1 00:00:00,480 --> 00:00:03,880 Speaker 1: Jonesy and Amanda in the Morning seven. 2 00:00:08,880 --> 00:00:11,559 Speaker 2: It's been fifteen years since Ricky Lee became a household 3 00:00:11,640 --> 00:00:14,120 Speaker 2: name on Australian idol. This is the first new song 4 00:00:14,120 --> 00:00:16,200 Speaker 2: in two years. It's called last Night. It went to 5 00:00:16,280 --> 00:00:20,400 Speaker 2: number one on iTunes. It's already Ricky Lee high. 6 00:00:20,840 --> 00:00:23,880 Speaker 1: Good morning, How are you hey? 7 00:00:23,960 --> 00:00:27,560 Speaker 2: With that deep voice, it sounds like you're Luca vanros Vandross. 8 00:00:27,560 --> 00:00:28,600 Speaker 3: But that's you, is it? 9 00:00:29,080 --> 00:00:32,279 Speaker 1: Yeah, it's that that that low bit is like a 10 00:00:32,320 --> 00:00:34,960 Speaker 1: sampled version of my own vocal. It's like, I don't know, 11 00:00:35,200 --> 00:00:37,519 Speaker 1: but like something that the cool DJs dovies. 12 00:00:38,200 --> 00:00:40,360 Speaker 4: I thought that was someone else. So this is a 13 00:00:40,400 --> 00:00:40,960 Speaker 4: thing now. 14 00:00:41,720 --> 00:00:44,640 Speaker 1: Yeah, I've been asked so many times, who's that guy 15 00:00:44,840 --> 00:00:47,479 Speaker 1: singing in your song with you? And it's just me. 16 00:00:47,720 --> 00:00:48,280 Speaker 4: That's me. 17 00:00:48,400 --> 00:00:50,600 Speaker 1: But if it's something that they do, they it's like 18 00:00:50,600 --> 00:00:52,880 Speaker 1: a vocal effect that you put on and you pitch 19 00:00:53,000 --> 00:00:55,560 Speaker 1: my voice down a couple of tones and a couple 20 00:00:55,600 --> 00:00:56,400 Speaker 1: of octaves, and. 21 00:00:56,360 --> 00:00:58,600 Speaker 4: Yeah, makes it easy when you go on tour. You 22 00:00:58,600 --> 00:00:59,880 Speaker 4: don't have to worry about paying him. 23 00:01:00,120 --> 00:01:02,440 Speaker 1: Oh my god, it means that I can drink champagne 24 00:01:02,480 --> 00:01:02,760 Speaker 1: all that. 25 00:01:03,080 --> 00:01:04,679 Speaker 5: Well, are you going to be careful with the champagne. 26 00:01:04,720 --> 00:01:08,000 Speaker 5: Remember the bottle the core? Yes, did you remember that story? 27 00:01:08,120 --> 00:01:10,480 Speaker 5: Ricky said, You're up on the Gold Coast and you 28 00:01:10,680 --> 00:01:12,880 Speaker 5: sha the champagne hit you in the eye and almost 29 00:01:12,880 --> 00:01:13,640 Speaker 5: took your eye out. 30 00:01:14,040 --> 00:01:16,000 Speaker 1: Yeah, so I was. I was just about to get 31 00:01:16,040 --> 00:01:17,760 Speaker 1: on a plane. Actually, I was about to leave. So 32 00:01:17,920 --> 00:01:19,720 Speaker 1: my mom said, here, Ricky opened this, we'll have an 33 00:01:19,840 --> 00:01:22,040 Speaker 1: we'll have a little bottle before you go. And I 34 00:01:22,080 --> 00:01:24,200 Speaker 1: went to open the bottle and I leant i'd kind 35 00:01:24,200 --> 00:01:26,440 Speaker 1: of taken the cage off with the gold case off 36 00:01:26,480 --> 00:01:28,200 Speaker 1: the top of it, and I leant over it, and 37 00:01:28,280 --> 00:01:30,160 Speaker 1: my little sister came over to give me a cuddle, 38 00:01:30,440 --> 00:01:32,240 Speaker 1: and I'd kind of leant forward to give her a cuddle, 39 00:01:32,240 --> 00:01:34,760 Speaker 1: and it popped straight in my eye. So, yeah, that 40 00:01:34,880 --> 00:01:35,720 Speaker 1: was not a fun time. 41 00:01:36,280 --> 00:01:37,880 Speaker 3: Twist tops for you from now on. 42 00:01:38,280 --> 00:01:41,160 Speaker 1: Yeah, absolutely all right. But every time it's like I've 43 00:01:41,160 --> 00:01:44,399 Speaker 1: got PTSD. Every time I see somebody take the cage 44 00:01:44,400 --> 00:01:46,920 Speaker 1: off and not put their hand on it, I like scream, 45 00:01:46,959 --> 00:01:50,240 Speaker 1: I'm like, put your hand over it. Frisked me out. 46 00:01:50,520 --> 00:01:54,800 Speaker 2: You write a fabulous song, You write the catchiest songs. 47 00:01:55,440 --> 00:01:57,120 Speaker 3: How do they come to you? Do you hear the 48 00:01:57,880 --> 00:02:00,480 Speaker 3: music first? How does it happen for me. 49 00:02:00,680 --> 00:02:04,200 Speaker 1: I think I get really inspired by the music. So 50 00:02:04,760 --> 00:02:07,360 Speaker 1: I like to start off going into the room and 51 00:02:07,560 --> 00:02:10,720 Speaker 1: we'll kind of build some music first. So in the 52 00:02:10,760 --> 00:02:13,480 Speaker 1: case of last Night, this latest single, I knew that 53 00:02:13,520 --> 00:02:16,760 Speaker 1: I wanted big pianos. I wanted it to be feel good. 54 00:02:16,760 --> 00:02:19,200 Speaker 1: I wanted an anthemic. I wanted it to feel uplifting. 55 00:02:19,320 --> 00:02:20,959 Speaker 1: I wanted it to be a sing along kind of 56 00:02:21,040 --> 00:02:24,280 Speaker 1: anthemic type song. And so once those pianos came in, 57 00:02:24,520 --> 00:02:26,760 Speaker 1: you just kind of start humming melodies and kind of 58 00:02:26,840 --> 00:02:29,840 Speaker 1: riffing and coming up with words that fit whatever melody 59 00:02:29,919 --> 00:02:32,440 Speaker 1: is you're singing. And this one actually we wrote really quickly. 60 00:02:32,480 --> 00:02:34,360 Speaker 1: We wrote this song in about four hours. 61 00:02:34,600 --> 00:02:36,679 Speaker 4: This is how you met your husband, Richard. This is 62 00:02:36,720 --> 00:02:37,720 Speaker 4: what it's about. 63 00:02:37,960 --> 00:02:41,280 Speaker 1: Yeah, this song, it's a little bit of reminiscing. This song. 64 00:02:41,360 --> 00:02:43,760 Speaker 1: It's reminiscing about the first night that we met. It's 65 00:02:43,760 --> 00:02:46,000 Speaker 1: a bit romantic, it's a bit sexy, you know, and 66 00:02:46,040 --> 00:02:50,600 Speaker 1: it's I really like it because I think as a songwriter, 67 00:02:50,680 --> 00:02:55,360 Speaker 1: there are there are certain songs that represent defining moments 68 00:02:55,360 --> 00:02:58,040 Speaker 1: in your life that you try and write those songs 69 00:02:58,080 --> 00:02:59,840 Speaker 1: over and over and over and over. Again. You know, 70 00:02:59,880 --> 00:03:03,240 Speaker 1: I've tried to write this Zach song one hundred and 71 00:03:03,320 --> 00:03:06,880 Speaker 1: twenty thousand times before, and so to actually nail it 72 00:03:06,919 --> 00:03:09,440 Speaker 1: with this one, I can finally move on and write 73 00:03:09,440 --> 00:03:10,320 Speaker 1: about something else. 74 00:03:11,000 --> 00:03:13,960 Speaker 3: And the film clip you filmed yourself at home? 75 00:03:15,000 --> 00:03:18,200 Speaker 1: Yeah weird. Hey, So so you know, everything's a bit 76 00:03:18,280 --> 00:03:21,840 Speaker 1: strange right now. You know, the all of the restrictions 77 00:03:21,840 --> 00:03:25,280 Speaker 1: had just come into place around the time that we 78 00:03:25,400 --> 00:03:27,040 Speaker 1: decided that we were going to put this song out. 79 00:03:27,120 --> 00:03:29,640 Speaker 1: And lucky for me, I've got you know, it's not 80 00:03:29,720 --> 00:03:31,639 Speaker 1: about what, isn't it. It's not what you know, it's 81 00:03:31,639 --> 00:03:34,839 Speaker 1: who you know. I have good friends who a good 82 00:03:34,840 --> 00:03:37,480 Speaker 1: friend who was a director. And he said, Ricky, we're 83 00:03:37,480 --> 00:03:39,480 Speaker 1: shooting this video. I don't care. I don't care, I 84 00:03:39,520 --> 00:03:42,880 Speaker 1: don't care what's going on. I'm sending He sent cameras 85 00:03:42,920 --> 00:03:48,880 Speaker 1: around to my house, stands colored like background lighting, like 86 00:03:48,920 --> 00:03:52,080 Speaker 1: I had a full studio setup. He spent all of 87 00:03:52,120 --> 00:03:54,480 Speaker 1: the year to my house, and then he was on 88 00:03:54,600 --> 00:03:57,240 Speaker 1: zoom and he was directing me how to like set 89 00:03:57,320 --> 00:04:00,000 Speaker 1: up the camera, go through all the settings and told 90 00:04:00,120 --> 00:04:01,920 Speaker 1: me how to set everything up. And then he sat 91 00:04:02,040 --> 00:04:06,080 Speaker 1: basically under the camera on zoom yelling out directions at 92 00:04:06,080 --> 00:04:09,400 Speaker 1: me as we were going ever take. It was fantastic, 93 00:04:09,680 --> 00:04:13,080 Speaker 1: and my poor husband, Richard was on the tools. He 94 00:04:13,200 --> 00:04:17,080 Speaker 1: was on the wind machine. Right, he was on wind machine, Judies, 95 00:04:17,120 --> 00:04:19,960 Speaker 1: because you can't do a music video without having Beyonce hair. 96 00:04:20,839 --> 00:04:23,320 Speaker 1: He has the hair dryer and was blowing my hair 97 00:04:23,360 --> 00:04:25,320 Speaker 1: and we were fighting because I was yelling at him 98 00:04:25,360 --> 00:04:27,240 Speaker 1: and I was like, no, you're not blowing it right 99 00:04:27,480 --> 00:04:27,880 Speaker 1: too much? 100 00:04:27,920 --> 00:04:31,520 Speaker 5: Wind All husbands, All husbands a wind machines? 101 00:04:31,760 --> 00:04:33,320 Speaker 1: No, no, really they are, aren't they? 102 00:04:33,640 --> 00:04:37,000 Speaker 4: Well, because Richard, he's your manager, how does that work out? 103 00:04:37,520 --> 00:04:40,320 Speaker 1: It's look, sometimes it can get tough. I'm not going 104 00:04:40,400 --> 00:04:43,839 Speaker 1: to lie. It's we have a very good work life balance. 105 00:04:44,279 --> 00:04:47,120 Speaker 1: Sometimes it is hard because he is the one that 106 00:04:47,200 --> 00:04:50,240 Speaker 1: has to have harsh conversations with me. We have to 107 00:04:50,279 --> 00:04:55,520 Speaker 1: talk very real and talk about me. I guess like 108 00:04:55,800 --> 00:04:59,719 Speaker 1: I'm a product in some ways, and as a human 109 00:05:00,200 --> 00:05:03,320 Speaker 1: we have emotions and as an artist, we're very sensitive. 