1 00:00:00,120 --> 00:00:02,720 Speaker 1: Bernard Fanning is coming to town on his Tea and 2 00:00:02,800 --> 00:00:06,199 Speaker 1: Sympathy Tour at Kingspark March. The first tickets are available 3 00:00:06,200 --> 00:00:09,440 Speaker 1: through Bernard fanning dot com slash tour that he's with 4 00:00:09,560 --> 00:00:10,520 Speaker 1: us this morning. 5 00:00:10,920 --> 00:00:12,240 Speaker 2: Hello morning, Bernard. 6 00:00:12,360 --> 00:00:14,600 Speaker 3: Yeah, twenty years. 7 00:00:14,720 --> 00:00:17,840 Speaker 1: Cheers for not helping me feel any younger this morning, 8 00:00:18,280 --> 00:00:20,320 Speaker 1: twenty years. How do you. 9 00:00:20,239 --> 00:00:20,959 Speaker 2: Feel about it? 10 00:00:21,720 --> 00:00:23,560 Speaker 3: Oh man, I've been talking about it for the last 11 00:00:23,560 --> 00:00:29,840 Speaker 3: two weeks. It's interesting. Look, it is amazing, isn't it? 12 00:00:29,880 --> 00:00:34,280 Speaker 3: That time literally flies by. You just can't even imagine 13 00:00:34,280 --> 00:00:38,360 Speaker 3: that when you're fifteen, imagining when you're thirty five. 14 00:00:38,960 --> 00:00:43,160 Speaker 4: Yes, crazy as so much has happened over the last 15 00:00:43,159 --> 00:00:44,000 Speaker 4: twenty years too. 16 00:00:45,080 --> 00:00:47,240 Speaker 2: I know the whole landscape has changed. 17 00:00:48,320 --> 00:00:51,240 Speaker 3: Everything has changed with regards to the music industry, absolutely. 18 00:00:51,440 --> 00:00:54,080 Speaker 3: I mean it was still people were still buying CDs 19 00:00:54,560 --> 00:00:58,120 Speaker 3: in two thousand and five. So yeah, all of the 20 00:00:58,200 --> 00:01:02,720 Speaker 3: whole model of the music industry has changed. I guess 21 00:01:02,720 --> 00:01:07,959 Speaker 3: the thing that hasn't changed is that songs are still 22 00:01:08,160 --> 00:01:09,520 Speaker 3: at the center of the whole thing. 23 00:01:09,800 --> 00:01:12,400 Speaker 4: Yeah, no matter how we longed to them, we still 24 00:01:12,440 --> 00:01:14,840 Speaker 4: love Yeah, great music that never goes away. 25 00:01:15,760 --> 00:01:18,240 Speaker 1: Well, a lot of people bought this CD. It was 26 00:01:18,280 --> 00:01:20,880 Speaker 1: your first solo album after powder Finger. It went straight 27 00:01:20,920 --> 00:01:23,720 Speaker 1: to number one and it led to three areas including 28 00:01:24,000 --> 00:01:28,840 Speaker 1: Album of the Year. Well, I mean it's certainly you 29 00:01:28,880 --> 00:01:31,040 Speaker 1: know that was there was huge success. It would have 30 00:01:31,200 --> 00:01:33,480 Speaker 1: laid any fears you had pretty quickly. But how nervous 31 00:01:33,480 --> 00:01:36,560 Speaker 1: were you after because powder Finger, you know, we've always 32 00:01:36,560 --> 00:01:39,240 Speaker 1: said ended on a high, which is why it never 33 00:01:39,240 --> 00:01:41,440 Speaker 1: a week goes by where you're not, you know, hassled 34 00:01:41,480 --> 00:01:45,280 Speaker 1: to give it another round. But you know, how nervous 35 00:01:45,280 --> 00:01:48,800 Speaker 1: were you about going from the band to doing something 36 00:01:48,840 --> 00:01:49,880 Speaker 1: that's just you. 37 00:01:51,120 --> 00:01:55,680 Speaker 3: Well, I wasn't really because my expectations were so low. 38 00:01:55,960 --> 00:01:58,840 Speaker 3: I didn't really you know, I mean powder Thing was 39 00:01:58,880 --> 00:02:01,600 Speaker 3: just on hiatus. That was still five years before we 40 00:02:01,680 --> 00:02:08,480 Speaker 3: ended up finishing. Anyway, I honestly didn't really have high expectations. 