Speaker 1: Get Apeter Hally here, Welcome to you ain't seen nothing
Speaker 1: yet now. Today's episode is a replay, the final replay
Speaker 1: before we get started with the new episodes with Lockey
Speaker 1: Hue next week, who has never seen the movie Touch
Speaker 1: of Evil. We finally got him, the unicorn of this series.
Speaker 1: We finally got him. Next week, season six will begin,
Speaker 1: but before we do, before we do one final replay
Speaker 1: and it's with a fantastic comedian, Lloyd Langford. He's playing
Speaker 1: at the comedy festivals around the country at the moment.
Speaker 1: Check him out. If you can, go to comedy dot
Speaker 1: com dot Au and you will be able to find
Speaker 1: Lloyd's brand new show and yeah, you will not regret it.
Speaker 1: He had a great gala I know, a couple of
Speaker 1: weeks ago in Melbourne, so one of the actually absolute
Speaker 1: hits of the Melbourne International Festival Gala. Also Comedy dot
Speaker 1: com dot Au you can get tickets from my Also
Speaker 1: a new show, Deconstructed Oragami playing around the country. I'll
Speaker 1: have a lot to say about a lot of things,
Speaker 1: and I cannot wait to see you there. But this
Speaker 1: is an episode that was very special because the Princess
Speaker 1: Brian had been one of the most requested movies that
Speaker 1: we had. It's been No. One out of this people's
Speaker 1: favorite movies by I think more than any other movie.
Speaker 1: And Lloyd stepped up little Plate and he covered the
Speaker 1: Prince's Bride in fantastic fashion. So enjoy this episode before
Speaker 1: we get back to regular broadcast next week. And you
Speaker 1: ain't say nothing yet.
Speaker 2: Ever.
Speaker 1: Dance with the dead of the pail of mind.
Speaker 2: I'm walking ahead.
Speaker 1: I'm walking ahead.
Speaker 2: Of all the gin joints in all the towns in
Speaker 2: all the world.
Speaker 1: She walks in the mine happening right, so.
Speaker 2: You ain't seen nothing new.
Speaker 1: Welshman Lloyd Langford has won over ossie crowds over the
Speaker 1: past few years with his non showy commitment to top
Speaker 1: notch gags delivered inch perfect in his increasingly familiar well straw.
Speaker 1: Before resettling in Melbourne, Lloyd appeared on UK panel shows
Speaker 1: eight out of Ten, Cats, Russell Howard's Good News and QI,
Speaker 1: amongst others. Ossis and Kiwee's have loved these appearances on
Speaker 1: the local versions of Have You Been Paying Attention? Lloyd
Speaker 1: can also be seen right now on Paramount Plus with
Speaker 1: his partner The Freaking Hilarious and Edmunds in their live
Speaker 1: show Business with Pleasure. I watched it a few days ago.
Speaker 1: It is bloody hilarious, as is Lloyd his funny razor,
Speaker 1: sharp and talented. Despite his website saying he's an actor
Speaker 1: of limited range, even so, I'm bloody stoked to be
Speaker 1: hanging with him today.
Speaker 2: Hello.
Speaker 3: My name is Lloyd Langford, and my three favorite films
Speaker 3: this week are Master of the Flying Guillotine by Jimmy
Speaker 3: Wang Yu.
Speaker 4: A world with silent soldiers of death try everything in
Speaker 4: their power to conquer the most gruesome weapon ever conceived.
Speaker 2: The Last Detail by hal Ashba, This man.
Speaker 5: A Beer You gotta have a fucking beer.
Speaker 3: Man, And a film called Mustang by Denise Gamsi Ergovin.
Speaker 3: I'm embarrassed to say up until this week, I had
Speaker 3: never seen The Princess Bride.
Speaker 1: From Cliffs of Insanity, the pits of the spaf and
Speaker 1: fire swans with unusually large rodents to a Spanish swashbuckler
Speaker 1: with an unusually large companion rob Rowners, The Princess Bride
Speaker 1: has enchanted audiences since its release in nineteen eighty seven. Well, actually,
Speaker 1: this was another example of a classic movie finding its
Speaker 1: audience once It was released on VHS Inconceivable, based on
Speaker 1: his own book The prints Bride by screenwriter William Goldman,
Speaker 1: who wrote Bookcassi in the Sun, Dance Kid, All the
Speaker 1: President's Meant, among many others. The film begins when Colombo
Speaker 1: visits his grandson Kevin Arnold, who's feeling sick, but to
Speaker 1: be honest, showing very few symptoms. If he was my kid,
Speaker 1: he would have been going to school that day. What
Speaker 1: follows is a fantasy adventure, a fairy tale full of fencing, fighting, torture, revenge, giants, monsters, chases, escapes,
Speaker 1: true love, and miracles. Oh and Andre the freaking Giant.
Speaker 1: Lloyd Langford, are you ready to climb the cliffs of
Speaker 1: insanity with me today?
Speaker 2: Yes? I am very much so excellent.
Speaker 1: We have your approval. The terms of conditions have been ticked. Welcome,
Speaker 1: Thanks for joining me, and thanks for doing your homework
Speaker 1: and watching The Prince's Bride. Why did you nominate this one?
Speaker 3: Well, I think it's one of those films that is
Speaker 3: kind of I've seeped into the popular consciousness, and so
Speaker 3: I was familiar with aspects of it, and for some
Speaker 3: reason I just never got round to watching it. So
Speaker 3: when you asked me to do the podcast, I thought
Speaker 3: it was a perfect opportunity to rectify that. Also, my
Speaker 3: other choice was the seventh Summarai and not three and
Speaker 3: a half hours long.
Speaker 1: I must say, and I think I said to you, yeah,
Speaker 1: if you enjoy your experiences, that you can come back
Speaker 1: and we'll do the seventh Samurai. I do sometimes I'm
Speaker 1: relieved sometimes when I come home from the project and
Speaker 1: I've got the podcast the next day and I have
Speaker 1: to watch a movie. When I see it's a ninety
Speaker 1: minute film, it often comes as a relief. So thank
Speaker 1: you from the bottom of my heart. As well, this
Speaker 1: the previous bride has in a way felt like it's played.
Speaker 1: It's been a character on this podcast because it's come
Speaker 1: up a lot in people's favorite films. Okay, but I
Speaker 1: always have to point out and Listen is probably bored
Speaker 1: with me saying it. It hasn't held the place in
Speaker 1: my heart then it has for a lot of my
Speaker 1: guests because I saw in my twenties and it's not sound.
Speaker 1: I don't like it at all, but it just I
Speaker 1: don't have the reverence for it that some of my
Speaker 1: guests have had, and they tend to have watched it
Speaker 1: when it either came out or not long after it
Speaker 1: came out, at least when they were kids.
Speaker 3: I remember when I went to university and the first
Speaker 3: few of university you're all put you know. I was
Speaker 3: living with twelve other people, and we're all from all
Speaker 3: over the world in different.
Speaker 2: Places and stuff. And one day in.
Speaker 3: The sort of communal lounge, I started talking about the
Speaker 3: Goonies and none of them knew what I was on about.
Speaker 2: Wow, And nobody had seen the film.
Speaker 3: And so as I'm describing the film, I just sound
Speaker 3: more and more insane. So I imagine The Princess Bride
Speaker 3: is like that for a lot of people. They saw
Speaker 3: it very young, and so it's one of those films
Speaker 3: that has been with it for a long time. And obviously,
Speaker 3: you know I'm I'm thirty eight, No, so I don't
Speaker 3: know if I'm the target demographic.
Speaker 1: It's funny because often, like if I traveled overseas or
Speaker 1: speaking of people from overseas, I may assume they don't
Speaker 1: know various Australian movies. Yeah, but I think we all
Speaker 1: think that we all know the American ones. Yeah, so
Speaker 1: your situation, we're talking about the Goonies, which is I
Speaker 1: loved as a kid. I saw it in the cinema.
Speaker 1: I had a Goony's t shirt for well as an adult.
Speaker 2: So did you pull it up or do the truffle show?
Speaker 1: So what did you know about the Princess Bride going?
Speaker 1: And what were your reference points?
Speaker 3: If any I knew my name is Inigo Montalia, I
Speaker 3: knew that bit I'd seen. I think I'd seen the
Speaker 3: fencing sequence or part of the fencing sequence, like the
Speaker 3: stuff on top of the cliff of Instan is.
Speaker 2: It the cliff?
Speaker 4: Yeah?
Speaker 2: I was going to say the muntains of mental illness.
Speaker 2: I was familiar with that.
Speaker 1: If any point, Lloyd, did you stop laughing at inconceivable?
Speaker 3: I think he's he's such a good fun Mesidi.
Speaker 2: He's such a little twerp.
Speaker 3: And apparently he keeps saying inconceivable because he was in
Speaker 3: the actor was in the film My Dinner with Andre
Speaker 3: I think yes, and he says inconceivable in the film.
Speaker 3: So it's just like it feels like a private jokey
Speaker 3: Rob Brian is gone, Ah, you said inconceivable once, and
Speaker 3: now I'm going to give you a script that has
Speaker 3: it one hundred and fifty.
Speaker 1: Times that Mel gives him a film poinject going, I
Speaker 1: want to say freedom a lot, freedom please, and.
Speaker 2: The onslaught of cameos.
Speaker 1: Yes, I know it really is. I mean is we
Speaker 1: won't get too fair? Well, couple go back and talk
Speaker 1: about all the cameras, because there's a whole bunch of them.
