1 00:00:00,160 --> 00:00:02,200 Speaker 1: John Pinder joins us, Morning, John. 2 00:00:02,440 --> 00:00:05,720 Speaker 2: Morning, like a bit about on Friday morning for the day. 3 00:00:05,760 --> 00:00:07,880 Speaker 1: Don't Rocky go hit the meat. 4 00:00:07,840 --> 00:00:13,680 Speaker 2: Get yourself sorry sometimes sometimes. 5 00:00:13,240 --> 00:00:17,160 Speaker 3: Seriously did not made for that to sound. 6 00:00:18,480 --> 00:00:20,239 Speaker 1: Drink raw eggs. 7 00:00:20,040 --> 00:00:24,440 Speaker 2: Very being Rocky healthy and it's natural. 8 00:00:25,360 --> 00:00:27,080 Speaker 1: Do you drink raw eggs John, before you run up 9 00:00:27,080 --> 00:00:27,840 Speaker 1: the stairs at the concert. 10 00:00:28,000 --> 00:00:31,800 Speaker 3: You shouldn't have to resist it. And you ever go 11 00:00:31,840 --> 00:00:33,240 Speaker 3: at me for talking about. 12 00:00:35,360 --> 00:00:39,600 Speaker 2: I'll call you wildly and appropriately. How are you neighbors? 13 00:00:39,640 --> 00:00:41,640 Speaker 2: And they're still loving each other? We have an update, 14 00:00:41,760 --> 00:00:42,479 Speaker 2: let's recap. 15 00:00:43,600 --> 00:00:47,400 Speaker 3: We had very affectionate neighbors, very affectionate, and the man 16 00:00:47,520 --> 00:00:51,760 Speaker 3: was particularly expressive of his affections in an auditory fashion, 17 00:00:52,200 --> 00:00:55,720 Speaker 3: scream I haven't heard a peep out from all week. Really, 18 00:00:55,840 --> 00:00:58,040 Speaker 3: I can only presume their listeners of NAM six f 19 00:00:58,160 --> 00:01:02,880 Speaker 3: M and outed either that or he's done his back. 20 00:01:03,920 --> 00:01:06,440 Speaker 3: But I've not heard a peep out of them all day, sir, 21 00:01:06,600 --> 00:01:08,840 Speaker 3: If you're listening, and if you knew it was you, 22 00:01:09,680 --> 00:01:13,760 Speaker 3: don't let me. Don't let me obstructure from expressing yourself 23 00:01:13,920 --> 00:01:18,720 Speaker 3: raw like a lion, you enjoy yourself. I wasn't shaming yet, 24 00:01:18,720 --> 00:01:21,120 Speaker 3: I was just having a bit of a laugh because 25 00:01:21,160 --> 00:01:23,120 Speaker 3: I thought it was fun and expressive. 26 00:01:23,120 --> 00:01:25,920 Speaker 2: But we met another neighbor, right, yeah, So we come out, 27 00:01:25,959 --> 00:01:26,520 Speaker 2: We get out. 28 00:01:26,360 --> 00:01:27,959 Speaker 3: Of the car as we're pulling up, and the lady 29 00:01:28,080 --> 00:01:30,760 Speaker 3: lives below us. I get out of the car and 30 00:01:30,800 --> 00:01:34,640 Speaker 3: Mildred goes, there's a lady staring at us. Okay, me, 31 00:01:34,760 --> 00:01:36,840 Speaker 3: Mildred and Rubes walk over. She goes, oh, hello, Oh 32 00:01:36,840 --> 00:01:40,039 Speaker 3: are you my new neighbors. And I'm like, oh, yeah, yeah, 33 00:01:40,080 --> 00:01:42,120 Speaker 3: we're just upstairs. She goes, how do you find the 34 00:01:42,160 --> 00:01:44,920 Speaker 3: noise at this place? And I said, oh, well we've heard, 35 00:01:45,240 --> 00:01:48,160 Speaker 3: we've heard next door going at it a bit, yeah, 36 00:01:48,840 --> 00:01:51,760 Speaker 3: And she then goes on this sort of large, sort 37 00:01:51,800 --> 00:01:56,480 Speaker 3: of passive aggressive rant about how she soundproofing her ceiling 38 00:01:56,520 --> 00:01:58,400 Speaker 3: and stuff like that. But it was really it was 39 00:01:58,480 --> 00:02:01,320 Speaker 3: really weird because she reckons. She's going, it's not you, 40 00:02:01,640 --> 00:02:03,760 Speaker 3: it's not you. And I know it's not not a 41 00:02:03,800 --> 00:02:05,800 Speaker 3: loud family, right. She goes, it's not you, it's the 42 00:02:05,840 --> 00:02:07,920 Speaker 3: people above you. It's not the people above us, because 43 00:02:08,520 --> 00:02:11,000 Speaker 3: I've never heard anything above us. And she's having a 44 00:02:11,000 --> 00:02:14,000 Speaker 3: proper moan about all the stuff. She even goes to roots. 