41 00:02:08,520 --> 00:02:10,840 Speaker 3: I just wanted to make a record that sort of 42 00:02:10,880 --> 00:02:13,480 Speaker 3: sounded different to the band, with different sort of instrumentation 43 00:02:13,639 --> 00:02:15,839 Speaker 3: and stuff like that. And I thought, you know, we'll 44 00:02:15,840 --> 00:02:18,480 Speaker 3: go out and have a tour and hopefully people will 45 00:02:18,480 --> 00:02:20,280 Speaker 3: get behind it and that'll be it, and then I'll 46 00:02:20,280 --> 00:02:22,800 Speaker 3: go back to my real job. That was kind of 47 00:02:22,800 --> 00:02:26,880 Speaker 3: how it looked at it. And then wish you Well happened. 48 00:02:26,960 --> 00:02:29,560 Speaker 4: Yeah, because you did describe it as just a little 49 00:02:29,600 --> 00:02:32,440 Speaker 4: bit of a side project at the time, something I guess, 50 00:02:32,720 --> 00:02:35,240 Speaker 4: you know, to keep you occupied. And then and then 51 00:02:35,280 --> 00:02:39,679 Speaker 4: you drop this single and then basically just about every 52 00:02:39,760 --> 00:02:40,520 Speaker 4: radio station in. 53 00:02:40,520 --> 00:02:43,400 Speaker 2: The country out of it, and that little side project 54 00:02:43,400 --> 00:02:45,480 Speaker 2: became something well not so little. 55 00:02:47,000 --> 00:02:49,160 Speaker 3: Yeah, it sort of took on a life of its 56 00:02:49,160 --> 00:02:52,519 Speaker 3: own with wish You Well, which you know, that song 57 00:02:52,560 --> 00:02:55,160 Speaker 3: only arrived three days before I left to go and 58 00:02:55,200 --> 00:02:57,919 Speaker 3: do the recording. It wasn't even really part of the 59 00:02:58,240 --> 00:03:02,079 Speaker 3: part of the demos or anything those stories. Again, Yeah, 60 00:03:02,080 --> 00:03:04,520 Speaker 3: it just sort of fell out of me one morning 61 00:03:04,520 --> 00:03:10,200 Speaker 3: when I was really really hungover, so kind of describing 62 00:03:10,200 --> 00:03:11,440 Speaker 3: a hangover in real time. 63 00:03:13,320 --> 00:03:15,760 Speaker 1: And then it ended up topping the Triple J Hottest 64 00:03:15,760 --> 00:03:18,600 Speaker 1: one hundred in two thousand and five, which it was, 65 00:03:18,880 --> 00:03:21,280 Speaker 1: you know, in two thousand and five. That thing, and 66 00:03:21,360 --> 00:03:25,240 Speaker 1: I say this from another radio that thing was huge, 67 00:03:25,800 --> 00:03:26,040 Speaker 1: you know. 68 00:03:26,280 --> 00:03:30,880 Speaker 3: Oh yeah, I mean that has a massive catapult effect 69 00:03:31,360 --> 00:03:36,160 Speaker 3: and especially if it's an Australian song, people love that. Yes, 70 00:03:36,680 --> 00:03:39,360 Speaker 3: and it had only happened a few times prior to that, 71 00:03:39,400 --> 00:03:43,640 Speaker 3: I think, so, yeah, there's no describing what a massive 72 00:03:43,680 --> 00:03:50,120 Speaker 3: difference that makes when you've released something, it's huge, and 73 00:03:51,160 --> 00:03:54,520 Speaker 3: you know those things like topping poles or winning an 74 00:03:54,520 --> 00:03:59,960 Speaker 3: award or whatever. Those things are great, but they're actually. 