1 00:00:00,360 --> 00:00:06,240 Speaker 1: Jonesy and Amanda's. 2 00:00:03,600 --> 00:00:06,280 Speaker 2: One of our great mates. Richard Clapton has a new 3 00:00:06,320 --> 00:00:09,440 Speaker 2: album called Music Is a Love If debuted at number 4 00:00:09,640 --> 00:00:13,920 Speaker 2: three this week, his highest charting ever album, which this 5 00:00:14,000 --> 00:00:14,520 Speaker 2: is amazing. 6 00:00:15,160 --> 00:00:18,680 Speaker 1: Well, I'm told this is true, but I don't know. 7 00:00:19,520 --> 00:00:23,119 Speaker 1: I thought, I thought. I thought Goodbye Tiger went to 8 00:00:23,200 --> 00:00:25,919 Speaker 1: number one, but that was. 9 00:00:26,600 --> 00:00:28,440 Speaker 3: Back in seventy six. Man, come on the We're in 10 00:00:28,480 --> 00:00:29,320 Speaker 3: twenty twenty one. 11 00:00:29,440 --> 00:00:31,920 Speaker 1: This is you. Weren't even born. 12 00:00:32,760 --> 00:00:34,959 Speaker 2: New music from you? This is brilliant. 13 00:00:35,200 --> 00:00:36,880 Speaker 1: Yeah, this is great, thank you and thank you. 14 00:00:37,200 --> 00:00:39,520 Speaker 3: We've got an album, the Music is Love Album. 15 00:00:39,560 --> 00:00:39,720 Speaker 1: Here. 16 00:00:39,800 --> 00:00:42,320 Speaker 3: Look at this, man, I know it's old school actual album. 17 00:00:42,320 --> 00:00:43,240 Speaker 2: We're right yellow. 18 00:00:43,240 --> 00:00:46,360 Speaker 3: We're all sitting cross legged on the floor with our records. 19 00:00:46,560 --> 00:00:48,680 Speaker 3: The Joy of Sex, is it? No, we're sitting across. 20 00:00:49,880 --> 00:00:50,919 Speaker 3: What track do you want to hear? 21 00:00:50,960 --> 00:00:53,520 Speaker 2: Which one Richard will play? 22 00:00:53,880 --> 00:00:56,600 Speaker 3: Well, you got You've done for what it's worth of 23 00:00:56,640 --> 00:00:59,400 Speaker 3: course the Sprill film. Yeah, let's have a listen. 24 00:00:59,480 --> 00:01:04,200 Speaker 4: This is I'm record player here it is this is you. 25 00:01:04,200 --> 00:01:06,440 Speaker 2: Oh I do like this song too well. These are 26 00:01:06,480 --> 00:01:08,280 Speaker 2: all sort of songs from the Love You. 27 00:01:08,360 --> 00:01:12,040 Speaker 1: Here we go. Yeah, he's not yet. 28 00:01:12,480 --> 00:01:13,720 Speaker 3: Maybe I should speed it up a bit. 29 00:01:14,080 --> 00:01:15,240 Speaker 2: Oh don't I'd like to hear it. 30 00:01:15,280 --> 00:01:19,360 Speaker 3: Please don't here we go? Oh that's you, hang on, 31 00:01:19,640 --> 00:01:24,120 Speaker 3: I've mucked that up. I'd like to hear it. 32 00:01:24,560 --> 00:01:30,760 Speaker 2: Yeah, well, so these are classic sixties song here he comes. 33 00:01:30,200 --> 00:01:32,240 Speaker 1: From sixty six to nineteen seventy. 34 00:01:32,720 --> 00:01:33,280 Speaker 3: This is you. 35 00:01:33,400 --> 00:01:37,240 Speaker 1: Oh, I love it exactly clear. 