1 00:00:00,160 --> 00:00:03,720 Speaker 1: This is a mini podcast. It's the best of the misheards. 2 00:00:03,760 --> 00:00:05,800 Speaker 1: I love doing this every Monday on the show, and 3 00:00:05,880 --> 00:00:07,600 Speaker 1: I know you guys do as well. I get emails 4 00:00:07,600 --> 00:00:10,000 Speaker 1: from all over the world. You keep this feature going. 5 00:00:10,240 --> 00:00:11,720 Speaker 1: We thought it last for a couple of weeks. It's 6 00:00:11,720 --> 00:00:14,360 Speaker 1: been going over two years. Thank you for sending me 7 00:00:14,360 --> 00:00:17,400 Speaker 1: your emails. Keep them coming. Then, Christian at christiano'connell dot 8 00:00:17,440 --> 00:00:20,560 Speaker 1: com dot au the best of the Misheard Lyrics. 9 00:00:20,600 --> 00:00:23,080 Speaker 2: The Christian O'Connell Show podcast. 10 00:00:23,280 --> 00:00:25,720 Speaker 1: You know, sometimes you listen to a song, or you 11 00:00:25,800 --> 00:00:28,120 Speaker 1: might even find yourself singing it, and then song goes 12 00:00:28,200 --> 00:00:30,520 Speaker 1: that's what you do and that's not that's not what 13 00:00:30,560 --> 00:00:33,080 Speaker 1: he's singing in the actual song. You've misheard it. That's 14 00:00:33,120 --> 00:00:35,480 Speaker 1: what this feature is. You email me your mishurd lyrics 15 00:00:35,479 --> 00:00:38,839 Speaker 1: whenever you want during the week. Email Christian at christiano'connell 16 00:00:38,920 --> 00:00:41,040 Speaker 1: dot com dot au and then we do a big 17 00:00:41,080 --> 00:00:43,000 Speaker 1: old weekly roundup. 18 00:00:43,600 --> 00:00:49,600 Speaker 3: It's just another misshard many Christian O'Connell's misheard lyrics. 19 00:00:49,800 --> 00:00:52,479 Speaker 1: Last week we had two Hall of Famers. What is 20 00:00:52,479 --> 00:00:55,520 Speaker 1: like a new running one, this one from the Proclaimers. 21 00:01:02,680 --> 00:01:05,240 Speaker 1: So first of all, then Tony said, hey, listen I'm 22 00:01:05,280 --> 00:01:14,960 Speaker 1: hearing this and I'm hearing Hannibal Lecter. A week later, 23 00:01:15,080 --> 00:01:18,000 Speaker 1: Judy Maddis goes, no, no, no, I'm hearing double adapter. 24 00:01:25,520 --> 00:01:29,480 Speaker 1: We have somebody else hearing something else with this Christian No, no, no, no, 25 00:01:29,640 --> 00:01:33,080 Speaker 1: I'm not hearing my Hannibal Lecter or double adapter. I'm 26 00:01:33,160 --> 00:01:43,600 Speaker 1: hearing German actor. Yes, so is it now got three 27 00:01:44,720 --> 00:01:47,800 Speaker 1: Hall of Famer It's the only clip on the Misheard 28 00:01:47,840 --> 00:01:49,880 Speaker 1: Lyrics and this feature in two years to have three, 29 00:01:50,000 --> 00:01:52,640 Speaker 1: not one, not two, but three entries in the Hall 30 00:01:52,640 --> 00:01:56,840 Speaker 1: of Famer. Four Hannibal Lecter, double adapter and German actor. 