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Speaker 1: Podcasting.

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Speaker 2: Now.

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Speaker 1: Yeah, so the question here that you're all thinking is

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Speaker 1: whose daughter photocopied their bottom? And the even bigger question,

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Speaker 1: or the even bigger thing you should know about this

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Speaker 1: is when you find that out, you'll find out one

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Speaker 1: of the nicest stories in around COVID nineteen that we've

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Speaker 1: heard and we managed to make it all possible. When

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Speaker 1: you find out whose daughter photocopy their bottom?

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Speaker 3: That is incredibly cryptic but worth listening to the podcast.

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Speaker 3: We can't say anything more.

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Speaker 1: I can't say anything more. I mean I've said a

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Speaker 1: lot there and I've said nothing. Was it the nicest

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Speaker 1: mum in Australia? She was pretty amazing. She's pretty amazing,

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Speaker 1: and she had a vagabond of a daughter, you know,

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Speaker 1: photocopying tush and whatnot at the late hours. I mean,

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Speaker 1: who would do that? So yeah, you enjoy that, guys.

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Speaker 1: That's actually a ripper and they won themselves a chance

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Speaker 1: to go and visit some family. Look, I'm being very cryptic.

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Speaker 1: I'm not gonna I'm not going to keep being cryptic.

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Speaker 1: Listen to the guys. That's great thinking yourself. Well, if

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Speaker 1: you guys shut the fuck up, then I've got it.

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Speaker 1: It'sive listening to it.

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Speaker 3: On the show, we talk about whether you can say

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Speaker 3: someone's hot in front of your partner.

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Speaker 1: Oh yeah, great chat there, very interesting. Probably something that

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Speaker 1: you guys are all thinking to yourselves. You know, maybe

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Speaker 1: you're not, but we bring it up and it's good chat.

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Speaker 1: It's good chat. We'll see tomorrow. No, we won't do.

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Speaker 1: It's the weekend. It's the freaking weekend.

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Speaker 3: We bump into you in the real life, in the

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Speaker 3: real world out there.

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Speaker 1: I've never bumped into a listener, haven't you. No, I

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Speaker 1: don't think anyone knows what I look like, except for

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Speaker 1: that time they thought you were Fitsy from Isaac. They

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Speaker 1: weren't a listener of us. They were a listener of Fitzy.

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Speaker 3: If you too, will tomorrow sagoday will from I don't.

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Speaker 1: Think anyone knows who I am. A blissfully anonymous bolding man,

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Speaker 1: delicious Beard exclusively wears Harris Coffee t shirts. You'll see

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Speaker 1: and where is Boddy?

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Speaker 3: Does care?

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Speaker 1: Okay? Listen, listen, listen, Well, I'm wading. I'm driving your

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Speaker 1: home where I brought to you by Dan Murphy's on

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Speaker 1: a Friday afternoon. What a time to be alive. Would

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Speaker 1: tell me a better time during the week other than

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Speaker 1: a Friday afternoon.

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Speaker 3: I'm going to argue that a better time to be

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Speaker 3: alive is well, a little bit to this, but Saturday

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Speaker 3: morning when you think it was Sunday morning because you

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Speaker 3: had such a whopper on Friday.

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Speaker 1: No, don't buzz me. Well, look, to be honest, I'm

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Speaker 1: just buzzing you because you're taking too long, so I

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Speaker 1: need to be just the start of the show made

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Speaker 1: me have a quick bit of play and then we

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Speaker 1: get into the show. I mean it was a well,

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Speaker 1: you're a crap announcer. You should be able to think

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Speaker 1: on your feet better than that. The show goes on,

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Speaker 1: We're gonna do a glove box right podcasting. Now, you

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Speaker 1: tell us what's in that glove box of yours, and

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Speaker 1: we will tell you, based purely on what is in

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Speaker 1: those items and using a sensational sense of deduction and intelligence,

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Speaker 1: what your job is.

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Speaker 4: What I've got Julia here now, Julia, the producers telling.

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Speaker 1: Me you're from Armenia. That's exciting. Yes, I am awesome.

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Speaker 1: What a lovely spot. Now, you don't even know where

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Speaker 1: Armenia is. Where is it? Where it's in? It's in Asia.

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Speaker 1: It's in Europe, Europe.

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Speaker 3: Sorry, Julia, get my Europe's an Asians mixed up? Julia,

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Speaker 3: what's in your glove box?

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Speaker 2: My glove box.

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Speaker 5: I've got some Armenian.

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Speaker 1: CD of course, obviously.

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Speaker 6: Yes, I've got some babyies.

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Speaker 1: Nice.

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Speaker 2: I have like a yellow page book.

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Speaker 3: Oh well, old fashion Dominoes Dominoes like a gift card

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Speaker 3: kind thing.

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Speaker 1: How much is that? How much they give cud for Julia?

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Speaker 1: It might sayd like a rogue question, but it says

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Speaker 1: seven ninety five.

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Speaker 5: It's like a like a deal.

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Speaker 1: Seven. You have a seven dollars ninety five Domino's voucher

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Speaker 1: in your glove box. It's still valid.

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Speaker 2: Other book probably not expired in twenty nineteen.

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Speaker 1: Okay, tep it. Though we love Dominoes on the show. Yeah,

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Speaker 1: we love.

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Speaker 6: We've got a pair of clean underwear nice?

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Speaker 1: No dirty nice?

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Speaker 3: Yeah.

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Speaker 6: No, it's definitely not.