36 00:01:39,520 --> 00:01:42,920 Speaker 3: Man man's hand love it. 37 00:01:43,959 --> 00:01:50,680 Speaker 1: I'm sorry, sorry, firks. James is a bit so wow. 38 00:01:51,800 --> 00:01:53,640 Speaker 2: Say it is your blue Light discos? Can I look 39 00:01:53,680 --> 00:01:54,640 Speaker 2: at the album and have a look at the. 40 00:01:54,600 --> 00:01:56,080 Speaker 3: Other songs and I'll just pull Richard off. 41 00:01:56,640 --> 00:02:00,559 Speaker 1: I'll say you're runing in it for that? 42 00:02:01,400 --> 00:02:04,600 Speaker 2: So you get together somewhere in the city. Love the 43 00:02:04,600 --> 00:02:06,160 Speaker 2: one you're with? Can we put number four? 44 00:02:06,200 --> 00:02:06,720 Speaker 1: I love that. 45 00:02:09,080 --> 00:02:13,320 Speaker 3: I'm going to flip sides for track four four flipping side. 46 00:02:14,320 --> 00:02:22,040 Speaker 1: I haven't had this much fun for about forty years. 47 00:02:22,080 --> 00:02:28,200 Speaker 2: Ah, oh so good. 48 00:02:28,400 --> 00:02:29,040 Speaker 3: I'm loving it. 49 00:02:30,280 --> 00:02:33,519 Speaker 2: These will be amazing songs to see live. Are you 50 00:02:33,600 --> 00:02:34,280 Speaker 2: touring with this? 51 00:02:34,840 --> 00:02:38,360 Speaker 1: I'm going to start a national tour on June the eighteenth, Britain. 52 00:02:39,960 --> 00:02:41,280 Speaker 2: I don't think you can replicate the. 53 00:02:42,240 --> 00:02:44,680 Speaker 1: Yeah, you know, the record sounds a bit better than 54 00:02:44,680 --> 00:02:45,320 Speaker 1: the way Jones is. 55 00:02:45,720 --> 00:02:46,840 Speaker 3: Yes, I must apologize. 56 00:02:46,880 --> 00:02:48,960 Speaker 4: I've left it in the window of our office and 57 00:02:49,000 --> 00:02:50,840 Speaker 4: the sun has melted it so it's warped. 58 00:02:51,400 --> 00:02:52,680 Speaker 3: So sorry. 59 00:02:53,639 --> 00:02:57,000 Speaker 2: Now, what a serious note you were with Mushroom Records. 60 00:02:57,000 --> 00:02:59,400 Speaker 2: What a tragic loss, Michael to Kitinski was. 61 00:03:00,320 --> 00:03:06,560 Speaker 1: Really tragic loss because Michael, Michael took on this album 62 00:03:06,600 --> 00:03:10,800 Speaker 1: because Terry blame me. Who's Kylie Minoxec's manager befriended me 63 00:03:10,960 --> 00:03:13,800 Speaker 1: a few years ago. Terry took it to Michael. I 64 00:03:13,840 --> 00:03:17,760 Speaker 1: think at first Michael thought, wow. I think he was 65 00:03:17,840 --> 00:03:20,320 Speaker 1: unsure about this idea Richard Clapton doing an album of 66 00:03:20,360 --> 00:03:22,960 Speaker 1: hippie anthems. But then the more he warmed to it, 67 00:03:23,520 --> 00:03:28,520 Speaker 1: the more hands on he became. So quite frankly, my 68 00:03:28,720 --> 00:03:31,959 Speaker 1: last conversation ever with Michael, because when he gets really 69 00:03:31,960 --> 00:03:35,320 Speaker 1: hands on, he just phones. He used to sorry phone 70 00:03:35,400 --> 00:03:37,840 Speaker 1: randomly any hour of the night of the day. So 71 00:03:38,200 --> 00:03:40,920 Speaker 1: one night I had to get up really early in 72 00:03:40,960 --> 00:03:43,400 Speaker 1: the morning for some reason, and I'd gone to bed 73 00:03:44,040 --> 00:03:46,600 Speaker 1: and the phone went off about eleven fifteen. It's like, so, 74 00:03:46,640 --> 00:03:48,880 Speaker 1: what shirt you wear in tomorrow? And I went what, 75 00:03:49,440 --> 00:03:52,640 Speaker 1: and he went, whatever shirt you got, I don't know 76 00:03:53,240 --> 00:03:55,680 Speaker 1: what every shirt you got? I said, well, I don't 77 00:03:55,720 --> 00:03:58,120 Speaker 1: know the Grateful Dead one. Yeah, were that and that air? 78 00:03:58,200 --> 00:04:00,920 Speaker 1: But he bit long and he never said goodbye? Which 79 00:04:00,960 --> 00:04:01,360 Speaker 1: is that? 80 00:04:01,480 --> 00:04:01,760 Speaker 3: Was it? 81 00:04:01,920 --> 00:04:02,440 Speaker 1: That was it? 82 00:04:02,520 --> 00:04:03,200 Speaker 3: That was the director. 