WEBVTT - Gremlins 👽 We're Going To Miss You 😭 💗

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<v Speaker 1>Flex and Frooms, Flex and Frooms, This is the Flex

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<v Speaker 1>and Frooms catch up podcast.

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<v Speaker 2>Oh my god, not Friday, the first of December. You

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<v Speaker 2>know what this guy's mean. It's our last ever radio show.

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<v Speaker 2>Oh my god, I'm crying. Okay, Flex is this a joke?

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<v Speaker 1>Choked?

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<v Speaker 2>I'm sorry. Listen, guys, We're gonna keep dropping bonus episodes

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<v Speaker 2>and content from our live show in Melbourne all decead by,

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<v Speaker 2>So stay tuned.

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<v Speaker 1>Mary. Christmas, we celebrate I like the traditional happy holidays

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<v Speaker 1>or maybe not even just enjoy your break always go

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<v Speaker 1>to treat, Happy New Year? Can still stay that? Can

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<v Speaker 1>still say and thank you for listening these last two years.

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<v Speaker 1>Contrary to how it sounds as not funeral or eulogy,

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<v Speaker 1>we will be around. There are other ways to hear

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<v Speaker 1>our voices, we promise you. But in the meantime, please

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<v Speaker 1>enjoy our last live show. Miss you.

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<v Speaker 2>Oh my mummy? Can I listen to Flex and Frooms

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<v Speaker 2>Flex and Firms?

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<v Speaker 1>Okada, sweetye buyes. It's our last so ever and to

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<v Speaker 1>celebrate Fremi's gonna play us our first break ever, only

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<v Speaker 1>a little bit in case it's really embarrassing, but just

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<v Speaker 1>enough week we can reminisce and bask in our own glory.

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<v Speaker 2>All right, here we go, Mickey.

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<v Speaker 1>Amazing Flexen Firms first show ever on Kita. Isn't this hot?

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<v Speaker 2>We are here? This is so nice to be opposite you.

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<v Speaker 1>It is nice to be opposite you. It's really romantic.

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<v Speaker 1>And also it's just a long time coming. I mean,

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<v Speaker 1>our whole lives. We've been waiting for this moment right

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<v Speaker 1>here where I could sit alongside.

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<v Speaker 2>You to do this. That sounded like a first date.

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<v Speaker 1>Yeah. Do you know of one of the first things

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<v Speaker 1>that Fum and I connected on, One of the many

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<v Speaker 1>first things actually is the speculation people have about thinking

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<v Speaker 1>that we are lesbians. And you listen to that, and

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<v Speaker 1>it's all there. We were tuning from the first bright.

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<v Speaker 2>The evidence is there.

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<v Speaker 1>The evidence is there, and if you needed more to

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<v Speaker 1>add to your dossier of accusations, please do. I like

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<v Speaker 1>the way it looks, I like the way it sounds.

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<v Speaker 1>It's adorable to flash back, and this is really matching

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<v Speaker 1>my current fixation on documenting history. I was talking to

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<v Speaker 1>Josh this morning, Josh our video expertise, about how when

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<v Speaker 1>you think about history, I don't know if it's for

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<v Speaker 1>you as well. But when I think about history, it's like,

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<v Speaker 1>in my head, I always think history is one hundred

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<v Speaker 1>years ago, and everything one hundred years ago and beyond

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<v Speaker 1>is history, and everything now is the present and the future.

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<v Speaker 1>But realistically, yesterday was history, and if we don't document

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<v Speaker 1>what happened yesterday effectively, then in ten years time from now,

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<v Speaker 1>we don't have an accurate picture and what it was

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<v Speaker 1>like to exist here. And it's freaking me out because

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<v Speaker 1>already we find it difficult to accurately remember dates and

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<v Speaker 1>times and what it was really like. The point is you,

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<v Speaker 1>you are the historian. We are living in a time

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<v Speaker 1>where everybody, every single person in the world, gets to

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<v Speaker 1>publish history, gets sit aside what future generations look back

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<v Speaker 1>and see what our world was actually like, and we're taking.

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<v Speaker 2>It for granted. Post posts with flex Mummy. When we

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<v Speaker 2>first started this show, I spoke a lot about being

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<v Speaker 2>a Karen. Okay, it was self imposed. However, of of

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<v Speaker 2>course history repeats itself and becomes true. It's us since

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<v Speaker 2>I've given you guys a Karen update, but it's now time.

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<v Speaker 2>I am part of the rental crisis, being an Australian

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<v Speaker 2>person without mortgage. I'm currently renting an apartment and my

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<v Speaker 2>lease is up in seven days. Guys, my twelve month

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<v Speaker 2>lease is up in seven days. Tell me why I'm

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<v Speaker 2>getting on the front foot with the agent and yes,

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<v Speaker 2>this is a complaining break y'p.

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<v Speaker 1>Getting on the front foot a week out.