110 00:05:03,360 --> 00:05:06,719 Speaker 1: So sometimes it gets hard. But I've learned that over 111 00:05:06,760 --> 00:05:09,159 Speaker 1: the years that when we're talking about work and we're 112 00:05:09,160 --> 00:05:14,239 Speaker 1: talking about music and we're talking about Korea, he only 113 00:05:14,240 --> 00:05:16,760 Speaker 1: has my best interest at heart, and so I don't 114 00:05:16,760 --> 00:05:19,120 Speaker 1: take offense to anything that he says. Sometimes it can 115 00:05:19,160 --> 00:05:20,600 Speaker 1: be hard to cop some of the things on the 116 00:05:20,680 --> 00:05:25,040 Speaker 1: chin because he is quite brutal. He's very, very, very honest, 117 00:05:25,160 --> 00:05:27,560 Speaker 1: and I think that's the best thing about him and 118 00:05:27,600 --> 00:05:29,920 Speaker 1: about us and why we work so well, because he 119 00:05:29,960 --> 00:05:33,000 Speaker 1: doesn't puss his foot around anything. He tells me the truth. 120 00:05:33,040 --> 00:05:36,000 Speaker 1: He tells it to me straight, and sometimes it can 121 00:05:36,080 --> 00:05:38,159 Speaker 1: be hard to take, but I know, I know that 122 00:05:38,240 --> 00:05:40,600 Speaker 1: it's coming from the best place. And sometimes he can 123 00:05:40,640 --> 00:05:43,320 Speaker 1: see things a lot clearer than me because I am 124 00:05:44,000 --> 00:05:46,159 Speaker 1: an artist and I am sensitive and I get caught 125 00:05:46,240 --> 00:05:48,279 Speaker 1: up in my creativity and all of that stuff. 126 00:05:48,560 --> 00:05:50,279 Speaker 3: Is that why he suggested he put himself in the 127 00:05:50,279 --> 00:05:54,280 Speaker 3: field place? Yeah, exactly, cotageous. 128 00:05:53,960 --> 00:05:57,480 Speaker 4: Yeah, that's right. Yeah. And you can't complain being screwed 129 00:05:57,520 --> 00:05:59,240 Speaker 4: by your manager either, I know. 130 00:05:59,279 --> 00:06:01,960 Speaker 1: Right, he like And what's awesome is I don't have 131 00:06:02,080 --> 00:06:03,440 Speaker 1: to pay him a commission. 132 00:06:03,600 --> 00:06:04,039 Speaker 3: There you go. 133 00:06:04,200 --> 00:06:07,960 Speaker 5: It's constantly giving, like that backup, that backup singer that 134 00:06:08,000 --> 00:06:09,720 Speaker 5: sounds like you. 135 00:06:09,839 --> 00:06:11,559 Speaker 1: Yeah, yeah, I get it for free. Baby. 136 00:06:11,880 --> 00:06:13,960 Speaker 4: You're just a big tight ass Ricky Lee. That's what 137 00:06:14,000 --> 00:06:14,400 Speaker 4: it is. 138 00:06:16,400 --> 00:06:18,200 Speaker 5: It's always great to talk to you. The new single 139 00:06:18,279 --> 00:06:20,120 Speaker 5: Last Night let's hear it again. We love that song. 140 00:06:20,160 --> 00:06:25,359 Speaker 5: It's so good, only I like when Ricky sounds deep. 141 00:06:26,240 --> 00:06:28,640 Speaker 5: Cot it up now it's like a party and. 142 00:06:28,720 --> 00:06:29,680 Speaker 3: She goes Luther. 143 00:06:35,600 --> 00:06:36,200 Speaker 4: He comes. 144 00:06:42,400 --> 00:06:43,679 Speaker 3: Nice to talk to you, Ricky Lee. 145 00:06:43,760 --> 00:06:46,920 Speaker 1: Thank you so much, you guys, you and thank you 146 00:06:46,920 --> 00:06:50,120 Speaker 1: you to take it easy. Join and Amanda, good morning 147 00:06:50,400 --> 00:06:51,680 Speaker 1: at one point seven. Tell you