75 00:04:01,160 --> 00:04:01,440 Speaker 2: For me. 76 00:04:02,120 --> 00:04:05,280 Speaker 3: They're more gratifying to the people around me than for 77 00:04:05,400 --> 00:04:10,200 Speaker 3: me personally, because it is a bit of a validation 78 00:04:10,440 --> 00:04:13,360 Speaker 3: for your family and all the crap they have put 79 00:04:13,440 --> 00:04:17,039 Speaker 3: up with, and your management and label and all the 80 00:04:17,080 --> 00:04:20,680 Speaker 3: people that do all the work that doesn't get any recognition. 81 00:04:21,000 --> 00:04:23,000 Speaker 2: Yeah, because you're not the only person who makes it happen, 82 00:04:24,240 --> 00:04:24,719 Speaker 2: that's right. 83 00:04:26,080 --> 00:04:28,039 Speaker 3: It's a massive team, family effort. 84 00:04:28,600 --> 00:04:32,520 Speaker 1: I guess the gratification for you comes from things like 85 00:04:32,880 --> 00:04:34,680 Speaker 1: playing the album for the first time in twenty years 86 00:04:34,680 --> 00:04:37,640 Speaker 1: a week ago in Brisbane. How was that? 87 00:04:38,760 --> 00:04:41,719 Speaker 3: It is amazing? It was really amazing. We've never played 88 00:04:41,720 --> 00:04:45,080 Speaker 3: the album in full. Even when we did that original tour, 89 00:04:45,920 --> 00:04:48,000 Speaker 3: there was a song on there that I didn't have 90 00:04:48,080 --> 00:04:50,279 Speaker 3: the ability to play and sing it at the same time, 91 00:04:50,400 --> 00:04:53,240 Speaker 3: so we just ditched it and didn't do it called 92 00:04:53,279 --> 00:04:56,840 Speaker 3: further down the road. But I've been practicing for twenty years, 93 00:04:56,880 --> 00:04:58,479 Speaker 3: so now I can play it and sing it at 94 00:04:58,520 --> 00:05:00,440 Speaker 3: the same time. 95 00:05:01,960 --> 00:05:02,640 Speaker 2: Years. 96 00:05:03,040 --> 00:05:07,719 Speaker 3: Yeah, but it's it's just the warmth in the room 97 00:05:07,760 --> 00:05:11,040 Speaker 3: when we played the other night was incredible. That energy 98 00:05:11,200 --> 00:05:16,560 Speaker 3: coming back to us of people still living the record. 99 00:05:17,040 --> 00:05:19,520 Speaker 3: You know that it means a lot to people still 100 00:05:19,680 --> 00:05:24,320 Speaker 3: those songs, and I'm really really proud of that. That's 101 00:05:24,400 --> 00:05:28,960 Speaker 3: that's kind of the the most satisfying thing I think 102 00:05:29,720 --> 00:05:33,360 Speaker 3: as an artist when you get people telling you that 103 00:05:33,440 --> 00:05:37,200 Speaker 3: you've done something that's improved their lives. But yeah, that's 104 00:05:37,520 --> 00:05:39,280 Speaker 3: an incredible that yeah. 105 00:05:39,640 --> 00:05:43,920 Speaker 4: Yeah, and you've got to mark the twentieth anniversary. You've 106 00:05:43,920 --> 00:05:47,080 Speaker 4: got the special anniversary edition Off to You and Sympathy 107 00:05:47,480 --> 00:05:51,239 Speaker 4: coming out on vinyl, which of course is making a comeback, 108 00:05:51,320 --> 00:05:55,239 Speaker 4: so you can have it on CD and vinyl, CD 109 00:05:55,480 --> 00:05:55,960 Speaker 4: or vinyl. 