1 00:00:00,040 --> 00:00:00,240 Speaker 1: Hate. 2 00:00:00,280 --> 00:00:02,440 Speaker 2: Well, I'm what you hope, having a wonderful drive home. 3 00:00:02,480 --> 00:00:05,320 Speaker 3: The best comedians on the planet in Australia right now 4 00:00:05,360 --> 00:00:08,600 Speaker 3: touring for the Comedy Circuit, although there are some arey 5 00:00:08,640 --> 00:00:10,600 Speaker 3: wonderful homegrown talent who are here and I should say 6 00:00:10,640 --> 00:00:12,840 Speaker 3: he's home grind, but you know he's a bit of 7 00:00:12,840 --> 00:00:15,400 Speaker 3: a He's a traveler as well, a lot of time 8 00:00:15,440 --> 00:00:17,240 Speaker 3: over in the UK recently. 9 00:00:21,640 --> 00:00:22,320 Speaker 2: Jet lad. 10 00:00:27,360 --> 00:00:28,360 Speaker 1: For a first impression. 11 00:00:29,160 --> 00:00:32,680 Speaker 2: He lives in the Lucas. 12 00:00:32,840 --> 00:00:33,920 Speaker 1: To Lucas aids to. 13 00:00:35,800 --> 00:00:38,040 Speaker 4: Hay Stan, I'll bring your credit straight back up because 14 00:00:38,120 --> 00:00:40,519 Speaker 4: last time we spoke to you, you were doing shows 15 00:00:40,560 --> 00:00:43,199 Speaker 4: in Sydney and we got through this whole interview with you, 16 00:00:43,640 --> 00:00:45,920 Speaker 4: the MIC's got turned off and then you came back 17 00:00:45,920 --> 00:00:47,920 Speaker 4: to the microphone and you were like, hey boys, just 18 00:00:47,960 --> 00:00:48,839 Speaker 4: before I go. 19 00:00:49,000 --> 00:00:51,680 Speaker 5: Natalie Portman's coming to my show tonight. Boom, and then 20 00:00:51,720 --> 00:00:52,479 Speaker 5: you like. 21 00:00:53,680 --> 00:00:56,960 Speaker 1: Ran all the way home. I'm so excited. 22 00:00:57,840 --> 00:00:59,840 Speaker 5: How how has that connection happened? 23 00:01:00,640 --> 00:01:05,480 Speaker 1: My friend's husband was filming a movie with her husband 24 00:01:06,080 --> 00:01:08,200 Speaker 1: and they were talking about improv and she goes, I 25 00:01:08,240 --> 00:01:09,840 Speaker 1: love improv and then she's like, well, you got to 26 00:01:09,840 --> 00:01:14,559 Speaker 1: go see these guys, and then she asked for ten tickets. Yeah, 27 00:01:14,800 --> 00:01:16,040 Speaker 1: Tesla Thompson came as well. 28 00:01:16,160 --> 00:01:16,720 Speaker 3: Wow. 29 00:01:17,760 --> 00:01:20,319 Speaker 1: And then the husband saw us and he asked if 30 00:01:20,319 --> 00:01:23,560 Speaker 1: we could perform at her surprise fortieth birthday get Lost, 31 00:01:23,640 --> 00:01:25,680 Speaker 1: And I was not there. I was already back in 32 00:01:25,720 --> 00:01:27,920 Speaker 1: the UK. But Carlo went and performed with her son. 33 00:01:28,240 --> 00:01:29,760 Speaker 1: I don't even I can say. Maybe I don't know, 34 00:01:29,840 --> 00:01:30,560 Speaker 1: I didn't sign it on. 35 00:01:32,319 --> 00:01:33,280 Speaker 2: What did you miss out on? 36 00:01:33,520 --> 00:01:36,520 Speaker 3: Like when you heard like because your friend went before Carlo, 37 00:01:36,920 --> 00:01:39,520 Speaker 3: So what when you obviously got the call afterwards? 