1 00:00:01,440 --> 00:00:05,480 Speaker 1: And Amanda jam Nation. This woman was married to a 2 00:00:05,559 --> 00:00:09,880 Speaker 1: Victorian era ghost, Brendan, and things have come asunder and 3 00:00:09,920 --> 00:00:12,079 Speaker 1: she's divorced him during an exorcism. I'll tell you the 4 00:00:12,119 --> 00:00:13,160 Speaker 1: story of their relationship. 5 00:00:14,000 --> 00:00:15,760 Speaker 2: Is this like the ghost of Missus muir. 6 00:00:15,600 --> 00:00:19,439 Speaker 1: Well, she married a ghost from the Victorian era. She's forty. 7 00:00:19,600 --> 00:00:22,000 Speaker 1: She married a ghost called Eduardo, who was a Victorian 8 00:00:22,040 --> 00:00:25,560 Speaker 1: era soldier who appeared in her bedroom. They went on 9 00:00:25,680 --> 00:00:29,560 Speaker 1: Hollywood on Halloween last year, but the honeymoon in Wales 10 00:00:29,640 --> 00:00:32,519 Speaker 1: was a bit of a disaster. Eduardo listened to what 11 00:00:32,560 --> 00:00:37,080 Speaker 1: he did Edwardo, the ghost became drunk, he became possessive, 12 00:00:37,159 --> 00:00:40,680 Speaker 1: and he became obsessed with Marilyn Monroe. So apparently he'd 13 00:00:40,760 --> 00:00:44,240 Speaker 1: vanished for days and returned smelling of Chanelle number five, 14 00:00:44,280 --> 00:00:49,320 Speaker 1: which was Marilyn's favorite scents. A lot of hot chicks, 15 00:00:49,800 --> 00:00:52,360 Speaker 1: hot dead chicks out there. She'd had enough, so she 16 00:00:52,560 --> 00:00:56,600 Speaker 1: exercised him in the same chapel where they married. She 17 00:00:56,680 --> 00:00:58,840 Speaker 1: said that he was a troubled spirit who dragged her 18 00:00:58,920 --> 00:01:02,320 Speaker 1: down and she hasn't seen him since. What about this couple? 19 00:01:03,160 --> 00:01:06,960 Speaker 1: Erica Lebray is an American woman who is romantically and 20 00:01:07,000 --> 00:01:10,640 Speaker 1: sexually attracted to inanimate objects. This is called object filiure. 21 00:01:11,280 --> 00:01:14,120 Speaker 1: She married the Eiffel Tower in two thousand and seven. 22 00:01:14,160 --> 00:01:17,319 Speaker 1: She changed her surname to Eiffel, not Tower. 23 00:01:17,600 --> 00:01:18,679 Speaker 2: Do you think you go tower? 24 00:01:19,160 --> 00:01:24,839 Speaker 1: Anyway? She copped at Eiffel that night. She later broke 25 00:01:24,959 --> 00:01:27,000 Speaker 1: up with the Eiffel Tower. She left the Eiffel Tower. 26 00:01:27,000 --> 00:01:30,759 Speaker 1: Do you know why? Probably having other infrastructure. She became 27 00:01:30,840 --> 00:01:34,600 Speaker 1: attracted to a red fence. No, she's American. Yeah, the 28 00:01:34,600 --> 00:01:36,680 Speaker 1: Eiffel Tower would have been Oh I see no, no, no, 29 00:01:36,760 --> 00:01:40,000 Speaker 1: she became attracted to somebody else, to another piece of infrastructure. 30 00:01:40,200 --> 00:01:43,920 Speaker 1: She became attracted to a red fence. She likes talking 31 00:01:44,400 --> 00:01:47,920 Speaker 1: and touching this fence. Here she is talking about it. 32 00:01:48,360 --> 00:01:51,920 Speaker 2: Fences are such dangerous objects for me because they are 33 00:01:52,000 --> 00:01:55,280 Speaker 2: so perfect in their geometry. I mean, I have to say, 34 00:01:55,280 --> 00:01:57,200 Speaker 2: there is a lot of physical stuff going on right now, 35 00:01:57,360 --> 00:02:00,160 Speaker 2: and I think that happens between human relationships as well. 36 00:02:00,440 --> 00:02:02,880 Speaker 2: I'm definitely physically attracted to this fence, and I would 37 00:02:02,920 --> 00:02:04,800 Speaker 2: like to get to know this fence better. Oh you 38 00:02:04,920 --> 00:02:07,120 Speaker 2: are sweet, feel very sweet. 39 00:02:07,720 --> 00:02:09,840 Speaker 1: Yeah. On the wedding night, there's a lot of fence. 40 00:02:09,880 --> 00:02:13,000 Speaker 1: Citty sit on my fence and tell me that's me. 41 00:02:15,840 --> 00:02:18,600 Speaker 1: What a bunch of widows. So a lot of sadness 42 00:02:18,680 --> 00:02:20,320 Speaker 1: in the air at the moment of people