WEBVTT - REAL REALITY - AUSTRALIAN IDOL - SCOTT TWEEDIE

0:00:00.200 --> 0:00:01.760
<v Speaker 1>It's in the news today, but it was actually on

0:00:01.840 --> 0:00:04.480
<v Speaker 1>TV Reload the podcast past weep that line. Hey guys,

0:00:04.480 --> 0:00:07.560
<v Speaker 1>welcome back to TV Reload. Thank you for clicking and downloading.

0:00:07.560 --> 0:00:10.160
<v Speaker 1>On today's episode with Scott Tweety, one of the hosts

0:00:10.160 --> 0:00:12.039
<v Speaker 1>of this year's Astray and Idol, which is back on

0:00:12.160 --> 0:00:15.840
<v Speaker 1>Channel seven. Twenty years after Guy Sebastian Pitch Shannanol to

0:00:15.840 --> 0:00:20.200
<v Speaker 1>become Australia's first Idol. The international star making reality TV

0:00:20.320 --> 0:00:23.479
<v Speaker 1>Sensation has returned to Channel seven and seven plus and

0:00:23.520 --> 0:00:26.239
<v Speaker 1>if you aren't watching it, you're certainly missing out because

0:00:26.440 --> 0:00:29.479
<v Speaker 1>it is sensational television. It's set to be the toughest

0:00:29.480 --> 0:00:32.120
<v Speaker 1>season yet, with only room for the best of the best.

0:00:32.320 --> 0:00:35.440
<v Speaker 1>The judges are looking for a complete package, a singer

0:00:35.479 --> 0:00:38.200
<v Speaker 1>with a sound and a style to woo the nation.

0:00:38.800 --> 0:00:41.360
<v Speaker 1>Hosts Ricky Lee and Scott Tweety are also back to

0:00:41.400 --> 0:00:43.839
<v Speaker 1>make their dreams come true and I'm delighted to be

0:00:43.880 --> 0:00:47.040
<v Speaker 1>having Scott back on the podcast. Today we will unpack

0:00:47.080 --> 0:00:50.200
<v Speaker 1>why this season is better, why Scott slid into Amy

0:00:50.240 --> 0:00:53.680
<v Speaker 1>Shucks DMS. We will discuss what Jackie Oh and Marshall

0:00:53.760 --> 0:00:56.920
<v Speaker 1>Heinz have in common. Scott will also share, which singer

0:00:56.960 --> 0:00:59.800
<v Speaker 1>has already had millions of views on social media. And

0:01:00.160 --> 0:01:02.320
<v Speaker 1>also we will unpack what to expect in the next

0:01:02.360 --> 0:01:05.560
<v Speaker 1>couple of weeks, plus a little bit of behind the

0:01:05.560 --> 0:01:08.800
<v Speaker 1>scenes goss from Scott on why some contestants failed to

0:01:08.840 --> 0:01:10.920
<v Speaker 1>make it to the next stage. There's so much to

0:01:11.000 --> 0:01:14.240
<v Speaker 1>unpack with Scott and he is really generous with his time.

0:01:14.520 --> 0:01:16.800
<v Speaker 1>So sit back and relax as we dive just that

0:01:16.959 --> 0:01:20.800
<v Speaker 1>little bit deeper into the world of Australian Idol. How

0:01:20.840 --> 0:01:21.360
<v Speaker 1>are you, buddy?

0:01:21.400 --> 0:01:23.720
<v Speaker 2>You right, I'm good man, So nice to be back

0:01:23.760 --> 0:01:26.520
<v Speaker 2>in the country and I'm loving this season.

0:01:26.880 --> 0:01:28.920
<v Speaker 3>It's it's so good to good season. Yeah.

0:01:29.440 --> 0:01:31.440
<v Speaker 2>When we were recording it, I knew there was something

0:01:31.440 --> 0:01:33.320
<v Speaker 2>special in the air with some of the contestants and

0:01:33.400 --> 0:01:34.440
<v Speaker 2>I was like, this is going to be great. But

0:01:34.440 --> 0:01:37.040
<v Speaker 2>then when I started to see the edits evolve and

0:01:37.080 --> 0:01:39.480
<v Speaker 2>that twist they put in the audition process just to

0:01:39.520 --> 0:01:41.400
<v Speaker 2>have that cliff hanger at the end of every episode,

0:01:41.760 --> 0:01:43.800
<v Speaker 2>and just good feedback from friends and family.

0:01:44.160 --> 0:01:45.800
<v Speaker 1>Yeah, but you know, it was so weird. We were

0:01:45.840 --> 0:01:48.280
<v Speaker 1>so excited to see it back last year that we

0:01:48.280 --> 0:01:51.920
<v Speaker 1>were like yes, and that kind of nostalgia was what

0:01:52.040 --> 0:01:55.560
<v Speaker 1>kept us there while this year. I mean, it's kind

0:01:55.600 --> 0:01:58.320
<v Speaker 1>of the Math's antidote, is what I could say to people,

0:01:58.400 --> 0:02:01.200
<v Speaker 1>because I talked a lot of people who watch Freeware

0:02:01.280 --> 0:02:05.160
<v Speaker 1>television and it does really feel like you can tell

0:02:05.200 --> 0:02:08.720
<v Speaker 1>someone's personality based on if they're an idle person or

0:02:08.760 --> 0:02:09.920
<v Speaker 1>if they're a maths person.

0:02:10.520 --> 0:02:13.520
<v Speaker 2>He put me through these personality traits. What's it come

0:02:13.560 --> 0:02:13.920
<v Speaker 2>down to?

0:02:14.480 --> 0:02:17.160
<v Speaker 1>At the core of it, what Australian idol is is

0:02:17.200 --> 0:02:21.240
<v Speaker 1>somebody who wants to watch people succeed, while Maths is

0:02:21.280 --> 0:02:23.880
<v Speaker 1>a type of personality that wants to watch people fail.

0:02:23.960 --> 0:02:26.240
<v Speaker 1>I think that's that's a basic read of it.

0:02:26.600 --> 0:02:28.520
<v Speaker 2>I mean, if we can have all the people there

0:02:28.960 --> 0:02:31.120
<v Speaker 2>cheering and supporting on the winners, bring them over to

0:02:31.200 --> 0:02:33.160
<v Speaker 2>our side all day every day.

0:02:33.560 --> 0:02:35.800
<v Speaker 1>Mind you, I love both personality types. I don't want

0:02:35.840 --> 0:02:37.600
<v Speaker 1>to I don't want to shade anyone here. I think

0:02:37.639 --> 0:02:40.120
<v Speaker 1>that we need, the world needs both of those sorts

0:02:40.160 --> 0:02:40.560
<v Speaker 1>of people.

