1 00:00:00,200 --> 00:00:03,320 Speaker 1: Good morning, Ben, Good morning. Going at the fact that, 2 00:00:03,360 --> 00:00:08,200 Speaker 1: for some reason, there's so much talk around this movie 3 00:00:08,280 --> 00:00:11,639 Speaker 1: Don't Worry, Darling, it's almost refreshing to talk about the 4 00:00:11,680 --> 00:00:14,360 Speaker 1: actual movie itself right now. Yes, but but do we 5 00:00:14,400 --> 00:00:16,720 Speaker 1: need to recap some of the drama. But just if 6 00:00:16,720 --> 00:00:19,880 Speaker 1: we can recap it really quick, we definitely can. Okay. 7 00:00:20,000 --> 00:00:22,560 Speaker 1: So this is a movie directed by Olivia Wilde, who's 8 00:00:22,560 --> 00:00:25,640 Speaker 1: an actor herself. She made her debut feature a couple 9 00:00:25,680 --> 00:00:28,080 Speaker 1: of years ago with Book Smart, which was a really 10 00:00:28,120 --> 00:00:30,280 Speaker 1: cool coming of age film, and everyone thought, oh, I 11 00:00:30,280 --> 00:00:32,280 Speaker 1: can't wait to see what Olivia wild does next. She 12 00:00:32,560 --> 00:00:35,080 Speaker 1: is a director on the fast track to success, so 13 00:00:35,120 --> 00:00:37,360 Speaker 1: they've given her a bigger budget to make this kind 14 00:00:37,360 --> 00:00:41,479 Speaker 1: of psychological thriller Don't Worry Darling, which everybody was initially 15 00:00:41,600 --> 00:00:44,680 Speaker 1: super excited about. And then this drama started to emerge 16 00:00:44,800 --> 00:00:47,680 Speaker 1: from on set. So after the film wrap there started 17 00:00:47,680 --> 00:00:51,160 Speaker 1: to be rumors that this one of the stars, Florence Pew, 18 00:00:51,680 --> 00:00:55,440 Speaker 1: hated Olivia Wilde. They had stoushes on the set because 19 00:00:55,640 --> 00:00:59,160 Speaker 1: Olivia wild may have been hooking up with Florence's co 20 00:00:59,360 --> 00:01:02,640 Speaker 1: star and on screen husband, Harry Styles from one direction 21 00:01:03,440 --> 00:01:05,760 Speaker 1: and now we know Olivia wild Is with Harry Styles 22 00:01:05,760 --> 00:01:09,240 Speaker 1: as she's not with Jason Sedikis anymore. And then there 23 00:01:09,319 --> 00:01:11,759 Speaker 1: was then so there was the rumors of this kind 24 00:01:11,760 --> 00:01:14,320 Speaker 1: of acrimony on the set and that, and then also 25 00:01:14,360 --> 00:01:18,399 Speaker 1: that Olivia Wilde had sacked Shilah buff who was originally 26 00:01:18,400 --> 00:01:22,400 Speaker 1: in the Harry Styles role, because Florence didn't feel safe 27 00:01:22,440 --> 00:01:24,960 Speaker 1: around Shia, which is he's kind of a method actor, 28 00:01:25,120 --> 00:01:27,319 Speaker 1: so he's kind of a bit of a loose unit. 29 00:01:29,560 --> 00:01:31,360 Speaker 1: And then and then he said no, he wasn't fire 30 00:01:31,360 --> 00:01:33,680 Speaker 1: and so there was that side of it going on. 31 00:01:33,760 --> 00:01:37,640 Speaker 1: And then finally there was spitgate at the film's premiere 32 00:01:37,680 --> 00:01:40,560 Speaker 1: in Europe at a film festival, where Harry Styles went 33 00:01:40,600 --> 00:01:43,240 Speaker 1: to sit down next to Chris Pine in the auditorium 34 00:01:43,280 --> 00:01:47,080 Speaker 1: and it looked like maybe he spat on him, But 35 00:01:47,120 --> 00:01:48,800 Speaker 1: then you know, close to look at the footage, maybe 36 00:01:48,800 --> 00:01:50,920 Speaker 1: that didn't happen. Everybody denied it, but one thing is 37 00:01:50,960 --> 00:01:54,360 Speaker 1: for sure, you know what a spitgate just dribbling. And 38 00:01:54,360 --> 00:01:58,040 Speaker 1: then Olivia got served custody when she was on