Speaker 1: There's some interesting stories behind them. But I do want
Speaker 1: to talk about your your top three films, and this
Speaker 1: is a first on this podcast. I have not seen
Speaker 1: a single one of them. In fact, two of them
Speaker 1: I haven't heard of. Is Mustang? That a Turkish film? Yes, yes,
Speaker 1: I've seen it. That is a brilliant film. Yes, so
Speaker 1: that well, my reputation has been restored. I've seen at
Speaker 1: least one of these films. The last detail by hal Ashby,
Speaker 1: I have not seen it. I wanted because I've been
Speaker 1: getting more into hell Ashby since I saw hald and
Speaker 1: Maude a little while ago. We did that episode with
Speaker 1: Jerdine Hickey. So, and what's that the first one of
Speaker 1: the masks? I couldn't write it down in time the Masters.
Speaker 2: It's the muster of the flaying guillotine.
Speaker 1: Okay, let's start with that. What is the mass of
Speaker 1: the Flying Guillotine.
Speaker 2: Well, it is.
Speaker 3: An insane kung ful film from the mid seventies, sort
Speaker 3: of written.
Speaker 2: And directed by the star of the.
Speaker 3: Film, who is a guy called Jimmy Wang Yu, who
Speaker 3: was sort of like the top kung fu guy at
Speaker 3: the time. He was in a film called The Chinese Boxer,
Speaker 3: which basically kick started the whole kind of passion for
Speaker 3: kung fu and sort of unarmed combat in films. I
Speaker 3: think he's a very, very difficult man, and he was
Speaker 3: with the top studios in Hong Kong, Shaw Brothers, who
Speaker 3: made most of the classic kung fu films, and he
Speaker 3: had a big fallen out with them and he left.
Speaker 3: He basically broke his contract at the height of his
Speaker 3: fame and was like, fuck you guys, I'm going to Taiwan.
Speaker 3: I'm going to make my own films, which is what
Speaker 3: he did. And Master of the Flying Guillotine. There's a
Speaker 3: craze mainly featuring Jimmy Wang Yu for films featuring a
Speaker 3: one armed man. So he plays the character who's who's
Speaker 3: variously called this one armed boxer. He's he's a kung
Speaker 3: fu expert and he's got one arm. I mean Jimmy
Speaker 3: Wangu has two arms, so in the films, he's hiding
Speaker 3: one of his arms. He's kind of tucked into his
Speaker 3: trouser band, all hidden in his shirt. And Master of
Speaker 3: the Flying Guillotine. When I started getting into kung fu,
Speaker 3: and this was a film that was talked of in
Speaker 3: like hashed reverence.
Speaker 2: This film, You've got to see this film.
Speaker 3: And then I think Quentin Tarantina was like a big
Speaker 3: fan of it and kind of publicized it and talked
Speaker 3: it up, and then it got like a full kind
Speaker 3: of DVD release, kind of bells and whistles, and the.
Speaker 2: Plot of the film is.
Speaker 3: There is a man who is blind and he has
Speaker 3: been wronged by a one armed man in the past,
Speaker 3: and he's a sort of kung fu master who's pretending
Speaker 3: to be a monk, and he vows to kill every
Speaker 3: single one armed man he ever meets, such as his
Speaker 3: anger at one armed men, and he's got a device
Speaker 3: called the flying guillotine, which it's like a sort of
Speaker 3: hat on a on a rope that he kind of
Speaker 3: throws and it's sort of like a I guess, like
Speaker 3: a frisbee action. It lands over the person's head and
Speaker 3: then he pulls the rope and it decapitates them. Yeah,
Speaker 3: so he he's vowed to kill every one armed man
Speaker 3: he ever meets. And then parallel to this, Jimmy Wang
Speaker 3: Yu is just trying to go about his normal everyday
Speaker 3: business with one arm.
Speaker 1: And he picks on the wrongs on the.
Speaker 2: Wrong he does pick on the wrong guy.
Speaker 3: There's a kung fu tournament and Jimmy Wangyu enters it,
Speaker 3: and the Blind Master of the Flying Guillotine rocks up
Speaker 3: because he's here.
Speaker 2: There's a one armed man in town.
Speaker 1: This one I am doesn't have six fingers.
Speaker 3: He only has five in total. The whole film is
Speaker 3: on YouTube and I watched the first five or six
Speaker 3: minutes last night. The first five or six minutes really
Speaker 3: gives you a flavor of what's going to happen, because
Speaker 3: the Blind Master of Flying Guillotine, he's living on a mountain,
Speaker 3: he's on his own and he's just kind of waiting
Speaker 3: basically to find out what's happened to his two disciples.
Speaker 2: And then.
Speaker 3: A carrier pigeon arrives with a note on its foot
Speaker 3: in braille because he's blind, and the note is from
Speaker 3: his two disciples, and it says if you get this note.
Speaker 2: We've been killed by a one armed so you need
Speaker 2: to avenge us.
Speaker 3: We're about to go and try and kill this one
Speaker 3: armed man and we think he's going to beat us,
Speaker 3: so we're sending you this note in advance, basically, so
Speaker 3: you need to avenge us. Then he jumps through the
Speaker 3: roof of his house and then lands outside with his
Speaker 3: flying guillatine. He decapitates a few sort of dummies that
Speaker 3: he's got set up. A chicken gets in the way
Speaker 3: and he decapitates the chicken and the flying guillotine. Then
Speaker 3: he turns around and sets his house on fire, and
Speaker 3: then he walks.
Speaker 2: Down the mountain.
Speaker 1: It's the first five minutes.
Speaker 3: It's the first five minutes, and I think they weren't
Speaker 3: as they weren't as bothered by copyright at the times.
Speaker 3: All of the soundtrack is like nineteen seventies crowd rock.
Speaker 3: They've just stolen all of this brilliant progressive German music
Speaker 3: and it's got like you know, it's dubbed and it's
Speaker 3: it's just a lot of I mean, I've seen a
Speaker 3: lot of kung Ful films and a lot of them
Speaker 3: are really bad, and this one is brilliant.
Speaker 1: So and where there's Bruce Lae, as far as the
Speaker 1: history goes that it is his posts or pre Bruce Lae.
Speaker 3: So no, this was I think this was seventy six,
Speaker 3: But basically the beginning of the seventies, Jimmy wang Yu
Speaker 3: was kind of the top dog, and then he had
Speaker 3: that breakup of Shore A Taiwan and then yeah, and
Speaker 3: he and he basically left the sort of major studio
Speaker 3: and I think he kind of opened the doors though
Speaker 3: for those kinds of films, Like Bruce Lee was definitely
Speaker 3: making films around that time, and it only really came
Speaker 3: to like international fame with Enter the Dragon.
Speaker 2: Jimmie wang Yu.
Speaker 3: Also did a great osploitation film called The Man from
Speaker 3: Hong Kong, which is Brian Trenchard Smith's first direction, I think,
Speaker 3: and it's got George Lazenby in it and an opening
Speaker 3: scene filmed at Uler Rule, which I think would be
Speaker 3: illegal now and probably was illegal then.
Speaker 1: You can't decapitate anyone, I'm pretty sure. I'm pretty sure. Well,
Speaker 1: I'm I'm gonna check out The Masters of Flying Guillotine
Speaker 1: on YouTube or wherever I can find it. That sounds
Speaker 1: like a lot of fun. The last data about helps
Speaker 1: Jack Nicholson. There are they marines who will just come
Speaker 1: back or they got they off judy or something is
Speaker 1: that they're in.
Speaker 3: They're in the navy. I think they hate they hate marines.
Speaker 3: There's a fight scene with with some marines in a
Speaker 3: public toilet. What happens is Badusky, who's Jack Nicholson and
Speaker 3: Mule Hall. I think ortis Young. They're given a detail
Speaker 3: which is a very new sailor Navy guy who is
Speaker 3: a kleptomaniac who's played by Randy Quaid, has stolen a
Speaker 3: collection tin but it's the I don't know, it's the
Speaker 3: commander's wife's charity or something. And so they sentenced him
Speaker 3: to eight years in jail and Jack Nicholson and Ortice
Speaker 3: Young have to transport him across the country to the
Speaker 3: jail where he's going to spend eight years. And he's
Speaker 3: completely green, he's klept a maniac. He's like very very young,
Speaker 3: and quite early on, Nicholson says, we've got a week
Speaker 3: to take him, and we've hope and it'll take us
Speaker 3: like a couple of days, so why don't we show
Speaker 3: him a good time. We've like he's never been laid,
Speaker 3: I needs to never like a drunk, and he's never
Speaker 3: done anything, and he's going to be in jail for
Speaker 3: eight years. And Jack Nicholson's worried that he's going to
Speaker 3: get victimized and bullied in jail, so he's like, we're
Speaker 3: going to toughen him up and we're going to take
Speaker 3: him and we're going to basically show him the sights.
Speaker 3: And my dad showed me this film, and I think
Speaker 3: it's probably got some of the best swearing I've ever heard.
Speaker 1: Wow, it's got.
Speaker 3: At the time it was released, it had the record
Speaker 3: for the most number of fuck words in a film,
Speaker 3: which I think has since been surpassed. But there's there's
Speaker 3: I think there's a good seven or eight swear words
Speaker 3: on the poster, which gives you an idea. It gives
Speaker 3: you an idea of just how foul mouthed it is.
Speaker 3: But it's this brilliant, sort of nineteen seventies style, kind
Speaker 3: of realist, sort of quite bleak kind of view of
Speaker 3: the state of America and the state of military and
Speaker 3: the state of bureaucracy sort of.
Speaker 2: I think.
Speaker 3: But by dusky and middle hollow, they're annoyed by the task.