31 00:01:57,000 --> 00:01:58,720 Speaker 1: I mean, which one you want to hear is up to? 32 00:01:58,760 --> 00:02:03,120 Speaker 1: You've got multiple choice. Now now I can't not hear 33 00:02:03,160 --> 00:02:08,520 Speaker 1: German actor. Now, German action feels more present there than 34 00:02:08,560 --> 00:02:12,119 Speaker 1: double an actor or Hannibal Lecture ever were Okay, So 35 00:02:12,280 --> 00:02:14,519 Speaker 1: every time we play miss her lyric and we agree 36 00:02:14,560 --> 00:02:18,040 Speaker 1: with what you think you miss hearing, and if we 37 00:02:18,080 --> 00:02:23,160 Speaker 1: don't our first, then let's go to this is from 38 00:02:23,360 --> 00:02:29,240 Speaker 1: Swannye the heat is on? Or is it the heater 39 00:02:29,360 --> 00:02:29,560 Speaker 1: is on? 40 00:02:30,080 --> 00:02:32,440 Speaker 2: Heaters on? 41 00:02:33,600 --> 00:02:36,240 Speaker 4: Yeah, it's probably there, but it's a basic one. 42 00:02:36,600 --> 00:02:42,960 Speaker 1: Sorry, Swanny. Michael Gordon two first names. Michael Gordon, Hi, Christian, 43 00:02:43,000 --> 00:02:45,120 Speaker 1: Jack and Pats, And I've got one for you. This 44 00:02:45,200 --> 00:02:48,680 Speaker 1: is from Cotton Eyed Joe, Rednecks. If it hadn't if 45 00:02:48,680 --> 00:02:50,440 Speaker 1: it hadn't been for cotton Eyed. 46 00:02:50,360 --> 00:02:52,600 Speaker 5: Joe, it hadn't been forgotten A job. 47 00:02:55,280 --> 00:02:58,640 Speaker 4: For what is it meant to be? I actually never 48 00:02:58,720 --> 00:02:59,480 Speaker 4: knew the lyrics of. 49 00:02:59,480 --> 00:03:02,119 Speaker 6: This song, Adam forgotten job. 50 00:03:03,000 --> 00:03:06,799 Speaker 1: It's there quick, right between the eyes. Michael Gordon, that's 51 00:03:06,840 --> 00:03:09,080 Speaker 1: a great one. Put out the bins for cotton Eye Joe, 52 00:03:09,520 --> 00:03:13,240 Speaker 1: Adam Forgotten. That's a brilliant one. 53 00:03:13,400 --> 00:03:15,400 Speaker 4: I reckon when it can be elevated, yeah. 54 00:03:15,240 --> 00:03:20,160 Speaker 1: I think it can, Michael Gordon, me the two first names. Fahy, 55 00:03:20,480 --> 00:03:22,720 Speaker 1: you're in there with German actors slash double a actor 56 00:03:22,760 --> 00:03:26,960 Speaker 1: slash Hannibal lecture. Let's go to Ben Bunte as he 57 00:03:27,000 --> 00:03:30,000 Speaker 1: signed off his email ed shearing Castle on the Hill. 58 00:03:30,080 --> 00:03:32,880 Speaker 1: One friend left to sell close, one works down by 59 00:03:32,880 --> 00:03:33,320 Speaker 1: the coast. 60 00:03:33,919 --> 00:03:39,640 Speaker 7: One friend left to sell clothes, One works down by 61 00:03:39,680 --> 00:03:40,320 Speaker 7: the coast. 62 00:03:41,000 --> 00:03:43,960 Speaker 1: It's the most exciting line in it happened to old Terry. 63 00:03:44,040 --> 00:03:48,080 Speaker 1: He works down by the coast. That write it down, Eddie, 64 00:03:48,120 --> 00:03:50,720 Speaker 1: write it down, all right? Is it? One friend left 65 00:03:50,720 --> 00:03:52,480 Speaker 1: to sell closed, the other one went to work down 66 00:03:52,480 --> 00:03:54,560 Speaker 1: with the coast. Or is it one friend left to 67 00:03:54,560 --> 00:03:56,760 Speaker 1: sell close, one works down by the. 68 00:03:56,720 --> 00:04:06,600 Speaker 7: Colds, one friend left clothes, one works down by the coach. 