaker 2: of bus it?

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Speaker 12: He's very big on less research, which he wants. He

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Speaker 12: really wants the most natural, calm, relaxed performance. He doesn't

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Speaker 12: like watching people act, and so he could go a whole.

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Speaker 6: Three days without giving you any notes. And then if

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Speaker 6: you really need.

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Speaker 12: It, he will be on you and which is really

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Speaker 12: brilliant where he lets you invent and do what you want,

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Speaker 12: but then he won't let you steer away from the

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Speaker 12: tone or let you do anything too.

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Speaker 3: While yeah, I was interested in Jason Rightman too, because

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Speaker 3: you certainly can't pigeonhole his work. I mean, he's done

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Speaker 3: such a broad range of movies, from Juno to Up

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Speaker 3: in the Air to the Ghostbusters films to Tully. You

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Speaker 3: were as an actor starting with a director on day

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Speaker 3: one that you don't know quite where they might go?

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Speaker 2: Is that nerve wrecking?

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Speaker 6: You know, not at all?

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Speaker 12: Because we had an actors strike in our writers' strike

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Speaker 12: right after I having cast for this film, and so

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Speaker 12: I had about a year to.

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Speaker 6: Get to know Jason before we started shooting.

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Speaker 12: He invited me to watch movies at his house, and

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Speaker 12: I got to know his family and his friends, and

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Speaker 12: he was very inviting and we had a lot of conversations,

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Speaker 12: so we really knew each other by the time we

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Speaker 12: started working together.

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Speaker 6: But what's so great about Jason.

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Speaker 12: Is he is so funny in person, and his writing

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Speaker 12: and it's so sharp and so good, and.

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Speaker 6: Yet he's also such a sensitive guy.

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Speaker 12: That his films are really brilliant character driven dramas.

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Speaker 6: And they are fun and they are funny and they

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Speaker 6: are entertaining.

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Speaker 12: But he has that balance in all his films, whether

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Speaker 12: the tone is different, that's a consistency throughout his work.

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Speaker 12: And it just helps that he's a really nice and

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Speaker 12: sweet guy.

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Speaker 4: Yeah, that's very cool, And this is probably coming up

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Speaker 4: with many interviews that you're doing, but I mean, you

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Speaker 4: played Spielberg in the Fable month.

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Speaker 2: Yeah, lusleevis now of course, Loren Michaels. Who's next? Is it?

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Speaker 2: Bert beckeract, Jimmy Ivine?

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Speaker 4: You're going to move to another part of another giant

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Speaker 4: of the video to type of industry.

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Speaker 2: You could do Jimmy, Well.

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Speaker 6: It's insane.

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Speaker 12: I did not expect that I would ever be a

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Speaker 12: part of a Steven Spielber production. And I didn't know

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Speaker 12: that someone was ever going to make a movie about

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Speaker 12: Saturday Night Live.

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Speaker 6: And it's even weirder to know that Lauren.

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Speaker 12: And Steven have been like best friends for twenty five

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Speaker 12: years and that Steven is always at SNL and that's

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Speaker 12: Stephen was there the first day, the first showing fifty

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Speaker 12: years ago, and he flew from LA to New York

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Speaker 12: every Friday, watched Saturday Night Live, and then blew back

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Speaker 12: on Sunday for the entire first season that year. So

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Speaker 12: it's it's too small of a world. It's so weird,

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Speaker 12: and I don't know what's going on. I don't know

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Speaker 12: what's next. I'm just happy to, you know, be making movies.

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Speaker 2: Yeah, enjoy.

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Speaker 3: It's so much fun watching these incredibly huge stars, you know,

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Speaker 3: being depicted on that precipice of their careers. You know

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Speaker 3: you Chevy Chase and I mean John Belushi, Hello, dan Ekroyd.

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Speaker 3: My favorite Billy Crystal, who I just loved the in

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Speaker 3: the film.

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Speaker 12: Nicholas Fadani plays Billy Crystal, and he is so brilliant.

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Speaker 12: Everyone else was advised when we were all doing voice work,

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Speaker 12: and we were advised not to be an exact replica.

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Speaker 13: Yeah, the character.

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Speaker 6: Jason didn't want us to get locked into.

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Speaker 12: Things, right, I want us to lose you know, the

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Speaker 12: present invention that a lot of actors need when you're

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Speaker 12: on set.

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Speaker 6: And so when we're doing the first table read and

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Speaker 6: it's the.

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Speaker 12: First time we're hearing the movie read out loud, and

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Speaker 12: everyone's done months of their own research, and finally we're

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Speaker 12: hearing everybody else's thing.