Speaker 3: At first, they're like, why are we doing this? And
Speaker 3: then they kind of realize maybe we can have some
Speaker 3: fun because they're they're off the base for a week
Speaker 3: as well, so they can kind of as long as
Speaker 3: they take him to the prison within the week, they
Speaker 3: can kind of do what they want.
Speaker 1: So there seems to be a thing speak about with
Speaker 1: Alex Aidelman about he raised it the idea that most
Speaker 1: American films they strive to say something about America. Yeah,
Speaker 1: I'm not sure of Austray and films across the boat.
Speaker 1: There's certainly some that do that. Waiting for it is
Speaker 1: you know an example that springs to mind. But the
Speaker 1: movies made you know from Wales or even that the UK.
Speaker 1: How do you feel like that's something that they like?
Speaker 1: There's a certainly there are some, definitely there are some.
Speaker 1: But do you feel like that happens a lot, you
Speaker 1: know in films out of the UK where they're trying
Speaker 1: to say something about the UK? Like I feel like
Speaker 1: almost every film in America has to say something about America.
Speaker 3: I guess this was kind of like nineteen seventies kind
Speaker 3: of new Hollywood. There's sort of end of or maybe
Speaker 3: not the end of the American dream, but a more
Speaker 3: kind of critical look at the American dream and how
Speaker 3: you know, the problems in Vietnam and kind of you know,
Speaker 3: inequality in racism and structural problems. I think America is
Speaker 3: probably a very very self obsessed place. Yeah, it's very
Speaker 3: inward looking. Yes, So a lot of American films are
Speaker 3: about America. I mean there aren't. I'm trying to think
Speaker 3: about that. You know, the trends in British cinema.
Speaker 1: I feel like This is England is probably saying something
Speaker 1: about England. But across the board, I'm not sure if
Speaker 1: Richard Curtis is necessarily he's trying to.
Speaker 3: Say so I'm saying that there are no black people
Speaker 3: in That's what Richard Curtis is saying.
Speaker 1: There was one in Love. Actually, I'm pretty sure. Mustang.
Speaker 1: I'm relieved that I've seen one of these films and
Speaker 1: it is a cracking film. It was one of these
Speaker 1: films I one of those delightful cinematic experiences I had
Speaker 1: where I just went and sat without knowing much about
Speaker 1: that all. So it's it's largely, uh, it is concerned
Speaker 1: with the arranged marriages, and it's it's quite brilliant.
Speaker 3: I watched this, I'm pretty sure I watched it on
Speaker 3: SBS and and I were just kind of flicking through
Speaker 3: the channels and like, oh, you know.
Speaker 2: Let's let's watch a film. And I was just kind
Speaker 2: of it's so out of my sphere of experience, you know, and.
Speaker 1: Very different than the flying.
Speaker 3: I thought I would give a mix of genres and decapitations.
Speaker 2: This film features no decapitations. Yeah, I don't.
Speaker 3: I've been to Turkey and I I guess you go
Speaker 3: to Turkey as a tourist or whatever and just have
Speaker 3: a holiday, and this film is kind of about it's
Speaker 3: just kind of a critique I guess of conservatism within Turkey.
Speaker 2: And you have.
Speaker 3: Five sisters who work off and and are kind of
Speaker 3: looked after, and they get caught basically frolicking, for one
Speaker 3: of a better word, or messing about on a beach
Speaker 3: with some boys.
Speaker 1: Doing something that if it is happened in Australia or
Speaker 1: in England not would be made. Yeah, they've just been
Speaker 1: completely normal teenagers.
Speaker 3: And their guardians, who are sort of ultra conservative, then
Speaker 3: confine them to house arrest and basically say you're all
Speaker 3: getting married, We're going to sort of sort this out.
Speaker 3: And it's just a great film about their spirit and
Speaker 3: about how they aren't happy.
Speaker 2: Being contained in this house.
Speaker 1: Yeah.
Speaker 3: And I've been watching a lot recently where you have
Speaker 3: like child actors or whatever who are just incredible and
Speaker 3: they all all the girls, and this is just like
Speaker 3: wonderful and I don't know, it took me to a
Speaker 3: different place and I really I really enjoyed it.
Speaker 1: It's what I love about foreign cinema. Though I mean
Speaker 1: I can I can certainly be swept away by English
Speaker 1: you know, speaking movies, but I feel like I get
Speaker 1: swept away more so in foreign language films because I'm
Speaker 1: usually experienced with a culture. Yeah that I you know,
Speaker 1: I think about if ever, so to see a representation
Speaker 1: of Turkish life, but also that idea of arranged marriages,
Speaker 1: and for my understanding, because I think we have a
Speaker 1: very Western view of arranged marriage marriages as far as
Speaker 1: like they're evil and they how can they do it?
Speaker 1: But I think from my memory, Mustang you know, gave
Speaker 1: a real you know, there was it gave an even
Speaker 1: reasonably even handed view of what it could be or
Speaker 1: what potentially it does look like. And also because it
Speaker 1: obviously works with some people. It doesn't work for others.
Speaker 1: I mean, they have a pretty successful I think they
Speaker 1: have a lower divorce rate than in western countries. Now
Speaker 1: that maybe because people are too afraid of quite possibly,
Speaker 1: but you know, you do hear of these arranged marriages
Speaker 1: that work very well. Now in Mustang, you do you
Speaker 1: feel for the girls because they are you know, they're
Speaker 1: almost you feel like they're prisoners to a degree, and
Speaker 1: they're bursting, you know, and right now watching it, I imagine
Speaker 1: you watch it now, the back of your mind might
Speaker 1: be what is going on in Afghanistan with you know,
Speaker 1: the Taliban. Without giving too heavy and we will talk
Speaker 1: about the Princess bride very soon, but I imagine that
Speaker 1: that like to see the part that that part of
Speaker 1: the world and the ship they have to deal with
Speaker 1: that that we don't even think of. Is it's sobering,
Speaker 1: but it Mustang does it in the way that's still entertaining.
Speaker 3: It's very funny. Yeah, I mean they're they're their ultimate
Speaker 3: goal is to go and watch a football march. Yeah,
Speaker 3: and there their attempts to get to this march is
Speaker 3: really good.
Speaker 1: And I think that's what is it's fun about it.
Speaker 1: It's like you recognize these teenagers kind of immediately.
Speaker 2: Yeah, they're universal, absolutely.
Speaker 1: They just want to do the things that we take
Speaker 1: for granted. But yeah, you're right, it's it's a really
Speaker 1: fun film and a beautiful film. Actually, I think it's great. Okay,
Speaker 1: let's get stuck into it. The Princess Bride nineteen eighty seven,
Speaker 1: Rob Rainer, written by William Goldman based on his own book,
Speaker 1: and lastly, straight out Lloyd Langford, did you enjoy it
Speaker 1: very much? So that's a relief not only for me
Speaker 1: but for our for our listeners, because it is. It
Speaker 1: is a beloved film, and I'm really I'm really glad.
Speaker 1: What was your take us through your initial thoughts?
Speaker 3: I was confused a bit by Columbo.
Speaker 2: I knew that.
Speaker 3: I knew that it was this incredible sort of fantasy film.
Speaker 3: Then when there's this the.
Speaker 1: First thing you sees his computer game and it's.
Speaker 3: This annoying little kid in the bed. It's like, what's
Speaker 3: going on here? And then when it got into it,
Speaker 3: I was like, oh good, all right?
Speaker 1: Yeah, yeah, so I will ask before we get into
Speaker 1: the film, like what was taking a sick day like
Speaker 1: in the Langford house, because that wouldn't have passed the
Speaker 1: Smith test. In our house, he was not sick enough,
Speaker 1: and I want to be playing computer games in my
Speaker 1: bed No.
Speaker 3: I mean the amount of toys in his bedrooms. He's
Speaker 3: probably ill from inhaling all of the plastic things. We
Speaker 3: I if you were sick at my in my family,
Speaker 3: like you stayed home from school, you sat on the
Speaker 3: saw for all the eating a buttery toast and watching
Speaker 3: daytime television, and then after that you were like, yeah.
Speaker 2: I think I can go back to school now.
Speaker 1: We used to watch basically we watched the Midday Show
Speaker 1: with Ray Martin and then Days of Our Lives and
Speaker 1: we would that would be maybe be the Phil Donahue
Speaker 1: and basically the same experience.
Speaker 2: So you could watch Neighbors twice.
Speaker 3: Actually ah there'd be a lunchtime showing of Neighbors and
Speaker 3: then there would be like a five point thirty showing,
Speaker 3: like a repeat for closer textual analysis. So if you
Speaker 3: were sick of school, you could do you could do
Speaker 3: the double. You could watch the Neighbors twice.
Speaker 1: You see todd Land has been hit by that high
Speaker 1: as twice. That is that is incredible. We used to
Speaker 1: drink a lot of flat lemonade. I remember that was
Speaker 1: supposedly that was I don't know it was good for
Speaker 1: an upset tummy.
Speaker 2: I don't know we did it anyway, you know, just
Speaker 2: because I grew up poor.
Speaker 1: So let's have a quick listen to the beginning, with
Speaker 1: the setting up of the grandfather reading to his grandson.
Speaker 2: I brought you a special present. What is it?
Speaker 1: Open it up?
Speaker 4: Oh bo, that's right. When I was your age, television
Speaker 4: was called books, and this is a special book. It
Speaker 4: was the book my father used to read to me
Speaker 4: when I was sick, and I used to read it
Speaker 4: to your father. And today I'm going to read it
Speaker 4: to you.
Speaker 2: Sports and it are you kidding?
