1 00:00:04,480 --> 00:00:06,560 Speaker 1: Christian to name drop a bit here. 2 00:00:06,640 --> 00:00:11,560 Speaker 2: There you go, we'll call next. All right, let's find 3 00:00:11,560 --> 00:00:13,280 Speaker 2: out who's gonna be our first one on day three? 4 00:00:13,320 --> 00:00:15,600 Speaker 2: Good morning? Who is calling Christian? 5 00:00:16,840 --> 00:00:20,880 Speaker 3: Hi Christian, that's Sam Vannenberg speaking here. I'm the original 6 00:00:20,880 --> 00:00:22,599 Speaker 3: Peak Twist from. 7 00:00:22,560 --> 00:00:26,160 Speaker 2: Round the Twist from Round the Twist. Get in finally. 8 00:00:26,160 --> 00:00:28,160 Speaker 2: You know, last week I was talking about Dream five. 9 00:00:28,240 --> 00:00:31,640 Speaker 2: I wanted someone from the strangest TV show I've got 10 00:00:31,680 --> 00:00:34,560 Speaker 2: to learn about since moving here to Australia, Round the Twist. 11 00:00:34,640 --> 00:00:37,279 Speaker 2: So out of the because it ran for like fifteen 12 00:00:37,280 --> 00:00:39,600 Speaker 2: odd years. Which season are you then? Sam? 13 00:00:40,159 --> 00:00:40,239 Speaker 1: So? 14 00:00:40,400 --> 00:00:44,320 Speaker 3: I was the original? I was season one the Peat Twist. 15 00:00:44,920 --> 00:00:49,120 Speaker 3: But it's been played forever and ever, I believe. 16 00:00:49,479 --> 00:00:51,000 Speaker 2: So who asked you to give us a call? 17 00:00:53,240 --> 00:00:55,840 Speaker 3: Katie Hall asked me to give you a call? And 18 00:00:55,840 --> 00:00:58,640 Speaker 3: there were probably about forty messages are received over social 19 00:00:58,640 --> 00:01:00,920 Speaker 3: media saying Christian thing about Round the Quick. 20 00:01:01,160 --> 00:01:03,520 Speaker 2: I've become obsessed with the Round that. I've never seen 21 00:01:03,520 --> 00:01:05,399 Speaker 2: a TV show like it, like Round the Twist. I 22 00:01:05,440 --> 00:01:07,560 Speaker 2: know it was a kid's TV show, but it's just 23 00:01:07,600 --> 00:01:10,319 Speaker 2: like some acid trip. I don't know how it got made. 24 00:01:10,600 --> 00:01:12,080 Speaker 4: It's absolutely some. 25 00:01:12,000 --> 00:01:14,400 Speaker 2: Of the some of the stranger storylines that you remember 26 00:01:14,400 --> 00:01:16,480 Speaker 2: from it, Well. 27 00:01:16,600 --> 00:01:20,320 Speaker 3: I had I had lipstick. That meant that every girl 28 00:01:20,360 --> 00:01:22,320 Speaker 3: that they came in contact wanted to kiss me, whether 29 00:01:22,360 --> 00:01:26,720 Speaker 3: they were my sister at the time Tomsen, who played 30 00:01:26,760 --> 00:01:27,160 Speaker 3: my sister. 31 00:01:27,360 --> 00:01:29,240 Speaker 2: I mean you normally when you hear about a story 32 00:01:29,280 --> 00:01:30,760 Speaker 2: up there you go. It was a very different time, 33 00:01:30,760 --> 00:01:32,679 Speaker 2: but it was only like the mid nineties. 34 00:01:33,800 --> 00:01:36,240 Speaker 3: Well, I actually put something up the other day, a 35 00:01:36,280 --> 00:01:39,160 Speaker 3: photo on Facebook with myself and Judas McGrath and the 36 00:01:39,280 --> 00:01:41,840 Speaker 3: dragon and the director and a hospital bed and I'm 37 00:01:41,840 --> 00:01:45,080 Speaker 3: covered in bird poo, and I wrote, well, I thought 38 00:01:45,240 --> 00:01:49,680 Speaker 3: time was for weird back then. Over times a couple 39 00:01:49,720 --> 00:01:51,680 Speaker 3: of times are much weirder. But it was a real 40 00:01:51,720 --> 00:01:55,320 Speaker 3: snapshot of my wife, how how's is happening? 41 00:01:55,400 --> 00:01:55,600 Speaker 1: You know? 42 00:01:55,920 --> 00:01:57,720 Speaker 2: Sam? Please tell me? What do you mean to tell 43 00:01:57,760 --> 00:01:59,680 Speaker 2: me about the dragon and the bird poo episode? Then? 44 00:01:59,720 --> 00:02:00,480 Speaker 2: Why then that? 45 00:02:01,360 --> 00:02:04,360 Speaker 3: Well that was birds do. That was an episode where 46 00:02:04,480 --> 00:02:07,720 Speaker 3: birds just swarmed over Tans and myself and covered this 47 00:02:08,280 --> 00:02:11,600 Speaker 3: crap I had. One of my favorites was probably Wonderpants, 48 00:02:11,639 --> 00:02:14,600 Speaker 3: which was I had magic other pants that I microwaved 49 00:02:15,000 --> 00:02:16,800 Speaker 3: and they meant that I have special abilities. 50 00:02:18,080 --> 00:02:20,480 Speaker 2: What Sashon abilities did you get with your microwave bel 51 00:02:20,560 --> 00:02:21,760 Speaker 2: underpants to Minder. 52 00:02:23,320 --> 00:02:28,639 Speaker 3: I could jump with him high and one really fast, 53 00:02:29,320 --> 00:02:31,080 Speaker 3: and then I had to take them off, and I 54 00:02:31,120 --> 00:02:32,800 Speaker 3: was naked for a lot of it, and I had 55 00:02:32,800 --> 00:02:34,400 Speaker 3: to form in the ocean in the middle of winter. 56 00:02:36,240 --> 00:02:38,840 Speaker 2: It sounds like you know some port or child actor 57 00:02:38,960 --> 00:02:41,040 Speaker 2: you know from back in the eighties or nineties that 58 00:02:41,080 --> 00:02:43,160 Speaker 2: worked with a bad system of Hollywood. You know, it's 59 00:02:43,200 --> 00:02:45,320 Speaker 2: got some sort of survivor's story. 60 00:02:46,280 --> 00:02:51,040 Speaker 3: Yeah, things went wrong, things went bad. It's the I 61 00:02:51,160 --> 00:02:53,720 Speaker 3: remember doing that that Wonderpants episode and standing on the 62 00:02:53,720 --> 00:02:57,040 Speaker 3: back of the Youth with like flesh colored underwear on, 63 00:02:57,200 --> 00:03:01,320 Speaker 3: covering myself with a hubcap, and we're so Williams Primary 64 00:03:01,360 --> 00:03:04,960 Speaker 3: School in Victoria, and a bus full of girls came 65 00:03:05,040 --> 00:03:08,959 Speaker 3: past and I was caught with my pants going toy down. 66 00:03:09,080 --> 00:03:12,040 Speaker 3: So it was a weird, weird fun time. 67 00:03:12,360 --> 00:03:13,919 Speaker 2: How old were you then, Sam? How old were you 68 00:03:13,919 --> 00:03:15,440 Speaker 2: when you and it? You must have been what twelve 69 00:03:15,480 --> 00:03:17,280 Speaker 2: thirteen or younger? Uh? 70 00:03:17,480 --> 00:03:21,359 Speaker 3: No, older. We were probably fourteen fifteen. And we had 71 00:03:21,360 --> 00:03:26,440 Speaker 3: to stay, you know, like at on set for weeks 72 00:03:26,480 --> 00:03:28,679 Speaker 3: on end, So it was like school plants. It was 73 00:03:28,720 --> 00:03:30,280 Speaker 3: a bunch of us kids just hanging around. 