1 00:00:10,669 --> 00:00:14,869 Speaker 1: My Herd podcasts, hear more kids podcasts, playlists, and listen 2 00:00:14,909 --> 00:00:24,628 Speaker 1: live on the free iHeart app. 3 00:00:21,909 --> 00:00:23,509 Speaker 2: The Will and Woody podcast. 4 00:00:24,948 --> 00:00:28,069 Speaker 1: Will is on paternity leave, so Sophie Monk is in 5 00:00:28,229 --> 00:00:31,669 Speaker 1: the studio and Sophie we're asking you guys the question 6 00:00:31,709 --> 00:00:34,828 Speaker 1: on thirteen one oh sixty five should it always be 7 00:00:34,909 --> 00:00:36,909 Speaker 1: on the bloke to propose? 8 00:00:37,909 --> 00:00:39,069 Speaker 2: Now before I get your answer. 9 00:00:39,069 --> 00:00:42,388 Speaker 1: The reason we're talking about it is because Timothy Chalomaye 10 00:00:42,429 --> 00:00:44,429 Speaker 1: was doing a Q and A and he was put 11 00:00:44,468 --> 00:00:46,549 Speaker 1: on the spot with this question do. 12 00:00:46,509 --> 00:00:47,749 Speaker 2: You think you'll ever got married? 13 00:00:54,669 --> 00:00:59,869 Speaker 1: So that's a bloke to me who's panicking about how 14 00:00:59,909 --> 00:01:00,789 Speaker 1: he's going to propose. 15 00:01:01,188 --> 00:01:03,389 Speaker 3: Oh you reckon. I was thinking he is panicking about 16 00:01:03,389 --> 00:01:06,268 Speaker 3: the headline. It could be that if he says anywhere. 17 00:01:06,429 --> 00:01:08,829 Speaker 3: But yeah, but same, I know what you're saying. It 18 00:01:09,188 --> 00:01:11,069 Speaker 3: seems like being scared. 19 00:01:11,229 --> 00:01:13,189 Speaker 1: Like did you in your when you were growing up, 20 00:01:13,229 --> 00:01:15,269 Speaker 1: when you were a young girl living in Queensland, were 21 00:01:15,309 --> 00:01:17,949 Speaker 1: you always thinking about the dream proposal or how you're 22 00:01:17,949 --> 00:01:18,869 Speaker 1: going to be proposed to. 23 00:01:19,629 --> 00:01:22,069 Speaker 3: Or the wedding right now? I didn't even think about 24 00:01:22,069 --> 00:01:25,029 Speaker 3: the guy honestly, really being honest, But yeah, I guess 25 00:01:25,069 --> 00:01:27,669 Speaker 3: people do and they think about that special moment. It's 26 00:01:27,669 --> 00:01:30,589 Speaker 3: got to be perfect. I think everything around a wedding 27 00:01:30,909 --> 00:01:33,549 Speaker 3: would be beautiful if it was perfect, because it's once. 28 00:01:33,909 --> 00:01:34,709 Speaker 2: Yeah, absolutely and. 29 00:01:36,509 --> 00:01:38,029 Speaker 3: A few times if you hear someone out, but you 30 00:01:38,069 --> 00:01:38,469 Speaker 3: know what I mean? 31 00:01:38,909 --> 00:01:41,629 Speaker 1: Absolutely? Do you do you believe that it should always 32 00:01:41,669 --> 00:01:43,949 Speaker 1: be the bloke who has I. 33 00:01:43,909 --> 00:01:47,069 Speaker 3: Think the word ever makes your relationship happy? Do you think? 34 00:01:47,109 --> 00:01:50,509 Speaker 3: But I do think traditionally people expect like they just 35 00:01:50,549 --> 00:01:52,789 Speaker 3: think that is going to happen that way? Right? 36 00:01:52,949 --> 00:01:55,669 Speaker 2: Yeah? How did Josh propose. 37 00:01:55,429 --> 00:01:59,229 Speaker 3: To you just the regular, like on one day at 38 00:01:59,269 --> 00:02:01,829 Speaker 3: Christmas Eve? And he just yes? 39 00:02:01,909 --> 00:02:02,309 Speaker 2: At home? 40 00:02:02,469 --> 00:02:04,429 Speaker 3: Yeah? I kind of knew because there was a paparazzi 41 00:02:04,429 --> 00:02:08,349 Speaker 3: shot of him coming from the ring place. Oh yeah, 42 00:02:08,709 --> 00:02:11,309 Speaker 3: I knew. Anyway, how long before had you seen that, 43 00:02:11,429 --> 00:02:13,309 Speaker 3: like a couple of weeks? 44 00:02:13,629 --> 00:02:16,829 Speaker 2: Yeah? Right? Did you discuss that with him or did 45 00:02:16,869 --> 00:02:17,789 Speaker 2: you pretend that you hadn't? 46 00:02:18,789 --> 00:02:19,749 Speaker 3: He said it was a necklace. 47 00:02:19,789 --> 00:02:25,909 Speaker 1: I was like, yes, I proposed to my wife in 48 00:02:26,109 --> 00:02:27,228 Speaker 1: our concrete courtyard. 49 00:02:27,469 --> 00:02:30,069 Speaker 3: Yeah, and why do you describe it like that? 50 00:02:31,029 --> 00:02:32,749 Speaker 2: So I just wasn't a great proposal. 51 00:02:32,869 --> 00:02:34,949 Speaker 1: So she was one of those women who was like 52 00:02:34,989 --> 00:02:36,029 Speaker 1: looking forward to the dream. 53 00:02:36,389 --> 00:02:38,508 Speaker 3: I think everyone, No one goes god, I'd love a 54 00:02:38,549 --> 00:02:39,069 Speaker 3: ship one. 55 00:02:39,349 --> 00:02:43,228 Speaker 2: Yeah right, yeah, and a ship one is concrete courtyard. 56 00:02:43,269 --> 00:02:46,549 Speaker 1: So well, I was just I was panicking. It's a 57 00:02:46,669 --> 00:02:47,949 Speaker 1: very stressful time, Sophie. 58 00:02:47,989 --> 00:02:50,549 Speaker 3: Are you waiting for like an opportunity? And that was 59 00:02:50,549 --> 00:02:51,309 Speaker 3: the one you were like? 60 00:02:51,349 --> 00:02:53,469 Speaker 2: Now, So I got the ring on the Friday. 61 00:02:53,509 --> 00:02:54,789 Speaker 1: On the Friday and I was just like, I'm going 62 00:02:54,829 --> 00:02:56,509 Speaker 1: to lose this thing, so I just want to do 63 00:02:56,549 --> 00:02:58,229 Speaker 1: it quickly. I just want to do it now. So 64 00:02:58,269 --> 00:02:59,749 Speaker 1: the next morning, I was like, it's a kind of 65 00:02:59,789 --> 00:03:00,229 Speaker 1: nice day. 66 00:03:00,709 --> 00:03:01,349 Speaker 2: She was in like. 67 00:03:01,589 --> 00:03:05,349 Speaker 1: Baggy jumper tracksuit pants, no makeup and like a kind 68 00:03:05,389 --> 00:03:09,309 Speaker 1: of gangster beanie. Okay, And then I got down and 69 00:03:09,749 --> 00:03:11,469 Speaker 1: yeah right, And I had this moment where I was 70 00:03:11,469 --> 00:03:13,429 Speaker 1: looking at her and I could see in her eyes 71 00:03:13,589 --> 00:03:14,829 Speaker 1: like why I love you. 72 00:03:14,909 --> 00:03:18,709 Speaker 2: But this is the propos I've experienced, Like this is. 73 00:03:18,669 --> 00:03:20,069 Speaker 3: A awful Did you redo it? 74 00:03:20,269 --> 00:03:23,509 Speaker 1: So no, because I actually so, I filmed it in 75 00:03:23,509 --> 00:03:25,949 Speaker 1: the end, so I set up a camera phone filmed it. 76 00:03:26,149 --> 00:03:28,069 Speaker 1: The cat actually walked in front of the camera oh 77 00:03:28,389 --> 00:03:30,589 Speaker 1: at one point, So we did lose a pretty special moment. 78 00:03:30,669 --> 00:03:32,309 Speaker 1: But when she looked at the footage, she was like 79 00:03:32,349 --> 00:03:35,669 Speaker 1: Oh wow, that's actually so us Oh cute? Yeah, oh 80 00:03:35,669 --> 00:03:37,469 Speaker 1: there you are right, so well that's what she tells 81 00:03:37,469 --> 00:03:37,829 Speaker 1: me anyway. 82 00:03:38,749 --> 00:03:39,589 Speaker 3: Yeah, how was the wedding? 83 00:03:40,269 --> 00:03:43,869 Speaker 2: The wedding was good because she organized everything perfect. Yeah. 84 00:03:44,029 --> 00:03:46,509 Speaker 1: Thirteen one O sixty five is the number though, look 85 00:03:46,749 --> 00:03:49,629 Speaker 1: a few examples there. I my proposal not super good. 86 00:03:50,269 --> 00:03:52,749 Speaker 1: I think maybe it should be on the women to propose. 87 00:03:53,109 --> 00:03:54,789 Speaker 3: Yeah, I mean yeah, maybe who knows. 88 00:03:54,989 --> 00:03:56,189 Speaker 2: I want to throw that out there. I just think 89 00:03:56,189 --> 00:03:58,389 Speaker 2: proposals would be better if you guys did it. 90 00:03:58,469 --> 00:04:00,189 Speaker 3: So yep, So what are you asking? 91 00:04:00,989 --> 00:04:04,029 Speaker 1: Should it be on the bloke to propose? Or maybe 92 00:04:04,309 --> 00:04:05,909 Speaker 1: should women be the ones to propose? They were just 93 00:04:05,909 --> 00:04:09,829 Speaker 1: talking about hetero relationships obviously, HM, give us your thoughts 94 00:04:10,509 --> 00:04:11,029 Speaker 1: up next. 95 00:04:11,709 --> 00:04:13,949 Speaker 2: Is that the only time you've been proposed to as well? 96 00:04:13,989 --> 00:04:25,109 Speaker 3: So rid of the question, but we were talking about 97 00:04:25,149 --> 00:04:27,269 Speaker 3: you proposed in a courtyard. 98 00:04:27,988 --> 00:04:29,068 Speaker 2: Don't flick to me. 99 00:04:29,429 --> 00:04:31,429 Speaker 3: That was so coolish to me. 100 00:04:31,988 --> 00:04:33,988 Speaker 1: We're asking you, guys, thirty one or sixty five? Should 101 00:04:33,988 --> 00:04:36,269 Speaker 1: it always be on the bloke to propose? I didn't 102 00:04:36,309 --> 00:04:36,868 Speaker 1: do a good one. 103 00:04:37,029 --> 00:04:37,789 Speaker 3: No, I don't think. 