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Speaker 1: There is a kid's character it's been affected. His name

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Speaker 1: is Bluey. Very sad. Episode apparently released today. I have

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Speaker 1: been meaning to watch that all afternoon, but I haven't.

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Speaker 1: But apparently it's about houses, and I don't want to

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Speaker 1: give way too many spoilers, but very sad. Apparently a

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Speaker 1: lot of adults are crying as well, devastated. Yeah, sad, God,

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Speaker 1: is something bad out of the house.

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Speaker 2: I've heard, I've heard through a conversation, what what has happened?

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Speaker 2: But again, I don't want to give any spoils.

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Speaker 1: Like a haunting, under conjuring or something.

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Speaker 2: No, no haunting. Blue is the kids show, strung up

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Speaker 2: by his That's kids, That's kids show show.

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Speaker 1: Will He's up? Could have been anyway. So there is

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Speaker 1: something quite belittling and very humor about crying and a

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Speaker 1: kid's thing though, because it's it's equal parts nostalgic, equal

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Speaker 1: parts good writing. And when they when they suck a

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Speaker 1: punch you in the face like you really do cry

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Speaker 1: like no adult film can make you do. Because they're

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Speaker 1: so basic. It's often it's based on very basic principles.

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Speaker 1: Kids like things to be in black and white, and

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Speaker 1: they're often dealing with concepts which children aren't quite yet understanding,

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Speaker 1: so they have to layer it on thick and beautifully.

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Speaker 2: And also when not expecting it, you're watching a movie

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Speaker 2: with eighteen month old daughter, You're like, this is gonna

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Speaker 2: be fine, a bit of fun, yeah, and then selling

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Speaker 2: happened and it hits you.

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Speaker 1: Ah, mate, Captain feather swawd the other day, you know,

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Speaker 1: I thought he was lost it, so he came back

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Speaker 1: still dancing totally wild. I lost it, but I'd love

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Speaker 1: to hear I mean.

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Speaker 2: Different character.

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Speaker 1: I love even people right now. Third, when I thinks

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Speaker 1: five with, which moment in a kid's show or movie

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Speaker 1: still gets you on thirty one?

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Speaker 3: Lad?

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Speaker 1: And it's got to be a pretty much because as

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Speaker 1: I started watching kids movie, Max has just started watching

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Speaker 1: kids movies. I actually got her into movies and she's

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Speaker 1: never been interested. It's always been YouTube clips of farm

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Speaker 1: animals largely. But now she's into kids movies. And I

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Speaker 1: was like, let's watch a movie and we chucked on

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Speaker 1: Finding Nemo the other day, and those bastards do you

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Speaker 1: in the first thirty seconds Coral Coral to get there

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Speaker 1: there and he finds the only little one left. It's

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Speaker 1: really sad. I explained to Max. In reality, fish have

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Speaker 1: millions of sperm. They fertilized the eggs outside and if

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Speaker 1: he found one left, he'd probably eat it.

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Speaker 2: And that's good chat for your one year old.

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Speaker 1: Well, I just wanted to, like, you know, just kill

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Speaker 1: the emotion in the room like a good heterosexual father.

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Speaker 2: Yeah. Nice. I I was watching Inside Out with Renny.

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Speaker 1: Oh that's a god kills you.

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Speaker 2: And this is a slight spoiler, So if you haven't

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Speaker 2: seen Inside Out, just dim the vole for about thirty six.

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Speaker 2: There is a moment in Inside Out where a character

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Speaker 2: called bing Bong sacrifices himself when they're trying to fly

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Speaker 2: out of effectively a memory trench. A memory trench. Yeah,

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Speaker 2: I appreciate it. That's a little bit esoteric. But here's

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Speaker 2: the moment that she realizes that bing Bong sacrificed himself.

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Speaker 2: We did it then, bog bengong Ye, you made it.

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Speaker 1: Take her to the mood for me? Okay? Oh God,

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Speaker 1: that is he's so happy that he's giving, he's giving

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Speaker 1: to her. It's good stuff. Oh now the other one,

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Speaker 1: I mean, I mean, this one is you know the

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Speaker 1: classic scene. Really, this is the one that I still

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Speaker 1: kind of listened to it. I was looking at it.

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Speaker 1: I was looking at audio. It's right, guys, look at

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Speaker 1: my own audio on this show, look at my own

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Speaker 1: audio before. And I was like, I think this is

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Speaker 1: the first thing that probably made me cry in a movie.

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Speaker 1: Oh dad, Oh no, get up. This is not a

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Speaker 1: kid's film. This is not a kid's film.

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Speaker 2: He's nestling into him, isn't he.

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Speaker 1: Somebody?

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Speaker 3: Now?

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Speaker 1: I realized after I got my audio for this bit

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Speaker 1: that in both of them, it's about a child healing

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Speaker 1: a potentially traumatic or resolving a potentially traumatic relationship with

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Speaker 1: a father figure. That asked lots of questions of me.

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Speaker 1: I'm sure a lot of the creators have animated movies.

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Speaker 1: I think it's pretty hectic. I think Bluey dies, and

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Speaker 1: I think it's a crucifixion, which is wild, which is

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Speaker 1: why for a dog, an animated dog. But they wanted

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Speaker 1: to they wanted to put it in a different genre.

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Speaker 1: And if you're going to do it, traumatic, bloody death,

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Speaker 1: and I think that's what.

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Speaker 2: It's clever from there, clever kids show. Let's let's crack in, guys.

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Speaker 1: To which kids shows gets you? Jordan on thirty six five, George, Hello,

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Speaker 1: what what? What scene as an adult still makes you cry.

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Speaker 3: It would be the one in the first Shrek movie

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Speaker 3: where Shrek is storming back to his swamp and he

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Speaker 3: pretty much tells Donkey to just go away and have

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Speaker 3: many friends. But then when you realize, you know, in

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Speaker 3: the movie, he's got track and for you owner, that's

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Speaker 3: like all he needs, Like you don't need the whole world.

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Speaker 1: You remember the massive relationship? Yes, I love that.

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Speaker 2: Great example.

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Speaker 1: Great example, great example.

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Speaker 2: All got a Christian here? And Christian?

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Speaker 1: That is sad, isn't it? Can I wait at the start?

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Speaker 1: Can I stay with you? It's he's so pathetic.

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Speaker 2: To guy in the modern I'm making waffles.

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Speaker 1: Yeah, it's like you know that saying.

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Speaker 2: Christian, this show got here mate?

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Speaker 4: Hey boys, so it was how to train your Dragon.

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Speaker 2: To Oh these ones get you? I go on, what's

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Speaker 2: the moment.

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Speaker 4: So there's two womans in the movie that always bring

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Speaker 4: a tear to my eye. There's one where the main

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Speaker 4: character's dad gets reunited with his wife that he's thought

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Speaker 4: has been dead for like eighteen.

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Speaker 5: Years, and yeah, she's saying, like, you know, yell at me,

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Speaker 5: you know, say something, And the only thing he can

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Speaker 5: say is that she's as beautiful as the day that

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Speaker 5: he lost her.

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Speaker 1: Oh wow, really good.

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Speaker 4: And then subsequently, probably half an hour later in the movie,

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Speaker 4: the dad gets killed.

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Speaker 1: Oh wow, Well there for anyone who has had that

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Speaker 1: pen for their midnight midweek movie.

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Speaker 2: Still worth watching, even if you know now the story, Jess, Jess,

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Speaker 2: what made you cry? What kids movie or TV show

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Speaker 2: made you cry?

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Speaker 3: Toy story three, the toy story.

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Speaker 2: The tip of the furnace. Is that what we're talking about.

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Speaker 3: The very very end, when Andy hands over his toy

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Speaker 3: to Bonnie and he drives away, it's like, that's right

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Speaker 3: in the field.

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Speaker 1: Yeah, I feel like there's a number of reallys. There's

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Speaker 1: also a really wonderful conversation between Jesse and Woody right

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Speaker 1: at the end of that movie, which always made me

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Speaker 1: cry as well. It was really hectic.

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Speaker 2: It's always very This is.

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Speaker 1: Jesse, the roughest, toughest cowgirl in the whole West. She

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Speaker 1: loves critters, but none more on her best pal, Bullseye.

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Speaker 2: That seemed like a happy scene.

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Speaker 1: Anyway.

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Speaker 2: Let's go to Morgan.

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Speaker 1: Because he's explaining his toys to another kid. Sorry that

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Speaker 1: he's explained. He's like that, I'm too old. For these

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Speaker 1: Now this is what this is how you play with them?

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Speaker 2: The ball picked it Up Morgan Him Morgan Kids movie

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Speaker 2: that made you cry.

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Speaker 1: Conceptually, these can be hard to understand. It In the

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Speaker 1: film Yeah, did you just say up.

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Speaker 6: Yeah and up yeah? The first ten minutes that movie

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Speaker 6: had like no dialogue at all. It shows you the

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Speaker 6: relationship for the main character and his wife, and they're

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Speaker 6: like it and growing up together and they can't fall pregnant,

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Speaker 6: and then you know, by the end of it, she

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Speaker 6: sadly passed away. There he is all alone and grumpy

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Speaker 6: in his house and everything, and it's heartbreaking.

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Speaker 1: But it needs it because it gives him so much texture.

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Speaker 1: It's hard to.

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Speaker 2: Get through the first ten.

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Speaker 1: You just struggled with the first ten.

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Speaker 2: I don't I'll get I don't have the strength. I

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Speaker 2: was crying ten minutes into a film. It's like, you

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Speaker 2: don't usually cry this early. Yeah, It's like, how am

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Speaker 2: I going to sit through this for another For me

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Speaker 2: that it's.

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Speaker 1: Just paid it Like, if they've got me crying in

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Speaker 1: the first ten, I'm like, who could, like, you know,

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Speaker 1: just bring over the suffering truck and just dump it

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Speaker 1: on me. Let's go to Loretta on. I mean, that's why,

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Speaker 1: that's why I like art. I realized that recently human suffering.

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Speaker 1: Loretta on thirty one and six talk to me what kids?

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Speaker 1: She always gets you.