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<v Speaker 2>No, no, no, no. I got in the front foot

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<v Speaker 2>about a month out.

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<v Speaker 1>Oh okay.

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<v Speaker 2>And I was like, hey, guys, I see my Lisa

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<v Speaker 2>ending on the seventeenth of December. Please let me know.

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<v Speaker 2>I'm very keen to sign another twelve month please, you

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<v Speaker 2>know it's great tenant. I don't get a reply back

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<v Speaker 2>for seven days, so I follow up again. My agent says,

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<v Speaker 2>I'm going to the owner. I'll let you know as

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<v Speaker 2>soon as I know something. Another seven days passes seven okay.

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<v Speaker 1>King, so better than me I would have been on

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<v Speaker 1>that phone.

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<v Speaker 2>I start calling okay three times, like sorry, the agents

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<v Speaker 2>are unavailable, Like what the what are you guys doing?

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<v Speaker 2>Couldn't get on the men having a biff with the

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<v Speaker 2>reception of saying Sis, please, it's a three minute phone call.

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<v Speaker 2>I just need to speak to them. Yeah, no, we

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<v Speaker 2>need a paper trail, I said, Yank, can I change sis?

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<v Speaker 2>But then she said no, me, I do like a

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<v Speaker 2>paper trail.

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<v Speaker 1>I do too, but in this instance, like fourteen days,

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<v Speaker 1>ten business days, where are you?

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<v Speaker 2>And she the receptions which made me feel better, said,

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<v Speaker 2>me and my daughter are in a house and we've

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<v Speaker 2>been in it for eight months, month to month, so

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<v Speaker 2>this is fine.

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<v Speaker 1>And I was like, Okay, I don't really know why

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<v Speaker 1>this has come up.

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<v Speaker 2>Anyway, The agent gets back to me and they said

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<v Speaker 2>the owner will get back to you about a twelve

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<v Speaker 2>month lease in January.

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<v Speaker 1>Huh what?

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<v Speaker 2>So I was thinking, what would you do if you

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<v Speaker 2>and me? Would you hit them with the Uh? Okay,

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<v Speaker 2>I'm going to vacate on the seventeenth of December knowing

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<v Speaker 2>that the office is shut then, so put them in

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<v Speaker 2>a bind. I didn't, okay, because they can't take people

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<v Speaker 2>through all through December because the office is shut for

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<v Speaker 2>like three weeks, right, So fudge them all up?

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<v Speaker 3>Yeah?

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<v Speaker 2>Or just wait till January, knowing that by January it

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<v Speaker 2>would have rolled into a month to month lease. And

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<v Speaker 2>according to the law, if you're on a month to

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<v Speaker 2>month I have to give you ninety days notice. So

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<v Speaker 2>I've got an extra at least three months on top

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<v Speaker 2>to do. What to say?

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<v Speaker 1>So do you want to stay. Yeah, and you're presuming

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<v Speaker 1>because they're hard to get a hold of that, they're

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<v Speaker 1>doing a dodge and they're going to come back and

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<v Speaker 1>raise the ramp.

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<v Speaker 2>Well, I'm if they're going to raise the rent, then,

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<v Speaker 2>like I'll say, I'm just worried they're going to kick

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<v Speaker 2>me out or something. I'm really anxious. What I'm worried.

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<v Speaker 1>Because how did your mind go there? I don't know,

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<v Speaker 1>because like high performers always, they're getting fi.

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<v Speaker 4>Yeah, that's it's.

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<v Speaker 2>Asti as I think my age is gonna find me.

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<v Speaker 2>It doesn't work that way.

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<v Speaker 1>But Okay, so yeah, I think you're fine.

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<v Speaker 2>I'm fine.

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<v Speaker 1>You've got the paper trail. This was said to you

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<v Speaker 1>back on email. Yeah, so understandably it's I would go

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<v Speaker 1>back and say what I'm understanding from our correspondence is

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<v Speaker 1>I've tried to get ahold of you to renew our lease.

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<v Speaker 1>You've told me that the age will be getting back

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<v Speaker 1>to me up until this time. Is it fair to

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<v Speaker 1>say I'm able to stay in the property up until

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<v Speaker 1>this time? And based on insert research here, la la

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<v Speaker 1>la la, just put it in paper.

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<v Speaker 2>I won't hit it in the research just because I

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<v Speaker 2>like to keep the little legal binding things under my

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<v Speaker 2>belt and I can hit it with them when they

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<v Speaker 2>try to throw a dodgy on me.

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<v Speaker 1>Why are we anticipating a dodgy?

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<v Speaker 2>Though? I just always am the rental market, particularly where

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<v Speaker 2>I live, Like people's rents getting raised by two hundred

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<v Speaker 2>dollars and stuff.

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<v Speaker 1>But you're still happy to stay there even if your

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<v Speaker 1>ren't get to raise.