104 00:04:37,909 --> 00:04:38,948 Speaker 2: I don't think it's a job. 105 00:04:39,229 --> 00:04:41,308 Speaker 3: But you knew this is what's weird. You even called 106 00:04:41,349 --> 00:04:42,389 Speaker 3: out what was bad about it? 107 00:04:42,589 --> 00:04:43,949 Speaker 2: I no, I didn't know at the time. 108 00:04:43,789 --> 00:04:46,069 Speaker 3: But it wasn't. You're just so anxious. You just wanted 109 00:04:46,069 --> 00:04:47,549 Speaker 3: to get it out because you can't hold it a 110 00:04:47,629 --> 00:04:48,709 Speaker 3: secret that long kind. 111 00:04:48,589 --> 00:04:50,868 Speaker 1: Of I thought I'd lose the ring. Yeah, okay, So 112 00:04:50,909 --> 00:04:52,189 Speaker 1: once I got the ring, I was just. 113 00:04:52,149 --> 00:04:53,029 Speaker 3: Like, just get it done. 114 00:04:53,069 --> 00:04:54,949 Speaker 2: I just want to do it and get rid of it. 115 00:04:54,949 --> 00:04:58,069 Speaker 1: It was only when I saw in her eyes, yeah, 116 00:04:58,149 --> 00:05:00,029 Speaker 1: when it was all happening, was she gave me this 117 00:05:00,069 --> 00:05:01,869 Speaker 1: look of like you're not actually doing this now? 118 00:05:02,109 --> 00:05:05,029 Speaker 3: Yeah, I mean, what can she post out of that? Well, 119 00:05:05,069 --> 00:05:08,509 Speaker 3: the video it was happening then. 120 00:05:08,469 --> 00:05:10,749 Speaker 2: Okay, say that online. But so back to you. You 121 00:05:10,869 --> 00:05:13,029 Speaker 2: just wind it very well. There. You have been proposed 122 00:05:13,069 --> 00:05:13,669 Speaker 2: to a. 123 00:05:13,589 --> 00:05:16,869 Speaker 3: Few times, a few more than a yeah, more than once, and. 124 00:05:16,829 --> 00:05:18,349 Speaker 2: We are going to hear about that very very short. 125 00:05:20,389 --> 00:05:23,669 Speaker 3: What do you think should you propose. 126 00:05:25,629 --> 00:05:25,669 Speaker 4: That? 127 00:05:26,549 --> 00:05:26,709 Speaker 5: Oh? 128 00:05:26,829 --> 00:05:30,109 Speaker 4: Sorry, yep, here, oh here you going. I think that 129 00:05:30,429 --> 00:05:32,469 Speaker 4: a male should be proposing because I think that if 130 00:05:32,469 --> 00:05:34,269 Speaker 4: it's based on a woman, they do it on impulse 131 00:05:34,269 --> 00:05:36,989 Speaker 4: and there'll be a lot more proposals happening, with a 132 00:05:37,029 --> 00:05:38,949 Speaker 4: lot more rejections. 133 00:05:38,988 --> 00:05:43,949 Speaker 3: How sex is this section at I mean, honestly, you're 134 00:05:43,988 --> 00:05:47,109 Speaker 3: not lying that because when I'm hormonal, like I shouldn't 135 00:05:47,109 --> 00:05:48,349 Speaker 3: make decisions something we all want to. 136 00:05:48,389 --> 00:05:51,149 Speaker 6: All girls santasize about getting married, having kids and that, 137 00:05:51,229 --> 00:05:52,629 Speaker 6: and I think they do it on impulse, want to 138 00:05:52,629 --> 00:05:53,709 Speaker 6: get married a lot earlier. 139 00:05:53,869 --> 00:05:56,909 Speaker 2: So you just pop it. Really, are you? Are you married? Taylor? 140 00:05:56,949 --> 00:05:57,989 Speaker 2: Are you in a relationship? 141 00:05:58,469 --> 00:05:58,829 Speaker 4: I am? 142 00:05:58,949 --> 00:05:59,149 Speaker 3: Yes? 143 00:05:59,709 --> 00:06:00,789 Speaker 2: Sorry, so married? 144 00:06:01,429 --> 00:06:01,789 Speaker 4: Married? 145 00:06:02,149 --> 00:06:04,229 Speaker 1: Okay, So how early in the relationship would you have 146 00:06:04,269 --> 00:06:05,349 Speaker 1: got down on one knee? 147 00:06:05,469 --> 00:06:08,669 Speaker 4: If years prior to what he had blood. 148 00:06:08,349 --> 00:06:11,029 Speaker 3: Dear Hell, yeah, we do drag for a long time 149 00:06:11,069 --> 00:06:11,988 Speaker 3: to wait too. 150 00:06:12,389 --> 00:06:14,149 Speaker 2: Yeah, we drag think of that. 151 00:06:14,229 --> 00:06:16,389 Speaker 1: Yeah, good point, Tayler. Let's got a leash here on 152 00:06:16,429 --> 00:06:18,109 Speaker 1: thirteen one or sixty five leash? What do you think 153 00:06:18,109 --> 00:06:19,508 Speaker 1: should it be on the blog to propose? 154 00:06:20,749 --> 00:06:25,269 Speaker 7: Hey guys, Well, I'm actually in a same sex relationship, 155 00:06:25,469 --> 00:06:27,829 Speaker 7: and I'm actually in a bit of a pickle because 156 00:06:28,669 --> 00:06:31,669 Speaker 7: my girlfriend was actually straight before me, and now she's 157 00:06:31,709 --> 00:06:34,789 Speaker 7: the one who thinks she should propose to me. I 158 00:06:34,829 --> 00:06:36,429 Speaker 7: want to be the one to propose because I'm the 159 00:06:36,509 --> 00:06:39,749 Speaker 7: more masculine person, and I feel like it's more the 160 00:06:39,789 --> 00:06:42,229 Speaker 7: masculine or failed to do it. 161 00:06:44,109 --> 00:06:46,589 Speaker 1: Well Yeah, that's a bit of like a proposal Mexican 162 00:06:46,669 --> 00:06:48,109 Speaker 1: standoff between you and your part. 163 00:06:48,469 --> 00:06:51,989 Speaker 7: Yeah, it's really just a really challenging situations because I 164 00:06:52,029 --> 00:06:53,589 Speaker 7: don't know if she's going to do it before me 165 00:06:53,749 --> 00:06:55,949 Speaker 7: or could happen. But it's going to. 166 00:06:55,988 --> 00:06:59,989 Speaker 3: Be no oh any minute now, by I mean, if 167 00:06:59,988 --> 00:07:03,868 Speaker 3: you're talking about it, you should do it. Yeah, just 168 00:07:03,909 --> 00:07:06,669 Speaker 3: do it. Just call it out. Let's just call it out. 169 00:07:06,909 --> 00:07:07,429 Speaker 2: What are you reckon? 170 00:07:08,789 --> 00:07:08,829 Speaker 5: No? 171 00:07:10,029 --> 00:07:13,789 Speaker 7: No, no, no no no sure no no. 172 00:07:13,109 --> 00:07:13,949 Speaker 4: No, I'll do it. 173 00:07:13,989 --> 00:07:16,109 Speaker 7: I'm definitely going to do it. 174 00:07:18,069 --> 00:07:19,149 Speaker 2: Yeah, we'll get in there. 175 00:07:19,189 --> 00:07:21,429 Speaker 3: Can you do it together and make it special? 176 00:07:21,549 --> 00:07:24,989 Speaker 1: That'd be adorable actually, like next romantic dinner. It's just 177 00:07:25,029 --> 00:07:26,429 Speaker 1: like it's just going to be a race between the 178 00:07:26,469 --> 00:07:28,069 Speaker 1: two of them as so who can get down on 179 00:07:28,069 --> 00:07:28,749 Speaker 1: one day faster. 180 00:07:31,069 --> 00:07:34,549 Speaker 2: Alice got a Claire here on thirteen one O sixty five. Claire, 181 00:07:34,589 --> 00:07:35,268 Speaker 2: what do you think? 182 00:07:36,149 --> 00:07:37,749 Speaker 6: I think you gets the point now and you know 183 00:07:37,789 --> 00:07:39,549 Speaker 6: it's right. It's right and the woman should ask if 184 00:07:39,549 --> 00:07:40,589 Speaker 6: they feel it's the right time. 185 00:07:41,309 --> 00:07:42,469 Speaker 2: Did you do that, Claire? 186 00:07:43,029 --> 00:07:43,469 Speaker 5: I did? 187 00:07:43,549 --> 00:07:45,469 Speaker 6: I proposed in Rottenes and w A. 188 00:07:46,989 --> 00:07:47,749 Speaker 3: Did you get down? 189 00:07:48,429 --> 00:07:50,669 Speaker 6: I got down and I dribbled all over the sand saying, well, 190 00:07:50,669 --> 00:07:52,149 Speaker 6: you marry me. He took a little while. Well I 191 00:07:52,309 --> 00:07:54,269 Speaker 6: called across there, but I managed to get it out 192 00:07:54,309 --> 00:07:56,029 Speaker 6: and he said yes lovely. 193 00:07:56,149 --> 00:07:57,429 Speaker 2: And how did he feel about it? Was? 194 00:07:57,429 --> 00:08:00,109 Speaker 1: Was he like relieved that you did it before him? 195 00:08:00,309 --> 00:08:02,349 Speaker 1: Or was he a bit annoyed that he didn't get 196 00:08:02,349 --> 00:08:03,189 Speaker 1: the opportunity. 197 00:08:03,469 --> 00:08:05,589 Speaker 6: No, he wasn't annoyed. He was happy. And we've been 198 00:08:05,589 --> 00:08:06,909 Speaker 6: married now only a year and a half, but we've 199 00:08:06,909 --> 00:08:09,469 Speaker 6: been together a while. I have a little boy together. Man. 200 00:08:09,949 --> 00:08:12,389 Speaker 2: There you go. A happy story, a happy story. 201 00:08:12,549 --> 00:08:15,309 Speaker 1: So before we go to traffic, it adds here you 202 00:08:15,349 --> 00:08:18,829 Speaker 1: have been proposed to a few times? 203 00:08:19,869 --> 00:08:20,629 Speaker 2: You say, five fish? 204 00:08:20,869 --> 00:08:26,189 Speaker 3: Yeah? Yeah, So we were waiting for their traffic. 