69 00:04:06,720 --> 00:04:09,240 Speaker 1: It's just there, is it. It's just take that. 70 00:04:09,600 --> 00:04:15,320 Speaker 7: One friend left to settle clothes, one works down by 71 00:04:15,360 --> 00:04:15,880 Speaker 7: the coach. 72 00:04:16,200 --> 00:04:18,040 Speaker 1: I think it's actually a bit more of an exciting 73 00:04:18,120 --> 00:04:24,920 Speaker 1: life for ed Lassie. Anthony Marny, Bonard Fanning, brilliant song, 74 00:04:25,000 --> 00:04:27,240 Speaker 1: wish you well? Why did you give up on me 75 00:04:27,279 --> 00:04:33,160 Speaker 1: so soon back? Or is it why did you give 76 00:04:33,240 --> 00:04:33,640 Speaker 1: up on me? 77 00:04:33,760 --> 00:04:35,880 Speaker 2: So soup back up? 78 00:04:38,839 --> 00:04:40,000 Speaker 1: That's as clear as day. 79 00:04:40,720 --> 00:04:42,640 Speaker 6: Why even cries it? 80 00:04:42,800 --> 00:04:46,000 Speaker 1: Why do you give up on me so soup back? 81 00:04:48,960 --> 00:04:53,800 Speaker 1: Anthony Marny, come on in Hall of Fame. Thank you 82 00:04:53,920 --> 00:04:55,360 Speaker 1: very much for those the. 83 00:04:55,440 --> 00:04:58,720 Speaker 2: Christian O'Connell Show podcast. 84 00:04:59,120 --> 00:05:05,000 Speaker 3: It's just a miss heard many Christian O'Connell's misheard lyrics. 85 00:05:06,440 --> 00:05:08,120 Speaker 1: All right, we did this in two parts. How the 86 00:05:08,240 --> 00:05:11,680 Speaker 1: misheard lyrics works? You send us in your misheard lyrics, 87 00:05:11,720 --> 00:05:14,000 Speaker 1: we haven't listened to them. If we hear what you 88 00:05:14,040 --> 00:05:18,000 Speaker 1: think you're hearing, if there's no way what you're hearing 89 00:05:18,120 --> 00:05:22,200 Speaker 1: is what we're hearing, and for the great Ones. He's 90 00:05:22,279 --> 00:05:25,960 Speaker 1: last Hall of Favor. Recent Hall of Famous. Last week 91 00:05:26,000 --> 00:05:30,440 Speaker 1: on the Mishard Lyrics, Dave Smith email named Dave the Hippie, 92 00:05:30,440 --> 00:05:36,080 Speaker 1: gave us Bob Marley, get up, stand up, all that 93 00:05:36,160 --> 00:05:42,600 Speaker 1: pizza is cold. Last week's Hall of Famous still Goods. 94 00:05:42,720 --> 00:05:46,919 Speaker 1: Last Hall of Favor Part one is listener Big John, 95 00:05:47,000 --> 00:05:49,760 Speaker 1: the king of this feature, the king of all the misshards. 96 00:05:49,800 --> 00:05:52,800 Speaker 1: He's got thousands of I reckon still to go, but anyway. 97 00:05:52,800 --> 00:05:54,840 Speaker 1: He gives us a top five every minded. Let's go 98 00:05:54,880 --> 00:05:58,360 Speaker 1: through them. First, up the Stranglers. Toiler on the Sea. 99 00:05:58,600 --> 00:06:01,640 Speaker 1: I was a toiler on see I was a tiler? 100 00:06:03,920 --> 00:06:06,640 Speaker 1: Or is it? I was a toilet under sleep? 101 00:06:07,440 --> 00:06:08,400 Speaker 6: I was a tilert. 102 00:06:10,640 --> 00:06:14,840 Speaker 1: Are you hearing I was a toilet jack under? I 103 00:06:14,880 --> 00:06:19,840 Speaker 1: was a tiler. Now I think I'm hearing toilet. 104 00:06:19,680 --> 00:06:20,839 Speaker 4: No, not quite there for me? 105 00:06:20,960 --> 00:06:25,719 Speaker 1: No, sorry, Big John. I love this band. Steely Dan. 106 00:06:25,920 --> 00:06:28,160 Speaker 1: Reeling in the years? Are you reeling in the years? 