1 00:00:00,640 --> 00:00:03,960 Speaker 1: December is shaping up to be a very big month 2 00:00:04,000 --> 00:00:07,000 Speaker 1: at the Asta Theater on December five. The Church is 3 00:00:07,040 --> 00:00:09,960 Speaker 1: going to be there on the already yesterday tour. Tickets 4 00:00:09,960 --> 00:00:12,360 Speaker 1: are available through a ticke tek and Steve Kilby's joining 5 00:00:12,440 --> 00:00:13,520 Speaker 1: us now, good morning. 6 00:00:13,920 --> 00:00:14,520 Speaker 2: How are you going? 7 00:00:14,840 --> 00:00:15,160 Speaker 3: Good? 8 00:00:15,560 --> 00:00:16,040 Speaker 4: Very well? 9 00:00:16,360 --> 00:00:17,919 Speaker 3: So the Asta December five? 10 00:00:18,520 --> 00:00:22,320 Speaker 2: What a great dick an amazing old theater. Yeah, great sound, 11 00:00:22,480 --> 00:00:25,840 Speaker 2: great feeling. Everybody who goes there always says, oh boy, 12 00:00:25,920 --> 00:00:26,720 Speaker 2: I love the Astra. 13 00:00:27,120 --> 00:00:27,880 Speaker 3: I love the Asta. 14 00:00:27,960 --> 00:00:30,080 Speaker 1: I used to go to the Asta with my grandmother 15 00:00:30,120 --> 00:00:31,520 Speaker 1: when it was still a movie theater. 16 00:00:31,640 --> 00:00:33,440 Speaker 3: She took me to see the sound of music there. 17 00:00:33,479 --> 00:00:34,960 Speaker 4: Oh really nineteen times. 18 00:00:35,400 --> 00:00:35,720 Speaker 2: Wow. 19 00:00:37,080 --> 00:00:42,400 Speaker 1: So the band's playing songs are from your first four 20 00:00:42,440 --> 00:00:46,920 Speaker 1: albums of Skins and Heart, The Blurred Crusades, Seance, and Heyday. 21 00:00:47,320 --> 00:00:48,800 Speaker 3: Do you have a favorite child out of those? 22 00:00:49,159 --> 00:00:52,720 Speaker 2: Yeah? Can I also say that's the first set and 23 00:00:52,800 --> 00:00:54,639 Speaker 2: then the second set we're going to come on and 24 00:00:54,760 --> 00:00:55,880 Speaker 2: play some other stuff. 25 00:00:55,960 --> 00:00:58,280 Speaker 4: Oh beautiful? Yeah even better? 26 00:00:58,480 --> 00:01:01,720 Speaker 2: Yeah, not all old of old and then a bit 27 00:01:01,760 --> 00:01:03,800 Speaker 2: more new. Yeah. Yeah, my favorite one out of the 28 00:01:03,800 --> 00:01:05,120 Speaker 2: first force probably Heyday. 29 00:01:05,360 --> 00:01:07,600 Speaker 5: Oh right, yeah, it was a different album, wasn't it. Steve, 30 00:01:07,600 --> 00:01:11,120 Speaker 5: you sort of became writers as a band as opposed 31 00:01:11,120 --> 00:01:12,400 Speaker 5: to just your stuff doing the demos. 32 00:01:12,520 --> 00:01:16,080 Speaker 2: That's true, That's exactly what happened. The band started writing 33 00:01:16,120 --> 00:01:18,520 Speaker 2: as a unit and then I would put the vocals 34 00:01:18,520 --> 00:01:21,959 Speaker 2: on at the end, and it's sort of expanded. It's 35 00:01:22,120 --> 00:01:24,000 Speaker 2: really expanded everything. I think. 36 00:01:24,120 --> 00:01:27,319 Speaker 1: Yeah, absolutely great album to commemorate the two or all 37 00:01:27,319 --> 00:01:30,400 Speaker 1: four albums are being reissued on vinyl throughout the year. 38 00:01:30,880 --> 00:01:33,720 Speaker 1: I remember the first vinyl album I ever bought with 39 00:01:33,720 --> 00:01:36,880 Speaker 1: my own pocket money was Stone Age Romeos by the 40 00:01:36,920 --> 00:01:40,080 Speaker 1: HOODI grew Steve, do you remember the first vinyl your 41 00:01:40,200 --> 00:01:41,240 Speaker 1: first final purchase? 