1 00:00:00,080 --> 00:00:03,480 Speaker 1: Thursday. Mark's new album, Celebration, is out on Friday. The 2 00:00:03,480 --> 00:00:06,160 Speaker 1: band's also kicking off its national tour in Perth We're 3 00:00:06,160 --> 00:00:09,320 Speaker 1: So Spoiled next month with shows at the Sterling Arms, 4 00:00:09,320 --> 00:00:11,440 Speaker 1: The Childs, The Jick George, the North Shore Tavern, the 5 00:00:11,520 --> 00:00:14,160 Speaker 1: Railway Hotel, as well as gigs in Ravenswood and Bumberry. 6 00:00:14,160 --> 00:00:17,880 Speaker 1: Tickets are through Ticketmaster and Moshtics and ray this alth Way. 7 00:00:17,920 --> 00:00:22,720 Speaker 1: It is joining us now. Hello, Hello guys, very well. Now, 8 00:00:22,800 --> 00:00:26,560 Speaker 1: I love the concept of this album. Tell us what 9 00:00:26,560 --> 00:00:27,000 Speaker 1: you've done. 10 00:00:28,360 --> 00:00:31,480 Speaker 2: Well, we've called the album Celebration and the tour of 11 00:00:31,520 --> 00:00:34,920 Speaker 2: the same name. It's a celebration of Aussie music. Of course, 12 00:00:36,560 --> 00:00:39,080 Speaker 2: I actually didn't write any music on this. It's actually 13 00:00:39,159 --> 00:00:43,040 Speaker 2: just all Australian classics and some deep cuts as well. 14 00:00:43,320 --> 00:00:45,800 Speaker 2: And it's also a celebration of the fact that gigs 15 00:00:45,800 --> 00:00:49,919 Speaker 2: are back on stages and bands can come in fronds 16 00:00:50,640 --> 00:00:52,680 Speaker 2: and thongs to show us. 17 00:00:53,120 --> 00:00:56,120 Speaker 1: But you've given the songs a real thirsty merk feel. 18 00:00:56,240 --> 00:00:59,360 Speaker 1: And here's a couple of the songs on it. Who 19 00:00:59,400 --> 00:01:02,560 Speaker 1: listens to the radio? The nips are getting bigger, come 20 00:01:02,600 --> 00:01:09,360 Speaker 1: back again, Georgie Girl. Are these all personal favorites? How 21 00:01:09,400 --> 00:01:11,399 Speaker 1: did the how did the How was the process of 22 00:01:11,400 --> 00:01:12,280 Speaker 1: picking the songs? 23 00:01:13,720 --> 00:01:16,280 Speaker 2: It was a little bit of you know, getting together 24 00:01:16,319 --> 00:01:19,720 Speaker 2: in a studio. Basically what happened was mid pandemic. There 25 00:01:19,800 --> 00:01:23,040 Speaker 2: was a border closer obviously you might have heard of it, Yeah, yeah, 26 00:01:23,600 --> 00:01:26,560 Speaker 2: Victoria and when that opened up, we went down with 27 00:01:26,640 --> 00:01:29,880 Speaker 2: our old producer from Sydney to Melbourne, got in a studio, 28 00:01:30,040 --> 00:01:33,160 Speaker 2: sat around trying to lift the morale, plug some instruments 29 00:01:33,160 --> 00:01:34,600 Speaker 2: in and do what we do for the first time 30 00:01:34,600 --> 00:01:37,240 Speaker 2: in a lot lot of months, and then thought, you 31 00:01:37,240 --> 00:01:39,800 Speaker 2: know what, let's pay tribute to the Aussie music that's 32 00:01:39,840 --> 00:01:43,319 Speaker 2: come before. Let's do some some big hits, but let's 33 00:01:43,319 --> 00:01:47,080 Speaker 2: also go deep. You know, there's Black Feathers, Seasons of 34 00:01:47,200 --> 00:01:51,200 Speaker 2: Change on there, a Rene tune, and of course Georgia 35 00:01:51,240 --> 00:01:55,920 Speaker 2: Girl was one of my mum's favorites. But yeah, you 36 00:01:55,960 --> 00:01:59,080 Speaker 2: know there's a who listens to the radio the sports 37 00:01:59,120 --> 00:02:01,960 Speaker 2: That sort of came out a conversation with the producer 38 00:02:03,240 --> 00:02:05,720 Speaker 2: and the nips are getting bigger. Our guitarist thought let's 39 00:02:05,720 --> 00:02:07,279 Speaker 2: do a mental mental track. 