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Speaker 7: It's my Anna when she goes that into a little

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Speaker 7: boat and the grandmother passed away and then you see

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Speaker 7: the spirit come around her and oh god.

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Speaker 1: There was spoiler there as well for everyone who had

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Speaker 1: that penned in for a cheese in it movie.

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Speaker 2: I haven't seen it. So Grandma dies and comes back.

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Speaker 1: That was the.

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Speaker 2: Happy Give us a call right now. Thirteen one oh

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Speaker 2: sixty five is our number if you or someone you

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Speaker 2: know has had a massive tech blunder, blunder tech under

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Speaker 2: what was a blunder?

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Speaker 1: All right?

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Speaker 2: Then we get it live? Did that live everyone? Just

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Speaker 2: so you know that was not a recorded bit. That

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Speaker 2: was a live live bit anyway. Yeah, so tech blunder,

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Speaker 2: if you've had one, give us a call, and I

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Speaker 2: think double points underwhelming? Was that underwhelming? That was a shame?

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Speaker 2: I hope in car speakers that sounded bloody or because

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Speaker 2: you came.

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Speaker 1: In here and you're like, we're going to do that

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Speaker 1: thing live with turncoat time and I was like, wow,

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Speaker 1: here we go live bit, let's do it involving sound effects. Well,

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Speaker 1: I can't, speaking of behalf of everyone who thought that. Well,

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Speaker 1: you're not in a car.

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Speaker 2: You're not in a car with subwoofers. So maybe in

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Speaker 2: a car with a good sounds in.

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Speaker 1: A radio studio with probably with a good sound system.

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Speaker 2: Fair point. Now let's go back to what I'm after, though,

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Speaker 2: tech blunders double points if it leads to devastating consequences.

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Speaker 2: Because in the news today a lawyer by the name

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Speaker 2: of Aisha var Dag, who is also known as the

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Speaker 2: Diva of Divorce. She's a divorce lawyer. Wow, self proclaimed name,

201
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Speaker 2: the Diva of divorce. You want to get divorced, you

202
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Speaker 2: go and see the Diva bar Dag var Dag. Anyway,

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Speaker 2: she's online, she's online registering a divorce. She hits a

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Speaker 2: wrong button and divorces the wrong couple and blunder. Tech blunder.

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Speaker 2: If you've got one, call thirty very good. So to

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Speaker 2: get this goes to the courts, go to the court.

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Speaker 2: She's like, hey, listen, I hit the wrong button. These

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Speaker 2: couple does not want to get divorced.

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Speaker 1: I can't hit a wrong button to execute a divorce

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Speaker 1: like that. Well, according to the news, how much paper

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Speaker 1: it would be involved in a divorce where you would

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Speaker 1: need like you're you're a marriage celebrate, you know.

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Speaker 2: How to do divorces. I don't believe in divorce.

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Speaker 1: That's not the point. I know. That's I don't have.

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Speaker 2: The power to divorce.

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Speaker 1: I never said you did the power to love. But

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Speaker 1: what you would know is how meticulous you need to

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Speaker 1: be with the names and stuff you need to You

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Speaker 1: need to write the same names down a number of

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Speaker 1: times that documents need to be executed.

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Speaker 2: It was two Williams's, so like she was trying to

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Speaker 2: divorce A Williams and she divorced the wrong Williams. Anyway,

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Speaker 2: went to the court's will and the judge was like,

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Speaker 2: I'm sorry, wrong button or not. That couple is now

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Speaker 2: strange and they're really struggling to reverse their decision.

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Speaker 1: So does that mean that the ramifications are that? Like,

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Speaker 1: are they like do they have to act like a

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Speaker 1: divorced couple now? Like we all like for all, you

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Speaker 1: know what I mean? Yeah, you know what I mean.

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Speaker 2: Well, I don't know, but I can only assume they

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Speaker 2: have to respect the law there and they are in love. Sorry,

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Speaker 2: we're divorced. Now we're divorced and move each other from

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Speaker 2: social media. I'm going to get a bachelor pad, go

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Speaker 2: through a midlife crist and they got kids?

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Speaker 1: Shocking?

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Speaker 2: Uh don't know, don't you?

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Speaker 1: So they would? He just would have got a call

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Speaker 1: and mean, like sorry, mate?

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Speaker 2: What's like that? Austin Powers scene start of Austin Powers two.

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Speaker 2: If people know I'm single again because Vanessa turns out

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Speaker 2: to be a fo I imagine that's what's happening in here.

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Speaker 1: Yeah, well maybe he would have been devastating, lost love

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Speaker 1: his life.

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Speaker 2: Yeah, could be that could be a could he be

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Speaker 2: thirty one? Oh six? Five guys? Tech blunders? Have you

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Speaker 2: or someone you know how one? Did it have devastating consequences?

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Speaker 2: I definitely had one last week. I'm going to get

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Speaker 2: into that after this beautiful track. Oh wasn't that guitar?

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Speaker 2: How about it? What strings that? Well?

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Speaker 1: I think a number of them.

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Speaker 2: Will we're talking tech blunders, blunders, tech blunders? What's your

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Speaker 2: tech blunder? I think I'm getting better. I think I'm

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Speaker 2: getting better at that double points. If it leads to

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Speaker 2: devastating consequences, will I'll kick things off. I know I've

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Speaker 2: got a lot of calls. I promise we'll get to them.

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Speaker 2: But over Easter, my beautiful fiance min bought a record player.

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Speaker 1: Oh no, where'd she get ah?

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Speaker 2: Just it plays the vinyls.

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Speaker 1: Where'd you get it from?

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Speaker 2: Online? I can't. I can't say any more than that. Anyway,

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Speaker 2: I was like, hey, I didn't know you had vinyls.

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Speaker 2: We don't. We didn't, but now we do. Went to

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Speaker 2: a record shop, had never done that before.

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Speaker 1: Very cool, very cool.

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Speaker 2: So I got my favorite album ever, London Grammar if

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Speaker 2: you wait, yeah okay, went home, rushed home, chucked it

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Speaker 2: on the record player.

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Speaker 1: And I was listening to their first or second was

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Speaker 1: their first one? I think like Shire and oh yeahite

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Speaker 1: MEU Yeah.

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Speaker 2: Anyway, I put it on. I'm very excited and then

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Speaker 2: I was like, this is playing in slow motion.

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Speaker 1: Ah yeah yeah.

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Speaker 2: And I was like, oh, bugger, I think I think

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Speaker 2: I've got a dodgy vinyl. So I went back to

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Speaker 2: the vinyl store and I was like, hey, I don't

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Speaker 2: know if you get this.

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Speaker 1: Took it back to the store.

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Speaker 2: Yes, and I said, hey, I don't know I was

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Speaker 2: having before, but this vinyls in slow motion and she

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Speaker 2: he was laughing at this point and I was like, well,

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Speaker 2: it's not funny. I wouldn't mind it been at normal speeding.

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Speaker 2: She was like, you just you have to flick a

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Speaker 2: switch on the side. Let's go to Maria.

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Speaker 1: Change of rubber band underneath it. So you're like, it

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Speaker 1: wasn't that.

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Speaker 2: A rubber band. Let's go to Maria. Maria, we're talking

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Speaker 2: tech blunders. You had a phone blunder? What happened?

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Speaker 8: Oh yeah, this is many moons ago. I think it

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Speaker 8: was back on an old nockiout. I just finished hanging

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Speaker 8: out with a guy like I've been kind of seeing

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Speaker 8: for a little while, and this guy used to read

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Speaker 8: the dictionary before bed.

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Speaker 2: I was just like, okay, so sorry, sorry, sorry, slow

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Speaker 2: down just to learn words or out of enjoyment.

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Speaker 8: I think loanwords.

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Speaker 4: Yeah, as a joke.

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Speaker 1: Actually, like it was a joke.

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Speaker 8: Nah. He was an army dude, so I think it

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Speaker 8: was just.

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Speaker 2: So he just like, I'm hitting these tonight. Is that

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Speaker 2: what he's saying. I guess I'm covering anyway, Sorry, Maria,

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Speaker 2: go on, what was the blonder?

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Speaker 8: So then I was on the way home, like from

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Speaker 8: hanging out with him, and I went to message on

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Speaker 8: my mates and was just like, oh my god, just

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Speaker 8: finishing out hanging out with Sam so boring. I just

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Speaker 8: I cannot do it anymore. And I get a text

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Speaker 8: back immediately from Sam going thanks thanks a lot.

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Speaker 3: Oh.

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Speaker 7: I was just like, oh.

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Speaker 8: My god, I just meant in a while, I was like,

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Speaker 8: how do I get out of it? I just meant

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Speaker 8: that you were just so intelligent that I just I

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Speaker 8: couldn't follow the conversation. That's why I found it boring.

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Speaker 8: And He's like, yeah, okay, I don't think this is

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Speaker 8: going to work. And either way, I'm getting deployed soon,

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Speaker 8: so you know it's not going to work. I was like,

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Speaker 8: all right, no.

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Speaker 2: Worries, nip, Diane, what happened with you tech blunders ah?

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Speaker 9: But it's ane. Come ago. About fifty years ago, friends

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Speaker 9: of mine visit and asked to bring Mick Shirley wedding tape,

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Speaker 9: the one and.

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Speaker 1: Sorry, Diane, just I got to wind back that I've

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Speaker 1: been trying and then trying, where's the accent from? Its thick?

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Speaker 4: It's very South African?

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Speaker 1: Wow wee? And what did you say something about show

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Speaker 1: it in the in the in the wedding or something?

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Speaker 1: What was that?

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Speaker 9: Well, friends of mine bought the videotape to show us

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Speaker 9: to shut one and only, the one and only and

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Speaker 9: watching it and I had finger problems.

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Speaker 2: The one and only what Diane, the one on the video,

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Speaker 2: the one on the tape of the wedding or the

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Speaker 2: wedding to show.

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Speaker 9: You tapes our taped over to canoe Race.

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Speaker 2: It's will and Woodies.