45 00:02:14,040 --> 00:02:16,639 Speaker 3: She goes, i've heard you trundling about as well. 46 00:02:17,520 --> 00:02:19,680 Speaker 2: She was like she's a charge, and she was like, 47 00:02:20,240 --> 00:02:22,880 Speaker 2: she goes, but that's okay, and I said, yeah, it'll 48 00:02:22,919 --> 00:02:23,280 Speaker 2: have to be. 49 00:02:23,440 --> 00:02:25,560 Speaker 1: She's got legs in Yeah she's not wearing. 50 00:02:26,240 --> 00:02:27,560 Speaker 2: Yeah, what you want us to do? 51 00:02:27,720 --> 00:02:34,160 Speaker 3: Hover around the flat? Just levitating around the flat with yeah, 52 00:02:34,919 --> 00:02:37,079 Speaker 3: headphones plugged in in follishen into the telly. 53 00:02:37,240 --> 00:02:37,760 Speaker 2: Wow. 54 00:02:38,240 --> 00:02:40,239 Speaker 3: So I'm just going to start dropping hints. I think 55 00:02:40,280 --> 00:02:44,080 Speaker 3: I'm gonna if I can find an empty box that 56 00:02:44,120 --> 00:02:48,440 Speaker 3: would contain an electric drum kit or something. She's bringing 57 00:02:48,440 --> 00:02:50,160 Speaker 3: a shopping and just march up the stairs with it. 58 00:02:52,960 --> 00:02:55,080 Speaker 2: Yeah, yeah, yeah, I don't. 59 00:02:54,880 --> 00:02:56,639 Speaker 1: Know how she's soundproofing her ceiling. 60 00:02:56,720 --> 00:02:58,000 Speaker 2: Yeah, she sound proofing her ceiling. 61 00:02:58,040 --> 00:03:01,560 Speaker 3: She even had like that was the first first encounter, right, No, no, 62 00:03:01,960 --> 00:03:04,880 Speaker 3: welcome to the neighborhood, none of that. Just how you 63 00:03:04,880 --> 00:03:06,320 Speaker 3: finding the noise that you're making? 64 00:03:06,360 --> 00:03:08,200 Speaker 1: It's you, it's you. I hate you, you know. 65 00:03:09,120 --> 00:03:09,320 Speaker 2: Right. 66 00:03:09,840 --> 00:03:12,320 Speaker 3: The second visit, she knocks on the door at tea time. 67 00:03:13,400 --> 00:03:17,720 Speaker 3: That's dinner time in Palm. Yeah, we were having that tea, 68 00:03:18,480 --> 00:03:21,800 Speaker 3: actually we were. She comes in and she has Mildred 69 00:03:21,880 --> 00:03:25,200 Speaker 3: go downstairs to have a listen from her flat to 70 00:03:25,280 --> 00:03:28,520 Speaker 3: see no. 71 00:03:27,480 --> 00:03:29,520 Speaker 2: You're making yeah, And I goes to Mildred. 72 00:03:29,760 --> 00:03:32,240 Speaker 3: How did it sound? Because she couldn't hear nothing. She goes, 73 00:03:32,280 --> 00:03:34,160 Speaker 3: did you have rubs walk around and stuff? So yeah, 74 00:03:34,160 --> 00:03:35,600 Speaker 3: I had a walking around and I had a shouting 75 00:03:35,640 --> 00:03:37,720 Speaker 3: to me from the demonstrations jumping about. 76 00:03:37,800 --> 00:03:41,520 Speaker 2: Yeah, but like for what reason if you've just get 77 00:03:41,560 --> 00:03:41,720 Speaker 2: to you? 78 00:03:41,840 --> 00:03:45,280 Speaker 3: She doesn't think, definitely thinks just but I think what 79 00:03:45,320 --> 00:03:48,040 Speaker 3: she wants is she wants it to sound like she 80 00:03:48,080 --> 00:03:52,240 Speaker 3: lives in a detached house, even though she doesn't. I 81 00:03:52,240 --> 00:03:54,760 Speaker 3: think she wants us to defy the laws of physics, 82 00:03:54,880 --> 00:03:56,840 Speaker 3: you know what I mean? That neighbor as a mother 83 00:03:57,120 --> 00:04:02,000 Speaker 3: and on either side. 84 00:04:00,200 --> 00:04:02,400 Speaker 2: Her daughter apparently was not very well. 85 00:04:02,600 --> 00:04:06,120 Speaker 3: She apparently there's three lads that lived there before us, 86 00:04:07,320 --> 00:04:11,440 Speaker 3: and she'd had a little and smashed the ceiling in 87 00:04:11,480 --> 00:04:12,320 Speaker 3: the ceiling. 