74 00:03:30,560 --> 00:03:33,760 Speaker 2: Where was where was the lighthouse that ran the Twist 75 00:03:33,800 --> 00:03:34,600 Speaker 2: family lived. 76 00:03:34,440 --> 00:03:38,480 Speaker 3: In Inlet And yeah, I mean I still get a 77 00:03:38,520 --> 00:03:42,200 Speaker 3: lot of stuff nowadays. You know, thirty years on, so 78 00:03:42,280 --> 00:03:45,400 Speaker 3: thirty year anniversary actually the airing last week, so I 79 00:03:45,480 --> 00:03:48,080 Speaker 3: still Yeah. So we had a lot of people sort 80 00:03:48,080 --> 00:03:50,280 Speaker 3: of coming up and whenever I say something, they say 81 00:03:50,320 --> 00:03:52,320 Speaker 3: without my pants after I say it, because that was 82 00:03:52,360 --> 00:03:53,400 Speaker 3: their favorite episode or. 83 00:03:53,400 --> 00:03:55,240 Speaker 2: Do you know what Sam does listen this. I'm surprised 84 00:03:55,240 --> 00:03:56,800 Speaker 2: that you know, we live in the world of merchandise. 85 00:03:56,800 --> 00:03:59,960 Speaker 2: Why aren't you selling your own underpants? Okay, the microwave one, 86 00:04:00,080 --> 00:04:04,120 Speaker 2: the Peak Twist underpants. Also in your unguided tours of 87 00:04:04,160 --> 00:04:11,040 Speaker 2: that lighthouse Fortune go round with Pete. You are going 88 00:04:11,080 --> 00:04:13,600 Speaker 2: to be your market, your brand con Soft. 89 00:04:15,240 --> 00:04:19,440 Speaker 3: You wouldn't mind that. It's great. I've seen myself over 90 00:04:19,520 --> 00:04:23,240 Speaker 3: dubbed in Spanish but with subtitles and Chinese. 91 00:04:23,279 --> 00:04:25,599 Speaker 2: Because it went around the world. We even had it. Yeah, 92 00:04:25,600 --> 00:04:26,440 Speaker 2: we had it in the UK. 93 00:04:27,400 --> 00:04:29,440 Speaker 3: Well, the UK had war fan mouth from the UK 94 00:04:29,600 --> 00:04:30,520 Speaker 3: than anywhere else. 95 00:04:30,760 --> 00:04:32,279 Speaker 2: I remember seeing it in the UK, and it was 96 00:04:32,400 --> 00:04:33,600 Speaker 2: it was in the nineties when we got it, so 97 00:04:33,600 --> 00:04:37,279 Speaker 2: it wasn't a teenager. I remember just thinking Australia, you know, 98 00:04:37,320 --> 00:04:41,360 Speaker 2: it's like fared under. What the hell is that? Yeah, 99 00:04:41,360 --> 00:04:43,360 Speaker 2: it was a kids show. There was one episode where 100 00:04:43,400 --> 00:04:46,200 Speaker 2: Linda fell in love with her with a squirty ice 101 00:04:46,320 --> 00:04:48,680 Speaker 2: A man turned into an ice cream machine and she 102 00:04:48,800 --> 00:04:50,599 Speaker 2: fell in love with the ice cream machine. 103 00:04:51,560 --> 00:04:54,919 Speaker 3: Yeah, we've all been there, all right. 104 00:04:56,160 --> 00:04:58,600 Speaker 2: We're up against the news headlines here, Sam, you love 105 00:04:58,640 --> 00:05:00,800 Speaker 2: your chat to someone from the eight show. That was 106 00:05:00,839 --> 00:05:04,200 Speaker 2: a twist. What is the charity you're supporting? A charity? Sam? 107 00:05:04,960 --> 00:05:08,760 Speaker 3: Yeah, I am. I am Father's Day on Sunday and 108 00:05:08,760 --> 00:05:13,400 Speaker 3: it's just just just coincidentally, my dad's getting some prostate 109 00:05:13,440 --> 00:05:16,120 Speaker 3: cancer results today, so we are hoping it's all going 110 00:05:16,160 --> 00:05:17,839 Speaker 3: to be good. We think it's very good, and so 111 00:05:17,920 --> 00:05:20,960 Speaker 3: I want to nominate November. 112 00:05:22,440 --> 00:05:24,320 Speaker 2: Sorry you just cut out there where the name of 113 00:05:24,320 --> 00:05:27,840 Speaker 2: the charity is November? Oh November? All right? Yeah, they're 114 00:05:27,839 --> 00:05:30,720 Speaker 2: in our building. They do great work, fantastic ya. I've 115 00:05:30,760 --> 00:05:32,920 Speaker 2: done quite a few things with us actually, all right now. 116 00:05:32,960 --> 00:05:35,880 Speaker 2: The way this works, Sam, is every celebrity that we 117 00:05:36,160 --> 00:05:38,680 Speaker 2: hear from, they leave a question for whoever we get 118 00:05:38,680 --> 00:05:40,919 Speaker 2: called from next. Yours comes from the last person we 119 00:05:40,920 --> 00:05:44,119 Speaker 2: had on the show yesterday Darryl Braithwait, here's your question 120 00:05:44,200 --> 00:05:44,679 Speaker 2: from Darryl. 121 00:05:44,839 --> 00:05:51,520 Speaker 3: What would be their cure for a hangover? My best 122 00:05:51,520 --> 00:05:53,599 Speaker 3: one is sort of into the chips, and you just 123 00:05:53,720 --> 00:05:55,320 Speaker 3: praize on them all day along. 124 00:05:56,279 --> 00:05:59,760 Speaker 2: Just a constant supplor chips coming from your underpants. Yeah, yeah, 125 00:06:00,400 --> 00:06:02,760 Speaker 2: I'm telling yourself those wonder pads. And we need a 126 00:06:02,839 --> 00:06:03,800 Speaker 2: question from you. 127 00:06:05,320 --> 00:06:08,280 Speaker 3: We'll given us a public forum. Perhaps who was the 128 00:06:08,360 --> 00:06:09,600 Speaker 3: first person you kissed? 129 00:06:10,080 --> 00:06:11,719 Speaker 2: Okay, who was the first person who kissed? 130 00:06:11,839 --> 00:06:11,919 Speaker 1: It? 131 00:06:11,960 --> 00:06:14,120 Speaker 2: Has been a real treat talking to you, Sam. Thank 132 00:06:14,160 --> 00:06:15,840 Speaker 2: you so much for giving us a call. I've been 133 00:06:15,880 --> 00:06:18,080 Speaker 2: touching after the show about my face to become on boards, 134 00:06:18,080 --> 00:06:18,880 Speaker 2: your brand consulting. 