110 00:05:56,520 --> 00:05:57,279 Speaker 3: It's very retro. 111 00:06:00,560 --> 00:06:02,479 Speaker 2: What's that on the way? 112 00:06:02,920 --> 00:06:03,360 Speaker 3: No one there? 113 00:06:03,360 --> 00:06:04,240 Speaker 1: It's a cassette. 114 00:06:05,400 --> 00:06:05,800 Speaker 2: I don't know. 115 00:06:05,839 --> 00:06:08,839 Speaker 3: That's become pretty hits as well, have they? Oh? 116 00:06:08,880 --> 00:06:12,640 Speaker 1: Yeah, yeah, these people haven't had to you know, wind 117 00:06:12,680 --> 00:06:14,839 Speaker 1: their take back on with a pencil while they're driving 118 00:06:14,880 --> 00:06:20,480 Speaker 1: down the freeway exactly. But I love the The twentieth 119 00:06:20,520 --> 00:06:25,159 Speaker 1: anniversary reissue includes outtakes, demos, and covers of your songs 120 00:06:25,200 --> 00:06:27,800 Speaker 1: by other artists. How did you go choosing what you 121 00:06:27,839 --> 00:06:30,800 Speaker 1: were going to you know, there would have been plenty 122 00:06:30,839 --> 00:06:31,800 Speaker 1: to choose from. 123 00:06:32,880 --> 00:06:35,719 Speaker 3: We just went out some people that we knew, like 124 00:06:36,080 --> 00:06:39,520 Speaker 3: in the end, Gem Cassadaily and the Paper Kites were 125 00:06:39,560 --> 00:06:42,599 Speaker 3: the ones who kind of put their hand up to 126 00:06:42,720 --> 00:06:47,080 Speaker 3: cover those particular songs from Bird and Belief. And they're 127 00:06:47,080 --> 00:06:51,320 Speaker 3: both acts that I really liked and respected, and I 128 00:06:51,440 --> 00:06:54,760 Speaker 3: just wanted them to do whatever they wanted. It wasn't 129 00:06:54,920 --> 00:06:59,159 Speaker 3: any I had no creative input to it, No, I 130 00:06:59,160 --> 00:07:01,560 Speaker 3: mean it's kind of windless asking someone to do an 131 00:07:01,600 --> 00:07:08,000 Speaker 3: interpretation of it and then around. Yeah, but it's been 132 00:07:08,200 --> 00:07:10,840 Speaker 3: very It was very interesting, like Jem and Troy cassa 133 00:07:10,920 --> 00:07:15,040 Speaker 3: Daily doing Songbird, having a father singing to his daughter 134 00:07:15,520 --> 00:07:19,440 Speaker 3: in response to what she's been singing totally flips the 135 00:07:20,440 --> 00:07:25,200 Speaker 3: lyrics into a different universe. Yeah, it's a beautiful kind 136 00:07:25,200 --> 00:07:30,160 Speaker 3: of parallel that changes the way I had originally written 137 00:07:30,160 --> 00:07:32,360 Speaker 3: it well, and I love that. 138 00:07:32,720 --> 00:07:34,880 Speaker 1: We can't wait for all of it, especially the show 139 00:07:35,000 --> 00:07:37,920 Speaker 1: at Kings Park on March. The first tickets are available 140 00:07:37,960 --> 00:07:41,280 Speaker 1: through Bernard Fanning dot com slash Tour. Thank you so 141 00:07:41,400 --> 00:07:42,800 Speaker 1: much for joining us this morning. 142 00:07:43,760 --> 00:07:46,200 Speaker 3: Thanks for having me guys much. 143 00:07:46,320 --> 00:07:47,800 Speaker 2: Yeah, we'll see you up in Kings Park. 144 00:07:47,920 --> 00:07:48,360 Speaker 1: Yeah. 145 00:07:48,400 --> 00:07:52,080 Speaker 4: Absolutely, that's going to be fantastic, number one album, Platinum 146 00:07:52,080 --> 00:07:52,920 Speaker 4: five times over,