Speaker 4: Finishing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles.
Speaker 2: Doesn't sound too bad.
Speaker 1: I'll try and stay a week.
Speaker 6: Oh well, thank you very much, very nice.
Speaker 4: Your voted confidence is overwhelming.
Speaker 2: All right.
Speaker 4: The Prince's Bride.
Speaker 1: I mean, there's a storytelling device. It's it's quite brilliant,
Speaker 1: and it's it's susceptibly brilliant. I think I feel like
Speaker 1: it's one of the When I watched it last night,
Speaker 1: I was like, yeah, I've seen this many times before,
Speaker 1: but I'm not sure if I have. I've seen voiceovers
Speaker 1: and people reflect, but it's a good opportunity for them
Speaker 1: to throw some gags in yep, to you know, fasten
Speaker 1: the action a bit, just give ahead.
Speaker 2: Put some white powder in Peter Fox's hair.
Speaker 1: He was he wasn't. I mean the mastage was also.
Speaker 1: I mean I he grew that mustache, certainly not in
Speaker 1: that close up at the end it looked a bit
Speaker 1: glued on. You can almost see the glue throughout it.
Speaker 1: Where were you a Wonder Years fan? No?
Speaker 2: I don't know the Wonder Years at all? Is that worth?
Speaker 4: Wow?
Speaker 1: I'm having a Goonies moment right now.
Speaker 2: Is that where the kid is from? Yes?
Speaker 1: So, Fred Savage, Wonder Years is huge in Australia, but
Speaker 1: then it's kind of forgotten about. And Wonder Years was huge.
Speaker 1: It basically was Kevin Arnold played by Fred Savage, his
Speaker 1: best friend Paul Feiffer, and Whennie Cooper was a girl
Speaker 1: in their neighborhood and he had a bit of a
Speaker 1: crush on her, and it was Yeah, it was brilliant.
Speaker 1: It was just about based in the seventies, sixties or seventies,
Speaker 1: and it was just him navigating life and puberty and
Speaker 1: it was really like beautify written and the joke was
Speaker 1: with Little Helpful my friends. That was the theme song. Great.
Speaker 3: So I last night watching The Princess Bride. I watched
Speaker 3: it with Anna Edmunds, my partner, who'd never seen The
Speaker 3: Princess Bridy either.
Speaker 1: Oh wow.
Speaker 3: So we're both watching it for the first time and
Speaker 3: within the first two minutes she's like, that's Fred Savage
Speaker 3: from The Wonder Years, and I'm like, I do not
Speaker 3: understand what you're talking about. Also, let me watch this film.
Speaker 2: Because if you shout out every time you recognize someone,
Speaker 2: this film is going to take a lot a long time.
Speaker 1: Well, The Wonder Is for anyone who hasn't seen the one,
Speaker 1: it is really worth checking out. There's particular episodes. There's
Speaker 1: a great episode where they're going to a party and
Speaker 1: they've got like either six bees or it might be
Speaker 1: three bees or four beers or bottles of bees, because
Speaker 1: they've got to bring these beers to the party. And
Speaker 1: it's shot over like the night and they're trying to
Speaker 1: get through this party and they keep breaking bottles and
Speaker 1: it's just like the closer they get to they like
Speaker 1: another bottle of breaks and they end up with one bottle
Speaker 1: or maybe don't have any bottles. They got to rack
Speaker 1: up to the party and so we don't we don't
Speaker 1: have the beer. But it's it's just an episode that's
Speaker 1: always stuck in my mind. It's it's a it's a cracking,
Speaker 1: cracking one. But anyway, we wiped well on the Wonder Years.
Speaker 1: It's really efficient this this beginning though, Like we get
Speaker 1: into it, into it, and you've got Robin Wright, who
Speaker 1: on a film debut, is stunning as he is Carrie Elwis,
Speaker 1: and I got to say, did you know Carrie Elvis?
Speaker 2: I knew him from Robin Hood men In takes.
Speaker 1: Yes yes, which he makes after after this is mel Brooks.
Speaker 1: He's he's stunning.
Speaker 3: Classically good looking, sort of Douglas Fairbanks, Aero Flynn. Yeah,
Speaker 3: he's he's more attractive than Robin Wright. His eyes are
Speaker 3: very piercingly blue.
Speaker 1: Well they she talks about his eyes. I don't know
Speaker 1: about something about the storm.
Speaker 4: Or something one perfect.
Speaker 5: I like this after.
Speaker 1: Stam's reference to a painting. Apparently, I'm surprised that Carrie elwas.
Speaker 1: I had to like basically fight, like look, watch a
Speaker 1: few videos to find out how to say his name.
Speaker 1: I didn't. He doesn't live in the zeitgeist.
Speaker 2: I always thought it was euss in a plural of sheep.
Speaker 1: Yes, well, if I hadn't looked it up, I would
Speaker 1: have said carry yours, and I would have had the
Speaker 1: deal with feedback and hate mail. When somebody's in, somebody
Speaker 1: is a leading man who does a great job in
Speaker 1: a movie that's much loved, we expect them to go
Speaker 1: on and become superstars. But he doesn't. He just what
Speaker 1: he does. He goes on becomes just like a working actor,
Speaker 1: which is there's and there's nothing wrong with that at all.
Speaker 1: Like he has constantly been in work. He was in Liar, Liar,
Speaker 1: Jim Carrey was the dad, and he's unsigned, failed, He's
Speaker 1: Kissed the Girls and various films. But I'm surprised and
Speaker 1: Robin Wright has gone on to become Robin Wright, Jenny
Speaker 1: and Forrest Gump and obviously house had more recently. But yeah,
Speaker 1: Kerrie always is really good in this, and I'm a
Speaker 1: surprise he's not more of a household name.
Speaker 3: He plays a similar kind of role in robin Hood
Speaker 3: Prince of Thieves, right, Yes, yes, that's not Prince of thieves.
Speaker 1: No many so Kevin COSTAVERSI.
Speaker 3: He's he's very stylized and his performance could be from
Speaker 3: like a nineteen thirties kind of swashbuckler. Yeah, and obviously
Speaker 3: that's intentional, yes, but maybe he was type cast as
Speaker 3: this kind of over the top sort of dashing hero.
Speaker 1: Maybe he tried to get swashed backing in all of
Speaker 1: his roles, just it didn't work for Ulverstone. We're trying
Speaker 1: to make Fortoon. Sorry, Kerry, we're dropping you. We're bringing
Speaker 1: Charlie Sheen in. So. Yeah, the chemistry between Robin Wright
Speaker 1: and Kerry, you'll is there for everybody to say it works.
Speaker 1: You know, I'm not sure what's the situation with Robin right,
Speaker 1: butter Cup? Is it her farm? She's on a farm?
Speaker 2: Yeah?
Speaker 1: Do we just not see her parents?
Speaker 2: Yeah?
Speaker 3: I'm not sure how. I'm not sure if he's a
Speaker 3: properly employed there is he being p the minimum wage?
Speaker 1: I suspect so, because it's it's interesting how we do
Speaker 1: love Robin right pretty quickly or butter Cup even though
Speaker 1: she's being horrible like making him make him do these
Speaker 1: when she asked.
Speaker 3: Him to fetch that jug that's from right next to it,
Speaker 3: next yes, yeah, come on, butter Cup, pull your finger.
Speaker 1: You can do better than that, butter Cup. So we
Speaker 1: were here. A favorite character we meet, obviously, we meet
Speaker 1: the three bandits, Vazini, who played by Willa Sean. Zini's
Speaker 1: apparently Sicily, and he didn't exactly go.
Speaker 2: I actually read that he was.
Speaker 3: He was constantly nervous the actor about being fired from
Speaker 3: the role, and partly because he wasn't Sicilian.
Speaker 1: Yes, that's right, and I think he had Danny DeVito
Speaker 1: had been offered a role or something like that. So
Speaker 1: he was constantly.
Speaker 3: He's he's brilliant. And it pains me to say this.
Speaker 3: As much as I love Andre the Giant, he is
Speaker 3: fucking rubbish in this.
Speaker 2: Film, Like he cannot act at all.
Speaker 1: No, it's there were times when I was watching this
Speaker 1: and I was just like, oh, Andre, you're doing your best.
Speaker 1: And I think he did. I think he did his best.
Speaker 1: Lloyd and he's great.
Speaker 3: I mean he is great, and I do love him
Speaker 3: very much, and I think he's you know, I wouldn't
Speaker 3: put any anyone else in the role. But I after
Speaker 3: watching the film, I was reading up on it last night,
Speaker 3: and apparently.
Speaker 2: There's a scene where he was so.
Speaker 3: Bad at delivering his lines that Mandy Patinkin slapped him
Speaker 3: across the face in order to get a bit more
Speaker 3: urgency into his delivery.
Speaker 1: Faster A thought, I was going faster.
Speaker 4: You We're supposed to be.
Speaker 1: This class, you were this great legendary thing, and yet
Speaker 1: he gained.
Speaker 2: Well, I'm carrying two people, and.
Speaker 1: I do not accept excuse.
Speaker 5: I just pretty have to find myself a new giant,
Speaker 5: that's all.
Speaker 3: Don't say that, please, I mean, I must be one
Speaker 3: of the slowest talking people in show business. And I
Speaker 3: sund like i'mon cocaine compared to all of the giants. Maybe,
Speaker 3: and he's so big that maybe the blood takes longer
Speaker 3: to pup around his body, so his reflexes at his
Speaker 3: reaction time to other people's lines, you could park a
Speaker 3: bus in between some of the gaps.
Speaker 2: He was.