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Speaker 6: And finally we get to Nicholas Fordonni who.

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Speaker 12: Is doing an exact really crystal, but he is so

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Speaker 12: good at it that he doesn't lose that invention, he

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Speaker 12: doesn't lose that spark, he doesn't lose that spontaneity, and

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Speaker 12: everyone's like, what the hell you got?

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Speaker 6: We were weirdly jealous, but just so floored because he's

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Speaker 6: so good.

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Speaker 2: You know that.

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Speaker 3: It's interesting you say that, because I think that's one

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Speaker 3: of the things that I'm only realizing it as you

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Speaker 3: say that. That really worked for me. These were not

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Speaker 3: actors doing impersonations. These were actors telling the story of

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Speaker 3: the night, and it was fantastic.

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Speaker 12: What Jason talks about often is howevery you know, each

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Speaker 12: character has a rule, like Chevy Chase is an ego

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Speaker 12: who needs to be humbled yes, And Harris is an

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Speaker 12: artist looking for identity and Guilda is this a very

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Speaker 12: does of empathy and who's just there for everyone to

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Speaker 12: counsel them. And Lorne is just someone who wants to

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Speaker 12: make something and has been told no his entire life

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Speaker 12: and that's everyone's role and that you just kind of

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Speaker 12: wanted to feel like them, but you didn't want to

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Speaker 12: be them. You just you had that role and that

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Speaker 12: job in that movie. And that's why I think it

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Speaker 12: all came together. It wasn't a group of people fighting

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Speaker 12: to have the most perfect impersonation or take on these characters.

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Speaker 12: It was a bunch of people together and this beautifuful,

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Speaker 12: posle piece of inspiration put.

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Speaker 2: Ash time the likes of God redna want to get.

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Speaker 3: To see this this movie Saturday not but Dan Akroyd

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Speaker 3: has given it his seal love of approval.

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Speaker 2: He loved it.

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Speaker 12: It's really special because I feel like so many of

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Speaker 12: us were made making this film for people who worked

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Speaker 12: that Saturday night, because so many of them have inspired

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Speaker 12: us to even become actors. And I was fortunate enough

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Speaker 12: to meet Rosie Schuster played by Rachel Sennett and Lauriy

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00:21:12,920 --> 00:21:16,880
Speaker 12: Newman played by Emily Fairn and they both loved it

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Speaker 12: and said that Jason nailed it and that watching the

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Speaker 12: movie it felt like what it felt like to.

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Speaker 6: Be there fifty years ago.

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Speaker 12: And that's been the most fulfilling feedback to get because

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Speaker 12: it just kind of it's like, Okay, we did our job,

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Speaker 12: we did what we went there.

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Speaker 2: Yeah, yeah, of course, kind of positively.

447
00:21:35,160 --> 00:21:35,840
Speaker 6: It feels great.

448
00:21:36,000 --> 00:21:37,000
Speaker 4: I know, I don't want to give you too much

449
00:21:37,000 --> 00:21:38,280
Speaker 4: of why, but there is a scene there with it's

450
00:21:38,320 --> 00:21:40,720
Speaker 4: a fair amount of blood on your shirt. Is is

451
00:21:40,720 --> 00:21:43,240
Speaker 4: there a continuity person running after you to make sure

452
00:21:43,280 --> 00:21:46,000
Speaker 4: that blood split it in the right place for two days.

453
00:21:47,880 --> 00:21:51,320
Speaker 12: What was so great about that was we had two shirts.

454
00:21:51,480 --> 00:21:54,800
Speaker 12: We only did it in two takes, and the take

455
00:21:54,880 --> 00:21:59,400
Speaker 12: we used was the shirt I use right going forward.

456
00:22:00,400 --> 00:22:06,480
Speaker 3: It feels like the set was probably spot on, meticulously designed,

457
00:22:06,600 --> 00:22:08,320
Speaker 3: recreated of the original set.

458
00:22:08,680 --> 00:22:09,399
Speaker 6: Oh yeah.

459
00:22:10,560 --> 00:22:14,600
Speaker 12: Jason had two writer friends who used to work on

460
00:22:14,640 --> 00:22:18,080
Speaker 12: Saturday Night Live Visits Debt and he was giving them

461
00:22:18,119 --> 00:22:20,480
Speaker 12: a tour and he's like, yeah, here's that, and they're like, we.

462
00:22:20,480 --> 00:22:22,359
Speaker 6: Know how to get there. It was so exact.