135 00:06:20,760 --> 00:06:21,640 Speaker 3: I don't care what it is. 136 00:06:21,680 --> 00:06:31,960 Speaker 2: Go around the twist with Pete Twist. Christian, Good morning. 137 00:06:31,960 --> 00:06:32,880 Speaker 2: Who's calling Christian? 138 00:06:34,200 --> 00:06:37,279 Speaker 1: Hello Christian, This is Joel Legending Legend. 139 00:06:37,400 --> 00:06:39,320 Speaker 2: Joel, thank you very much for calling the show. 140 00:06:40,800 --> 00:06:41,760 Speaker 1: That's pleasure. How are you? 141 00:06:41,839 --> 00:06:43,360 Speaker 2: Yeah, I'm good. How are you? Where in the world 142 00:06:43,400 --> 00:06:43,800 Speaker 2: are you? Then? 143 00:06:43,839 --> 00:06:46,360 Speaker 1: Are you here in as or Yeah, I'm in Sydney. 144 00:06:46,520 --> 00:06:50,440 Speaker 1: I'm in BONDI, of course you are. 145 00:06:50,480 --> 00:06:52,280 Speaker 2: You managed to get into BONDI. So when did you 146 00:06:52,520 --> 00:06:54,919 Speaker 2: did you escape from Hollywood before COVID. 147 00:06:55,680 --> 00:06:58,039 Speaker 1: Yeah, I was actually on my way coming back to 148 00:06:58,120 --> 00:07:02,000 Speaker 1: shoot a movie down in Adelaide when it was all 149 00:07:02,120 --> 00:07:04,160 Speaker 1: like you know, when the ripples were sort of going 150 00:07:04,160 --> 00:07:06,479 Speaker 1: around the world, and we just came back a week early. 151 00:07:06,520 --> 00:07:10,640 Speaker 1: And I've been pretty much lockdown here for the whole time. 152 00:07:11,120 --> 00:07:13,080 Speaker 2: And what a dive to be locked down in your 153 00:07:13,120 --> 00:07:17,120 Speaker 2: BONDI right, terrible place, nothing to do. Just poor Joel. 154 00:07:17,880 --> 00:07:21,400 Speaker 1: It is horrible, horrible. 155 00:07:21,000 --> 00:07:23,800 Speaker 2: You're suffering for you are you make a great movie 156 00:07:23,800 --> 00:07:24,640 Speaker 2: about this? One day? 157 00:07:25,520 --> 00:07:28,440 Speaker 1: I wonder if I always wonder if my irony comes 158 00:07:28,480 --> 00:07:34,760 Speaker 1: through in my voice. I'm calling on behalf of the 159 00:07:34,800 --> 00:07:36,080 Speaker 1: Fred Hollows Foundation. 160 00:07:36,320 --> 00:07:38,160 Speaker 2: All right, tell us about the Fred Hollows Foundation. 161 00:07:38,920 --> 00:07:41,920 Speaker 1: Well, I've been a founder an ambassador with him for 162 00:07:41,960 --> 00:07:46,720 Speaker 1: about ten years. There there you foundation that is named 163 00:07:46,760 --> 00:07:50,080 Speaker 1: after the legendary Fred Hollows, who was all about eradicating 164 00:07:50,720 --> 00:07:55,520 Speaker 1: blindness around the world, which they now do in Australia, 165 00:07:55,600 --> 00:08:00,280 Speaker 1: particularly work with indigenous communities and in about i think 166 00:08:00,280 --> 00:08:03,320 Speaker 1: now twenty seven countries around the world, which I've had 167 00:08:03,320 --> 00:08:05,200 Speaker 1: the pleasure of visiting a couple of ikey up here 168 00:08:05,240 --> 00:08:10,400 Speaker 1: in Nepal with them, and I just find them an 169 00:08:10,440 --> 00:08:15,200 Speaker 1: incredible organization full of lovely people doing amazing work. 170 00:08:16,520 --> 00:08:18,200 Speaker 2: Oh brilliant. Well, thank you very much for giving us 171 00:08:18,200 --> 00:08:20,120 Speaker 2: a call and telling us about the great work they do. 172 00:08:20,160 --> 00:08:22,560 Speaker 2: Because it's a tough year, you know, to our filmmaking 173 00:08:22,600 --> 00:08:24,000 Speaker 2: and all that. It's a tough year for everyone. But 174 00:08:24,160 --> 00:08:27,000 Speaker 2: the charities are already struggling to get money this year. So 175 00:08:27,240 --> 00:08:28,560 Speaker 2: good on you for support than what they do. 176 00:08:28,680 --> 00:08:31,200 Speaker 1: John, Yeah, it's tough too, because I guess you know, 177 00:08:31,640 --> 00:08:33,360 Speaker 1: I was doing actually a little bit of reading about 178 00:08:33,360 --> 00:08:35,559 Speaker 1: it last week. You know, you've got an organization that 179 00:08:36,280 --> 00:08:41,040 Speaker 1: relies a lot on travel, particularly Fred Hollies is moving 180 00:08:41,040 --> 00:08:43,520 Speaker 1: around so many different countries and have in destructure in 181 00:08:43,559 --> 00:08:46,040 Speaker 1: all different places and are sending people into sort of 182 00:08:46,760 --> 00:08:49,120 Speaker 1: communities to do their work. You know, I've been on 183 00:08:49,200 --> 00:08:51,719 Speaker 1: I camps up in the Hills and the Paul and 184 00:08:52,080 --> 00:08:54,000 Speaker 1: it takes quite a lot of organization, a lot of 185 00:08:54,000 --> 00:08:55,840 Speaker 1: travel and a lot of carting around and equipment, a 186 00:08:55,840 --> 00:08:59,360 Speaker 1: lot of interaction. So for them to try and keep 187 00:08:59,400 --> 00:09:04,439 Speaker 1: their working is it's tough. But they they seem to 188 00:09:04,480 --> 00:09:07,200 Speaker 1: be working out okay, but they definitely could do with 189 00:09:07,240 --> 00:09:07,720 Speaker 1: some help. 190 00:09:09,640 --> 00:09:11,280 Speaker 2: While you're on chance, was this morning right. I have 191 00:09:11,360 --> 00:09:14,079 Speaker 2: a boned a bit with you about one of your movies. Right, 192 00:09:14,080 --> 00:09:15,960 Speaker 2: you've done a lot of fantastic. 193 00:09:17,040 --> 00:09:17,120 Speaker 1: That. 194 00:09:17,679 --> 00:09:19,520 Speaker 2: I loved you and Warrior. I thought you and Tom 195 00:09:19,559 --> 00:09:22,880 Speaker 2: Hardy and Nick Nolty, it's an incredible movie. That was 196 00:09:22,880 --> 00:09:25,120 Speaker 2: that good fun doing that? Did you get into UFC 197 00:09:25,160 --> 00:09:26,040 Speaker 2: and doing all the training? 