1 00:00:00,440 --> 00:00:04,320 Speaker 1: This is the Will and Woody podcast. 2 00:00:05,760 --> 00:00:08,280 Speaker 2: We have the brilliant Steph Klaire Smith on the show yesterday. 3 00:00:08,880 --> 00:00:10,960 Speaker 3: Going to have Stephie on the show as always, but 4 00:00:11,039 --> 00:00:15,160 Speaker 3: she provided some great insight, great perspective into people trying 5 00:00:15,160 --> 00:00:17,520 Speaker 3: to pick you up at the gym, and she told 6 00:00:17,560 --> 00:00:20,800 Speaker 3: us this wonderful story which still makes me laugh for 7 00:00:21,520 --> 00:00:24,239 Speaker 3: all sorts of reasons, about a time that a guy 8 00:00:24,239 --> 00:00:25,560 Speaker 3: tried to pick her up on rollerblades. 9 00:00:25,800 --> 00:00:28,440 Speaker 4: He's going to run outside and this guy was on 10 00:00:28,520 --> 00:00:31,720 Speaker 4: roller blades and caught up to me and pats me 11 00:00:31,720 --> 00:00:34,519 Speaker 4: on the shoulder, and I'm thinking, Okay, something big must 12 00:00:34,560 --> 00:00:36,800 Speaker 4: have happened here. So I stopped and I puffed, and 13 00:00:36,840 --> 00:00:39,400 Speaker 4: he says some corny pick up line and I actually 14 00:00:39,440 --> 00:00:41,839 Speaker 4: said to him, are you joking? And I pull my 15 00:00:41,880 --> 00:00:43,160 Speaker 4: headphones back in and kept running. 16 00:00:46,520 --> 00:00:49,440 Speaker 3: Savage, you know, there's a part of me that like 17 00:00:50,159 --> 00:00:54,640 Speaker 3: is almost like men can be so deluded that it 18 00:00:54,760 --> 00:00:56,080 Speaker 3: almost becomes impressive. 19 00:00:56,560 --> 00:01:01,000 Speaker 2: Like this guy. The bravery first of all, is approaching, 20 00:01:01,080 --> 00:01:02,840 Speaker 2: you know, one of the most beautiful women in the world, 21 00:01:04,040 --> 00:01:05,320 Speaker 2: and then he's behind her. 22 00:01:05,360 --> 00:01:08,360 Speaker 3: She's on a run, she's got her headphones in, so 23 00:01:08,360 --> 00:01:09,240 Speaker 3: he's got to catch up. 24 00:01:09,280 --> 00:01:11,600 Speaker 5: To her, put the hard yards in with the blades. 25 00:01:11,400 --> 00:01:13,000 Speaker 2: And he's on roller blades. 26 00:01:13,280 --> 00:01:16,119 Speaker 1: Roller blades are sexy though, obviously, if you've ever got 27 00:01:16,120 --> 00:01:17,640 Speaker 1: to try and pick someone up, do it in blades. 28 00:01:18,520 --> 00:01:22,120 Speaker 5: Yeah, I'm a blader. I'm a blade guy. No, you're not. 29 00:01:22,240 --> 00:01:23,800 Speaker 3: The only time I ever saw you were them was 30 00:01:23,800 --> 00:01:25,319 Speaker 3: when you were trying to roll the blade into work 31 00:01:25,360 --> 00:01:26,560 Speaker 3: and you don't think got a little bit of the 32 00:01:26,560 --> 00:01:28,000 Speaker 3: way there, and you were so perfed that I needed 33 00:01:28,000 --> 00:01:29,240 Speaker 3: to dink you in on the back of my bike. 34 00:01:29,319 --> 00:01:32,720 Speaker 3: That's not we rocked up with. What do you hold 35 00:01:32,760 --> 00:01:33,600 Speaker 3: in the back of my seat? 36 00:01:33,760 --> 00:01:36,080 Speaker 5: Yeah, that's yeah. I shouldn't have brought that up anyway. 37 00:01:36,280 --> 00:01:39,600 Speaker 3: So I love to you some people because look, roller 38 00:01:39,600 --> 00:01:41,520 Speaker 3: blades for me is a great example, like, surely if 39 00:01:41,560 --> 00:01:43,920 Speaker 3: someone rolls roller blades over to you and tries to 40 00:01:43,959 --> 00:01:46,120 Speaker 3: pick you up, you're like, you just don't stand a chance. 41 00:01:46,280 --> 00:01:49,840 Speaker 3: But you were so you're already so far behind the 42 00:01:49,880 --> 00:01:52,440 Speaker 3: eight ball before you even open your mouth, the person 43 00:01:52,520 --> 00:01:55,200 Speaker 3: you're trying to pick up has just gone, let's just 44 00:01:55,240 --> 00:01:55,840 Speaker 3: drop this here. 45 00:01:55,920 --> 00:01:57,160 Speaker 2: It's like if someone trying to pick you up and 46 00:01:57,160 --> 00:01:58,520 Speaker 2: the got toilet paper attached to their. 47 00:01:58,400 --> 00:02:00,280 Speaker 1: Shit, go one, see you later. It's all over before 48 00:02:00,280 --> 00:02:02,600 Speaker 1: it begins. I was at a situation. I was actually 49 00:02:02,600 --> 00:02:05,080 Speaker 1: at a book club about Yes, Australia, we're part of 50 00:02:05,080 --> 00:02:05,600 Speaker 1: a book club. 51 00:02:05,720 --> 00:02:06,880 Speaker 5: We get a little bit naughty though. 52 00:02:07,120 --> 00:02:10,080 Speaker 1: And on one of these book clubs, one book club 53 00:02:10,120 --> 00:02:12,160 Speaker 1: member had a future many and he was at a 54 00:02:12,200 --> 00:02:13,920 Speaker 1: stage where he really needed help getting home. 55 00:02:14,200 --> 00:02:16,680 Speaker 5: So he was vomiting so really bad. So I was 56 00:02:16,720 --> 00:02:18,440 Speaker 5: literally in an alleyway. 57 00:02:17,960 --> 00:02:20,960 Speaker 1: Next to a venue and my mate is spewing on himself. 58 00:02:20,960 --> 00:02:22,520 Speaker 1: I'm trying to help him, making sure he doesn't get 59 00:02:22,600 --> 00:02:25,280 Speaker 1: vomit caught in his mouth. And the waitress who had 60 00:02:25,320 --> 00:02:27,239 Speaker 1: been serving us all night walks over to him, and 61 00:02:27,240 --> 00:02:28,720 Speaker 1: I was like, great, she's here to help. Obviously, just 62 00:02:28,720 --> 00:02:30,440 Speaker 1: called a cab or something. She tapped me on the 63 00:02:30,440 --> 00:02:33,280 Speaker 1: shoulder and she goes, hey, this is a weird time 64 00:02:33,320 --> 00:02:34,600 Speaker 1: to do it, but is there any chance I could 65 00:02:34,639 --> 00:02:38,440 Speaker 1: get your number? Fo weeks, I am here with my 66 00:02:39,680 --> 00:02:42,840 Speaker 1: spewing on himself and my pregnant partners at home as well. 67 00:02:42,880 --> 00:02:43,800 Speaker 5: I mean, she didn't know that. 68 00:02:43,720 --> 00:02:47,760 Speaker 3: To be but like my mate, it's a really really 69 00:02:47,800 --> 00:02:50,480 Speaker 3: bad time. Doesn't make She got the best pickup line 70 00:02:50,480 --> 00:02:52,320 Speaker 3: in the world. She doesn't stand a chance, doesn't stand it? 71 00:02:52,360 --> 00:02:53,840 Speaker 3: She mate, I can't use my phone right now. 72 00:02:53,840 --> 00:02:55,200 Speaker 2: I'll tell you what. I'll write it in the vomit 73 00:02:55,280 --> 00:02:56,960 Speaker 2: for you and take all. 74 00:02:57,040 --> 00:02:58,960 Speaker 3: Right, Look, well that's the situation we're talking about right now. 75 00:02:59,000 --> 00:03:01,560 Speaker 3: So thirty one O six five? Has someone tried to 76 00:03:01,560 --> 00:03:03,000 Speaker 3: pick you up and they didn't stand a chance? Or 77 00:03:03,160 --> 00:03:05,600 Speaker 3: the other side of this is, have you tried to 78 00:03:05,639 --> 00:03:10,080 Speaker 3: pick someone up and then you realized how poor an 79 00:03:10,080 --> 00:03:11,720 Speaker 3: attempt it is because of your situation. 80 00:03:11,800 --> 00:03:13,160 Speaker 5: We'll get around your bravery there. 81 00:03:13,240 --> 00:03:14,840 Speaker 2: Oh yeah, I mean I tried to pick somebody up 82 00:03:14,840 --> 00:03:16,560 Speaker 2: in a mud bath and you know what happened. Well, 83 00:03:16,560 --> 00:03:19,040 Speaker 2: they couldn't see my eyes, so I don't even know 84 00:03:19,040 --> 00:03:23,200 Speaker 2: what you look like. Absolute. Got to find a venue 85 00:03:23,240 --> 00:03:26,280 Speaker 2: for this gig in Charlaville next week as we try 86 00:03:26,320 --> 00:03:28,440 Speaker 2: and put Rude Jude on stage. 87 00:03:29,320 --> 00:03:32,200 Speaker 3: Got to make an audition tape together at the Adelaide fringe. Guys, 88 00:03:32,200 --> 00:03:33,360 Speaker 3: it's requiring. 89 00:03:32,919 --> 00:03:34,639 Speaker 2: All of our brain power here with them. What you've 90 00:03:34,639 --> 00:03:37,040 Speaker 2: only got five days to put that on stage? 91 00:03:37,360 --> 00:03:40,400 Speaker 3: Totally will anyway, Our venue search continues right up next 92 00:03:40,440 --> 00:03:42,000 Speaker 3: right now. I love to hear from you thirteen one 93 00:03:42,000 --> 00:03:44,680 Speaker 3: of six or five we took and pick up fails. 94 00:03:48,120 --> 00:03:49,600 Speaker 5: I feel I. 95 00:03:49,600 --> 00:03:51,200 Speaker 1: Feel like it would be remiss of me not to 96 00:03:51,240 --> 00:03:52,720 Speaker 1: bring up a time with you. 97 00:03:52,800 --> 00:03:55,960 Speaker 3: Wow, hey, and we'll get there. I'm terrified about what 98 00:03:56,000 --> 00:03:57,720 Speaker 3: that might be. So I'm going to try and tread 99 00:03:57,720 --> 00:03:59,920 Speaker 3: water for a little while. So our junior producer and 100 00:04:00,080 --> 00:04:02,440 Speaker 3: I was saying earlier that someone tried to pick her 101 00:04:02,520 --> 00:04:05,000 Speaker 3: up and she was suitably unimpressed. 102 00:04:05,080 --> 00:04:05,280 Speaker 6: Ab. 103 00:04:05,920 --> 00:04:06,160 Speaker 5: Yeah. 104 00:04:06,160 --> 00:04:08,160 Speaker 7: So I was coming home from the gym one day 105 00:04:08,160 --> 00:04:10,280 Speaker 7: and I was crossing the road and this guy came 106 00:04:10,360 --> 00:04:13,040 Speaker 7: up to me because I was in my gym clothes 107 00:04:13,040 --> 00:04:15,040 Speaker 7: looking pretty damn good if I do say so much. 108 00:04:17,440 --> 00:04:20,640 Speaker 7: And he comes up to me, He's like, hey, can 109 00:04:20,680 --> 00:04:22,799 Speaker 7: I get your number? And I was like, looked at him, 110 00:04:23,160 --> 00:04:24,080 Speaker 7: smelled him. 111 00:04:24,240 --> 00:04:27,520 Speaker 5: Smell he raked. When you say you smelt him, as 112 00:04:27,560 --> 00:04:29,640 Speaker 5: in you leant forward and sniffed him. No, I didn't 113 00:04:29,680 --> 00:04:30,279 Speaker 5: look forward. 