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Speaker 1: Screw I think to say that was a weirding screwdriver. Screwdriver,

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Speaker 1: all right, anything else in there, Julia? Not? Okay, let's

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Speaker 1: go through it. Screwdrive with the Armenian c ds, with

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Speaker 1: the yellow pages, baby wipes, a Domino's voucher for seven

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Speaker 1: dollars ninety five and a pair of clean jocks. Glovebox.

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Speaker 1: It is a peculiar glove box. There's only one person

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Speaker 1: that this that she is for me. Talk to me

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Speaker 1: and the dominos. Voucher says everything she's well, I hope

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Speaker 1: this doesn't offend you, Julia, but I don't think she

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Speaker 1: works full time. Okay, she's got a Domino seven ninety

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Speaker 1: five vouchers and her god box. The only person that's

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Speaker 1: got one of them. I've had them in my god

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Speaker 1: box before, and that was when I was driving my

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Speaker 1: dad's Pergo nineteen ninety five, three or six, affectionately known

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Speaker 1: as Steve. I do remember Steve, and I was a student.

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Speaker 1: Julia is a student, Julia. We think you're a student.

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Speaker 5: You love correct.

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Speaker 3: I just want to say again how much we love

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Speaker 3: dominoes on this show.

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Speaker 1: Yeah. Absolutely. I mean it's a shame that voucher's expired.

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Speaker 1: To be honest, you're missing out on some of the

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Speaker 1: best food on the planet. Now, we were going to

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Speaker 1: go to Olivia, but I think she got a bit

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Speaker 1: scared there. She's got to be battled by how hot

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Speaker 1: we were. Is that right? Give us a new box,

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Speaker 1: a box you tried, Oh, they're trying to see what's happening. Oh,

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Speaker 1: you're trying to wrap us up. They're trying to keep

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Speaker 1: the segment.

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Speaker 3: You trying to wrap us up. Well, now it's taking

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Speaker 3: long because we have to wait for a quarter to

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Speaker 3: come across.

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Speaker 1: Until last time you take a caller office during glove box,

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Speaker 1: you have a good time here, Olivia? What's in your

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Speaker 1: Sorry about producers trying to take away your Tramonian women

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Speaker 1: outside trying to wrap things up on a Friday? God,

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Speaker 1: what's in there? Live? What's in there?

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Speaker 2: So?

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Speaker 6: It's my boyfriend's gloves box.

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Speaker 1: He has got air freshness, Yeah.

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Speaker 6: Car air freshness. He's got some work termits, some gloves

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Speaker 6: and a tape measure.

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Speaker 3: He's a gardener, his gardener. What are you thinking thinking? Gardener?

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Speaker 3: Screams gardener, Your boyfriend's gardener. And for double points, I'm

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Speaker 3: saying you are a teacher.

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Speaker 6: Yes, he's a landscaper.

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Speaker 1: You a teacher, Olivia, I'm not a teacher. Should there's

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Speaker 1: there's there's a there's. I sometimes think I'm telepathic, but anyway,

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Speaker 1: you're an idiot past Now. Look, I was on one

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Speaker 1: of my favorite Reddit threads, which is called relationships What

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Speaker 1: sorry sorry, that was an internal thought. One of the

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Speaker 1: topics here was a woman that wrote A thirty one

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Speaker 1: year old woman said, I really don't like it when

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Speaker 1: my husband makes comments on other women's bodies. Fair enough,

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Speaker 1: and he's obviously talking about another woman and being attractive, which, ye,

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Speaker 1: fair enough. I think this is a good thing to

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Speaker 1: talk about because I think that it's actually a really

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Speaker 1: good indication of how healthy your relationship is if you

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Speaker 1: can talk comfortably to your partner about how hot somebody

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Speaker 1: else is.

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Speaker 3: But like, it's just going to bring out insecurities in

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Speaker 3: your partner. It's not about it's not actually about trusting

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Speaker 3: in this certain example, In my opinion, I think it's

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Speaker 3: about going why would I want my partner feelingsecure about

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Speaker 3: the way they look by commenting on how someone else looks.

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Speaker 1: Why do they need to feel insecure about?

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Speaker 2: Well?

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Speaker 1: I would you?

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Speaker 5: Yeah?

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Speaker 3: Yeah, yeah, I mean and and I've I've said a

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Speaker 3: number of times this year, I'm a very insecure person.

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Speaker 1: And if my partner was looking.

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Speaker 3: At at the body of a of another man and saying, wow,

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Speaker 3: look at that rig I would be really terrible about myself.

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Speaker 1: Is that because of the specificity around her choosing a

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Speaker 1: body part there, like the rig for example, if she

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Speaker 1: was like, hey, how about the rig on that guy? Like,

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Speaker 1: because I think, I actually think that there's there's a

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Speaker 1: difference between going because I agree with you on that.

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Speaker 1: I think there's a there's a difference between going, hey, geez,

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Speaker 1: isn't isn't Susan good looking? You know, to my partner,

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Speaker 1: as opposed to saying, wow, how about the shins on Cath?

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Speaker 1: You know, because then so what's worse? Sorry, I'm saying

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Speaker 1: the shin coment. You know, even if Kath has got

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Speaker 1: phenomenal shins, if you're saying, geez, Kat's got the best

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Speaker 1: shins I've ever seen, you know, the smooth, the fibula's

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Speaker 1: in the right spot, you know.

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Speaker 3: Yeah, yeah, the proportions to thigh.