88 00:04:14,000 --> 00:04:14,680 Speaker 1: And she got a hearing. 89 00:04:14,680 --> 00:04:17,280 Speaker 3: I turned up to lad Baby, I don't know what 90 00:04:17,360 --> 00:04:17,680 Speaker 3: it is. 91 00:04:18,360 --> 00:04:20,880 Speaker 1: Wow, I think you need to play some Beastie Boys 92 00:04:20,880 --> 00:04:21,280 Speaker 1: really now? 93 00:04:21,400 --> 00:04:21,760 Speaker 2: Yeah? 94 00:04:21,839 --> 00:04:23,640 Speaker 3: Yeah, I think I think I'm kind of a big 95 00:04:23,720 --> 00:04:26,760 Speaker 3: rap album or something like that. Something offensive has been 96 00:04:26,800 --> 00:04:30,600 Speaker 3: amusing you this week? I have been watching Telly. I 97 00:04:30,640 --> 00:04:32,480 Speaker 3: was not a Telly watch when I was living by myself. 98 00:04:32,480 --> 00:04:34,560 Speaker 3: I didn't watch Telly for a long time, and Telly 99 00:04:34,560 --> 00:04:37,400 Speaker 3: didn't work. It's just furniture to point out, so I 100 00:04:37,400 --> 00:04:40,400 Speaker 3: didn't insane. Just look, yeah, explain. But now that I've 101 00:04:40,400 --> 00:04:43,040 Speaker 3: moved in with dear Mildred, we've become I tell you what. 102 00:04:43,120 --> 00:04:46,440 Speaker 3: It's not good for me. Telly, I binge it. Yeah, 103 00:04:46,440 --> 00:04:48,640 Speaker 3: there's no wonder people are so hooked on it. I'm 104 00:04:48,640 --> 00:04:51,040 Speaker 3: going to get fat man so I can just I've 105 00:04:51,040 --> 00:04:56,760 Speaker 3: been watching stranger things. I like to call it weirder articles, 106 00:04:56,800 --> 00:04:57,960 Speaker 3: more peculiar happenings. 107 00:04:58,279 --> 00:05:00,200 Speaker 2: I don't like saying the same title over and and 108 00:05:00,520 --> 00:05:05,640 Speaker 2: switch it up. It's a very very good show. Yeah, 109 00:05:05,680 --> 00:05:07,560 Speaker 2: well I've been doing I've been doing it. 110 00:05:07,720 --> 00:05:11,680 Speaker 3: I got the get a thesaurus online, and I've come 111 00:05:11,760 --> 00:05:16,320 Speaker 3: up with some absolute belters here. Game Game of Thrones, right? 112 00:05:16,800 --> 00:05:20,400 Speaker 3: Or are we watching an episode of a bout of chairs? Right? 113 00:05:21,040 --> 00:05:28,839 Speaker 3: The sopranos, the baritone breaking, bad, shattering unfavorable? Are we 114 00:05:28,920 --> 00:05:31,400 Speaker 3: watching a bit of neighbors or are we watching those 115 00:05:31,480 --> 00:05:35,799 Speaker 3: living adjacent? Do you want an episode of the Bold 116 00:05:35,839 --> 00:05:38,479 Speaker 3: and the Beautiful or would you rather watch the Intrepid 117 00:05:38,480 --> 00:05:43,280 Speaker 3: and the nice looking? Have you seen the latest season 118 00:05:43,279 --> 00:05:47,040 Speaker 3: of Peaky Blinders, or have you seen the latest season 119 00:05:47,080 --> 00:05:48,640 Speaker 3: of Nauseated Obstructions? 120 00:05:49,839 --> 00:05:52,799 Speaker 2: Law and Order rules also structure. 121 00:05:53,880 --> 00:05:58,760 Speaker 3: This is my favorite one Big Bang theory sizable clap hypothesis. 122 00:06:00,160 --> 00:06:07,040 Speaker 2: Ah oh, I love this one. Baywatch Fjord observe. 123 00:06:08,640 --> 00:06:09,839 Speaker 1: You just this aur is it? 124 00:06:09,839 --> 00:06:13,479 Speaker 2: It's so much fun. Queen's gambit, Monarch's clever move. 125 00:06:14,960 --> 00:06:19,080 Speaker 3: Days of our lives, twenty four hour periods of our existences? 