198 00:09:26,640 --> 00:09:30,000 Speaker 1: Yeah? We did, look at you know, solid intensive sort 199 00:09:30,040 --> 00:09:33,960 Speaker 1: of three months training camp for it without hands down 200 00:09:34,120 --> 00:09:38,480 Speaker 1: the biggest challenge job for me and the most rewarding. 201 00:09:38,520 --> 00:09:41,400 Speaker 1: And and I don't know if I could still punch on, 202 00:09:41,480 --> 00:09:45,440 Speaker 1: but it gave me a certain sense of full confidence. 203 00:09:47,400 --> 00:09:49,280 Speaker 2: How could it not? And what are you doing? Full 204 00:09:49,320 --> 00:09:52,360 Speaker 2: contact spirring? Were you doing grappling and chokes and everything? 205 00:09:52,840 --> 00:09:55,439 Speaker 1: I'm an actor, You've got to look after this cut 206 00:09:56,720 --> 00:10:00,880 Speaker 1: the money maker? We did? We to your point, we 207 00:10:00,960 --> 00:10:04,880 Speaker 1: did everything that you would do to train. Accept They 208 00:10:05,360 --> 00:10:07,560 Speaker 1: wouldn't let Tom and I in the cage just to 209 00:10:07,640 --> 00:10:08,280 Speaker 1: go for it. 210 00:10:09,000 --> 00:10:10,640 Speaker 2: But I bet both of you I get the feeling. 211 00:10:10,679 --> 00:10:12,120 Speaker 2: Have I met Tom a couple of times? They get 212 00:10:12,120 --> 00:10:13,480 Speaker 2: the feeling that both of you would have been out. 213 00:10:13,480 --> 00:10:15,000 Speaker 2: I mean you've been in Australia, but I bet the 214 00:10:15,040 --> 00:10:16,079 Speaker 2: pair of you would have liked that no. 215 00:10:17,240 --> 00:10:19,679 Speaker 1: Well, yeah, I mean, look, Tom could definitely do with 216 00:10:19,840 --> 00:10:24,560 Speaker 1: being slightly less better looking. But I'm in danger of 217 00:10:24,640 --> 00:10:25,480 Speaker 1: falling below the. 218 00:10:25,440 --> 00:10:28,760 Speaker 2: Line to leave Hollywood. 219 00:10:29,720 --> 00:10:34,480 Speaker 1: Yeah, I'd definitely punched up a character, bought part from 220 00:10:34,480 --> 00:10:37,960 Speaker 1: then on it I'm really struggling. I'm forty six. 221 00:10:38,240 --> 00:10:39,839 Speaker 2: So they didn't know which one was Nick Nolty and 222 00:10:39,880 --> 00:10:41,640 Speaker 2: which one was Joel Edgerton, and they were getting what 223 00:10:41,679 --> 00:10:46,360 Speaker 2: we can't out apart who's And then the real movie 224 00:10:46,360 --> 00:10:48,680 Speaker 2: I've got you I want to speak about is my 225 00:10:48,800 --> 00:10:52,080 Speaker 2: kids said, can we go and see Timothy Green? All right? 226 00:10:52,120 --> 00:10:53,960 Speaker 1: And the odd life is Timothy Green? 227 00:10:54,080 --> 00:10:56,240 Speaker 2: Yeah? Now I had no idea. Okay, I don't know 228 00:10:56,360 --> 00:10:58,360 Speaker 2: what happens once you get a forty. I find that 229 00:10:58,400 --> 00:11:00,240 Speaker 2: maybe you can. You'll share this toob. Once you're going 230 00:11:00,280 --> 00:11:02,240 Speaker 2: to have a forty, you find that you start to cry, 231 00:11:02,320 --> 00:11:04,840 Speaker 2: sometimes more than you've cried in your whole life. That 232 00:11:04,960 --> 00:11:07,920 Speaker 2: movie should have had a warning right at the beginning. 233 00:11:08,000 --> 00:11:10,280 Speaker 2: It had a deeper efect to me than a horror movie. 234 00:11:10,360 --> 00:11:13,760 Speaker 2: It is so heartbreaking. At times I was blubbing. I 235 00:11:13,800 --> 00:11:15,640 Speaker 2: had some almost be carried out by my kids. They 236 00:11:15,679 --> 00:11:18,120 Speaker 2: were laughing at me. The only I was having a 237 00:11:18,160 --> 00:11:21,880 Speaker 2: breakdown during that movie. It's a beautiful movie job, but 238 00:11:21,920 --> 00:11:23,520 Speaker 2: it's a heartbreaker, isn't it. 239 00:11:24,440 --> 00:11:27,240 Speaker 1: Yeah, it's very emotional. And I'll tell you something. The 240 00:11:27,280 --> 00:11:31,000 Speaker 1: director is a very emotional man, guy called Peter Hedges. 241 00:11:32,160 --> 00:11:35,600 Speaker 1: And he one day he's a very you know, he 242 00:11:35,679 --> 00:11:38,440 Speaker 1: dresses like quite a normal conservative New York guy, and 243 00:11:39,160 --> 00:11:44,520 Speaker 1: he was wearing cycling glasses, like tinted cycling glasses, and 244 00:11:44,559 --> 00:11:47,840 Speaker 1: they just looked really wrong on him. And I said, Pete, 245 00:11:47,880 --> 00:11:50,160 Speaker 1: what's with the glasses? And he said, oh, the producer 246 00:11:50,200 --> 00:11:52,760 Speaker 1: made me wear them because he doesn't want me crying 247 00:11:52,840 --> 00:11:55,160 Speaker 1: in front of the extras and scaring them. 248 00:11:57,600 --> 00:12:01,000 Speaker 2: That's amazing idea. Honestly, we're looking for a movie to 249 00:12:01,040 --> 00:12:03,560 Speaker 2: see the moment in lockdown to try and go watch 250 00:12:03,640 --> 00:12:07,160 Speaker 2: Tibthy Green. It's a beautiful movie about man alive. It's 251 00:12:07,160 --> 00:12:09,720 Speaker 2: an awesome performance. It's a great movie. Now listen, Chile, 252 00:12:09,800 --> 00:12:12,520 Speaker 2: it's a lovely chatting to you. So, how does this affects? 