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Speaker 1: Can you put some echo on this? Yes, that's right,

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Speaker 1: Junior producer analysis back in the studio as we decide

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Speaker 1: which generation is more clueless than annuals or the gen

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Speaker 1: Z cheese, the gen Z mouthpiece in this team being

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Speaker 1: a twenty two year three wow.

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Speaker 10: Being like younger though, so I'll take twenty two.

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Speaker 2: Okay, sure, man, and you're in your red wine era

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Speaker 2: at the moment.

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Speaker 1: I let's not going to that. No one cares with

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Speaker 1: names at each other just to figure out which generation

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00:18:21,160 --> 00:18:23,040
Speaker 1: is more clueless with These are big names. These are

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Speaker 1: names that you know, everyone should really know.

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Speaker 2: Although I think you threw a pretty curly one at

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Speaker 2: us last week. Yes, ab, I mean no one knew

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Speaker 2: who this person was.

353
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Speaker 10: Rachel Ziegler.

354
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Speaker 2: God yell, so Ziegler and Brown do barbecues. I know that.

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Speaker 2: So I'm thinking that Rachel Ziegeler is part of the

356
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Speaker 2: Ziegler and Brown.

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Speaker 1: Is it definitely Rachel or is it Riquel?

358
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Speaker 10: It's definitely Rachel.

359
00:18:45,800 --> 00:18:48,240
Speaker 1: Well, Ziegler is the guy who's in charge at the

360
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Speaker 1: Mulin Rouge.

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00:18:49,000 --> 00:18:53,399
Speaker 2: Remember, Okay, so it's Mulin Rouge related or barbecue relator.

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Speaker 1: Neither have you learned?

363
00:18:56,680 --> 00:18:58,560
Speaker 10: You like, we've talked about it enough. Now do you

364
00:18:58,560 --> 00:18:59,199
Speaker 10: know who it is?

365
00:18:59,440 --> 00:19:02,920
Speaker 1: Yeah? She is in the Hunger Games, Rats and Rabbits,

366
00:19:03,080 --> 00:19:05,960
Speaker 1: and she's going to be in the live action replay

367
00:19:06,119 --> 00:19:08,399
Speaker 1: because we can't bother coming up with a new storyline

368
00:19:08,400 --> 00:19:10,159
Speaker 1: of snow white and really perfect.

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00:19:10,520 --> 00:19:12,919
Speaker 2: Who know but how she sells it.

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Speaker 1: But we're gonna listen more names up there, because I

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Speaker 1: mean I was thinking about one before, which I think

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Speaker 1: I'm interested in. Analys Glenn McGrath.

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Speaker 10: Oh, I feel like Taylor switches on the song on him? No, that's.

374
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Speaker 1: I love to hear that. It's Will and Woodies. Can

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00:19:42,119 --> 00:19:48,960
Speaker 1: you put some echo on this? Yeah, Studio producer Analyse

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00:19:49,119 --> 00:19:51,880
Speaker 1: is back in the studio as we try and figure

377
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Speaker 1: out which generation is more clueless, Millennials or gen Z

378
00:19:54,720 --> 00:19:57,359
Speaker 1: cheers obviously the gen Z in the studio. Well, do

379
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Speaker 1: you want to millennials, happily millennials beautiful generation of people.

380
00:20:01,480 --> 00:20:04,320
Speaker 10: Mm, not as beautiful as gen Z now.

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Speaker 2: Before now before the song there, we threw Glenn McGrath

382
00:20:12,080 --> 00:20:14,240
Speaker 2: at you. Your first guest was that Glenn McGrath did

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Speaker 2: a song with Taylor Swift.

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Speaker 11: Yes, because but I mistake that for Tim McGrath, which

385
00:20:19,080 --> 00:20:21,679
Speaker 11: was the song. I think Glen McGrath is a cricketer.

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Speaker 1: Yeah, very good, well done and Glenn McGrath so I

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Speaker 1: think you gotta go now?

388
00:20:28,240 --> 00:20:28,800
Speaker 2: Yes?

389
00:20:28,920 --> 00:20:32,720
Speaker 10: Oh yeah cool. So guys, do you know who Sabrina

390
00:20:32,760 --> 00:20:33,560
Speaker 10: Carpenter is?

391
00:20:33,800 --> 00:20:37,960
Speaker 1: Yes, Barry she opened for Taylor Swift. Yes, she did

392
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Speaker 1: Chippy herself.

393
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Speaker 10: I wanted to give you one early.

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Speaker 1: Okay, if I said to you, unters and collectors, what

395
00:20:49,280 --> 00:20:50,200
Speaker 1: are you thinking.

396
00:20:50,640 --> 00:20:53,520
Speaker 10: That vintage show with the one where they go that's antiques?

397
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Speaker 1: B Yeah?

398
00:20:58,720 --> 00:21:02,800
Speaker 2: No, I go again. What's it called? Hunters and collectors

399
00:21:02,080 --> 00:21:04,880
Speaker 2: and hunters and collector eat?

400
00:21:04,880 --> 00:21:08,800
Speaker 1: What you combined amazingly was bargain hunters. Yes, with the

401
00:21:08,880 --> 00:21:10,080
Speaker 1: collectors on antique.

402
00:21:11,280 --> 00:21:12,360
Speaker 2: Quite clever, brilliant show.

403
00:21:12,440 --> 00:21:18,320
Speaker 11: Let's make it so un collectors, I'd go with some

404
00:21:18,359 --> 00:21:20,199
Speaker 11: sort of grunge music album.

405
00:21:20,359 --> 00:21:24,600
Speaker 1: Ah, not bad. They are a band. I wouldn't call

406
00:21:24,640 --> 00:21:26,120
Speaker 1: them a grunge band, but.

407
00:21:29,440 --> 00:21:32,360
Speaker 10: I oh no, not really. I was gonna pretend I did,

408
00:21:32,400 --> 00:21:32,920
Speaker 10: but I don't.

409
00:21:34,640 --> 00:21:35,479
Speaker 1: Oh, yes, you don't know.

410
00:21:35,640 --> 00:21:36,320
Speaker 10: I keep forgetting that.

411
00:21:36,359 --> 00:21:36,760
Speaker 2: I get to go.

412
00:21:38,160 --> 00:21:39,960
Speaker 10: So who's Riley Key?

413
00:21:39,960 --> 00:21:45,639
Speaker 2: Oh, I've seen the name. I've seen the name that

414
00:21:45,720 --> 00:21:49,199
Speaker 2: a boy could go. It could could very much go

415
00:21:49,280 --> 00:21:53,120
Speaker 2: either way, very gender neutral kind of name. Riley Riley Key.

416
00:21:54,080 --> 00:21:55,240
Speaker 1: Maybe where I seeing that?

417
00:21:57,400 --> 00:22:06,920
Speaker 2: Well, yo, yo you Riley. She is a singer, Yeah, yeah,

418
00:22:07,000 --> 00:22:10,080
Speaker 2: big singer. Yes, we're huge on TikTok and yeah we

419
00:22:10,400 --> 00:22:11,560
Speaker 2: spin her here and we bloody lover.

420
00:22:11,840 --> 00:22:14,959
Speaker 10: You're partly right. You're not right there though, come on.

421
00:22:18,160 --> 00:22:22,600
Speaker 11: She yes, was in Daisy Jones in the Cities.

422
00:22:23,160 --> 00:22:24,879
Speaker 1: Hear about that one more time? Why don't she?

423
00:22:25,160 --> 00:22:28,199
Speaker 10: Olivis Presley's granddaughter, and.

424
00:22:29,320 --> 00:22:33,120
Speaker 1: Yeah, awesome. You watch Daisy Jones and the Ship.

425
00:22:33,359 --> 00:22:36,040
Speaker 2: Yeah, and it's awesome, the best show ever. It could

426
00:22:36,040 --> 00:22:39,760
Speaker 2: be the best show ever. And she's great, it's great.

427
00:22:39,800 --> 00:22:41,600
Speaker 1: It's just fleet it's just wonder. They just call it.

428
00:22:41,720 --> 00:22:43,520
Speaker 1: We've ripped Fleetwood, Max lives.

429
00:22:43,800 --> 00:22:45,960
Speaker 2: It's a great laughter so to rip. So it's great

430
00:22:46,000 --> 00:22:48,760
Speaker 2: to watch. Awesome. Anyway, I'm going to throw one at

431
00:22:48,800 --> 00:22:49,240
Speaker 2: you here.

432
00:22:49,960 --> 00:22:54,160
Speaker 1: And Daisy Jones, and I'll read the book for We've

433
00:22:54,160 --> 00:22:55,399
Speaker 1: read the book Buddy Earth.

434
00:22:55,440 --> 00:22:58,240
Speaker 2: I read all of Taylor Jenkins Jones's work. That's the

435
00:22:58,400 --> 00:23:01,560
Speaker 2: that's the writer. Anyway, Okay, if I said to you

436
00:23:02,119 --> 00:23:07,040
Speaker 2: Bo's phrase Burgo's trays comes to the mind.

437
00:23:08,119 --> 00:23:12,800
Speaker 11: Drive through fast food Burgo give him like like in

438
00:23:12,840 --> 00:23:16,040
Speaker 11: and out or something like Burgo Burgo.

439
00:23:18,400 --> 00:23:20,680
Speaker 1: By the way, just unbelievable references.

440
00:23:20,760 --> 00:23:24,119
Speaker 2: Just the most amazing Australian television show ever hosted by

441
00:23:24,160 --> 00:23:26,280
Speaker 2: the one only John Burgess, who obviously.

442
00:23:25,920 --> 00:23:27,600
Speaker 10: Know my bestie.

443
00:23:29,440 --> 00:23:31,400
Speaker 1: Who was John exactly?

444
00:23:31,600 --> 00:23:32,480
Speaker 2: I actually don't know.

445
00:23:36,760 --> 00:23:39,840
Speaker 1: Luke Kegy's in the Studio's at the comedy festival right now. Hey,

446
00:23:40,040 --> 00:23:43,199
Speaker 1: look the show is largely about Bogan's is that right?