114 00:04:30,279 --> 00:04:33,120 Speaker 7: You could just smell his Oh you got thea he 115 00:04:33,200 --> 00:04:34,080 Speaker 7: never stood chance. 116 00:04:34,560 --> 00:04:36,919 Speaker 2: I say, he was gone. Yeah, you can't approach somebody's 117 00:04:36,920 --> 00:04:37,800 Speaker 2: stinking and down wind. 118 00:04:37,880 --> 00:04:39,960 Speaker 5: Gotta smell good. Now will over to you. 119 00:04:40,080 --> 00:04:43,440 Speaker 1: Now, You're only single for very fleeting moments in your life. 120 00:04:43,520 --> 00:04:47,040 Speaker 1: You're a real You're you're a relationship guy. Yeah, and 121 00:04:47,080 --> 00:04:48,760 Speaker 1: you've always been that way since we knew each other 122 00:04:48,760 --> 00:04:50,600 Speaker 1: when we were twelve thirteen, always had a girlfriend on 123 00:04:50,640 --> 00:04:53,120 Speaker 1: the go. Anyway, there was a fleeting moment where you 124 00:04:53,160 --> 00:04:55,160 Speaker 1: were single and this is this, this story brings me 125 00:04:55,240 --> 00:04:55,680 Speaker 1: real joy. 126 00:04:55,839 --> 00:04:56,039 Speaker 8: Yeah. 127 00:04:56,400 --> 00:04:57,000 Speaker 5: We were at a. 128 00:04:56,960 --> 00:04:59,320 Speaker 1: Restaurant and you saw a girl at the restaurant and 129 00:04:59,360 --> 00:05:02,000 Speaker 1: you were like, wow, is incredibly attractive. And I was like, mate, 130 00:05:02,080 --> 00:05:04,560 Speaker 1: you're single. This is this is rare, this is like 131 00:05:04,760 --> 00:05:06,960 Speaker 1: a blue moon. Get in there, tiger. And you're like, 132 00:05:06,960 --> 00:05:08,680 Speaker 1: you know what, I'm gonna bloody do it. And you 133 00:05:08,760 --> 00:05:11,640 Speaker 1: said to me, look her tags hanging out of her dress. 134 00:05:11,839 --> 00:05:14,640 Speaker 1: Oh my god, you remember this, he said, her tags 135 00:05:14,640 --> 00:05:15,520 Speaker 1: hanging out of her dress. 136 00:05:15,880 --> 00:05:16,320 Speaker 2: I've got it. 137 00:05:16,360 --> 00:05:17,680 Speaker 5: I'm going to walk up to her and. 138 00:05:17,600 --> 00:05:20,520 Speaker 1: Say, hey, excuse me, your tags hanging out of your dress. 139 00:05:20,680 --> 00:05:22,560 Speaker 1: And you timed it perfectly. So she went to the 140 00:05:22,600 --> 00:05:24,920 Speaker 1: bathroom and I'm going to intersect her when she's leaving 141 00:05:24,960 --> 00:05:27,000 Speaker 1: the bathroom, and I'm going to tell her her tags 142 00:05:27,000 --> 00:05:30,400 Speaker 1: hanging out. Anyway, you walk up with all the confidence 143 00:05:30,400 --> 00:05:32,680 Speaker 1: of a man absolutely ready to go with his planned line. 144 00:05:32,800 --> 00:05:36,120 Speaker 1: You tapped her on the strand to excuse me, your 145 00:05:36,160 --> 00:05:38,800 Speaker 1: tags hanging out of your dress. She turns around and 146 00:05:38,880 --> 00:05:43,400 Speaker 1: obviously in the bathroom she had tucked her tag back 147 00:05:43,600 --> 00:05:44,920 Speaker 1: into her dress. 148 00:05:45,520 --> 00:05:49,320 Speaker 5: So she just goes, no, it's not and you went, yeah, 149 00:05:49,440 --> 00:05:56,480 Speaker 5: so it isn't. Anyway, I have a lovely night. Sorry. 150 00:05:56,600 --> 00:06:00,679 Speaker 2: Yeah, I can tell. We're talking big up vows. Steph. 151 00:06:00,720 --> 00:06:03,320 Speaker 2: Curse try someone tried to pick her up on roller blades. 152 00:06:03,360 --> 00:06:08,239 Speaker 2: We heard that yesterday. Kate's called Kate, what did someone 153 00:06:08,240 --> 00:06:09,000 Speaker 2: tried to pick you up? 154 00:06:10,040 --> 00:06:10,280 Speaker 9: Yeah? 155 00:06:10,560 --> 00:06:14,000 Speaker 10: In not wearing a Make America Great Again pin on 156 00:06:14,120 --> 00:06:14,680 Speaker 10: his colar. 157 00:06:14,880 --> 00:06:19,520 Speaker 1: Oh wow, yeah, and that's just obviously straight no no 158 00:06:19,640 --> 00:06:21,520 Speaker 1: for you, Kate, just a hard no. 159 00:06:21,720 --> 00:06:21,920 Speaker 11: Yeah. 160 00:06:22,120 --> 00:06:23,360 Speaker 2: Was he actually American though? 161 00:06:23,920 --> 00:06:24,080 Speaker 3: No? 162 00:06:24,160 --> 00:06:27,200 Speaker 10: He was ozzy, like weirdest thing, drinking VB. 163 00:06:30,000 --> 00:06:33,039 Speaker 2: Yeah, yeah, straight through to the key bar. That's a 164 00:06:33,080 --> 00:06:36,440 Speaker 2: shocking that's for you. Oh my god. How many of 165 00:06:36,440 --> 00:06:37,280 Speaker 2: these of you got? 166 00:06:38,040 --> 00:06:40,120 Speaker 1: I remember these because they're so rare, because, as I 167 00:06:40,120 --> 00:06:41,760 Speaker 1: said earlier, you're very rarely single. 168 00:06:41,760 --> 00:06:45,520 Speaker 5: But the time you wanted to pick up son your Kruger, Remember. 169 00:06:51,400 --> 00:06:53,560 Speaker 2: Rob, we're talking about pick up vails. What have you 170 00:06:53,600 --> 00:06:54,240 Speaker 2: got for us? 171 00:06:54,800 --> 00:06:55,040 Speaker 6: Yeah? 172 00:06:55,320 --> 00:06:58,160 Speaker 12: All right, guys, one of my one of my female 173 00:06:58,200 --> 00:07:00,520 Speaker 12: friends A guy came up in approach to her and 174 00:07:00,600 --> 00:07:03,279 Speaker 12: he was really keen, really confident, ready to go, but 175 00:07:03,400 --> 00:07:05,760 Speaker 12: he had a big piece of spinach in the tooth. 176 00:07:05,839 --> 00:07:13,440 Speaker 5: Mate, what's worse than that? Rub? When you will junket? 177 00:07:13,520 --> 00:07:13,680 Speaker 6: Wait? 178 00:07:13,800 --> 00:07:17,000 Speaker 2: Wait then can I throw to Christina play? We don't 179 00:07:17,040 --> 00:07:19,160 Speaker 2: have time, right. 180 00:07:19,880 --> 00:07:22,520 Speaker 5: You are a junket. So at this junket, we're about. 181 00:07:22,360 --> 00:07:23,440 Speaker 2: To interview you Jackman. 182 00:07:23,480 --> 00:07:30,200 Speaker 3: Actually we are yes, no, at the junket texture and 183 00:07:30,280 --> 00:07:31,760 Speaker 3: texture your story, thank you. 184 00:07:31,800 --> 00:07:33,800 Speaker 5: Ye, we're about to interview Hugh Jackman. 185 00:07:33,840 --> 00:07:35,920 Speaker 2: We're very busy. We're running around. 186 00:07:36,240 --> 00:07:38,440 Speaker 1: Yeah, everyone's ring an so all the who's who's there? 187 00:07:38,480 --> 00:07:41,320 Speaker 1: Because everyone has there five to ten minutes with Hugh Jackman. Anyway, 188 00:07:41,360 --> 00:07:43,800 Speaker 1: you see Sonya Krueger, and you've always had this huge crush. 189 00:07:43,600 --> 00:07:45,800 Speaker 3: On she was Tina Sparkle and you were going, you 190 00:07:45,800 --> 00:07:47,600 Speaker 3: were going, son Sonya. 191 00:07:47,760 --> 00:07:50,600 Speaker 5: So this is walking through the hotel and I'm not 192 00:07:50,720 --> 00:07:55,200 Speaker 5: yilling Crogs the crew that crows Sonya. 193 00:07:55,440 --> 00:07:59,040 Speaker 1: Anyway, Sonya just ignores him, obviously, walks right past him, 194 00:07:59,400 --> 00:08:02,960 Speaker 1: and then I under will and Will goes, oh god, 195 00:08:03,400 --> 00:08:05,440 Speaker 1: krug is a bit of a bitch, isn't She didn't respond, 196 00:08:05,680 --> 00:08:08,840 Speaker 1: and I said to Will mate that was Carrie and counting. 197 00:08:13,680 --> 00:08:14,720 Speaker 5: It's Will and Woody. 198 00:08:15,160 --> 00:08:17,280 Speaker 3: Adelaide Fringe asked Woods and I to do a comedy 199 00:08:17,280 --> 00:08:18,960 Speaker 3: show instead of doing it ourselves. 200 00:08:18,960 --> 00:08:21,440 Speaker 2: However, we have decided to ask rude Judi. 201 00:08:21,320 --> 00:08:23,680 Speaker 3: Seventy five year old woman who owns a bait and 202 00:08:23,800 --> 00:08:27,760 Speaker 3: tackle shop eight hours inland from Brisbane with a naughty 203 00:08:27,800 --> 00:08:34,160 Speaker 3: corner in a place called Charldhille's one two three Lady. 204 00:08:35,600 --> 00:08:38,599 Speaker 13: It's still unspecialist mud cluck. 205 00:08:40,880 --> 00:08:43,599 Speaker 9: Us stray here and bloody. 206 00:08:43,240 --> 00:08:46,760 Speaker 13: Three goody boys. 207 00:08:46,800 --> 00:08:49,640 Speaker 1: Have you ever heard of the Adelaide Fringe Festival? 208 00:08:50,200 --> 00:08:52,600 Speaker 3: Do you think you could put together like twenty minutes 209 00:08:52,600 --> 00:08:54,080 Speaker 3: a half an hour's worth of material? 210 00:08:54,520 --> 00:08:55,400 Speaker 13: Waity minute? 211 00:08:57,640 --> 00:09:00,400 Speaker 2: Apparently we have. It's a significant snag you. 212 00:09:00,440 --> 00:09:02,520 Speaker 14: We're a little bit confused here in Adelaide. 213 00:09:02,640 --> 00:09:05,880 Speaker 13: Apparently you're bringing in a substitute. 214 00:09:06,000 --> 00:09:08,520 Speaker 2: Do you have any video or something of this person? 215 00:09:08,640 --> 00:09:10,000 Speaker 2: But dude, we might have to come up there. 216 00:09:10,160 --> 00:09:12,840 Speaker 13: I'm shitting myself because I'm not actually a comedian, and 217 00:09:12,880 --> 00:09:15,679 Speaker 13: I'm not a stand up comic, and I'm idiot. 218 00:09:15,920 --> 00:09:18,400 Speaker 3: We thought we'd get a world class comedian on the 219 00:09:18,440 --> 00:09:19,560 Speaker 3: show to give her advice. 220 00:09:19,720 --> 00:09:21,120 Speaker 2: Probably shouldn't have been Ross Noble. 221 00:09:21,280 --> 00:09:23,160 Speaker 13: I'll probably have to take a couple of pairs of 222 00:09:23,240 --> 00:09:24,199 Speaker 13: extra Andy's. 223 00:09:24,600 --> 00:09:27,560 Speaker 2: That's a great idea, but don't the crotchless ones. 224 00:09:27,800 --> 00:09:33,440 Speaker 8: You need that support rude Dude's comedy. 225 00:09:33,080 --> 00:09:37,160 Speaker 3: D alright, it would where we know we're a long 226 00:09:37,240 --> 00:09:39,520 Speaker 3: way out from this. This is really step one in 227 00:09:39,600 --> 00:09:40,320 Speaker 3: producing a show. 228 00:09:40,559 --> 00:09:41,679 Speaker 2: It a venue Laddio. 