205 00:08:26,429 --> 00:08:30,069 Speaker 2: No, I think, I think a little bit. 206 00:08:30,109 --> 00:08:31,789 Speaker 3: I do. I don't know what's going on out there 207 00:08:31,789 --> 00:08:32,109 Speaker 3: at all. 208 00:08:32,509 --> 00:08:34,149 Speaker 2: You want to hear the do you don't? 209 00:08:35,149 --> 00:08:37,708 Speaker 3: Is it like it's hardcore because people are back from school. 210 00:08:37,789 --> 00:08:39,869 Speaker 2: Can you give me one name of someone who proposed 211 00:08:39,869 --> 00:08:40,228 Speaker 2: to you? 212 00:08:40,269 --> 00:08:42,508 Speaker 3: No, I'll come on, No, I won't do that because 213 00:08:42,508 --> 00:08:45,629 Speaker 3: add a respective my new husband. But you can google it. 214 00:08:45,669 --> 00:08:49,789 Speaker 3: Google it so. 215 00:08:49,988 --> 00:08:52,189 Speaker 2: Young, so junk, so junk, so stunk. 216 00:08:52,868 --> 00:08:56,309 Speaker 3: Tell yeh here we are. I don't know how this 217 00:08:56,468 --> 00:08:58,708 Speaker 3: evolved into this where I'm bringing stuff from home, like 218 00:08:58,789 --> 00:09:02,069 Speaker 3: literally the biggest bags you've ever seen, like Christmas bag size. 219 00:09:02,268 --> 00:09:04,348 Speaker 3: But here I'm not going to tell what it is yet, 220 00:09:04,348 --> 00:09:07,069 Speaker 3: am I. I don't tell now. I think I can 221 00:09:07,268 --> 00:09:07,869 Speaker 3: fight it out. 222 00:09:07,949 --> 00:09:10,108 Speaker 1: I think we can tell them now. I do really 223 00:09:10,149 --> 00:09:12,069 Speaker 1: appreciate that you've because we just put this on you 224 00:09:12,108 --> 00:09:13,628 Speaker 1: on air. We were like, I'd love to just give 225 00:09:13,669 --> 00:09:14,429 Speaker 1: away your stuff. 226 00:09:14,748 --> 00:09:18,268 Speaker 2: Yeah, and you thankfully your husband loved the bit. 227 00:09:18,549 --> 00:09:21,468 Speaker 1: Yep, and he just started putting all your crap in 228 00:09:21,508 --> 00:09:22,949 Speaker 1: a bag and now you bring it in. 229 00:09:23,909 --> 00:09:25,669 Speaker 3: This is gorgeous. Okay what I've got here? 230 00:09:25,789 --> 00:09:25,989 Speaker 8: Yeah? 231 00:09:26,069 --> 00:09:26,869 Speaker 2: Yeah, he is. 232 00:09:27,029 --> 00:09:32,229 Speaker 3: I've got a Chanelle book, white, glossy, gorgeous, thick coffee 233 00:09:32,268 --> 00:09:35,708 Speaker 3: table book. No, no, no, I'm not done that. You're 234 00:09:35,748 --> 00:09:39,229 Speaker 3: the Gucci the making of Look at that with the 235 00:09:39,309 --> 00:09:40,389 Speaker 3: stripe down the middle. 236 00:09:40,669 --> 00:09:43,908 Speaker 2: Beautiful a really classy books. Guy, Are you joking? 237 00:09:44,029 --> 00:09:47,069 Speaker 3: You would put these? Okay, you'd have put that next 238 00:09:47,108 --> 00:09:49,069 Speaker 3: to you, like you know, your bowl with your keys. 239 00:09:49,309 --> 00:09:49,549 Speaker 5: Yeah. 240 00:09:49,669 --> 00:09:51,309 Speaker 2: Shows absolute showstoppers. 241 00:09:51,429 --> 00:09:54,268 Speaker 3: Oh yeah, these are these are like pieces that make 242 00:09:54,309 --> 00:09:56,228 Speaker 3: your room like one of the room. 243 00:09:56,468 --> 00:09:58,909 Speaker 2: Absolutely great feature in your Have you given it away? 244 00:09:58,909 --> 00:10:04,708 Speaker 3: What surprise. Listen to this bit boxes. You would not 245 00:10:04,789 --> 00:10:07,509 Speaker 3: have known in my house, I've got a whole library 246 00:10:07,748 --> 00:10:10,588 Speaker 3: no books there all ten books. But they're designers, so 247 00:10:10,628 --> 00:10:13,828 Speaker 3: they've got like Gucci. They all look amazing. When you 248 00:10:13,909 --> 00:10:14,828 Speaker 3: come up close. 249 00:10:16,309 --> 00:10:21,508 Speaker 2: Inside, she's hitting her own head, which is great. 250 00:10:21,588 --> 00:10:22,909 Speaker 3: I think they're so clever. 251 00:10:23,189 --> 00:10:24,868 Speaker 2: There's cardboard boxes effectively. 252 00:10:25,029 --> 00:10:27,268 Speaker 3: Well yeah, but you don't know that. And look how 253 00:10:27,388 --> 00:10:29,588 Speaker 3: rich I look. You came into my house, You're like, 254 00:10:29,628 --> 00:10:30,988 Speaker 3: how does she? For three of. 255 00:10:30,909 --> 00:10:31,909 Speaker 2: Those look legit? 256 00:10:32,029 --> 00:10:33,629 Speaker 1: So when you say you've got a whole library, how 257 00:10:33,708 --> 00:10:35,468 Speaker 1: many fake books do you have? 258 00:10:35,588 --> 00:10:39,189 Speaker 3: I might have about forty five? Yeah, oh yeah, oh 259 00:10:39,228 --> 00:10:41,228 Speaker 3: you laugh. You have a look, and we'll see whose 260 00:10:41,228 --> 00:10:48,669 Speaker 3: house looks designer? How badly do you want these? Hey jesuit? 261 00:10:49,628 --> 00:10:53,109 Speaker 4: Hi, Hey, that Sophie monkey is going to be giving 262 00:10:53,189 --> 00:10:54,148 Speaker 4: me some of her junk. 263 00:10:55,108 --> 00:10:56,348 Speaker 3: She is, I don't think. 264 00:10:56,748 --> 00:10:59,909 Speaker 2: And you've got you've got some fake books. 265 00:11:00,069 --> 00:11:04,708 Speaker 3: Yeah, so it can't be fake. I mean, thank you. 266 00:11:04,708 --> 00:11:05,388 Speaker 2: You know, it's funny. 267 00:11:05,429 --> 00:11:07,228 Speaker 1: Before the show, we were talking about the fact that 268 00:11:07,588 --> 00:11:10,149 Speaker 1: no one would believe that you'd be such a tight us. 269 00:11:10,228 --> 00:11:12,749 Speaker 2: So whenever you do get fake stuff, people assume that 270 00:11:12,789 --> 00:11:13,189 Speaker 2: it's real. 271 00:11:13,508 --> 00:11:16,629 Speaker 3: Yeah, I think i'd give up. I wouldn't go to Bangkok. 272 00:11:16,748 --> 00:11:19,588 Speaker 2: But the truth is she goes to bangkock a lot. 273 00:11:19,508 --> 00:11:21,429 Speaker 3: I love, but I don't get from that. 274 00:11:22,628 --> 00:11:25,949 Speaker 1: So, Jasmine, why do you think you deserve these fake 275 00:11:26,388 --> 00:11:27,749 Speaker 1: cardboard boss books? 276 00:11:28,669 --> 00:11:30,109 Speaker 3: What sets you apart? Jesn't it? 277 00:11:31,348 --> 00:11:34,869 Speaker 4: You know what sets me apart? Because I called through 278 00:11:34,988 --> 00:11:37,588 Speaker 4: and got through straightaway. That's what sets me apart. 279 00:11:39,029 --> 00:11:45,628 Speaker 3: Like that, it's a positive attitude though, I think that 280 00:11:46,189 --> 00:11:47,309 Speaker 3: waking up good. 281 00:11:47,588 --> 00:11:51,189 Speaker 1: And do you think you deserve these fake books from 282 00:11:51,309 --> 00:11:52,949 Speaker 1: Sophie Monk's bookshelves. 283 00:11:53,748 --> 00:11:57,909 Speaker 8: Hey, guys, it's quite funny because I was a school teacher, 284 00:11:57,949 --> 00:12:00,108 Speaker 8: so when you were talking about the books, I thought, oh, great, 285 00:12:00,228 --> 00:12:02,828 Speaker 8: some books to read. Having said that, when I finish 286 00:12:03,228 --> 00:12:05,269 Speaker 8: my very hard job of school teaching, I go home 287 00:12:05,268 --> 00:12:07,309 Speaker 8: to my own kids. So I mean, they could totally 288 00:12:07,348 --> 00:12:09,949 Speaker 8: put their own stuff in there, you know, you know, 289 00:12:10,029 --> 00:12:13,309 Speaker 8: so my house can look clean and you know they can. 290 00:12:14,909 --> 00:12:18,868 Speaker 3: See what you mean? Purpose, Oh it doesn't open. Sorry, 291 00:12:19,468 --> 00:12:22,109 Speaker 3: I'm so sorry before you go on about the dual purpose, 292 00:12:22,149 --> 00:12:24,428 Speaker 3: it's just one bos no. But you know what you 293 00:12:24,468 --> 00:12:26,868 Speaker 3: could do is you're probably so tired of reading books. 294 00:12:27,029 --> 00:12:29,109 Speaker 3: This is a non book so you can have a 295 00:12:29,108 --> 00:12:31,868 Speaker 3: look at books that are books and that might make 296 00:12:31,909 --> 00:12:33,228 Speaker 3: you feel a lot better about your day. 297 00:12:33,309 --> 00:12:34,029 Speaker 2: Is that what you're doing? 298 00:12:34,309 --> 00:12:34,389 Speaker 4: What? 299 00:12:34,549 --> 00:12:36,349 Speaker 2: Really would you just look at your books? 300 00:12:36,388 --> 00:12:39,588 Speaker 3: I've never I don't read books really in general? When 301 00:12:39,588 --> 00:12:41,869 Speaker 3: would I read a book? What for? I don't know. 302 00:12:41,909 --> 00:12:45,988 Speaker 3: I don't understand. I don't know. Watch the movie. I 303 00:12:46,069 --> 00:12:50,708 Speaker 3: don't quite get it. Never did jes Hey, Jess, I'm 304 00:12:51,388 --> 00:12:52,189 Speaker 3: six five. Jesse. 