447
00:23:43,560 --> 00:23:46,119
Speaker 12: No, that's not I'm just not rolling Grogan with no,

448
00:23:46,160 --> 00:23:48,679
Speaker 12: not really, it's just a bunch of stuff that it's

449
00:23:48,680 --> 00:23:50,120
Speaker 12: annoyed me since the last time I wrote.

450
00:23:50,440 --> 00:23:52,640
Speaker 1: Is there anything in particular that has annoyed it since

451
00:23:52,640 --> 00:23:53,000
Speaker 1: the last?

452
00:23:54,040 --> 00:23:56,560
Speaker 12: I mean constant themes are the rise of victimhood as

453
00:23:56,560 --> 00:24:01,360
Speaker 12: a as a currency. Probably teenage kids are now one

454
00:24:01,359 --> 00:24:04,480
Speaker 12: of them sitting one there this in a minute.

455
00:24:04,680 --> 00:24:10,960
Speaker 1: What what is the hardest part of what's the hard

456
00:24:12,240 --> 00:24:13,960
Speaker 1: We can turn the audio off outside if you like.

457
00:24:14,320 --> 00:24:14,760
Speaker 12: They're great.

458
00:24:15,119 --> 00:24:18,960
Speaker 1: Okay, what's the hardest thing about having your teenage daughter? Really? Oh?

459
00:24:19,440 --> 00:24:22,240
Speaker 12: I mean it's largely really good. But I didn't know

460
00:24:22,280 --> 00:24:23,720
Speaker 12: how much of an idiot I was till I had

461
00:24:23,720 --> 00:24:30,280
Speaker 12: some always tell you what's rights clever? I turned out

462
00:24:30,320 --> 00:24:30,720
Speaker 12: to be wrong.

463
00:24:32,880 --> 00:24:38,239
Speaker 2: So your parenting today'bviously you're from Queensland. Yes, so your

464
00:24:38,280 --> 00:24:40,720
Speaker 2: daughters come down from Queensland. We live in Sydney. Yeah,

465
00:24:40,760 --> 00:24:42,919
Speaker 2: we live in Sydney, but on tour together.

466
00:24:43,080 --> 00:24:43,520
Speaker 1: Yeah.

467
00:24:43,560 --> 00:24:45,359
Speaker 2: So you're in control of the activities today.

468
00:24:45,680 --> 00:24:47,640
Speaker 12: Yeah, I'm less and less in control. I'll just say

469
00:24:47,640 --> 00:24:49,240
Speaker 12: what do you want to do and we'll go do that.

470
00:24:49,280 --> 00:24:52,360
Speaker 12: We've been eating food for the last few days. That's

471
00:24:52,359 --> 00:24:53,600
Speaker 12: a nice moment when that happens.

472
00:24:54,119 --> 00:24:55,600
Speaker 1: I should say, what do you know? I've both got

473
00:24:55,680 --> 00:24:57,560
Speaker 1: daughters who are kind of nearly like one and a

474
00:24:57,560 --> 00:24:59,919
Speaker 1: half two. Yeah, okay, and we're both looking at the

475
00:25:00,240 --> 00:25:02,600
Speaker 1: teenage daughter. Think you've had the conversation a number of times.

476
00:25:02,640 --> 00:25:05,359
Speaker 1: We're both going, well ship, that's obviously just a black

477
00:25:05,359 --> 00:25:07,200
Speaker 1: hole of as bear. No, it's great.

478
00:25:07,400 --> 00:25:08,600
Speaker 12: It depends you.

479
00:25:10,119 --> 00:25:13,240
Speaker 1: Depend You've given me one shining light though, which is

480
00:25:13,240 --> 00:25:15,959
Speaker 1: at some stage you don't have to keep coming up

481
00:25:15,960 --> 00:25:16,840
Speaker 1: with the activities, do you.

482
00:25:16,880 --> 00:25:19,439
Speaker 12: Absolutely not, that's amazing. That'd rather you not be there

483
00:25:19,440 --> 00:25:21,320
Speaker 12: a lot of the time, of course, which is fine.

484
00:25:21,920 --> 00:25:24,840
Speaker 1: Their own people exactly, so they get up out of bed.

485
00:25:25,119 --> 00:25:26,240
Speaker 1: I just never thought about.

486
00:25:26,000 --> 00:25:27,200
Speaker 12: It, not so much getting up out of bed.

487
00:25:27,240 --> 00:25:31,560
Speaker 1: No, that's true. But there's a moment where like, you know,

488
00:25:31,600 --> 00:25:33,840
Speaker 1: you've got a blank day, where like you're looking after

489
00:25:33,840 --> 00:25:36,280
Speaker 1: you where like they're like, hey, you do you do?

490
00:25:36,680 --> 00:25:40,760
Speaker 12: Yeah, you get a lot more work done, nothing done.

491
00:25:40,960 --> 00:25:42,960
Speaker 1: That's got to be a huge moment. It's pretty good.

492
00:25:43,320 --> 00:25:45,640
Speaker 12: Yeah, it's great. When they're eighteen, I'll change the locks

493
00:25:45,640 --> 00:25:46,400
Speaker 12: and get even more done.

494
00:25:51,040 --> 00:25:52,680
Speaker 2: She's still fine. You're funny, by the way.

495
00:25:52,640 --> 00:25:53,840
Speaker 1: Not really.

496
00:25:55,000 --> 00:25:56,200
Speaker 12: I'ven't been funny for years.

497
00:25:56,240 --> 00:25:56,680
Speaker 3: I don't think.

498
00:25:56,840 --> 00:25:59,119
Speaker 12: Every now and then i'll do something funny, but not really.

499
00:25:59,440 --> 00:26:00,800
Speaker 2: I did just look at I looked outside.

500
00:26:00,800 --> 00:26:06,680
Speaker 1: There just nothing even in the log change shaking there.

501
00:26:06,840 --> 00:26:08,560
Speaker 2: Really, I'm not moving.

502
00:26:08,600 --> 00:26:10,080
Speaker 1: You mind if we ask her, what's what's your daughter?

503
00:26:10,119 --> 00:26:11,520
Speaker 1: Is that collete? Do you mind? If we if we

504
00:26:11,600 --> 00:26:13,000
Speaker 1: ask her, if I just page out to her quickly

505
00:26:13,119 --> 00:26:14,080
Speaker 1: she finds her old man funny.

506
00:26:14,119 --> 00:26:14,399
Speaker 2: Yeah, go.

507
00:26:15,920 --> 00:26:17,760
Speaker 1: Hi, Collette, Hi, there you're going.

508
00:26:17,840 --> 00:26:20,320
Speaker 2: You find your dad funny. He's he's all right.

509
00:26:22,480 --> 00:26:24,480
Speaker 1: Have you been to his show at all? I know

510
00:26:24,480 --> 00:26:26,440
Speaker 1: you've traveled here with him, but not so much.

511
00:26:26,480 --> 00:26:27,560
Speaker 7: He doesn't want to stay.

512
00:26:29,680 --> 00:26:29,880
Speaker 3: There.

513
00:26:29,920 --> 00:26:34,800
Speaker 1: We go Wow, and Collette, what's the what's the most

514
00:26:34,840 --> 00:26:37,240
Speaker 1: painful thing about your father? If I can ask?

515
00:26:37,880 --> 00:26:39,120
Speaker 2: Do you have to just pick one.

516
00:26:45,440 --> 00:26:50,600
Speaker 1: Into a roast? Left out? She gave in.

517
00:26:52,160 --> 00:26:59,640
Speaker 2: Never coming to an interview ever again, I'm trying to.

518
00:27:00,680 --> 00:27:02,600
Speaker 1: Look one other thing that because again I want to

519
00:27:02,640 --> 00:27:04,800
Speaker 1: stay in this vein because I feel like we're kind

520
00:27:04,840 --> 00:27:08,440
Speaker 1: of like talking to an experienced dad is to inexperienced dads,

521
00:27:08,440 --> 00:27:10,240
Speaker 1: and we don't get this chance a lot unless we're

522
00:27:10,240 --> 00:27:12,639
Speaker 1: talking to sort of the generation above you, which is

523
00:27:12,680 --> 00:27:14,480
Speaker 1: our dad. So this is a lovely I don't talk

524
00:27:14,520 --> 00:27:17,760
Speaker 1: to a lot of if any guys with teenage kids. Yeah,

525
00:27:17,840 --> 00:27:21,520
Speaker 1: I heard that you tried to bring back something called

526
00:27:21,560 --> 00:27:23,679
Speaker 1: because this is a new phenomenon for me. The Sunday

527
00:27:23,760 --> 00:27:26,440
Speaker 1: Family drive. Oh yeah, yeah, taught me through that.

528
00:27:27,240 --> 00:27:30,480
Speaker 12: Well that's my I don't know what your generations dads

529
00:27:30,480 --> 00:27:32,520
Speaker 12: will as you just put us in the car you

530
00:27:32,600 --> 00:27:35,520
Speaker 12: go for drive. You where we go here? You just

531
00:27:35,600 --> 00:27:37,800
Speaker 12: drive around the suburb, maybe slowly, it's slow down a

532
00:27:37,840 --> 00:27:39,840
Speaker 12: few in front of a few of his enemy's houses

533
00:27:39,880 --> 00:27:41,280
Speaker 12: every now and then or something. And then we're just

534
00:27:41,880 --> 00:27:44,480
Speaker 12: forty degrees in the car, kids rammed in the back,

535
00:27:45,000 --> 00:27:48,080
Speaker 12: burning your thighs on the final whatever, disgrace and you

536
00:27:48,160 --> 00:27:49,760
Speaker 12: just do three hours of that on a Sunday for

537
00:27:49,800 --> 00:27:50,160
Speaker 12: something to.

538
00:27:50,119 --> 00:27:51,399
Speaker 2: Do, no destination.

539
00:27:53,240 --> 00:27:55,639
Speaker 1: We're going for drive, Yeah, just going for drive. And

540
00:27:55,680 --> 00:27:56,920
Speaker 1: so you tried to bring back.

541
00:27:57,200 --> 00:27:58,280
Speaker 12: Yeah, they're not that up for it.

542
00:27:58,720 --> 00:27:59,840
Speaker 2: But yeah I did.

