1 00:00:00,840 --> 00:00:05,240 Speaker 1: Great perflick with Ben out of Shame. Good morning Ben, 2 00:00:05,480 --> 00:00:08,560 Speaker 1: Good morning guys. I've got a comedy to bring to 3 00:00:08,600 --> 00:00:11,480 Speaker 1: you today. Ye good. We need All the Roses now. 4 00:00:11,560 --> 00:00:14,000 Speaker 1: It's a remake of the War of the Roses, which 5 00:00:14,080 --> 00:00:17,200 Speaker 1: listeners of a certain age will have fond memories of 6 00:00:17,239 --> 00:00:22,200 Speaker 1: this film it came out. I do a certain all 7 00:00:22,239 --> 00:00:24,239 Speaker 1: of this is where all this, where all of this 8 00:00:25,120 --> 00:00:27,319 Speaker 1: come on? Like twenty five year olds don't have a 9 00:00:27,320 --> 00:00:30,440 Speaker 1: clue what I'm talking about. I mean, I wasn't around 10 00:00:30,440 --> 00:00:32,519 Speaker 1: when Beethoven was around, But I don't know who it is. 11 00:00:32,960 --> 00:00:35,120 Speaker 1: I think we're of a different generation. Lease. I think 12 00:00:35,479 --> 00:00:37,800 Speaker 1: I don't know if the current generation go back like 13 00:00:37,840 --> 00:00:39,559 Speaker 1: they look at the nineties as if it was the 14 00:00:39,600 --> 00:00:43,720 Speaker 1: sixties vs. So so. Back in nineteen eighty nine, the 15 00:00:43,720 --> 00:00:46,720 Speaker 1: War of the Roses came out. It had Michael Douglas, 16 00:00:46,960 --> 00:00:50,360 Speaker 1: Michael Douglas and Kathleen Turner at the height of their powers. Yeah, 17 00:00:50,440 --> 00:00:53,040 Speaker 1: I loved that movie. I saw it at previous I 18 00:00:53,040 --> 00:00:56,000 Speaker 1: didn't knew nothing about it. So funny, I knew nothing 19 00:00:56,040 --> 00:00:57,760 Speaker 1: about it and I came out of it. I just 20 00:00:57,880 --> 00:01:00,279 Speaker 1: loved it. So it's such a classic film direct by 21 00:01:00,360 --> 00:01:02,720 Speaker 1: Daddy DeVito, who was also in the film, and the 22 00:01:02,800 --> 00:01:05,360 Speaker 1: three of them had just come from doing Romancing the 23 00:01:05,400 --> 00:01:08,039 Speaker 1: Stars Jewel of the Nile. This is sort of the 24 00:01:08,080 --> 00:01:11,800 Speaker 1: third collaboration, and they were just on song. It told 25 00:01:11,800 --> 00:01:15,679 Speaker 1: a story of this this this couple who fall in 26 00:01:15,760 --> 00:01:18,600 Speaker 1: love head over heels, get married. They seem to have 27 00:01:18,640 --> 00:01:21,360 Speaker 1: the idyllic life, but over time cracks start to appear, 28 00:01:22,240 --> 00:01:25,800 Speaker 1: little resentment start to fester, and then it just spirals 29 00:01:25,880 --> 00:01:30,640 Speaker 1: into the you know, into the most crazy kind of culmination. Uh. 30 00:01:30,880 --> 00:01:33,520 Speaker 1: And it's sort of a satire in relationships and all 31 00:01:33,520 --> 00:01:36,360 Speaker 1: this kind of stuff. So you'd think a classic like 32 00:01:36,400 --> 00:01:39,800 Speaker 1: that is going to be pretty tough to remake. But 33 00:01:40,120 --> 00:01:42,280 Speaker 1: if you're going to do it, you got who you're 34 00:01:42,280 --> 00:01:46,360 Speaker 1: going to cast. Olivia Coleman and Benedict Cumberbatch, two of 35 00:01:46,440 --> 00:01:49,440 Speaker 1: Britain's great actors, two of the great actors of their generation. 36 00:01:50,160 --> 00:01:53,080 Speaker 1: Olivia Coleman's got an Academy Award, Benedict Cumberbatch he's got 37 00:01:53,120 --> 00:01:57,880 Speaker 1: two Oscar nominations. And so despite being best mates in 38 00:01:57,920 --> 00:02:00,320 Speaker 1: real life, they've actually never been on screen. Toget. This 39 00:02:00,360 --> 00:02:02,360 Speaker 1: is the first time ever we've seen them in a movie, 40 00:02:02,960 --> 00:02:05,920 Speaker 1: and they play Benedict Coma bat To plays Theo, a 41 00:02:06,040 --> 00:02:09,840 Speaker 1: brilliant architect who bumps into Ivy played by Olivia Coleman, 42 00:02:09,840 --> 00:02:12,959 Speaker 1: who's a brilliant chef. He goes into her restaurant one day. 43 00:02:13,120 --> 00:02:16,120 Speaker 1: They hit it off immediately fall head over heels, just 44 00:02:16,160 --> 00:02:19,400 Speaker 1: like in the original Move to America where they start 45 00:02:19,440 --> 00:02:23,679 Speaker 1: this beautiful life together. But because they're such incredible professionals 46 00:02:23,680 --> 00:02:26,040 Speaker 1: in their own field, there's this kind of constant tug 47 00:02:26,080 --> 00:02:28,680 Speaker 1: of war over okay, whose career is going to be 48 00:02:28,680 --> 00:02:33,320 Speaker 1: the dominant one. Initially it's Theo, the architect, because he's 49 00:02:33,320 --> 00:02:36,280 Speaker 1: got commission to build this kind of like dream project, 50 00:02:36,320 --> 00:02:40,440 Speaker 1: this museum, maritime museum. But when disaster strikes, he kind 51 00:02:40,480 --> 00:02:42,799 Speaker 1: of is forced to take a step back and let 52 00:02:43,120 --> 00:02:45,680 Speaker 1: Ivy take over as the bread winner of the household, 53 00:02:45,760 --> 00:02:48,720 Speaker 1: and she starts a restaurant which becomes very successful. And 54 00:02:48,800 --> 00:02:52,400 Speaker 1: so the resentments start to build, as you know, one 55 00:02:52,600 --> 00:02:55,600 Speaker 1: enjoys career success, the other one falls on hard times. 56 00:02:55,800 --> 00:02:59,440 Speaker 1: Because they're both very proud people, it doesn't sit so well. 57 00:03:00,120 --> 00:03:02,440 Speaker 1: The film is sort of like in the first film, 58 00:03:02,440 --> 00:03:05,200 Speaker 1: where Danny DeVito is the divorce lawyer, tells the whole 59 00:03:05,200 --> 00:03:07,520 Speaker 1: film in sort of a flashback form. This is a 60 00:03:07,520 --> 00:03:11,280 Speaker 1: bit similar. It starts off in couples therapy, where you've 61 00:03:11,280 --> 00:03:15,400 Speaker 1: got Benedict and Olivia on the couple's therapy couch and 62 00:03:15,440 --> 00:03:18,200 Speaker 1: the therapist that classic thing, just name one thing you 63 00:03:18,240 --> 00:03:21,400 Speaker 1: appreciate about, appreciate about the other person, and Benedict's sort 64 00:03:21,400 --> 00:03:24,799 Speaker 1: of deadpans well, I'd rather live with her than a wolf. 65 00:03:25,480 --> 00:03:29,760 Speaker 1: And then Olivia Coleman goes he has arms, and then 66 00:03:29,880 --> 00:03:32,240 Speaker 1: and then it starts. It starts to unfold a little 67 00:03:32,280 --> 00:03:35,600 Speaker 1: bit from there and he says her head is rather 68 00:03:35,680 --> 00:03:40,800 Speaker 1: pleasing when seen from a distance, and then she and 69 00:03:40,840 --> 00:03:43,240 Speaker 1: then she looks at him and says he smells like 70 00:03:43,280 --> 00:03:46,520 Speaker 1: an anchovy that's had a night out on the booze. Uh. 71 00:03:46,840 --> 00:03:50,280 Speaker 1: And then there's then there's a sea bomb that's thrown 72 00:03:50,320 --> 00:03:53,680 Speaker 1: in there, and away they go. The dynamic between these 73 00:03:53,680 --> 00:03:56,400 Speaker 1: two is so hilarious. The film has been written by 74 00:03:56,520 --> 00:03:59,840 Speaker 1: the Australian playwright Tony McNamara, who wrote Poor Things, He 75 00:04:00,240 --> 00:04:03,720 Speaker 1: the Favorite. He created the Great Great TV series with 76 00:04:03,840 --> 00:04:06,440 Speaker 1: Nicholas Holten Elf Fanning, so he's a two time Oscar nominee. 77 00:04:06,440 --> 00:04:08,880 Speaker 1: And it's directed by Jay Roach, the guy who directed 78 00:04:08,880 --> 00:04:11,960 Speaker 1: the Austin Powers franchise and Meet the Parents franchise. There's 79 00:04:11,960 --> 00:04:14,600 Speaker 1: a lot of you know, really really talented people involved 80 00:04:14,640 --> 00:04:19,159 Speaker 1: in the filmy. So how many marriage counseling sessions out 81 00:04:19,160 --> 00:04:21,880 Speaker 1: of five do you give this one? Well, I'm giving 82 00:04:21,920 --> 00:04:23,760 Speaker 1: it four, although these two need a lot more than 83 00:04:23,760 --> 00:04:26,440 Speaker 1: four to figure out what's going on. So yeah, four, 84 00:04:26,520 --> 00:04:27,719 Speaker 1: this is This is a great one. So it's a 85 00:04:27,760 --> 00:04:30,159 Speaker 1: lover of the original, I won't be disappointed. It's so 86 00:04:30,279 --> 00:04:36,200 Speaker 1: different Danny character, I will say, is the supporting cast 87 00:04:36,440 --> 00:04:40,120 Speaker 1: really is not that fantastic. Like, there's Andy Samberger is 88 00:04:40,160 --> 00:04:43,760 Speaker 1: in it, Kate McKinnon is in it, Nikooti Gatwar the 89 00:04:43,800 --> 00:04:47,080 Speaker 1: new doctor who is in it. There's an amazing cameo 90 00:04:47,200 --> 00:04:51,600 Speaker 1: from Alison Janny in it, who she can't do anything, 91 00:04:51,720 --> 00:04:54,760 Speaker 1: she is so good at this. So she's she's the 92 00:04:54,839 --> 00:04:58,880 Speaker 1: Danny DeVito lawyer. So they say, yeah, so she's the Okay, 93 00:04:59,560 --> 00:05:03,640 Speaker 1: So it's worth a luck. It's worth the price of admission, 94 00:05:03,880 --> 00:05:04,720 Speaker 1: as they say,