305 00:12:52,789 --> 00:12:56,549 Speaker 2: You think you deserve the fake books from Sophie Munk's house? Why? 306 00:12:57,228 --> 00:12:57,388 Speaker 9: Yes? 307 00:12:57,468 --> 00:12:59,309 Speaker 8: Because I love her, I love us, so I don't 308 00:12:59,348 --> 00:13:00,668 Speaker 8: even have a toe nels again. 309 00:13:01,828 --> 00:13:02,669 Speaker 3: You take those? 310 00:13:02,949 --> 00:13:05,069 Speaker 4: That's equip as anything of yours? 311 00:13:05,789 --> 00:13:06,388 Speaker 3: Something better? 312 00:13:06,549 --> 00:13:07,069 Speaker 2: Can we can? 313 00:13:07,149 --> 00:13:07,428 Speaker 9: We know? 314 00:13:07,549 --> 00:13:08,668 Speaker 2: I like the toy clipping. 315 00:13:12,988 --> 00:13:17,669 Speaker 3: I've got to can I Can I send them all something? 316 00:13:17,789 --> 00:13:18,748 Speaker 2: Yeah? You can. 317 00:13:18,828 --> 00:13:19,788 Speaker 3: You can't say what it is? 318 00:13:19,828 --> 00:13:21,189 Speaker 2: Absolutely go for it. 319 00:13:21,228 --> 00:13:23,069 Speaker 3: That isn't the code. You will let us say alcohol, 320 00:13:23,189 --> 00:13:25,949 Speaker 3: but it's from Yellow Talent. It's my own prosecco that 321 00:13:26,029 --> 00:13:29,548 Speaker 3: you can get. But it's yes, you can't. 322 00:13:29,708 --> 00:13:30,108 Speaker 2: You can't. 323 00:13:30,189 --> 00:13:32,588 Speaker 1: You can't give away the thing because you're acknowledging the 324 00:13:32,628 --> 00:13:34,309 Speaker 1: fact that it's breaking the code. 325 00:13:34,748 --> 00:13:37,669 Speaker 3: I can't really, As I was saying. 326 00:13:37,388 --> 00:13:41,029 Speaker 2: That, let's just say apple juicefitely. It's definitely a code. 327 00:13:41,108 --> 00:13:44,029 Speaker 3: Okay, let's not give that away. Sorry, guys, Get back 328 00:13:44,069 --> 00:13:47,108 Speaker 3: to the books, Jesse, what do you want the books? 329 00:13:47,228 --> 00:13:49,308 Speaker 2: You've got forty five books? Can you give all the 330 00:13:49,388 --> 00:13:49,789 Speaker 2: one book? 331 00:13:50,228 --> 00:13:51,269 Speaker 3: You're all getting one. 332 00:13:51,309 --> 00:13:52,989 Speaker 1: You're all getting a fake book, which is effectively a 333 00:13:53,029 --> 00:13:56,708 Speaker 1: cardboard box. More Sophie Monk's junk up next. 334 00:13:56,748 --> 00:13:59,949 Speaker 2: That's your last warning. Stop trying to give away just 335 00:13:59,988 --> 00:14:01,908 Speaker 2: every show. It's just you're trying to give away your books. 336 00:14:02,149 --> 00:14:03,348 Speaker 2: Stop selling your prosecco. 337 00:14:03,508 --> 00:14:07,029 Speaker 1: Sophie up next, So we're going to be talking about 338 00:14:07,309 --> 00:14:10,389 Speaker 1: Sabrina Carpenter and something that happened to her live on 339 00:14:10,508 --> 00:14:13,029 Speaker 1: stage at the Grammys. And then I want to know 340 00:14:13,069 --> 00:14:16,549 Speaker 1: from you, what's the what's the worst thing that's happened 341 00:14:16,588 --> 00:14:18,669 Speaker 1: to you when you've been performing? 342 00:14:18,748 --> 00:14:20,429 Speaker 2: Don't tell me now, Okay. 343 00:14:20,949 --> 00:14:24,349 Speaker 1: I mean you're obviously a consumer professional, no ixpect anything 344 00:14:24,349 --> 00:14:25,429 Speaker 1: bad to happen. 345 00:14:25,469 --> 00:14:27,309 Speaker 3: But it's nice of you, but no over the years. 346 00:14:27,349 --> 00:14:30,189 Speaker 1: Yeah, So Ify Monk is in the studio with me. 347 00:14:30,268 --> 00:14:35,028 Speaker 1: We just heard a song so from Sabrina Carpenter and recently, 348 00:14:35,069 --> 00:14:39,709 Speaker 1: in a live performance, she released a live dove which 349 00:14:39,749 --> 00:14:41,349 Speaker 1: obviously you know they're all doing that. 350 00:14:41,429 --> 00:14:42,029 Speaker 2: It's a nice thing. 351 00:14:42,069 --> 00:14:44,469 Speaker 3: What do you mean they're all doing that? Everyone releases. 352 00:14:46,629 --> 00:14:48,829 Speaker 1: I think every their career needs to at one point 353 00:14:48,869 --> 00:14:51,669 Speaker 1: release a live dove. Really well, I think, so, okay, 354 00:14:51,829 --> 00:14:52,388 Speaker 1: have you done that? 355 00:14:52,429 --> 00:14:52,829 Speaker 2: Have you ever? 356 00:14:53,029 --> 00:14:55,349 Speaker 3: I don't want it doesn't look comfy. You've got to 357 00:14:55,388 --> 00:14:57,869 Speaker 3: hold I've seen her on YouTube because they hold their 358 00:14:57,909 --> 00:15:00,069 Speaker 3: wings in, so you've got to like make it. And 359 00:15:00,069 --> 00:15:02,148 Speaker 3: then it's wriggling around like, don't do this, like it 360 00:15:02,189 --> 00:15:06,149 Speaker 3: doesn't love it. Yeah, yeah, I just don't want that. 361 00:15:06,189 --> 00:15:08,349 Speaker 2: And the proved that point. 362 00:15:08,349 --> 00:15:12,349 Speaker 1: Actually, the dove that Sabrina Carpenter released took a poorer 363 00:15:13,549 --> 00:15:16,429 Speaker 1: so then she live in a performance, the dove pood 364 00:15:16,508 --> 00:15:19,149 Speaker 1: on her and then she had to continue to perform 365 00:15:19,229 --> 00:15:21,589 Speaker 1: live during the performance and turns out, and I haven't 366 00:15:21,589 --> 00:15:23,668 Speaker 1: seen any footage of this. Apparently she did a great 367 00:15:23,749 --> 00:15:26,589 Speaker 1: job performing despite the fact that she had poo on her, 368 00:15:27,029 --> 00:15:31,309 Speaker 1: which I imagine would kind of throw you reckon. Do 369 00:15:31,349 --> 00:15:33,909 Speaker 1: you reckon if you were hosting Love Island and bird 370 00:15:33,949 --> 00:15:35,709 Speaker 1: pooped on you when you were doing a taste? 371 00:15:35,749 --> 00:15:39,669 Speaker 3: Shake it off? Shake it off. Yeah, whatever you have 372 00:15:39,749 --> 00:15:41,709 Speaker 3: to do, you get that show on the road. 373 00:15:42,589 --> 00:15:46,788 Speaker 1: I once did a live comedy show, so and there 374 00:15:46,829 --> 00:15:49,269 Speaker 1: was a part stand up, not standard, it was like 375 00:15:49,349 --> 00:15:51,709 Speaker 1: sketch comedy. So I was doing like scenes on stage 376 00:15:51,709 --> 00:15:57,349 Speaker 1: with Will and there was like we didn't wear that's 377 00:15:57,388 --> 00:16:00,028 Speaker 1: just in New dream. So anyway, there was a moment 378 00:16:00,029 --> 00:16:02,749 Speaker 1: of the show where we were re enacting the dirty 379 00:16:02,829 --> 00:16:07,989 Speaker 1: dancing move that right theater sports Yep, awesome. There's a 380 00:16:07,989 --> 00:16:09,469 Speaker 1: part of the show where I walk into the crowd 381 00:16:09,508 --> 00:16:13,229 Speaker 1: and effectively I'm choosing someone to lift up yep. 382 00:16:13,309 --> 00:16:15,509 Speaker 2: Right now. There's the woman I walk up to and 383 00:16:15,549 --> 00:16:17,589 Speaker 2: she was a little bit reluctant, and. 384 00:16:17,949 --> 00:16:20,549 Speaker 3: You can't do reluctant with that one. I was like, 385 00:16:20,709 --> 00:16:21,908 Speaker 3: that's going to be a minute. 386 00:16:21,989 --> 00:16:23,869 Speaker 1: I thought she was just shy, right, And I was like, oh, 387 00:16:23,949 --> 00:16:25,148 Speaker 1: she's a little bit shy. I make a bit of 388 00:16:25,189 --> 00:16:27,669 Speaker 1: noise of the whole crowds now effectively pressure in her. 389 00:16:27,949 --> 00:16:31,989 Speaker 3: Pressure right of her jumping on you. Yes, okay exactly. 390 00:16:32,069 --> 00:16:33,709 Speaker 3: So there there's a lot of trust. That's like more 391 00:16:33,749 --> 00:16:35,508 Speaker 3: than a trust fall, I think the dirty dunce move. 392 00:16:36,549 --> 00:16:38,429 Speaker 2: So then I'm saying like, come on, come on, let's go. 393 00:16:38,508 --> 00:16:40,069 Speaker 1: The crowd wants to say it, and then she like 394 00:16:40,589 --> 00:16:42,589 Speaker 1: she she kind of like pulls me in closer to it, 395 00:16:42,669 --> 00:16:45,069 Speaker 1: and she whispers in my ear. The reason I don't 396 00:16:45,069 --> 00:16:47,429 Speaker 1: want to do it is because I've only got one leg. 397 00:16:47,589 --> 00:16:50,309 Speaker 3: Oh you don't. I mean, does that make her lighter? 398 00:16:52,309 --> 00:16:54,149 Speaker 3: Was my first thought thought. 399 00:16:55,909 --> 00:16:59,789 Speaker 1: So she said, so, I'm wearing a prosthetic leg and 400 00:16:59,829 --> 00:17:01,949 Speaker 1: I'm just worried that when you lift me. 401 00:17:02,268 --> 00:17:03,309 Speaker 2: My leg will fall off. 402 00:17:03,989 --> 00:17:04,749 Speaker 3: And what did she say? 403 00:17:04,829 --> 00:17:06,549 Speaker 1: So anyway, so I'm just like, well, as you said, 404 00:17:06,589 --> 00:17:09,029 Speaker 1: the show's got to go on to announce. 