253 00:12:12,520 --> 00:12:15,439 Speaker 2: COVID is effecting everyone? No about what you do? When 254 00:12:15,440 --> 00:12:17,520 Speaker 2: are you next working? What happens? You got to wait? 255 00:12:18,880 --> 00:12:21,800 Speaker 1: Well, like I said, I'm already struggling to get work. 256 00:12:22,800 --> 00:12:24,920 Speaker 2: No, I'm working as a lifeguard down there on Bondo, 257 00:12:25,040 --> 00:12:25,280 Speaker 2: aren't you. 258 00:12:26,800 --> 00:12:30,560 Speaker 1: I'm just working on myself actually, you know, to be honest, 259 00:12:30,640 --> 00:12:32,640 Speaker 1: that has been the best thing for me during this 260 00:12:32,760 --> 00:12:36,640 Speaker 1: time is because I'm a real workaholic, and I'm very 261 00:12:36,679 --> 00:12:39,000 Speaker 1: blessed to have been okay with taking a bit of 262 00:12:39,040 --> 00:12:40,800 Speaker 1: a break. But now I'm ready to get back to work. 263 00:12:40,840 --> 00:12:44,400 Speaker 1: We had a movie that was the first film I 264 00:12:44,440 --> 00:12:46,680 Speaker 1: was going to make back in Australia, and I think 265 00:12:46,760 --> 00:12:50,440 Speaker 1: since Gatsby and we were set to shoot in May, 266 00:12:50,600 --> 00:12:52,800 Speaker 1: I was coming back to going to pre production and 267 00:12:52,840 --> 00:12:56,240 Speaker 1: we all got shut down like everybody else except I 268 00:12:56,280 --> 00:12:59,080 Speaker 1: believe Children of the Corn fifteen or whatever. We're still 269 00:12:59,080 --> 00:13:04,560 Speaker 1: shooting and I am now. We're now thanks to the 270 00:13:04,640 --> 00:13:09,200 Speaker 1: government support to sort of underwrite a bit of insurance 271 00:13:09,840 --> 00:13:12,600 Speaker 1: and the help of South as Australia Film Commission and 272 00:13:12,640 --> 00:13:15,199 Speaker 1: Screening the South Wales, they're supporting us to get back 273 00:13:15,200 --> 00:13:18,559 Speaker 1: to work in October. So we're about to saddle up again. 274 00:13:18,600 --> 00:13:22,400 Speaker 1: And it's taken a six months sort of pause. But 275 00:13:22,640 --> 00:13:24,360 Speaker 1: it's good to see production going back because you know 276 00:13:24,400 --> 00:13:26,360 Speaker 1: the other people that really need help at the moment, 277 00:13:26,440 --> 00:13:31,240 Speaker 1: are you know the unions here for for actors, which 278 00:13:31,280 --> 00:13:34,760 Speaker 1: covers support for crew members and all the people that 279 00:13:34,840 --> 00:13:39,160 Speaker 1: are freelance workers that don't really get to get covered 280 00:13:39,160 --> 00:13:43,319 Speaker 1: by a certain sort of government incentives and certain people 281 00:13:43,320 --> 00:13:46,480 Speaker 1: don't apply, don't get covered by job. 282 00:13:46,400 --> 00:13:47,120 Speaker 3: Keeper and stuff. 283 00:13:47,120 --> 00:13:49,920 Speaker 1: So it's good to get these productions back. And you know, 284 00:13:50,160 --> 00:13:53,200 Speaker 1: by the way, if anybody's like me, what have you 285 00:13:53,280 --> 00:13:55,600 Speaker 1: been doing during lockdown when you're stuck in your house? 286 00:13:55,640 --> 00:13:57,600 Speaker 1: So I'd pull up every night at six x seven 287 00:13:57,640 --> 00:14:02,120 Speaker 1: o'clock and eat my dinner in front of Italian watch something. 288 00:14:02,360 --> 00:14:04,880 Speaker 1: Ye do that, and we're going to run out of 289 00:14:04,880 --> 00:14:09,480 Speaker 1: stuff to watch. And you know, actors often we feel 290 00:14:09,480 --> 00:14:12,760 Speaker 1: like we're sort of useful and sort of not useful, 291 00:14:12,840 --> 00:14:16,360 Speaker 1: but you know, when you think about making people happy 292 00:14:16,440 --> 00:14:21,120 Speaker 1: and entertainment. By the way, I have a serious recommendation 293 00:14:21,280 --> 00:14:23,800 Speaker 1: for anyone whose they're looking for a laugh on Netflix 294 00:14:23,960 --> 00:14:25,760 Speaker 1: a show called The Norseman. 295 00:14:27,000 --> 00:14:29,160 Speaker 2: Now I keep that keeps being recommended to me. You know, 296 00:14:29,160 --> 00:14:31,480 Speaker 2: it's not like an algorithm like he's coming up? Is 297 00:14:31,480 --> 00:14:31,800 Speaker 2: it good? 298 00:14:31,920 --> 00:14:35,360 Speaker 1: It's sort of like a Monty python ish sort of 299 00:14:35,560 --> 00:14:39,720 Speaker 1: version of Game of Thrones. It's like Vikings but funny 300 00:14:39,760 --> 00:14:41,480 Speaker 1: and you can thank me later. 301 00:14:41,840 --> 00:14:43,960 Speaker 2: We will Joe. Well, I thank you now on behalf 302 00:14:44,000 --> 00:14:47,880 Speaker 2: of all the listeners. John okay, Joel's recommendations. Now the 303 00:14:47,960 --> 00:14:50,080 Speaker 2: way this works, We'll let you go. Thank you very 304 00:14:50,160 --> 00:14:52,720 Speaker 2: much for calling. It's been lovely chatting to you and 305 00:14:53,040 --> 00:14:54,920 Speaker 2: everyone that calls in. Joel, they leave a question for 306 00:14:54,960 --> 00:14:57,360 Speaker 2: the next person your what comes from? You must have 307 00:14:57,440 --> 00:14:59,320 Speaker 2: watched Round the Twist when you were a kid. 308 00:15:00,080 --> 00:15:02,400 Speaker 1: Yeah, it's so weird. When your producer mentioned the name 309 00:15:02,440 --> 00:15:05,480 Speaker 1: of the show, I just suddenly brought back all these 310 00:15:05,520 --> 00:15:06,520 Speaker 1: memories for me. 311 00:15:06,960 --> 00:15:09,640 Speaker 2: A strange old show that anyway, we had one of 312 00:15:09,680 --> 00:15:12,160 Speaker 2: the cast members on Pete Twist from Round the Twist. 313 00:15:12,160 --> 00:15:15,320 Speaker 2: He was on the actor Sam and he left this message, 314 00:15:15,320 --> 00:15:16,120 Speaker 2: which is now for you. 315 00:15:16,200 --> 00:15:18,600 Speaker 3: Who was the first person who kissed? 316 00:15:18,880 --> 00:15:20,360 Speaker 2: Who was the first person who kissed? 317 00:15:21,120 --> 00:15:21,360 Speaker 1: Oh? 318 00:15:21,480 --> 00:15:25,120 Speaker 2: God, here we go. Got to go back in memory 319 00:15:25,120 --> 00:15:26,320 Speaker 2: bank here into the hurt locker. 320 00:15:26,400 --> 00:15:30,400 Speaker 1: Yeah, I'm about to probably throw a little bomb in 321 00:15:30,640 --> 00:15:34,520 Speaker 1: somebody's vife saying publicly TMZ. 322 00:15:34,720 --> 00:15:35,240 Speaker 2: Get ready. 323 00:15:36,120 --> 00:15:39,720 Speaker 4: Ah, there was my first proper sort of you know, 324 00:15:39,920 --> 00:15:42,120 Speaker 4: Pash was in a game that's been the Bottle and 325 00:15:42,480 --> 00:15:44,760 Speaker 4: I just I guess this is also a time for 326 00:15:44,800 --> 00:15:47,119 Speaker 4: an apology to Rene Fame. 327 00:15:50,880 --> 00:15:52,720 Speaker 1: I don't think it was her best experience. 