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Speaker 1: Yeah, if you're going into the detail, that's when I

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Speaker 1: think the self consciousness builds up because they can start

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Speaker 1: to go, oh wow, you know, pound for a pound,

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Speaker 1: I can start comparing my body to their body.

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Speaker 3: I feel bad about my hies all of a sudden.

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Speaker 1: I'm thinking about that rogue vein that's popping here, you know,

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Speaker 1: on the right side.

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Speaker 3: Yeah, definitely think that's definitely, but I would still have

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Speaker 3: issues with Look how hot that guy is, and I'm going, oh,

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Speaker 3: you think that's hot? Then, Like, even if she didn't

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Speaker 3: say what she found hot about him, I'd be looking

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Speaker 3: at the guy and I'd be going, you know, she's right,

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Speaker 3: look at his goddamn cannons. That's tasty. The hair's got

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Speaker 3: going on, well, or whatever it is.

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Speaker 1: You've got.

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Speaker 3: Maybe maybe it's a bald guy. And she goes, look

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Speaker 3: hot he is? And I'm like, what you like the bald, well,

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Speaker 3: then you can shave. I mean sorry, but I mean

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Speaker 3: the hair. You need to stop talking about insecurities around here.

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Speaker 3: Man as a man, it looks like hercules for the

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Speaker 3: nineteen ninety show.

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Speaker 1: You gotta stop talking about guy hair.

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Speaker 3: That's fair. But I would join the dots. I would go, oh,

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Speaker 3: that's what you find the attracted about it. Now I

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Speaker 3: feel bad about I mean, this is coming from someone

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Speaker 3: who my ex girlfriend commented on Chris Hemsworth's body and

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Speaker 3: then I started doing chin ups every single day, and

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Speaker 3: now you have a chronic injury to both my elbows.

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Speaker 1: Climb as elbow. I reckon, that's outright, I reckon. That

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Speaker 1: should be a clean, safe conversation between two people that

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Speaker 1: are really into each other. Let's talk about a little

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Speaker 1: bit more, though, because I think you and I just

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Speaker 1: disagree on this posting.

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Speaker 3: Now we are talking about telling your partner if you

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Speaker 3: find someone else attractive.

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Speaker 1: Wow, now our button pushy. Joel has played the sound

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Speaker 1: effect there, unprompted, and which means you obviously do this

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Speaker 1: very casually with your wife, Joel. No, I do.

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Speaker 3: I'man a thirty year relationship and I don't comment on anyone.

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Speaker 1: Ever, even like other men. No. No, I think we've

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Speaker 1: gotten actually more comfortable as time's going on. But early

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Speaker 1: on I think it was just, yeah, fraught with danger.

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Speaker 1: Would she would she do it? Not really? But if

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Speaker 1: I comment on anyone, she'd pick it apart. So why

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Speaker 1: is that you're liking that brunette? I'm blonde. I see

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Speaker 1: what's going on? Yeah, yeah, yeah, yeah yeah. I'm very

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Speaker 1: transparent with my part about this.

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Speaker 3: Can you tell me the last time that you commented

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Speaker 3: on a female being attractive in front of your partner.

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Speaker 1: Not specifically? No, I can't. Can you give me one

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Speaker 1: example of yeah? Sure, because I was just gonna say

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Speaker 1: so we can be quite specific with it, So I

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Speaker 1: can I can say geez, I really liked the top

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Speaker 1: that this person was wearing, for example, a very.

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Speaker 3: Different fashion I think put to one side.

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Speaker 1: Okay, So I've said to her before, like jeez, so

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Speaker 1: and so has great boobs, let's go with that, okay, yep, yeap,

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Speaker 1: and she would say like yeah, I know, wow, couldn't

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Speaker 1: agree more amazing and.

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Speaker 3: She's fine with like, so she doesn't feel insecure from

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Speaker 3: that comment at all, or like hurt that you're into.

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Speaker 1: I mean, it's interesting. Joel was just saying about like, oh,

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Speaker 1: what can I do to make things better that that

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Speaker 1: She'll she'll go with that when we're talking about clothing

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Speaker 1: and stuff and she'll be like, oh I show you

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Speaker 1: like that or like you know cloth whatever that is.

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Speaker 1: But yeah, no, it's not really I think like I

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Speaker 1: would never think that there's ever a chance ever that

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Speaker 1: she's going to sleep with somebody else, and I know

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Speaker 1: that she's really happy with me, so I don't really

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Speaker 1: feel like I need to make up any ground and.

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Speaker 3: Neither security is so enviable. Let's go to Natasha here. Sorry,

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Speaker 3: that's nothing against my part.

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Speaker 1: I feel like lots of people would feel that way

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Speaker 1: as well, Like for me, it should be a moot point.

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Speaker 1: I don't think you should get emotions involved in it.

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Speaker 1: Let's talk to Natasha about it. Moot point, Like it's

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Speaker 1: just a conversation point. I think. Yeah, anyway, Natasha, what

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Speaker 1: do you reckon?

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Speaker 6: Yeah, I think it's totally fine as long as you

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Speaker 6: don't overdo it.

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Speaker 3: So, Natasha, you were mere dating. What color hair do

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Speaker 3: you have? Brown?

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Speaker 1: Yeah? Brown hair?

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Speaker 3: And what if I pick someone out and I and

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Speaker 3: I'm your partner, and I find something which is pretty

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Speaker 3: much the opposite to you, and I go, oh my god,

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Speaker 3: I find her so hot.