405 00:17:08,869 --> 00:17:14,429 Speaker 2: To the audit down was like, you got to improvise anyway. 406 00:17:16,389 --> 00:17:18,189 Speaker 2: And when I lifted her up, her leg came off. 407 00:17:18,749 --> 00:17:20,349 Speaker 3: Ye, she warned you. 408 00:17:20,429 --> 00:17:22,349 Speaker 2: She did warn me. I shouldn't have done that. Now, 409 00:17:22,589 --> 00:17:24,549 Speaker 2: So that's the worst things happen to me live on. 410 00:17:24,509 --> 00:17:28,069 Speaker 1: A stage for you, Yeah, what's the worst that's happened? 411 00:17:28,069 --> 00:17:30,789 Speaker 3: When you know, I went to Brisbane and my backup 412 00:17:30,829 --> 00:17:32,549 Speaker 3: dancers couldn't come with me. I had these two backup 413 00:17:32,629 --> 00:17:34,269 Speaker 3: dants a similar height, so we had to get a 414 00:17:34,309 --> 00:17:37,389 Speaker 3: ring in from Brisbane. Okay, but he was like six 415 00:17:37,389 --> 00:17:40,389 Speaker 3: foot three. So but there was one move where you 416 00:17:40,709 --> 00:17:43,069 Speaker 3: got to like kind of punch to the left. But 417 00:17:43,109 --> 00:17:45,589 Speaker 3: as he punched the left. He punched my microphone into 418 00:17:45,589 --> 00:17:48,869 Speaker 3: my face, so I like hit it, like head butted 419 00:17:48,909 --> 00:17:51,589 Speaker 3: my microphone. There's blood. No one's even noticed because no 420 00:17:51,589 --> 00:17:56,149 Speaker 3: one even likes my song. Someone had a band inside 421 00:17:56,269 --> 00:18:00,429 Speaker 3: outside under musk. No one cares. I'm getting carried about. 422 00:18:00,429 --> 00:18:01,869 Speaker 3: This is blood and I'm like at the end and 423 00:18:01,909 --> 00:18:05,589 Speaker 3: I was like, oh no, no, at the end, I 424 00:18:05,629 --> 00:18:05,869 Speaker 3: was like that. 425 00:18:06,909 --> 00:18:08,149 Speaker 2: And that's when you started acting. 426 00:18:09,349 --> 00:18:30,549 Speaker 3: Yeah, it was around that time. Good Phone Alone. 427 00:18:31,589 --> 00:18:35,189 Speaker 1: Swilling Woody driving you home? Will is Opportunity Leave. So 428 00:18:35,189 --> 00:18:38,269 Speaker 1: Sophie Monk is here in the studio. Sophie, are you 429 00:18:38,309 --> 00:18:39,709 Speaker 1: across our game phone alone? 430 00:18:39,909 --> 00:18:40,029 Speaker 8: No? 431 00:18:40,069 --> 00:18:42,349 Speaker 3: I like the name? Is that a play on home? 432 00:18:42,669 --> 00:18:43,349 Speaker 3: Like with et? 433 00:18:44,589 --> 00:18:46,709 Speaker 1: To be honest, I actually don't know what it is 434 00:18:46,709 --> 00:18:49,229 Speaker 1: a play on at all, but it sounds not fine 435 00:18:49,309 --> 00:18:49,629 Speaker 1: a line. 436 00:18:49,629 --> 00:18:51,749 Speaker 2: It's just I think it's just a rhyme. Anyway, the game. 437 00:18:51,869 --> 00:18:53,869 Speaker 1: The game is this, So people call us on thirteen 438 00:18:53,909 --> 00:18:56,909 Speaker 1: one oh sixty five and they have to convince us 439 00:18:57,269 --> 00:19:01,029 Speaker 1: that they are in the car with someone else, and 440 00:19:01,029 --> 00:19:03,908 Speaker 1: then we decide the person doesn't talk, No, we can 441 00:19:03,949 --> 00:19:06,109 Speaker 1: talk to them, but then we all know they're there, 442 00:19:06,189 --> 00:19:08,589 Speaker 1: but we decide are they put it on a voice 443 00:19:09,389 --> 00:19:11,109 Speaker 1: or is it actually another person? 444 00:19:11,349 --> 00:19:14,149 Speaker 3: That's fantastic, It's great, Okay, it's a great game. 445 00:19:14,229 --> 00:19:16,669 Speaker 1: So for example, like if you were playing Sophie, yes, 446 00:19:16,949 --> 00:19:18,469 Speaker 1: what would be your other voice? If you had to 447 00:19:18,469 --> 00:19:21,749 Speaker 1: put in a voice to convince someone else? 448 00:19:21,829 --> 00:19:23,909 Speaker 2: Someone else? If you have like been someone else? Right? Now? 449 00:19:25,069 --> 00:19:27,189 Speaker 3: Hold on there? How are you? 450 00:19:28,029 --> 00:19:32,109 Speaker 2: Is that an accent? I know, I'm going to stop 451 00:19:32,109 --> 00:19:32,389 Speaker 2: you there? 452 00:19:35,149 --> 00:19:37,589 Speaker 3: I don't know who I became. I didn't become a person. 453 00:19:41,709 --> 00:19:44,109 Speaker 3: They're by themselves and they're just using a tricky voice. 454 00:19:44,429 --> 00:19:49,149 Speaker 1: Or someone actually is there? So a real person putting 455 00:19:49,629 --> 00:19:49,949 Speaker 1: this game? 456 00:19:49,989 --> 00:19:55,029 Speaker 3: Going to play by myself with others? Alex? How are you? 457 00:19:56,309 --> 00:19:56,989 Speaker 7: How are you? 458 00:19:57,349 --> 00:19:59,189 Speaker 3: Is this really Alex? Yes? 459 00:19:59,229 --> 00:19:59,789 Speaker 9: This is Alex? 460 00:19:59,869 --> 00:20:01,189 Speaker 3: Okay, this is Alex's voice. 461 00:20:01,269 --> 00:20:04,388 Speaker 2: That's confirmed. We believe that. Who are you in the 462 00:20:04,429 --> 00:20:05,349 Speaker 2: car with Alex? 463 00:20:05,549 --> 00:20:07,469 Speaker 4: I'm in the car with my cousin, Sophie. 464 00:20:07,829 --> 00:20:14,269 Speaker 3: O called wincident. How many Sophie's do you know? 465 00:20:15,349 --> 00:20:16,469 Speaker 4: Only one is? She's my cousin? 466 00:20:16,549 --> 00:20:21,469 Speaker 3: Actually, well you know too. Now okay, let's hear Sophie. 467 00:20:21,789 --> 00:20:22,789 Speaker 8: Okay, let me put her on. 468 00:20:22,909 --> 00:20:30,309 Speaker 3: Hey soastu, Hey guys, hey, Sophie, could you look have you? 469 00:20:30,309 --> 00:20:31,869 Speaker 3: Could you tell me what you have for breakfast? 470 00:20:32,749 --> 00:20:36,189 Speaker 4: Oh no, I had porridge with strawberries and yogurt. 471 00:20:36,709 --> 00:20:38,189 Speaker 3: Put on, don't say now? 472 00:20:38,269 --> 00:20:41,469 Speaker 1: Well yeah, but if you're sure no one has that 473 00:20:41,509 --> 00:20:42,149 Speaker 1: for breakfast? 474 00:20:43,909 --> 00:20:44,309 Speaker 3: All right? 475 00:20:44,389 --> 00:20:46,469 Speaker 2: I love it from thee. 476 00:20:46,229 --> 00:20:48,549 Speaker 3: When when you're making it happy breakfast. 477 00:20:48,309 --> 00:20:51,749 Speaker 2: Alex, Alex, we think you're lying to us. We think it's. 478 00:20:54,589 --> 00:20:57,029 Speaker 3: I mean, I watch a lot of crimes for breakfast. 479 00:20:57,509 --> 00:21:02,429 Speaker 3: Oh sorry, Oh my bad? Well also the expert. 480 00:21:02,509 --> 00:21:04,229 Speaker 1: But okay, I want to give you another guy because 481 00:21:04,229 --> 00:21:05,509 Speaker 1: I think I feel like you're gonna be very good 482 00:21:05,509 --> 00:21:06,389 Speaker 1: at this Sophie, Mike. 483 00:21:06,909 --> 00:21:09,789 Speaker 2: That's going to be Katrina for two years. 484 00:21:09,829 --> 00:21:16,668 Speaker 3: I think maybe your talent Katrina, How are you good? Okay, 485 00:21:16,869 --> 00:21:20,589 Speaker 3: she's holding a voice. Do you want to tell me 486 00:21:20,669 --> 00:21:22,069 Speaker 3: what you had for dinner last night? 487 00:21:25,509 --> 00:21:26,789 Speaker 8: I don't even remember pizza? 488 00:21:27,269 --> 00:21:29,789 Speaker 2: Okay, that's good. And who are you in the car with, Katrina? 489 00:21:30,869 --> 00:21:33,349 Speaker 8: I just picked up my cousin, Gabriella, from the airport. 490 00:21:33,749 --> 00:21:37,629 Speaker 3: Another cousin. How many come can hang out with your cousins? 491 00:21:38,029 --> 00:21:40,349 Speaker 3: I never hang with me neither. That's where you don't go, cousin. 492 00:21:40,389 --> 00:21:41,029 Speaker 3: It's so obvious. 493 00:21:41,789 --> 00:21:44,709 Speaker 2: Gabriella. Oh sorry, can we talk to Gabriella. Katrina. 494 00:21:45,469 --> 00:21:53,149 Speaker 3: Yes, hey, Gay, well, I don't speak that language. 495 00:21:56,549 --> 00:22:00,349 Speaker 1: Means how are you in Spanish? Believe that right, Gabriella. 496 00:22:01,149 --> 00:22:01,709 Speaker 3: She wouldn't know. 497 00:22:01,949 --> 00:22:03,949 Speaker 8: I've just picked her up from the airport. 498 00:22:03,989 --> 00:22:05,549 Speaker 7: She's just come in from South America. 499 00:22:05,829 --> 00:22:09,829 Speaker 3: Oh she just all right, let's speak to her again. 500 00:22:09,829 --> 00:22:10,829 Speaker 2: I don't want to even Gabriella. 501 00:22:10,869 --> 00:22:11,749 Speaker 3: Tell us about your trip. 502 00:22:11,749 --> 00:22:13,148 Speaker 2: Tells about your trip in South America. 