328 00:15:54,400 --> 00:16:00,120 Speaker 2: Yeah, the first ones really are in the bottle. That's 329 00:16:00,160 --> 00:16:02,920 Speaker 2: a question from you, Joel Edgerton. What's the question you're 330 00:16:02,920 --> 00:16:03,320 Speaker 2: going to leave. 331 00:16:03,520 --> 00:16:05,320 Speaker 1: I'm going to run with that theme of sort of 332 00:16:05,400 --> 00:16:11,520 Speaker 1: nostalgia and romance. What was your first TV or sort 333 00:16:11,520 --> 00:16:13,840 Speaker 1: of film crush? 334 00:16:13,840 --> 00:16:16,280 Speaker 2: That's a great one. Who was it for the young Joel? 335 00:16:16,320 --> 00:16:17,280 Speaker 2: Who you getting? 336 00:16:18,240 --> 00:16:20,320 Speaker 1: Prince? I had a few, and I was running a 337 00:16:20,360 --> 00:16:23,240 Speaker 1: few because I didn't know who i'd eventually get to meet. Sure, 338 00:16:25,040 --> 00:16:26,080 Speaker 1: Princess Leiah. 339 00:16:26,160 --> 00:16:28,360 Speaker 2: Yeah, everyone, Yeah, that gold bikini. 340 00:16:28,000 --> 00:16:35,400 Speaker 1: Right, Barbara from Idroma, Jennie and also Bonsie had two girlfriends. 341 00:16:35,400 --> 00:16:39,360 Speaker 1: One was Pinky Tuska. There, no, no one was it was. 342 00:16:39,960 --> 00:16:41,840 Speaker 1: He had a rock and roll girlfriend, but then he 343 00:16:41,880 --> 00:16:45,800 Speaker 1: had a very straight laced sort of girlfriend. It was 344 00:16:45,800 --> 00:16:51,520 Speaker 1: more like, like, you know, very sensible kind of clothes. 345 00:16:51,680 --> 00:16:53,200 Speaker 2: To switch it up. That was Phonsie. 346 00:16:54,200 --> 00:16:56,800 Speaker 1: Yeah, Phronsie. I wanted to steal one of Phonzie's girl. 347 00:16:57,960 --> 00:17:04,280 Speaker 2: There's a headline for the Daily Well, my favorite outlet. 348 00:17:05,520 --> 00:17:08,359 Speaker 2: Everybody's all right, Joel, it has been a treat. Chance 349 00:17:08,440 --> 00:17:09,919 Speaker 2: you call the show whenever you want. With any more 350 00:17:09,960 --> 00:17:12,359 Speaker 2: Netflix recommendations, Okay, all. 351 00:17:12,359 --> 00:17:15,439 Speaker 1: Right, cool man, say well done and congratulations to you 352 00:17:15,640 --> 00:17:17,720 Speaker 1: and I'm in props to you for what you're doing. 353 00:17:18,080 --> 00:17:20,879 Speaker 2: Thanks Joe, and if you are another recommendation from us 354 00:17:20,880 --> 00:17:23,960 Speaker 2: as well, your two party, your Australian story is great 355 00:17:23,960 --> 00:17:25,960 Speaker 2: as well. Well, yeah, you'll learn. 356 00:17:25,840 --> 00:17:28,639 Speaker 1: More about Fred Hollow from that. You can do a 357 00:17:28,680 --> 00:17:30,880 Speaker 1: little deep dive on that and how you can sort 358 00:17:30,880 --> 00:17:34,720 Speaker 1: of go to their website and twenty five dollars donation 359 00:17:34,880 --> 00:17:37,600 Speaker 1: will restore one person's eyesight, which is a really nice 360 00:17:37,640 --> 00:17:40,640 Speaker 1: simple way of something to give back something good. 361 00:17:40,840 --> 00:17:43,200 Speaker 2: Well, I would do that today, Joel. Take care. Thank 362 00:17:43,240 --> 00:17:44,399 Speaker 2: you very much to talk to us this morning. We 363 00:17:44,480 --> 00:17:46,120 Speaker 2: look forward to seeing you back on the big screen soon. 364 00:17:46,720 --> 00:17:47,400 Speaker 1: Thank you, sir. 365 00:17:47,920 --> 00:17:58,760 Speaker 2: Really hold on calling Christian. Let's find out who is 366 00:17:58,800 --> 00:18:01,560 Speaker 2: calling us right now? Who's calling Christian? Who's this? 367 00:18:02,840 --> 00:18:07,840 Speaker 5: It's Less Sampson, Hi, Christian, it's Fleensy Simpson and Yardley Smith. 368 00:18:08,720 --> 00:18:11,800 Speaker 2: Hey, Yardley Smith from the Lisa Simpson from The Simpsons. 369 00:18:13,080 --> 00:18:15,760 Speaker 5: Yeah, it's LENSA. Simpson on The Simpsons, the one and only. 370 00:18:15,880 --> 00:18:17,040 Speaker 5: There's really only one of me. 371 00:18:17,359 --> 00:18:19,760 Speaker 2: Wow, this is Realdy Pete. Now chat, we've got someone 372 00:18:19,800 --> 00:18:22,600 Speaker 2: from our favorite TV show in the world, The Simpsons. 373 00:18:22,640 --> 00:18:23,520 Speaker 2: This is amazing. 374 00:18:23,840 --> 00:18:28,040 Speaker 1: Good morning, good morning, how are you is? 375 00:18:28,080 --> 00:18:28,800 Speaker 5: Good morning there? 376 00:18:29,080 --> 00:18:31,320 Speaker 2: It is morning here. It's a yes five to wait 377 00:18:31,359 --> 00:18:34,040 Speaker 2: where are you? Are you in California? I am. 378 00:18:34,119 --> 00:18:36,840 Speaker 5: I'm in Los Angeles where it was one hundred and 379 00:18:36,960 --> 00:18:39,680 Speaker 5: nine degrees two days ago, which may not be that 380 00:18:39,800 --> 00:18:41,880 Speaker 5: hard for you, but good god, it was hot for us. 381 00:18:42,000 --> 00:18:45,199 Speaker 2: Yeah. And Yardley, thank you so much for giving us 382 00:18:45,200 --> 00:18:45,520 Speaker 2: a call. 383 00:18:46,760 --> 00:18:49,000 Speaker 5: Thank you so much for helping me. Carlin calling on 384 00:18:49,040 --> 00:18:51,280 Speaker 5: behalf of the Gary Sonese Foundation. 385 00:18:51,720 --> 00:18:52,520 Speaker 2: As in the actor. 386 00:18:53,600 --> 00:18:58,240 Speaker 5: Yes, yes, he has a really wonderful foundation that he's 387 00:18:58,240 --> 00:19:01,720 Speaker 5: said for a number of years that gives back to 388 00:19:02,040 --> 00:19:07,159 Speaker 5: first responders and veterans and their families. And you know, 389 00:19:07,200 --> 00:19:10,000 Speaker 5: there are a lot of gaps and services here in 390 00:19:10,040 --> 00:19:12,239 Speaker 5: the United States preps around the world as well, and 391 00:19:12,320 --> 00:19:16,280 Speaker 5: so Gary Sinise has endeavored to shore up some of 392 00:19:16,320 --> 00:19:17,280 Speaker 5: those holes. 