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Speaker 5: Yeah, no, that's fine. Just don't oh, you know, she's hot,

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Speaker 5: and then like five minutes later, I'll bring her up again.

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Speaker 1: And then that's that's a good point. You can't you

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Speaker 1: can't bang on about something that they obviously don't have. Yeah, sure,

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Speaker 1: you know, like if your partner's got a really small

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Speaker 1: bumb and all you talk about is how much you

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Speaker 1: love big asses, Like, you've got to be a little

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Speaker 1: bit smarter than that, thanks to the girl. That's a

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Speaker 1: wonderful point. Interesting, Hannah, You've got a story about this, Yes,

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Speaker 1: I do.

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Speaker 2: I had a boyfriend who is now an ex, and

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Speaker 2: he we went to the shopping center. He used to go, oh,

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Speaker 2: look at her, and she's so nice, she's attractive, and

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Speaker 2: I just got really fed up with it. And I

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Speaker 2: turned around one day after he said it and I went,

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Speaker 2: I'm going to go ask her. And he's like no, no, no,

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Speaker 2: no, no no. And I walked up and I tapped her

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Speaker 2: on the shoulder and I said, excuse me, that guy

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Speaker 2: over there thinks that you're really cute.

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Speaker 6: I think you would date him.

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Speaker 2: And she just turned around and she goes, oh no,

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Speaker 2: and he ever again ever said anything.

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Speaker 1: Wow, Wow, amazing, wow, shocking. I didn't expect that to

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Speaker 1: go that way. Posting now right now, we've got free

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Speaker 1: flights to.

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Speaker 3: Give a work you.

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Speaker 1: Pretty easy or you'll do register William dot com dot au.

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Speaker 1: We've been doing this all week. Version Austrays go you

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Speaker 1: good thing. You can take anyone with you on the

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Speaker 1: return flights, but they've got to prove they're a good

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Speaker 1: thing for the namesake of the sale. We've got Hannah

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Speaker 1: on the phone right now, get a hen. Hi, guys,

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Speaker 1: welcome to the show. We are bloody excited about this

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Speaker 1: because it sounds like you've got a real reunification SOB

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Speaker 1: story on your hands.

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Speaker 5: Yeah, I do.

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Speaker 6: I'm wanting to do something something nice for my mum

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Speaker 6: and Nan because there's no one else that deserves it more.

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Speaker 1: And why is that, Han?

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Speaker 6: So, my my grandpa passed away and there was a

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Speaker 6: lot of family that, as you can imagine, couldn't come

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Speaker 6: to the funeral.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 6: And we've got cousins over in Queensland that my nan

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Speaker 6: and my mum haven't seen in ten to fifteen years.

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Speaker 6: That it's all my nan wants is to be able

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Speaker 6: to see them, and I just want something for them

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Speaker 6: to look forward to because they just we haven't had that.

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Speaker 5: In a while.

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Speaker 1: Yes, okay, So your nan hasn't seen any family since

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Speaker 1: her husband died. Your mom hasn't seen any family since

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Speaker 1: her dad died. You guys are down in South Australia

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Speaker 1: and you want to see your mom and your nan

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Speaker 1: up to Queensland to go and see the rest of

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Speaker 1: their family after what's been a pretty tough time. So

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Speaker 1: we love this. We want to give you the flights, Han,

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Speaker 1: are you well?

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Speaker 3: Yeah, Virgin Virgin not us, but not Virgin have stipulated

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Speaker 3: that the people who win the flights need to prove

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Speaker 3: they're a good thing.

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Speaker 1: Yeah.

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Speaker 3: Yeah, So here's what we're thinking, Hannah. Yeah, where do

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Speaker 3: you work?

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Speaker 5: I work for it?

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Speaker 1: Is it an office building? Would you have a photocopier

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Speaker 1: in there?

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Speaker 5: Yes?

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Speaker 6: There is?

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Speaker 1: Okay, perfect, all right, going to do hen where You're

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Speaker 1: going to call your mum right now, okay, and you're

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Speaker 1: going to tell her that if your boss calls, she

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Speaker 1: just has to hold tight with the fact that you

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Speaker 1: went over there last week for dinner.

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Speaker 6: Okay. Yeah, So I went to mom's house for dinner last.

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Speaker 1: Week, and she's just got to be an alibi for you,

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Speaker 1: and you just say, just say to her whatever the

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Speaker 1: guy says. You just have to continue to be an alibi.

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Speaker 1: Does that make sense?

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Speaker 6: Yes?

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Speaker 1: Okay. And if your mom holds strong for you, she's

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Speaker 1: going to Queensland with her mom, your grandma Eileen. Okay,

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Speaker 1: all right, hand, good luck, thank you, Okay, here we go.

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Speaker 6: Hellos for speaking. Hey Mom, it's me. How are you good?

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Speaker 6: So I need just do me a favor if it's okay,

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Speaker 6: just because I so I need I'm made a bit

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Speaker 6: of a little bit of a pickle. So I just

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Speaker 6: need you to tell my boss that I was having

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Speaker 6: dinner with you last Wednesday. What have you done. I'll

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Speaker 6: explain it all later, but can you just can you

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Speaker 6: just do that for me? Please? You know I don't

356
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Speaker 6: like lying. Just on this occasion, Mom, it's would you

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Speaker 6: just tell him that we were having dinner on Wednesday?