503 00:22:13,149 --> 00:22:20,789 Speaker 8: Gabriella, the handle Australia familiar. 504 00:22:22,949 --> 00:22:24,589 Speaker 3: She's legit, she's legit. 505 00:22:25,629 --> 00:22:27,149 Speaker 2: Do you speak of English? 506 00:22:27,669 --> 00:22:32,349 Speaker 3: Why that's so much much? Hang on? Hang on? 507 00:22:32,389 --> 00:22:33,829 Speaker 2: Okay, Okay, there we go. She speaks a little bit. 508 00:22:34,269 --> 00:22:35,389 Speaker 2: Do you know who Sophie Monkey is? 509 00:22:35,389 --> 00:22:39,589 Speaker 3: Gabriella, Oh, she's legit? 510 00:22:41,589 --> 00:22:45,309 Speaker 1: All right, Okay, so we're saying, Katrina, we believe Gabrielle. 511 00:22:45,309 --> 00:22:48,989 Speaker 3: I believe Gabriella real. She's real and she's really from 512 00:22:48,989 --> 00:22:55,629 Speaker 3: South America on my own. Oh my, that was the 513 00:22:55,629 --> 00:22:56,629 Speaker 3: best acting ever. 514 00:22:56,909 --> 00:22:57,909 Speaker 2: That was really good acting. 515 00:22:58,669 --> 00:22:59,029 Speaker 10: Well done. 516 00:22:59,109 --> 00:23:01,149 Speaker 3: You should do that more. I don't know where. 517 00:23:02,509 --> 00:23:06,349 Speaker 2: Will is on paternity leave. So Sophie Monk is here 518 00:23:06,389 --> 00:23:07,189 Speaker 2: in the studio. 519 00:23:07,349 --> 00:23:11,148 Speaker 1: We are here for Austrailian and made and so I 520 00:23:11,229 --> 00:23:14,269 Speaker 1: know you are chomping at the bit to talk about Maths. 521 00:23:14,469 --> 00:23:14,989 Speaker 2: Last night. 522 00:23:15,029 --> 00:23:16,669 Speaker 3: I thought that I'd come in here and you guys 523 00:23:16,709 --> 00:23:18,909 Speaker 3: would be watching Maths and would all offload about it. 524 00:23:19,029 --> 00:23:22,309 Speaker 3: But here I am by myself, really won't go in 525 00:23:22,309 --> 00:23:25,389 Speaker 3: my hand and just talking to the people in the cars, 526 00:23:25,429 --> 00:23:26,829 Speaker 3: and if you want to call and talk to me 527 00:23:26,909 --> 00:23:28,029 Speaker 3: about Maths would be great. 528 00:23:28,069 --> 00:23:30,469 Speaker 2: But you keep trying to convince this as well saying 529 00:23:30,509 --> 00:23:31,109 Speaker 2: how good it is. 530 00:23:31,149 --> 00:23:33,189 Speaker 1: But look, before before we get into last night's episode, 531 00:23:33,629 --> 00:23:35,669 Speaker 1: I want you guys to call thirteen one oh sixty five. 532 00:23:36,269 --> 00:23:40,269 Speaker 2: When did the rejection really sting for you? 533 00:23:40,309 --> 00:23:42,669 Speaker 3: Like this is off the back of books and Chris, 534 00:23:42,669 --> 00:23:46,829 Speaker 3: there are a couple in Maths. Well they went so 535 00:23:47,589 --> 00:23:49,509 Speaker 3: they've got married, and then they get they've got up 536 00:23:49,549 --> 00:23:51,908 Speaker 3: to the bit where they're going to kiss, and Brooks 537 00:23:51,949 --> 00:23:54,469 Speaker 3: like no, like you know, on the cheek. So he 538 00:23:54,949 --> 00:24:00,189 Speaker 3: gets so rejected. Take a listen, celebrate with your first kiss. God, 539 00:24:05,029 --> 00:24:06,989 Speaker 3: would you like to steal it with a kiss? Didn't 540 00:24:07,029 --> 00:24:12,349 Speaker 3: kiss cheek? Us right, I'm conserving. 541 00:24:14,109 --> 00:24:14,909 Speaker 2: The kiss on the cheek. 542 00:24:16,069 --> 00:24:20,269 Speaker 3: I don't care. He doesn't care though, who knows? 543 00:24:20,989 --> 00:24:21,669 Speaker 2: You can tell from. 544 00:24:23,589 --> 00:24:26,389 Speaker 3: It's so so then he's off mic. He doesn't realize 545 00:24:26,429 --> 00:24:28,509 Speaker 3: that his MIC's on, and he was like said something 546 00:24:28,549 --> 00:24:31,029 Speaker 3: like a bitch kiss the girls or something like it's 547 00:24:31,069 --> 00:24:34,069 Speaker 3: just nervous, you know, like it's the rejection makes you 548 00:24:34,549 --> 00:24:36,148 Speaker 3: can make you flare up like that, like you know, 549 00:24:36,189 --> 00:24:37,349 Speaker 3: because it hurts. 550 00:24:37,429 --> 00:24:41,309 Speaker 2: People are watching just married that person. 551 00:24:41,509 --> 00:24:44,148 Speaker 3: I feel you're both like it's so or isn't it 552 00:24:44,189 --> 00:24:44,629 Speaker 3: you don't know? 553 00:24:44,789 --> 00:24:44,989 Speaker 4: Yeah? 554 00:24:45,269 --> 00:24:45,509 Speaker 8: It was? 555 00:24:45,549 --> 00:24:46,189 Speaker 2: He did you? 556 00:24:46,269 --> 00:24:47,589 Speaker 1: And I don't want to get harsh here and don't 557 00:24:47,589 --> 00:24:50,269 Speaker 1: want to get too shallow, but would you say he 558 00:24:50,509 --> 00:24:51,629 Speaker 1: was an ugly guy? 559 00:24:51,709 --> 00:24:55,429 Speaker 3: I'd say they're both beautiful looking well honestly, you know 560 00:24:55,429 --> 00:24:57,949 Speaker 3: when they say, oh she's a model, like she's a model. 561 00:24:59,389 --> 00:25:01,069 Speaker 2: Yeah yeah, and. 562 00:25:00,629 --> 00:25:03,309 Speaker 3: He's gorgeous too. They're both they're both good looking. 563 00:25:03,389 --> 00:25:06,349 Speaker 2: So why was he particularly bad during the ceremony? 564 00:25:06,549 --> 00:25:06,829 Speaker 8: Yeah? 565 00:25:06,949 --> 00:25:09,908 Speaker 3: I think it's just insecurity. It's so funny what it 566 00:25:09,909 --> 00:25:12,429 Speaker 3: brings out of you these shows, like you can really 567 00:25:12,549 --> 00:25:15,429 Speaker 3: see like the insecurities and it's crazy. 568 00:25:15,469 --> 00:25:16,909 Speaker 2: So did he go like when. 569 00:25:16,789 --> 00:25:18,269 Speaker 3: So you can bring him? 570 00:25:18,509 --> 00:25:21,269 Speaker 1: Oh way, okay, okay, they have a redemption, yes, no doubt. 571 00:25:21,429 --> 00:25:23,509 Speaker 1: So did he like cause you hear the Celebrits say 572 00:25:23,509 --> 00:25:25,229 Speaker 1: like this is the moment where your kissed did he did? 573 00:25:25,229 --> 00:25:26,149 Speaker 2: He? He went in. 574 00:25:26,229 --> 00:25:28,789 Speaker 3: Yeah, but she's conservative, that's fine, Like it's just oh, 575 00:25:28,949 --> 00:25:31,869 Speaker 3: she's just got his feelings hurt, you know, so what 576 00:25:31,949 --> 00:25:33,668 Speaker 3: do you do? I mean that would hurt your feelings, 577 00:25:33,669 --> 00:25:34,709 Speaker 3: but also you can't you know. 578 00:25:34,949 --> 00:25:37,589 Speaker 1: Getting rejected is the worst thing ever. Thirteen one oh 579 00:25:37,629 --> 00:25:40,349 Speaker 1: sixty five is our number. When did the rejection or 580 00:25:40,429 --> 00:25:43,029 Speaker 1: really sting? And so we're going to hear your story 581 00:25:43,429 --> 00:25:44,269 Speaker 1: after the song. 582 00:25:44,349 --> 00:25:47,829 Speaker 3: But you you as bad as bad. 583 00:25:47,949 --> 00:25:50,989 Speaker 2: As bad and it's an A grade celebrity that rejected. 584 00:25:51,069 --> 00:25:55,909 Speaker 3: I think, yeah, and people watched how many how many 585 00:25:55,949 --> 00:25:59,509 Speaker 3: people watch? I don't even care over that six six 586 00:25:59,549 --> 00:26:01,149 Speaker 3: people watched you get rejected. 587 00:26:01,429 --> 00:26:03,709 Speaker 1: I know it's hard, it's obviously hard to go there. 588 00:26:03,789 --> 00:26:06,749 Speaker 1: But right now, Sophie, you are going to relive a time. 589 00:26:07,989 --> 00:26:10,189 Speaker 3: You know what, it was my fault that I got rejected. 590 00:26:10,789 --> 00:26:13,869 Speaker 3: So I was at an awards ceremony with my husband, 591 00:26:13,949 --> 00:26:15,629 Speaker 3: and I don't know why I do these things, but 592 00:26:15,709 --> 00:26:18,549 Speaker 3: sometimes I just like go backstage, have the ground, you know, 593 00:26:18,949 --> 00:26:20,629 Speaker 3: like you know you do that, just check it out. 594 00:26:20,869 --> 00:26:24,029 Speaker 1: I'm not glad backstage, but you just kind of get there, 595 00:26:25,309 --> 00:26:25,789 Speaker 1: check it out. 596 00:26:25,789 --> 00:26:27,429 Speaker 2: I think people like you get there. 