Speaker 1: He was in a lot of pain during the making
Speaker 1: of this film. He has chronic back pain, which is
Speaker 1: due to his size. And you know, probably wrestling he's
Speaker 1: probably a good thing to do, if you if you
Speaker 1: if that's the case, But there were times when when
Speaker 1: they had that fight that that he was basically Wesley
Speaker 1: Kerry elwas was on a table basically like behind and
Speaker 1: he's a stunt double where they could he was in
Speaker 1: quite a bit of pain, even when at the end
Speaker 1: where she jumps but a cup jumps down and he
Speaker 1: catches her. She was on a wire and they had
Speaker 1: him leaning against a wall, which the obviously took out
Speaker 1: in posts. But he was in a bit of pain.
Speaker 1: So maybe the maybe the painkillers played a part in
Speaker 1: his delivery. Maybe he's never got another chance again. Maybe
Speaker 1: he could have been an awesome wells.
Speaker 2: I think he.
Speaker 3: I mean, I don't want to do him too much
Speaker 3: of a disservice as well, because I think he had
Speaker 3: a quite a tougha. Yes, I've watched documentaries among him
Speaker 3: and you know, so I say, I say that he
Speaker 3: was bad in this with all of those covees.
Speaker 1: Yes, yes, yes, I'm kind of relieved that he did
Speaker 1: say it, because I didn't want to say I'll get
Speaker 1: the hit meal because he like, there are some lines
Speaker 1: that you could not I could not.
Speaker 3: Understand that we had the subtitles on from the start,
Speaker 3: just I think because we've been watching something else and
Speaker 3: they were useful for his lanes.
Speaker 1: Yeah, yeah, because even I kin'd had to rewind the
Speaker 1: bit where the boat goes off, and only when I
Speaker 1: kind of re want to watch it the second time
Speaker 1: I realized what was happening with the rhyming.
Speaker 3: Yeah, yeah, yeah, kept in the sentences yet to wind
Speaker 3: up vasini.
Speaker 2: Yeah, this is a great gift.
Speaker 5: Yes, not for that.
Speaker 1: Are they're actually ahead?
Speaker 2: If they are, there no more rhymes. Now I'm mid
Speaker 2: it anybody, Yeah.
Speaker 1: A giant? I did, I did, Yeah, I did watch
Speaker 1: it go. Oh, he's doing his best.
Speaker 2: Apparently.
Speaker 3: There was one point during filming where he let out
Speaker 3: a fifteen second continuous fart, So a fifteen second long
Speaker 3: loud fart in the middle of a scene that ruined
Speaker 3: the tea completely obviously, like if you think like one
Speaker 3: two like, it's a long fart. And Rob Reiner said
Speaker 3: to him, Audrey, are you okay? And he said, I
Speaker 3: am no, Boss.
Speaker 1: If you're interested, Andre, the Giant's fart would have just
Speaker 1: finished now. He wasn't always he was. Initially he couldn't
Speaker 1: do it because he's wrestling commitments and.
Speaker 2: They wanted Swartz.
Speaker 1: They wanted Schwartz, Yeah, and Lane Mason also auditioned, but
Speaker 1: then they Ruber and Wild laugh when he heard that
Speaker 1: he's only six foot four that was not tall enough.
Speaker 1: So yeah, I mean it works only because like he
Speaker 1: is basically like a BFG.
Speaker 2: Yeah, he's his character is slow witted.
Speaker 1: Yes, yes, and because you know it's it's real, like
Speaker 1: there's no Hagrid tricks going on here.
Speaker 3: There's a great bit early on when they capture the
Speaker 3: princess and he puts his hand around her neck.
Speaker 1: Yes, yes, And.
Speaker 3: You see the actual size of the man, like he's
Speaker 3: absolutely huge. Apparently Robin Wright would get cold during the
Speaker 3: filming and he would just put his hand on top
Speaker 3: of her head and his hand is so big that
Speaker 3: it would warm her head up.
Speaker 2: Covered the totality of the top of her head.
Speaker 1: You can't do. I did that with Carrie big Moore
Speaker 1: Projects some nights, and just like I've been told, there
Speaker 1: are there are shots where you do the c's hands
Speaker 1: and you realize they are, like he's a giant man. Yeah,
Speaker 1: quite obviously he was not shining when people know there.
Speaker 1: We have the sword fight the Cliffs of Sander. That
Speaker 1: was one of the first scenes where I thought, this
Speaker 1: is my first favorite scene of the of the movie
Speaker 1: where it's like this is this is fun, this is well.
Speaker 2: I really enjoyed the screaming eels.
Speaker 3: Screamings the great name for a band.
Speaker 2: Actually, do you know what that sound is? Highness?
Speaker 1: Those are the shrinking eels. If you don't believe me,
Speaker 1: just wait. They always grow louder when they're about to
Speaker 1: feed on human grass in the In the book, apparently
Speaker 1: there's no screaming eels. They're just sharks. And the Zini
Speaker 1: lets her know they're sharks. She's just jumped in shaking
Speaker 1: first waters and he throws a cup of his own blood,
Speaker 1: I think, into the water to attract the sharks and
Speaker 1: it gets out. But screaming eels, I think way more fun.
Speaker 1: The puppetry was very good. Like I'm sure there are
Speaker 1: people who might watch it in twenty twenty one and
Speaker 1: kind of rag on it a bit, but I thought
Speaker 1: it all worked, even the rodents size, which apparently were
Speaker 1: little people in those costumes. They don't look real, but
Speaker 1: they work.
Speaker 2: No, they are. Yeah. I enjoyed it.
Speaker 3: I think William Goldman was unhappy with the effects, but
Speaker 3: I always prefer practical effects in the film than obviously
Speaker 3: they wouldn't have been able to use any CGI in
Speaker 3: eighty seven or whatever.
Speaker 2: But no, it feels. It feels like the threat is there,
Speaker 2: the eel is there screaming.
Speaker 1: Yeah yeah yeah, and the sound design it works for
Speaker 1: all those animals. I think it's I think it's actually
Speaker 1: rob Brainer does the does the yeah yeah. But also
Speaker 1: the sword fight, I think it's a really well staged
Speaker 1: sword fight. Like they one of the guys who basically
Speaker 1: choreographed Star Wars. Yeah, choreograph this fight. They worked really
Speaker 1: hard on any any spare time they had, they would
Speaker 1: be doing this like that. They use no stunt doubles.
Speaker 2: They are fight.
Speaker 3: I didn't realize the moves that they're talking about, you know,
Speaker 3: when he says, oh, you can use this defense or
Speaker 3: this whatever those are.
Speaker 2: Yeah, yeah, you're using Bonetti's defense against me. App I
Speaker 2: thought of fitting considering the rocky terrain.
Speaker 1: Naturally, you must suspect me to attack the Naturally. I
Speaker 1: find that tiple cancels are cap don't you.
Speaker 6: Unless the enemy has a study he's a good far.
Speaker 2: Which I have.
Speaker 3: So it's impressively because they're not. There's a bit later on,
Speaker 3: like when he's Wesley is chalking the giant and you
Speaker 3: can tell that it's not under the giant's someone else.
Speaker 1: Yeah yeah, yeah.
Speaker 3: But the two of them are doing all of the fencing. Yeah,
Speaker 3: and it's impressive. Yeah, it's very it's good. Apparently Rob
Speaker 3: Rainer that when they first showed him the choreograph scene,
Speaker 3: it was a minute long, and he said, no, it
Speaker 3: needs to be three minutes long. Yeah, So it's impressive
Speaker 3: that they're doing the fencing and they're doing the ship talking. Yeah,
Speaker 3: you know, and they're doing the referencing the fence in terms,
Speaker 3: and it's kind of posts more than like they're they're having,
Speaker 3: you know, a verbal duel and a physical duel.
Speaker 1: And yeah, it's good and yeah, and it's we've already
Speaker 1: got the context that they there's a respect for each other, yeah,
Speaker 1: almost immediately, so they're finding you know, and you know,
Speaker 1: I think we probably know that this is going to
Speaker 1: end in the draw, or at least not not bloodshed
Speaker 1: or death. So it works, it works really well. Is
Speaker 1: in Ego Montoya the best character in the in the film?
Speaker 1: Is it his film?
Speaker 3: I should think you're you're very, very glad to see
Speaker 3: him again, Yeah, because he he did. After the fencing,
Speaker 3: he disappears, and you and you're and obviously after the
Speaker 3: fight with Andree he disappears as well, and there's a
Speaker 3: whole of a chunk of film that happens.
Speaker 2: So, yeah, he's he's the heart of the film.
Speaker 1: I think I completely agree.
Speaker 3: His his vengeance for his father and it's kind of this.
Speaker 3: I don't know if she'd like me saying this, but
Speaker 3: and thought that. You know, the bit where Wesley is
Speaker 3: stuck on the cliff and they're having the conversation about
Speaker 3: whether he's going to help him out but whether he's
Speaker 3: going to kill him and all that, I think I
Speaker 3: was like, what's going Like, what's happening here? But I
Speaker 3: very much enjoyed that. Yeah, there's bits in the film
Speaker 3: like that where there's like too much explanation going on
Speaker 3: that are really funny, where they just draw stuff out
Speaker 3: and you're like, he could just kill him, but he's
Speaker 3: like helping him up to the cliff and then he's in,
Speaker 3: he's it's down and he says, I'll give you like
Speaker 3: i'll give you five minutes and I cut your breath
Speaker 3: and stuff, and you know it's really it's not obvious.
Speaker 3: There's a lot that the film does that isn't the
Speaker 3: natural thing that you would do.
