1 00:00:00,360 --> 00:00:03,800 Speaker 1: Doctor Chris Brown is back. Dream Home starts seven o'clock 2 00:00:03,840 --> 00:00:08,320 Speaker 1: this Sunday on seven. Doctor Chris Brown tell us about 3 00:00:08,400 --> 00:00:08,959 Speaker 1: dream Home. 4 00:00:09,360 --> 00:00:12,040 Speaker 2: Look, yeah, it's a really it's one of the big 5 00:00:12,080 --> 00:00:16,079 Speaker 2: reasons I came across from from ten to seven. You 6 00:00:16,400 --> 00:00:19,480 Speaker 2: will talk about this renovation show, which you know, I've 7 00:00:19,520 --> 00:00:21,840 Speaker 2: had my own little taste of renovation and find it 8 00:00:21,880 --> 00:00:27,360 Speaker 2: a mildly infuriating but thoroughly entertaining thing to put in 9 00:00:27,400 --> 00:00:32,440 Speaker 2: the middle of your life. And then you know, I 10 00:00:32,440 --> 00:00:34,239 Speaker 2: guess the exciting thing about dream Home is that it's 11 00:00:34,280 --> 00:00:37,879 Speaker 2: a renovation show, as you know, with drama, but at 12 00:00:37,880 --> 00:00:40,120 Speaker 2: the same time, it's got so much heart, this show, 13 00:00:40,200 --> 00:00:43,400 Speaker 2: and that's what really drew me to it was the 14 00:00:43,520 --> 00:00:46,360 Speaker 2: chance to just just to bring a bit of feeling 15 00:00:46,440 --> 00:00:51,000 Speaker 2: into it and have people at a time in Australia 16 00:00:51,040 --> 00:00:53,640 Speaker 2: where it's tough to buy a home, let alone to 17 00:00:53,720 --> 00:00:57,680 Speaker 2: a renovation. This just feels like a really beautiful show 18 00:00:58,520 --> 00:01:02,200 Speaker 2: to bring of people, and you're obviously going to learn 19 00:01:02,240 --> 00:01:03,960 Speaker 2: a lot, but at the same time you feel a 20 00:01:03,960 --> 00:01:05,720 Speaker 2: lot watching this show. 21 00:01:05,680 --> 00:01:07,720 Speaker 1: Because we love a bit of property porn, don't you know, 22 00:01:07,840 --> 00:01:10,240 Speaker 1: And it's kind of a little bit of that. 23 00:01:10,720 --> 00:01:11,479 Speaker 3: Enough of them at the moment. 24 00:01:11,480 --> 00:01:14,120 Speaker 1: But sometimes when you can't do it yourself, you just 25 00:01:14,200 --> 00:01:15,280 Speaker 1: like to watch someone else doing it. 26 00:01:15,319 --> 00:01:22,080 Speaker 3: Hang on that you you know what I said. 27 00:01:22,240 --> 00:01:22,920 Speaker 4: It was half hour. 28 00:01:23,040 --> 00:01:24,440 Speaker 1: I thought, oh, this isn't going to end. 29 00:01:24,360 --> 00:01:27,040 Speaker 3: Well, Chris. I've seen the prime I've seen the promos 30 00:01:27,080 --> 00:01:29,360 Speaker 3: for this show. What feels like six months is probably three. 31 00:01:29,760 --> 00:01:32,040 Speaker 3: But the blonde woman who there's a blonde woman in 32 00:01:32,080 --> 00:01:33,800 Speaker 3: there who says, this is not our house. I reckon. 33 00:01:33,840 --> 00:01:35,720 Speaker 3: I've heard it say a million times. But that's the 34 00:01:35,720 --> 00:01:37,480 Speaker 3: emotion that you want from people, isn't it. 35 00:01:38,240 --> 00:01:41,880 Speaker 2: Yeah, it is her house. That's that's a surprising after 36 00:01:41,920 --> 00:01:46,679 Speaker 2: all of that, but it is. The transformations are on 37 00:01:46,720 --> 00:01:49,640 Speaker 2: a level that we've probably never seen before in Australia. 