229 00:09:42,000 --> 00:09:43,760 Speaker 1: So we spoke to the mayor of the town. His 230 00:09:43,840 --> 00:09:46,280 Speaker 1: name is Zoro. This place just gets weirder and weird. 231 00:09:46,720 --> 00:09:48,400 Speaker 1: He gave us a whole bunch of numbers. Now just 232 00:09:48,440 --> 00:09:50,960 Speaker 1: before the song there we called the World War II 233 00:09:51,160 --> 00:09:53,719 Speaker 1: Secret Bass on Zorro's recommendation. 234 00:09:53,800 --> 00:09:54,800 Speaker 5: He was like, that's a great era. 235 00:09:54,960 --> 00:09:58,600 Speaker 1: Anyway, we got a bizarre voicemail and they've given us 236 00:09:58,600 --> 00:10:03,120 Speaker 1: the number of the information center. But the weird thing 237 00:10:03,200 --> 00:10:06,880 Speaker 1: is will I also had the number for the Bilbie Experience. 238 00:10:07,559 --> 00:10:09,120 Speaker 5: This is the same number. 239 00:10:09,840 --> 00:10:16,200 Speaker 1: So the tourist Information Center is the experience. So isay, 240 00:10:16,240 --> 00:10:19,000 Speaker 1: we just call this number and see whatever, See what 241 00:10:19,000 --> 00:10:19,560 Speaker 1: the hell it is? 242 00:10:19,840 --> 00:10:27,480 Speaker 11: Everyone's there, Good afternoon, chilleable Visitor Information Center. Fern speaking good. 243 00:10:27,360 --> 00:10:30,440 Speaker 5: A fern hair going. This is wood are you speaking? 244 00:10:32,000 --> 00:10:35,760 Speaker 1: And reason for calling you is I'm coming to your 245 00:10:35,800 --> 00:10:39,440 Speaker 1: beautiful town next week with my co host Will, who's 246 00:10:39,480 --> 00:10:40,120 Speaker 1: here as well. 247 00:10:40,160 --> 00:10:45,440 Speaker 11: Good afternoon, Ferney, going fantastic Woody and Will next week 248 00:10:46,240 --> 00:10:46,680 Speaker 11: next week. 249 00:10:46,800 --> 00:10:47,280 Speaker 2: That's right? 250 00:10:47,840 --> 00:10:52,000 Speaker 11: Sorry, did I get the very hard to have my name. 251 00:10:51,880 --> 00:10:52,600 Speaker 2: First on the bill? 252 00:10:54,720 --> 00:10:58,120 Speaker 1: We're wanting to put on a comedy show. So reason 253 00:10:58,160 --> 00:10:59,959 Speaker 1: for our call is we would love to do it 254 00:11:00,720 --> 00:11:03,640 Speaker 1: at the Bilbie Experience Center. 255 00:11:04,320 --> 00:11:07,439 Speaker 11: AH, which is also the Information center. 256 00:11:07,520 --> 00:11:07,600 Speaker 15: And. 257 00:11:09,400 --> 00:11:12,000 Speaker 5: It's a railway station as well. That's right. 258 00:11:12,040 --> 00:11:15,120 Speaker 11: So the train pulls up here Wednesdays and Fridays. 259 00:11:14,640 --> 00:11:18,160 Speaker 2: From Brisbane pulls up. There is a train ever squashed 260 00:11:18,160 --> 00:11:18,920 Speaker 2: at Bilbi before. 261 00:11:20,280 --> 00:11:21,600 Speaker 11: We don't let them out of a site. 262 00:11:21,640 --> 00:11:25,040 Speaker 2: They don't even get as close as that. 263 00:11:25,040 --> 00:11:27,720 Speaker 5: That's good, definitely, so fun? 264 00:11:29,040 --> 00:11:30,520 Speaker 1: Is that the something that the kind of place where 265 00:11:30,520 --> 00:11:31,760 Speaker 1: we could do a stand up show? 266 00:11:32,160 --> 00:11:35,400 Speaker 11: I really don't know. You're probably bessed off talking to my. 267 00:11:37,360 --> 00:11:42,560 Speaker 3: Boss Melita and from the World War Two Museum. 268 00:11:43,360 --> 00:11:47,280 Speaker 11: No, see, they're all separate entities. Abby is a manager 269 00:11:47,360 --> 00:11:53,120 Speaker 11: up at the World War Two Center, and Melita runs 270 00:11:53,160 --> 00:11:56,760 Speaker 11: the information center, and then you have Alex at the 271 00:11:56,840 --> 00:11:59,679 Speaker 11: Cosmos Center, which is another separate area to us. 272 00:12:02,880 --> 00:12:07,280 Speaker 1: Right, So I'm gonna say unless you. 273 00:12:08,720 --> 00:12:11,000 Speaker 11: I'll just check with Maleita and see who your best 274 00:12:11,000 --> 00:12:12,400 Speaker 11: contact is along. 275 00:12:14,160 --> 00:12:17,120 Speaker 16: So we're talking to my bit of funky music down 276 00:12:17,160 --> 00:12:20,600 Speaker 16: at the train station. Information billb conglomerate, and I tell 277 00:12:20,640 --> 00:12:24,640 Speaker 16: you what, come down for a great night, see some Bilby's, 278 00:12:24,720 --> 00:12:25,280 Speaker 16: take a train. 279 00:12:25,440 --> 00:12:27,400 Speaker 2: Why not learn about Charleville. 280 00:12:31,800 --> 00:12:33,959 Speaker 10: Hilda speaking, how are you going good? 281 00:12:34,000 --> 00:12:34,360 Speaker 5: Thank you? 282 00:12:34,440 --> 00:12:34,880 Speaker 6: Melita? 283 00:12:38,040 --> 00:12:42,880 Speaker 1: My god, you've got Will and Woody here, you got 284 00:12:42,880 --> 00:12:46,720 Speaker 1: both the boys. And we're very keen to use your 285 00:12:46,960 --> 00:12:49,040 Speaker 1: establishment to put on a stand up show. 286 00:12:49,120 --> 00:12:53,640 Speaker 9: Malita, Oh well, I would love that, and I will 287 00:12:53,679 --> 00:12:58,520 Speaker 9: make everything happen that we need to make happen. But 288 00:12:59,280 --> 00:13:01,760 Speaker 9: I will need you to contact Amanda Evans. 289 00:13:01,800 --> 00:13:03,400 Speaker 5: Amanda and who she? 290 00:13:03,760 --> 00:13:03,920 Speaker 13: So? 291 00:13:03,960 --> 00:13:06,680 Speaker 9: She is the product Development Tourism marketing officer and she's 292 00:13:06,679 --> 00:13:11,240 Speaker 9: currently also doing events. 293 00:13:12,960 --> 00:13:14,959 Speaker 3: I never thought thought i'd say this, but I think 294 00:13:14,960 --> 00:13:16,480 Speaker 3: you might need to reduce a bit of red tape 295 00:13:16,480 --> 00:13:17,120 Speaker 3: in Charleville. 296 00:13:20,400 --> 00:13:23,040 Speaker 2: The government right now, the bureaucracy is dense. 297 00:13:23,760 --> 00:13:24,520 Speaker 12: Oh it is. 298 00:13:24,600 --> 00:13:26,280 Speaker 9: It is thick here, that's for sure. 299 00:13:27,320 --> 00:13:27,640 Speaker 2: All right. 300 00:13:27,760 --> 00:13:31,880 Speaker 3: Okay, well we'll do that quite seriously though, Malda. Before 301 00:13:32,000 --> 00:13:33,840 Speaker 3: you hand a number of it, we're going to stand 302 00:13:33,880 --> 00:13:35,240 Speaker 3: up being on there and we want one hundred people 303 00:13:35,280 --> 00:13:40,079 Speaker 3: in chairs and we want microphones and speakers, sounds and lights. 304 00:13:40,960 --> 00:13:44,000 Speaker 3: Is the train station information center Bilbi? 305 00:13:45,400 --> 00:13:46,800 Speaker 2: No home going to be the right. 306 00:13:46,679 --> 00:13:50,679 Speaker 9: Place, but there's plenty of options in Charlielle and the 307 00:13:50,720 --> 00:13:54,200 Speaker 9: town hall and the race course. They both have bar 308 00:13:54,360 --> 00:13:56,600 Speaker 9: facilities there that can be set up really easily. 309 00:13:56,760 --> 00:13:59,840 Speaker 5: And thanks Malita Carol, you're a legend. 310 00:14:00,040 --> 00:14:04,959 Speaker 2: Amazing. Thanks Ballad. All right, so. 311 00:14:04,120 --> 00:14:06,360 Speaker 5: So much going on. I need some sort of. 312 00:14:08,280 --> 00:14:10,000 Speaker 2: Figure out who's okay? 313 00:14:10,040 --> 00:14:11,559 Speaker 3: So I tell you what I do now is that 314 00:14:11,640 --> 00:14:14,680 Speaker 3: there's a woman called Amanda who's the product development tourism 315 00:14:14,840 --> 00:14:16,360 Speaker 3: tourism marketing manager. 316 00:14:16,600 --> 00:14:20,160 Speaker 2: I went in through person that we got to call 317 00:14:20,200 --> 00:14:22,080 Speaker 2: it up next. Okay, So shame we can't do it there. 318 00:14:22,080 --> 00:14:23,640 Speaker 3: They'd have been a nice have a cold beer and 319 00:14:23,680 --> 00:14:25,480 Speaker 3: a braved Bilby, watch a bit of company. 320 00:14:25,560 --> 00:14:26,680 Speaker 5: They don't eat the Bilbies. 321 00:14:26,760 --> 00:14:29,280 Speaker 2: It's willing Woody. We'll call up next. Kiss. I hope 322 00:14:29,320 --> 00:14:30,400 Speaker 2: you guys having a great driver. 323 00:14:31,800 --> 00:14:35,840 Speaker 3: Product development tourism marketing manager Amanda. We're having a great 324 00:14:35,840 --> 00:14:38,800 Speaker 3: time in here, and truly because we're on a quest 325 00:14:38,840 --> 00:14:40,680 Speaker 3: to get a seventy five year old woman called Rue 326 00:14:40,760 --> 00:14:42,920 Speaker 3: due to do a stand up show at the Adelaide 327 00:14:42,920 --> 00:14:43,520 Speaker 3: Fringe Festival. 328 00:14:44,040 --> 00:14:46,040 Speaker 2: That's the ultimate goal here. She's the funniest person that 329 00:14:46,120 --> 00:14:47,680 Speaker 2: calls this show. But in order to do that, they've 330 00:14:47,680 --> 00:14:49,920 Speaker 2: asked her to do an audition tape, which means we've 331 00:14:49,920 --> 00:14:51,960 Speaker 2: got to go to a hometown in Charleville and rural 332 00:14:52,080 --> 00:14:54,560 Speaker 2: Queensland and put on a live stand up show and 333 00:14:54,640 --> 00:14:56,680 Speaker 2: film her all before next week. 334 00:14:59,080 --> 00:15:03,960 Speaker 8: Willam Woody prisons Rude Dude's comedy debut. 335 00:15:06,160 --> 00:15:09,920 Speaker 1: They've given us till next Wednesday, which is six days, 336 00:15:10,000 --> 00:15:13,400 Speaker 1: five now five perfect five days. Haven't got a venue yet, 337 00:15:13,400 --> 00:15:15,440 Speaker 1: but I think we're making some good stead here. So 338 00:15:15,600 --> 00:15:17,800 Speaker 1: we've spoken to a World War two base that was 339 00:15:17,840 --> 00:15:19,400 Speaker 1: super weird that's in Childville. 