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<v Speaker 2>So what's the issue? Well, it depends how much they raise. Okay,

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<v Speaker 2>if like in a two hundred ray.

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<v Speaker 1>In your head, the options are your rent is getting

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<v Speaker 1>raised or they're trying to kick you out. Yes, I see,

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<v Speaker 1>but we don't know that to be true. We're just speculating.

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<v Speaker 1>But we're adding fuel to the speculation because your real

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<v Speaker 1>estate agent is traditionally traditionally hard to get a hold of,

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<v Speaker 1>like all the other ones.

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<v Speaker 2>Yeap, oh watch this space.

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<v Speaker 1>Why getting back to you in January? Though I don't understand,

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<v Speaker 1>Like I know what's the holder.

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<v Speaker 2>Maybe they're on holiday. But for me, it's like, in

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<v Speaker 2>my mind, my mind goes to they want to kick

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<v Speaker 2>me out because they want to raise the rent exponentially,

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<v Speaker 2>So they waiting till January because that's when everyone starts

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<v Speaker 2>like ramping up again.

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<v Speaker 1>Yeah, interesting, We'll say, I'll keep you it's been not

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<v Speaker 1>to give too much information, but you've been there for Yeah,

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<v Speaker 1>so I could imagine like the same old bob like

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<v Speaker 1>I hope.

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<v Speaker 2>So I just wish that. Then why didn't they sign

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<v Speaker 2>a twelve months straight away?

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<v Speaker 1>Have they done it? Strayed away? Usually?

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<v Speaker 3>Yeah?

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<v Speaker 2>Okay?

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<v Speaker 1>Maybe of course?

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<v Speaker 2>Always Flex and frooms on Kita.

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<v Speaker 1>We've spoken about it enough about not really remembering people's names. However,

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<v Speaker 1>they're different afflictions when it comes to fru Me and I.

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<v Speaker 1>For me, when I'm talking to someone, I often don't

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<v Speaker 1>do introductions. I just get straight into discussion. If I'm

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<v Speaker 1>walking through the radio station and I see someone I

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<v Speaker 1>haven't met before, I won't introduce myself. I'll just talk

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<v Speaker 1>to them, and then every week I'll talk to them,

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<v Speaker 1>and before you know, it's been eight weeks, I don't

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<v Speaker 1>know their name and I'm not going to ask now,

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<v Speaker 1>and I don't really mind through me. On the other hand,

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<v Speaker 1>different afflictions always ask you for.

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<v Speaker 2>The name will be out and Flexi'll be like, I'll

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<v Speaker 2>have a friend that're.

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<v Speaker 1>Like FLEXI have you met Dabla?

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<v Speaker 2>And I fully implicate you. So we have different styles

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<v Speaker 2>for sure.

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<v Speaker 1>A lovely listener of ours has gotten in touch with

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<v Speaker 1>us to say they genuinely don't suit their name, and

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<v Speaker 1>I think they need a bit of advice.

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<v Speaker 2>Are we going tops their name?

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<v Speaker 1>Asurely high flexy through me and Mickey straight off the bat.

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<v Speaker 2>I just want to say I'm obsessed with all of you.

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<v Speaker 5>I was listening to the party tonight about names and

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<v Speaker 5>how some people regret what they call their children, or

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<v Speaker 5>whether or not certain names suit certain people, and I

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<v Speaker 5>thought I'd hear a kind of wholesome story about my name.

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<v Speaker 5>I've always been told I don't suit my name at all,

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<v Speaker 5>and one day when of my managers, who I don't

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<v Speaker 5>think I've ever spoken to before, just said to me,

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<v Speaker 5>you don't look like a Sarah at all. Like I

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<v Speaker 5>can't believe you name is Sarah doesn't suit you one bit.

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<v Speaker 5>And I tend to agree with this, But I came

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<v Speaker 5>up with a nickname that I felt suited me really well.

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<v Speaker 5>And how I came up with it was I was

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<v Speaker 5>at a festival and with my friends always two years ago,

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<v Speaker 5>and I was offering some kom butcher to everyone and

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<v Speaker 5>telling everyone a saying my mum always says to me,

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<v Speaker 5>which is Sarah Tonin starts in the gut.

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<v Speaker 2>Guys.

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<v Speaker 5>Everyone kind of found it funny, and I got told

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<v Speaker 5>quite a bit at the festival by a few of

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<v Speaker 5>my friends, and I guess in general when I'm out

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<v Speaker 5>partying that I'm my friend's comfort person, which I love.

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<v Speaker 5>I changed all my handles to Sarahtonin and the name

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<v Speaker 5>is kind of stuck as like a funny nickname. But

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<v Speaker 5>sending love and of course seratonin to you all. Thank

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<v Speaker 5>you for the potty and for the laughs.

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<v Speaker 2>Always from.