0:02:40.800 --> 0:02:43.960
<v Speaker 3>I've got many friends and many family members that watch Maths.

0:02:44.000 --> 0:02:46.919
<v Speaker 3>All right, so I go, that's cool.

0:02:47.040 --> 0:02:49.080
<v Speaker 2>But as soon as you flip that channel over to us,

0:02:49.440 --> 0:02:51.200
<v Speaker 2>you're going to see why it's a piece of magic,

0:02:51.360 --> 0:02:54.840
<v Speaker 2>And yeah, it's it's a really special show to be

0:02:54.880 --> 0:02:57.560
<v Speaker 2>working on and for a second time around, for me

0:02:58.000 --> 0:03:00.280
<v Speaker 2>and for Ricky and a lot of the team, it

0:03:00.440 --> 0:03:02.680
<v Speaker 2>just feels like we learned a lot first time round

0:03:03.440 --> 0:03:05.880
<v Speaker 2>and we were like, Okay, this is a modern version

0:03:06.000 --> 0:03:06.480
<v Speaker 2>of Idol.

0:03:06.560 --> 0:03:08.600
<v Speaker 3>Now what do you want to keep? What do you

0:03:08.639 --> 0:03:09.240
<v Speaker 3>want to change?

0:03:09.280 --> 0:03:11.720
<v Speaker 2>And that's the beauty of going again and every time

0:03:11.760 --> 0:03:14.600
<v Speaker 2>you can refine a show and refine a format. Also

0:03:14.880 --> 0:03:17.920
<v Speaker 2>amazing for Fremantle to let us change the format of

0:03:17.919 --> 0:03:19.320
<v Speaker 2>what is a global show.

0:03:20.200 --> 0:03:23.000
<v Speaker 3>Idle around the world has a set format.

0:03:22.840 --> 0:03:26.240
<v Speaker 2>Eureka Channel seven and Freemantle We're like, let's shake it

0:03:26.320 --> 0:03:27.920
<v Speaker 2>up down Under and then let us do it.

0:03:27.919 --> 0:03:29.360
<v Speaker 3>So that's been magical as well.

0:03:29.520 --> 0:03:31.280
<v Speaker 1>Well, you kind of needed to, I mean, when you

0:03:31.400 --> 0:03:34.440
<v Speaker 1>need to level up, you know, that's what happens. Does

0:03:34.480 --> 0:03:37.080
<v Speaker 1>this feel more like Astray and Idol to you than

0:03:37.160 --> 0:03:37.680
<v Speaker 1>last year?

0:03:39.040 --> 0:03:42.480
<v Speaker 3>It does? It does for many reasons.

0:03:42.520 --> 0:03:48.600
<v Speaker 2>But there's so much Australiana to the contestants, to their stories,

0:03:49.080 --> 0:03:51.800
<v Speaker 2>to the level of talent that they're bringing to the table.

0:03:51.840 --> 0:03:54.160
<v Speaker 2>Because you've got to remember, I live in la and

0:03:54.200 --> 0:03:56.840
<v Speaker 2>I'm very ingrained in the music industry over there as well,

0:03:56.960 --> 0:03:59.280
<v Speaker 2>and I just see how much respect there is for

0:03:59.320 --> 0:04:05.320
<v Speaker 2>Australian musicians, Australian produces, Australian artists, Australian creatives in general.

0:04:05.440 --> 0:04:08.320
<v Speaker 2>So it's so good to see that translating on a

0:04:08.360 --> 0:04:10.640
<v Speaker 2>reality show which is within our own backyard.

0:04:10.840 --> 0:04:13.080
<v Speaker 3>And it's like, this is what I'm talking about, this

0:04:13.240 --> 0:04:13.520
<v Speaker 3>is it.

0:04:13.640 --> 0:04:16.800
<v Speaker 2>And you're seeing that through the clips on TikTok now

0:04:17.040 --> 0:04:21.719
<v Speaker 2>of people watching some of the contestants sing and they're like, yep,

0:04:21.839 --> 0:04:24.479
<v Speaker 2>I mean, Ripley has gone viral around the.

0:04:24.480 --> 0:04:25.039
<v Speaker 1>World, viral.

0:04:25.279 --> 0:04:29.440
<v Speaker 3>He's massive in the Philippines. Now they love him.

0:04:29.920 --> 0:04:33.360
<v Speaker 2>I love him after just one audition. So it makes

0:04:33.400 --> 0:04:35.520
<v Speaker 2>me just really proud. It makes you really proud because

0:04:35.720 --> 0:04:38.760
<v Speaker 2>from the very top to the very bottom of the production,

0:04:39.160 --> 0:04:40.360
<v Speaker 2>everyone's on the same team.

0:04:40.400 --> 0:04:41.960
<v Speaker 1>Well, I want to talk about Ripley in a second,

0:04:41.960 --> 0:04:44.400
<v Speaker 1>but I want to talk about the judging panels chemistry.

0:04:44.400 --> 0:04:48.039
<v Speaker 1>This year, what seemed to have been a really good

0:04:48.040 --> 0:04:52.719
<v Speaker 1>idea by having these big American or global names attached

0:04:52.760 --> 0:04:55.040
<v Speaker 1>to the show didn't seem to work in a way

0:04:55.080 --> 0:04:57.880
<v Speaker 1>in hindsight. Really. I mean, it looked fine last year,

0:04:57.920 --> 0:04:59.799
<v Speaker 1>and it was very glossy and it was very exciting,

0:05:00.040 --> 0:05:05.720
<v Speaker 1>but then when you see Australians judging our Australian talent.

0:05:06.360 --> 0:05:07.400
<v Speaker 1>It just fits better.

0:05:07.680 --> 0:05:08.120
<v Speaker 3>I thought it was.

0:05:08.400 --> 0:05:10.400
<v Speaker 2>I did think it was a really good season last year.

0:05:10.520 --> 0:05:12.680
<v Speaker 2>Maybe it was because my first and it.

0:05:12.600 --> 0:05:14.480
<v Speaker 1>Was exciting for you. I watched, I went and watched

0:05:14.480 --> 0:05:17.800
<v Speaker 1>you do some live episodes, and there's nothing better than

0:05:17.800 --> 0:05:20.679
<v Speaker 1>watching someone who's very good at what they do doing

0:05:20.720 --> 0:05:22.680
<v Speaker 1>what they do. And I thought you looked like a

0:05:22.760 --> 0:05:25.200
<v Speaker 1>kid in a candy store loving it.

0:05:26.200 --> 0:05:28.159
<v Speaker 3>I walk get it and I'm like, yeah.