340 00:15:19,800 --> 00:15:20,680 Speaker 5: We also spoke to. 341 00:15:20,560 --> 00:15:23,920 Speaker 2: Be World War Yeah, the Americans didn't even know it 342 00:15:24,080 --> 00:15:26,920 Speaker 2: was there, used no one can find it. 343 00:15:27,680 --> 00:15:29,640 Speaker 5: We also called the Information Center. 344 00:15:29,440 --> 00:15:33,120 Speaker 1: Which was also the Bilbi Experience Center, which and the 345 00:15:33,200 --> 00:15:40,440 Speaker 1: train station and the beautiful Lady fishing in char Absolutely. 346 00:15:39,880 --> 00:15:41,280 Speaker 5: Why not put it all in the same place. 347 00:15:41,320 --> 00:15:43,920 Speaker 1: But the beautiful ladies there, Fern and Melita have given 348 00:15:43,960 --> 00:15:49,840 Speaker 1: us the number of the product development tourism marketing manager. 349 00:15:50,240 --> 00:15:51,520 Speaker 2: Who's also doing events. 350 00:15:51,600 --> 00:15:53,120 Speaker 5: Yeah, who's also doing events. 351 00:15:53,120 --> 00:15:55,240 Speaker 3: At the moment, So apparently she's the woman to call 352 00:15:55,360 --> 00:15:59,520 Speaker 3: names Amanda. Yeah, and look from the chat we had 353 00:15:59,520 --> 00:16:02,680 Speaker 3: with and Melita during this song there she is a 354 00:16:02,680 --> 00:16:04,880 Speaker 3: bit of a well she might be a bit stiff, 355 00:16:04,920 --> 00:16:07,680 Speaker 3: and she's got a lot. They've got this very busy 356 00:16:07,720 --> 00:16:09,280 Speaker 3: rugby tournament going on this weekend. 357 00:16:09,400 --> 00:16:12,640 Speaker 5: So yeah, straight to business business. 358 00:16:15,480 --> 00:16:18,160 Speaker 2: Hello, Hello was ad Amanda speaking? 359 00:16:18,960 --> 00:16:19,040 Speaker 15: It? 360 00:16:19,120 --> 00:16:20,720 Speaker 2: Sure is hi, Amanda. 361 00:16:21,000 --> 00:16:22,480 Speaker 3: My name is Will. I'm calling from Will and what. 362 00:16:23,160 --> 00:16:25,400 Speaker 3: We're trying to put a stand up comedy show on 363 00:16:25,520 --> 00:16:27,920 Speaker 3: Wednesday night for Rude Jude and apparently you can help 364 00:16:28,000 --> 00:16:28,280 Speaker 3: us with the. 365 00:16:28,320 --> 00:16:30,440 Speaker 11: Venue Wednesday night. 366 00:16:30,840 --> 00:16:34,080 Speaker 17: Yeah, like next Wednesday. 367 00:16:33,840 --> 00:16:37,240 Speaker 18: Yes, yeah, for how many people. 368 00:16:38,320 --> 00:16:41,080 Speaker 1: Well we haven't actually finalized numbers yet. We're hoping for 369 00:16:41,160 --> 00:16:43,080 Speaker 1: around a hundred. 370 00:16:44,120 --> 00:16:45,000 Speaker 10: For next Wednesday. 371 00:16:45,280 --> 00:16:49,160 Speaker 17: Yeah, you're really going to have to go to the 372 00:16:49,160 --> 00:16:51,680 Speaker 17: pub and try which pub is there? 373 00:16:51,800 --> 00:16:52,880 Speaker 2: So you've got nothing for. 374 00:16:52,840 --> 00:16:58,200 Speaker 1: Us, nothing next Wednesday where we're told, I don't know, 375 00:16:58,240 --> 00:17:00,760 Speaker 1: do you know Malita and Malita at the Bilbie's slash 376 00:17:00,840 --> 00:17:02,560 Speaker 1: train station slash information center. 377 00:17:03,600 --> 00:17:05,359 Speaker 10: I do, And I'm probably going to need someone to 378 00:17:05,400 --> 00:17:09,320 Speaker 10: help me hide her body all right, because she. 379 00:17:09,280 --> 00:17:11,080 Speaker 5: Because she said you could give us the town hall 380 00:17:11,200 --> 00:17:12,000 Speaker 5: the showgrounds. 381 00:17:13,359 --> 00:17:15,320 Speaker 9: Nah, I'm pretty sure they booked out. 382 00:17:15,320 --> 00:17:16,760 Speaker 6: Hey, you're really gonna have to go to. 383 00:17:16,760 --> 00:17:17,720 Speaker 17: The pub and try it. 384 00:17:18,200 --> 00:17:22,320 Speaker 10: Okay, all right, maybe maybe Coronis Coroni. 385 00:17:23,000 --> 00:17:26,359 Speaker 3: Okay, huge, Okay. 386 00:17:25,560 --> 00:17:29,000 Speaker 2: Thanks Amanda, appreciate it. 387 00:17:29,160 --> 00:17:30,399 Speaker 17: No worries, have fun. 388 00:17:31,200 --> 00:17:32,920 Speaker 2: Thanks, all right? 389 00:17:33,280 --> 00:17:33,960 Speaker 5: She was all business? 390 00:17:34,000 --> 00:17:38,679 Speaker 2: Wasna Google like it was a hotel Corona. And then 391 00:17:39,040 --> 00:17:41,960 Speaker 2: the sign's been fudged or something. All right, maybe there was. 392 00:17:41,960 --> 00:17:44,040 Speaker 1: I legally hang on, its going to find the number. Okay, 393 00:17:44,080 --> 00:17:47,879 Speaker 1: I've got the name Coronis. Yea hotel Coronis. Let's just well, 394 00:17:47,960 --> 00:17:50,080 Speaker 1: let's just she said it. She they're free, they're available. 395 00:17:50,160 --> 00:17:52,240 Speaker 1: Let's just call them right, all right, all right. 396 00:17:52,240 --> 00:17:56,120 Speaker 2: Let's go now, call Bill for fifteen minutes on the show. 397 00:17:57,040 --> 00:17:57,440 Speaker 2: Come on. 398 00:17:59,080 --> 00:18:01,119 Speaker 6: And it's Mark. How am I happy? 399 00:18:01,320 --> 00:18:03,280 Speaker 2: Hey get a Mark? Hey going? My name is Will. 400 00:18:03,359 --> 00:18:07,840 Speaker 2: This is what Mark Mark? We are. We'd love to come. 401 00:18:08,359 --> 00:18:11,560 Speaker 3: We're wondering if you're available because a very good friend 402 00:18:11,600 --> 00:18:14,000 Speaker 3: of ours, Rue Jude, and I'm sure a woman who's 403 00:18:14,640 --> 00:18:16,119 Speaker 3: been kicked out of there many times. 404 00:18:18,400 --> 00:18:19,680 Speaker 5: It's the woman who runs the. 405 00:18:23,680 --> 00:18:28,080 Speaker 2: Probably sit in front of you right now. So so 406 00:18:28,160 --> 00:18:30,080 Speaker 2: we we're going to put a comedy show on for 407 00:18:30,720 --> 00:18:34,720 Speaker 2: duty next week, and we're just wondering if we could 408 00:18:34,720 --> 00:18:35,440 Speaker 2: do it at your pub. 409 00:18:36,280 --> 00:18:38,959 Speaker 6: Ah min, We'll love to have all your follows at 410 00:18:38,960 --> 00:18:39,760 Speaker 6: the pub next week. 411 00:18:40,000 --> 00:18:43,159 Speaker 1: Oh huge, thanks, So that's booked in. We don't have 412 00:18:43,240 --> 00:18:45,000 Speaker 1: to do like a booking system or something. 413 00:18:45,280 --> 00:18:48,320 Speaker 6: Mark, Yeah, I just used my memory, like I'm not sure. 414 00:18:48,400 --> 00:18:50,560 Speaker 6: Get plenty of our markahalf for rigid to be here, 415 00:18:50,840 --> 00:18:53,320 Speaker 6: you fellow shouting? So I might need a credit out office? 416 00:18:53,800 --> 00:18:55,080 Speaker 5: Yeah no, dramas. Did you want that? 417 00:18:55,119 --> 00:18:55,280 Speaker 2: Now? 418 00:18:55,280 --> 00:18:55,440 Speaker 6: Will? 419 00:18:55,480 --> 00:18:58,840 Speaker 5: Have you got your credit cards? Take it off to 420 00:18:58,960 --> 00:19:00,920 Speaker 5: night quick one mate? 421 00:19:00,960 --> 00:19:05,080 Speaker 1: Do you have like a sound system? 422 00:19:05,160 --> 00:19:07,440 Speaker 6: No, we don't have a sound system. But it's an 423 00:19:07,480 --> 00:19:11,000 Speaker 6: old chrry pub, so okay, yeah, you don't have to 424 00:19:11,040 --> 00:19:12,800 Speaker 6: speak loudly for it to work. 425 00:19:13,240 --> 00:19:13,760 Speaker 5: Yeah, but. 426 00:19:16,119 --> 00:19:19,080 Speaker 3: Mark where we're recording this and it needs to sound 427 00:19:19,200 --> 00:19:22,080 Speaker 3: legit and look legit because we're sending it to the 428 00:19:22,080 --> 00:19:24,240 Speaker 3: Adelaide Fringe Festival, so dude can do a show at 429 00:19:24,240 --> 00:19:27,440 Speaker 3: the Adelaide Fringe. So we will need like a microphone 430 00:19:27,480 --> 00:19:29,000 Speaker 3: and that sort of stuff. 431 00:19:29,560 --> 00:19:32,000 Speaker 6: Yeah, No, we don't have anything all that up pub itself. 432 00:19:32,960 --> 00:19:33,199 Speaker 6: Can we? 433 00:19:33,480 --> 00:19:38,840 Speaker 1: If we brought our own like sound equipment, that would 434 00:19:39,000 --> 00:19:42,080 Speaker 1: be fine. You've got you've got a power, we'll set 435 00:19:42,119 --> 00:19:45,879 Speaker 1: you up in the corner and we go up from there. Yeah, great, perfectly, okay, 436 00:19:45,880 --> 00:19:50,000 Speaker 1: and you have got power power yeah. 437 00:19:49,400 --> 00:19:50,440 Speaker 6: I just came in the other day. 438 00:19:53,840 --> 00:19:56,600 Speaker 3: All right, Mark, do you know anyone that has got 439 00:19:56,600 --> 00:19:57,560 Speaker 3: any sound equipment? 440 00:19:58,200 --> 00:20:02,000 Speaker 6: I'm not off the top of my head mane Yeah, beautiful. 441 00:20:02,040 --> 00:20:03,800 Speaker 5: You've got a salmon on the menu at all? 442 00:20:04,160 --> 00:20:07,520 Speaker 6: All right, now we don't, but I'm sure there'd be 443 00:20:07,560 --> 00:20:09,480 Speaker 6: some semon. Seven. I can order a box of seven 444 00:20:09,520 --> 00:20:09,960 Speaker 6: for you mine. 445 00:20:10,840 --> 00:20:13,840 Speaker 5: That'd be great. Perfect. That's getting to have been selfish. 446 00:20:13,840 --> 00:20:17,440 Speaker 5: Now we'll see you. I'll see you next week. 447 00:20:18,480 --> 00:20:20,320 Speaker 6: Okay, looking forward to it. 448 00:20:20,400 --> 00:20:27,000 Speaker 2: Cheers mate, getting a whole box, the whole box seven 449 00:20:27,080 --> 00:20:30,359 Speaker 2: for the week. I love salmon, a whole box. 450 00:20:30,359 --> 00:20:31,480 Speaker 5: I thought he'd just laugh. 451 00:20:31,359 --> 00:20:33,439 Speaker 1: At me, but he was like, I'll order you a box. 452 00:20:33,520 --> 00:20:37,480 Speaker 1: All good, mate, e strawdinary, you want a salmon? No, 453 00:20:37,720 --> 00:20:40,479 Speaker 1: we both think bad environment. You told me that before. 454 00:20:40,960 --> 00:20:42,760 Speaker 2: Now I'm gonna have to salmon and there's a whole 455 00:20:42,800 --> 00:20:43,400 Speaker 2: box of it. 456 00:20:44,080 --> 00:20:45,879 Speaker 3: The only one in Charville is going to eat salmon 457 00:20:45,920 --> 00:20:48,320 Speaker 3: as well, so they'll know, they'll know if you don't 458 00:20:48,359 --> 00:20:48,639 Speaker 3: need it. 459 00:20:48,800 --> 00:20:50,600 Speaker 5: We'll get through it. All right, so we've got a venue. 