83 00:04:03,280 --> 00:04:06,360 Speaker 1: And then four mornings later people are saying Michael Dinsey 84 00:04:06,400 --> 00:04:07,640 Speaker 1: is dead and no he can't be. 85 00:04:07,800 --> 00:04:08,640 Speaker 3: I just spoke to him. 86 00:04:08,720 --> 00:04:11,080 Speaker 1: Yeah, he was just shouting at me at eleven at night. 87 00:04:11,760 --> 00:04:13,920 Speaker 2: But you've taken the advice your hair is getting long? 88 00:04:14,040 --> 00:04:17,039 Speaker 1: Yeah, oh yeah, I mean look long, may he rain 89 00:04:17,400 --> 00:04:19,320 Speaker 1: and I'll abide by. 90 00:04:19,520 --> 00:04:23,320 Speaker 2: His vision was always amazing. 91 00:04:23,600 --> 00:04:25,120 Speaker 1: Yeah, so here I am. 92 00:04:25,480 --> 00:04:28,239 Speaker 4: You know what genre I think is due is maybe? 93 00:04:28,440 --> 00:04:30,640 Speaker 4: Like so, if this has been covered, what about the 94 00:04:31,040 --> 00:04:34,960 Speaker 4: boy band craze of the nineties. I don't think a 95 00:04:35,120 --> 00:04:37,880 Speaker 4: Richard Clapton commander a boy band. 96 00:04:38,040 --> 00:04:40,599 Speaker 3: I've got idea human nature? 97 00:04:41,560 --> 00:04:43,159 Speaker 2: How about novelty songs? 98 00:04:43,279 --> 00:04:43,680 Speaker 1: Shut up? 99 00:04:44,600 --> 00:04:50,960 Speaker 5: Yes, disco du Richard Clapton sing zaga do this. This 100 00:04:51,240 --> 00:04:55,640 Speaker 5: is thank you copyright Michael dud. 101 00:04:56,960 --> 00:04:58,800 Speaker 1: Amanda, Thank you so much for you. 102 00:04:59,760 --> 00:05:00,960 Speaker 2: Keep your career going forever. 103 00:05:01,240 --> 00:05:06,440 Speaker 3: But in the meantime you can cash in. Richard Clapton's 104 00:05:06,480 --> 00:05:09,640 Speaker 3: new album Music is Love. It's available now. It's that cool. 105 00:05:09,720 --> 00:05:11,360 Speaker 2: Play a bit more of the album. Let me pick 106 00:05:11,400 --> 00:05:17,400 Speaker 2: a song. Let me put your Let's go with writers 107 00:05:17,440 --> 00:05:18,520 Speaker 2: on the storm number. 108 00:05:18,320 --> 00:05:19,599 Speaker 3: Five and he's gone the doors. 109 00:05:19,960 --> 00:05:21,960 Speaker 1: You'd have to go a little bit in, go about 110 00:05:21,960 --> 00:05:27,080 Speaker 1: a minute in. If you want a vocal, I have 111 00:05:27,160 --> 00:05:32,920 Speaker 1: to buy a bean bag. Oh I like it. 112 00:05:33,240 --> 00:05:35,200 Speaker 2: I'm always looking for something, Richard. I love to bake 113 00:05:35,279 --> 00:05:38,240 Speaker 2: every weekend and I go into a zone. You're my 114 00:05:38,440 --> 00:05:39,280 Speaker 2: zone this weekend. 115 00:05:39,400 --> 00:05:40,200 Speaker 1: Oh beautiful. 116 00:05:40,240 --> 00:05:47,159 Speaker 3: I love it to be baking a special cookies. Ayah, Richard. 117 00:05:47,279 --> 00:05:48,320 Speaker 3: Don't be a stranger. 118 00:05:49,120 --> 00:05:51,600 Speaker 1: Don't be any stranger than a stranger with you. Two 119 00:05:53,080 --> 00:05:55,280 Speaker 1: thank you's.