stage 39 00:01:58,120 --> 00:02:02,400 Speaker 1: presenting the film at a convention. So drama has followed 40 00:02:02,440 --> 00:02:06,680 Speaker 1: this film every ever since the filming wrapped. But now 41 00:02:06,760 --> 00:02:09,480 Speaker 1: it's actually in cinemas as of today. We can talk 42 00:02:09,480 --> 00:02:12,040 Speaker 1: about whether the movie is any good or not, and 43 00:02:12,680 --> 00:02:14,800 Speaker 1: so without giving too much away, because it's a film 44 00:02:14,800 --> 00:02:17,400 Speaker 1: that relies on a couple of big twists right to 45 00:02:17,560 --> 00:02:22,320 Speaker 1: really make sense. It's set in this sort of nineteen 46 00:02:22,440 --> 00:02:26,160 Speaker 1: fifties era community in like a Palm Springs kind of 47 00:02:26,200 --> 00:02:29,680 Speaker 1: place in the American desert, right, like beautiful architecture, mid century. 48 00:02:29,680 --> 00:02:31,640 Speaker 1: If you love that sort of stuff, you'll just froth 49 00:02:31,680 --> 00:02:36,240 Speaker 1: over this film. And everybody lives in this community a 50 00:02:36,280 --> 00:02:38,799 Speaker 1: part of something called the Victory Project, which is run 51 00:02:38,880 --> 00:02:42,920 Speaker 1: by this mastermind played by Chris Pine. You don't really 52 00:02:43,000 --> 00:02:46,240 Speaker 1: find out what it's all about until towards the end, 53 00:02:46,280 --> 00:02:47,680 Speaker 1: but all you need to know is it's kind of 54 00:02:47,720 --> 00:02:52,280 Speaker 1: nineteen fifties value. So the women's place is in the home, 55 00:02:52,400 --> 00:02:55,320 Speaker 1: making dinner for her husband, who leaves every day in 56 00:02:55,400 --> 00:02:57,760 Speaker 1: like a beautiful kind of like you know, nineteen fifties 57 00:02:58,040 --> 00:03:01,000 Speaker 1: Oldsmobile Cadillac kind of a car. They go off to work. 58 00:03:01,040 --> 00:03:03,120 Speaker 1: No one knows what they're doing. It's kind of secretive. 59 00:03:03,280 --> 00:03:05,480 Speaker 1: They come back in the evening, the wife is there 60 00:03:05,520 --> 00:03:08,520 Speaker 1: with the roast dinner on the table. You know, cocktail 61 00:03:08,600 --> 00:03:13,040 Speaker 1: in hand, and everything's just peachy behind the white picket fence. Yeah, 62 00:03:13,200 --> 00:03:16,839 Speaker 1: very wife, very Stepford Wives, Truman Show. That's the kind 63 00:03:16,840 --> 00:03:19,840 Speaker 1: of vibe that you're getting here. But then Florence Pugh's 64 00:03:19,919 --> 00:03:23,320 Speaker 1: character starts to realize that maybe there's something wrong with 65 00:03:23,400 --> 00:03:26,480 Speaker 1: this perfect world that she can't quite put her finger on. 66 00:03:26,560 --> 00:03:29,160 Speaker 1: But she becomes obsessed with it in finding out what 67 00:03:29,200 --> 00:03:31,640 Speaker 1: it is. And there's a neighbor who maybe starts acting 68 00:03:31,680 --> 00:03:34,760 Speaker 1: a little strangely. She gets a weird vibe from Chris 69 00:03:34,800 --> 00:03:37,520 Speaker 1: Pine's character, and so she just can't let it go. 70 00:03:38,280 --> 00:03:40,760 Speaker 1: And even though Harry Styles, her husband, keeps saying to 71 00:03:40,800 --> 00:03:42,480 Speaker 1: a note like, you've got to stop this. We're going 72 00:03:42,520 --> 00:03:44,480 Speaker 1: to get kicked out of the Victory Project. You're making 73 00:03:44,520 --> 00:03:46,560 Speaker 1: me look bad at the company, even though you have 74 00:03:46,560 --> 00:03:48,920 Speaker 1: no idea what he's doing. And so it creates all 75 00:03:48,960 --> 00:03:52,440 Speaker 1: this tension between Chris Pine and Florence