460 00:20:50,600 --> 00:20:51,040 Speaker 5: That's great. 461 00:20:51,280 --> 00:20:54,360 Speaker 3: Well, yeah, we've got a venue, but we haven't got 462 00:20:54,359 --> 00:20:58,280 Speaker 3: a sound system. And Mark, who would know everybody who's 463 00:20:58,280 --> 00:21:01,720 Speaker 3: ever been through Childville ever doesn't know of anyone who's 464 00:21:01,720 --> 00:21:02,600 Speaker 3: got a sound system. 465 00:21:02,680 --> 00:21:04,520 Speaker 5: Is there a JB Hi Fi or something? 466 00:21:06,600 --> 00:21:07,120 Speaker 16: Fair enough? 467 00:21:08,200 --> 00:21:09,159 Speaker 5: I don't really know this. 468 00:21:09,960 --> 00:21:11,760 Speaker 2: Why did you dis orders in a box of speakers 469 00:21:11,760 --> 00:21:13,280 Speaker 2: not a box of salmon? That would have been much 470 00:21:13,320 --> 00:21:14,840 Speaker 2: more us more. 471 00:21:15,359 --> 00:21:18,000 Speaker 5: After this, it's Willin. 472 00:21:17,800 --> 00:21:19,560 Speaker 2: Woody Wards, you and I. 473 00:21:19,640 --> 00:21:21,719 Speaker 3: We are trying to put on a stand up comedy 474 00:21:21,720 --> 00:21:24,280 Speaker 3: show with Rude Jude to seventy five year old woman 475 00:21:24,280 --> 00:21:26,159 Speaker 3: who owns a bait and tackle shop with a naughty 476 00:21:26,160 --> 00:21:27,480 Speaker 3: corner in Charleville. 477 00:21:27,560 --> 00:21:30,560 Speaker 2: It's eight hours Inland Brisbane wait for it. That's not 478 00:21:30,640 --> 00:21:31,520 Speaker 2: just for the thrill of it. 479 00:21:31,680 --> 00:21:35,080 Speaker 3: That's so that she can do a show at the 480 00:21:35,119 --> 00:21:36,960 Speaker 3: Adelaide Fringe. 481 00:21:38,400 --> 00:21:43,320 Speaker 8: William Woody present Rude Dude's comedy debut. 482 00:21:45,640 --> 00:21:48,600 Speaker 3: So we're effectively putting together like a show reel is 483 00:21:48,640 --> 00:21:51,440 Speaker 3: what they call it, guys and the Adelaide Fringe, they're 484 00:21:51,480 --> 00:21:53,320 Speaker 3: seeing it as an audition tape. If they like what 485 00:21:53,359 --> 00:21:54,720 Speaker 3: they see, then they get to let her do the 486 00:21:54,720 --> 00:21:56,600 Speaker 3: Fringe the following week, which is what this is all about. 487 00:21:56,920 --> 00:21:57,880 Speaker 2: Having Dude at one. 488 00:21:57,760 --> 00:22:00,240 Speaker 3: Of the best comedy festivals in the world. That would 489 00:22:00,240 --> 00:22:01,560 Speaker 3: make all of us really really happy. 490 00:22:01,600 --> 00:22:03,680 Speaker 5: It'll just be an amazing show as well. 491 00:22:03,720 --> 00:22:05,520 Speaker 1: What a treat for everyone who's going to be there 492 00:22:05,520 --> 00:22:07,720 Speaker 1: at Adelaide Fringe if we get to Adelaide, French. 493 00:22:07,720 --> 00:22:10,840 Speaker 5: We've got the star on the phone right now. Hello Jude, 494 00:22:12,040 --> 00:22:16,160 Speaker 5: Hi boys, how are you? How are you feeling. 495 00:22:17,280 --> 00:22:17,920 Speaker 11: Up the ship? 496 00:22:20,040 --> 00:22:21,480 Speaker 5: I love you so much. 497 00:22:21,800 --> 00:22:23,879 Speaker 1: Well, look, Jude, we've got some great news on the 498 00:22:23,960 --> 00:22:25,080 Speaker 1: organization front. 499 00:22:25,119 --> 00:22:27,560 Speaker 5: So Will and I have been working around the clock. 500 00:22:27,400 --> 00:22:30,280 Speaker 1: To try and produce this comedy show that we're putting 501 00:22:30,280 --> 00:22:32,600 Speaker 1: on next week in your hometown in Chauville. And we 502 00:22:32,680 --> 00:22:36,600 Speaker 1: think we've locked in the venue, which is the Coroni's Hotel. 503 00:22:37,560 --> 00:22:38,960 Speaker 14: Oh yeah, yep, yep. 504 00:22:39,320 --> 00:22:40,679 Speaker 5: You happy with that? 505 00:22:40,520 --> 00:22:40,800 Speaker 2: Is that? 506 00:22:40,920 --> 00:22:45,680 Speaker 14: Is that a good I've been Elephants trunk a few times. 507 00:22:47,160 --> 00:22:47,600 Speaker 2: So Jude. 508 00:22:47,680 --> 00:22:52,200 Speaker 3: With the other options were the train station, billb and 509 00:22:52,320 --> 00:22:55,960 Speaker 3: Information Center Conglomerate, but we thought that was a big 510 00:22:56,040 --> 00:22:57,520 Speaker 3: daggy yep. 511 00:22:57,880 --> 00:23:00,520 Speaker 2: Yeah, So Jude, we're venue Coroni's. Sounds great. 512 00:23:00,520 --> 00:23:02,440 Speaker 3: We spoke to Mark, he was a legend he knew 513 00:23:02,440 --> 00:23:04,120 Speaker 3: who you were as well, so they're happy to put 514 00:23:04,119 --> 00:23:06,000 Speaker 3: you on next Wednesday, which is very exciting. But we 515 00:23:06,040 --> 00:23:08,920 Speaker 3: just need the big question is we need some sound equipment. 516 00:23:09,280 --> 00:23:11,800 Speaker 3: So we need like some microphones and speakers. Do you 517 00:23:11,840 --> 00:23:13,280 Speaker 3: know anyone who might have them? 518 00:23:13,960 --> 00:23:17,080 Speaker 14: Oh yeah, I'm probably Annie with the Big Fanny. 519 00:23:17,480 --> 00:23:22,200 Speaker 2: Perfect, she's a friend of yours. Yeah, yeah, great, okay, 520 00:23:22,520 --> 00:23:25,560 Speaker 2: so we'll speak to her. All right, great, so that's. 521 00:23:25,359 --> 00:23:28,080 Speaker 5: The next Sorry, we're going any with the Big Fanny. 522 00:23:28,240 --> 00:23:30,360 Speaker 2: We won't call her that. We'll just call her Anie, won't. 523 00:23:30,119 --> 00:23:35,240 Speaker 14: We Jude, Oh no, that's it's everyone called that. 524 00:23:35,480 --> 00:23:35,760 Speaker 2: Okay. 525 00:23:37,640 --> 00:23:38,440 Speaker 14: She used to be the. 526 00:23:38,359 --> 00:23:40,879 Speaker 2: Mayor of Charlie. 527 00:23:41,280 --> 00:23:42,960 Speaker 5: Okay, vote for Fanny apparently. 528 00:23:46,520 --> 00:23:49,679 Speaker 3: Okay, so dude, final question then, well, final bit then, 529 00:23:49,720 --> 00:23:51,560 Speaker 3: because I know you've been practicing your jokes, we'll get 530 00:23:51,560 --> 00:23:53,560 Speaker 3: working on that and we'll do all that tomorrow on 531 00:23:53,600 --> 00:23:55,360 Speaker 3: the show. But have you got no I know you've 532 00:23:55,359 --> 00:23:57,360 Speaker 3: been working on your content, So that's the other part 533 00:23:57,400 --> 00:23:59,520 Speaker 3: of all of this. How have your jokes been coming on? 534 00:24:01,000 --> 00:24:01,240 Speaker 12: Oh? 535 00:24:01,400 --> 00:24:02,320 Speaker 11: Yeah, pretty good. 536 00:24:02,720 --> 00:24:05,080 Speaker 2: Okay. Can you give us another taster of some of 537 00:24:05,119 --> 00:24:06,200 Speaker 2: the some of the gears? 538 00:24:06,920 --> 00:24:11,720 Speaker 18: Okay, yeah, there's a little one short. Yeah, these kids 539 00:24:11,760 --> 00:24:14,880 Speaker 18: came out from Brisbane to have a few days at 540 00:24:14,880 --> 00:24:19,480 Speaker 18: the school here and the teacher took them out out. 541 00:24:19,359 --> 00:24:20,040 Speaker 11: To a farm. 542 00:24:20,200 --> 00:24:21,840 Speaker 14: I wanted to go out to a farm. 543 00:24:21,640 --> 00:24:21,800 Speaker 4: You know. 544 00:24:22,119 --> 00:24:25,880 Speaker 14: Then the sky kids come to company. Anyhow, they took 545 00:24:25,920 --> 00:24:28,400 Speaker 14: them out to the farm so they could see all 546 00:24:28,440 --> 00:24:31,359 Speaker 14: the animals and everything. And so the next day they 547 00:24:31,400 --> 00:24:35,159 Speaker 14: get back into the classroom, the teacher said, right, our kids, 548 00:24:35,680 --> 00:24:39,600 Speaker 14: tell me what sounds you heard yesterday on the farm. 549 00:24:40,119 --> 00:24:42,480 Speaker 14: And one could put his hand up and said move, 550 00:24:43,640 --> 00:24:51,639 Speaker 14: another one said back, and another one said Ribert Ribbert very good. Yes, kids, 551 00:24:51,680 --> 00:24:54,040 Speaker 14: that's very good. And then little Johnny put his hand 552 00:24:54,119 --> 00:24:56,760 Speaker 14: up and he said, get off the tractor. 553 00:25:05,400 --> 00:25:09,400 Speaker 2: God, dude, that's awesome. It's great to hear from your mate. Well, 554 00:25:09,480 --> 00:25:12,920 Speaker 2: you keep working on the gear and we'll it sounds 555 00:25:12,960 --> 00:25:15,600 Speaker 2: like it's pretty red hot though. We're pumped mate. Next 556 00:25:15,640 --> 00:25:17,640 Speaker 2: Wednesday night, that's where the gig is, and I think 557 00:25:17,640 --> 00:25:19,119 Speaker 2: everybody else is going to be thrilled to say this. 558 00:25:19,240 --> 00:25:20,879 Speaker 2: Might need to tone down the language a bit for 559 00:25:20,920 --> 00:25:25,080 Speaker 2: the Adelaide fringe, but apart from that sounding awesome, we'll call. 560 00:25:24,960 --> 00:25:27,080 Speaker 3: Annie with a big Fanny tomorrow and lock in the 561 00:25:27,119 --> 00:25:28,560 Speaker 3: sound system for Coronis. 562 00:25:31,880 --> 00:25:35,600 Speaker 2: Love you dude, Hollo. 563 00:25:35,920 --> 00:25:37,119 Speaker 5: Talk about Dick van Dyke. 564 00:25:39,200 --> 00:25:39,600 Speaker 16: Here he is. 565 00:25:39,640 --> 00:25:45,840 Speaker 7: Take a dick, Yes, sweet as lucky as lucky, Come 566 00:25:46,040 --> 00:25:46,560 Speaker 7: get a dick. 567 00:25:47,080 --> 00:25:49,040 Speaker 2: Jimmy jump Jimminy jump jump. 568 00:25:49,359 --> 00:25:50,440 Speaker 13: We'll get a deck luck. 569 00:25:50,480 --> 00:25:52,399 Speaker 2: We'll rob when I shine. 