1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,160 --> 00:00:09,680 Speaker 2: So seven point thirty Friday night living room is bad exciting. 3 00:00:09,720 --> 00:00:12,559 Speaker 2: Have you seen the promos and things? Doesn't it? Do? 4 00:00:12,600 --> 00:00:15,440 Speaker 2: You Know? What's interesting is they the set designer. We're 5 00:00:15,440 --> 00:00:19,800 Speaker 2: in it. We're filming in an actual home in Newtown. 6 00:00:19,840 --> 00:00:21,880 Speaker 2: It's kind of I think it was an old bakery, 7 00:00:21,880 --> 00:00:24,239 Speaker 2: but it's got a pool and it's now someone's home. 8 00:00:24,280 --> 00:00:25,520 Speaker 2: It's amazing. 9 00:00:26,640 --> 00:00:27,840 Speaker 1: To be quiet when you're filming. 10 00:00:28,080 --> 00:00:30,480 Speaker 2: No, they've moved out while we're filming. They've I think 11 00:00:30,480 --> 00:00:32,239 Speaker 2: they've got a few places and they're not living there 12 00:00:32,240 --> 00:00:37,479 Speaker 2: while we do it. Sure, but the designer came to 13 00:00:37,720 --> 00:00:41,159 Speaker 2: my house to see bits and pieces and whatever, and 14 00:00:41,400 --> 00:00:43,720 Speaker 2: it actually has a feel of my place, which I've 15 00:00:43,720 --> 00:00:45,360 Speaker 2: been said to know if you think it does, because 16 00:00:45,440 --> 00:00:47,880 Speaker 2: she's got Harley's some of Harley's paintings on the walls, 17 00:00:48,360 --> 00:00:50,640 Speaker 2: and one of the walls is painted a sort of 18 00:00:50,680 --> 00:00:53,720 Speaker 2: a red color up we have, Yeah, so it feels 19 00:00:53,840 --> 00:00:55,800 Speaker 2: that's what they wanted and wanted to feel familiar. And 20 00:00:55,800 --> 00:00:58,400 Speaker 2: we've got photos and everything all around the walls. It's 21 00:00:58,440 --> 00:00:59,040 Speaker 2: it's fabulous. 22 00:00:59,160 --> 00:01:00,600 Speaker 1: You've got some crazy stuff in your. 23 00:01:00,440 --> 00:01:04,440 Speaker 2: House, Like I've got a zebra in my backyard. And 24 00:01:04,480 --> 00:01:07,360 Speaker 2: my uncle made a fiberglass zebrae. He made them for 25 00:01:07,360 --> 00:01:09,920 Speaker 2: sculptures by the sea, so I bought one from him. 26 00:01:09,959 --> 00:01:11,240 Speaker 1: You've got flight center, man. 27 00:01:11,680 --> 00:01:13,560 Speaker 2: You gave me Flight center. Man. You've got one too. 28 00:01:13,600 --> 00:01:18,600 Speaker 2: I've got Team Flight Center. Yeah. So those things haven't 29 00:01:18,640 --> 00:01:21,479 Speaker 2: made it into the house. Actually, they asked me, the producers, 30 00:01:21,480 --> 00:01:23,280 Speaker 2: how would you feel if we put the zebra in 31 00:01:23,319 --> 00:01:25,640 Speaker 2: the house. I said, I'd miss it too much from 32 00:01:25,680 --> 00:01:27,920 Speaker 2: my place because it's big, so it's not like we 33 00:01:27,959 --> 00:01:29,800 Speaker 2: could move it back and forth every time. 34 00:01:29,760 --> 00:01:33,440 Speaker 1: We horse flight to your car. 35 00:01:34,640 --> 00:01:37,399 Speaker 2: When my uncle first brought it up from Canberra to 36 00:01:37,440 --> 00:01:39,399 Speaker 2: our place, he did have to put like a saddle 37 00:01:39,440 --> 00:01:41,520 Speaker 2: on its back so he could tie it down. And 38 00:01:41,560 --> 00:01:43,720 Speaker 2: he said dogs barked at him the whole way out. 39 00:01:44,720 --> 00:01:47,760 Speaker 1: Mentioned that you were driving around with your car with 40 00:01:47,840 --> 00:01:48,720 Speaker 1: a horse flight. 