0:05:27.960 --> 0:05:29.800
<v Speaker 2>But Ricky and I have this magical moment where you

0:05:29.800 --> 0:05:32.520
<v Speaker 2>fist pump before we go like a few seconds walking

0:05:32.520 --> 0:05:34.440
<v Speaker 2>out there with the crowd screaming, and we're just like,

0:05:34.440 --> 0:05:35.200
<v Speaker 2>how good to that job?

0:05:35.279 --> 0:05:37.840
<v Speaker 3>But this is it. We get to facilitate this.

0:05:38.240 --> 0:05:40.599
<v Speaker 2>So what you were saying with the judges, look, I

0:05:40.640 --> 0:05:43.599
<v Speaker 2>think people do agree with that, and I did like

0:05:43.680 --> 0:05:46.200
<v Speaker 2>having the American point of view there. But I do

0:05:46.279 --> 0:05:50.880
<v Speaker 2>feel now after starting this season with an all Australian lineup, and.

0:05:50.720 --> 0:05:53.480
<v Speaker 3>That just that Marsha Gold.

0:05:53.880 --> 0:05:58.120
<v Speaker 2>It's that care, it's that wisdom, it's that pace and

0:05:58.160 --> 0:05:58.679
<v Speaker 2>the way.

0:05:58.520 --> 0:06:01.800
<v Speaker 1>She talks, you know, started saying you're welcome to people

0:06:01.839 --> 0:06:03.640
<v Speaker 1>when it's not even needed, you know, how she does that,

0:06:03.720 --> 0:06:06.600
<v Speaker 1>She's you're welcome, and you're like, it's just so deep

0:06:06.640 --> 0:06:08.960
<v Speaker 1>and it's so meaningful. And so I started doing that

0:06:09.160 --> 0:06:12.560
<v Speaker 1>just in random conversations because talking to Marshall last week,

0:06:12.640 --> 0:06:16.600
<v Speaker 1>she was so gracious and so humble and so acknowledging

0:06:16.720 --> 0:06:19.000
<v Speaker 1>of other people. And I feel like we need that

0:06:19.120 --> 0:06:21.200
<v Speaker 1>more in our life. But I might have taken it

0:06:21.240 --> 0:06:21.560
<v Speaker 1>too far.

0:06:21.800 --> 0:06:23.480
<v Speaker 3>No, I keep going, get it out there.

0:06:23.800 --> 0:06:24.640
<v Speaker 1>You're welcome.

0:06:26.279 --> 0:06:30.320
<v Speaker 3>From like the husky heart. Seeing that chemistry. Her and

0:06:30.360 --> 0:06:33.279
<v Speaker 3>Carle know each other very well. They have the amount

0:06:33.320 --> 0:06:34.200
<v Speaker 3>of respect for each other.

0:06:34.240 --> 0:06:37.240
<v Speaker 2>Yeah, then bringing Amy in as well, Like Amy's just

0:06:37.240 --> 0:06:39.160
<v Speaker 2>grown to another level. I was watching some of her

0:06:39.200 --> 0:06:41.919
<v Speaker 2>stuff on camera this season, just going and I DMed

0:06:41.960 --> 0:06:45.560
<v Speaker 2>her going, Amy, You're on fire, Like, keep doing doing

0:06:45.600 --> 0:06:47.839
<v Speaker 2>it because it's working well. Like the three of them,

0:06:48.120 --> 0:06:50.200
<v Speaker 2>they're just weaving in and out. What I think it

0:06:50.279 --> 0:06:52.320
<v Speaker 2>is is as a view are because I love working

0:06:52.320 --> 0:06:54.200
<v Speaker 2>on it as the host, and then I'm watching it

0:06:54.320 --> 0:06:55.400
<v Speaker 2>right now as it rolls out.

0:06:55.640 --> 0:06:56.520
<v Speaker 3>It just glides.

0:06:56.920 --> 0:06:59.040
<v Speaker 2>It's not that you don't feel like, oh, it's Judge's

0:06:59.080 --> 0:07:02.360
<v Speaker 2>time now, it's just the series is gliding through and

0:07:03.240 --> 0:07:07.440
<v Speaker 2>by having them there as experts, but then also letting

0:07:07.480 --> 0:07:10.120
<v Speaker 2>some people down who kind of aren't the greatest singers,

0:07:10.120 --> 0:07:10.960
<v Speaker 2>and should it be on the.

0:07:10.880 --> 0:07:13.640
<v Speaker 1>Shape We want that though, like the that's what's missing

0:07:13.680 --> 0:07:17.360
<v Speaker 1>from shows these days. We want you want people to

0:07:17.360 --> 0:07:20.480
<v Speaker 1>to try, and you want people to be deluded because

0:07:20.760 --> 0:07:22.440
<v Speaker 1>we are that. Do you know what I mean? Like

0:07:22.480 --> 0:07:26.040
<v Speaker 1>we as people are that. We have ideas of grand

0:07:26.080 --> 0:07:29.280
<v Speaker 1>delusion of becoming Mariah Carey, you know what I mean?

0:07:29.400 --> 0:07:31.760
<v Speaker 1>Like we we all have that inside us.

0:07:31.760 --> 0:07:34.120
<v Speaker 3>So now our bathrooms make us sound like that?

0:07:35.000 --> 0:07:38.160
<v Speaker 1>The reburb what's your bathroom look like? I do not

0:07:38.280 --> 0:07:41.080
<v Speaker 1>sound like Mariah carry sing.

0:07:40.800 --> 0:07:45.160
<v Speaker 3>Harder, harder, louder and it works. Okay? Can you sing

0:07:45.600 --> 0:07:46.120
<v Speaker 3>not at all?

0:07:48.440 --> 0:07:52.800
<v Speaker 2>To be fair, an effort and found the right range,

0:07:53.400 --> 0:07:54.800
<v Speaker 2>could belt out a good song.

0:07:55.040 --> 0:07:57.080
<v Speaker 1>I think you'd be greater than karaoke booth.

0:07:57.320 --> 0:08:00.240
<v Speaker 3>I can invest in that time and energy. Yet no, I.

0:08:00.160 --> 0:08:02.000
<v Speaker 1>Think because you're this is going to sound like and

0:08:02.040 --> 0:08:04.040
<v Speaker 1>people listening to the podcast will be like, oh my god, Ben,

0:08:04.160 --> 0:08:06.720
<v Speaker 1>you're insane. I think because you're so good looking, I

0:08:06.760 --> 0:08:10.080
<v Speaker 1>think people would forgive you for having not quite the best.

0:08:10.360 --> 0:08:12.080
<v Speaker 3>Excuse. Ben, it's not an excuse.