597 00:26:27,509 --> 00:26:30,869 Speaker 3: Yeah, I always just have a look anyway, and there 598 00:26:30,949 --> 00:26:33,109 Speaker 3: was this door and it opened anyway. Someone was just 599 00:26:33,109 --> 00:26:34,669 Speaker 3: like banging my face. I was like, I know this person, 600 00:26:34,669 --> 00:26:36,629 Speaker 3: you know when you shocked, really shocked. And I'm like, hey, 601 00:26:36,949 --> 00:26:38,709 Speaker 3: like that like real loud as well, I don't know 602 00:26:38,709 --> 00:26:40,829 Speaker 3: where the volume was way up, you know when you 603 00:26:40,869 --> 00:26:42,709 Speaker 3: do that. And he was like I know this person 604 00:26:42,749 --> 00:26:44,669 Speaker 3: so well, you know, And then he was like hey, 605 00:26:44,909 --> 00:26:47,148 Speaker 3: and then there was security and everyone got backed up. 606 00:26:47,149 --> 00:26:49,989 Speaker 3: It was Henry cavill and I was like hey. And 607 00:26:50,029 --> 00:26:51,789 Speaker 3: then I was like it was so in his face too. 608 00:26:51,789 --> 00:26:53,989 Speaker 3: I shouldn't have even been in that like round him 609 00:26:54,069 --> 00:26:57,869 Speaker 3: really anyway. And then I was sitting was like, god, 610 00:26:57,949 --> 00:27:00,549 Speaker 3: you skeed him. You were like right up in his face. Anyway, 611 00:27:00,549 --> 00:27:02,829 Speaker 3: We're backstage and I thought I could kind of see 612 00:27:02,869 --> 00:27:05,509 Speaker 3: him standing in the green room ready to go on stage, 613 00:27:05,709 --> 00:27:08,309 Speaker 3: and I thought, oh, I'll just ask him if he 614 00:27:08,469 --> 00:27:13,069 Speaker 3: want with me. I did anyways with his security, and 615 00:27:13,109 --> 00:27:15,189 Speaker 3: I'm standing around the corner so we like less than 616 00:27:15,429 --> 00:27:18,509 Speaker 3: like half a meter or you know, just a little 617 00:27:18,549 --> 00:27:21,429 Speaker 3: wall between us, and we've asked security, and you know what, 618 00:27:21,429 --> 00:27:23,349 Speaker 3: it's taking a bit long. You know what to know. 619 00:27:23,949 --> 00:27:26,869 Speaker 3: And then I can see Richard Wilkinson's head and he's laughing. 620 00:27:27,429 --> 00:27:30,349 Speaker 3: He wanted to know. I don't know, he's just smiling. 621 00:27:30,349 --> 00:27:33,029 Speaker 3: I'ven't spoken to him about it since. And they went 622 00:27:33,109 --> 00:27:39,109 Speaker 3: not maybe later, and I was like, oh, I know 623 00:27:39,189 --> 00:27:43,029 Speaker 3: what that means. You know what was my own fault? 624 00:27:43,069 --> 00:27:45,349 Speaker 3: It was not his. He was awesome and sweet, but 625 00:27:45,389 --> 00:27:46,989 Speaker 3: it's just like I get it because I was a 626 00:27:47,069 --> 00:27:48,908 Speaker 3: bit you know, I looked a bit weird and he 627 00:27:48,909 --> 00:27:51,629 Speaker 3: didn't know bobbously didn't watch the violence. 628 00:27:51,269 --> 00:27:51,349 Speaker 4: But. 629 00:27:56,789 --> 00:27:57,509 Speaker 2: I got robbed. 630 00:27:57,549 --> 00:27:57,749 Speaker 4: Here. 631 00:27:57,789 --> 00:27:59,069 Speaker 2: He's going to make you feel a little bit better 632 00:27:59,109 --> 00:27:59,749 Speaker 2: about yourself. 633 00:27:59,749 --> 00:28:03,549 Speaker 1: So because you've been rejected by Henry Cavill, Superman's Henry Cavill, 634 00:28:04,749 --> 00:28:06,189 Speaker 1: rob what's happened to you? 635 00:28:06,989 --> 00:28:09,869 Speaker 10: Yeah, guys, well I am. You know, I was seeing 636 00:28:09,909 --> 00:28:11,869 Speaker 10: this girl, and you know, I was in that sort 637 00:28:11,869 --> 00:28:13,549 Speaker 10: of weird stage where it wasn't sure if it was 638 00:28:13,589 --> 00:28:17,789 Speaker 10: on or not, so, you know, pretty much got up 639 00:28:17,789 --> 00:28:21,869 Speaker 10: the courage and asked her out. And her response was oh, 640 00:28:21,949 --> 00:28:23,309 Speaker 10: and she gave me a bit of a hug and 641 00:28:23,389 --> 00:28:28,309 Speaker 10: said that was so brave of you. 642 00:28:25,629 --> 00:28:36,469 Speaker 1: Oh no, no, Will is on paternity leave, so I'm 643 00:28:36,509 --> 00:28:40,909 Speaker 1: in the studio now with the Love Island host Sophie Monk. 644 00:28:41,789 --> 00:28:43,509 Speaker 3: Thank you. Oh I love this music. 645 00:28:45,029 --> 00:28:45,789 Speaker 2: Gets me back there. 646 00:28:45,789 --> 00:28:47,869 Speaker 1: It was such a good season, the most recent season. 647 00:28:48,669 --> 00:28:50,749 Speaker 1: I loved it watching it with my wife. It was 648 00:28:50,829 --> 00:28:52,989 Speaker 1: just like, I love the bit where you took all 649 00:28:52,989 --> 00:28:55,829 Speaker 1: the boys to the other hotel and then brought in 650 00:28:55,909 --> 00:28:58,309 Speaker 1: other girls and then the girls in the villa were. 651 00:28:58,229 --> 00:29:02,189 Speaker 2: Able to watch them interact with it. It was unbelievable, Sophie, 652 00:29:02,189 --> 00:29:02,709 Speaker 2: isn't it. 653 00:29:03,629 --> 00:29:06,469 Speaker 1: And they're just no offense fellows, But you're absolute morons. 654 00:29:06,469 --> 00:29:11,109 Speaker 2: You're being filmed flirting with these girls. Did you do anything? 655 00:29:12,429 --> 00:29:13,189 Speaker 2: We were just buds. 656 00:29:13,269 --> 00:29:16,549 Speaker 3: That's my favorite thing about reality shows. He's like sometimes 657 00:29:16,629 --> 00:29:18,949 Speaker 3: like you're like, there's cameras there still we've told you 658 00:29:19,029 --> 00:29:20,749 Speaker 3: to Yeah, they're everywhere. 659 00:29:20,829 --> 00:29:24,069 Speaker 1: So we've been inundated with messages from people so as 660 00:29:24,109 --> 00:29:27,869 Speaker 1: to people wanting to know effectively some behind the scenes goss. 661 00:29:27,909 --> 00:29:30,829 Speaker 3: Yeah, because Love Island's huge internationally, but I feel like 662 00:29:30,869 --> 00:29:32,669 Speaker 3: it's blown up to another level now. 663 00:29:32,869 --> 00:29:35,229 Speaker 1: It's like, am I right in saying that Bradley Cooper 664 00:29:35,309 --> 00:29:37,709 Speaker 1: was on a podcast saying that he loves watching the. 665 00:29:38,229 --> 00:29:40,509 Speaker 3: I think there's heaps of celebrities that love Love Island 666 00:29:40,709 --> 00:29:42,829 Speaker 3: and Love Island is raight actually for good lovele and 667 00:29:42,869 --> 00:29:45,109 Speaker 3: Australia was on Adam Sandler's movie if you've seen in 668 00:29:45,109 --> 00:29:49,029 Speaker 3: the background. Yeah, yeah, that's true. Cool, That's what I'm 669 00:29:49,069 --> 00:29:49,749 Speaker 3: excited about. 670 00:29:52,829 --> 00:29:55,069 Speaker 2: All right, let's go to Eddie here. Eddie's a fan 671 00:29:55,109 --> 00:29:59,429 Speaker 2: of Love Ireland. You go in, so oh are you guys? 672 00:29:59,629 --> 00:30:02,309 Speaker 3: Oh good? Do you sound nice and bubbly? What do 673 00:30:02,349 --> 00:30:02,789 Speaker 3: you want to know? 674 00:30:03,989 --> 00:30:06,789 Speaker 4: I was curious did the Islanders get paid for going 675 00:30:06,789 --> 00:30:07,629 Speaker 4: on to Love Island. 676 00:30:08,389 --> 00:30:11,189 Speaker 3: I think it's just like enough to cover nothing big, 677 00:30:11,469 --> 00:30:15,469 Speaker 3: you know, like I think most reality shows like kind 678 00:30:15,509 --> 00:30:18,709 Speaker 3: of just no, like I think to couple like rent 679 00:30:18,749 --> 00:30:23,429 Speaker 3: and stuff, like, it's like enough, you know, or you know. 680 00:30:23,989 --> 00:30:26,749 Speaker 1: As in the show covers their expenses that they've got 681 00:30:26,909 --> 00:30:27,669 Speaker 1: enough to cover that. 682 00:30:27,909 --> 00:30:31,749 Speaker 3: Yeah, okay, and then and then you're in you know, 683 00:30:32,109 --> 00:30:38,469 Speaker 3: yeah more than others. No, No, that's enough for your community. 684 00:30:38,749 --> 00:30:39,429 Speaker 3: You got one question? 685 00:30:39,589 --> 00:30:41,149 Speaker 2: Do you want to know if Sophie gets paid? 686 00:30:42,229 --> 00:30:44,709 Speaker 3: I mean, I mean. 687 00:30:46,389 --> 00:30:51,029 Speaker 1: That's clear one Claire, You've got a question for Sophie 688 00:30:51,029 --> 00:30:51,829 Speaker 1: about Love Island? 689 00:30:52,389 --> 00:30:52,829 Speaker 3: I do. 690 00:30:53,109 --> 00:30:58,269 Speaker 5: Yeah. First of all, I love you You're so last 691 00:30:58,349 --> 00:31:00,949 Speaker 5: the last season we had Yanna and Kai who won. 692 00:31:01,589 --> 00:31:05,189 Speaker 5: Yanna came on first they had broken up obviously, and 693 00:31:05,229 --> 00:31:08,989 Speaker 5: then Kai came on afterwards as an intruder. Was that 694 00:31:09,309 --> 00:31:13,549 Speaker 5: a setup? Because I mentioned that he wanted to come 695 00:31:13,589 --> 00:31:15,629 Speaker 5: on to annoy Janna and to try and hook up 696 00:31:15,669 --> 00:31:17,709 Speaker 5: with somebody. Did Yanna know that he was going to 697 00:31:17,709 --> 00:31:19,669 Speaker 5: come in? I would say no from her reaction. 