38 00:01:39,680 --> 00:01:44,680 Speaker 1: Yeah? Like what happened? Did you take photo? And I 39 00:01:44,720 --> 00:01:48,480 Speaker 1: know we probably should have taken the front. It was 40 00:01:48,640 --> 00:01:50,640 Speaker 1: very cute because when we do bare Pack, which is 41 00:01:50,680 --> 00:01:53,600 Speaker 1: our improv duo, were both wear suits and colors of 42 00:01:53,640 --> 00:01:55,520 Speaker 1: country boys and he wears his are and Williams and 43 00:01:55,560 --> 00:01:59,040 Speaker 1: I wear like a pair Jordan's and the Navy Deportman's 44 00:01:59,080 --> 00:02:01,160 Speaker 1: son wore like an over a baggy suit and like 45 00:02:01,200 --> 00:02:03,080 Speaker 1: a pair of massive Jordan's coming through. 46 00:02:05,320 --> 00:02:07,080 Speaker 2: Natalie Portman's son imitated you. 47 00:02:07,200 --> 00:02:09,880 Speaker 1: Apparently apparently it's an amazing improviser as well. 48 00:02:09,960 --> 00:02:13,120 Speaker 2: Wow, he's incredible career highlight. 49 00:02:13,680 --> 00:02:14,359 Speaker 1: It's up there for me. 50 00:02:17,600 --> 00:02:20,160 Speaker 5: You are the idol of Natalie Portman's son. 51 00:02:22,880 --> 00:02:24,520 Speaker 1: Strangers set up. 52 00:02:26,160 --> 00:02:28,480 Speaker 3: It's a compliment in a lot of ways that you're 53 00:02:28,480 --> 00:02:30,440 Speaker 3: not sure what level of compliment it is. 54 00:02:30,520 --> 00:02:32,520 Speaker 1: I think it's just like if any bare Pack fans 55 00:02:32,520 --> 00:02:34,600 Speaker 1: were there, Like one person does that. It kind of 56 00:02:34,600 --> 00:02:37,760 Speaker 1: looks like Steen. Ye, it's past disappointed. 57 00:02:37,440 --> 00:02:38,200 Speaker 2: Tried to pass it off. 58 00:02:38,840 --> 00:02:39,400 Speaker 3: Yeah, fair enough. 59 00:02:39,480 --> 00:02:41,480 Speaker 5: You feel for Natalie a little bit like Natalie has 60 00:02:41,480 --> 00:02:43,320 Speaker 5: done like Black Span, Like, hey, donant I dressed up 61 00:02:43,320 --> 00:02:43,880 Speaker 5: as Black Span. 62 00:02:44,080 --> 00:02:48,760 Speaker 4: No, I'm dressing a Stey Steve. 63 00:02:48,840 --> 00:02:50,840 Speaker 3: Let's talk about your show mate. You can go and 64 00:02:50,880 --> 00:02:53,359 Speaker 3: see Stein. Show's paying Melbourne and Sid. It's called friendly 65 00:02:53,440 --> 00:02:55,200 Speaker 3: strange stranger. 66 00:02:57,360 --> 00:02:58,040 Speaker 2: It's a fact. 67 00:02:58,560 --> 00:03:02,519 Speaker 3: Friendly stranger is what it's called Stein rascobolos dot com. 68 00:03:02,520 --> 00:03:03,560 Speaker 3: If you want to go and see him. 69 00:03:03,680 --> 00:03:05,360 Speaker 2: What's the show about? I'd love to know, because it's 70 00:03:05,360 --> 00:03:06,919 Speaker 2: first time you done lash on five years? 