Speaker 1: Yeah, but I suspect, like there's a funny thing going
Speaker 1: on where I wonder if that is actually in the book,
Speaker 1: Like at some point, are we like veering off and
Speaker 1: the movie is actually becoming a movie as opposed to
Speaker 1: being a book, Like if we were to read the
Speaker 1: Prince's Bribe, did that scene that actually kind of happen
Speaker 1: or do we kind of like drift off into something
Speaker 1: else at some point and becomes its own thing. I
Speaker 1: kind of felt that was part of it for me.
Speaker 1: I might be wrong. I don't know. Yeah, I just
Speaker 1: think any of montoya is is so much fun that
Speaker 1: let's have a listen. This is gipping a little bit ahead.
Speaker 1: But one of his famous.
Speaker 2: Scenes, you've killed my father. My name is Mtya. You
Speaker 2: killed my father. Prepared to die.
Speaker 4: Stop saying that.
Speaker 6: My name is you killed my name, prepared to die.
Speaker 6: Offer me money, yes, power to promise me that all
Speaker 6: that I haven't more?
Speaker 2: Please offer me everything I asked for. Anything you want.
Speaker 4: I want my father.
Speaker 1: Were you as prepared for that to be that emotional?
Speaker 3: I was not prepared for it to be as violent.
Speaker 3: I mean they they get stabbed apatedly. And I don't
Speaker 3: know what I was watching the film, and there's obviously
Speaker 3: multi plays the film, but like, is this a kid's film,
Speaker 3: like or.
Speaker 1: Even The Son of a Bitch? Yeah, only seven in
Speaker 1: a kid's film? Is you know? Edgy?
Speaker 3: The torture scenes, and there's certainly the blood like when
Speaker 3: Inigo Montoya gets he froze the knife and the dargon
Speaker 3: kind of gets him in the gar I was.
Speaker 2: Like, what what's happened?
Speaker 1: Yeah?
Speaker 3: Yeah, Like I was like the little sick kid in
Speaker 3: the bed, like grabbing Peter Fawkes Arbor saying you're reading
Speaker 3: the book wrong.
Speaker 1: Having a miss because Star Wars famously has no blood, right,
Speaker 1: And you can imagine there might have been a conversation
Speaker 1: at some point, are we going to have blood in
Speaker 1: this film? Like I imagine that would there would have
Speaker 1: been a consideration because it would have potentially affected ratings.
Speaker 3: He gets savaged as well. Wesley gets savaged by a
Speaker 3: roardent of unusual SI.
Speaker 1: Yeah, it's it's a little bit revenant about it, isn't it.
Speaker 3: He gets a big old bite on the arm and
Speaker 3: then I think he gets his shoulder, he gets his
Speaker 3: shoulder burned.
Speaker 1: Right, it's it's you're right, it's actually quite it's quite
Speaker 1: a violent scene that one. If I'd have watched that
Speaker 1: you know if I was eight or nine, yeah, I
Speaker 1: think it would have terrified me.
Speaker 2: It's frightening.
Speaker 1: Yeah, But I was really, I was really, I really
Speaker 1: felt for in Ego and in Ago Montoya. I always
Speaker 1: feel like I gotta say his whole name. I was
Speaker 1: surprised at how emotional I felt with that scene and
Speaker 1: apparently Mandy but tinking when he kind of stabs Christopher Guest,
Speaker 1: he imagined that he was stabbing cancer because his father
Speaker 1: had passed away with cancer. So that's how he kind
Speaker 1: of imagined he was taking revenge on cancer.
Speaker 3: It's I think it's one of the one of the
Speaker 3: beauties of the film as well. It sets up the
Speaker 3: fuck that you know, Wesley and Buttercup a separated and
Speaker 3: need to get back together. Yeah, but that it's a
Speaker 3: fairy tale and that's going to happen, Yes, But it's
Speaker 3: also sets up any Montoya's revenge very early on at
Speaker 3: the top of the ledge of mental unwellness. And so
Speaker 3: that's the that's the one way you're like, right, yeah,
Speaker 3: and then when you when you spot the devious Christopher
Speaker 3: Guest and his tailor made glove, You're like, this fuck
Speaker 3: is going down.
Speaker 1: Yeah, and it's is this a funny like, well, I
Speaker 1: won't say funny, like a slightly strange role for Christopher Guests.
Speaker 1: Obviously he knows brand and this is spinal tap years earlier,
Speaker 1: but it's not. I was waiting for their character be
Speaker 1: funnier and it's fine, and it's not, but it just this.
Speaker 1: I rarely have seen Christopher Guests in kind of straight role,
Speaker 1: so I was expecting. The closest I got to a
Speaker 1: laugh was when he ran away in the Cause, which
Speaker 1: I thought was funny.
Speaker 3: I actually didn't recognize him really at all until you know,
Speaker 3: there's so many sort of famous commules or whatever in
Speaker 3: the film, and he doesn't.
Speaker 2: Really do much for the first half of the film.
Speaker 3: Christopher Gas character, he's just there, is he sort of
Speaker 3: agreeing with the king.
Speaker 2: He's very good.
Speaker 1: He's very good, very good. Yeah, he's just not funny
Speaker 1: at all besides that running away like because he's got
Speaker 1: the torture machine and you know the machine which apparently
Speaker 1: was built for James Bond film Never Say Never Again,
Speaker 1: and they didn't they didn't use it, so they readapted it.
Speaker 1: And I really liked the machine because it's kind of
Speaker 1: like we used to seeing you know the torture scenes
Speaker 1: in movies where there's electrodes used and all that, but
Speaker 1: just seeing what this would look like if it was
Speaker 1: based on like water and mechanics and the and the
Speaker 1: settings I thought were really funny for some reason.
Speaker 2: I don't know if you know the actor, but the.
Speaker 1: Mel Smith Yeah, yeah, a big Mel Smith fan. Yeah.
Speaker 3: So he he's wonderful.
Speaker 1: Yeah.
Speaker 2: And when he his his his kind.
Speaker 3: Of entrance and the joke where he talks with a
Speaker 3: kind of egoish voice and then clears his throat, where.
Speaker 5: Am I the bit of the spot from think don't
Speaker 5: even think about trying to escape.
Speaker 2: It's very good and.
Speaker 1: It's a great example of not having a whole lot
Speaker 1: to do but making every second count. Yeah, he's he's fantastic.
Speaker 1: Apparently he had more contacts for the role because he
Speaker 1: was an albino, but had like an allergic reaction or
Speaker 1: some kind of a reaction to it, so that it
Speaker 1: was really quite painful and uncomfortable for it. But he
Speaker 1: kind of sold it on and got through it, and
Speaker 1: as a result has never ever watched the film because
Speaker 1: he just it brings back painful memories for him, which
Speaker 1: he seems to be the one, the only which I
Speaker 1: can understand because he's had that experience. But the cast
Speaker 1: seems to all still love this film. Sometimes you have
Speaker 1: actors who will be part of a massive film that
Speaker 1: some might say define them and they kind of have
Speaker 1: a bit of a pushback against in later years. They've
Speaker 1: all we had many Patinkin on the project, you know,
Speaker 1: a couple of years ago, and he's very happy to
Speaker 1: talk about the Princess Bride still and apparently two or
Speaker 1: three times a day somebody will yell out and he
Speaker 1: like it would annoy most people. He loves it, absolutely
Speaker 1: loves it.
Speaker 3: I think maybe because the film as well kind of
Speaker 3: has achieved success I wouldside of the original kind of
Speaker 3: theatrical run. Yeah, so the people that know about it
Speaker 3: have kind of sorted out.
Speaker 2: I guess, yes.
Speaker 1: It becomes like a people's champion movie. People discovered this,
Speaker 1: you know, it didn't do particularly well. It opened on
Speaker 1: the same weekend as Fatal Attraction, which was an instant,
Speaker 1: huge hit, very different kind of movie, and but it
Speaker 1: tested really well, like tested better than any film in
Speaker 1: nine to eighty seven outside of Back to the Future.
Speaker 1: So William Goldman was really upset. Is it paramount that
Speaker 1: they didn't make it work, and he just thought they
Speaker 1: didn't quite know how to market it as a film.
Speaker 1: I think I remember maybe I didn't see it in
Speaker 1: cinets when I first came out. Maybe I was even
Speaker 1: put off by the title. I thought it was maybe
Speaker 1: you know, yeah, I can't say these age but then
Speaker 1: you know it was for it was a it's a
Speaker 1: fantasy film for girls. You know. I didn't obviously I
Speaker 1: didn't see the trailer. I didn't know the giant was
Speaker 1: in there. But I just I just thought that it
Speaker 1: was you know, it was aimed not at me. You
Speaker 1: said something really interesting about the idea that you know
Speaker 1: that but a Cup and Wesley going to end up together.
Speaker 1: But they do do a really good job of making
Speaker 1: you think that's not going to happen. Like literally, you
Speaker 1: think where.
Speaker 2: They kills, yeah, that's it.
Speaker 1: You know, when like when they first he's dead, you think, okay,
Speaker 1: he's dead. He's I think it's probably there's maybe a
Speaker 1: chance is not dead. You know, the communication wasn't as
Speaker 1: reliable back then. Wherever this is set, who knows when
Speaker 1: it's set. There is a reference to Australia, so we
Speaker 1: assume it's it's post seventeen eighty eight. When they find
Speaker 1: him on the machine and he's dead, you're gonna think, Okay,
Speaker 1: this is interesting.
Speaker 2: Yeah, what's happening now?
Speaker 1: Yeah?