393 00:19:17,640 --> 00:19:19,720 Speaker 2: A listen, thank you very much asport in such a 394 00:19:19,720 --> 00:19:22,560 Speaker 2: great charity. And y hardly we've got to say we 395 00:19:22,640 --> 00:19:25,680 Speaker 2: are like everyone in the world, but we absolutely Jack 396 00:19:25,720 --> 00:19:28,320 Speaker 2: and I we are obsessed with The Simpsons. It's the 397 00:19:28,400 --> 00:19:33,080 Speaker 2: greatest TV show ever. It's an amazing so many great episodes, 398 00:19:33,119 --> 00:19:35,720 Speaker 2: so much TV has been made, but every single one 399 00:19:36,080 --> 00:19:38,520 Speaker 2: crowned with just the smartest jokes that have been written. 400 00:19:38,640 --> 00:19:40,359 Speaker 2: You know, it's a great thing to be involved in. 401 00:19:41,400 --> 00:19:43,199 Speaker 5: I have to day a Greek Jim Jan and I 402 00:19:43,240 --> 00:19:45,760 Speaker 5: have to agree with you at that point. 403 00:19:48,280 --> 00:19:51,960 Speaker 2: And you did you audition just for for Lisa? How 404 00:19:51,960 --> 00:19:53,480 Speaker 2: did it all begin back in the day. 405 00:19:54,720 --> 00:19:57,359 Speaker 5: It all began because I was doing a play, a 406 00:19:57,520 --> 00:20:00,440 Speaker 5: tiny little play, a new play in a tiny, little 407 00:20:00,440 --> 00:20:05,080 Speaker 5: black box theater here in Hollywood. About seventeen people saw 408 00:20:05,119 --> 00:20:07,560 Speaker 5: that show, but one of them, a year later, would 409 00:20:07,560 --> 00:20:11,600 Speaker 5: cast the Simpsons on Tracy Allman Show. And it's actually 410 00:20:11,600 --> 00:20:14,159 Speaker 5: true that I was brought in originally to read for Bart, 411 00:20:14,760 --> 00:20:20,639 Speaker 5: but it sort of overstates the importance of that little detour, 412 00:20:20,840 --> 00:20:23,080 Speaker 5: because really it wasn't like, oh, we think Yard would 413 00:20:23,080 --> 00:20:24,800 Speaker 5: be great for Bart. It was more like women do 414 00:20:24,840 --> 00:20:27,320 Speaker 5: the voices of young boys, so we'll have every woman 415 00:20:27,359 --> 00:20:29,800 Speaker 5: who comes in to read read for Bart. And then 416 00:20:30,000 --> 00:20:32,400 Speaker 5: that lasted about seven seconds because it sounds so much 417 00:20:32,440 --> 00:20:35,080 Speaker 5: like a girl. They said, how about the sister. He 418 00:20:35,119 --> 00:20:37,800 Speaker 5: has a little sister, and I am a little sister 419 00:20:37,920 --> 00:20:39,520 Speaker 5: as well. I have an older brother. So I was like, 420 00:20:39,800 --> 00:20:42,280 Speaker 5: all right, well, people tell me it's sund like, I'm ten, 421 00:20:42,480 --> 00:20:45,639 Speaker 5: Lisa's eight, So I guess I should go up, because 422 00:20:45,680 --> 00:20:48,760 Speaker 5: when I go down, people say if I try to 423 00:20:49,400 --> 00:20:52,200 Speaker 5: leave a deeper voicemail message, people like, are you all right, Yardley? 424 00:20:52,280 --> 00:20:55,240 Speaker 5: Are you sick something? Because you don't sound so good? 425 00:20:56,160 --> 00:20:59,040 Speaker 2: And what is your favorite Lisa's storyline over the years. 426 00:20:59,080 --> 00:21:03,840 Speaker 2: I mean, there have been so many Simpson great moments. 427 00:21:02,560 --> 00:21:05,520 Speaker 5: So so many. I have a running list of about ten, 428 00:21:05,680 --> 00:21:11,240 Speaker 5: but certainly the episode Lisa's Substitute where she gets a 429 00:21:11,240 --> 00:21:14,040 Speaker 5: crush on our substitute teacher played by Dustin Hoffmann. Yes, 430 00:21:15,640 --> 00:21:17,760 Speaker 5: but you know, one of my favorite episodes of all 431 00:21:17,800 --> 00:21:20,120 Speaker 5: time is it's actually not even a Lisa episode. It's 432 00:21:20,160 --> 00:21:22,320 Speaker 5: the one where bart Sells is sold to no House 433 00:21:22,359 --> 00:21:24,960 Speaker 5: for a dollar and least advised back for five. 434 00:21:28,359 --> 00:21:30,760 Speaker 2: She's at the moral heart of the show, Lisa Simpson, 435 00:21:30,800 --> 00:21:32,119 Speaker 2: isn't she? 436 00:21:32,119 --> 00:21:37,560 Speaker 5: She is? But I really believe that that side of 437 00:21:37,600 --> 00:21:41,359 Speaker 5: her only works and you only actually sort of clock 438 00:21:41,440 --> 00:21:43,879 Speaker 5: that and recognize it as a good thing in her 439 00:21:43,920 --> 00:21:47,159 Speaker 5: if you remember that she's eight and she still laughs 440 00:21:47,160 --> 00:21:49,840 Speaker 5: her butt off it itch and scratchy. You know, if 441 00:21:49,840 --> 00:21:53,040 Speaker 5: you don't have that duality, then she just becomes this 442 00:21:53,200 --> 00:21:57,920 Speaker 5: really insufferable, sort of precocious eight year old who knows 443 00:21:57,920 --> 00:21:59,840 Speaker 5: more than you do, and nobody wants to listen to that. 444 00:22:00,119 --> 00:22:00,919 Speaker 5: I don't even want. 445 00:22:00,800 --> 00:22:03,160 Speaker 2: To play it, so I've just had a quick look. 446 00:22:03,200 --> 00:22:05,679 Speaker 2: You also, I say that you also do a podcast. 