41 00:01:48,600 --> 00:01:52,160 Speaker 2: With a fiberglass zebra in it. Nothing to see here, people, 42 00:01:52,480 --> 00:01:55,920 Speaker 2: I'm just going to work. I fill come and have 43 00:01:55,960 --> 00:01:56,640 Speaker 2: a look. 44 00:01:57,760 --> 00:02:00,000 Speaker 1: Because I don't really cross the streams of the living room. 45 00:02:00,280 --> 00:02:02,040 Speaker 1: You know, I've learned that. So what do you mean, Well, 46 00:02:02,080 --> 00:02:04,080 Speaker 1: you know it's your thing, so it's not true. I 47 00:02:04,080 --> 00:02:05,600 Speaker 1: wouldn't mind having a look at it when. 48 00:02:05,440 --> 00:02:06,520 Speaker 2: I'd love you to have a look. 49 00:02:06,600 --> 00:02:09,679 Speaker 1: When is the because it goes to air on Friday. 50 00:02:09,840 --> 00:02:13,000 Speaker 2: Friday and we're filming there, Frida, come down on Friday. 51 00:02:13,080 --> 00:02:14,959 Speaker 1: I'd love you to come on down and have a look. 52 00:02:15,000 --> 00:02:15,960 Speaker 1: You make me a cup of tea. 53 00:02:16,200 --> 00:02:19,200 Speaker 2: Sure, we've got a little fireplace. There's a pill. I 54 00:02:19,200 --> 00:02:20,200 Speaker 2: can push you in the pill. 55 00:02:20,280 --> 00:02:23,440 Speaker 1: What are the facilities like toilet facilities? 56 00:02:23,639 --> 00:02:24,440 Speaker 2: They're not the best. 57 00:02:24,520 --> 00:02:26,200 Speaker 1: What do you mean because it's well, it's a home 58 00:02:26,280 --> 00:02:27,520 Speaker 1: and how many dunies? 59 00:02:28,480 --> 00:02:32,360 Speaker 2: Well, because it's sort of this funky warehouse and a 60 00:02:32,440 --> 00:02:34,120 Speaker 2: family lives there. It's not like you have to go 61 00:02:34,160 --> 00:02:35,800 Speaker 2: to the loom in front of strangers like we do 62 00:02:35,840 --> 00:02:40,320 Speaker 2: when we're working there. The toilet roof, the top of 63 00:02:40,320 --> 00:02:42,600 Speaker 2: the toilet door doesn't go all the way to the roof, 64 00:02:42,840 --> 00:02:45,680 Speaker 2: and it's kind of open. Won't do what do you 65 00:02:46,040 --> 00:02:49,760 Speaker 2: so maybe the time you visit specifically around your needs. 66 00:02:50,200 --> 00:02:51,919 Speaker 2: I go home with a sawce stomach every time. 67 00:02:52,720 --> 00:02:55,239 Speaker 1: In someone's boat, A time you need, time. 68 00:02:55,120 --> 00:02:57,600 Speaker 2: You need and hope that your body doesn't let you down. 69 00:02:57,760 --> 00:02:59,960 Speaker 1: Is it an exposure toilet meaning that no, it's a 70 00:03:00,080 --> 00:03:03,040 Speaker 1: closed door, but you know the exposure toilet. You know 71 00:03:03,080 --> 00:03:03,600 Speaker 1: the situation. 72 00:03:03,680 --> 00:03:06,240 Speaker 2: I know you used to have an exposure. 73 00:03:05,800 --> 00:03:08,400 Speaker 1: Toilet and it's a terrible sit you say. 74 00:03:08,400 --> 00:03:11,600 Speaker 2: Exposure toilert is when you're sitting away from the. 75 00:03:11,600 --> 00:03:13,400 Speaker 1: Door, You're too far away, You're. 76 00:03:13,280 --> 00:03:14,919 Speaker 2: Too far to rescue yourself, and it's. 77 00:03:14,800 --> 00:03:17,840 Speaker 1: The door open and you're just exposed as soon as 78 00:03:17,840 --> 00:03:21,080 Speaker 1: the door is open. As that producer that no longer 79 00:03:21,120 --> 00:03:23,040 Speaker 1: works for us discovered when he opened the door on 80 00:03:23,080 --> 00:03:23,919 Speaker 1: you at my place. 81 00:03:25,440 --> 00:03:28,320 Speaker 2: You make it sound like I had him murdered. We 82 00:03:28,360 --> 00:03:30,440 Speaker 2: work together at a number of years after that, I had 83 00:03:30,440 --> 00:03:32,560 Speaker 2: his eyes taken out and his memory deleted. 