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Speaker 6: Please for me? Got just on this occasion, Mom, Please

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Speaker 6: for me. Okay, but as long as you know I

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Speaker 6: don't like lying, so I hope you haven't done anything

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Speaker 6: underhand or anything. No, I haven't, but yet, thank you

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Speaker 6: for trusting me. All Right, Okay, I want I want

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Speaker 6: a full explanation. You will get one. I swear, I promise.

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Speaker 6: Within ten minutes, I'll give you a full explanation. Okay,

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Speaker 6: all right, all right, Leye, love you bye bye.

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Speaker 3: Wow, It's okay, it's all, it's all. It'll all be

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Speaker 3: worth it hand because you're gonna win her flights. You're

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Speaker 3: gonna win her flights.

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Speaker 1: I'm it's gonna be worth it hand. We have to

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Speaker 1: put her to the test though, one hundred percent. Okay, two,

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Speaker 1: we're gonna do. We got to a song and then

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Speaker 1: on the other side, and we are gonna call your

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Speaker 1: mom as your boss to see if she's gonna hold

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Speaker 1: as your alibi.

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Speaker 6: I'm ready.

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Speaker 5: Thanks, guys, stay with us.

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Speaker 1: We'll do it up nextcast. We've got free flights to

378
00:18:28,680 --> 00:18:33,439
Speaker 1: give away all thanks to Virgin Australia, Quiland Woodies jo

379
00:18:33,800 --> 00:18:38,840
Speaker 1: you so you can win flights. So anywhere in Australia,

380
00:18:38,840 --> 00:18:41,159
Speaker 1: Willam dot A you to register. I just have to

381
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Speaker 1: prove the person that you're gonna take with you is

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Speaker 1: a good thing. And look, we've got a really good

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Speaker 1: thing going on right now with Hannah who's doing a

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Speaker 1: wonderful thing for both her mom and her Nan. Hand.

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Speaker 1: Your grandpa passed away during COVID nineteen, so your mom

386
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Speaker 1: and you nan haven't had a chance to see any

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Speaker 1: other family and grieve with them and all that sort

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Speaker 1: of stuff. And right now they are in the box

389
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Speaker 1: seat to get themselves return flights to Brisbane to go

390
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Speaker 1: and see the family. Your mum, Allison, just has to

391
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Speaker 1: prove that she's a good thing.

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Speaker 6: She's a great thing.

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Speaker 1: She's well.

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Speaker 3: Okay, if you've just joined us and you actually called

395
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Speaker 3: your mum before and you've basically said to her that

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Speaker 3: you need her to be an alibi for you, you

397
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Speaker 3: need her to say that you were at her house

398
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Speaker 3: for dinner last Wednesday night. Yeah, now, so far she said, yes,

399
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Speaker 3: I'll do that for you. I don't like lying. But

400
00:19:28,760 --> 00:19:30,240
Speaker 3: now we put her to the test. I'm going to

401
00:19:30,280 --> 00:19:33,919
Speaker 3: give her a call as your boss. I'm gonna I'm

402
00:19:33,920 --> 00:19:37,000
Speaker 3: gonna I'm gonna talk about last Wednesday night, and you're

403
00:19:37,080 --> 00:19:40,080
Speaker 3: hoping that she holds true to the alibi and then

404
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Speaker 3: she wins flights into state to see the family.

405
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Speaker 1: And you don't know what Wood is gonna call and

406
00:19:44,320 --> 00:19:46,800
Speaker 1: say you did last Wednesday night at the office. So

407
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Speaker 1: your heart's gonna be in your mouth while you're listening

408
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Speaker 1: on the other side. Let's find out how much of

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00:19:51,040 --> 00:19:53,080
Speaker 1: a naughty girl hand I was last Wednesday night in

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Speaker 1: the office. You were excited.

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Speaker 6: Hello for speaking?

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Speaker 2: Good?

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Speaker 3: Ay, Alison, here you going? This is Dan here from.

414
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Speaker 6: Yeah, yeah, Yeah, we're Hannah work.

415
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Speaker 3: Yeah, that's it. I'm Hanna's boss. Hey are you going today?

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Speaker 6: Yeah?

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Speaker 3: Oh look, I'm really good. I'm really good. I'm sorry

418
00:20:15,520 --> 00:20:19,520
Speaker 3: to take up your time right now. I'm just tying

419
00:20:19,600 --> 00:20:22,840
Speaker 3: up some loose ends on something that happened last week

420
00:20:23,359 --> 00:20:29,920
Speaker 3: in the workplace, basically last Wednesday evening. We have reason

421
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Speaker 3: to believe that your daughter may have been involved in

422
00:20:34,880 --> 00:20:41,440
Speaker 3: the photo copying of some bear buttocks on the office

423
00:20:41,640 --> 00:20:46,040
Speaker 3: photo copier. Okay, Now look, I mean obviously you know

424
00:20:46,080 --> 00:20:47,800
Speaker 3: that there's a part of me that you know, finds

425
00:20:47,800 --> 00:20:51,639
Speaker 3: that pretty funny. But unfortunately she sent that to the

426
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Speaker 3: entire office. Some people have taken offense to it. Basically,

427
00:20:55,359 --> 00:20:57,040
Speaker 3: I'm just trying to do my due diligence here to

428
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Speaker 3: figure out if it actually was her. So she has

429
00:21:00,480 --> 00:21:03,480
Speaker 3: actually said to me that she was at dinner at

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Speaker 3: your place last Wednesday night, meaning that it couldn't have

431
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Speaker 3: been her. Can you just confirm for me that's true?