71 00:03:07,000 --> 00:03:09,799 Speaker 1: Yeah right, yeah, So I was like solo sketch kind 72 00:03:09,800 --> 00:03:13,400 Speaker 1: of comedy. Yeah, I hope so. And all my shows 73 00:03:13,440 --> 00:03:16,079 Speaker 1: do audience participation and I get different characters up to 74 00:03:16,160 --> 00:03:18,680 Speaker 1: kind of perform with me. This is like my idea 75 00:03:18,720 --> 00:03:21,720 Speaker 1: of my relationship with them. So they're friendly strangers to 76 00:03:21,760 --> 00:03:23,760 Speaker 1: me and I'm friendly hopefully are friendly stranger to them. 77 00:03:23,800 --> 00:03:27,480 Speaker 1: But it's like, yeah, it's probably the most interesting way 78 00:03:27,480 --> 00:03:28,720 Speaker 1: I've used audience before. 79 00:03:29,120 --> 00:03:31,040 Speaker 2: So how many characters would you play in the show? 80 00:03:31,080 --> 00:03:32,120 Speaker 1: And this one over twenty? 81 00:03:32,240 --> 00:03:35,880 Speaker 2: You're joking? Can I can I speak to some of 82 00:03:35,880 --> 00:03:39,720 Speaker 2: the characters? Is that possible? What are their names? 83 00:03:40,040 --> 00:03:42,800 Speaker 1: One's called Waddy and the other one's called Bill. 84 00:03:43,360 --> 00:03:46,920 Speaker 2: Okay, okay, so is whatdy? 85 00:03:47,880 --> 00:03:49,360 Speaker 3: Let's go to a song and then I would love 86 00:03:49,360 --> 00:03:51,400 Speaker 3: to talk to what Maybe we'll come back outside. 87 00:03:51,400 --> 00:03:54,600 Speaker 5: And that's honestly a joke, right because we're Will and Woody. 88 00:03:54,840 --> 00:03:55,720 Speaker 5: You don't have characters. 89 00:03:56,120 --> 00:04:02,080 Speaker 1: Definitely got the whole scene about ball my crives moan 90 00:04:03,480 --> 00:04:05,400 Speaker 1: for the driver. 91 00:04:06,920 --> 00:04:09,040 Speaker 2: We got more steen rerass gobblers up next. You've got 92 00:04:09,040 --> 00:04:10,960 Speaker 2: to see the Steamrask cobblics dot com. This show is 93 00:04:10,960 --> 00:04:11,760 Speaker 2: called Friendly s Changer. 94 00:04:11,800 --> 00:04:14,520 Speaker 3: It's Willing what he kiss, Hays Will and what I 95 00:04:14,600 --> 00:04:17,560 Speaker 3: you having a wonderful, wonderful drive home? 96 00:04:17,600 --> 00:04:18,800 Speaker 2: You want to see a steam Rask gobbless. 97 00:04:18,800 --> 00:04:21,719 Speaker 3: He's playing Melbourne and Sydney's news show is called Friendly Stranger. 98 00:04:21,760 --> 00:04:25,080 Speaker 3: Tickets available steamrascobbolis dot com. Stein's in the studio, Welcome 99 00:04:25,080 --> 00:04:31,599 Speaker 3: back Stan everyone. Now you're pake twenty characters in your show. Yes, Now, 100 00:04:32,080 --> 00:04:35,320 Speaker 3: I said before, so these all improvit this is this 101 00:04:35,360 --> 00:04:35,680 Speaker 3: is playing. 102 00:04:35,880 --> 00:04:38,120 Speaker 1: There's a lot of improv really involved. Yeah. A lot 103 00:04:38,160 --> 00:04:40,839 Speaker 1: of it has to do with getting suggestions off the audience. 104 00:04:40,880 --> 00:04:42,520 Speaker 1: But it's not like an improp show where I go 105 00:04:42,600 --> 00:04:44,920 Speaker 1: and ask for them. I subtly get them through other 106 00:04:44,960 --> 00:04:48,640 Speaker 1: things and then bringing everything together. Okay, Yeah. 107 00:04:48,720 --> 00:04:51,480 Speaker 4: Does that make you more nervous knowing that your show 108 00:04:51,560 --> 00:04:53,760 Speaker 4: can go well really in any direction? 