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<v Speaker 1>Obsessed, and that's how you really do it. There are

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<v Speaker 1>different naming traditions throughout all different cultures I've seen. In

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<v Speaker 1>some you have up to six weeks to name your

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<v Speaker 1>kid before it's like null and void. I don't know

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<v Speaker 1>what happens to the kid after six weeks, like get

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<v Speaker 1>rid of that, you don't want to name it, give

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<v Speaker 1>it to someone else. But what I will say is

0:10:29.040 --> 0:10:34.680
<v Speaker 1>that most cultures are very specific with the intention of names.

0:10:34.760 --> 0:10:37.520
<v Speaker 1>I feel like if you were to survey one person

0:10:37.600 --> 0:10:40.040
<v Speaker 1>from every culture in the entire world and they would say, oh,

0:10:40.040 --> 0:10:42.640
<v Speaker 1>a name matters, A name really matters. I don't know

0:10:42.640 --> 0:10:44.720
<v Speaker 1>why we're getting all creative for no reason when it

0:10:44.760 --> 0:10:47.080
<v Speaker 1>comes to name, especially when you whittle down, like I've

0:10:47.080 --> 0:10:50.040
<v Speaker 1>told you where I'm from. In Ghana, everybody gets named

0:10:50.080 --> 0:10:53.760
<v Speaker 1>based on the day that you're born. Yep, Monday, Tuesday, Wednesday, Thursday,

0:10:53.840 --> 0:10:56.840
<v Speaker 1>and then you get an additional name that essentially is

0:10:56.840 --> 0:10:59.640
<v Speaker 1>like your you're the thing that powers you up, you

0:10:59.679 --> 0:11:01.800
<v Speaker 1>know what I mean. And I also told you that

0:11:01.920 --> 0:11:04.120
<v Speaker 1>I'm technically born on Tuesday. But my dad was like,

0:11:04.320 --> 0:11:06.600
<v Speaker 1>my baby could never be a Tuesday born. We're naming

0:11:06.600 --> 0:11:10.560
<v Speaker 1>her after Saturday. Saturday, Saturday, Saturday born baby. And what's

0:11:10.559 --> 0:11:14.760
<v Speaker 1>the name my name? Yeah, Ama Ama Saturday born baby.

0:11:14.760 --> 0:11:16.800
<v Speaker 1>And it makes a lot of sense because I'm everybody.

0:11:17.000 --> 0:11:19.079
<v Speaker 1>When I introduced myself, They're like, yeah, there it is.

0:11:19.120 --> 0:11:21.959
<v Speaker 1>She's a Saturday's She's a Saturday.

0:11:22.000 --> 0:11:25.160
<v Speaker 2>It's crazy. Your dad literally just said redacted redacted.

0:11:25.280 --> 0:11:29.000
<v Speaker 1>Nobody needs to know. But also when you look into numerology,

0:11:29.080 --> 0:11:32.520
<v Speaker 1>you can figure out like the neurology for your name

0:11:32.760 --> 0:11:36.280
<v Speaker 1>as well. And also people say and claim that you

0:11:36.400 --> 0:11:41.760
<v Speaker 1>embody who your name is flex maumy all about matriarchies,

0:11:42.120 --> 0:11:44.760
<v Speaker 1>it is, it's all there. And we have talked about

0:11:44.840 --> 0:11:47.320
<v Speaker 1>back in the past, how your name was an indication

0:11:47.360 --> 0:11:50.360
<v Speaker 1>of what you did if you're a baker, if you

0:11:50.400 --> 0:11:55.920
<v Speaker 1>were a night or a blacksmith. So come on, big spender,

0:11:56.600 --> 0:11:57.680
<v Speaker 1>Come on, big spender.

0:11:58.960 --> 0:12:01.080
<v Speaker 2>Well, as we also know, Rooms is my mum's name.

0:12:01.120 --> 0:12:04.160
<v Speaker 2>So that's a little matriarchy moment in and officeelf, absolutely,

0:12:04.520 --> 0:12:06.720
<v Speaker 2>And I was born on the third or the third.

0:12:06.760 --> 0:12:10.199
<v Speaker 2>And I realized the other day at one eleven O

0:12:10.720 --> 0:12:14.400
<v Speaker 2>three three one one one pretty goode out. Yeah. Found

0:12:14.400 --> 0:12:17.280
<v Speaker 2>it on baby Frooms and the name was baby Frooms.

0:12:17.520 --> 0:12:20.880
<v Speaker 2>It's meant to be not even price baby frooms. That's

0:12:21.360 --> 0:12:23.280
<v Speaker 2>new ya new.

0:12:23.720 --> 0:12:24.680
<v Speaker 1>Do you know what time you were born?

0:12:24.920 --> 0:12:26.280
<v Speaker 4>Twenty two twenty two?

0:12:27.040 --> 0:12:27.280
<v Speaker 1>What?

0:12:28.000 --> 0:12:28.160
<v Speaker 3>Yeah?