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Speaker 6: Yeah, well that initially you would have that did sound

433
00:21:13,840 --> 00:21:18,000
Speaker 6: like something Hannah might have done one time. But she

434
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Speaker 6: was with me last Wednesday, okay.

435
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Speaker 1: And so can I just confirm the time.

436
00:21:24,240 --> 00:21:27,000
Speaker 6: She was with me? So it was after work, and

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Speaker 6: I can't remember the exact time that she arrived, but

438
00:21:30,040 --> 00:21:32,919
Speaker 6: I know it was a round about tea time because

439
00:21:33,000 --> 00:21:35,800
Speaker 6: my other daughter was with me as well, and she

440
00:21:35,960 --> 00:21:37,040
Speaker 6: came after work.

441
00:21:37,240 --> 00:21:40,119
Speaker 3: The bare bottom was sent at five point forty seven pm.

442
00:21:40,600 --> 00:21:41,680
Speaker 1: Was she there been.

443
00:21:41,600 --> 00:21:44,000
Speaker 6: Able to do that because she would have had to

444
00:21:44,040 --> 00:21:46,400
Speaker 6: have left work to arrive at my place in time

445
00:21:46,440 --> 00:21:49,640
Speaker 6: for tea takes about an hour to get from the city.

446
00:21:49,680 --> 00:21:51,840
Speaker 1: That this is this is this is a real relief.

447
00:21:51,840 --> 00:21:53,080
Speaker 3: I was since I don't he wasn't her And just

448
00:21:53,160 --> 00:21:54,879
Speaker 3: before I go, just to make sure we get the

449
00:21:55,240 --> 00:21:58,200
Speaker 3: appropriate du you Dialigens, I'm sorry about the personal question,

450
00:21:58,240 --> 00:21:59,960
Speaker 3: but could you just describe your daughter's bottom to me?

451
00:22:00,200 --> 00:22:03,880
Speaker 1: Just again, I'm sorry about the question. Really, no, it's

452
00:22:03,920 --> 00:22:04,480
Speaker 1: just a joke.

453
00:22:04,760 --> 00:22:08,199
Speaker 3: I've got your daughter on the phone right now, Hannah,

454
00:22:08,240 --> 00:22:10,680
Speaker 3: is it, And she has just won your flights into

455
00:22:10,680 --> 00:22:12,159
Speaker 3: state to go and see the family.

456
00:22:16,480 --> 00:22:17,280
Speaker 6: I wasn't doing that.

457
00:22:17,359 --> 00:22:22,440
Speaker 1: Mom. Oh my goodness, Allison. You you're on the radio

458
00:22:22,680 --> 00:22:25,600
Speaker 1: right now. You're with Will and Muddy and we're giving

459
00:22:25,640 --> 00:22:29,040
Speaker 1: people free return flights thanks to Virgin You just had

460
00:22:29,040 --> 00:22:31,000
Speaker 1: to prove that you were a good thing. Your daughter

461
00:22:31,040 --> 00:22:34,640
Speaker 1: had nominated you and your mom Eileen, because we heard

462
00:22:34,640 --> 00:22:38,080
Speaker 1: that you've had your dad died earlier this year, so

463
00:22:38,119 --> 00:22:41,080
Speaker 1: she's well, she's organized flights for you and her grandma

464
00:22:41,119 --> 00:22:43,479
Speaker 1: and your mum Eileen to go to Brisbane, return flights

465
00:22:43,480 --> 00:22:44,919
Speaker 1: to go and see the rest of your family.

466
00:22:45,720 --> 00:22:47,119
Speaker 6: That's fantastic.

467
00:22:48,280 --> 00:22:51,359
Speaker 1: Yeah, no, it's an amazing opportunity. Hannah. Your mom is

468
00:22:51,359 --> 00:22:52,280
Speaker 1: a wonderful thing.

469
00:22:54,720 --> 00:22:56,639
Speaker 6: Thank you so much. That's really.

470
00:22:58,240 --> 00:22:59,040
Speaker 1: Not a problem at all.

471
00:22:59,119 --> 00:23:00,560
Speaker 3: I do have to let you know though it was

472
00:23:00,600 --> 00:23:01,560
Speaker 3: your daughter photocopy.

473
00:23:04,560 --> 00:23:07,000
Speaker 6: I love MM originally said that it was something I

474
00:23:07,080 --> 00:23:07,600
Speaker 6: used to do.

475
00:23:12,280 --> 00:23:39,639
Speaker 1: Podcasting. Now who and where is? Buddy doesn't care? I

476
00:23:39,840 --> 00:23:44,040
Speaker 1: can listen, listen, listen what about faves on the show

477
00:23:44,560 --> 00:23:49,240
Speaker 1: right now? Woulds? She's actually nominated for multiple ARIA Awards again.

478
00:23:49,880 --> 00:23:51,560
Speaker 1: We saw her take out the Best Artist WoT it

479
00:23:51,720 --> 00:23:53,960
Speaker 1: was their last time shed for Best Female Artist, Best

480
00:23:53,960 --> 00:23:56,479
Speaker 1: Pop Release and Best Live Australian Act. You guys can

481
00:23:56,480 --> 00:23:58,399
Speaker 1: try and piece that together, or just listen to this

482
00:23:58,480 --> 00:24:01,520
Speaker 1: banging intro we've made as to Who's next. It's been

483
00:24:01,600 --> 00:24:03,720
Speaker 1: quite a year for our next guest.

484
00:24:04,119 --> 00:24:09,040
Speaker 4: A gold selling single Everybody Rise, an NRL Cranes.