38 00:01:50,240 --> 00:01:54,680 Speaker 2: Some of them are complete knockdown and rebuilds, and mostly 39 00:01:54,720 --> 00:01:58,760 Speaker 2: because of asbestos, but they were, of course they're not 40 00:01:59,280 --> 00:02:02,680 Speaker 2: the builder are all almost they're ambitious. But there they're 41 00:02:02,720 --> 00:02:06,680 Speaker 2: done by these couples, these these teams who barely know 42 00:02:06,760 --> 00:02:10,360 Speaker 2: each other at the start and then just deliver to 43 00:02:10,440 --> 00:02:13,160 Speaker 2: their brief and do it with in such a in 44 00:02:13,200 --> 00:02:17,040 Speaker 2: such a beautiful way and at times calamitous way, that 45 00:02:17,400 --> 00:02:19,240 Speaker 2: you know, you just can't you can't really look away. 46 00:02:20,080 --> 00:02:23,320 Speaker 2: But yeah, there's a reason why when those blind polds 47 00:02:23,360 --> 00:02:27,480 Speaker 2: come off, they're so shocked, because it's so disorientating. I'm sure, 48 00:02:27,880 --> 00:02:30,800 Speaker 2: stand in front of something that you be your decrepit 49 00:02:31,080 --> 00:02:32,320 Speaker 2: sort of run down old. 50 00:02:32,080 --> 00:02:36,160 Speaker 1: House, the networks. It pains to point out that it 51 00:02:36,280 --> 00:02:40,239 Speaker 1: is not the block, that it's a completely different show 52 00:02:40,840 --> 00:02:42,200 Speaker 1: because they've been parallel. 53 00:02:43,280 --> 00:02:49,639 Speaker 4: Yeah, there will be parallels, but it's it is quite 54 00:02:49,680 --> 00:02:54,000 Speaker 4: different and just totally it feels very different and obviously 55 00:02:54,000 --> 00:02:57,119 Speaker 4: there's no options towards the end of it. 56 00:02:57,120 --> 00:03:00,280 Speaker 2: It's it's it is. It's a very different show. Think 57 00:03:00,639 --> 00:03:05,080 Speaker 2: the comparisons kind of disappear after you probably about a minute, 58 00:03:05,080 --> 00:03:07,440 Speaker 2: I think people realize it's it's it's quite different. 59 00:03:08,320 --> 00:03:10,120 Speaker 3: It's all about the reveal, isn't it go? 60 00:03:10,760 --> 00:03:17,920 Speaker 2: Yeah? Yeah, because people love people love it before and after, stacked, 61 00:03:18,280 --> 00:03:20,240 Speaker 2: stacked full of them. I don't have my own before 62 00:03:20,240 --> 00:03:23,040 Speaker 2: and after. Disappointingly, I was looking for a little. 63 00:03:24,320 --> 00:03:27,880 Speaker 1: As someone who has renovated. What did you find? The 64 00:03:27,960 --> 00:03:29,200 Speaker 1: toughest thing was. 65 00:03:32,760 --> 00:03:33,440 Speaker 2: Deadlines? 66 00:03:33,800 --> 00:03:35,000 Speaker 1: Yeah, that's what I thought. 67 00:03:35,000 --> 00:03:37,920 Speaker 2: It might be. Deadlines counsel of council approval. 68 00:03:38,000 --> 00:03:41,000 Speaker 1: Oh, that's fine. Anytime you've got to talk to them 69 00:03:41,000 --> 00:03:41,960 Speaker 1: and that's that's a hoot. 70 00:03:42,160 --> 00:03:44,880 Speaker 3: Yeah, and then the cost of material starts going up skyrocketing. 