570 00:25:52,840 --> 00:25:55,280 Speaker 5: He's the best. 571 00:25:54,240 --> 00:25:57,960 Speaker 2: And that's lucky too. 572 00:25:58,760 --> 00:26:01,520 Speaker 5: Now you're dyking, he can do you into dyk a 573 00:26:01,640 --> 00:26:03,520 Speaker 5: Dick and Dyke. Oh yeah, he does. 574 00:26:04,600 --> 00:26:06,600 Speaker 2: Stage name or real name Dick van Dyke on either 575 00:26:06,600 --> 00:26:08,280 Speaker 2: actually Dick or Dyke. What's that? 576 00:26:08,359 --> 00:26:11,440 Speaker 5: Okay? Stage name or real name Dick van Dyke. 577 00:26:11,880 --> 00:26:13,120 Speaker 2: I think that's his real name. 578 00:26:13,440 --> 00:26:15,880 Speaker 5: It's an extraordinary well with Richard van Dyke. 579 00:26:15,920 --> 00:26:20,200 Speaker 2: I imagine Van Dyke is as a Dutch name. Yeah, anyway, 580 00:26:20,800 --> 00:26:22,879 Speaker 2: it could beg I think I think button Bush of 581 00:26:22,880 --> 00:26:24,439 Speaker 2: Time's about to come over the top of me with 582 00:26:24,480 --> 00:26:26,120 Speaker 2: Google Richard Wayne van Dyke. 583 00:26:26,520 --> 00:26:28,280 Speaker 5: There you go, it's a real name. There you go? 584 00:26:28,760 --> 00:26:29,160 Speaker 5: All right? 585 00:26:29,200 --> 00:26:31,520 Speaker 1: Now, why is Dick van Dyke in the news. Basically 586 00:26:31,600 --> 00:26:35,239 Speaker 1: he's just given out the secret to remaining youthful. So 587 00:26:35,359 --> 00:26:36,960 Speaker 1: he turns ninety eight this year. 588 00:26:37,000 --> 00:26:38,119 Speaker 2: I can't believe he's still alive. 589 00:26:38,640 --> 00:26:40,040 Speaker 3: I mean, it's all the audio we just played is 590 00:26:40,080 --> 00:26:43,760 Speaker 3: obviously of Mary Poppins, which was in the twenties, no thirties, 591 00:26:43,800 --> 00:26:45,600 Speaker 3: and had color moving pictures back then. 592 00:26:46,000 --> 00:26:47,440 Speaker 2: I'm going to say it was in the eighties or 593 00:26:47,520 --> 00:26:49,240 Speaker 2: nineties that they probably feel Mary Poppins. 594 00:26:49,760 --> 00:26:53,080 Speaker 1: Who cares anyway, So he's almost ninety eight, nineteen sixty four, 595 00:26:53,480 --> 00:26:54,280 Speaker 1: I was close up. 596 00:26:54,359 --> 00:26:55,760 Speaker 5: I was closer with the shut up. 597 00:26:56,240 --> 00:26:59,440 Speaker 2: I must have watched her. They must have refirmed that 598 00:26:59,480 --> 00:27:00,280 Speaker 2: movie or something. 599 00:27:00,320 --> 00:27:00,439 Speaker 6: Then. 600 00:27:00,680 --> 00:27:02,120 Speaker 2: I was obsessed with that movie. That was the best 601 00:27:02,119 --> 00:27:04,359 Speaker 2: thing in the world anyway, it was Mary Poppins. Did 602 00:27:04,400 --> 00:27:05,320 Speaker 2: you know that Mary Poppins. 603 00:27:05,320 --> 00:27:07,000 Speaker 5: Well, you don't say this fact. It's so boring. 604 00:27:07,080 --> 00:27:08,520 Speaker 2: I think a lot of people find it very good. 605 00:27:08,520 --> 00:27:12,159 Speaker 3: I'm gonna sit down that she She's called Mary Poppins 606 00:27:12,160 --> 00:27:13,720 Speaker 3: because she she happily pop in. 607 00:27:13,880 --> 00:27:17,480 Speaker 2: She happily pops in. She does Mary Poppins. 608 00:27:18,000 --> 00:27:19,040 Speaker 5: I've got real. 609 00:27:19,160 --> 00:27:23,320 Speaker 2: Isn't that epic? That's what she does the whole movie. Really, 610 00:27:24,280 --> 00:27:26,440 Speaker 2: I think it blew a lot of minds with the 611 00:27:26,480 --> 00:27:27,479 Speaker 2: text lines blown up? 612 00:27:27,720 --> 00:27:28,879 Speaker 5: Do you know what? I'm going to get straight to 613 00:27:28,920 --> 00:27:29,640 Speaker 5: the Gary. 614 00:27:29,400 --> 00:27:31,320 Speaker 2: Just me, jeez, that's the best fact I've ever heard. 615 00:27:31,320 --> 00:27:32,639 Speaker 2: Thanks Terry, I appreciate. 616 00:27:32,280 --> 00:27:35,320 Speaker 1: That Terry's a moron. All right, let's get to the game. 617 00:27:35,400 --> 00:27:38,120 Speaker 1: So Dick van Dyk has a partner who is fifty one. Now, 618 00:27:38,160 --> 00:27:41,760 Speaker 1: because he's ninety seven and his partner's fifty one. Quite seriously, 619 00:27:42,240 --> 00:27:45,600 Speaker 1: he could be either her partner, her daddy, or even 620 00:27:45,880 --> 00:27:46,800 Speaker 1: her granddaddy. 621 00:27:46,960 --> 00:27:49,760 Speaker 5: Yeah, so will right now? Yeah, I want to play 622 00:27:49,800 --> 00:27:54,720 Speaker 5: the game. Is it your granddaddy, grapper. 623 00:27:55,960 --> 00:28:02,560 Speaker 2: Daddy or daddy? All right? The way it works, we're 624 00:28:02,560 --> 00:28:04,159 Speaker 2: going to get before we get into the way it works. 625 00:28:04,200 --> 00:28:06,560 Speaker 3: Oh god, can I just play the audio of you 626 00:28:06,600 --> 00:28:08,560 Speaker 3: in the recording session trying to say the word daddy 627 00:28:08,560 --> 00:28:11,320 Speaker 3: sexally daddy? 628 00:28:11,320 --> 00:28:14,520 Speaker 2: Oh, daddy, daddy? 629 00:28:15,280 --> 00:28:19,280 Speaker 5: Yeah, that felt good. They are all pretty sexy. They 630 00:28:19,280 --> 00:28:20,920 Speaker 5: are a pretty sexy. That wasn't a stitch of it all. 631 00:28:21,240 --> 00:28:23,480 Speaker 5: I'm happy with that. To take me a while. 632 00:28:23,680 --> 00:28:25,320 Speaker 1: Anyway, the way this is gonna work, We're going to 633 00:28:25,359 --> 00:28:27,040 Speaker 1: go to a song right up next, we are going 634 00:28:27,080 --> 00:28:29,439 Speaker 1: to get two people on the phone, right, a male 635 00:28:29,560 --> 00:28:32,320 Speaker 1: and a female. All right, we will ask a number 636 00:28:32,400 --> 00:28:36,080 Speaker 1: of questions and then try and figure out are they partners? 637 00:28:36,440 --> 00:28:41,640 Speaker 1: Is it a father daughter relationship or a grandfather daughter relationship? 638 00:28:42,280 --> 00:28:44,120 Speaker 3: We have two men on the show as well, can 639 00:28:44,120 --> 00:28:45,640 Speaker 3: we get daddy and daddy that way as well? 640 00:28:45,680 --> 00:28:48,240 Speaker 5: Could be absolutely yeah, I think we do have a 641 00:28:48,280 --> 00:28:51,280 Speaker 5: male and I've organized this with the prods. 642 00:28:51,040 --> 00:28:53,200 Speaker 2: A right, nice one bit of back of house work there. 643 00:28:53,760 --> 00:28:56,160 Speaker 5: I'm a slave, I'm a hound to the dog. I 644 00:28:56,200 --> 00:28:57,040 Speaker 5: mean the job. 645 00:28:59,640 --> 00:28:59,840 Speaker 18: Good. 646 00:29:00,520 --> 00:29:05,640 Speaker 5: After this, it's the Women Woody Podcast. Is it your granddaddy? 647 00:29:06,080 --> 00:29:08,360 Speaker 2: And this grandpa too? 648 00:29:08,280 --> 00:29:08,520 Speaker 13: Down? 649 00:29:09,240 --> 00:29:09,840 Speaker 2: Daddy? 650 00:29:12,000 --> 00:29:13,160 Speaker 8: Oh daddy? 651 00:29:14,680 --> 00:29:15,920 Speaker 5: Alrighty, here we go. 652 00:29:16,040 --> 00:29:17,560 Speaker 1: So in the news today. We'll get to the game 653 00:29:17,600 --> 00:29:20,360 Speaker 1: in two seconds. Dick Van Dyke, he's ninety seven, turns 654 00:29:20,440 --> 00:29:25,840 Speaker 1: ninety eight this year. His wife Arlene Silver is fifty one. 655 00:29:26,240 --> 00:29:28,520 Speaker 1: So when you break it down, well there's like a 656 00:29:28,760 --> 00:29:34,000 Speaker 1: fifty six year age gap. Holy Molly, that's wild. He 657 00:29:34,040 --> 00:29:37,480 Speaker 1: could genuinely be not only her dad but also her grandfather. 658 00:29:37,680 --> 00:29:39,840 Speaker 1: So right now we've got two people on the line. 659 00:29:39,840 --> 00:29:41,880 Speaker 2: Do you think they still have sex? Excuse me, we're 660 00:29:41,880 --> 00:29:42,440 Speaker 2: all thinking it. 661 00:29:43,560 --> 00:29:48,280 Speaker 3: Yeah, no, you reckon, I do, Dick Van Dyke, Yeah, yeah, 662 00:29:48,320 --> 00:29:49,080 Speaker 3: you reckon. 663 00:29:48,880 --> 00:29:49,560 Speaker 5: Yeah I do. 664 00:29:50,240 --> 00:29:53,080 Speaker 1: Anyway, he's still got He was on the Masked Singer recently, 665 00:29:53,160 --> 00:29:55,400 Speaker 1: like he is up and about Van Dyke. 666 00:29:55,800 --> 00:29:58,200 Speaker 2: As in he was like he was a singer on 667 00:29:58,240 --> 00:29:58,760 Speaker 2: the mask singer. 668 00:29:58,840 --> 00:30:02,680 Speaker 1: Yes, dominated like wow, it gave an amazing performance. Really, 669 00:30:02,800 --> 00:30:04,360 Speaker 1: Dick van Dyke ninety seven years old. 670 00:30:04,520 --> 00:30:06,600 Speaker 5: He is all right. So we've got two poop on 671 00:30:06,600 --> 00:30:09,760 Speaker 5: the line here, Ellie and Alan. I'll say hello to 672 00:30:09,840 --> 00:30:10,440 Speaker 5: you first. 673 00:30:10,480 --> 00:30:13,320 Speaker 10: Ellie, Hello, Hi guys, how you doing? 674 00:30:13,680 --> 00:30:16,760 Speaker 5: We're out standing? And we've got Allen here? Hi? Allen? 675 00:30:17,600 --> 00:30:19,040 Speaker 17: Hey fellows. 676 00:30:19,360 --> 00:30:22,160 Speaker 1: Okay, now can I start off by asking what the 677 00:30:22,200 --> 00:30:24,040 Speaker 1: age gap between you two is? 678 00:30:26,200 --> 00:30:26,560 Speaker 5: Oh? 679 00:30:26,640 --> 00:30:28,760 Speaker 10: You know, I agree, it's a goody. 680 00:30:29,080 --> 00:30:30,520 Speaker 2: Did you say forty five? Allen? 681 00:30:31,520 --> 00:30:32,160 Speaker 17: Thirty five? 682 00:30:32,480 --> 00:30:35,840 Speaker 5: There is the thirty five year age gap? Okay, perfect? 683 00:30:35,920 --> 00:30:37,680 Speaker 2: Now does that cancel out Granddaddy? 684 00:30:38,120 --> 00:30:39,840 Speaker 5: I don't think so. 685 00:30:40,000 --> 00:30:43,960 Speaker 1: Could be too young, too young, births very young, birth 686 00:30:44,200 --> 00:30:44,560 Speaker 1: very young. 687 00:30:44,640 --> 00:30:46,040 Speaker 5: Anyway, let's not do the math too much. 688 00:30:47,680 --> 00:30:50,240 Speaker 1: But maybe that first question has just rounded out granddad 689 00:30:50,240 --> 00:30:50,880 Speaker 1: had already. 690 00:30:50,960 --> 00:30:51,800 Speaker 5: Well let's go to Ellie. 