0:12:28.160 --> 0:12:31.080
<v Speaker 4>I was born at ten twenty two at night twenty

0:12:31.120 --> 0:12:33.520
<v Speaker 4>two twenty two. Shut my mom was like, because my mom,

0:12:33.840 --> 0:12:36.040
<v Speaker 4>she did you know she had the stomach what is it?

0:12:36.120 --> 0:12:36.560
<v Speaker 1>Saat?

0:12:36.880 --> 0:12:39.200
<v Speaker 2>And she looked up for web twenty two twenty two time,

0:12:39.520 --> 0:12:43.280
<v Speaker 2>Oh that's the way thing. Wait, wait, okay, this is

0:12:43.280 --> 0:12:45.400
<v Speaker 2>why way, this is why we're connected, Mickey.

0:12:45.200 --> 0:12:47.240
<v Speaker 1>Cosmic, it's in the style.

0:12:47.320 --> 0:12:48.360
<v Speaker 2>This is why we're connected.

0:12:48.440 --> 0:12:53.280
<v Speaker 1>And PM for you, Mickey, and you were am PM.

0:12:53.000 --> 0:12:56.319
<v Speaker 2>PM okay one PM one one one.

0:12:56.360 --> 0:12:58.760
<v Speaker 1>This is very interesting. I love this thank you for sharing.

0:12:58.800 --> 0:13:00.040
<v Speaker 1>That's so hot and sexy.

0:13:02.960 --> 0:13:07.800
<v Speaker 2>Flex and frooms on kidus. It's time for Mickey's music

0:13:08.000 --> 0:13:10.920
<v Speaker 2>is my favorite tie of the week, Nicky, what is

0:13:10.960 --> 0:13:12.800
<v Speaker 2>the Doll? Is the last one ever? That we're doing

0:13:12.880 --> 0:13:13.560
<v Speaker 2>last time ever?

0:13:13.920 --> 0:13:16.320
<v Speaker 1>And what I will say, Mickey's Music has taught me

0:13:16.360 --> 0:13:20.080
<v Speaker 1>a lot about just that dormant knowledge you have, and

0:13:20.360 --> 0:13:24.040
<v Speaker 1>also our different approaches to being competitive. I always thought

0:13:24.040 --> 0:13:28.000
<v Speaker 1>I was competitive. I'm just not a team player. But

0:13:28.040 --> 0:13:30.920
<v Speaker 1>I don't want to play group sports. But I'm not competitive,

0:13:31.240 --> 0:13:32.160
<v Speaker 1>not with other people.

0:13:32.360 --> 0:13:33.360
<v Speaker 2>You're competitive with yourself.

0:13:33.440 --> 0:13:38.719
<v Speaker 1>Yeah, you're competitive. Really, I did not expect of all

0:13:38.720 --> 0:13:43.000
<v Speaker 1>the qualities Miss has. She's very nurturing, she's very considerate,

0:13:43.440 --> 0:13:46.319
<v Speaker 1>she's always wanting to bring the group together. Miss through me.

0:13:46.960 --> 0:13:51.280
<v Speaker 1>My girl is in fact, fundamentally a sore loser, never

0:13:51.320 --> 0:13:55.720
<v Speaker 1>sorry coming. Yeah, you're not allowed to agree.

0:13:57.120 --> 0:13:58.199
<v Speaker 2>You're pointing.

0:13:59.320 --> 0:14:03.000
<v Speaker 4>Like what you're okay, Well, you just better win this week. Okay,

0:14:03.080 --> 0:14:04.280
<v Speaker 4>it's like three weeks ago.

0:14:04.640 --> 0:14:06.760
<v Speaker 2>Just win. It's like when your mom joins in on

0:14:06.800 --> 0:14:13.040
<v Speaker 2>the joke about you. Alright, what they say.

0:14:13.559 --> 0:14:15.640
<v Speaker 4>Part of me was going to make the theme for

0:14:15.840 --> 0:14:17.839
<v Speaker 4>me Fridays because I felt bad that you kept losing,

0:14:17.960 --> 0:14:18.880
<v Speaker 4>but I was like.

0:14:18.880 --> 0:14:19.720
<v Speaker 2>That's a pity.

0:14:19.920 --> 0:14:24.240
<v Speaker 4>I was like, nah, I'm an egalitarian. So it's break

0:14:24.360 --> 0:14:30.320
<v Speaker 4>up songs. Break up songs because we're breaking up, and

0:14:30.360 --> 0:14:32.440
<v Speaker 4>I made guys, I've made this one really long.

0:14:32.480 --> 0:14:35.640
<v Speaker 2>We've got nine songs. Yes, okay, I were crazy, guys,

0:14:35.720 --> 0:14:37.920
<v Speaker 2>I we're crazy. I don't know where we do.

0:14:38.600 --> 0:14:40.600
<v Speaker 4>Yeah, let's do it, Okay, are we ready?