0:08:13.040 --> 0:08:14.920
<v Speaker 2>Once again, just get into that bathroom and let the

0:08:14.960 --> 0:08:17.080
<v Speaker 2>reverb happen, and that's where the magic happens.

0:08:17.320 --> 0:08:19.800
<v Speaker 4>What I feel sorry for some of the contestants. My

0:08:19.920 --> 0:08:23.560
<v Speaker 4>family's honest, so I sing, they go, nah, don't do that.

0:08:24.000 --> 0:08:26.560
<v Speaker 4>Some people, you know, they've been bigged up all their

0:08:26.600 --> 0:08:29.240
<v Speaker 4>lives for years and years, and their parents are so

0:08:29.360 --> 0:08:31.640
<v Speaker 4>proud of who their children are, and they're happy for

0:08:31.680 --> 0:08:34.240
<v Speaker 4>them to be individuals and put themselves out there at

0:08:34.240 --> 0:08:37.600
<v Speaker 4>the family Christmas party sing and of course they're happy,

0:08:37.600 --> 0:08:43.280
<v Speaker 4>but it's that embarrassing moment where they haven't experimented anywhere.

0:08:42.840 --> 0:08:45.600
<v Speaker 2>Else other than like their home and within their loved ones.

0:08:45.640 --> 0:08:47.760
<v Speaker 2>So then come on National TV and do it for

0:08:47.800 --> 0:08:48.400
<v Speaker 2>the first time.

0:08:48.440 --> 0:08:50.920
<v Speaker 1>That's when I'm like, oh, we've all been at a

0:08:50.960 --> 0:08:54.920
<v Speaker 1>Christmas party where someone in the family's gotten up and

0:08:55.000 --> 0:08:57.760
<v Speaker 1>sung and it's been really shit, and like you're just

0:08:57.800 --> 0:09:00.880
<v Speaker 1>standing there going holding your Christmas bombonds be like, oh God,

0:09:00.880 --> 0:09:04.000
<v Speaker 1>when will this end? And that's why Kyle Sandalans works

0:09:04.040 --> 0:09:06.040
<v Speaker 1>so well on this show, because I think there's a

0:09:06.040 --> 0:09:07.959
<v Speaker 1>small part of all of us as well that want

0:09:08.000 --> 0:09:11.120
<v Speaker 1>to stand up at the Christmas party and say your shit,

0:09:11.320 --> 0:09:12.400
<v Speaker 1>don't don't give up.

0:09:12.280 --> 0:09:15.920
<v Speaker 3>Your day job, get out of here. Stop.

0:09:16.120 --> 0:09:19.360
<v Speaker 1>That's fun so far. Mate, was when Kyle just started

0:09:19.400 --> 0:09:22.000
<v Speaker 1>going like just just the dumb and dumb an nooise

0:09:22.000 --> 0:09:25.000
<v Speaker 1>that Jim Carrey does in that film, just because the

0:09:25.080 --> 0:09:28.320
<v Speaker 1>sound of the person singing was the most annoying sound

0:09:28.360 --> 0:09:28.760
<v Speaker 1>in the world.

0:09:29.720 --> 0:09:32.760
<v Speaker 2>It's correct, It is great, and I back him up

0:09:33.120 --> 0:09:36.960
<v Speaker 2>ninety two percent of the time to say the loose

0:09:37.040 --> 0:09:40.800
<v Speaker 2>eight percent not evolved. But yeah, it's great. It's great

0:09:40.840 --> 0:09:43.600
<v Speaker 2>to have him there. And he does care about this show,

0:09:43.640 --> 0:09:46.120
<v Speaker 2>and that's the thing. All three of them care a

0:09:46.240 --> 0:09:49.000
<v Speaker 2>lot about this show and what we produce out of it,

0:09:49.040 --> 0:09:49.880
<v Speaker 2>which is a great thing.

0:09:49.920 --> 0:09:50.679
<v Speaker 3>And you can see it.

0:09:50.960 --> 0:09:53.120
<v Speaker 1>He's soft of this year. And I want to know.

0:09:53.559 --> 0:09:55.760
<v Speaker 1>I mean, every day, I'm always thinking this. I'd love

0:09:55.840 --> 0:09:58.080
<v Speaker 1>to just be there listening to you and Ricky having

0:09:58.080 --> 0:10:00.840
<v Speaker 1>the conversation on the sideline and knowing what you think.

0:10:00.880 --> 0:10:03.480
<v Speaker 1>But what were you and Ricky saying about Kyle this

0:10:03.600 --> 0:10:06.840
<v Speaker 1>time around because he is softer? Did you have theories

0:10:06.920 --> 0:10:09.320
<v Speaker 1>like maybe Harry Conic Junior's not there and he was

0:10:09.320 --> 0:10:13.040
<v Speaker 1>an asshole or I mean not that one, but maybe

0:10:13.040 --> 0:10:15.320
<v Speaker 1>he's a dad and that's what softened him. What did

0:10:15.360 --> 0:10:16.680
<v Speaker 1>you and Ricky have to say about that.

0:10:17.080 --> 0:10:20.160
<v Speaker 2>Definitely softer, but I think it's the word soft isn't

0:10:20.160 --> 0:10:24.520
<v Speaker 2>the right word. It's more he's more passionate about seeing

0:10:24.679 --> 0:10:27.840
<v Speaker 2>these singers succeed this season. And I think when he

0:10:27.880 --> 0:10:30.679
<v Speaker 2>does be brutally honest, there's only one person I feel

0:10:30.679 --> 0:10:33.600
<v Speaker 2>that can really pull him back. Two people Jackie o

0:10:34.000 --> 0:10:37.720
<v Speaker 2>Marsha Heinz Yeah or understand his way of thinking and

0:10:37.880 --> 0:10:41.680
<v Speaker 2>understand how to operate and bounce with him. And Amy

0:10:41.720 --> 0:10:44.839
<v Speaker 2>Shark's getting very good at it, but she's still the cheeky.

0:10:45.000 --> 0:10:48.000
<v Speaker 3>Voice from the rest of Australia going laughing at him.

0:10:48.200 --> 0:10:50.120
<v Speaker 3>You can't say that and are you serious?