543
00:28:00,640 --> 00:28:02,760
Speaker 12: I've turned out superbly and I'm going to do the

544
00:28:02,800 --> 00:28:04,720
Speaker 12: Sunday drive again. See what happens and how.

545
00:28:07,720 --> 00:28:09,720
Speaker 1: How did it go? It doesn't go for very long

546
00:28:10,080 --> 00:28:10,520
Speaker 1: pretty much.

547
00:28:10,520 --> 00:28:12,720
Speaker 12: So where we got even even your wife now you

548
00:28:12,720 --> 00:28:13,359
Speaker 12: know where we're.

549
00:28:13,200 --> 00:28:14,680
Speaker 1: Going on the winter as soon as.

550
00:28:16,560 --> 00:28:21,320
Speaker 12: Much just getting it's going to drive to a nearly

551
00:28:21,320 --> 00:28:21,959
Speaker 12: out of petrol.

552
00:28:25,640 --> 00:28:29,919
Speaker 1: Everyone, get your tablet of choice out. Don't discourage that

553
00:28:29,960 --> 00:28:32,560
Speaker 1: at all. That Oh it's all. It's just window gazing

554
00:28:32,600 --> 00:28:34,440
Speaker 1: and solid conversation.

555
00:28:34,160 --> 00:28:39,040
Speaker 12: Pretty much with a just nostalgia, air gone off, windows open, whatever,

556
00:28:41,560 --> 00:28:43,160
Speaker 12: indicating it with your hand out the windows.

557
00:28:43,680 --> 00:28:47,520
Speaker 1: If you see Luke go and get Tiggs show. It's

558
00:28:47,560 --> 00:28:51,040
Speaker 1: called Grogan Lukehggey dot com. Thanks for coming in, mate,

559
00:28:51,080 --> 00:28:53,840
Speaker 1: Thanks thanks coming in. Loving to meet you as well.

560
00:28:54,000 --> 00:28:57,320
Speaker 1: Very good gear, Luke Woods.

561
00:28:57,560 --> 00:29:01,520
Speaker 2: Yesterday on the show, will we start rumbled upon a mystery?

562
00:29:01,720 --> 00:29:05,040
Speaker 2: That's under my house? We've got a cave under our

563
00:29:05,080 --> 00:29:05,960
Speaker 2: house there?

564
00:29:06,000 --> 00:29:09,200
Speaker 1: Do you live this house of yours? I don't live

565
00:29:09,200 --> 00:29:09,760
Speaker 1: in a castle.

566
00:29:09,880 --> 00:29:12,400
Speaker 2: So it got built in the nineteen thirties a prison.

567
00:29:12,760 --> 00:29:15,280
Speaker 1: Most people call caves under their house sellars. I wouldn't

568
00:29:15,320 --> 00:29:17,040
Speaker 1: call this a cellar though, like it's a real cave,

569
00:29:17,120 --> 00:29:19,280
Speaker 1: like there's steps going down to Yeah, that's a cellar?

570
00:29:19,360 --> 00:29:19,520
Speaker 8: Is it?

571
00:29:19,720 --> 00:29:19,800
Speaker 3: So?

572
00:29:20,000 --> 00:29:21,720
Speaker 2: It floods all the time every time it rains.

573
00:29:21,800 --> 00:29:23,320
Speaker 1: It does not sellers flood as well, though.

574
00:29:23,360 --> 00:29:24,600
Speaker 2: I don't think you could put wine bottle.

575
00:29:24,600 --> 00:29:26,280
Speaker 1: They're exposed stone or brick.

576
00:29:26,440 --> 00:29:30,000
Speaker 2: Stone, just like dirty stones. Again, it's cavenists.

577
00:29:30,240 --> 00:29:33,600
Speaker 1: Wow, that's no bats any other cavenists like creatures.

578
00:29:33,880 --> 00:29:35,520
Speaker 2: I haven't found a creature in.

579
00:29:35,320 --> 00:29:36,880
Speaker 1: The cave under it could be a seller.

580
00:29:36,920 --> 00:29:39,480
Speaker 2: Again, we can't stop talking about it.

581
00:29:40,120 --> 00:29:42,760
Speaker 1: I'm just talking about it very easily, but you clearly

582
00:29:42,800 --> 00:29:43,760
Speaker 1: got quite obsessed.

583
00:29:44,040 --> 00:29:46,080
Speaker 2: I can't stop thinking about it. Seriously, because I just

584
00:29:46,120 --> 00:29:48,120
Speaker 2: need to know what's under my house? Is it a

585
00:29:48,120 --> 00:29:51,320
Speaker 2: cave or is it a seller? Now I'm I'm not

586
00:29:51,360 --> 00:29:52,960
Speaker 2: an expert in this area.

587
00:29:53,600 --> 00:29:55,560
Speaker 1: Neither am I. But I don't think you've got a cave.

588
00:29:56,320 --> 00:29:59,600
Speaker 2: Yeah, well, you have a very strong opinion that you hurt.

589
00:29:59,680 --> 00:30:01,760
Speaker 1: You hurt me back and I back.

590
00:30:01,840 --> 00:30:02,560
Speaker 2: You're back and forth.

591
00:30:02,720 --> 00:30:05,760
Speaker 1: I turned and framed, turned and froed. Yeah, I waxed

592
00:30:05,800 --> 00:30:06,680
Speaker 1: and waned yesterday.

593
00:30:06,800 --> 00:30:07,000
Speaker 2: Yeah.

594
00:30:07,120 --> 00:30:09,520
Speaker 1: Yeah, I hitherd and divid as to whether it was

595
00:30:09,640 --> 00:30:12,280
Speaker 1: a cave or a seller. That was quite obvious and

596
00:30:12,280 --> 00:30:16,560
Speaker 1: that was changing purely based on the different specs that

597
00:30:16,600 --> 00:30:19,600
Speaker 1: you were giving me of of the underground dwelling.

598
00:30:19,720 --> 00:30:23,400
Speaker 2: Yes, so I will describe more the mysterious cavity that is.

599
00:30:24,760 --> 00:30:26,000
Speaker 2: But if you do want to see it, if you

600
00:30:26,040 --> 00:30:27,240
Speaker 2: want to get some eyes on it, I want to

601
00:30:27,240 --> 00:30:29,840
Speaker 2: get the peepers on it, go to our Instagram.

602
00:30:30,080 --> 00:30:32,160
Speaker 1: Try and use different words like I just did.

603
00:30:32,240 --> 00:30:34,640
Speaker 2: Well, I did it well, didn't I I read books too.

604
00:30:35,520 --> 00:30:38,360
Speaker 2: Go to our instagram, Will and Woody go to the

605
00:30:38,400 --> 00:30:40,680
Speaker 2: stories there and then you will get your peepers on

606
00:30:41,040 --> 00:30:43,480
Speaker 2: this cavity under my house. But let me go through

607
00:30:43,520 --> 00:30:45,200
Speaker 2: a couple of the specs by way thirteen one oh

608
00:30:45,280 --> 00:30:48,280
Speaker 2: six five. When you hear this or if you've seen it, Yeah,

609
00:30:48,560 --> 00:30:49,040
Speaker 2: what am I?

610
00:30:49,120 --> 00:30:49,280
Speaker 8: Am?

611
00:30:49,280 --> 00:30:53,000
Speaker 2: I a cave slave or a seller dweller? Is it

612
00:30:53,040 --> 00:30:56,360
Speaker 2: a cave under my house or a seller? Thirteen one

613
00:30:56,360 --> 00:30:58,640
Speaker 2: oh sixty five. You might be an archaeologist, you might

614
00:30:58,640 --> 00:31:02,360
Speaker 2: be a buildup, you might be an engineer, just someone

615
00:31:03,920 --> 00:31:05,440
Speaker 2: I need to know. Now let me let me give

616
00:31:05,480 --> 00:31:05,640
Speaker 2: you this.

617
00:31:05,680 --> 00:31:07,640
Speaker 1: I think I think the only person that's going to

618
00:31:07,680 --> 00:31:09,960
Speaker 1: be able to answer this question is probably a geologist.

619
00:31:10,520 --> 00:31:13,920
Speaker 2: Oh, probably geologist.

620
00:31:13,600 --> 00:31:18,760
Speaker 1: Or interestingly, and this is what interests me. Ye, Like,

621
00:31:19,000 --> 00:31:21,800
Speaker 1: I'm not sure what a wine specialist? What's a wine specialist?

622
00:31:22,080 --> 00:31:25,520
Speaker 1: Not a samelia? I suppose someone who's got a degree

623
00:31:25,560 --> 00:31:29,880
Speaker 1: in wine captain poop pencil. What's a wine specialist called? No,

624
00:31:29,920 --> 00:31:31,680
Speaker 1: it's not that same is about the drinking of the wine.

625
00:31:31,680 --> 00:31:32,400
Speaker 1: I'm talking about like a.

626
00:31:32,480 --> 00:31:35,480
Speaker 2: Yeah, a wine maker, like a history of the wine VINTA.

627
00:31:35,360 --> 00:31:36,920
Speaker 1: Culturalist, is it? Interestingly?

628
00:31:37,000 --> 00:31:40,600
Speaker 2: Okay, a vinny culturalist. We're looking for vinny culturalists. We're

629
00:31:40,600 --> 00:31:44,200
Speaker 2: looking for geologists. We're looking for anyone who's got an

630
00:31:44,240 --> 00:31:45,719
Speaker 2: opinion thirty one or six five. But let me give

631
00:31:45,760 --> 00:31:48,160
Speaker 2: you this we're going to Okay, so there is that

632
00:31:48,240 --> 00:31:52,840
Speaker 2: There is a wooden door side of the house, very small,

633
00:31:53,400 --> 00:31:54,720
Speaker 2: like almost like a for a baby.

634
00:31:54,800 --> 00:31:55,920
Speaker 1: You have to crouch to get through it.

635
00:31:56,320 --> 00:31:58,800
Speaker 2: Yeah, right down almost so wow.