Pugh's character, between 76 00:03:52,440 --> 00:03:55,160 Speaker 1: Florence Pugh and Harry Styles. Olivia Wilde is in the 77 00:03:55,160 --> 00:03:57,320 Speaker 1: film as well. She plays another one of the wives 78 00:03:57,720 --> 00:04:01,360 Speaker 1: and Florence Pugh's character his best friend, and so it 79 00:04:01,440 --> 00:04:05,840 Speaker 1: becomes this psychological thriller that at times is really kind 80 00:04:05,880 --> 00:04:07,960 Speaker 1: of quite art house in the way it goes about it, 81 00:04:08,000 --> 00:04:10,720 Speaker 1: like it's almost surreal, Like it cuts away to flashbacks 82 00:04:10,720 --> 00:04:13,880 Speaker 1: and weird and weird kind of stuff, surreal stuff that 83 00:04:13,920 --> 00:04:16,760 Speaker 1: comes on the screen, probably a little bit more artsy 84 00:04:16,880 --> 00:04:20,880 Speaker 1: than people it would expect from the trailer. It's kind 85 00:04:20,920 --> 00:04:23,360 Speaker 1: of like, you know, those all those Jordan Peel movies 86 00:04:23,360 --> 00:04:25,760 Speaker 1: that we've spoken about before, like get Out and US 87 00:04:26,040 --> 00:04:28,719 Speaker 1: and Nope, most recently, this is like a Jordan Peele 88 00:04:28,720 --> 00:04:31,760 Speaker 1: movie for white people. So is that you know what 89 00:04:31,800 --> 00:04:35,880 Speaker 1: I'm saying. So all the characters are white, and it's 90 00:04:35,960 --> 00:04:39,479 Speaker 1: kind of like almost verging on is it kind of 91 00:04:39,480 --> 00:04:42,080 Speaker 1: a horror movie like it's it's but it's kind of 92 00:04:42,120 --> 00:04:46,400 Speaker 1: like sinister, very sinister undertones. And then the twist when 93 00:04:46,440 --> 00:04:48,039 Speaker 1: it comes at the end, it just makes you realize, 94 00:04:48,120 --> 00:04:49,880 Speaker 1: you know what, everything I've been watching for the last 95 00:04:49,920 --> 00:04:51,840 Speaker 1: hour and a half is a complete lie. And I 96 00:04:51,880 --> 00:04:53,520 Speaker 1: didn't know what this movie was about at all. So 97 00:04:53,560 --> 00:04:55,839 Speaker 1: it's one of those kind of twists, like a real 98 00:04:55,880 --> 00:04:59,200 Speaker 1: big like a like a fight club you know, kind 99 00:04:59,200 --> 00:05:04,479 Speaker 1: of I'm game little twist. Yeah, yeah, and so, and 100 00:05:04,480 --> 00:05:07,279 Speaker 1: the critics have kind of been really savage towards this 101 00:05:07,360 --> 00:05:10,800 Speaker 1: film because I think that whatever reason they have bought 102 00:05:10,800 --> 00:05:13,520 Speaker 1: into the drama, they don't like Olivia Wild anymore. After 103 00:05:13,520 --> 00:05:17,000 Speaker 1: previously saying she was a genius and so's they've said that, 104 00:05:17,040 --> 00:05:18,880 Speaker 1: you know, the film has all of these problems. It's 105 00:05:18,880 --> 00:05:21,200 Speaker 1: actually not that bad. Like, it's a really solid film. 106 00:05:21,279 --> 00:05:23,159 Speaker 1: I like Olivia Wild because I think of her from 107 00:05:23,240 --> 00:05:27,120 Speaker 1: House Yeah, and I loved how her performances and she 108 00:05:27,160 --> 00:05:30,080 Speaker 1: looks good on the camera. Harry, how many give it 109 00:05:30,120 --> 00:05:33,800 Speaker 1: a breaks? Look, I would give this three. Give it 110 00:05:33,800 --> 00:05:36,680 Speaker 1: a break. It's a very solid film. Go check it out. 111 00:05:36,760 --> 00:05:39,160 Speaker 1: Take your mind up. Don't buy into the drama. Ah no, 112 00:05:39,279 --> 00:05:42,680 Speaker 1: you've got me. Ignore all that, no the noise ye, 113 00:05:43,040 --> 00:05:43,760 Speaker 1: and don't gets bad on