0:10:50.440 --> 0:10:52.800
<v Speaker 1>So you know why that works like that? I mean,

0:10:52.840 --> 0:10:54.800
<v Speaker 1>I think that the reason why it works like that

0:10:55.080 --> 0:10:57.800
<v Speaker 1>you have to love Kyle and you have to know him,

0:10:58.240 --> 0:11:01.199
<v Speaker 1>and I think if you don't like him, he's at

0:11:01.240 --> 0:11:03.199
<v Speaker 1>his worst, do you know what I mean? Like And

0:11:03.280 --> 0:11:05.040
<v Speaker 1>there was a lot of conversations about him and Harry

0:11:05.040 --> 0:11:06.760
<v Speaker 1>and I kind of made a joke about it before,

0:11:07.160 --> 0:11:10.240
<v Speaker 1>But I know Kyle and when he's in a room

0:11:10.280 --> 0:11:13.880
<v Speaker 1>with someone he doesn't gel with, it's like he has

0:11:14.120 --> 0:11:16.719
<v Speaker 1>he wastes too much time sort of thinking about that

0:11:17.040 --> 0:11:20.040
<v Speaker 1>and not just being himself. So when you see someone

0:11:20.120 --> 0:11:23.560
<v Speaker 1>like Marsha or Jackie Oh with him and they elevate him,

0:11:23.840 --> 0:11:25.320
<v Speaker 1>that's where he's fantastic.

0:11:25.400 --> 0:11:28.600
<v Speaker 3>You know, whatever the formula is, he's soaring right now.

0:11:28.640 --> 0:11:30.840
<v Speaker 2>And so you can't get to the live shows because

0:11:31.000 --> 0:11:32.920
<v Speaker 2>we kind of edit him in the live shows, as

0:11:32.960 --> 0:11:34.800
<v Speaker 2>you know, so it'll be interesting to see where he

0:11:34.880 --> 0:11:35.640
<v Speaker 2>takes it from there.

0:11:35.760 --> 0:11:36.560
<v Speaker 3>That's why people.

0:11:36.360 --> 0:11:38.960
<v Speaker 1>Watch the show though, Like, that's why we're spending so

0:11:39.120 --> 0:11:42.440
<v Speaker 1>much money on Idol being back and being live, because

0:11:42.559 --> 0:11:46.800
<v Speaker 1>we get to see people being raw and unedited. And

0:11:46.920 --> 0:11:49.760
<v Speaker 1>in the world of television these days where everything's pre recorded,

0:11:49.880 --> 0:11:53.719
<v Speaker 1>Australian Idol is fantastic and it's amazing because of that.

0:11:53.840 --> 0:11:55.360
<v Speaker 3>I cannot wait for the live shows.

0:11:55.679 --> 0:11:59.880
<v Speaker 2>Same it's so competitive this year that he has to

0:12:00.160 --> 0:12:02.920
<v Speaker 2>up being more harsh soon because they're all great. We're

0:12:02.960 --> 0:12:05.440
<v Speaker 2>going to have well, really good singers, and so he's

0:12:05.440 --> 0:12:07.800
<v Speaker 2>got to nitpick out like, nah, wasn't a good week

0:12:07.840 --> 0:12:08.400
<v Speaker 2>for you?

0:12:08.400 --> 0:12:10.640
<v Speaker 3>You got to lift? Why doing this? Why doing that?

0:12:10.960 --> 0:12:13.439
<v Speaker 2>And he comes He is an expert of pop culture,

0:12:13.720 --> 0:12:16.000
<v Speaker 2>whether you like him or not. He has been living

0:12:16.000 --> 0:12:18.800
<v Speaker 2>and breathing it for longer than most of us because

0:12:18.840 --> 0:12:20.600
<v Speaker 2>that's his job and that's why he has a huge

0:12:20.679 --> 0:12:21.480
<v Speaker 2>radio contract.

0:12:21.800 --> 0:12:24.400
<v Speaker 1>What I was going to also say was it feels

0:12:24.440 --> 0:12:26.959
<v Speaker 1>like not everyone's going to get along this year, where

0:12:27.080 --> 0:12:29.000
<v Speaker 1>last year, you know, I was there and I met

0:12:29.000 --> 0:12:31.520
<v Speaker 1>them all and it felt like you were watching kids

0:12:31.520 --> 0:12:33.640
<v Speaker 1>at summer camp that were all getting along. It felt

0:12:33.800 --> 0:12:38.400
<v Speaker 1>very Disney Channel time. And that's okay too. But if

0:12:38.400 --> 0:12:41.240
<v Speaker 1>we all remember Australian Idle when the first season happens,

0:12:41.400 --> 0:12:43.720
<v Speaker 1>I might be wrong in saying this, but we always

0:12:43.720 --> 0:12:46.200
<v Speaker 1>felt like Cossima was going to cut a bitch, do you.

0:12:46.240 --> 0:12:46.679
<v Speaker 3>Know what I mean?

0:12:46.720 --> 0:12:50.120
<v Speaker 1>Like if you remember with her with Guy Sebastian and Shannano,

0:12:50.559 --> 0:12:52.680
<v Speaker 1>she would have run those blokes over with her car.

0:12:53.000 --> 0:12:55.440
<v Speaker 1>And that's what you need in the industry, you know.

0:12:55.880 --> 0:12:59.880
<v Speaker 2>Yeah, there's individuals that already understand the game right now

0:13:00.040 --> 0:13:02.360
<v Speaker 2>and understand the industry, and they want it.

0:13:02.559 --> 0:13:05.040
<v Speaker 3>More than everyone else, and they'll do whatever it takes.

0:13:05.200 --> 0:13:07.160
<v Speaker 2>And you're going to see that Top thirty week was

0:13:07.200 --> 0:13:09.920
<v Speaker 2>a great example where you've got Shane Bouchet who got

0:13:09.960 --> 0:13:12.840
<v Speaker 2>knocked out last year first round, so she's got this

0:13:12.920 --> 0:13:15.440
<v Speaker 2>like second chance card and you know they have an

0:13:15.440 --> 0:13:17.640
<v Speaker 2>option to stay up late, learn a song or go

0:13:17.679 --> 0:13:18.440
<v Speaker 2>to bed and get sleep.

0:13:18.480 --> 0:13:21.000
<v Speaker 3>And she's like, I'm honestly not here to f spiders.

0:13:21.080 --> 0:13:23.240
<v Speaker 2>I want to win this thing, so let's go, and

0:13:23.360 --> 0:13:26.559
<v Speaker 2>was drilling the other two Gab and TJ to go, Nah,

0:13:27.000 --> 0:13:27.760
<v Speaker 2>this is my shot.

0:13:28.040 --> 0:13:29.199
<v Speaker 3>I don't only get one more.

0:13:29.240 --> 0:13:31.439
<v Speaker 2>I don't like you don't normally don't get second chances,

0:13:31.440 --> 0:13:32.839
<v Speaker 2>but this is my second chance.

0:13:32.960 --> 0:13:36.400
<v Speaker 3>I'm going for it. So yeah, there's great reality TV

0:13:36.559 --> 0:13:37.200
<v Speaker 3>coming as well.