447 00:22:05,720 --> 00:22:08,200 Speaker 2: It's a huge podcast. Tell us about the true crime 448 00:22:08,440 --> 00:22:09,119 Speaker 2: podcast you do? 449 00:22:09,720 --> 00:22:10,960 Speaker 5: Ah, it's so lovely to ask. 450 00:22:11,040 --> 00:22:11,240 Speaker 1: Yes. 451 00:22:11,320 --> 00:22:14,920 Speaker 5: I'm a co host a true crime podcast with identical 452 00:22:15,000 --> 00:22:19,320 Speaker 5: twin detectives Dan and Dave. It's called small Town Dix, 453 00:22:19,520 --> 00:22:23,680 Speaker 5: Dix being the noir slang or detectives, right, And all 454 00:22:23,720 --> 00:22:27,120 Speaker 5: of our cases are told by the detective who investigated it. 455 00:22:27,119 --> 00:22:31,160 Speaker 5: It's really really well done. And I actually I say 456 00:22:31,240 --> 00:22:33,640 Speaker 5: very little. I'm actually the person on the other side 457 00:22:33,640 --> 00:22:37,200 Speaker 5: of the table wanting to know how who you are 458 00:22:37,240 --> 00:22:38,920 Speaker 5: and how do you do what you do and why 459 00:22:38,920 --> 00:22:40,639 Speaker 5: do you do it? And if you are the person 460 00:22:41,000 --> 00:22:42,560 Speaker 5: who is willing to go out into the world and 461 00:22:42,600 --> 00:22:45,280 Speaker 5: every single day see the worst of humanity, where does 462 00:22:45,320 --> 00:22:49,199 Speaker 5: that reside inside of you? But on our podcast you 463 00:22:49,240 --> 00:22:53,120 Speaker 5: get a really granular look at big time crime happening 464 00:22:53,160 --> 00:22:56,840 Speaker 5: in small town USA across the country, because it is 465 00:22:56,880 --> 00:22:59,840 Speaker 5: happening just with somewhat less frequency, but the same level 466 00:22:59,880 --> 00:23:03,520 Speaker 5: of depravity and reckless disregard for human life as you have, 467 00:23:04,080 --> 00:23:06,639 Speaker 5: you know, in Chicago, Los Angeles, New York, wherever it is. 468 00:23:07,080 --> 00:23:09,679 Speaker 2: So the two the two detectives to do with are 469 00:23:09,680 --> 00:23:11,000 Speaker 2: they're identical twins? 470 00:23:11,560 --> 00:23:13,679 Speaker 5: Yes, identical twins detect what. 471 00:23:13,760 --> 00:23:16,000 Speaker 2: The same cases together, you know, and they've gone a 472 00:23:16,040 --> 00:23:18,080 Speaker 2: good called bad cop. You know, I don't know which 473 00:23:18,119 --> 00:23:19,600 Speaker 2: is which. Just throw my head in. What a great 474 00:23:19,600 --> 00:23:21,080 Speaker 2: way to get a confession out of someone. 475 00:23:21,880 --> 00:23:26,920 Speaker 5: It's kind of they worked actually different caseloads, but they 476 00:23:27,040 --> 00:23:30,160 Speaker 5: would because they live in a small town, they run 477 00:23:30,160 --> 00:23:33,320 Speaker 5: into people that they had arrested, and that person would 478 00:23:33,359 --> 00:23:36,800 Speaker 5: confuse them for the other. And so Dan would be like, yeah, no, no, 479 00:23:36,840 --> 00:23:39,600 Speaker 5: you're you're talking about Dave. And Dave would be like, yeah, no, 480 00:23:39,720 --> 00:23:40,920 Speaker 5: you're talking about my brother. 481 00:23:41,000 --> 00:23:46,160 Speaker 2: And you just said, are you engaged to one of them? 482 00:23:46,680 --> 00:23:48,720 Speaker 5: I am. I'm engaged to Detective Dan. 483 00:23:48,920 --> 00:23:50,840 Speaker 2: Are you sure you don't know? 484 00:23:50,440 --> 00:23:56,040 Speaker 5: You know what's funny is now you can actually tell 485 00:23:56,080 --> 00:23:58,840 Speaker 5: them apart. But when they were kids, they look so 486 00:23:58,920 --> 00:24:00,879 Speaker 5: much alike that if you show them a picture of 487 00:24:01,240 --> 00:24:03,840 Speaker 5: you show them a picture of themselves. When they're about 488 00:24:03,880 --> 00:24:05,760 Speaker 5: four and five. Even they can't tell you. 489 00:24:05,720 --> 00:24:10,199 Speaker 2: Who's that's awesome. Well listen, yardleygh thanks so much for 490 00:24:10,200 --> 00:24:12,720 Speaker 2: giving us a call. It's been a joy to chat 491 00:24:12,760 --> 00:24:15,159 Speaker 2: to the way this works everyone who calls us. So 492 00:24:15,200 --> 00:24:17,000 Speaker 2: about half an hour ago we had a call from 493 00:24:17,240 --> 00:24:21,119 Speaker 2: the Australian actor and doctor Joel Edgerton. Everyone leaves a 494 00:24:21,200 --> 00:24:24,119 Speaker 2: question for the next guest. He's left the question, which 495 00:24:24,160 --> 00:24:24,960 Speaker 2: is now for you? 496 00:24:25,040 --> 00:24:30,480 Speaker 1: What was your first TV or sort of film crush? 497 00:24:30,640 --> 00:24:32,480 Speaker 2: What was your first TV or film crush? 498 00:24:33,200 --> 00:24:38,040 Speaker 5: My first TV crush was David Cassidy from the Partridge Family. Yeah, 499 00:24:38,400 --> 00:24:43,480 Speaker 5: I'm fifty six, so you know, they were on at 500 00:24:43,480 --> 00:24:46,040 Speaker 5: the sort of regular prime time time when I was 501 00:24:46,480 --> 00:24:49,000 Speaker 5: a kid, and he was my first TV crush. And 502 00:24:49,440 --> 00:24:52,560 Speaker 5: I think I sort of remember Tom Cruise being my 503 00:24:52,680 --> 00:24:56,560 Speaker 5: first film crush very much. We actually share the same 504 00:24:56,680 --> 00:24:59,880 Speaker 5: birth day. But I think he's either a bit young 505 00:25:00,000 --> 00:25:01,040 Speaker 5: a bit older than I am. 506 00:25:01,119 --> 00:25:02,000 Speaker 2: I don't think he ages. 507 00:25:02,200 --> 00:25:05,080 Speaker 5: I think he's just I know, I know he has 508 00:25:05,080 --> 00:25:06,720 Speaker 5: some for a portrait in his posts. 509 00:25:07,040 --> 00:25:10,920 Speaker 2: Well it's of l Ron Hubbard and the Thelons than that, Yes, 510 00:25:11,880 --> 00:25:14,479 Speaker 2: what's the question you're going to leave for the next person. 511 00:25:15,680 --> 00:25:17,520 Speaker 5: I'd like to know what's on your Nightstad. 512 00:25:18,400 --> 00:25:22,120 Speaker 2: That's a great question. All right, thank you very much 513 00:25:22,160 --> 00:25:24,280 Speaker 2: for talking to us. It's been a joy this morning. 514 00:25:24,280 --> 00:25:27,000 Speaker 2: Take and stay safe out there and all the extreme heat. 515 00:25:27,000 --> 00:25:28,080 Speaker 2: And thanks for the Simpsons. 516 00:25:28,800 --> 00:25:31,680 Speaker 5: Thanks, I sure well I leave the Simpson says goodbye 517 00:25:31,760 --> 00:25:33,280 Speaker 5: and thank you so much for having that. 518 00:25:35,640 --> 00:25:42,720 Speaker 2: H How you are Christian. Our celebrity is never far away.