109 00:04:54,200 --> 00:04:56,760 Speaker 1: It's more exciting because every show is completely different, although 110 00:04:56,800 --> 00:05:00,000 Speaker 1: like the structure is very similar, and like, no matter 111 00:05:00,080 --> 00:05:03,640 Speaker 1: howry times I've written shows and have different directions, I 112 00:05:03,640 --> 00:05:06,720 Speaker 1: think an audience member can do something always surprised. 113 00:05:07,360 --> 00:05:10,120 Speaker 5: Oh that's great, great for you as an entertainment. 114 00:05:10,960 --> 00:05:11,560 Speaker 2: Because what do you know? 115 00:05:12,279 --> 00:05:14,240 Speaker 3: I think we often talk about when we did a 116 00:05:14,240 --> 00:05:16,960 Speaker 3: sketch show at the Fringe Festival, the most rattling moment 117 00:05:17,040 --> 00:05:18,479 Speaker 3: was when we were trying to what he was trying 118 00:05:18,480 --> 00:05:20,240 Speaker 3: to do a lift with an audience member and she 119 00:05:20,360 --> 00:05:22,840 Speaker 3: told him that she didn't have a leg and couldn't 120 00:05:22,880 --> 00:05:25,160 Speaker 3: know had a prosthetic leg and the leg would come 121 00:05:25,160 --> 00:05:26,320 Speaker 3: off if he did the lift. 122 00:05:26,720 --> 00:05:29,440 Speaker 2: But wanted him to still do the lift, and I 123 00:05:29,560 --> 00:05:31,520 Speaker 2: was on the other end of the stage looking at him, going, 124 00:05:32,320 --> 00:05:35,440 Speaker 2: why you take it? Can we just hurry up and 125 00:05:35,480 --> 00:05:35,960 Speaker 2: do the lift? 126 00:05:36,000 --> 00:05:38,039 Speaker 3: And he's looking at me going, I can't explain this 127 00:05:38,120 --> 00:05:39,800 Speaker 3: to you because she doesn't want the audience to know 128 00:05:39,839 --> 00:05:41,080 Speaker 3: that she's got a prosthetic leg. 129 00:05:41,120 --> 00:05:42,200 Speaker 2: But we're just trying to try and do this. 130 00:05:42,440 --> 00:05:44,120 Speaker 5: Was and it wasn't fair to her as well to 131 00:05:44,160 --> 00:05:45,920 Speaker 5: be like, oh no, sorry, I'll pick someone else. How 132 00:05:46,000 --> 00:05:47,400 Speaker 5: rude of me. So I was like, you want to 133 00:05:47,440 --> 00:05:49,159 Speaker 5: do this. I can't say no to this. 134 00:05:49,279 --> 00:05:49,839 Speaker 1: That's awesome. 135 00:05:49,960 --> 00:05:50,840 Speaker 5: Let's bloody do this. 136 00:05:50,960 --> 00:05:54,240 Speaker 1: I had one in Edinburgh, not as like physically extreme, 137 00:05:54,839 --> 00:05:57,320 Speaker 1: but I had one where I got an audience member 138 00:05:57,360 --> 00:05:59,640 Speaker 1: up to kind of play my kind of co partner 139 00:05:59,680 --> 00:06:03,400 Speaker 1: in a school education kind of program. Yeah education, kill 140 00:06:03,440 --> 00:06:05,080 Speaker 1: my guys. We're going to tell you about drugs and 141 00:06:05,320 --> 00:06:08,320 Speaker 1: that kind of stuff. But the audience gave us what 142 00:06:08,400 --> 00:06:11,560 Speaker 1: the topic and the title