463
00:22:22,680 --> 00:22:26,480
Speaker 12: Yeah, And they really got into the original blueprints of

464
00:22:26,560 --> 00:22:30,560
Speaker 12: the building and saw what, you know, support beams behind

465
00:22:30,600 --> 00:22:34,520
Speaker 12: the walls went where, and it really was this jungle

466
00:22:34,600 --> 00:22:37,280
Speaker 12: gym were there every day on the same set.

467
00:22:37,400 --> 00:22:38,480
Speaker 6: It was like summer camp.

468
00:22:38,840 --> 00:22:42,280
Speaker 12: It reminded me of I remember going over to like friends'

469
00:22:42,280 --> 00:22:45,920
Speaker 12: houses in elementary school and their older brothers or something

470
00:22:45,960 --> 00:22:48,800
Speaker 12: would have like a big hamster cage, but it was

471
00:22:48,800 --> 00:22:51,720
Speaker 12: one of those massive like things with all the tubes

472
00:22:51,760 --> 00:22:54,560
Speaker 12: going everywhere, and there's a wheel and there's like two

473
00:22:54,640 --> 00:22:57,320
Speaker 12: hamsters in this thing, and I was always weirdly jealous

474
00:22:57,359 --> 00:23:00,400
Speaker 12: of the hamsters to get this like weird jungle gym

475
00:23:00,440 --> 00:23:01,639
Speaker 12: to just run wild in.

476
00:23:01,800 --> 00:23:02,360
Speaker 2: Yeah, that.

477
00:23:04,080 --> 00:23:06,760
Speaker 6: That felt like because every room.

478
00:23:06,880 --> 00:23:09,000
Speaker 12: Went to a real place and you opened a drawer

479
00:23:09,000 --> 00:23:11,560
Speaker 12: and there's fabric in the dressing room or you know,

480
00:23:11,720 --> 00:23:16,520
Speaker 12: there's a common area with like nineteen seventies Grito was

481
00:23:16,560 --> 00:23:20,639
Speaker 12: in Pepsis and there's cigarettes everywhere. Yes, you know, Yeah,

482
00:23:21,040 --> 00:23:23,320
Speaker 12: it really felt like a playground.

483
00:23:23,400 --> 00:23:25,680
Speaker 3: Well, I think on that hamster wheel analogy, that is

484
00:23:25,720 --> 00:23:29,359
Speaker 3: a good spot for us to wrap things up. Gabrielle, congratulations.

485
00:23:29,680 --> 00:23:31,239
Speaker 3: We I mean, we couldn't have loved the movie more

486
00:23:31,240 --> 00:23:32,879
Speaker 3: if we were in New York as ourselves. So I

487
00:23:32,920 --> 00:23:35,760
Speaker 3: think everybody is going to love Saturday Night. It's in

488
00:23:35,760 --> 00:23:38,840
Speaker 3: Cinema's October thirty one. Gabrielle, thank you for joining us.

489
00:23:39,160 --> 00:23:41,040
Speaker 6: Thank you very much. You guys have a great one.

490
00:23:41,440 --> 00:23:58,200
Speaker 1: More Crazy, More Lisa, More podcasts soon, Clezy and Lisa's

491
00:23:58,359 --> 00:24:00,120
Speaker 1: the story behind.

492
00:23:59,720 --> 00:24:01,720
Speaker 2: Me Private Dancer.

493
00:24:01,840 --> 00:24:05,040
Speaker 3: It's the fifth solo studio album by Tina Turner, released

494
00:24:05,080 --> 00:24:09,080
Speaker 3: in May nineteen eighty four. After several challenging years of

495
00:24:09,119 --> 00:24:14,800
Speaker 3: going solo after divorcing Ike Turner, Private Dancer propelled Tina

496
00:24:14,840 --> 00:24:19,000
Speaker 3: into becoming a viable solo star. It became a worldwide

497
00:24:19,040 --> 00:24:24,920
Speaker 3: commercial success, earning multi platinum certifications. Recording sessions were overseen

498
00:24:24,960 --> 00:24:28,840
Speaker 3: by four different production teams. Was done in England and

499
00:24:28,880 --> 00:24:32,800
Speaker 3: one of their producers was actually Martin Ware from Heaven seventeen.

500
00:24:32,520 --> 00:24:34,640
Speaker 4: Basing it was in the original lineup of Human League

501
00:24:34,640 --> 00:24:37,480
Speaker 4: as well, and he was quite a talent. His Martin

502
00:24:37,640 --> 00:24:38,360
Speaker 4: quite interesting.