0:14:40.800 --> 0:14:46.400
<v Speaker 2>Boy? Number were crimea River one Robin Dad's go my own.

0:14:47.000 --> 0:14:47.680
<v Speaker 4>One point for me.

0:14:48.200 --> 0:14:48.800
<v Speaker 1>You.

0:14:48.960 --> 0:14:53.240
<v Speaker 2>Number two came in like for me, breaking more Male Saracens.

0:14:54.480 --> 0:15:01.600
<v Speaker 4>Two points to Free Beautiful. Number three Lindsay Lowan Confessions

0:15:01.600 --> 0:15:02.280
<v Speaker 4>of a Broken Heart.

0:15:02.320 --> 0:15:03.640
<v Speaker 1>I feel like I've never heard that song.

0:15:03.680 --> 0:15:06.600
<v Speaker 2>I'm coming home with a vengeance sake because I'm why

0:15:06.640 --> 0:15:14.960
<v Speaker 2>are you? Number four? Oh so Lune losing you? That

0:15:15.040 --> 0:15:16.120
<v Speaker 2>was a wow for me?

0:15:16.200 --> 0:15:16.800
<v Speaker 1>Four for four?

0:15:17.000 --> 0:15:21.000
<v Speaker 2>Have I gone through something? Because why you know?

0:15:21.120 --> 0:15:23.040
<v Speaker 1>All the breakup runs off the dome like the first

0:15:23.160 --> 0:15:30.000
<v Speaker 1>bar one? Okay, I could be number five.

0:15:31.640 --> 0:15:33.040
<v Speaker 2>Me nowhere Jordan's bars.

0:15:33.800 --> 0:15:34.480
<v Speaker 1>You've already won.

0:15:35.760 --> 0:15:36.320
<v Speaker 2>Let's keep.

0:15:37.880 --> 0:15:38.920
<v Speaker 1>Number six.

0:15:43.480 --> 0:15:45.080
<v Speaker 2>Me two little too late, jojo.

0:15:45.560 --> 0:15:48.400
<v Speaker 4>Oh my, my, my, golly, gosh for me?

0:15:48.520 --> 0:15:57.440
<v Speaker 2>Okay. Number seven survivor Desney Child is beautiful, nearly lost

0:15:57.440 --> 0:16:02.520
<v Speaker 2>the boys? Are you letting me win?

0:16:02.960 --> 0:16:03.240
<v Speaker 1>Go on?

0:16:03.440 --> 0:16:04.320
<v Speaker 2>You're back into your face?

0:16:06.320 --> 0:16:09.080
<v Speaker 1>Number let her have one, just one.

0:16:11.160 --> 0:16:19.480
<v Speaker 2>Me torn nothing brilliant And the final song it'll.

0:16:19.320 --> 0:16:23.680
<v Speaker 1>Be number nine. Every time, babe, come on number.

0:16:23.520 --> 0:16:29.800
<v Speaker 2>Nine Slaves, Nelly Fotato, all good things correct?

0:16:30.440 --> 0:16:35.920
<v Speaker 1>You want to sing it for us? Flames to dust,

0:16:37.000 --> 0:16:42.080
<v Speaker 1>lovers to friends, things.

0:16:41.800 --> 0:16:46.920
<v Speaker 2>Come to and flames to dust to love us?

0:16:49.160 --> 0:16:52.520
<v Speaker 1>Why do oh good things come to?

0:16:54.000 --> 0:16:54.360
<v Speaker 2>Listen?

0:16:54.800 --> 0:16:57.080
<v Speaker 1>Okay, this is a lovers to friends. The signs are

0:16:57.120 --> 0:16:59.600
<v Speaker 1>always there, signs are always there.

0:17:00.240 --> 0:17:03.440
<v Speaker 2>Her friends are you trupping? Nellie? Get out of there.

0:17:04.160 --> 0:17:07.640
<v Speaker 2>He's not coming back Loves to Friends. She's sticking around

0:17:07.640 --> 0:17:10.120
<v Speaker 2>for one reason only. He won't change his mind. Oh

0:17:12.280 --> 0:17:13.879
<v Speaker 2>my god, guys, it's almost time for us to be

0:17:13.880 --> 0:17:17.160
<v Speaker 2>gone forever. But of course, Micky has been coming to

0:17:17.240 --> 0:17:19.600
<v Speaker 2>us with surprises all week because she's the best producer

0:17:19.640 --> 0:17:23.879
<v Speaker 2>on Literal Mother Earth True endorsed Micky. What have you

0:17:23.920 --> 0:17:24.600
<v Speaker 2>got for us, babes?

0:17:24.680 --> 0:17:30.200
<v Speaker 4>Last surprise, I contacted people and I made you something.

0:17:30.400 --> 0:17:32.959
<v Speaker 2>Oh I love that. Hi, they're Merrick here and I

0:17:33.000 --> 0:17:35.400
<v Speaker 2>was absolutely devastated to hear that Flex and Frooms will

0:17:35.440 --> 0:17:37.080
<v Speaker 2>be finishing up their show this week.