was what we're coming to teach, 143 00:06:12,160 --> 00:06:15,120 Speaker 1: and I got a different audience member's phone and the 144 00:06:15,160 --> 00:06:16,920 Speaker 1: person who I got up could only read the text 145 00:06:16,960 --> 00:06:19,680 Speaker 1: messages off the phone for their dialogue, so i'd have 146 00:06:19,720 --> 00:06:23,880 Speaker 1: a conversation just before I grabbed the phone, and the 147 00:06:23,880 --> 00:06:28,200 Speaker 1: guy's like, I got fired today, and it's him telling 148 00:06:28,320 --> 00:06:34,080 Speaker 1: his dad that he got no no, only found out 149 00:06:34,080 --> 00:06:37,440 Speaker 1: like halfway through text messages kind of thing. And they 150 00:06:37,480 --> 00:06:39,279 Speaker 1: had to lean to the guy halfway through, and the 151 00:06:39,320 --> 00:06:42,080 Speaker 1: audience is, you know, kind of cringing, cringing into their seats, 152 00:06:42,360 --> 00:06:44,640 Speaker 1: and he goes, don't worry, I got a better job. 153 00:06:44,680 --> 00:06:51,240 Speaker 1: And then the audience but it's one of they have 154 00:06:51,360 --> 00:06:52,839 Speaker 1: to be there in the room, you know. Okay, That's 155 00:06:52,880 --> 00:06:54,159 Speaker 1: that's what I like about my shows. 156 00:06:54,320 --> 00:06:55,719 Speaker 5: Yeah, that's real. 157 00:06:55,839 --> 00:06:56,760 Speaker 2: It's so real. 158 00:06:56,839 --> 00:06:57,839 Speaker 5: What's going on in that moment? 159 00:06:57,920 --> 00:07:01,200 Speaker 3: Can I ask standing speak of doing live shows? I 160 00:07:01,240 --> 00:07:03,400 Speaker 3: know that one of the things we were talking about 161 00:07:03,440 --> 00:07:06,719 Speaker 3: recently was the Nativity scene on this on this show, 162 00:07:07,240 --> 00:07:09,400 Speaker 3: and it's just like, what role you played in the 163 00:07:09,480 --> 00:07:10,000 Speaker 3: Nativity scene? 164 00:07:10,360 --> 00:07:12,440 Speaker 1: Was Joseph in Bubble Puck Primary? When I was in 165 00:07:12,480 --> 00:07:17,480 Speaker 1: You two, I just was very like I was. 166 00:07:19,080 --> 00:07:21,680 Speaker 3: I was very proud of that I was getting there, 167 00:07:22,160 --> 00:07:28,120 Speaker 3: but I just I just put you on the map 168 00:07:28,240 --> 00:07:28,760 Speaker 3: or something like. 169 00:07:30,240 --> 00:07:32,200 Speaker 2: Joseph he's King Dick of the Nativity. 170 00:07:32,480 --> 00:07:34,840 Speaker 1: And I remember it because I I sliced my knee 171 00:07:34,840 --> 00:07:38,360 Speaker 1: open on my yards floor through a safety pin. Wow, 172 00:07:38,400 --> 00:07:39,960 Speaker 1: and I had to go to the doctors to kind 173 00:07:39,960 --> 00:07:42,080 Speaker 1: of get stitches. We can put the stitches in now, 174 00:07:42,120 --> 00:07:44,600 Speaker 1: it's not too bad, or we can wait tomorrow. Remember 175 00:07:44,720 --> 00:07:46,960 Speaker 1: looking at my mom like we've got to wait tomorrow. 176 00:07:47,000 --> 00:07:53,040 Speaker 5: I've you are so smug in this photos. Did you 177 00:07:53,040 --> 00:07:54,840 Speaker 5: have your own trailer that did you teach like like 178 00:07:54,880 --> 00:07:56,720 Speaker 5: treat the other kids like ship when you were Joseph? 