0:13:37.559 --> 0:13:40.480
<v Speaker 1>Need tenacious people, we need ambitious people like I mean,

0:13:40.480 --> 0:13:43.040
<v Speaker 1>we don't all need to be amm Rossiano, but and

0:13:43.080 --> 0:13:45.319
<v Speaker 1>that's what this industry is. You aren't going to survive

0:13:45.320 --> 0:13:47.960
<v Speaker 1>the scott You know that yourself from just being a presenter.

0:13:48.240 --> 0:13:50.720
<v Speaker 1>If you want to stay in this industry, you have

0:13:50.840 --> 0:13:54.240
<v Speaker 1>to be ruthless to a certain extent. You have to

0:13:54.240 --> 0:13:57.679
<v Speaker 1>have the talent, but you have to be ambitious. And

0:13:57.840 --> 0:13:59.480
<v Speaker 1>there's so many other words that I could use, but

0:14:00.040 --> 0:14:02.719
<v Speaker 1>you know what I'm saying. I feel like Jonathan is

0:14:02.720 --> 0:14:06.000
<v Speaker 1>a bit of a personality pick. You know, Jonathan's gotten

0:14:06.040 --> 0:14:09.600
<v Speaker 1>through and yes he can sing, but there's the whole

0:14:09.600 --> 0:14:12.160
<v Speaker 1>package thing going on there with him. Do you think

0:14:12.200 --> 0:14:14.199
<v Speaker 1>that we're getting people through this year? That are a

0:14:14.240 --> 0:14:17.520
<v Speaker 1>little bit more accessible in regards to maybe charisma and

0:14:18.040 --> 0:14:21.360
<v Speaker 1>to sort of make the show more meaty once we

0:14:21.480 --> 0:14:25.680
<v Speaker 1>get to those singing moments, because last year everyone could sing,

0:14:25.720 --> 0:14:27.280
<v Speaker 1>and they could get up there and they could sing,

0:14:27.600 --> 0:14:31.040
<v Speaker 1>but what we were missing was the engagement of a

0:14:31.120 --> 0:14:33.600
<v Speaker 1>Rob Mills. And forgive me for keep going back to

0:14:33.840 --> 0:14:36.280
<v Speaker 1>the first season of Idol, but I do feel like

0:14:36.360 --> 0:14:37.280
<v Speaker 1>that is the blueprint.

0:14:37.600 --> 0:14:40.440
<v Speaker 3>Yeah, we are looking for the entire package.

0:14:40.560 --> 0:14:42.800
<v Speaker 2>We've said that from day dot from this season, and

0:14:42.880 --> 0:14:45.840
<v Speaker 2>so some of the viewers are like, well, this single

0:14:45.880 --> 0:14:47.440
<v Speaker 2>was better than this thing, but it's like, yeah, but

0:14:47.880 --> 0:14:50.520
<v Speaker 2>when the cameras aren't rolling, or when they are rolling

0:14:50.520 --> 0:14:54.160
<v Speaker 2>but they're not singing on stage, we need that rock star,

0:14:54.480 --> 0:14:56.240
<v Speaker 2>pop star pizzaz from them.

0:14:56.600 --> 0:14:56.920
<v Speaker 3>We want.

0:14:57.000 --> 0:14:58.680
<v Speaker 2>I want to take them out as my plus one

0:14:58.680 --> 0:15:02.160
<v Speaker 2>two events in Sydney and have people intrigued by them

0:15:02.160 --> 0:15:04.320
<v Speaker 2>and be like, well, who is this person? I want

0:15:04.320 --> 0:15:05.080
<v Speaker 2>to get to know them?

0:15:05.120 --> 0:15:08.080
<v Speaker 3>Are they cool? Are they an asshole? Are they a diva?

0:15:08.440 --> 0:15:11.320
<v Speaker 2>All of that, And that's what being you know, having

0:15:11.400 --> 0:15:14.440
<v Speaker 2>that X factor is all about. So that's part of it,

0:15:14.520 --> 0:15:16.640
<v Speaker 2>and we are so honest with that. So, yeah, Jonathan

0:15:17.000 --> 0:15:20.200
<v Speaker 2>is a character. He can sing and dance, but there's

0:15:20.200 --> 0:15:22.280
<v Speaker 2>something about him where we're like, we can't let him

0:15:22.320 --> 0:15:23.640
<v Speaker 2>go because he's going to do.

0:15:23.560 --> 0:15:25.240
<v Speaker 3>Something on camera that we want to see and we

0:15:25.280 --> 0:15:26.520
<v Speaker 3>want Australia to see it, but.

0:15:26.480 --> 0:15:28.560
<v Speaker 1>It's also for the viewer at home. We want to

0:15:28.600 --> 0:15:32.680
<v Speaker 1>see ourselves. So if you remember watching any of these

0:15:32.680 --> 0:15:35.520
<v Speaker 1>talent shows when they first came about, people wanted to

0:15:35.560 --> 0:15:38.160
<v Speaker 1>be these people. They didn't just want to hear them sing.

0:15:38.440 --> 0:15:40.200
<v Speaker 1>They wanted to meet them at a bar, you know

0:15:40.240 --> 0:15:42.200
<v Speaker 1>what I mean. They wanted them to be their best friend.

0:15:42.440 --> 0:15:44.760
<v Speaker 1>And that's that's a huge part of television.

0:15:45.080 --> 0:15:47.080
<v Speaker 3>Couldn't agree more and that's what we're getting.

0:15:47.280 --> 0:15:49.520
<v Speaker 2>We've got thirty of them getting shopped to twenty one

0:15:49.600 --> 0:15:50.040
<v Speaker 2>right now.

0:15:50.280 --> 0:15:52.280
<v Speaker 3>I know once we tighten it even.

0:15:52.080 --> 0:15:54.840
<v Speaker 2>More to the twelve, we've got a long time now

0:15:55.000 --> 0:15:57.520
<v Speaker 2>as viewers to get to know these people inside and out.

0:15:57.560 --> 0:16:00.200
<v Speaker 2>So you'll know their backstories, yes, but then you start

0:16:00.240 --> 0:16:02.040
<v Speaker 2>to see week in week out what they're doing and

0:16:02.040 --> 0:16:04.840
<v Speaker 2>what's happening, and if they get up to mischief or

0:16:04.840 --> 0:16:08.000
<v Speaker 2>if they go viral again on TikTok or all that

0:16:08.040 --> 0:16:09.760
<v Speaker 2>sort of stuff is going to be fed into the show.