0:17:37.359 --> 0:17:41.560
<v Speaker 5>Often referred to as the Joe Rogans of Australian broadcasting,

0:17:42.080 --> 0:17:44.000
<v Speaker 5>It's going to be a big hold. You've been great,

0:17:44.560 --> 0:17:48.760
<v Speaker 5>Miss Flexi miss from It's former producer brook here, wishing

0:17:48.800 --> 0:17:49.520
<v Speaker 5>you both.

0:17:51.320 --> 0:17:52.240
<v Speaker 2>Two years at Kaita.

0:17:52.640 --> 0:17:55.480
<v Speaker 5>Have loved every minute of listening to and working with you.

0:17:55.640 --> 0:17:56.960
<v Speaker 2>I know you're both going to go on to.

0:17:56.920 --> 0:18:00.520
<v Speaker 1>Do incredible great babe, and don't worry, please have my

0:18:00.520 --> 0:18:32.760
<v Speaker 1>girls course of the really really sad that you guys

0:18:32.800 --> 0:18:34.520
<v Speaker 1>are moving on, but also when I wish you the

0:18:34.560 --> 0:18:34.840
<v Speaker 1>best of.

0:18:34.840 --> 0:18:37.480
<v Speaker 2>Black the next chapter the music. You've got a bit

0:18:37.520 --> 0:18:39.879
<v Speaker 2>of a sales background if you want to hit me

0:18:39.960 --> 0:18:43.320
<v Speaker 2>up with an opportunity, get that.

0:18:43.480 --> 0:18:46.480
<v Speaker 3>Gods as the one Liay work with Caper casually living

0:18:46.520 --> 0:18:51.399
<v Speaker 3>on what is going? This is the Flexing Rooms.

0:18:51.400 --> 0:18:52.040
<v Speaker 2>We love you?

0:18:52.359 --> 0:18:56.280
<v Speaker 3>She her from Michayla thel be a producer or am

0:18:56.280 --> 0:18:58.880
<v Speaker 3>I getting the shop for a small face great, I'll

0:18:58.880 --> 0:19:04.600
<v Speaker 3>do it, do Netflix Moody being influencer you beauty I

0:19:04.800 --> 0:19:08.480
<v Speaker 3>Froomes had to choose the celebrity, they would perfectly reflect

0:19:08.640 --> 0:19:12.560
<v Speaker 3>each state. You'd be Victoria. And what's something special about

0:19:12.560 --> 0:19:14.360
<v Speaker 3>the flexing Frooms? I've heard of them and they're good

0:19:14.440 --> 0:19:17.719
<v Speaker 3>not bad podcasts. Good Warri Kappas to Whizdas National all

0:19:17.720 --> 0:19:21.359
<v Speaker 3>this stuff. Ten ten point five million viewers. But Flexing

0:19:21.480 --> 0:19:25.120
<v Speaker 3>Frooms that's pretty good show. So we love the flex

0:19:25.160 --> 0:19:30.560
<v Speaker 3>and flumes and from the beautiful producer Mikayla, we love

0:19:30.600 --> 0:19:37.040
<v Speaker 3>you some flumes.

0:19:43.160 --> 0:19:47.000
<v Speaker 1>I'm like trying to process faster. I think she said, Amanda,

0:19:47.760 --> 0:19:50.520
<v Speaker 1>I acknowledge you for the first time, and we're like,

0:19:51.240 --> 0:19:55.560
<v Speaker 1>what's she saying? That was really beautiful? Everything that was

0:19:55.640 --> 0:19:59.480
<v Speaker 1>really nice. Everything hurts. I can't be getting into real estate.

0:20:00.440 --> 0:20:07.320
<v Speaker 1>Sweetye pies it. Funerals shouldn't be sad. They should really

0:20:07.320 --> 0:20:12.399
<v Speaker 1>be fun and lively and bright. They should be reminisceatory

0:20:12.600 --> 0:20:15.120
<v Speaker 1>whatever that means. But they should be pointing towards the future.

0:20:15.800 --> 0:20:20.240
<v Speaker 2>We know, oh thing for a Manda Kelse and she

0:20:20.359 --> 0:20:23.480
<v Speaker 2>was on one to one speed.

0:20:24.119 --> 0:20:26.280
<v Speaker 1>One of the odds that Summy has been pining for

0:20:26.320 --> 0:20:29.159
<v Speaker 1>Amanda Kella for. I would say the better longer than

0:20:29.160 --> 0:20:31.360
<v Speaker 1>two years. At this point, I have an order biogree,

0:20:31.600 --> 0:20:35.800
<v Speaker 1>you have an autobiograhy. What is this relationship, this parasocial

0:20:35.840 --> 0:20:37.800
<v Speaker 1>relationship you have towards Amanda? What do you want from her.