485
00:24:08,720 --> 00:24:12,080
Speaker 5: Final performance, and a documentary.

486
00:24:11,400 --> 00:24:15,960
Speaker 1: Appearance with surfer Mick Fanning about saving sharks. Cocky, I've

487
00:24:16,000 --> 00:24:17,040
Speaker 1: barely got off the couch.

488
00:24:17,200 --> 00:24:20,000
Speaker 3: She's not done yet, though she's been nominated.

489
00:24:19,480 --> 00:24:22,840
Speaker 5: For numerous awards that this year's Arias, and she's collaborated

490
00:24:22,920 --> 00:24:24,960
Speaker 5: with drummer Travis Barker.

491
00:24:24,640 --> 00:24:27,639
Speaker 1: From Blank Born eight Too. Their brand new single is

492
00:24:27,680 --> 00:24:30,879
Speaker 1: called come On Oh I'm robbly shit that bring you in?

493
00:24:31,880 --> 00:24:34,200
Speaker 1: That's better need to chat to the boys about her

494
00:24:34,280 --> 00:24:36,919
Speaker 1: new music and to play a little game week called

495
00:24:37,160 --> 00:24:38,040
Speaker 1: which Court is.

496
00:24:38,080 --> 00:24:41,520
Speaker 4: Lingon Ewitt coming on, Welcome to the show.

497
00:24:41,760 --> 00:24:42,880
Speaker 1: Heyy Shark.

498
00:24:44,920 --> 00:24:48,320
Speaker 5: Oh great, you guys Wrien that that is the best

499
00:24:48,359 --> 00:24:50,000
Speaker 5: intro I've ever had.

500
00:24:50,240 --> 00:24:52,440
Speaker 1: Oh that's wow.

501
00:24:52,480 --> 00:24:54,560
Speaker 3: It will pass that on to the people who sorted

502
00:24:54,560 --> 00:24:56,159
Speaker 3: it out. We cannot take credit for that.

503
00:24:56,320 --> 00:25:00,960
Speaker 5: But it's also funny because like this year was like

504
00:25:01,040 --> 00:25:02,639
Speaker 5: at the start of the year, it's like, yeah, we

505
00:25:02,720 --> 00:25:04,840
Speaker 5: probably won't do much this year, and then hearing all that,

506
00:25:04,920 --> 00:25:06,920
Speaker 5: I'm like, I actually had a pretty decent year.

507
00:25:07,119 --> 00:25:10,960
Speaker 1: Yeah he did, actually, And now all of a sudden

508
00:25:11,000 --> 00:25:14,200
Speaker 1: teaming up with Yeah, I'm in cult hero of I'm

509
00:25:14,200 --> 00:25:16,840
Speaker 1: sure everyone'm listening. Trav Barker from Blink one eight two,

510
00:25:17,240 --> 00:25:19,040
Speaker 1: I've got a question because I know you're a fan

511
00:25:19,080 --> 00:25:21,680
Speaker 1: of his amy this brand new song come on, which

512
00:25:21,680 --> 00:25:24,000
Speaker 1: we're going to play very shortly for everyone. I'm going

513
00:25:24,040 --> 00:25:25,359
Speaker 1: to play you a little bit of Tras Barker. I

514
00:25:25,440 --> 00:25:28,720
Speaker 1: got two things to ask you about this audio involving

515
00:25:28,920 --> 00:25:32,080
Speaker 1: Tras Barker from Mark Tom Travis, Blink one eight Travilist.

516
00:25:37,119 --> 00:25:40,200
Speaker 4: Something in the backroom.

517
00:25:40,480 --> 00:25:45,560
Speaker 1: Help it's not their creatures from a poker. Firstly, how

518
00:25:45,640 --> 00:25:48,480
Speaker 1: was it being with a guy who lays down beats

519
00:25:48,520 --> 00:25:51,520
Speaker 1: like that? Because he is a wild, wild drummer.

520
00:25:51,960 --> 00:25:55,520
Speaker 5: Travis is such a sweetie, Like he honestly is so

521
00:25:56,119 --> 00:25:58,280
Speaker 5: like he's like a monk. I don't know. He's so

522
00:25:58,359 --> 00:26:03,159
Speaker 5: like shy but very considered and soft spoken. And I

523
00:26:03,240 --> 00:26:06,639
Speaker 5: just couldn't even believe that he was like loving the

524
00:26:06,720 --> 00:26:10,639
Speaker 5: song that much, wanting to play on it, and just

525
00:26:10,680 --> 00:26:14,159
Speaker 5: being so accommodating to everything that I needed.

526
00:26:14,280 --> 00:26:16,200
Speaker 6: So I think I was in a bit of shock.

527
00:26:16,560 --> 00:26:20,560
Speaker 5: I was just lucky that before everything shut down, I

528
00:26:20,680 --> 00:26:23,720
Speaker 5: was in I was in Nashville shooting the video for

529
00:26:24,160 --> 00:26:26,880
Speaker 5: Everybody Rise, and then I got to go to La

530
00:26:26,960 --> 00:26:29,000
Speaker 5: and he was like, while you're in La, let's like

531
00:26:29,080 --> 00:26:32,040
Speaker 5: try and just at least like hang out, meet chat,

532
00:26:32,280 --> 00:26:33,760
Speaker 5: you know, to do that.