0:16:10.040 --> 0:16:12.320
<v Speaker 2>So that's what like the core essence of Idol's about,

0:16:12.400 --> 0:16:14.720
<v Speaker 2>and that's what is really important. I think that's why

0:16:15.000 --> 0:16:17.480
<v Speaker 2>you're enjoying this new season. I'm enjoying this new season,

0:16:17.760 --> 0:16:19.000
<v Speaker 2>and I think it's going to get better and better

0:16:19.080 --> 0:16:19.800
<v Speaker 2>the more we watch it.

0:16:20.080 --> 0:16:21.800
<v Speaker 1>I couldn't wait to talk to you. I was like,

0:16:22.120 --> 0:16:24.400
<v Speaker 1>this is so exciting to talk about this series. Like

0:16:24.440 --> 0:16:27.520
<v Speaker 1>the series is so good, and I'm remembering people's names,

0:16:27.640 --> 0:16:30.400
<v Speaker 1>and like even just the other week, someone said, oh,

0:16:30.480 --> 0:16:34.240
<v Speaker 1>Amy and Kobe and Dylan, they get paired together in

0:16:34.280 --> 0:16:36.120
<v Speaker 1>a challenge and they're going to see Natalie and Brullly

0:16:36.160 --> 0:16:39.200
<v Speaker 1>as torn and I was like, I have to watch that.

0:16:39.200 --> 0:16:41.200
<v Speaker 1>That's a point in television, do you know what I mean? Like,

0:16:41.240 --> 0:16:43.480
<v Speaker 1>I want to watch those people get up and sing

0:16:43.560 --> 0:16:45.760
<v Speaker 1>like that. I don't want to watch it on catch up.

0:16:46.000 --> 0:16:47.240
<v Speaker 1>I don't need to watch it live.

0:16:47.560 --> 0:16:50.400
<v Speaker 2>And that's a strategy of how we've done those first episodes,

0:16:50.440 --> 0:16:52.200
<v Speaker 2>because it kept looping back into them.

0:16:52.360 --> 0:16:54.280
<v Speaker 3>The contestants are the rock stars.

0:16:54.320 --> 0:16:56.720
<v Speaker 2>I think last season there was a lot of attention

0:16:56.880 --> 0:16:59.760
<v Speaker 2>on these international judges, and it kept coming back to

0:16:59.840 --> 0:17:00.520
<v Speaker 2>the judges.

0:17:00.520 --> 0:17:02.400
<v Speaker 3>But it's like, it's not about the judges.

0:17:02.440 --> 0:17:05.760
<v Speaker 2>It's about the contestants, it's about the Australian characters and

0:17:06.119 --> 0:17:07.560
<v Speaker 2>that's working for us right now.

0:17:07.760 --> 0:17:09.440
<v Speaker 1>Yeah, it's about the singing capability.

0:17:09.560 --> 0:17:09.760
<v Speaker 3>You know.

0:17:09.920 --> 0:17:12.600
<v Speaker 1>Just before I move away from that song torn being

0:17:12.640 --> 0:17:15.199
<v Speaker 1>sung you song? Do you think songs that are super

0:17:15.240 --> 0:17:18.280
<v Speaker 1>recognizable can hurt a singer in a way because maybe

0:17:18.320 --> 0:17:21.680
<v Speaker 1>an uneducated audience member might expect it to be sung

0:17:21.840 --> 0:17:23.919
<v Speaker 1>like the original artist on that I think.

0:17:23.760 --> 0:17:26.159
<v Speaker 2>It's a double edged sword. I think you need to

0:17:26.200 --> 0:17:28.680
<v Speaker 2>get the votes, you need to have a recognizable song,

0:17:28.880 --> 0:17:31.720
<v Speaker 2>but you must put your twists on it and exhibit

0:17:31.760 --> 0:17:33.960
<v Speaker 2>a which I'm sure we're going to talk about Ripley

0:17:34.280 --> 0:17:37.240
<v Speaker 2>his audition with Mama MEA. I'll follow a song that

0:17:37.520 --> 0:17:42.640
<v Speaker 2>globally everyone knows or in particular least nationally, but then

0:17:42.960 --> 0:17:45.240
<v Speaker 2>put your personality to it. If you're trying to match

0:17:45.280 --> 0:17:47.439
<v Speaker 2>the artists that's made it and put it on the

0:17:47.480 --> 0:17:49.679
<v Speaker 2>map for what it is. Unless you can go a

0:17:49.680 --> 0:17:52.280
<v Speaker 2>step above them in their version, I think you're going

0:17:52.320 --> 0:17:54.760
<v Speaker 2>to fail. I think you're going to be like, oh,

0:17:54.800 --> 0:17:57.120
<v Speaker 2>but if you put your twist to it, then it's

0:17:57.280 --> 0:17:58.520
<v Speaker 2>I think it's a huge success.

0:17:58.760 --> 0:18:00.800
<v Speaker 1>Well, he took us on a journey because when you

0:18:00.840 --> 0:18:04.119
<v Speaker 1>hear an artist being introduced with and now Ripley's going

0:18:04.160 --> 0:18:08.679
<v Speaker 1>to sing Muma Mia from Abba, you know, the audience go, no,

0:18:09.200 --> 0:18:13.200
<v Speaker 1>don't do bad. Yeah, And then they hear a version

0:18:13.240 --> 0:18:16.480
<v Speaker 1>of a song like that from Ripley. It's genius and

0:18:17.440 --> 0:18:21.600
<v Speaker 1>so likable and so warm and god, it's so easy

0:18:21.640 --> 0:18:24.000
<v Speaker 1>to watch, you know. Yeah, just quickly, do you have

0:18:24.000 --> 0:18:24.520
<v Speaker 1>a favorite.

0:18:24.600 --> 0:18:25.840
<v Speaker 3>I've got a couple of favorites.

0:18:25.960 --> 0:18:27.479
<v Speaker 1>Okay, just give me one or two of them, the

0:18:27.480 --> 0:18:28.320
<v Speaker 1>ones you can remember.

0:18:28.400 --> 0:18:28.920
<v Speaker 3>Oh, I can't.

0:18:29.160 --> 0:18:32.080
<v Speaker 2>I'm Switzerland to the world out there inside here they

0:18:32.119 --> 0:18:32.480
<v Speaker 2>tell you.

0:18:32.440 --> 0:18:34.320
<v Speaker 1>To say that, Scott, there you are. You told you're

0:18:34.359 --> 0:18:35.360
<v Speaker 1>not allowed to have favorites.

0:18:35.600 --> 0:18:38.399
<v Speaker 3>We've actually never been told that. I just okay, Judy

0:18:38.600 --> 0:18:39.359
<v Speaker 3>weird y.

0:18:39.520 --> 0:18:39.720
<v Speaker 1>Yeah.