71 00:03:45,640 --> 00:03:48,040 Speaker 2: Yeah, such a good sense of human counsel. 72 00:03:49,920 --> 00:03:52,800 Speaker 3: So they're just riddled with logic, places of great fun. 73 00:03:56,320 --> 00:03:58,320 Speaker 2: And the fact that this this is broadcast outside of 74 00:03:58,320 --> 00:04:02,040 Speaker 2: my council area means I can't really good down where 75 00:04:02,120 --> 00:04:04,280 Speaker 2: you guys might have to be a little bit more careful. 76 00:04:04,760 --> 00:04:07,640 Speaker 1: Frustrated hole monitors people a councils. 77 00:04:09,600 --> 00:04:12,400 Speaker 3: Chris. I've seen many of us have seen Simon Cohen 78 00:04:12,440 --> 00:04:15,360 Speaker 3: on a show called Lax Listings. He's a very confident 79 00:04:15,400 --> 00:04:17,480 Speaker 3: and successful, but he's got a good swagger in him. 80 00:04:17,560 --> 00:04:20,240 Speaker 3: And Rosy who's Rosie Walley? Though these people are judging, 81 00:04:20,279 --> 00:04:20,760 Speaker 3: is that right? 82 00:04:21,760 --> 00:04:25,040 Speaker 2: Yeah, so there are judges, so yeah, you know, Simon, 83 00:04:25,160 --> 00:04:28,400 Speaker 2: he's got sort of an opinion. He can be learned 84 00:04:28,400 --> 00:04:32,039 Speaker 2: throughout contestants. But Rosie Marley, she's sort of from the 85 00:04:32,120 --> 00:04:38,080 Speaker 2: architectural world and quite accomplished and talks in big architectural terms, 86 00:04:38,120 --> 00:04:40,840 Speaker 2: which which most of which go over my head. But 87 00:04:40,839 --> 00:04:45,760 Speaker 2: but I do love her walks and the different ways 88 00:04:45,800 --> 00:04:48,480 Speaker 2: she approaches these bills. And then we have we have 89 00:04:48,560 --> 00:04:51,799 Speaker 2: Alana Taylor who's from the Three Birds renovations team who 90 00:04:52,080 --> 00:04:53,880 Speaker 2: you know. I'm sure you would have heard of you know, 91 00:04:53,920 --> 00:04:58,120 Speaker 2: they're they're a big deal and massive on social media. 92 00:04:58,160 --> 00:05:00,960 Speaker 2: But also I've done a lot of houses and that's 93 00:05:01,000 --> 00:05:04,280 Speaker 2: the interior design stylings of the world right right now. 94 00:05:04,320 --> 00:05:06,480 Speaker 1: You're going to be on Dancing with the Stars as well. 95 00:05:06,520 --> 00:05:08,080 Speaker 1: I don't mean dancing, you're hosting. 96 00:05:09,279 --> 00:05:13,760 Speaker 2: Yeah, important differentiation there, sure, I think I think contraction 97 00:05:13,920 --> 00:05:16,960 Speaker 2: contractually is the only way that you can not dance 98 00:05:17,240 --> 00:05:21,520 Speaker 2: is by hosting. That was deemed to be the best 99 00:05:21,560 --> 00:05:25,000 Speaker 2: possible place for me. There was no dance audition. I 100 00:05:25,000 --> 00:05:27,040 Speaker 2: think they just knew they looked at a six or 101 00:05:27,160 --> 00:05:31,680 Speaker 2: five giraffe and thought, you know what, dangerous, Probably best 102 00:05:32,839 --> 00:05:36,080 Speaker 2: to stay. I just just really just hosting the dance 103 00:05:36,120 --> 00:05:38,480 Speaker 2: floor and move off it quickly a music start. 