691 00:30:52,360 --> 00:30:54,280 Speaker 3: Because if you had a baby when you're like eighteen, 692 00:30:55,080 --> 00:30:58,880 Speaker 3: and then your child has a baby when they're eighteen, yeah, 693 00:30:59,280 --> 00:31:02,000 Speaker 3: that means you'll be three six thirty six years. 694 00:31:01,840 --> 00:31:05,880 Speaker 5: Apart and they're thirty five. So look, it's possible for Grande. 695 00:31:05,920 --> 00:31:07,240 Speaker 2: It's not looking good for granddaddy. 696 00:31:07,280 --> 00:31:08,959 Speaker 3: But I mean that's what we're trying to figure out, right, 697 00:31:09,080 --> 00:31:10,800 Speaker 3: I'm just trying to sre like homes. 698 00:31:10,520 --> 00:31:12,360 Speaker 1: This and I don't mind that homesy. You might already 699 00:31:12,400 --> 00:31:14,800 Speaker 1: knocked out Grande, So maybe we have Let's go to 700 00:31:14,800 --> 00:31:19,360 Speaker 1: Ellie here, though, Ellie, what is the sexiest physical feature 701 00:31:19,600 --> 00:31:20,120 Speaker 1: of Allan? 702 00:31:23,200 --> 00:31:23,800 Speaker 11: His smile? 703 00:31:25,480 --> 00:31:27,120 Speaker 5: Okay, immediately we're. 704 00:31:27,000 --> 00:31:31,080 Speaker 3: Thinking Dad, Yeah, Alan, if you were going to have 705 00:31:31,120 --> 00:31:33,880 Speaker 3: a dream about Ellie, what would involve? 706 00:31:34,800 --> 00:31:38,080 Speaker 17: Oh god, yeah, let's not go there. 707 00:31:38,520 --> 00:31:39,920 Speaker 2: I know what would it involve? 708 00:31:40,200 --> 00:31:40,880 Speaker 5: We're going there? Alan? 709 00:31:43,040 --> 00:31:44,600 Speaker 17: Jeez, I don't really know. 710 00:31:45,480 --> 00:31:49,320 Speaker 3: Okay, Alan feels too much about it, feels very uncomfortable. 711 00:31:49,440 --> 00:31:50,320 Speaker 2: Is he putting it on though? 712 00:31:50,720 --> 00:31:51,600 Speaker 5: Yeah, it's a good question. 713 00:31:51,680 --> 00:31:53,400 Speaker 2: You think Allen's her daddy? 714 00:31:53,640 --> 00:31:56,800 Speaker 1: Well, at the moment, all audios are leading towards father 715 00:31:57,040 --> 00:31:58,000 Speaker 1: daughter relationship. 716 00:31:58,040 --> 00:31:59,800 Speaker 5: But maybe these two are being coy. Maybe they do 717 00:31:59,840 --> 00:32:03,680 Speaker 5: it kicks, will Let's go to Ellie here, Ellie, do. 718 00:32:03,680 --> 00:32:06,400 Speaker 2: You think Alan's a daddy? Well? 719 00:32:06,800 --> 00:32:09,640 Speaker 1: It just feels too obvious, right, Ellie. What's the best 720 00:32:10,360 --> 00:32:12,320 Speaker 1: what's the best adventure that the two of you have. 721 00:32:12,280 --> 00:32:12,760 Speaker 6: Gone on. 722 00:32:15,400 --> 00:32:17,800 Speaker 10: Down the coast? I can't remember the name of it, 723 00:32:17,840 --> 00:32:21,600 Speaker 10: but near Sanctuary Point in a Huskerson there's a mountain 724 00:32:21,680 --> 00:32:24,160 Speaker 10: and everyone goes in clinb that we did that and 725 00:32:24,200 --> 00:32:25,760 Speaker 10: the view was pretty good from the top. That was 726 00:32:25,800 --> 00:32:26,520 Speaker 10: a good adventure. 727 00:32:27,240 --> 00:32:29,960 Speaker 2: Sounds like a great adventure, daddy. 728 00:32:30,000 --> 00:32:31,560 Speaker 5: Though you're doing that with your daughter. 729 00:32:31,600 --> 00:32:32,560 Speaker 2: Yeah, I do that with my daughter. 730 00:32:33,040 --> 00:32:35,400 Speaker 5: Hi with my daughter, for sure. Alan, I'm going to 731 00:32:35,440 --> 00:32:37,760 Speaker 5: ask you. You didn't want to talk about, you know what 732 00:32:37,960 --> 00:32:40,280 Speaker 5: dream you have of Ellie? But what would you say? 733 00:32:40,320 --> 00:32:42,120 Speaker 5: The best physical feature of Ellie is. 734 00:32:44,720 --> 00:32:46,120 Speaker 17: Probably her eyes. 735 00:32:46,200 --> 00:32:50,120 Speaker 2: I suppose they're really family friendly. They're family friendly. 736 00:32:50,160 --> 00:32:54,240 Speaker 3: I reckon, mate, I reckon, it's I reckon, it's it's daddy. Okay, 737 00:32:54,520 --> 00:32:56,200 Speaker 3: we've got a father daughter on here. And I haven't 738 00:32:56,240 --> 00:32:58,120 Speaker 3: got it in me to ask Allen another question because 739 00:32:58,120 --> 00:32:59,280 Speaker 3: he seemed very awkward. 740 00:32:59,360 --> 00:33:00,840 Speaker 5: Alan, are you boobs or bum guy? 741 00:33:00,960 --> 00:33:05,720 Speaker 17: Oh my god, one or the other's not too much 742 00:33:05,720 --> 00:33:12,880 Speaker 17: of a Yeah, probably lean on boobs and bum but yeah, 743 00:33:13,400 --> 00:33:13,960 Speaker 17: it wouldn't. 744 00:33:15,840 --> 00:33:20,680 Speaker 1: And and when you first saw Ellie? 745 00:33:21,000 --> 00:33:23,440 Speaker 5: No, Well, if they're partners though. 746 00:33:23,440 --> 00:33:27,200 Speaker 2: Yeah, I get it. But if they're not, does. 747 00:33:27,040 --> 00:33:28,640 Speaker 5: Ellie fall into a category there? 748 00:33:28,760 --> 00:33:35,480 Speaker 17: Alan, that's a bit ordinary. But she's an attractive girl. 749 00:33:36,480 --> 00:33:37,640 Speaker 2: Oh god, I think. 750 00:33:37,560 --> 00:33:39,600 Speaker 5: It has to be right. 751 00:33:40,240 --> 00:33:43,920 Speaker 1: It has to be okay, we think you guys are 752 00:33:43,960 --> 00:33:44,720 Speaker 1: father daughter. 753 00:33:45,200 --> 00:33:55,600 Speaker 15: Please you know Marie, two little boys. 754 00:33:59,040 --> 00:34:00,760 Speaker 2: And you're thirty five years apart. 755 00:34:03,640 --> 00:34:04,560 Speaker 17: It's not thirty. 756 00:34:06,440 --> 00:34:08,800 Speaker 5: What part of this was real jokes? 757 00:34:09,239 --> 00:34:14,520 Speaker 2: You're lying? Well wait all right, Ellen, Well, now that 758 00:34:14,640 --> 00:34:18,960 Speaker 2: we've found out that you're actually together that dream about Ellie, 759 00:34:19,040 --> 00:34:19,680 Speaker 2: where are you at? 760 00:34:19,800 --> 00:34:20,000 Speaker 5: Yeah? 761 00:34:20,080 --> 00:34:30,480 Speaker 2: Come on, Ellen, pardon a double pass to go and 762 00:34:30,480 --> 00:34:34,879 Speaker 2: see Pink in a summit Carnival, to register willemwide dot 763 00:34:34,920 --> 00:34:37,359 Speaker 2: com and then just beat Woody at the Pink lyrics. 764 00:34:37,800 --> 00:34:38,839 Speaker 2: The one and Only Pink. 765 00:34:38,840 --> 00:34:42,400 Speaker 16: He's bringing his summer Carnival talk to Australia February and 766 00:34:42,480 --> 00:34:44,320 Speaker 16: March twenty twenty four. 767 00:34:44,160 --> 00:34:46,280 Speaker 2: Second shows, adding tickets on sale. 768 00:34:46,320 --> 00:34:52,920 Speaker 1: Now it's a Livenation dot com dot Au, it's Woody Wilds. 769 00:34:53,560 --> 00:34:56,600 Speaker 9: But now it's just a shit house. 770 00:34:58,880 --> 00:35:00,879 Speaker 2: About it. I'm so you're getting better? 771 00:35:01,280 --> 00:35:05,840 Speaker 5: Up and down, down, down yesterday, up and down? 772 00:35:06,160 --> 00:35:06,880 Speaker 2: All right? Whatever. 773 00:35:07,880 --> 00:35:11,520 Speaker 3: Let I'll let the lyrics do the talking, Jody, double 774 00:35:11,520 --> 00:35:13,319 Speaker 3: pass to go and go and see Pink. 775 00:35:13,360 --> 00:35:14,040 Speaker 2: Who are you taking? 776 00:35:15,000 --> 00:35:16,040 Speaker 6: Most likely my mom? 777 00:35:16,120 --> 00:35:19,000 Speaker 2: Beautiful stuff, do beautiful stuff. 778 00:35:19,040 --> 00:35:20,920 Speaker 3: I'm not going to ask you if you if you've 779 00:35:20,920 --> 00:35:22,520 Speaker 3: already got tickets because. 780 00:35:22,760 --> 00:35:23,440 Speaker 9: No, I do not. 781 00:35:23,719 --> 00:35:28,360 Speaker 3: Okay, right, that was that was a producer's night mere yesterday. 782 00:35:28,360 --> 00:35:30,360 Speaker 3: They're going to play radio school and be like this 783 00:35:30,440 --> 00:35:33,480 Speaker 3: is what you don't put on the radio. But anyway, 784 00:35:33,560 --> 00:35:36,040 Speaker 3: look it was we really want to help you out, 785 00:35:36,080 --> 00:35:37,200 Speaker 3: you and your mum to go and see Pink. 786 00:35:37,239 --> 00:35:38,760 Speaker 2: All you gotta do is you got to beat Woody 787 00:35:38,760 --> 00:35:40,839 Speaker 2: at the lyrics. Woods is up first as always because 788 00:35:40,840 --> 00:35:42,600 Speaker 2: otherwise he'll copy you. Woods. 789 00:35:42,640 --> 00:35:43,279 Speaker 5: Are you ready to go? 790 00:35:43,400 --> 00:35:46,000 Speaker 2: Yes, Okay, here we go. First song. Best you gotta 791 00:35:46,000 --> 00:35:47,480 Speaker 2: get best out of three Joees, so you need to 792 00:35:47,760 --> 00:35:48,759 Speaker 2: here we go. First song. 793 00:35:52,600 --> 00:35:58,000 Speaker 5: See, I'm not here for your every randon. 794 00:36:01,400 --> 00:36:07,120 Speaker 1: Nowhere there absolutely what is if you're asking me that? 795 00:36:07,280 --> 00:36:07,600 Speaker 5: Jody? 796 00:36:07,640 --> 00:36:11,400 Speaker 2: Are you ready? Same song? You in your hand? Okay, 797 00:36:11,400 --> 00:36:18,160 Speaker 2: here we go, Jo, I'm. 798 00:36:17,920 --> 00:36:20,280 Speaker 3: Not here for your entertainment. 799 00:36:21,239 --> 00:36:22,200 Speaker 17: I don't know the next. 800 00:36:24,880 --> 00:36:33,160 Speaker 2: Joy you are jogging. You don't want to mess with 801 00:36:33,320 --> 00:36:33,759 Speaker 2: me to. 802 00:36:35,400 --> 00:36:43,279 Speaker 5: Want second I great song? You know where there? 803 00:36:43,360 --> 00:36:43,640 Speaker 6: Jodey? 804 00:36:43,719 --> 00:36:44,360 Speaker 5: You are nowhere? 805 00:36:44,760 --> 00:36:48,279 Speaker 2: Should we fight to the end because it begin keep 806 00:36:48,440 --> 00:36:52,960 Speaker 2: you'll drink? Just give me the mom just you in 807 00:36:53,120 --> 00:36:57,040 Speaker 2: your hands. Johnny actually going to give it to Joey. 808 00:36:57,120 --> 00:36:57,359 Speaker 18: She goes. 809 00:36:57,440 --> 00:36:59,480 Speaker 2: You know she came over and went Sally. 