0:18:39.840 --> 0:18:42.000
<v Speaker 2>I want to see everyone win and have the best advantage,

0:18:42.000 --> 0:18:44.920
<v Speaker 2>and I don't want to contestant seeing me on a podcast.

0:18:44.440 --> 0:18:46.919
<v Speaker 3>Go, well, that other person my favorite, and then I'm

0:18:46.960 --> 0:18:49.040
<v Speaker 3>trying to yeah through the process.

0:18:48.920 --> 0:18:51.880
<v Speaker 1>I heard you on TV. Really Okay, So before you go,

0:18:52.080 --> 0:18:54.560
<v Speaker 1>what is something from behind the scenes of this second

0:18:54.640 --> 0:18:56.720
<v Speaker 1>season that you can tell us kind of like a

0:18:56.760 --> 0:19:00.920
<v Speaker 1>behind the scenes secret, something juicy that audio says won't know.

0:19:01.359 --> 0:19:05.920
<v Speaker 2>I feel that some of the contestants and this wasn't revealed,

0:19:06.440 --> 0:19:09.880
<v Speaker 2>but they and I found out through the contestants. They

0:19:09.920 --> 0:19:13.040
<v Speaker 2>went out in Sydney the top thirty days, We've got

0:19:13.080 --> 0:19:15.360
<v Speaker 2>three days in a row and a couple of them

0:19:15.840 --> 0:19:20.040
<v Speaker 2>went out the night before and had a night out

0:19:20.040 --> 0:19:24.959
<v Speaker 2>in Sydney, crashed on TV the next day, and I

0:19:25.040 --> 0:19:28.400
<v Speaker 2>reckon internally they knew in their minds because I went

0:19:28.400 --> 0:19:31.400
<v Speaker 2>out last night and because I had a big night out,

0:19:31.560 --> 0:19:33.560
<v Speaker 2>I didn't perform and we saw that.

0:19:33.800 --> 0:19:35.399
<v Speaker 3>So look, I can't tell you who.

0:19:35.280 --> 0:19:36.639
<v Speaker 2>It is, but you can do the math, so you

0:19:36.640 --> 0:19:39.520
<v Speaker 2>can go all right, takes twenty one.

0:19:41.200 --> 0:19:43.359
<v Speaker 1>I'd be in Sydney on an idol and I'd be like,

0:19:43.960 --> 0:19:45.960
<v Speaker 1>I can't. I can't not go to the Stonewall on

0:19:46.040 --> 0:19:48.800
<v Speaker 1>Oxford Street and tell everyone I'm on Australian idol.

0:19:48.840 --> 0:19:49.120
<v Speaker 3>I reckon.

0:19:49.200 --> 0:19:51.840
<v Speaker 2>They went to pub trivia and I'm like, I hope

0:19:51.840 --> 0:19:53.840
<v Speaker 2>you're good today, and then they bombed and I was like.

0:19:54.000 --> 0:19:55.120
<v Speaker 1>Did they win the trivia?

0:19:55.160 --> 0:19:55.360
<v Speaker 2>Mate?

0:19:55.600 --> 0:19:57.400
<v Speaker 1>I have to let you go, but you're doing such

0:19:57.400 --> 0:20:00.840
<v Speaker 1>a fantastic job and congratulations on coming back. I hope

0:20:00.840 --> 0:20:03.080
<v Speaker 1>to see you and Ricky doing this show for years

0:20:03.080 --> 0:20:05.200
<v Speaker 1>to come. Good luck as it goes to lives, We'll

0:20:05.240 --> 0:20:05.600
<v Speaker 1>all be.

0:20:05.560 --> 0:20:07.800
<v Speaker 3>Watching come out, come out again. If you're allowed or

0:20:07.840 --> 0:20:12.080
<v Speaker 3>if you want it, you Travesa, I'm allowed, come out,

0:20:12.119 --> 0:20:12.760
<v Speaker 3>I'll let you in.

0:20:13.000 --> 0:20:13.440
<v Speaker 1>Amazing.

0:20:13.720 --> 0:20:15.040
<v Speaker 3>Did you come backstage last year?

0:20:15.080 --> 0:20:15.280
<v Speaker 2>You did?

0:20:15.440 --> 0:20:15.560
<v Speaker 3>No?

0:20:15.640 --> 0:20:17.000
<v Speaker 1>I didn't, but I mean I think there was a

0:20:17.000 --> 0:20:20.000
<v Speaker 1>conversation about it. But it was also Marti Gras, and

0:20:20.040 --> 0:20:22.920
<v Speaker 1>so there was a bus leaving and I was like, well,

0:20:22.960 --> 0:20:25.080
<v Speaker 1>Channel seven's paying for me to be here and I'm

0:20:25.160 --> 0:20:27.840
<v Speaker 1>staying in a hotel, which, by the way, during Marti

0:20:27.880 --> 0:20:30.240
<v Speaker 1>Gras is like one million dollars to have a hotel.

0:20:30.280 --> 0:20:32.639
<v Speaker 1>So I was like, take me to Marti Gras. However,

0:20:33.160 --> 0:20:36.040
<v Speaker 1>this time around, you are my Marti Grass. So I'll

0:20:36.040 --> 0:20:36.880
<v Speaker 1>come backstage.

0:20:37.200 --> 0:20:39.480
<v Speaker 3>Mantogra's happening again this year, so you can do the doubleheader.

0:20:39.600 --> 0:20:42.040
<v Speaker 3>You can do that, you can do the Saturday night show.

0:20:42.119 --> 0:20:42.919
<v Speaker 3>Then we'll go out.

0:20:43.200 --> 0:20:44.959
<v Speaker 1>My partner goes to me yesterday, he goes, you're going

0:20:44.960 --> 0:20:46.359
<v Speaker 1>to Marti Gras this year, and I go, why do

0:20:46.400 --> 0:20:48.399
<v Speaker 1>you say you? Like, wouldn't we both be going? And

0:20:48.440 --> 0:20:50.000
<v Speaker 1>he goes, well, you went last year without me because

0:20:50.000 --> 0:20:51.680
<v Speaker 1>you went to Australian Idol. And then you went, and

0:20:51.760 --> 0:20:53.399
<v Speaker 1>I was like, what a day that was?

0:20:53.520 --> 0:20:54.920
<v Speaker 3>What a day?

0:20:54.920 --> 0:20:58.800
<v Speaker 2>Anyway, so good, we'll get again later the season.

0:20:59.119 --> 0:20:59.600
<v Speaker 1>Sounds good.

0:21:00.000 --> 0:21:03.240
<v Speaker 3>Expand schies, yeah, I