Speaker 3: And I this may very well be heretical, but I
Speaker 3: wasn't that big a fun of mystical Fred.
Speaker 1: Or whoever it was, who Miracle, Max.
Speaker 2: Miracle, Marx.
Speaker 1: Yeah, it's funny. You see. Apparently Manny p Thinking popped
Speaker 1: the rib because he was laughing so much and he's
Speaker 1: trying to hold it in. Rob Ryiner had to leave
Speaker 1: set because he was laughing so much. I wonder if
Speaker 1: it's because we can see it's Billy Crystal just doing
Speaker 1: Billy Crystal stick.
Speaker 3: Within the last year, Anne and I watched When Harry
Speaker 3: met Sally. Yep, I'd never seen it. I think maybe
Speaker 3: she'd seen it before. And it's the same director, Rob Rainer.
Speaker 1: Yes, and he makes this I'll talk about I'll just
Speaker 1: mention it que quickly. Now. Rob Rainer goes on one
Speaker 1: of the all time great film runs as far as
Speaker 1: comedy goes. These are the films he makes over the decade.
Speaker 1: In eighty four he makes this his final tap. It
Speaker 1: makes a great little film called The Short Thing in
Speaker 1: eighty five, if John Cusack stand by Me in eighty six,
Speaker 1: The Princess Bride in eighty seven, When Harry met Sally
Speaker 1: in eighty nine, Misery in ninety, a Few Good Men
Speaker 1: in ninety two, makes an ambition film called North of
Speaker 1: Bruce Willis in ninety four, doesn't quite work, and then
Speaker 1: makes quite an underrated film. We love it in Our
Speaker 1: House at the American President with Michael Douglas and Anette Benning,
Speaker 1: which is almost a weird for run at the West
Speaker 1: Wing because you've got Martin Sane as the vice president
Speaker 1: to the Michael Douglas. So it's one of your time
Speaker 1: great runs as far as the director's Billy a miss
Speaker 1: on there that you were when Harry met Sally. We
Speaker 1: did with Melissa Long for mass Chef on this podcast,
Speaker 1: What did you think?
Speaker 2: I really did not like it?
Speaker 1: Really, Yeah.
Speaker 2: I found Billy Crystal an annoying ball end.
Speaker 3: It feels, I don't know if it hasn't aged well,
Speaker 3: but like he's kind of a douchebag to Sally throughout
Speaker 3: the entirety of the film, And there are very what
Speaker 3: felt like to me long bits where Billy Crystal had
Speaker 3: clearly had some kind of standard material about a topic. Yeah,
Speaker 3: and they're sort of crowbard into the character. So he's
Speaker 3: got an opinion on everything, but he's also got like
Speaker 3: fifteen jokes.
Speaker 2: About that thing. Yeah, I just.
Speaker 3: Didn't I didn't get on with it. And this was
Speaker 3: fighting with Miracle Marx. You know, it's Carol Keene and
Speaker 3: like it was. It's a bit of fun. But yeah,
Speaker 3: I cured how much everyone had loved it. And maybe
Speaker 3: I just I think I'm just realizing I just don't
Speaker 3: like Billy Crystal.
Speaker 1: I like Billy Crystal, but I'm also aware that he's
Speaker 1: got his things and that's what he does. There are times,
Speaker 1: maybe on my mood, where I'm like, maybe it hasn't
Speaker 1: aged well, not for any when Harry met Sally's in
Speaker 1: his stream one as far as the way we look
Speaker 1: at men and women and gender and all of that.
Speaker 1: I do think though, to defend when Harry met Sally,
Speaker 1: as far as Billy Crystal's Harry's kind of behavior towards Sally,
Speaker 1: I think you know they are. I think they're both
Speaker 1: kind of you know, he is more annoying than her
Speaker 1: to beginning. She's she's a bit proper and you know
Speaker 1: hyphen Luton. I mean he's spitting grape seeds into the window.
Speaker 1: I mean it's average behavior. But what I liked about
Speaker 1: it is I think you do see that character evolved,
Speaker 1: particularly when they both when I come back again, they're
Speaker 1: both out of their marriages, they marrial relationships at least,
Speaker 1: and they're leaning on each other as opposed to kind
Speaker 1: of being at war. And I think that's where the
Speaker 1: movie kind of picks up pace and actually becomes quite enjoyable.
Speaker 1: But if you don't like Billy Crystal, there's no way
Speaker 1: of enjoying when Harry mets away.
Speaker 2: No I don't. I'll need to investigate further.
Speaker 1: You don't have to.
Speaker 2: I definitely won't.
Speaker 1: The only other one you might go if you want
Speaker 1: to give Billy Crystal one last year City Slickers, yeah
Speaker 1: as a kid, right, and Missus Saturday Night possibly, But listen,
Speaker 1: I'm not here because I thought Miracle Max is fine.
Speaker 1: But I just didn't.
Speaker 3: I didn't enjoy the floppiness of Westley.
Speaker 1: He didn't well.
Speaker 3: I was kind of like, ah, the gangs all back together,
Speaker 3: you know, the Giant and Inigo and Wesley, like, let's
Speaker 3: star on the castle and kick some ass and the
Speaker 3: fact that Wesley is kind of just a big lump
Speaker 3: of ham I mean, I think.
Speaker 2: Carry always does it well, like it's fine.
Speaker 1: Really well.
Speaker 3: Yeah, but I was like, I get you know, because
Speaker 3: you're wait. I was waiting for him to fully regain his.
Speaker 1: But isn't it that that doesn't he fine the strength
Speaker 1: to stand when when Hamper Dick played by Chris Sarandon,
Speaker 1: who we spoke about when the Dog Day Afternoon, he
Speaker 1: finds his strength to stand and take him on and
Speaker 1: he's sword at him in the same way that in
Speaker 1: Ega Montoya finds his strength when he needs it to
Speaker 1: take on Count Rougen.
Speaker 3: Now he only finds the strength to stund after the
Speaker 3: king's been tied up.
Speaker 1: No, it's before then, the day before, it's before, is it.
Speaker 1: I'm sure Derek he stands up, but he's faking it
Speaker 1: so he's unable to sword fight, but he's stands Yeah,
Speaker 1: that's what I like about He stands up. He stands up,
Speaker 1: and even though even though like he basically that's all
Speaker 1: he can do, he still manages the king surrenders and
Speaker 1: that's what I liked about that.
Speaker 3: Oh yeah, and he talks about fighting to the the pend.
Speaker 1: Yeah, yeah, is that right. There's there's a weird there's
Speaker 1: a weird moment they have when Robin Wright jumps on
Speaker 1: the bed and starts kissing him and all that, and
Speaker 1: he kind of he makes it almost like I'm not
Speaker 1: sure what he says. He says something, but it's on
Speaker 1: was really playful, and it's almost like it almost felt
Speaker 1: like a contemporary kind of boyfriend girlfriend style, like this
Speaker 1: is a silly thing. I'm just going to say, like
Speaker 1: leads into her head.
Speaker 2: And I think they were sort of getting it on
Speaker 2: rate the actors.
Speaker 1: Yes, they were. Yeah, I believe they were. I read
Speaker 1: that they were smitten with each other and that he
Speaker 1: found Robin Wright's beauty kind of distracting, so you can probably.
Speaker 2: I mean, I have no evidence for this, but they
Speaker 2: were definitely fucking.
Speaker 1: The Daily Mail. There we go. There was Lloyd language.
Speaker 2: She jumps on that.
Speaker 3: That's quite funny when she sort of jumps on top
Speaker 3: of him and she's like why aren't you?
Speaker 2: Why aren't you And he's like I can't move.
Speaker 1: Yes, I think that's my way. Maybe he does that cutely.
Speaker 1: Whatever he says, he does something. Maybe that's one thing
Speaker 1: you can do. You can kind of like at least
Speaker 1: say something, and because he can't move his hands and
Speaker 1: legs at that point, and who knows what else. Peter
Speaker 1: Cook makes a great talk at cameos. The hilarious Peter
Speaker 1: Cook plays the priest.
Speaker 6: I have listen, marriage is what wins us together to
Speaker 6: day marriage, that wessing arrangement, that dream within.
Speaker 1: Ugly Yeah, I mean, I'm not sure if anyone's doing
Speaker 1: that these days, to be absolutely honest, it's got a
Speaker 1: little bit of a release watering about it. Yeah, but yeah,
Speaker 1: Peter Cook doing some some nice work. Carol Caine, he's
Speaker 1: also in. She was in the last detail is.
Speaker 3: Yes, she's at the Buddhist party.
Speaker 2: They go to, right. I think it's her first role
Speaker 2: or early role anyway, in.
Speaker 1: My master I would assume did you know Mark Knopfler
Speaker 1: was He did the score.
Speaker 2: I knew at the end obviously at the credits.
Speaker 1: Yeah, yeah, and he Roberina asked him and he said,
Speaker 1: I'll do it. But he had one condition, and it's
Speaker 1: a weird condition. He said, I want the hat that
Speaker 1: you wore in this is spinal tap to be in
Speaker 1: a scene somewhere. It's a weird, weird condition. So in
Speaker 1: the bedroom at the start, you'll see the hat that
Speaker 1: rob Berina wore in spinal Taps hanging in a Kevin
Speaker 1: Arnold's bedroom, Fred Savage's bedroom. Also, he asked Paul McCartney
Speaker 1: to write two songs, right, Robert obviously on a hot streak.
Speaker 1: Paul McCartney writes two songs. Robertina says, I don't, don't
Speaker 1: they're not good enough. No thanks, Oh, that's that's confidence
Speaker 1: rejecting a beatle.