0:20:38.080 --> 0:20:39.920
<v Speaker 2>I don't want anything from it's good to say.

0:20:40.000 --> 0:20:42.600
<v Speaker 1>We talked about the scientific way to increase your luck

0:20:42.640 --> 0:20:46.000
<v Speaker 1>and it's about, okay, expressing what you need very plainly.

0:20:46.720 --> 0:20:49.240
<v Speaker 2>Who knows someone in the room could make it happen, Okay.

0:20:49.440 --> 0:20:52.359
<v Speaker 2>I love Amanda Kella. I love her energy. She's really

0:20:52.600 --> 0:20:55.359
<v Speaker 2>smart and nice. I like her relationship with Jonesy. It

0:20:55.400 --> 0:20:57.760
<v Speaker 2>seems easy and it's good listening. And I just like

0:20:57.800 --> 0:21:00.760
<v Speaker 2>her general vibe. I like her outfits, and I want

0:21:00.760 --> 0:21:03.440
<v Speaker 2>to be like a manicla in what way I want

0:21:03.440 --> 0:21:05.320
<v Speaker 2>to bring the joy that she brings me to someone

0:21:05.359 --> 0:21:12.239
<v Speaker 2>else for a large sum of money. Thank you.

0:21:12.359 --> 0:21:13.920
<v Speaker 1>I thought we lost it for a second. I said,

0:21:13.960 --> 0:21:20.800
<v Speaker 1>where is it going? So earnest try again is not hitting?

0:21:21.640 --> 0:21:23.920
<v Speaker 2>We don't do one final cut. It amocking. I just

0:21:23.960 --> 0:21:25.840
<v Speaker 2>want to say thank you to all the people in

0:21:25.920 --> 0:21:27.760
<v Speaker 2>pubs and clubs who come up to me and said,

0:21:27.800 --> 0:21:29.600
<v Speaker 2>oh my god, I listened to flex and rooms and

0:21:29.640 --> 0:21:32.960
<v Speaker 2>I really like it. You girls are funny, I said, whoa,

0:21:33.320 --> 0:21:35.960
<v Speaker 2>you're listening. That's amazing. So thanks so much. It's been

0:21:36.000 --> 0:21:39.520
<v Speaker 2>a pleasure to be with my girly Fleximmy.

0:21:39.200 --> 0:21:42.600
<v Speaker 1>The originator of Flexi. This Flexi really confused the brief

0:21:42.600 --> 0:21:45.560
<v Speaker 1>and brand for everyone, because up until Flex and Frooms

0:21:45.840 --> 0:21:48.280
<v Speaker 1>it was always just Flex Mamy or Flex. Then you

0:21:48.280 --> 0:21:51.400
<v Speaker 1>integrated FLEXI and I said it might be the name

0:21:52.240 --> 0:21:55.840
<v Speaker 1>and free me. Similarly, similarly, I was thinking, shout out

0:21:55.840 --> 0:21:57.840
<v Speaker 1>to the silent listeners. It's like a different kind of

0:21:57.880 --> 0:22:04.280
<v Speaker 1>commitment to be dedicated to a show, an artist, whatever,

0:22:04.760 --> 0:22:07.359
<v Speaker 1>and not talk about it, not tell anyone about it.

0:22:07.400 --> 0:22:09.119
<v Speaker 1>That's a different kind of love. And I appreciate that

0:22:09.520 --> 0:22:10.359
<v Speaker 1>it's sacred to you.

0:22:10.880 --> 0:22:15.040
<v Speaker 2>That's really nice. Important goodbye is to mich MICHAELA Floria,

0:22:15.800 --> 0:22:17.840
<v Speaker 2>the best producer on Earth.

0:22:17.760 --> 0:22:21.640
<v Speaker 1>Endorse emotional, physically, spiritually, financially.

0:22:21.280 --> 0:22:23.760
<v Speaker 2>Michayla Floriano. Guys, get the name in your head because

0:22:23.760 --> 0:22:24.879
<v Speaker 2>she is the number one to you.

0:22:26.480 --> 0:22:29.000
<v Speaker 1>But also you know what to do. Any blessings you

0:22:29.000 --> 0:22:33.000
<v Speaker 1>can send her way, seriously, guys, thanks, I'll find her a.

0:22:33.040 --> 0:22:35.600
<v Speaker 4>Pleasure to witness the magic.

0:22:35.280 --> 0:22:35.800
<v Speaker 2>Of you two.

0:22:36.480 --> 0:22:37.760
<v Speaker 1>Truly We'll be thanks.

0:22:38.000 --> 0:22:40.800
<v Speaker 2>Thanks guys. Bye.

0:22:41.440 --> 0:22:44.040
<v Speaker 1>You've been listening to The Flex and Froom's daily podcast.

0:22:44.280 --> 0:22:47.920
<v Speaker 4>For more, tune Indicator on DAB or stream it on iHeartRadio.