42 00:01:41,959 --> 00:01:43,800 Speaker 2: Does it count if I sent my dad in to 43 00:01:43,840 --> 00:01:45,480 Speaker 2: get it for me because I was too shy? 44 00:01:45,720 --> 00:01:49,520 Speaker 4: Of course, that counts your money, your pocket money. 45 00:01:49,640 --> 00:01:53,240 Speaker 2: Okay, okay, it was It's Too Easy by the Easy 46 00:01:53,320 --> 00:01:54,920 Speaker 2: Beat fifty five. 47 00:01:55,120 --> 00:02:00,720 Speaker 4: Oh yeah, Stevie right going off? Love that? Yeah? 48 00:02:00,760 --> 00:02:03,200 Speaker 5: Well, aloof and engaging one. I read that in the 49 00:02:03,240 --> 00:02:06,800 Speaker 5: review on your Instagram mate, you've had some interesting reviews? 50 00:02:06,800 --> 00:02:09,840 Speaker 4: Are there any Do you just ignore journalism and the 51 00:02:10,080 --> 00:02:12,200 Speaker 4: like that? Or you have you had? There's something is 52 00:02:12,200 --> 00:02:13,640 Speaker 4: stuck in your crawl all these years? 53 00:02:13,800 --> 00:02:14,520 Speaker 3: No, you know what? 54 00:02:15,080 --> 00:02:18,240 Speaker 2: No, I can recite bad reviews like the how is 55 00:02:18,320 --> 00:02:22,560 Speaker 2: this for a chunk? Richard Klube's drums termed tempting mysteries 56 00:02:22,600 --> 00:02:24,000 Speaker 2: into turgid mistakes. 57 00:02:24,360 --> 00:02:35,359 Speaker 6: Dear with Richard, isn't it beautiful? 58 00:02:36,040 --> 00:02:39,520 Speaker 2: You know, all those years practicing in the garage, someone 59 00:02:39,520 --> 00:02:40,000 Speaker 2: could call. 60 00:02:39,960 --> 00:02:42,840 Speaker 5: Me terrific because it's so close to turn, isn't it 61 00:02:42,840 --> 00:02:43,919 Speaker 5: that's awful? 62 00:02:44,040 --> 00:02:44,760 Speaker 4: Just sounds dirty. 63 00:02:46,800 --> 00:02:50,520 Speaker 2: Yeah, it's in that category. The good ones I can't 64 00:02:50,680 --> 00:02:53,000 Speaker 2: take on board and the bad ones I take on 65 00:02:53,080 --> 00:02:56,720 Speaker 2: board too much. Yeah, so it's crazy like one hundred, 66 00:02:57,000 --> 00:02:59,680 Speaker 2: say there were one hundred reviews in the ninety nine 67 00:02:59,680 --> 00:03:02,720 Speaker 2: were yep, and one was bad. It'd be the bad 68 00:03:02,760 --> 00:03:04,600 Speaker 2: one that I'd be seeing there going. 69 00:03:04,440 --> 00:03:07,280 Speaker 4: Why why you all love me? 70 00:03:08,000 --> 00:03:10,440 Speaker 1: Have you learned to give yourself a break a bit 71 00:03:10,480 --> 00:03:14,239 Speaker 1: though over the years in respect of that. 72 00:03:14,720 --> 00:03:22,480 Speaker 6: No, no, no, no, I know I have no. 73 00:03:23,080 --> 00:03:25,440 Speaker 2: I don't. I don't give myself a breakover and I 74 00:03:25,480 --> 00:03:32,960 Speaker 2: don't I like, I make myself miserable. I've just realized 75 00:03:32,960 --> 00:03:34,920 Speaker 2: what I've been doing for the last fifty years. 76 00:03:34,920 --> 00:03:37,280 Speaker 4: Steve, come close. It's not your phone, it's not your fault. 