107 00:06:28,440 --> 00:06:35,280 Speaker 1: Are you? Or is this is unnecessary? Are you reeling 108 00:06:35,360 --> 00:06:38,600 Speaker 1: in the yeast? Are you reeling in the yeast? Are 109 00:06:38,640 --> 00:06:47,240 Speaker 1: you really just unfortunately yeast? Never we never really want 110 00:06:47,360 --> 00:06:53,119 Speaker 1: yeast there, but it is there? You are you really 111 00:06:53,160 --> 00:06:57,840 Speaker 1: in the yeast, Phansie, you're the voice. We got to 112 00:06:57,880 --> 00:07:03,800 Speaker 1: make ends meet before we get shoulder. This is blasphemy, sacrilege. 113 00:07:04,000 --> 00:07:07,839 Speaker 6: Begal, before we did much older. 114 00:07:11,000 --> 00:07:13,440 Speaker 1: That's its on. We got to make ends meat before 115 00:07:13,440 --> 00:07:15,600 Speaker 1: we get much older. Or is it? We got to 116 00:07:15,680 --> 00:07:18,680 Speaker 1: make ends meat before we get my shoulder. 117 00:07:19,400 --> 00:07:23,240 Speaker 6: Begal, before we did much older. 118 00:07:27,520 --> 00:07:29,800 Speaker 1: Yeah, we've got to be fed on. It is there. 119 00:07:29,960 --> 00:07:31,840 Speaker 1: We gotta make ends. I don't want to hear it, 120 00:07:32,040 --> 00:07:34,040 Speaker 1: but we've got to make ends meat before we get 121 00:07:34,080 --> 00:07:35,280 Speaker 1: my shoulder. 122 00:07:35,160 --> 00:07:38,960 Speaker 6: Beg before we did much older. 123 00:07:41,480 --> 00:07:43,360 Speaker 1: It is actually going to change. How I hear that 124 00:07:43,440 --> 00:07:48,920 Speaker 1: song forever now the police, every breath you take, how 125 00:07:48,960 --> 00:07:57,520 Speaker 1: my poor heart aches foresting a poolhole? Ace is sting 126 00:07:57,680 --> 00:08:04,840 Speaker 1: a pool whole? Ace? Oh, that's a great one. That 127 00:08:05,000 --> 00:08:10,960 Speaker 1: is a great one. I'm a Paul hold Ace, John 128 00:08:12,040 --> 00:08:15,680 Speaker 1: Hall of fav I like that one, Prince, most beautiful 129 00:08:15,720 --> 00:08:18,640 Speaker 1: girl in the world, and feel proud in the light 130 00:08:18,760 --> 00:08:25,640 Speaker 1: of this power, or is it? And feel proud that 131 00:08:25,680 --> 00:08:29,320 Speaker 1: ben Larden was found. That's quite a change, isn't it. 132 00:08:29,760 --> 00:08:32,319 Speaker 1: There's quite a change from and feel proud in the 133 00:08:32,400 --> 00:08:35,040 Speaker 1: light of this power to and feel proud that ben 134 00:08:35,160 --> 00:08:41,079 Speaker 1: Larden was found. That's there. 135 00:08:43,440 --> 00:08:44,400 Speaker 4: That surprised me. 136 00:08:45,520 --> 00:08:48,280 Speaker 1: I couldn't see how that could make any sense. And 137 00:08:48,400 --> 00:08:55,200 Speaker 1: feel proud that ben Larden was found. Prince, that's a 138 00:08:55,440 --> 00:08:59,760 Speaker 1: great one, I reckon. That's two Hall of famers. 139 00:09:00,440 --> 00:09:03,320 Speaker 2: The Christian o'connells Show podcast. 140 00:09:03,040 --> 00:09:05,840 Speaker 1: Time for part two on Mondays Misheard Lyrics. 141 00:09:06,360 --> 00:09:12,200 Speaker 3: It's just another misshard day, Christian O'Connell's miss heard lyrics. 