636
00:31:58,680 --> 00:32:00,880
Speaker 1: That changes everything? Is that the only entrance to the

637
00:32:00,880 --> 00:32:01,920
Speaker 1: space the side door?

638
00:32:02,120 --> 00:32:02,479
Speaker 2: Yes?

639
00:32:02,600 --> 00:32:04,640
Speaker 1: Wow? Okay, there's nothing in the floor.

640
00:32:04,720 --> 00:32:07,240
Speaker 2: Nothing in the floor, side doors? Right, you open the

641
00:32:07,280 --> 00:32:08,760
Speaker 2: side door? Wouldn't woodn't signe?

642
00:32:08,800 --> 00:32:10,040
Speaker 1: How much you have to crouch down?

643
00:32:10,320 --> 00:32:12,600
Speaker 2: Like really really low man, like I scrape my.

644
00:32:12,600 --> 00:32:16,440
Speaker 1: Back your haunches close? No you're not, though, very close.

645
00:32:17,640 --> 00:32:18,600
Speaker 2: I'm almost at haunch level.

646
00:32:18,640 --> 00:32:19,720
Speaker 1: Yeah, I don't. I just don't trust you.

647
00:32:19,720 --> 00:32:22,160
Speaker 2: I have to go set three steps down, three of

648
00:32:22,200 --> 00:32:25,480
Speaker 2: them concrete concrete or concrete okay.

649
00:32:25,520 --> 00:32:29,880
Speaker 1: Archaic shelvy any banister or like railing on the way

650
00:32:29,880 --> 00:32:32,120
Speaker 1: down the stairs, no banns. Can you stand up once

651
00:32:32,160 --> 00:32:32,960
Speaker 1: you get through the door?

652
00:32:33,120 --> 00:32:36,080
Speaker 2: Okay. If I'm not in line with a beam, there's wooden.

653
00:32:36,120 --> 00:32:38,240
Speaker 2: There's a few wooden beams because it's under the house.

654
00:32:38,320 --> 00:32:38,520
Speaker 9: Yep.

655
00:32:38,880 --> 00:32:40,800
Speaker 2: If i'm if I'm if I'm under a beam, I

656
00:32:40,840 --> 00:32:42,760
Speaker 2: can't stand up. If I'm in between beams, I can

657
00:32:42,920 --> 00:32:45,440
Speaker 2: just stand and I'm one hundred and eighty two centimeters.

658
00:32:45,480 --> 00:32:48,880
Speaker 1: Is there any plastering and or concrete and or timber

659
00:32:49,120 --> 00:32:50,240
Speaker 1: along the walls?

660
00:32:50,840 --> 00:32:54,920
Speaker 2: No, there's brick and then a very dirty cave looking star.

661
00:32:55,200 --> 00:32:58,280
Speaker 1: Don't let's not call it cave looking. Then you'd be no,

662
00:32:58,360 --> 00:33:02,160
Speaker 1: it's character evidence. Okay, I'm going to have that ejected immediately.

663
00:33:02,320 --> 00:33:05,280
Speaker 2: Archaic shelving. It almost feels like you're under the Colosseum

664
00:33:05,320 --> 00:33:07,360
Speaker 2: looking at shelving. That's the kind of shelving.

665
00:33:07,680 --> 00:33:09,560
Speaker 1: When do you say archaic? Can you give me like the.

666
00:33:10,000 --> 00:33:12,640
Speaker 2: Very very old like It kind of feels.

667
00:33:12,360 --> 00:33:15,120
Speaker 1: Like it's a timber. What's the building material now?

668
00:33:15,280 --> 00:33:20,960
Speaker 2: Like a concrete concrete shelve, concrete, old shelving, stone, I

669
00:33:21,000 --> 00:33:30,240
Speaker 2: don't know, really cave like corners.

670
00:33:27,360 --> 00:33:29,840
Speaker 1: Changing all the You're not you're not being a clear

671
00:33:29,840 --> 00:33:31,480
Speaker 1: witness as to whether or not this is a caver.

672
00:33:31,840 --> 00:33:34,640
Speaker 1: You can't. You can't just say there are cavernous looking shelves.

673
00:33:34,880 --> 00:33:36,680
Speaker 1: Let me ask a few more specifics of you. By

674
00:33:36,680 --> 00:33:38,040
Speaker 1: the way, thirteen one O six five, I think we

675
00:33:38,080 --> 00:33:40,560
Speaker 1: do need somebody to come and do us. Oh mate,

676
00:33:40,600 --> 00:33:43,200
Speaker 1: I mean I'm looking online right now. That's a seller

677
00:33:43,240 --> 00:33:44,040
Speaker 1: if I've ever seen one.

678
00:33:44,040 --> 00:33:45,840
Speaker 2: Hang on. Now, wait till I go to the cave area.

679
00:33:46,000 --> 00:33:47,560
Speaker 1: You can have a look at that. Will. Let me

680
00:33:47,640 --> 00:33:49,960
Speaker 1: ask you a couple of questions here. Is there any

681
00:33:50,000 --> 00:33:50,720
Speaker 1: water in it?

682
00:33:51,160 --> 00:33:53,120
Speaker 2: Yes, it floods every time it rains.

683
00:33:53,240 --> 00:33:58,840
Speaker 1: It floods only when it weighs. Are there any stalk

684
00:33:58,960 --> 00:34:00,080
Speaker 1: tights or stellic mind.

685
00:34:00,080 --> 00:34:03,960
Speaker 2: It's in the corners. There's like it's stalk title in

686
00:34:04,000 --> 00:34:04,400
Speaker 2: the corner.

687
00:34:04,440 --> 00:34:07,120
Speaker 1: Staleic tights hang from the roof. No, it doesn't do that, okay,

688
00:34:07,120 --> 00:34:08,400
Speaker 1: Are there any staleic mites?

689
00:34:09,000 --> 00:34:09,080
Speaker 6: Oh?

690
00:34:09,160 --> 00:34:09,640
Speaker 2: The bloody ell?

691
00:34:09,680 --> 00:34:12,240
Speaker 1: Is that all right? Well? These are all key parts

692
00:34:12,280 --> 00:34:15,400
Speaker 1: of a cave. Now, look, I do want to end

693
00:34:15,400 --> 00:34:16,240
Speaker 1: this debate swiftly.

694
00:34:16,680 --> 00:34:17,360
Speaker 2: Yeah, let's do it.

695
00:34:17,400 --> 00:34:19,080
Speaker 1: So let's just get down to it, shall you Have

696
00:34:19,160 --> 00:34:21,000
Speaker 1: you got a cave or a cellar under your house.

697
00:34:21,120 --> 00:34:24,400
Speaker 2: It's just I can't sleep comfortably at night until I

698
00:34:24,480 --> 00:34:26,919
Speaker 2: know what this cavity is under my house.

699
00:34:27,040 --> 00:34:28,960
Speaker 1: You came in here calling it a cave the other day.

700
00:34:29,160 --> 00:34:30,200
Speaker 1: I've had to look at a little bit of the

701
00:34:30,280 --> 00:34:34,640
Speaker 1: video evidence online, which again which we understand that, and

702
00:34:34,680 --> 00:34:36,640
Speaker 1: I think it's just because you discovered the word governers

703
00:34:36,640 --> 00:34:38,719
Speaker 1: and you're like using it. But you were saying that

704
00:34:38,719 --> 00:34:41,080
Speaker 1: there's a very small hole which leads under gas. That's

705
00:34:41,080 --> 00:34:43,239
Speaker 1: a door with my friend, that's a that's a bloody door,

706
00:34:43,360 --> 00:34:46,879
Speaker 1: door for babies. No, it's no, it's bigger than that.

707
00:34:46,960 --> 00:34:50,200
Speaker 1: It's much bigger than that. I don't mean to sound

708
00:34:50,239 --> 00:34:54,560
Speaker 1: like Michael Came when I said door. I didn't mean to.

709
00:34:55,800 --> 00:34:59,800
Speaker 2: I've I got scrapings on my back. No, well they've healed.

710
00:35:00,040 --> 00:35:03,640
Speaker 1: But it's a mutt. It's definitely a door. I want

711
00:35:03,640 --> 00:35:05,479
Speaker 1: to start by saying there's definitely a door that leads

712
00:35:05,520 --> 00:35:07,520
Speaker 1: down to it. And I would like to wait one

713
00:35:07,560 --> 00:35:09,040
Speaker 1: more of the point as to why it's not a cave,

714
00:35:09,560 --> 00:35:12,480
Speaker 1: and that is a cave has a gaping open hole.

715
00:35:13,080 --> 00:35:14,520
Speaker 2: Maybe that used to be the case, and then they

716
00:35:14,520 --> 00:35:15,520
Speaker 2: put a bit of concrete up.

717
00:35:15,560 --> 00:35:17,480
Speaker 1: We're talking about what it is now, man, I mean

718
00:35:17,520 --> 00:35:20,200
Speaker 1: my house was months a piece of clay as well.

719
00:35:20,280 --> 00:35:22,640
Speaker 1: You know, it's what it is now. It's got a

720
00:35:22,680 --> 00:35:24,799
Speaker 1: door on it. It can't be a cave. Let's go

721
00:35:24,840 --> 00:35:25,480
Speaker 1: to Katerina.

722
00:35:25,680 --> 00:35:27,719
Speaker 2: Wait one more bit of evidence, Caterina, before I hear

723
00:35:28,360 --> 00:35:32,480
Speaker 2: there is a light, a very light phosphorus smell that

724
00:35:32,520 --> 00:35:33,160
Speaker 2: feels caving.

725
00:35:33,200 --> 00:35:35,600
Speaker 1: That sounds like we're like a volcano. Katerina is called

726
00:35:36,560 --> 00:35:38,560
Speaker 1: six five Caterina.

727
00:35:39,800 --> 00:35:43,880
Speaker 2: Firstly, firstly, what are your credentials? Katerina? Way into this debate.

728
00:35:44,600 --> 00:35:48,040
Speaker 3: Oh, you know what, listen, I have to say that

729
00:35:48,080 --> 00:35:50,800
Speaker 3: he definitely has a man cave cave.