503
00:24:38,760 --> 00:24:42,199
Speaker 13: I was due to record with James Brown on my

504
00:24:42,359 --> 00:24:45,840
Speaker 13: Critish Electric Foundation projects and he backed out at the

505
00:24:45,880 --> 00:24:49,000
Speaker 13: last minutes. So somebody happened to be wandering through the

506
00:24:49,040 --> 00:24:52,359
Speaker 13: Virgin Officers and said, oh, what about Tina Turner, And

507
00:24:52,400 --> 00:24:54,320
Speaker 13: I'd just been to see it do the Proud Mary

508
00:24:54,400 --> 00:24:57,800
Speaker 13: Show in London and I thought, wow, that'd be amazing.

509
00:24:57,880 --> 00:25:01,720
Speaker 13: So we did a cover version of Confusion by the Temptations,

510
00:25:01,760 --> 00:25:06,239
Speaker 13: and that led to has been asked to record some

511
00:25:06,280 --> 00:25:12,720
Speaker 13: stuff for Private Dancer, and we quickly decided between us,

512
00:25:12,760 --> 00:25:16,080
Speaker 13: myself and Tina that we should do Less Stays Together

513
00:25:16,200 --> 00:25:18,600
Speaker 13: by Al Green and I said to her that she

514
00:25:18,640 --> 00:25:22,480
Speaker 13: should nail her legacy as one of the greatest sal

515
00:25:22,560 --> 00:25:24,960
Speaker 13: singers of all time before she went on to do

516
00:25:25,080 --> 00:25:28,120
Speaker 13: a real Passion, which was rock and roll, so.

517
00:25:28,119 --> 00:25:31,240
Speaker 3: Good, good advice. I didn't know he was in human

518
00:25:31,320 --> 00:25:34,719
Speaker 3: league as well. Seventeen Yeah, before that really took off.

519
00:25:34,760 --> 00:25:36,880
Speaker 3: Feel like after that, yeah, all right.

520
00:25:37,040 --> 00:25:37,200
Speaker 6: Well.

521
00:25:37,240 --> 00:25:39,800
Speaker 3: The album received a positive reception from the critics. The

522
00:25:39,800 --> 00:25:43,040
Speaker 3: Los Angeles Times wrote that Tina that Turner's voice will

523
00:25:43,119 --> 00:25:49,640
Speaker 3: Tina Turner, Turner's voice melts. Vinyl Rolling Stone reviewed her

524
00:25:49,720 --> 00:25:52,040
Speaker 3: voice as rasping but strong.

525
00:25:52,160 --> 00:25:55,199
Speaker 2: You definitely hear that in private debt, so don't you. Yeah, absolutely.

526
00:25:55,359 --> 00:25:57,440
Speaker 4: You think about that time when Tina was playing, Yeah,

527
00:25:57,480 --> 00:25:59,320
Speaker 4: she's doing her review, she's doing the shows and that,

528
00:25:59,359 --> 00:26:01,520
Speaker 4: but wasn't getting the attention. It was a bit like

529
00:26:01,600 --> 00:26:03,760
Speaker 4: well we talked about recently last week with the John

530
00:26:03,800 --> 00:26:04,359
Speaker 4: farnerm album.

531
00:26:04,400 --> 00:26:08,000
Speaker 2: Yes there's always one. We're always bring Jack. He was struggling.

532
00:26:08,000 --> 00:26:09,320
Speaker 4: But in phaps so Tena was sort of in that

533
00:26:09,359 --> 00:26:12,960
Speaker 4: same boat, and she had mates like the Stones and

534
00:26:13,200 --> 00:26:15,560
Speaker 4: Rod Stewarts had come out and tour and be a

535
00:26:15,600 --> 00:26:18,919
Speaker 4: supporter support, so she had great support. And he started

536
00:26:18,960 --> 00:26:21,040
Speaker 4: talking about the recording of the album and the song

537
00:26:21,080 --> 00:26:23,159
Speaker 4: the Monk not for song Providenza the.

538
00:26:23,040 --> 00:26:27,520
Speaker 7: Album to the two weeks I finished the British tour

539
00:26:28,160 --> 00:26:31,879
Speaker 7: and I worked around.

540
00:26:31,600 --> 00:26:35,359
Speaker 11: The city meeting with different producers listening to songs because

541
00:26:35,600 --> 00:26:38,160
Speaker 11: Roger and I, which is Roger daw my manager, decided

542
00:26:38,200 --> 00:26:40,879
Speaker 11: that we would try to make an album in London

543
00:26:40,880 --> 00:26:43,320
Speaker 11: because there was a five there mess City Gatherer gun

544
00:26:43,800 --> 00:26:46,439
Speaker 11: terrifically well and nothing was happening in America, and there

545
00:26:46,480 --> 00:26:48,840
Speaker 11: had been parbles with talking with producers there to do

546
00:26:48,880 --> 00:26:51,040
Speaker 11: what we wanted, which was I didn't want to do

547
00:26:52,520 --> 00:26:57,320
Speaker 11: just R and B material, you know. So after scarving

548
00:26:57,359 --> 00:27:01,080
Speaker 11: around for two weeks in London, contact.