810 00:36:59,440 --> 00:37:07,719 Speaker 5: There still Gould Judge, you're like a jukebox. Jodey just 811 00:37:07,760 --> 00:37:08,080 Speaker 5: pulled my. 812 00:37:08,160 --> 00:37:11,120 Speaker 2: Cord right, here you go, next one. So Jodie's got 813 00:37:11,160 --> 00:37:13,000 Speaker 2: one show that needs one more to get the tickets. 814 00:37:13,560 --> 00:37:16,359 Speaker 3: Mate, you couldn't even finish the first line. I didn't 815 00:37:16,360 --> 00:37:17,960 Speaker 3: say I'm not here for your entertainment. You said I'm 816 00:37:18,000 --> 00:37:19,839 Speaker 3: not here for your everlasting. So like if you need 817 00:37:19,840 --> 00:37:21,560 Speaker 3: me to pick you apart, I will don't make that 818 00:37:21,600 --> 00:37:23,760 Speaker 3: a Here we go next song. You're on first Woods 819 00:37:23,760 --> 00:37:25,000 Speaker 3: and so what ready, here we go? 820 00:37:28,480 --> 00:37:29,400 Speaker 14: So so what? 821 00:37:30,040 --> 00:37:31,760 Speaker 5: I'm still the rockster. 822 00:37:33,239 --> 00:37:34,120 Speaker 14: In my car. 823 00:37:35,520 --> 00:37:37,440 Speaker 8: Driving to your bar. 824 00:37:47,120 --> 00:37:49,600 Speaker 10: So so what, I'm still a rockster. 825 00:37:50,080 --> 00:37:54,160 Speaker 17: I got my rock mon and I don't need tonight. 826 00:37:54,600 --> 00:37:58,239 Speaker 10: I guess what I not have more fun and now 827 00:37:58,360 --> 00:37:59,600 Speaker 10: the weird don't. 828 00:38:03,520 --> 00:38:11,879 Speaker 2: Johns and guess what a man and more fun. Let's 829 00:38:11,880 --> 00:38:13,960 Speaker 2: finish it together again, Jody, and not the last time. 830 00:38:14,560 --> 00:38:16,400 Speaker 1: Sure you to know. 831 00:38:19,480 --> 00:38:21,520 Speaker 2: We're out of round time and. 832 00:38:22,280 --> 00:38:23,520 Speaker 5: You've got the lyrics. 833 00:38:28,080 --> 00:38:30,640 Speaker 2: Tho, MAXI straight, Chris, Joey, you're gonna go and see 834 00:38:30,719 --> 00:38:36,640 Speaker 2: pink and cut your life? Oh my gee whiz, I 835 00:38:36,680 --> 00:38:37,400 Speaker 2: hope I don't see. 836 00:38:37,320 --> 00:38:44,560 Speaker 5: Next year it's will and Woody. Yeah, I am exhausted, 837 00:38:45,200 --> 00:38:46,759 Speaker 5: and we've got a lot more work to do. We 838 00:38:46,840 --> 00:38:49,640 Speaker 5: have a lot more work today. I'm actually I'm actually 839 00:38:49,719 --> 00:38:50,160 Speaker 5: boy there. 840 00:38:50,239 --> 00:38:54,200 Speaker 1: So if Rude Jude comes through, if any with the 841 00:38:54,239 --> 00:38:58,000 Speaker 1: Big Fanny comes through with the sound system, quite seriously, okay, 842 00:38:58,120 --> 00:38:59,880 Speaker 1: camera to whiz film with an iPhone? 843 00:39:00,840 --> 00:39:03,360 Speaker 5: Yeah right, Well, I'm not so worried about that. 844 00:39:03,480 --> 00:39:05,440 Speaker 2: No, I think we probably needed someone to film it properly. 845 00:39:06,000 --> 00:39:08,680 Speaker 5: Are we taking the digital producer Kate? Is she coming? 846 00:39:09,680 --> 00:39:11,440 Speaker 2: I don't know. It depends if she ends up sleeping 847 00:39:11,480 --> 00:39:12,640 Speaker 2: with Harry Styles on Friday night. 848 00:39:12,719 --> 00:39:13,680 Speaker 5: I think very true. 849 00:39:13,760 --> 00:39:15,759 Speaker 2: It's a big, very very true part of it. 850 00:39:17,000 --> 00:39:22,239 Speaker 1: Well, okay, we'll pending asleep with Harry styleep over with 851 00:39:22,320 --> 00:39:23,120 Speaker 1: Harry Styles. 852 00:39:23,640 --> 00:39:24,439 Speaker 2: She should be coming. 853 00:39:24,680 --> 00:39:25,719 Speaker 5: She's got a camera. Tick. 854 00:39:26,320 --> 00:39:28,560 Speaker 1: Okay, it sounds if any of the big fanly comes 855 00:39:28,600 --> 00:39:30,479 Speaker 1: through the sound system tick venue tick. 856 00:39:30,800 --> 00:39:33,680 Speaker 5: Her jokes are getting better and better every time. I 857 00:39:33,760 --> 00:39:34,840 Speaker 5: actually feel very confident. 858 00:39:35,600 --> 00:39:37,160 Speaker 2: Yeah, look, I think we're in a good spot. 859 00:39:37,400 --> 00:39:37,839 Speaker 5: Will come. 860 00:39:38,160 --> 00:39:39,279 Speaker 2: I think, yeah. 861 00:39:39,719 --> 00:39:43,040 Speaker 3: There's there's an old saying in the military, which is 862 00:39:43,160 --> 00:39:44,720 Speaker 3: the map doesn't always match the terrain. 863 00:39:45,080 --> 00:39:45,799 Speaker 5: And what does that mean? 864 00:39:46,040 --> 00:39:48,440 Speaker 3: Well, it means just because it feels like everything sort 865 00:39:48,440 --> 00:39:50,120 Speaker 3: of laid out for us from a distance. 866 00:39:50,440 --> 00:39:53,239 Speaker 2: I feel like when we get there, there's going to 867 00:39:53,280 --> 00:39:55,600 Speaker 2: be a bunch of stuff which is going to come up. 868 00:39:55,760 --> 00:39:58,719 Speaker 3: I just something tells me, so, look, yes, I think 869 00:39:58,760 --> 00:40:01,400 Speaker 3: in terms of getting all the getting all our ducks 870 00:40:01,440 --> 00:40:04,359 Speaker 3: lined up from here, we are doing the right things. 871 00:40:05,320 --> 00:40:07,000 Speaker 3: The one thing there's a bit of a question for 872 00:40:07,120 --> 00:40:10,080 Speaker 3: me now is just promotion. Like I'm sure sure they 873 00:40:10,160 --> 00:40:12,360 Speaker 3: haven't people in Charleville haven't got a lot on on 874 00:40:12,440 --> 00:40:15,680 Speaker 3: it Wednesday night, but like at the same time, we 875 00:40:15,760 --> 00:40:18,320 Speaker 3: still need it to be shouldered at shoulder in the 876 00:40:18,400 --> 00:40:19,879 Speaker 3: park to make it look like a live gig. 877 00:40:19,960 --> 00:40:22,520 Speaker 1: It was a good sign though, when we called Fern 878 00:40:22,719 --> 00:40:26,520 Speaker 1: and Melita and Amanda not so much in the pub, 879 00:40:26,600 --> 00:40:28,320 Speaker 1: Gun not so much, but Fern and Melita at the 880 00:40:28,480 --> 00:40:33,719 Speaker 1: Bilbie Station slash train station slash tourist attraction whatever they knew. 881 00:40:33,800 --> 00:40:36,680 Speaker 1: They knew we were coming. So there's obviously that's a 882 00:40:36,880 --> 00:40:38,600 Speaker 1: portion of the town that's listening to the show because 883 00:40:38,680 --> 00:40:40,480 Speaker 1: dudes obviously told them about it. So I feel like 884 00:40:40,800 --> 00:40:44,879 Speaker 1: if they already know that, there's already a portion going 885 00:40:44,920 --> 00:40:46,440 Speaker 1: without us even promoting it ourselves. 886 00:40:46,719 --> 00:40:48,120 Speaker 5: So I think that's great. 887 00:40:48,280 --> 00:40:48,640 Speaker 2: That's good. 888 00:40:48,719 --> 00:40:51,719 Speaker 5: When we actually get there, sausage sizzle. 889 00:40:51,560 --> 00:40:54,600 Speaker 2: Might be good. No, it might be good to jump 890 00:40:54,680 --> 00:40:56,120 Speaker 2: on the see if we can get on radio in 891 00:40:56,200 --> 00:40:56,960 Speaker 2: Charlville as well. 892 00:40:57,440 --> 00:40:58,080 Speaker 5: They have a radio. 893 00:40:58,239 --> 00:41:02,839 Speaker 2: I'm sure, not sure, but I've got a radio radio. 894 00:41:04,120 --> 00:41:08,520 Speaker 2: Got four double R four. Great, you go, so we 895 00:41:08,560 --> 00:41:10,600 Speaker 2: can get on radio in the morning, and maybe a 896 00:41:10,680 --> 00:41:11,320 Speaker 2: few posters. 897 00:41:11,680 --> 00:41:13,640 Speaker 5: We put a press release. Do you put out a 898 00:41:13,719 --> 00:41:17,799 Speaker 5: press Well, how do we get on the show. 899 00:41:17,880 --> 00:41:21,080 Speaker 2: They don't have a newspaper, they don't have a newspaper. Well, 900 00:41:21,120 --> 00:41:24,279 Speaker 2: they won't have like the Charville Times. I wouldn't have thought. 901 00:41:24,280 --> 00:41:26,120 Speaker 5: It might be a very small. 902 00:41:27,440 --> 00:41:29,279 Speaker 1: I don't think they will, okay, but but they'd be 903 00:41:29,360 --> 00:41:31,160 Speaker 1: like I'm saying, like press release, not for the paper, 904 00:41:31,360 --> 00:41:32,640 Speaker 1: just for to give to the radio guy. 905 00:41:32,680 --> 00:41:35,439 Speaker 5: We want to look legit, like a script, because I mean. 906 00:41:35,560 --> 00:41:36,080 Speaker 7: They have it. 907 00:41:36,200 --> 00:41:37,920 Speaker 2: They've got Western Times. 908 00:41:38,080 --> 00:41:39,479 Speaker 5: Oh, there you go, we've got a paper. 909 00:41:39,800 --> 00:41:41,280 Speaker 2: Yeah, Childville Western Times. 910 00:41:41,840 --> 00:41:45,520 Speaker 1: Try and get in the paper. That's totally fair enough. 911 00:41:45,560 --> 00:41:49,080 Speaker 1: All right, let's let's get out of here. We're in 912 00:41:49,120 --> 00:41:50,480 Speaker 1: a we're in a good spot. 913 00:41:50,760 --> 00:41:50,840 Speaker 15: Ye. 914 00:41:51,120 --> 00:41:52,080 Speaker 5: Anything you want to talking. 915 00:41:51,920 --> 00:41:54,680 Speaker 2: About, mate, I'm I'm aware that I'm gonna have to 916 00:41:54,719 --> 00:41:55,839 Speaker 2: make phone calls into the night. 917 00:41:57,040 --> 00:41:57,640 Speaker 5: Who are you calling. 918 00:41:57,800 --> 00:41:59,759 Speaker 2: I've got to figure out this radio station thing. 919 00:42:00,040 --> 00:42:01,799 Speaker 3: I've got to still thinking about the sound system where 920 00:42:01,800 --> 00:42:03,200 Speaker 3: no one knew its sound system. 921 00:42:03,000 --> 00:42:04,359 Speaker 5: And we're calling big fanily any tomorrow. 922 00:42:04,360 --> 00:42:05,080 Speaker 2: What are you doing tonight? 923 00:42:05,440 --> 00:42:07,800 Speaker 5: Taking the load off? Yeah, of course it was my 924 00:42:07,880 --> 00:42:08,200 Speaker 5: ass off. 925 00:42:08,280 --> 00:42:08,600 Speaker 15: What do you. 926 00:42:10,880 --> 00:42:16,680 Speaker 2: We made three vocals, yeah, pretty transformed tomorrow