77 00:03:39,520 --> 00:03:41,320 Speaker 4: We can say that, mate. 78 00:03:41,320 --> 00:03:43,920 Speaker 5: And speaking of fans, I look at the reaction to 79 00:03:43,960 --> 00:03:46,560 Speaker 5: fans around the world to this very day, fans from 80 00:03:46,560 --> 00:03:49,080 Speaker 5: all over the planet on your Instagram saying come to Chili. 81 00:03:49,200 --> 00:03:53,320 Speaker 5: Don't forget Mexico, USA this summer. They're wonderful that day. 82 00:03:53,440 --> 00:03:56,040 Speaker 2: You know what, No matter where you say you're playing, 83 00:03:57,160 --> 00:04:01,120 Speaker 2: one will say I'll play here instead, even though the 84 00:04:01,160 --> 00:04:04,560 Speaker 2: whole like we are playing here, and then everybody from 85 00:04:04,560 --> 00:04:06,600 Speaker 2: everywhere else go, oh, play here, and they'll put the 86 00:04:06,680 --> 00:04:10,360 Speaker 2: name of their place, so like it's a weird Yeah, 87 00:04:10,400 --> 00:04:13,640 Speaker 2: it's like a weird tangent, you know what I mean. Yeah, 88 00:04:13,720 --> 00:04:16,000 Speaker 2: it's like, hey, you want to come over to dinner 89 00:04:16,080 --> 00:04:18,040 Speaker 2: Sunday and they go Tuesday. 90 00:04:19,000 --> 00:04:20,520 Speaker 3: Yeah, exactly, you know what I mean. 91 00:04:20,520 --> 00:04:24,000 Speaker 2: They're like, well, oh, you know, it just brings everything 92 00:04:24,040 --> 00:04:24,559 Speaker 2: to a halt. 93 00:04:24,880 --> 00:04:26,479 Speaker 1: Well, if this is what they're saying, you can't be 94 00:04:26,560 --> 00:04:32,960 Speaker 1: too turgent. What what you're in the US at the moment? 95 00:04:32,960 --> 00:04:34,240 Speaker 3: What are you up to over there? 96 00:04:34,600 --> 00:04:36,720 Speaker 2: I mean Austin, Texas recording. 97 00:04:36,360 --> 00:04:39,920 Speaker 3: An album, right Texas with the church and the Church. 98 00:04:40,000 --> 00:04:44,240 Speaker 2: Yeah, Texas. It's about five o'clock in the afternoon. It's 99 00:04:44,279 --> 00:04:51,320 Speaker 2: about ninety five degrees fahrenheit overpast and incredibly stormy and 100 00:04:51,960 --> 00:04:55,120 Speaker 2: sort of intense and close. 101 00:04:55,839 --> 00:04:56,960 Speaker 4: Very close. Yeah. 102 00:04:57,000 --> 00:04:58,520 Speaker 3: Are you staying in Darwin? 103 00:04:58,920 --> 00:04:59,200 Speaker 4: Yeah? 104 00:04:59,320 --> 00:05:00,200 Speaker 3: Yeah, are you. 105 00:05:00,240 --> 00:05:02,200 Speaker 4: Staying at the Austin Motel? Mate, I've seen the photo. 106 00:05:02,240 --> 00:05:02,760 Speaker 3: It's a ripper. 107 00:05:03,240 --> 00:05:06,560 Speaker 2: No, I'm not staying there. I'm staying No, I'm not. 108 00:05:08,920 --> 00:05:12,120 Speaker 2: I knew, you know what. I looked at that this 109 00:05:12,200 --> 00:05:14,680 Speaker 2: morning and thought people are going to think we're staying 110 00:05:14,720 --> 00:05:18,840 Speaker 2: there with that hotel with that montosity out the front. 111 00:05:18,920 --> 00:05:21,279 Speaker 5: There, and then people will get it on Instagram and 112 00:05:21,360 --> 00:05:23,400 Speaker 5: go no, come and stay at the Austin motor. 113 00:05:26,360 --> 00:05:28,920 Speaker 1: Do you remember the first time did you ever heard 114 00:05:28,960 --> 00:05:29,799 Speaker 1: yourself on the radio? 