40 00:02:07,480 --> 00:02:11,200 Speaker 1: It was just sort of. 41 00:02:13,600 --> 00:02:16,600 Speaker 2: I always thought that was going to work with a 42 00:02:16,680 --> 00:02:24,720 Speaker 2: hip hop beats quintessentially yeah, it is quite essentially. It's 43 00:02:24,800 --> 00:02:28,240 Speaker 2: kind of it's been a really cool thing actually, because 44 00:02:28,280 --> 00:02:30,040 Speaker 2: you know, as a singer, you've got to sort of 45 00:02:30,600 --> 00:02:34,760 Speaker 2: get into the headspace of what kind of the singer 46 00:02:34,880 --> 00:02:38,000 Speaker 2: was trying to do storytelling wise, I guess, and it's 47 00:02:38,040 --> 00:02:40,280 Speaker 2: so easy when you're doing your own tunes, but when 48 00:02:40,320 --> 00:02:42,040 Speaker 2: you're doing other songs, you sort of got to think, 49 00:02:42,320 --> 00:02:44,200 Speaker 2: how do I interpret this? And it's sort of you know, 50 00:02:44,280 --> 00:02:46,920 Speaker 2: people like Sinatra were masters at it. They can make 51 00:02:46,960 --> 00:02:49,720 Speaker 2: a call it was written by someone else sound like 52 00:02:49,800 --> 00:02:52,280 Speaker 2: they'd written it themselves. But you know, it was a 53 00:02:52,320 --> 00:02:54,320 Speaker 2: bit of a newer concept for me doing that. But 54 00:02:54,360 --> 00:02:57,480 Speaker 2: it was a great challenge and really rewarding. It's come out. 55 00:02:57,720 --> 00:02:58,960 Speaker 3: Have you got so many bad habits? 56 00:02:58,960 --> 00:02:59,040 Speaker 2: Make? 57 00:02:59,040 --> 00:03:02,000 Speaker 3: Because Billy Field's Habits is on there? What's going on? 58 00:03:02,080 --> 00:03:04,679 Speaker 2: I know, I've got it. I've got to actually throw 59 00:03:04,760 --> 00:03:06,720 Speaker 2: that over to my dad. He actually used. 60 00:03:06,560 --> 00:03:07,160 Speaker 3: To play like. 61 00:03:11,160 --> 00:03:13,880 Speaker 2: The Bad Habits sitting out on the guitar when we 62 00:03:13,919 --> 00:03:16,960 Speaker 2: were kids, and so that's sort of how that one 63 00:03:17,120 --> 00:03:19,080 Speaker 2: ended on there. But I sort of thought, if we 64 00:03:19,120 --> 00:03:20,600 Speaker 2: can make this a bit more like a you know, 65 00:03:20,639 --> 00:03:23,800 Speaker 2: the murder Ballad kind of thing and actually throw some dark. 66 00:03:25,120 --> 00:03:28,120 Speaker 3: Yeah, it is called bad moody it up. 67 00:03:29,400 --> 00:03:30,160 Speaker 2: Yeah, that's it. 68 00:03:30,639 --> 00:03:33,280 Speaker 1: So you're going old school with a Mammoth twenty three 69 00:03:33,560 --> 00:03:38,480 Speaker 1: date tour and starting right here in Wa. So have 70 00:03:38,640 --> 00:03:41,760 Speaker 1: you been able to do much live stuff since those 71 00:03:41,800 --> 00:03:43,480 Speaker 1: borders were lifted or is this going to be the 72 00:03:43,480 --> 00:03:45,360 Speaker 1: real get back to it? 73 00:03:45,360 --> 00:03:49,200 Speaker 2: It's the real national run where we've actually got something 74 00:03:49,480 --> 00:03:53,360 Speaker 2: new out there on the socials and you know, we've 75 00:03:53,400 --> 00:03:56,360 Speaker 2: upgraded the website and we've actually got a release coming 76 00:03:56,400 --> 00:03:58,320 Speaker 2: out and all of that sort of stuff. Up until 77 00:03:58,320 --> 00:04:02,360 Speaker 2: this point, it was almost list to go and put 78 00:04:02,400 --> 00:04:05,880 Speaker 2: too much behind anything because it was so start and stop. 79 00:04:05,920 --> 00:04:08,520 Speaker 2: You know, we all experienced it, you know, whenever you 80 00:04:08,560 --> 00:04:10,440 Speaker 2: planned something, it all had to change and it just 81 00:04:10,440 --> 00:04:12,960 Speaker 2: became the abnormal normal. 