126 00:06:20,640 --> 00:06:23,280 Speaker 2: Isn't that fun? Isn't that funny? Do you know? I've 127 00:06:23,320 --> 00:06:24,440 Speaker 2: noticed a weird thing as well. 128 00:06:24,440 --> 00:06:26,200 Speaker 3: Work in a tattoo shop, me, so I get all 129 00:06:26,240 --> 00:06:28,520 Speaker 3: walks of life coming through the shop. Yeah, yeah, And 130 00:06:28,839 --> 00:06:32,800 Speaker 3: I noticed there's an appropriate car for most types of people. 131 00:06:32,800 --> 00:06:34,520 Speaker 3: If you're a bit of a bogan, there's a you know, 132 00:06:34,640 --> 00:06:36,200 Speaker 3: the utes and stuff like that. 133 00:06:36,279 --> 00:06:36,440 Speaker 2: Yeah. 134 00:06:36,520 --> 00:06:38,800 Speaker 3: Yeah. If you like a mod they've got those cool 135 00:06:38,800 --> 00:06:41,039 Speaker 3: little scooters with yeah. 136 00:06:40,440 --> 00:06:42,479 Speaker 2: Mirrors on it and things like that. Yeah. 137 00:06:42,480 --> 00:06:45,200 Speaker 3: If you're a trendy boy, you've got like skylines and 138 00:06:45,240 --> 00:06:47,479 Speaker 3: stuff like that. You know, there seems to be appropriate 139 00:06:47,720 --> 00:06:51,760 Speaker 3: for everybody. But like goths. We had a goth come 140 00:06:51,800 --> 00:06:54,159 Speaker 3: in the tattoo shop. There are no goth cars. The 141 00:06:54,200 --> 00:06:57,839 Speaker 3: poor fellow had to leave and get into a Suzuki Swift. 142 00:06:58,279 --> 00:07:01,240 Speaker 2: It looked ridiculous. He was like proper cradle of filth. 143 00:07:01,240 --> 00:07:04,039 Speaker 2: They had the eye Mayer, the old. Yeah, there was 144 00:07:04,080 --> 00:07:06,000 Speaker 2: like a proper goth for a while. See him every 145 00:07:06,040 --> 00:07:06,560 Speaker 2: now and then. 146 00:07:07,720 --> 00:07:09,600 Speaker 3: Some people don't know when to knock it after I 147 00:07:09,600 --> 00:07:12,360 Speaker 3: think any further past twenty Yeah, do you know what 148 00:07:12,400 --> 00:07:12,680 Speaker 3: I mean? 149 00:07:14,000 --> 00:07:19,240 Speaker 1: Grow upping the swift? Did you still have go like that? 150 00:07:20,520 --> 00:07:22,840 Speaker 3: There are no because the only appropriate car would be 151 00:07:22,880 --> 00:07:25,760 Speaker 3: surely a hearse Yeah for a goth. 152 00:07:25,840 --> 00:07:27,680 Speaker 2: But I mean nobody's driving her and you need to 153 00:07:27,680 --> 00:07:29,000 Speaker 2: be traveling in the back really. 154 00:07:28,800 --> 00:07:32,800 Speaker 3: You know right. I think it'd be nice to have 155 00:07:32,840 --> 00:07:35,800 Speaker 3: a hearse though, because everybody would you know, you're always 156 00:07:35,800 --> 00:07:36,920 Speaker 3: respectful of a hearse. 157 00:07:37,280 --> 00:07:37,480 Speaker 1: Yeah. 158 00:07:37,800 --> 00:07:41,080 Speaker 3: If I drive past, ye, no matter where it is, 159 00:07:41,160 --> 00:07:43,760 Speaker 3: I always deliberately put like a solemn look on my face, 160 00:07:44,360 --> 00:07:46,280 Speaker 3: just because I don't want to upset anybody on like 161 00:07:46,360 --> 00:07:46,960 Speaker 3: a bad day. 162 00:07:47,880 --> 00:07:48,120 Speaker 2: I don't. 163 00:07:48,160 --> 00:07:50,320 Speaker 3: Yeah, I don't want to be like singing in the 164 00:07:50,360 --> 00:07:54,760 Speaker 3: car as I'm passing, not in that. So if you're 165 00:07:54,800 --> 00:07:59,680 Speaker 3: a car manufacturer, appropriate cars for goths, please, They look 166 00:08:00,080 --> 00:08:01,520 Speaker 3: killing zipping about in. 167 00:08:01,440 --> 00:08:05,960 Speaker 2: A high I get Yeah, the Garthmobile, goth Mobile. We 168 00:08:06,040 --> 00:08:08,480 Speaker 2: need him not as well, all right, John and John, 169 00:08:09,040 --> 00:08:09,800 Speaker 2: thanks for having me. 170 00:08:10,240 --> 00:08:10,920 Speaker 1: Good to see you man. 171 00:08:11,040 --> 00:08:11,400 Speaker 2: Take care,