730
00:35:51,040 --> 00:35:53,760
Speaker 1: I think you think it's a cave, a man caves.

731
00:35:53,800 --> 00:35:55,840
Speaker 1: A take on it. You know that's a that's a metaphor.

732
00:35:56,000 --> 00:35:58,880
Speaker 2: Really, all I heard though is cave, but you think

733
00:35:59,640 --> 00:36:00,680
Speaker 2: cave door on it.

734
00:36:01,320 --> 00:36:06,399
Speaker 1: You can put a door on a cave, woman cave.

735
00:36:07,120 --> 00:36:09,440
Speaker 2: Okay, so just going back to the whole woman. Man,

736
00:36:09,840 --> 00:36:11,640
Speaker 2: you've got a door, You've got a gym, right, you've

737
00:36:11,640 --> 00:36:12,200
Speaker 2: got a cave.

738
00:36:14,120 --> 00:36:17,880
Speaker 1: Don't you ever try and provide infomercial logic in the

739
00:36:18,000 --> 00:36:21,280
Speaker 1: cable cili debate. That is totally out of left field,

740
00:36:21,320 --> 00:36:22,120
Speaker 1: and you know it is.

741
00:36:22,160 --> 00:36:25,359
Speaker 2: We've got expert credentials. Here we go, Glenn, you're in

742
00:36:25,520 --> 00:36:27,920
Speaker 2: flood restoration. Mate, that's that's your bag.

743
00:36:28,760 --> 00:36:29,520
Speaker 4: Yes, that's great.

744
00:36:29,760 --> 00:36:33,160
Speaker 2: Unreal. So you deal with caves and cells all the time. I imagine, mate,

745
00:36:33,239 --> 00:36:35,200
Speaker 2: you've heard me described it. What have I got?

746
00:36:35,520 --> 00:36:38,240
Speaker 4: Well, you know it's more of a dungeon.

747
00:36:38,719 --> 00:36:39,160
Speaker 2: Dungeon.

748
00:36:39,280 --> 00:36:41,600
Speaker 1: Yeah, I did suggest that. Now we know you can

749
00:36:41,640 --> 00:36:46,399
Speaker 1: be a bit sis. That is. That's what I wanted

750
00:36:46,440 --> 00:36:48,520
Speaker 1: to say that Glenn, but I was worried about his character.

751
00:36:49,640 --> 00:36:51,240
Speaker 4: Put it in the case where he gets the scratches

752
00:36:51,280 --> 00:36:51,680
Speaker 4: on the back.

753
00:36:51,719 --> 00:36:54,759
Speaker 2: Now that's right, that's right there.

754
00:36:54,960 --> 00:36:56,799
Speaker 1: Yeah, you don't see the whip around there, but there

755
00:36:56,800 --> 00:36:59,919
Speaker 1: are a couple of chains from the other side.

756
00:37:00,040 --> 00:37:02,640
Speaker 2: What is the definition of a dungeon then, well.

757
00:37:02,520 --> 00:37:04,760
Speaker 1: I think it's where you hold prisoners the intention.

758
00:37:04,920 --> 00:37:05,960
Speaker 4: That's what you should tell us.

759
00:37:06,040 --> 00:37:11,960
Speaker 1: Yeah, good that you stuck around. I'm glad we keep so.

760
00:37:12,040 --> 00:37:15,520
Speaker 1: Glenn thinks you've got a dungeon. I do think. I

761
00:37:15,600 --> 00:37:17,440
Speaker 1: do think when I had a look at that, that

762
00:37:17,719 --> 00:37:20,239
Speaker 1: it's not Look, we just have to throw a cave.

763
00:37:20,360 --> 00:37:21,239
Speaker 1: You need to get rid of cave.

764
00:37:21,280 --> 00:37:23,560
Speaker 2: I think I'm actually a.

765
00:37:23,440 --> 00:37:26,399
Speaker 1: Cave is a geological phenomenon that has a gaping hole,

766
00:37:26,480 --> 00:37:29,720
Speaker 1: stai stallic tights, it's got floor, it's got fauna.

767
00:37:29,880 --> 00:37:32,840
Speaker 2: This is not that I've walked house, I've warmed to done.

768
00:37:33,680 --> 00:37:35,120
Speaker 1: It's not that I think you just don't want it

769
00:37:35,120 --> 00:37:36,360
Speaker 1: to be called a seal because you don't want to

770
00:37:36,360 --> 00:37:38,520
Speaker 1: look like a tossa. Now, which is fair enough.

771
00:37:38,680 --> 00:37:41,239
Speaker 2: I would love to put wine down there but it floods.

772
00:37:41,760 --> 00:37:45,440
Speaker 1: Yes, so so I think what you have is actually

773
00:37:45,480 --> 00:37:46,000
Speaker 1: a bunker.

774
00:37:46,520 --> 00:37:48,800
Speaker 2: A bunker. I think, so this is because dungeon or

775
00:37:48,800 --> 00:37:52,400
Speaker 2: a bunker. I think very quickly, what are your thoughts

776
00:37:53,000 --> 00:37:54,360
Speaker 2: on a luncheon in the dungeon.

777
00:37:55,040 --> 00:37:55,520
Speaker 1: Let's go.

778
00:37:57,680 --> 00:37:57,960
Speaker 11: With me.

779
00:38:00,600 --> 00:38:02,680
Speaker 1: I need you to turn you your radio off, Peter.

780
00:38:02,880 --> 00:38:04,480
Speaker 1: Let's go to Ivan. We'll come back.

781
00:38:04,360 --> 00:38:07,319
Speaker 2: To you Ivan, Ivan. What do you think I mean

782
00:38:07,360 --> 00:38:09,479
Speaker 2: that the goalposts have moved a little bit. We're thinking

783
00:38:09,520 --> 00:38:12,040
Speaker 2: maybe dungeon or bunker. But what are your thoughts?

784
00:38:12,760 --> 00:38:16,240
Speaker 13: Look After living in Margaret River for twenty five years,

785
00:38:16,280 --> 00:38:18,319
Speaker 13: I know what a sellar looks like. I've seen a

786
00:38:18,320 --> 00:38:21,920
Speaker 13: few of those. Of course it doesn't have Yeah, it

787
00:38:21,960 --> 00:38:25,000
Speaker 13: doesn't have wine and it was yet, so you can't

788
00:38:25,000 --> 00:38:25,960
Speaker 13: really call it a cellar.

789
00:38:26,200 --> 00:38:29,239
Speaker 1: Okay, nice, Wow, Although when people sell a house, they

790
00:38:29,280 --> 00:38:31,600
Speaker 1: sell a house with a cellar in it without the wine.

791
00:38:31,600 --> 00:38:32,640
Speaker 1: That's just the name for the room.

792
00:38:33,120 --> 00:38:35,919
Speaker 2: Left some wine there. Sorry to pull you out there, Okay,

793
00:38:36,000 --> 00:38:37,960
Speaker 2: So say if it's a dungeon, say if right.

794
00:38:38,200 --> 00:38:39,560
Speaker 1: I haven't got a point to make or you just

795
00:38:39,600 --> 00:38:41,280
Speaker 1: want to you don't what you're done with him?

796
00:38:41,680 --> 00:38:42,319
Speaker 6: On the point?

797
00:38:42,360 --> 00:38:46,640
Speaker 13: What the point was was that I believe it's an undercross, because.

798
00:38:46,840 --> 00:38:50,160
Speaker 1: What Jesus Christ like a Lara cross?

799
00:38:50,239 --> 00:38:51,359
Speaker 2: Yeah, but under And.

800
00:38:51,320 --> 00:38:54,400
Speaker 13: Then I actually I googled it and Siri told me

801
00:38:54,480 --> 00:38:56,840
Speaker 13: that it was definitely a brick line the area with

802
00:38:56,880 --> 00:38:58,760
Speaker 13: the small door that's under a house.

803
00:38:59,360 --> 00:39:04,680
Speaker 1: You are joking you've got an undercraft? Wow, ian mate,

804
00:39:04,719 --> 00:39:08,799
Speaker 1: I mean, have yourself a spinal These come on here

805
00:39:08,840 --> 00:39:14,080
Speaker 1: and so what is an undercraft. It's often bricklined and

806
00:39:14,160 --> 00:39:16,840
Speaker 1: vaulted room for storage in medieval times.

807
00:39:17,200 --> 00:39:19,440
Speaker 2: That is exactly what I've got under an undercroft. I've

808
00:39:19,480 --> 00:39:21,759
Speaker 2: got an undercroft. I don't love the name.

809
00:39:22,320 --> 00:39:26,200
Speaker 1: It's not a sound very sex No, it actually sounds. Yeah,

810
00:39:26,400 --> 00:39:28,799
Speaker 1: it sounds undercroft. It sounds it sounds like you've got

811
00:39:28,840 --> 00:39:32,160
Speaker 1: like a it sounds like you've got a rash on

812
00:39:32,200 --> 00:39:33,080
Speaker 1: your on your balls.

813
00:39:33,640 --> 00:39:37,160
Speaker 2: Yeah you.

814
00:39:37,200 --> 00:39:39,799
Speaker 1: And I've got a brand new podcast. It's called the

815
00:39:39,800 --> 00:39:41,560
Speaker 1: BTS Podcast. Now, guys, I know there are a lot

816
00:39:41,560 --> 00:39:44,120
Speaker 1: of podcasts that are out there that we're all listening to.

817
00:39:44,719 --> 00:39:46,799
Speaker 1: I really, obviously, if you listen to us here on

818
00:39:46,840 --> 00:39:50,000
Speaker 1: the radio, con'scious enough that what you have on the

819
00:39:50,040 --> 00:39:53,600
Speaker 1: BTS Podcast is very different to what we do here.

820
00:39:53,719 --> 00:39:56,319
Speaker 1: Because we've got certain codes and certain rules that we

821
00:39:56,360 --> 00:40:00,680
Speaker 1: have to abide by on the open air. Yes, and

822
00:40:00,719 --> 00:40:03,920
Speaker 1: we abide by them very very very stringently.