698 00:31:19,669 --> 00:31:23,389 Speaker 3: Now, one hundred percent no, like definitely did not know. 699 00:31:23,589 --> 00:31:24,509 Speaker 3: Isn't that the crazy? 700 00:31:24,949 --> 00:31:28,149 Speaker 5: And I stroke for her when she dropped to her 701 00:31:28,229 --> 00:31:29,949 Speaker 5: knees at the oh. 702 00:31:29,709 --> 00:31:33,069 Speaker 3: I know, I'm watching it out. We'll play out. It's 703 00:31:33,109 --> 00:31:36,029 Speaker 3: so fall on, but it ends up beautiful, doesn't it always? 704 00:31:36,509 --> 00:31:36,869 Speaker 5: Yeah? 705 00:31:37,069 --> 00:31:39,309 Speaker 8: Okay, that was awesome, Thank you, Thanks so. 706 00:31:39,349 --> 00:31:40,149 Speaker 2: Much, Claire. 707 00:31:40,229 --> 00:31:42,149 Speaker 1: Was there a moment there because that was a wild 708 00:31:42,229 --> 00:31:44,309 Speaker 1: moment where for those who didn't watch it, so you've 709 00:31:44,309 --> 00:31:47,949 Speaker 1: got a woman in there, Yana, who she's having a 710 00:31:47,949 --> 00:31:49,989 Speaker 1: great time, she's you know, hooking up with a few 711 00:31:49,989 --> 00:31:51,829 Speaker 1: people whatever, trying to get over at X. 712 00:31:52,109 --> 00:31:54,509 Speaker 2: And then you bring the X into them. 713 00:31:54,909 --> 00:31:55,349 Speaker 3: Beautiful. 714 00:31:55,789 --> 00:31:57,829 Speaker 2: It was great TV. But was there a part of 715 00:31:57,869 --> 00:31:59,709 Speaker 2: you that kind of was like, is this poor? 716 00:31:59,749 --> 00:32:01,549 Speaker 1: Because there were times when I was watching Yana on 717 00:32:01,589 --> 00:32:03,349 Speaker 1: screen and she was like, you know, breaking down and 718 00:32:03,389 --> 00:32:05,149 Speaker 1: crying and stuff. Were there times where you were like 719 00:32:05,709 --> 00:32:06,709 Speaker 1: this is this was too mean? 720 00:32:06,869 --> 00:32:07,509 Speaker 3: Oh this was? 721 00:32:07,589 --> 00:32:08,709 Speaker 2: Or did you know they were going to lie? 722 00:32:09,069 --> 00:32:11,629 Speaker 3: Legit? Love Island? Like if I ever broke it all? 723 00:32:11,909 --> 00:32:13,589 Speaker 3: But you know, like I would go on the show today, 724 00:32:13,949 --> 00:32:16,509 Speaker 3: it's pretty good. Like they do look after you and 725 00:32:16,869 --> 00:32:19,429 Speaker 3: they know what they're doing, you know. So I wasn't worried, 726 00:32:19,469 --> 00:32:21,509 Speaker 3: but I mean, yeah, there's times where you go, whoa 727 00:32:21,629 --> 00:32:25,429 Speaker 3: imagine like going away and then you know it's pretty 728 00:32:25,429 --> 00:32:25,749 Speaker 3: for long. 729 00:32:26,029 --> 00:32:29,269 Speaker 2: I've got a question for you. Had had what an 730 00:32:29,349 --> 00:32:31,469 Speaker 2: X turn up? An X turn up just in my life? 731 00:32:31,509 --> 00:32:31,749 Speaker 3: Yeah? 732 00:32:31,829 --> 00:32:34,349 Speaker 1: Oh yeah, yeah and awful? Well, and then you have 733 00:32:34,429 --> 00:32:36,669 Speaker 1: the moment where you're with your current partner. Oh no, 734 00:32:36,709 --> 00:32:38,509 Speaker 1: there's a good question. So like, if you're ever at 735 00:32:38,509 --> 00:32:40,829 Speaker 1: an event and one of your ex's rocks up, do 736 00:32:40,909 --> 00:32:42,629 Speaker 1: you tell your partner straight away that that's your ex? 737 00:32:42,669 --> 00:32:43,269 Speaker 2: What do you? Just like? 738 00:32:43,269 --> 00:32:46,309 Speaker 3: You vanish? That's what I do. I'm going home. 739 00:32:46,469 --> 00:32:48,749 Speaker 2: You just run away, You just run away. We got 740 00:32:48,749 --> 00:32:51,509 Speaker 2: half of here on thirty one six five halfer. 741 00:32:51,509 --> 00:32:56,309 Speaker 1: You got a question about Love Island. 742 00:32:56,429 --> 00:32:59,469 Speaker 9: Okay, I have a bit of a question on the drama. 743 00:32:59,509 --> 00:33:05,669 Speaker 9: Obviously that happened. How much of a stay do the producers. 744 00:33:05,109 --> 00:33:06,789 Speaker 4: Have, Like do they egg it on? 745 00:33:07,309 --> 00:33:09,749 Speaker 9: Do they suggest that and rec helpling to be. 746 00:33:09,789 --> 00:33:12,829 Speaker 8: Like oh jees this person because it will stir some shit. 747 00:33:13,709 --> 00:33:15,749 Speaker 3: They don't have to. I think when you put a 748 00:33:15,749 --> 00:33:18,309 Speaker 3: group of people in a house with no phones, nothing, 749 00:33:18,669 --> 00:33:20,709 Speaker 3: you know, all they can focus on in that is 750 00:33:20,989 --> 00:33:22,869 Speaker 3: like love, and so it doesn't matter what a gin 751 00:33:22,949 --> 00:33:24,869 Speaker 3: do they come on with. You just can't like it's 752 00:33:24,949 --> 00:33:27,669 Speaker 3: too long. You end up so in it, like yeah 753 00:33:27,749 --> 00:33:30,789 Speaker 3: and real all you're out Like people we. 754 00:33:30,749 --> 00:33:34,389 Speaker 9: Only see like what forty five minutes of maybe two 755 00:33:34,549 --> 00:33:37,789 Speaker 9: days or whatever it is. And sometimes you can just 756 00:33:38,349 --> 00:33:41,549 Speaker 9: sense that there's tension and then there's just this massive 757 00:33:42,389 --> 00:33:45,549 Speaker 9: like with Gabby's there was just a big blowout and 758 00:33:45,549 --> 00:33:47,749 Speaker 9: I was like, oh my gosh, where did that come from? 759 00:33:47,949 --> 00:33:50,029 Speaker 9: And then I was like, oh, maybe the producers have 760 00:33:50,109 --> 00:33:52,829 Speaker 9: said okay, it's getting boring or okay, no. 761 00:33:52,749 --> 00:33:56,949 Speaker 3: Never ever, never ever that in show. No they won't 762 00:33:56,989 --> 00:34:00,069 Speaker 3: ever do that. Yeah, it's crazy, it's just no. Yeah, 763 00:34:00,269 --> 00:34:02,629 Speaker 3: it happens so quick in though, that's what happens. I 764 00:34:02,669 --> 00:34:06,349 Speaker 3: think it's just heightened emotions. So it feels like years. Look, 765 00:34:06,349 --> 00:34:06,869 Speaker 3: it actually does. 766 00:34:06,949 --> 00:34:07,389 Speaker 2: Even for me. 767 00:34:07,469 --> 00:34:10,268 Speaker 3: I come back two days later, everything has turned up 768 00:34:10,349 --> 00:34:14,669 Speaker 3: like down. Reality shows are crazy interesting of them. 769 00:34:14,748 --> 00:34:17,669 Speaker 2: Because it's your whole world. You can't have any distraction 770 00:34:17,748 --> 00:34:18,388 Speaker 2: from anything else. 771 00:34:18,908 --> 00:34:22,229 Speaker 3: Everything delicate with people because they are so vulnerable in 772 00:34:22,229 --> 00:34:25,348 Speaker 3: that position as well. It's crazy. 773 00:34:26,029 --> 00:34:28,468 Speaker 1: Let's go to Blinda here, now, Belinda, what do you 774 00:34:28,469 --> 00:34:29,669 Speaker 1: want to know about Love Island? 775 00:34:31,109 --> 00:34:34,189 Speaker 4: Hey, guys, I want to know. 776 00:34:35,029 --> 00:34:38,548 Speaker 5: Hey, I want to know what happened with Isabelle? Why 777 00:34:38,669 --> 00:34:39,468 Speaker 5: was she voted off? 778 00:34:39,589 --> 00:34:43,229 Speaker 7: Was she really the most unpopular person, the most dislikes 779 00:34:43,308 --> 00:34:44,029 Speaker 7: the most. 780 00:34:44,509 --> 00:34:49,349 Speaker 3: You know, Yeah, yeah, it is. It's voted how it's voted, 781 00:34:49,428 --> 00:34:52,348 Speaker 3: and it is genuine like they don't play with anything 782 00:34:52,549 --> 00:34:58,868 Speaker 3: because it's a competition in allowed, I don't think. I mean, 783 00:34:59,629 --> 00:35:02,349 Speaker 3: it's hard, isn't it When they have to leave. 784 00:35:03,149 --> 00:35:04,388 Speaker 2: I've got a question for yourself. 785 00:35:05,149 --> 00:35:06,828 Speaker 3: I would think if they got their favorite dress on, 786 00:35:08,268 --> 00:35:11,748 Speaker 3: because I say the outfits and I think I wish. 787 00:35:11,828 --> 00:35:13,149 Speaker 2: Yeah. 788 00:35:13,189 --> 00:35:16,349 Speaker 1: Obviously, there's a lot of crew that work on Love Island, 789 00:35:16,428 --> 00:35:18,669 Speaker 1: and of course you're there as well, and you've got 790 00:35:19,268 --> 00:35:23,349 Speaker 1: some hot blooded men and women there in a villah. 791 00:35:23,428 --> 00:35:27,469 Speaker 1: Did they ever flirt with the crew or you not really. 792 00:35:27,509 --> 00:35:30,589 Speaker 3: We stay away. They're too into each other. I mean 793 00:35:30,709 --> 00:35:33,828 Speaker 3: occasionally I think like they've tried to say a line 794 00:35:33,828 --> 00:35:37,268 Speaker 3: to me, but not anymore. I'm in and out run 795 00:35:37,308 --> 00:35:39,229 Speaker 3: that billet now I'm don know no