142 00:09:13,360 --> 00:09:15,520 Speaker 1: All right, Part two is all the ones you've been 143 00:09:15,559 --> 00:09:17,720 Speaker 1: sending in over the last seven days. You go through 144 00:09:17,760 --> 00:09:20,440 Speaker 1: the workout. Are they miss hears? Are they as good 145 00:09:20,440 --> 00:09:26,280 Speaker 1: as I'm a pool whole ace? And be proud beIN 146 00:09:26,400 --> 00:09:34,680 Speaker 1: Larden was found. Would be proud. I've heard that song 147 00:09:34,920 --> 00:09:36,920 Speaker 1: so many times. I've never heard that line, but now 148 00:09:36,960 --> 00:09:39,320 Speaker 1: I know I'm aware of it. Can't ever unhear it again. 149 00:09:39,520 --> 00:09:41,320 Speaker 1: All right, let's go to yours, then we go to 150 00:09:41,600 --> 00:09:45,920 Speaker 1: Jude Brennan. Christian. This miss here is from Cariice Eden's 151 00:09:45,920 --> 00:09:49,600 Speaker 1: cover version of It's a Man's World. But it wouldn't 152 00:09:49,600 --> 00:09:51,600 Speaker 1: be nothing without a man or a. 153 00:09:51,559 --> 00:10:03,440 Speaker 8: Girl without a. 154 00:10:04,000 --> 00:10:06,400 Speaker 1: Or is it? But it wouldn't be nothing without a 155 00:10:06,440 --> 00:10:10,240 Speaker 1: one bat or a cow. This is a stretch, all right. 156 00:10:10,320 --> 00:10:13,000 Speaker 1: This is a stretch this one. I've listened to this. 157 00:10:13,160 --> 00:10:15,040 Speaker 1: I want it to be in there, but maybe it's 158 00:10:15,080 --> 00:10:15,600 Speaker 1: just my ears. 159 00:10:15,679 --> 00:10:31,480 Speaker 5: But anyway, you decided, without a one, it doesn't quite land. 160 00:10:31,520 --> 00:10:35,400 Speaker 1: It hovers over the landing, doesn't it. It's one bat, 161 00:10:35,760 --> 00:10:38,400 Speaker 1: it's not quite one bat. Let's hear it again. But 162 00:10:38,400 --> 00:10:43,800 Speaker 1: it wouldn't be nothing without a one. Battle count listening 163 00:10:43,880 --> 00:10:44,960 Speaker 1: out for one bat or. 164 00:10:45,080 --> 00:10:48,920 Speaker 6: Cow without a one. 165 00:10:51,200 --> 00:10:53,280 Speaker 1: No, I'm sorry, I can't. I want it to be there. 166 00:10:53,640 --> 00:10:56,120 Speaker 4: I think in good faith you can just give it 167 00:10:56,200 --> 00:10:56,600 Speaker 4: a pass. 168 00:10:58,960 --> 00:11:02,199 Speaker 1: We're going to go to the curiously names Christopher Bologna 169 00:11:02,720 --> 00:11:06,920 Speaker 1: Dangerous by rock Sets. The eyes of a lover that 170 00:11:07,120 --> 00:11:10,240 Speaker 1: hit like heat doesn't make any sense the actual life 171 00:11:10,520 --> 00:11:16,439 Speaker 1: the eyes of a lover that hit like heat? Or 172 00:11:16,600 --> 00:11:19,240 Speaker 1: is it the eyes of a lover that Hitler beat? 173 00:11:25,760 --> 00:11:28,080 Speaker 1: Do you hear the eyes of a lover that Hitler beat? 174 00:11:33,240 --> 00:11:36,360 Speaker 1: I think Hitler's there, Hitler's there, Hitler's there, is Hitler there? 