549
00:27:00,680 --> 00:27:04,760
Speaker 6: With Terry Britten and drug our Flok and a le Crime,

550
00:27:05,240 --> 00:27:07,080
Speaker 6: but I received private dance of the song.

551
00:27:07,200 --> 00:27:10,320
Speaker 11: I was so excited because it was for the first

552
00:27:10,359 --> 00:27:12,800
Speaker 11: time I would be able to sing that type of song.

553
00:27:13,359 --> 00:27:15,919
Speaker 11: I didn't cure that the song was possibly about a

554
00:27:15,960 --> 00:27:17,800
Speaker 11: hooker or a girl that dance were money.

555
00:27:17,840 --> 00:27:18,920
Speaker 6: I thought it was a beautiful song.

556
00:27:19,680 --> 00:27:21,560
Speaker 4: It's a beautiful song which we just heard moments ago.

557
00:27:21,600 --> 00:27:23,960
Speaker 4: And Roger Davies, the Australian who also was manager of

558
00:27:24,000 --> 00:27:25,280
Speaker 4: many other artists including Share.

559
00:27:25,320 --> 00:27:27,080
Speaker 2: But over the years, the album.

560
00:27:26,760 --> 00:27:30,399
Speaker 3: Has sold more than twelve million copies worldwide. At the

561
00:27:30,480 --> 00:27:34,359
Speaker 3: nineteen eighty five Grammy Awards, Private Dancer won four of

562
00:27:34,440 --> 00:27:36,920
Speaker 3: the six awards that it was nominated for.

563
00:27:37,800 --> 00:27:40,240
Speaker 4: And we mentioned these albums we're digging deep into, they've

564
00:27:40,240 --> 00:27:42,760
Speaker 4: got so many hits on them. Is Tina talking about

565
00:27:42,760 --> 00:27:43,959
Speaker 4: one of the hits we're about to play, What's Love

566
00:27:44,040 --> 00:27:44,640
Speaker 4: Got to do with It?

567
00:27:44,760 --> 00:27:47,520
Speaker 7: The song What's Love Got to do with It?

568
00:27:47,520 --> 00:27:52,200
Speaker 3: It talks about a distrust of emotion, a distrust.

569
00:27:51,720 --> 00:27:56,040
Speaker 7: Of love, having those feelings. Does that at all reflect

570
00:27:56,080 --> 00:27:57,240
Speaker 7: how you feel about it?

571
00:27:58,280 --> 00:28:01,159
Speaker 6: No? In my keys, love has a lot to do

572
00:28:01,240 --> 00:28:02,200
Speaker 6: with it. I'm sorry.

573
00:28:04,280 --> 00:28:06,920
Speaker 7: But with the world today, I mean, everything is very

574
00:28:06,920 --> 00:28:11,280
Speaker 7: fast and women have changed and men has changed as well.

575
00:28:11,640 --> 00:28:13,720
Speaker 7: So I think the song sort of really fit a

576
00:28:13,720 --> 00:28:14,800
Speaker 7: lot of liberated girls.

577
00:28:14,800 --> 00:28:16,879
Speaker 2: I mean, the they're like, yeah, that's right, you know,

578
00:28:17,000 --> 00:28:17,680
Speaker 2: what does.

579
00:28:17,520 --> 00:28:18,439
Speaker 6: Love have to do with it?

580
00:28:18,480 --> 00:28:21,119
Speaker 2: Anyway? And I'm going, oh, yeah, that's right, that's what

581
00:28:21,160 --> 00:28:22,639
Speaker 2: it means. Okay, you know.

582
00:28:22,880 --> 00:28:25,879
Speaker 7: But in my case, I'm more of a one that

583
00:28:26,119 --> 00:28:28,480
Speaker 7: I think love has everything to do with everything.

584
00:28:29,320 --> 00:28:31,480
Speaker 4: Such a great voice to speaking voice to you know, yes,

585
00:28:31,520 --> 00:28:36,040
Speaker 4: I believe it's a year and a half since we lost time. Absolutely, Ana,

586
00:28:36,119 --> 00:28:40,560
Speaker 4: my Bullock, M Crazy and Lisa ninety six