104 00:05:38,680 --> 00:05:42,640 Speaker 3: Yeah, I can imagine you two working well together. Actually, 105 00:05:42,720 --> 00:05:45,279 Speaker 3: you probably dance pretty well together with Sondya too. When 106 00:05:45,480 --> 00:05:46,919 Speaker 3: she brings up the tenis bycle. 107 00:05:47,680 --> 00:05:50,040 Speaker 2: She she does. And that's the That's the funny thing 108 00:05:50,040 --> 00:05:53,080 Speaker 2: that in I can't quite work out because we've been 109 00:05:53,160 --> 00:05:56,200 Speaker 2: shooting series, is what I'm the one who has the 110 00:05:56,920 --> 00:05:59,760 Speaker 2: occasional dance move that comes out and she just looks 111 00:05:59,760 --> 00:06:03,080 Speaker 2: on and watches me, whereas she's the one with the ability. 112 00:06:03,240 --> 00:06:08,200 Speaker 2: So yeah, she's she's a force of nature. So you 113 00:06:08,400 --> 00:06:10,400 Speaker 2: she knows the way around a dance floor and she 114 00:06:10,560 --> 00:06:14,200 Speaker 2: is one of the quickest wits around too, so she's 115 00:06:14,200 --> 00:06:15,400 Speaker 2: been a lot of fun to work with. 116 00:06:15,640 --> 00:06:18,640 Speaker 1: There's only one thing missing from both of these shows, Chris. 117 00:06:18,320 --> 00:06:21,120 Speaker 3: Doggs Animals on the Horizon. 118 00:06:21,920 --> 00:06:26,080 Speaker 2: Yeah, I actually leave in two days time to film 119 00:06:26,080 --> 00:06:31,880 Speaker 2: an animal show. What she uses my vendory skills to 120 00:06:32,200 --> 00:06:35,599 Speaker 2: probably an extreme level that you probably haven't seen before. 121 00:06:35,680 --> 00:06:41,120 Speaker 2: So yeah, fear not, fear not I had. That was 122 00:06:41,720 --> 00:06:45,480 Speaker 2: a big priority for me on doing that. I still 123 00:06:45,480 --> 00:06:48,800 Speaker 2: work in the hospital as well, so yeah, the world 124 00:06:48,920 --> 00:06:51,880 Speaker 2: is imbalanced when I when I am, my world is 125 00:06:51,880 --> 00:06:55,640 Speaker 2: in balanced. I'm working with animals, so that's that's the 126 00:06:55,680 --> 00:06:56,440 Speaker 2: positive thing there. 127 00:06:56,480 --> 00:06:58,839 Speaker 3: Yeah, of course, Well this new seven deal, we're expecting 128 00:06:58,880 --> 00:07:00,080 Speaker 3: you to read the news and called the mill and 129 00:07:00,120 --> 00:07:04,839 Speaker 3: cut before the end of the year. You're a busy many. 130 00:07:03,440 --> 00:07:08,240 Speaker 2: Scheduling later in the year, so. 131 00:07:06,880 --> 00:07:07,800 Speaker 3: We check the diary. 132 00:07:08,720 --> 00:07:10,760 Speaker 1: Doctor Chris Brown. It's lovely to talk to you again. 133 00:07:10,800 --> 00:07:11,520 Speaker 1: It's been ages. 134 00:07:12,000 --> 00:07:14,960 Speaker 2: Yes, I know, I know you guys, I should have 135 00:07:15,040 --> 00:07:18,040 Speaker 2: been in the been in the television wilderness. Yeah they 136 00:07:18,080 --> 00:07:22,920 Speaker 2: showed yeah, yeah, but yeah, hopefully we can we can 137 00:07:23,000 --> 00:07:23,560 Speaker 2: chat a bit more. 138 00:07:23,560 --> 00:07:23,600 Speaker 3: So. 139 00:07:23,920 --> 00:07:27,200 Speaker 1: Well, it all starts seven o'clock this Sunday on seven 140 00:07:28,360 --> 00:07:32,720 Speaker 1: Dream Home, Chris by the Go