179 00:07:56,760 --> 00:07:58,600 Speaker 1: I'm sure the guy who came up with Netflix like 180 00:07:58,720 --> 00:08:01,520 Speaker 1: had like saw me perform that I want to do 181 00:08:01,600 --> 00:08:03,080 Speaker 1: something one day one day. 182 00:08:03,120 --> 00:08:03,560 Speaker 3: But did you. 183 00:08:05,360 --> 00:08:08,160 Speaker 2: Serio question from there? Was your performance as Joseph in 184 00:08:08,160 --> 00:08:09,040 Speaker 2: the Nativity scene? 185 00:08:09,720 --> 00:08:14,240 Speaker 1: I had a solo informative Yeah, Stean at the top 186 00:08:14,280 --> 00:08:14,960 Speaker 1: of the stairs. 187 00:08:15,080 --> 00:08:19,280 Speaker 3: Yeah, the stairs in the main it's a lux, it's 188 00:08:19,280 --> 00:08:21,800 Speaker 3: a lux. Right. 189 00:08:22,360 --> 00:08:23,080 Speaker 5: Have you still got it? 190 00:08:23,240 --> 00:08:25,680 Speaker 1: Have I still got the voice? Sometimes? 191 00:08:25,680 --> 00:08:27,960 Speaker 2: What was the was the song? 192 00:08:28,480 --> 00:08:31,320 Speaker 1: It was like let baby gees? 193 00:08:32,200 --> 00:08:37,480 Speaker 2: Oh yeah, yeah, yeah, yeah, yeah, that's it. Yeah, Yeah, 194 00:08:37,520 --> 00:08:38,200 Speaker 2: you've still got it. 195 00:08:38,240 --> 00:08:39,720 Speaker 1: I don't want to give too much to yours just 196 00:08:39,800 --> 00:08:41,319 Speaker 1: now in case, you know, because if we give it 197 00:08:41,320 --> 00:08:42,960 Speaker 1: too many, I can I can record it just like 198 00:08:42,960 --> 00:08:44,720 Speaker 1: play and repeat. I can come to my show, you 199 00:08:44,720 --> 00:08:47,960 Speaker 1: can come on. 200 00:08:48,080 --> 00:08:49,920 Speaker 5: That's fair enough, fair enough. 201 00:08:50,120 --> 00:08:51,960 Speaker 1: I do have a song on my show that I 202 00:08:52,000 --> 00:08:54,200 Speaker 1: do rap and sing, also called the Next Level, which 203 00:08:54,200 --> 00:08:55,719 Speaker 1: is about when we take relationships to. 204 00:08:55,679 --> 00:08:56,240 Speaker 2: The next level. 205 00:08:56,440 --> 00:08:59,800 Speaker 3: Oh well, if you undertake seeing comedy to the next level, 206 00:09:00,280 --> 00:09:02,320 Speaker 3: go and check out Stean resk Copples Friendly Stranger. 207 00:09:02,320 --> 00:09:04,080 Speaker 2: He's playing Melbourne, Sydney. You get a chance to see. 208 00:09:04,200 --> 00:09:05,719 Speaker 3: We're lucky that he's in the country for a little while, 209 00:09:05,720 --> 00:09:07,079 Speaker 3: so while you get a chance to go and saying mate, 210 00:09:07,120 --> 00:09:09,560 Speaker 3: it's great to see you, thanks for coming in, good 211 00:09:09,640 --> 00:09:10,240 Speaker 3: luck for the shows. 212 00:09:10,280 --> 00:09:11,280 Speaker 5: Chockers, see a lady. 213 00:09:11,320 --> 00:09:13,520 Speaker 1: Boys there it is there. 214 00:09:13,559 --> 00:09:16,040 Speaker 2: It is record that living top 215 00:09:18,280 --> 00:09:19,280 Speaker 1: Jesus is my son.