Speaker 3: Yeah, I'm hoping it was after the frog chorus he
Speaker 3: did the Raudents of Unusual Size chorus.
Speaker 1: It is that, I mean that takes I've always wondered
Speaker 1: sometimes when I've heard people. I've gone to people and say,
Speaker 1: can you write this for the movie or whatever it
Speaker 1: might be? And what happens It does set up an
Speaker 1: awkward situation, but that I can't imagine a more awkward situation,
Speaker 1: and asking Paul facky McCartney to contribute to songs and
Speaker 1: but there's a track record that suggests that Paul McCartney's
Speaker 1: really good at writing songs, and then saying nah.
Speaker 3: Doesn't every known again you hear a story like this
Speaker 3: about Paul McCartney where he's been blatantly mugged off. Do
Speaker 3: you know the story that he told Michael Jackson. Michael Jackson,
Speaker 3: at the height of his fame, had all this money,
Speaker 3: and he said, what you really need to do is
Speaker 3: invested in song publishing so you can buy, you know,
Speaker 3: the rights to famous songs. Invested in those, and then
Speaker 3: every time the song wants to get played or use
Speaker 3: an advert or whatever, you get dividends and you don't
Speaker 3: have to do anything. It's like investment property. And Michael
Speaker 3: Jackson goes, oh, yeah, okay, cool. And then the rights
Speaker 3: for the Beatles songs came up and Michael Jackson outbid
Speaker 3: Paul McCartney. He gave him this advice and he was like, yeah,
Speaker 3: all right, and they just used it against him and
Speaker 3: bought all the rights of the Beatles songs.
Speaker 1: Paul McCartney's been trying to get on this podcast. I'm
Speaker 1: not ready for you, Paul, not ready. There's a different
Speaker 1: ending planned for this. It was supposed to be paid.
Speaker 1: The fork leaves and Fred Savage.
Speaker 3: Comes back and says, just one more thing, you're not
Speaker 3: it'll get out of bed, you little prick.
Speaker 1: Fred Savage looks at the window and there are four
Speaker 1: characters on their white horses out in the street. He's
Speaker 1: kind of riding off. It sounds like a really nice ending,
Speaker 1: but I do like and the reason Robarina went with
Speaker 1: the ending, he wanted to tie backs back to the
Speaker 1: idea of it being about a grandfather and his grandson
Speaker 1: and that connection that they had, because I guess the theme,
Speaker 1: one of the themes is that that love can't even
Speaker 1: triumph death, and that's why I guess Wesley dies twice,
Speaker 1: yet love prevails. And when the grandfather comes and like
Speaker 1: it's it's he's not really happy about that.
Speaker 2: And then I guess his cheeks he.
Speaker 1: Doesn't like, he's let's get over him. He's old. You've
Speaker 1: seen once every six weeks.
Speaker 2: He's confused of all the talk. Compoies in he let
Speaker 2: him pinch your cheeks.
Speaker 1: So yeah, so I think they think. I think they
Speaker 1: got the ending right. This there's always been talking being remade.
Speaker 1: Fans are against that. I don't see any reason why
Speaker 1: this needs to be remade. There's talking about there's William
Speaker 1: Goldman actually wrote notes or about a sequel called Buttercup's Baby,
Speaker 1: which has been this talk about. But William Gordman died
Speaker 1: in twenty eighteen, sadly. So yeah. The idea came because
Speaker 1: William Goldman had pneumonia as a child and his father,
Speaker 1: his grandfather read to him and that was and any
Speaker 1: wanted to right a story that his daughters could enjoy.
Speaker 1: And they said, he said, what do you want me
Speaker 1: to write about? Once said princess? Once said a bride,
Speaker 1: and the princess bride was born and it took years
Speaker 1: to get made. It was you know, I would have.
Speaker 3: Thought that the perfect sequel that they've sat up and
Speaker 3: fall picture is and it's and it's too late, no,
Speaker 3: but is to have.
Speaker 2: In Montaire as the dread Pirate Roberts. Oh, because Wesley
Speaker 2: says to him, he says, I don't know what I'm
Speaker 2: going to do now I've avenged the death of my father.
Speaker 2: I feel empty. And he says, have he sort of becoming.
Speaker 3: A pirate because he has to part on the you know,
Speaker 3: the the name of the dread Pirate Roberts.
Speaker 1: And but a CAP's baby, let's say there is one.
Speaker 1: He goes, he goes, hey, well he turns to the
Speaker 1: da so he actually becomes a genuine pirate.
Speaker 2: And put him on the straight and narrow.
Speaker 1: Yes, with obviously Wesley and and but a capaches bad
Speaker 1: a cap? Yeah, I like it.
Speaker 2: How old is Mandy Patinkin?
Speaker 1: No, he's Goby and seven the.
Speaker 2: Dead Pirate Roberts.
Speaker 1: I actually I was thinking you could do it, and
Speaker 1: I was still thinking about Young Many particular. He's so
Speaker 1: good and he's clearly the best in this, in this,
Speaker 1: in this, Let us know if you agree. He has
Speaker 1: any podcast at gmail dot com. Who is your favorite
Speaker 1: character in The Princess Bright? Is it? Is it? In
Speaker 1: Ego Montoya played by Many Petinkin. There was a fun
Speaker 1: story that Walidy told when he was on this podcast
Speaker 1: about Many petinking and his appearance on the project. But
Speaker 1: I won't retell. You can check it out there just
Speaker 1: quickly Willim Goldman. But as you don't know, one of
Speaker 1: the absolute legends of screen Hollywood screenwriting. I mentioned he
Speaker 1: wrote All the President's Men and Butch Cassidy and The
Speaker 1: Sun Dance Kid. He also wrote Misery, The Stepford Wives,
Speaker 1: The Original One, Marathon Man, Maverick Chaplin, Absolute Power. He
Speaker 1: did write Fierce Creatures, though, which is oh.
Speaker 2: That's the sort of late period John Cleese.
Speaker 1: Thing, The Fish called Wonder Sequel. Yeah, it's terrible as
Speaker 1: good as a fish called wonder was Fierce Creatures? Is
Speaker 1: that bad?
Speaker 2: I haven't. I haven't seen Fierce Creatures.
Speaker 1: They worry about that one.
Speaker 3: I'll I'll put that on the list of things to do.
Speaker 3: I've got to watch the entire output of Billy Chrystal.
Speaker 1: Just watch some Crystal at the Oscars. That's yeah, that's
Speaker 1: probably Billy Crystal at his best, perhaps, but anyway, I'm
Speaker 1: not going to bag Billy Crystal. I quite like him.
Speaker 1: In fact, I saw you play the five Thousand Sundays
Speaker 1: that It's Childhood. That was very good. Lloyd Langford, thank
Speaker 1: you so much for doing your homework. This podcast does
Speaker 1: come with homework, and I'm really stoked that you did it.
Speaker 1: And I mentioned this in New tr at the start,
Speaker 1: But congratulations on your Paramount Plus special Business with Pleasure.
Speaker 1: I watched it last week and it was bloody hilarious.
Speaker 2: Thank you.
Speaker 1: Did you enjoy doing it?
Speaker 2: I did enjoy doing it.
Speaker 3: Quite a funny poor script is that they Paramount Plus
Speaker 3: said to us we could get a free subscription to
Speaker 3: Paramount Plus because we've got a special on the channel,
Speaker 3: and and followed all the steps and then got charged
Speaker 3: ninety bucks.
Speaker 1: Are you sure? Are you sure? Because what happens because
Speaker 1: I I I got paramatplus gifted to me, but I
Speaker 1: do make you put your credit card detail in, So
Speaker 1: I think what happens is it kicks in the show.
Speaker 1: Are you sure you've been charged?
Speaker 2: She's had ninety dollars?
Speaker 1: Technical that sounds like you've been charged.
Speaker 2: Yeah, no, it was.
Speaker 3: That was a show that we kind of just devised
Speaker 3: during the first lockdown and then I never imagined that
Speaker 3: we'd We just thought we would do it a few
Speaker 3: a few times or whatever, and then it became this
Speaker 3: big thing and we we did three nights at the
Speaker 3: Comedy Theater in Melbourne, which was just insane, and one
Speaker 3: of them was filmed that.
Speaker 2: Yeah, it was. It was such such good fun.
Speaker 1: It's a really fun watch. So check it out on Paramapplus.
Speaker 1: You will need to pay for it obviously, great, so mate,
Speaker 1: thank you so much for watching this. It's a special
Speaker 1: day in Melbourne today. This will be going there obviously
Speaker 1: later on but we are officially out of lockdown. Still
Speaker 1: a few little restrictions, but we might go have a beer. Yes, well,
Speaker 1: thanks mate. That was Lloyd Langford. That was our final
Speaker 1: replay we're getting to the serious business. Season six has
Speaker 1: finally arrived in the unicorn that is Lucky Hume, the
Speaker 1: person people have been asking for the most. Find a
Speaker 1: film that Lucky Hume hasn't seen is in Encyclopedia of Film,
Speaker 1: and we found one Touch of Evil Awesome Wells nine
Speaker 1: point fifty eight, written directed by Aills and Wells, Ganetly
Speaker 1: Chelton Heston, playing in Mexican. We'll talk about that. And yeah,
Speaker 1: I cannot wait to get stuck into season six of
Speaker 1: You Ain't Seen Nothing Yet with in the best way possible,
Speaker 1: Locky Hume. Touch of Evil can't wait until then. Life
Speaker 1: for now, and so we leave old Pete safe than Souf,
Speaker 1: and to our friends of the radio audience, we've been
Speaker 1: a pleasant good night.