115 00:05:29,920 --> 00:05:30,280 Speaker 3: Yeah? 116 00:05:30,400 --> 00:05:31,520 Speaker 4: Yeah, was it? 117 00:05:32,600 --> 00:05:35,479 Speaker 2: I do? Yes, I do. We were the band, We're 118 00:05:35,520 --> 00:05:40,640 Speaker 2: in the car and we were driving along and down 119 00:05:43,400 --> 00:05:47,520 Speaker 2: came on. It seemed very loud. I realized then one 120 00:05:47,560 --> 00:05:51,120 Speaker 2: of the thing about that record, it sounded very loud 121 00:05:51,320 --> 00:05:54,159 Speaker 2: compared to all the other all the other songs of radio. 122 00:05:54,200 --> 00:05:57,800 Speaker 2: It's all jumped out of the radio like unbelievably. And 123 00:05:57,839 --> 00:06:00,719 Speaker 2: we were like ah, and it was like yeah, it's 124 00:06:00,760 --> 00:06:04,040 Speaker 2: like unbelievable feelings, just like you'd imagine. 125 00:06:03,640 --> 00:06:05,880 Speaker 3: It would be, imagine it would be unreal. 126 00:06:06,040 --> 00:06:08,960 Speaker 5: Was that ungoded moment man that you first heard yepal 127 00:06:09,320 --> 00:06:10,200 Speaker 5: so damn good. 128 00:06:10,040 --> 00:06:11,320 Speaker 2: That was what it was. 129 00:06:11,400 --> 00:06:13,600 Speaker 4: Yeah, yeah, did you take you by surprise? Then? 130 00:06:13,800 --> 00:06:15,840 Speaker 5: Yeah, all of a sudden, one day, Molly's calling saying, 131 00:06:15,880 --> 00:06:18,279 Speaker 5: come on countdown and you know what did you knew 132 00:06:18,360 --> 00:06:19,800 Speaker 5: when you came up with it and you went, there's 133 00:06:19,800 --> 00:06:21,440 Speaker 5: something special about this this pop so on. 134 00:06:21,760 --> 00:06:24,599 Speaker 2: I didn't realize there was so much to go wrong, 135 00:06:25,279 --> 00:06:27,720 Speaker 2: and remember in those days, So we went on countdown 136 00:06:27,760 --> 00:06:31,400 Speaker 2: and mind to our song. There was no playback. You 137 00:06:31,440 --> 00:06:34,320 Speaker 2: didn't get to stand around and say anything or see anything. 138 00:06:34,720 --> 00:06:37,760 Speaker 2: You did it. Then they went, okay, you're done. You 139 00:06:37,920 --> 00:06:40,960 Speaker 2: had no idea. I have seen a lot of people 140 00:06:41,080 --> 00:06:44,720 Speaker 2: before me and after me, come I'm done on countdown, 141 00:06:45,600 --> 00:06:49,160 Speaker 2: not necessarily through their own fault. They just looked awkward 142 00:06:49,720 --> 00:06:53,000 Speaker 2: or that's something about us. We just looked right in 143 00:06:53,080 --> 00:06:56,000 Speaker 2: our element and there it was, and I watched it 144 00:06:56,040 --> 00:07:00,039 Speaker 2: and I went, wow, maybe I've got a chance. And 145 00:07:00,120 --> 00:07:02,520 Speaker 2: you know, the next night the place was full. 146 00:07:02,800 --> 00:07:04,760 Speaker 4: Yeah that's what you want. 147 00:07:04,920 --> 00:07:08,400 Speaker 1: Well, we can see the church in their element December 148 00:07:08,440 --> 00:07:12,160 Speaker 1: five at the beautiful Asta Theater on the already yesterday 149 00:07:12,240 --> 00:07:13,760 Speaker 1: tour tickets are through ticket. 150 00:07:14,000 --> 00:07:15,160 Speaker 3: We can't wait to see it. Steve. 151 00:07:15,400 --> 00:07:17,600 Speaker 4: Okay, then thank you thanks not all the best. We 152 00:07:17,600 --> 00:07:18,280 Speaker 4: appreciate your time