82 00:04:13,000 --> 00:04:14,040 Speaker 3: And you know. 83 00:04:14,200 --> 00:04:15,960 Speaker 2: This is cool because it feels like we can actually 84 00:04:16,000 --> 00:04:19,640 Speaker 2: sort of at least plan for something and fingers crossed 85 00:04:19,839 --> 00:04:20,800 Speaker 2: people will all go. 86 00:04:21,080 --> 00:04:22,600 Speaker 4: I think we're going to be I think we're going 87 00:04:22,640 --> 00:04:26,320 Speaker 4: to be sweet mate. Madustralia really got introduced to a 88 00:04:26,360 --> 00:04:28,880 Speaker 4: freaky guitar player from New York cool with Joe Satriani 89 00:04:28,920 --> 00:04:31,600 Speaker 4: about thirty five years ago with Surfing with the Alien 90 00:04:31,640 --> 00:04:33,760 Speaker 4: and you played with Joe Satrianti, what's going on there? 91 00:04:33,960 --> 00:04:34,520 Speaker 3: Incredible? 92 00:04:35,200 --> 00:04:38,400 Speaker 2: Well, I actually got books for that run. By the way, 93 00:04:38,760 --> 00:04:41,880 Speaker 2: I haven't done a show with yet. Every tour we 94 00:04:41,960 --> 00:04:45,920 Speaker 2: had booked has been moved. So the first time I'm 95 00:04:45,920 --> 00:04:48,719 Speaker 2: actually going to go on the road with him is 96 00:04:48,760 --> 00:04:53,160 Speaker 2: in September this year. But he actually contacted me in 97 00:04:53,400 --> 00:04:56,800 Speaker 2: September of twenty nineteen and asked I like to be 98 00:04:56,880 --> 00:04:59,960 Speaker 2: part of the New World tour, and then, of course 99 00:05:00,000 --> 00:05:01,720 Speaker 2: so everything just went barey up and we had to 100 00:05:01,839 --> 00:05:05,040 Speaker 2: move things too into the future. But since then I've 101 00:05:05,040 --> 00:05:08,600 Speaker 2: been on a very animated text message thread with all 102 00:05:08,600 --> 00:05:12,159 Speaker 2: the guys in the band, Kenny Aronoff who plays drums 103 00:05:12,160 --> 00:05:15,520 Speaker 2: with John Foggin, and Bryan Miller who plays with The Aristocrats, 104 00:05:15,560 --> 00:05:18,560 Speaker 2: and Steve Vai and of course Joe himself, and so 105 00:05:18,600 --> 00:05:20,920 Speaker 2: we've sort of got to know each other remotely. And 106 00:05:21,040 --> 00:05:23,599 Speaker 2: in the midst of all those conversations, he's actually recorded 107 00:05:23,600 --> 00:05:26,440 Speaker 2: a new album called The Elephants of Mars, which is 108 00:05:26,480 --> 00:05:29,160 Speaker 2: out now, and I was lucky enough to play some 109 00:05:29,279 --> 00:05:31,960 Speaker 2: keyboards on that. And you know, I was touring around 110 00:05:32,640 --> 00:05:37,200 Speaker 2: during the pandemic pandemic in Tasmania in Perth, we were 111 00:05:37,200 --> 00:05:40,839 Speaker 2: sort of running away from some of the other major lockdowns. Yeah, 112 00:05:41,040 --> 00:05:43,279 Speaker 2: and sort of made our way through from North Queensland 113 00:05:43,279 --> 00:05:45,280 Speaker 2: down to Tazzy through to Perth, and while we were 114 00:05:45,279 --> 00:05:48,400 Speaker 2: doing some shows over there, I was actually recording keyboards 115 00:05:48,400 --> 00:05:52,000 Speaker 2: on that very album remotely and sending him files over there, 116 00:05:52,000 --> 00:05:53,760 Speaker 2: and they were sort of putting him in ready to 117 00:05:53,800 --> 00:05:55,920 Speaker 2: be mixed. So that's all finished. Now it's up online. 