823
00:40:03,480 --> 00:40:05,520
Speaker 2: Reluctantly though, because we were a couple of bad boys

824
00:40:05,520 --> 00:40:06,040
Speaker 2: at the end of the.

825
00:40:06,120 --> 00:40:07,840
Speaker 1: Day, at the end of the at the end of

826
00:40:07,880 --> 00:40:09,680
Speaker 1: the day, bad to the bone, and we.

827
00:40:09,960 --> 00:40:11,279
Speaker 2: Hear it on air. But you need to know that

828
00:40:11,360 --> 00:40:13,359
Speaker 2: and on the wrong side of the track.

829
00:40:13,480 --> 00:40:20,040
Speaker 1: That's that's what we grew up in Hawthorne. But behind

830
00:40:20,080 --> 00:40:23,800
Speaker 1: the Scenes podcast is very much that, but more importantly

831
00:40:24,120 --> 00:40:25,960
Speaker 1: what we're doing with the Behind the Scenes podcast now

832
00:40:26,000 --> 00:40:27,680
Speaker 1: and if you need a new podcast, we would love

833
00:40:27,680 --> 00:40:30,319
Speaker 1: for you guy the have a listen hit subscribe if

834
00:40:30,360 --> 00:40:34,439
Speaker 1: you like it is we're effintively asking ourselves the most

835
00:40:34,440 --> 00:40:36,840
Speaker 1: difficult questions we possibly can. Now, this can get a

836
00:40:36,840 --> 00:40:41,560
Speaker 1: bit naughty. We've covered most regrettable sexual experiences.

837
00:40:41,680 --> 00:40:45,360
Speaker 2: Not regrettable sexual experiences, awkward, awkward.

838
00:40:44,440 --> 00:40:46,280
Speaker 1: I feel like awkward, regrettable, I mean, throw a blanket

839
00:40:46,320 --> 00:40:50,160
Speaker 1: over them and then and then from there, I feel

840
00:40:50,160 --> 00:40:53,319
Speaker 1: like there's also provocative questions which can be you know,

841
00:40:53,440 --> 00:40:55,000
Speaker 1: we can get a bit fired up in here, but

842
00:40:55,040 --> 00:40:57,719
Speaker 1: there's also questions which I'm really starting to enjoy a

843
00:40:57,760 --> 00:41:00,000
Speaker 1: bit more now, which are like just really tough questions

844
00:41:00,040 --> 00:41:02,600
Speaker 1: that we need to answer and which I suppose that

845
00:41:02,640 --> 00:41:05,440
Speaker 1: the point of the BTS podcast is to find questions

846
00:41:05,440 --> 00:41:08,200
Speaker 1: which are relatable to you guys, questions which you might

847
00:41:08,239 --> 00:41:11,439
Speaker 1: have asked yourself before. So the question we got asked

848
00:41:11,520 --> 00:41:16,080
Speaker 1: recently was what would we change We've both got daughters

849
00:41:16,080 --> 00:41:18,600
Speaker 1: that are nearly two now, what would we change most

850
00:41:18,600 --> 00:41:21,359
Speaker 1: about our parenting if we could change anything about how

851
00:41:21,360 --> 00:41:23,440
Speaker 1: we've raised them? And it was hard because we had

852
00:41:23,440 --> 00:41:24,719
Speaker 1: to have an answer, as we have to have with

853
00:41:24,760 --> 00:41:28,200
Speaker 1: all these questions to think about, like what do I

854
00:41:28,280 --> 00:41:30,879
Speaker 1: regret about how I've raised my child so far? Which

855
00:41:30,880 --> 00:41:33,960
Speaker 1: is a tough thing to answer. I think that one

856
00:41:33,960 --> 00:41:37,480
Speaker 1: of my least favorite relationship to watch between a child

857
00:41:37,600 --> 00:41:42,040
Speaker 1: and their parent. Think about vukas Salt in Charlie and

858
00:41:42,040 --> 00:41:46,200
Speaker 1: the Chocolate Factory. I want the goose, Daddy, oh yeah, sure, yeah, yeah, demanding,

859
00:41:46,239 --> 00:41:49,000
Speaker 1: but then demanding to the point, and it's largely Dad's

860
00:41:49,360 --> 00:41:51,200
Speaker 1: you go, I'll give you what you want. Yes, your

861
00:41:51,280 --> 00:41:53,600
Speaker 1: daddy's little girl. And the reason I don't think I

862
00:41:53,719 --> 00:41:56,920
Speaker 1: like that is because I feel like I grew up

863
00:41:56,920 --> 00:41:59,200
Speaker 1: a lot around a lot of daddy's little girls, and

864
00:41:59,239 --> 00:42:02,880
Speaker 1: they suck like just in the circle that I was

865
00:42:02,920 --> 00:42:05,560
Speaker 1: hanging out when I was a young teenager. Sure, I

866
00:42:05,960 --> 00:42:07,919
Speaker 1: didn't want to do that. I didn't want to become

867
00:42:07,920 --> 00:42:11,800
Speaker 1: that at all. Basically, Sam is currently stay at home mumming,

868
00:42:11,880 --> 00:42:14,799
Speaker 1: and I'm working, right, so that's how we've divided things up.

869
00:42:15,000 --> 00:42:17,960
Speaker 1: So naturally Sam has more time with her. So when

870
00:42:18,000 --> 00:42:21,000
Speaker 1: I get home, what I try and do is I

871
00:42:21,040 --> 00:42:25,719
Speaker 1: try and compromise for being away, which means that I'm

872
00:42:25,719 --> 00:42:27,360
Speaker 1: just like, I'll throw myself at her. I'm like, what

873
00:42:27,400 --> 00:42:28,840
Speaker 1: do you want to do. I'm happy to do whatever you.

874
00:42:28,840 --> 00:42:29,120
Speaker 3: Want to do.

875
00:42:29,120 --> 00:42:31,120
Speaker 1: We don't know a drawing outside, we can go play it.

876
00:42:31,239 --> 00:42:33,200
Speaker 1: You can paint me off and I get painted.

877
00:42:33,520 --> 00:42:35,080
Speaker 2: I'm just like, pay me like one of your friends.

878
00:42:35,280 --> 00:42:37,640
Speaker 1: She does, she trugs me, and she loves painting me. Really,

879
00:42:38,280 --> 00:42:44,000
Speaker 1: I overcompensate for not being there by being more yes man,

880
00:42:44,120 --> 00:42:48,000
Speaker 1: emotionally available yes and which makes me yes man and

881
00:42:48,040 --> 00:42:52,479
Speaker 1: all these things. And ironically that has turned me into

882
00:42:52,640 --> 00:42:54,799
Speaker 1: one of the guys who gives their little girls all

883
00:42:54,840 --> 00:42:58,120
Speaker 1: they want. And it's a really, really hard line for

884
00:42:58,160 --> 00:43:01,640
Speaker 1: me to tread because I only realized this recently when

885
00:43:01,640 --> 00:43:03,600
Speaker 1: I was at home all the time and I was

886
00:43:03,680 --> 00:43:06,440
Speaker 1: playing you know, because I've built this role. That is

887
00:43:06,480 --> 00:43:08,319
Speaker 1: the role that I've built. That is the relationship I

888
00:43:08,320 --> 00:43:11,040
Speaker 1: have built with her. And because I was around her

889
00:43:11,080 --> 00:43:14,319
Speaker 1: all the time, I wasn't walking away from her. So

890
00:43:15,239 --> 00:43:18,080
Speaker 1: and for the longest time, SEM has been saying to me,

891
00:43:18,560 --> 00:43:20,600
Speaker 1: you need to give her more boundaries, you need to

892
00:43:20,600 --> 00:43:22,839
Speaker 1: give her more boundaries, and I'm going, no, no, no, it's fine,

893
00:43:22,840 --> 00:43:25,040
Speaker 1: it's fine, it's fine. But that's because I get time away,

894
00:43:25,160 --> 00:43:27,359
Speaker 1: I get tons of breathe. So it's funny. I look

895
00:43:27,400 --> 00:43:29,920
Speaker 1: at those old relationships between dads and their little girls

896
00:43:29,960 --> 00:43:32,320
Speaker 1: and or their little boys, and I think to themselves, Oh,

897
00:43:32,400 --> 00:43:35,759
Speaker 1: that's indicative of a spoilt relationship. But in fact, it's

898
00:43:35,800 --> 00:43:38,560
Speaker 1: indicative of a dad compensating for the fact that he's

899
00:43:38,680 --> 00:43:41,400
Speaker 1: not there as much as he wants to be. But

900
00:43:41,520 --> 00:43:44,840
Speaker 1: the irony is in trying to compensate for that, you

901
00:43:44,960 --> 00:43:47,760
Speaker 1: create an unhealthy relationship with your child.

902
00:43:48,680 --> 00:43:51,600
Speaker 2: Might be wondering where my response was, but we figured

903
00:43:51,600 --> 00:43:54,520
Speaker 2: out I'm a perfect dad. No regrets.

904
00:43:54,840 --> 00:43:59,520
Speaker 1: Yeah no, you said that. No podcast you regret teaching

905
00:43:59,520 --> 00:44:00,920
Speaker 1: her to tap You're on the bum every time. You

906
00:44:01,000 --> 00:44:04,719
Speaker 1: far damn because she does it now all the time. Hey,

907
00:44:05,480 --> 00:44:07,280
Speaker 1: if you only go and together behind the Scenes podcast,

908
00:44:07,280 --> 00:44:08,760
Speaker 1: you said, Will and wood wherever you get your podcasts.

909
00:44:08,760 --> 00:44:10,279
Speaker 1: You've got a question for us on the podcast. We'd

910
00:44:10,280 --> 00:44:13,600
Speaker 1: love to hear it, but please go and listen. As

911
00:44:13,600 --> 00:44:14,880
Speaker 1: I said, if you want something a bit different to

912
00:44:14,880 --> 00:44:16,200
Speaker 1: what you hear on the radio show, but you still

913
00:44:16,239 --> 00:44:17,640
Speaker 1: like the boys, that's the place to get at Will

914
00:44:17,680 --> 00:44:20,120
Speaker 1: and Woody bts wherever you get your podcasts.