84 00:03:32,680 --> 00:03:35,800 Speaker 1: I haven't seen him since. I was just thinking about 85 00:03:36,040 --> 00:03:39,480 Speaker 1: seeing the living room digs on Friday. The digs, the digs. 86 00:03:39,520 --> 00:03:43,440 Speaker 1: We should do the radio show from your place of 87 00:03:43,480 --> 00:03:46,080 Speaker 1: work there, so we do show. 88 00:03:47,000 --> 00:03:50,000 Speaker 2: I'd love that. So we do our show from there Friday, 89 00:03:50,040 --> 00:03:51,560 Speaker 2: because the guys will be there, because we won't be 90 00:03:51,600 --> 00:03:54,120 Speaker 2: working here during the day. The show goes to where 91 00:03:54,160 --> 00:03:57,120 Speaker 2: that night, I'll give you a sneaky peaky of the. 92 00:03:57,120 --> 00:03:59,400 Speaker 1: Set and what we could do because it'll be our 93 00:03:59,440 --> 00:04:02,560 Speaker 1: last day before we go on holidays. So and the 94 00:04:02,600 --> 00:04:05,160 Speaker 1: show starts that night. Do you see what's happening? 95 00:04:05,280 --> 00:04:06,280 Speaker 2: Tell me what's happening. 96 00:04:06,360 --> 00:04:08,480 Speaker 1: What's a meshing. It's a crossing of the stream. 97 00:04:08,320 --> 00:04:10,200 Speaker 2: It's a crossing of the I love that. 98 00:04:10,800 --> 00:04:12,600 Speaker 1: And I'll bring a little house warming part and a 99 00:04:12,680 --> 00:04:15,960 Speaker 1: little gift. What would be I don't some of the 100 00:04:16,000 --> 00:04:17,679 Speaker 1: crap that I want to get rid of from my house. 101 00:04:17,880 --> 00:04:20,479 Speaker 2: I don't think we need any spare bike parts around there. 102 00:04:20,680 --> 00:04:22,520 Speaker 1: What about it? Do you want to motor bike part? 103 00:04:22,640 --> 00:04:27,240 Speaker 2: No, I've got it's been very nicely set designed by 104 00:04:27,279 --> 00:04:27,800 Speaker 2: a grown up. 105 00:04:27,839 --> 00:04:30,280 Speaker 1: I've got some cool thanks. 106 00:04:30,320 --> 00:04:34,200 Speaker 2: How about you bring a cake, something that somebody wants. 107 00:04:34,360 --> 00:04:36,480 Speaker 1: No, you need something on the on the wall. No? 108 00:04:36,600 --> 00:04:38,279 Speaker 2: Will you have a look the walls of chokers with 109 00:04:38,400 --> 00:04:41,120 Speaker 2: stuff already that has been artfully. 110 00:04:40,760 --> 00:04:42,400 Speaker 1: Placed, Reobi, stuff. 111 00:04:42,520 --> 00:04:44,599 Speaker 2: That's been artfully No, there's no Reobi on. 112 00:04:44,600 --> 00:04:45,960 Speaker 1: The on the wall. 113 00:04:46,080 --> 00:04:48,320 Speaker 2: No, you'll see it. There's hard paintings from my husband, 114 00:04:48,360 --> 00:04:53,920 Speaker 2: there's photos, there's groovy stuff movie. But I think a 115 00:04:54,000 --> 00:04:55,520 Speaker 2: cake could be nicely received. 116 00:04:55,520 --> 00:04:59,280 Speaker 1: Friendon, I'm going to work on a piece of art 117 00:04:59,560 --> 00:05:01,640 Speaker 1: that you can put up there on your warm It's. 118 00:05:01,560 --> 00:05:04,000 Speaker 2: Always a sting in the tail. I'll come, but I'm 119 00:05:04,040 --> 00:05:06,360 Speaker 2: going to wreck it. I'm looking at record for You're 120 00:05:06,360 --> 00:05:08,800 Speaker 2: going to push me in the pool. You know I'm 121 00:05:08,800 --> 00:05:11,760 Speaker 2: not a pool pushing good good, look forward to it. 122 00:05:11,960 --> 00:05:14,240 Speaker 2: Join The and Amanda in the Morning one at one 123 00:05:14,279 --> 00:05:14,839 Speaker 2: point seven. 124 00:05:14,920 --> 00:05:15,240 Speaker 1: Tell you