118 00:05:55,960 --> 00:06:04,200 Speaker 2: Go check it out. Joe Satriani Elephants of Mars. 119 00:06:02,160 --> 00:06:04,680 Speaker 1: Two new albums. We've got to check out Celebration and 120 00:06:04,839 --> 00:06:06,279 Speaker 1: Elephants from Mars. 121 00:06:06,400 --> 00:06:09,599 Speaker 4: Yeah. I got to know, Ray, you look like you 122 00:06:09,720 --> 00:06:11,599 Speaker 4: may have a band shirt on today. We just haven't 123 00:06:11,640 --> 00:06:13,640 Speaker 4: look at you. What's the last band or T shirt 124 00:06:13,680 --> 00:06:14,080 Speaker 4: you wore? 125 00:06:16,279 --> 00:06:16,440 Speaker 1: Red? 126 00:06:16,480 --> 00:06:21,120 Speaker 2: Right, summer? 127 00:06:19,880 --> 00:06:20,120 Speaker 4: It is. 128 00:06:21,760 --> 00:06:24,839 Speaker 3: Summer, Johnny Stevens. 129 00:06:24,480 --> 00:06:31,680 Speaker 1: Right, yeah, Dragon, nice Dragon, Yeah, nice choice. 130 00:06:32,560 --> 00:06:35,200 Speaker 4: Just never wear your own mer. 131 00:06:35,720 --> 00:06:38,239 Speaker 1: Yeah, that's not right this morning. 132 00:06:38,320 --> 00:06:40,360 Speaker 3: It's still a hell of a voice, blowsers away every 133 00:06:40,400 --> 00:06:43,640 Speaker 3: time we do. Oh yeah, well, uh. 134 00:06:44,000 --> 00:06:48,159 Speaker 1: The the album Celebration is out on Friday, and then 135 00:06:48,279 --> 00:06:50,360 Speaker 1: you will be in Perth next month. We look forward 136 00:06:50,360 --> 00:06:55,000 Speaker 1: to seeing you back on tour, Ray very much. 137 00:06:54,880 --> 00:06:55,680 Speaker 2: Looking forward to it. 138 00:06:55,880 --> 00:07:00,080 Speaker 1: Thank you, Yes, I hold you to that. 139 00:07:00,160 --> 00:07:02,280 Speaker 4: Yeah, we'll set you up with a challenge to do 140 00:07:02,320 --> 00:07:04,440 Speaker 4: a guitar jo with Steve Vai and Joe Satri. 141 00:07:07,520 --> 00:07:10,320 Speaker 2: It's funny. I'm actually going over to Vegas. They've booked 142 00:07:11,000 --> 00:07:14,040 Speaker 2: six shows and I've got to do a keyboard master class. 143 00:07:14,360 --> 00:07:16,800 Speaker 2: But it's a thing called the G four Guitar Camp. 144 00:07:17,840 --> 00:07:19,800 Speaker 2: The whole bunch of parists come and stay at a 145 00:07:19,840 --> 00:07:23,120 Speaker 2: resort at the Hilton over there and they have sort 146 00:07:23,120 --> 00:07:25,680 Speaker 2: of daily master classes and it's I think people like 147 00:07:25,720 --> 00:07:29,040 Speaker 2: Steve Vai. Satur Is definitely there, part of the band 148 00:07:29,040 --> 00:07:31,880 Speaker 2: doing performances there, so i might see some jeweling guitar, but. 149 00:07:32,240 --> 00:07:34,840 Speaker 3: I'm not thinking run from those places. 150 00:07:34,880 --> 00:07:38,120 Speaker 4: It's so quick that sounds okay, sos rock and roll, Yeah, 151 00:07:38,240 --> 00:07:39,400 Speaker 4: rock and roll lamping. 152 00:07:40,600 --> 00:07:45,760 Speaker 1: All right, right, great chat to you guys. 153 00:07:46,080 --> 00:07:48,080 Speaker 3: Raceway of course. From Thirsty Birk