175 00:11:40,679 --> 00:11:45,920 Speaker 1: It is there? Yeah? Okay. This comes from bian Camerosanna 176 00:11:46,080 --> 00:11:48,600 Speaker 1: Both eleven Mates their tone The Way to School. Listen 177 00:11:48,720 --> 00:11:51,240 Speaker 1: to this feature and love it, Christian. Whenever we hear 178 00:11:51,280 --> 00:11:54,360 Speaker 1: you play Once in a Lifetime by Talking Heads comes on, 179 00:11:54,800 --> 00:11:57,000 Speaker 1: we think this is what's being sung, all right, so 180 00:11:57,080 --> 00:11:59,040 Speaker 1: it's from which is a great something? Wance a lifetime 181 00:11:59,360 --> 00:12:07,559 Speaker 1: into the blue again after the money's gone? Or is 182 00:12:07,600 --> 00:12:10,400 Speaker 1: it according to these two eleven year olds, into the 183 00:12:10,480 --> 00:12:13,319 Speaker 1: poo again after the money's gone, which is what a 184 00:12:13,360 --> 00:12:15,839 Speaker 1: lot of us grown ups do say, after the money's gone. 185 00:12:16,440 --> 00:12:23,839 Speaker 1: Or into the poo again, Yes, you can have that 186 00:12:23,960 --> 00:12:26,840 Speaker 1: Bianca Rosanna. Into the poo again after the money's gone. 187 00:12:33,080 --> 00:12:36,760 Speaker 1: Now we go to old bluntie, James Blunt, you're beautiful. 188 00:12:37,040 --> 00:12:39,760 Speaker 1: I saw an angel of that, I'm sure. 189 00:12:40,360 --> 00:12:41,840 Speaker 5: Saw an angel. 190 00:12:42,960 --> 00:12:43,280 Speaker 2: Of that? 191 00:12:45,120 --> 00:12:48,400 Speaker 1: Or is it I saw an angel of Adam Shaw? 192 00:12:49,280 --> 00:12:54,640 Speaker 1: I saw an angel of Adam Shaw, saw an angel. 193 00:12:55,760 --> 00:12:56,120 Speaker 8: Of that? 194 00:12:58,920 --> 00:13:01,320 Speaker 1: He did? He saw the angel of Adam Shaw. 195 00:13:01,640 --> 00:13:03,439 Speaker 5: As sun angel. 196 00:13:04,600 --> 00:13:08,080 Speaker 1: Of Adam Sharp Adam Shaw? Who is why is Adam 197 00:13:08,160 --> 00:13:12,320 Speaker 1: Shaw haunting James Blunt? Come on, blunt to we need 198 00:13:12,360 --> 00:13:14,880 Speaker 1: a follow up to know why? And finally this comes 199 00:13:14,960 --> 00:13:19,439 Speaker 1: from Shay stubs stubbsy eurythmic. Sweet dreams are made of these, 200 00:13:19,559 --> 00:13:22,080 Speaker 1: Sweet dreams are made of these? Who am I to disagree? 201 00:13:22,280 --> 00:13:28,120 Speaker 7: Speed jeans aid them to dessert? 202 00:13:29,800 --> 00:13:32,920 Speaker 1: Or is it sweet dreams are made of cheese? Who 203 00:13:33,000 --> 00:13:38,000 Speaker 1: am I to dis a bree it's a cheese too fun? 204 00:13:38,280 --> 00:13:39,199 Speaker 4: I wanted to be there? 205 00:13:39,480 --> 00:13:42,440 Speaker 1: Or is it okay? We're listening out for sweet Dreams 206 00:13:42,520 --> 00:13:47,000 Speaker 1: are made of cheese? Who am I to dis abree. 207 00:13:47,160 --> 00:13:53,000 Speaker 6: See jeans are well to dessert? 208 00:13:54,280 --> 00:13:57,760 Speaker 1: No, no, no, I would actually say it's the widest 209 00:13:57,880 --> 00:14:02,719 Speaker 1: miss of twenty twenty. I'm really sorry she stubbs, but 210 00:14:04,080 --> 00:14:06,079 Speaker 1: I don't hear cheese. I don't hear breeds. 211 00:14:06,720 --> 00:14:12,079 Speaker 3: Jeans are made everything I am to deserve. 212 00:14:12,440 --> 00:14:16,000 Speaker 2: The Christian O'Connell Show podcast