533
00:26:33,920 --> 00:26:36,479
Speaker 1: How about this, I mean, like pinch yourself, Amy Shark, Like,

534
00:26:36,600 --> 00:26:40,280
Speaker 1: I'm serious, pinch yourself right now, because what like seven

535
00:26:40,480 --> 00:26:42,840
Speaker 1: eight years ago, like someone came to you and said, hey,

536
00:26:42,880 --> 00:26:44,760
Speaker 1: you're going to be you know, just talking casually about

537
00:26:44,760 --> 00:26:46,680
Speaker 1: the time that you were hanging out with Mark, Tom

538
00:26:46,720 --> 00:26:50,800
Speaker 1: and Travis from Hans with them. You're in You're in Nashville.

539
00:26:50,840 --> 00:26:52,480
Speaker 1: He was like, come to La let's get some lunch.

540
00:26:52,480 --> 00:26:54,800
Speaker 1: I mean, what is wild? You can go to life.

541
00:26:55,000 --> 00:26:57,720
Speaker 5: Remember my friends and I had trading posts, like we

542
00:26:57,800 --> 00:27:01,240
Speaker 5: were like, oh yeah, trading posts. I'll give you that poster,

543
00:27:02,160 --> 00:27:04,320
Speaker 5: that poster and like we're just at the front of

544
00:27:04,359 --> 00:27:09,680
Speaker 5: the mosh being so trying to get on stage and.

545
00:27:12,160 --> 00:27:12,560
Speaker 1: Collabor.

546
00:27:13,040 --> 00:27:15,760
Speaker 3: I had the blink Uantity two Naughty Nurse poster on

547
00:27:15,800 --> 00:27:18,320
Speaker 3: my wall, So if you want to track Amy, let

548
00:27:18,359 --> 00:27:18,560
Speaker 3: me know.

549
00:27:18,600 --> 00:27:22,920
Speaker 1: I think that might have been the nurse. Yeah.

550
00:27:25,560 --> 00:27:26,600
Speaker 5: I have many of the.

551
00:27:28,960 --> 00:27:34,080
Speaker 1: Let's cut out of the bag though my bad. Now, Amy,

552
00:27:34,119 --> 00:27:36,639
Speaker 1: welcome back to the show. Pleasure to have you on here, mate.

553
00:27:38,920 --> 00:27:45,040
Speaker 1: Now nominated for multiple Arias again this year Best Female Artist,

554
00:27:45,119 --> 00:27:48,080
Speaker 1: Best Pop really is Best Live Australian Act. First Arias

555
00:27:48,080 --> 00:27:50,359
Speaker 1: that Woods and I went to We've got a chance

556
00:27:50,400 --> 00:27:53,919
Speaker 1: to see you there performing live with Keith Urban at

557
00:27:53,920 --> 00:27:55,080
Speaker 1: the end of the hours, which is a bit of

558
00:27:55,160 --> 00:27:58,200
Speaker 1: a surprise for everyone. And then I think we mooched

559
00:27:58,200 --> 00:28:02,120
Speaker 1: off your sony credit card tab for at least three

560
00:28:02,200 --> 00:28:06,520
Speaker 1: or four hours at a bar. You know, it's a

561
00:28:06,520 --> 00:28:08,639
Speaker 1: great time. Can we expecting on the performance for you

562
00:28:08,680 --> 00:28:08,960
Speaker 1: this year?

563
00:28:09,000 --> 00:28:09,200
Speaker 3: Mate?

564
00:28:09,480 --> 00:28:09,720
Speaker 1: Yeah.

565
00:28:09,800 --> 00:28:12,720
Speaker 5: I mean I'm expected to play, so hopefully.

566
00:28:12,800 --> 00:28:16,600
Speaker 6: Nice will see me perform unless I've been cut and.

567
00:28:16,600 --> 00:28:17,119
Speaker 5: I don't know.

568
00:28:17,480 --> 00:28:20,320
Speaker 1: Well, yeah, well that's what I asked the question. I've

569
00:28:20,359 --> 00:28:21,200
Speaker 1: got some news.

570
00:28:22,400 --> 00:28:25,000
Speaker 5: I'm going to say, just what this call is about.

571
00:28:25,480 --> 00:28:28,480
Speaker 3: Yeah, Aria called us. They said, you speaking to Amy Shark.

572
00:28:28,520 --> 00:28:31,080
Speaker 3: I don't know lightly she's been cut from the lineup.

573
00:28:31,320 --> 00:28:32,000
Speaker 5: It's cut.

574
00:28:32,119 --> 00:28:35,639
Speaker 1: Yeah, yeah, I'm looking forward to it. Good luck with

575
00:28:35,680 --> 00:28:36,760
Speaker 1: all that this year. I know it's been a bit

576
00:28:36,800 --> 00:28:38,040
Speaker 1: of a wild year. What are they doing, like a

577
00:28:38,120 --> 00:28:39,640
Speaker 1: virtual arias or what's the story?

578
00:28:39,880 --> 00:28:41,840
Speaker 5: I don't know, but I think like you guys are

579
00:28:41,880 --> 00:28:45,200
Speaker 5: probably like the I don't know twentieth people that have

580
00:28:45,320 --> 00:28:47,560
Speaker 5: asked me, and I feel like someone said, hey, go

581
00:28:47,600 --> 00:28:52,680
Speaker 5: ask Amy Shark. She knows, because honestly, I feel like

582
00:28:52,760 --> 00:28:54,880
Speaker 5: plain to everyone. I don't know, no one.

583
00:29:00,240 --> 00:29:02,000
Speaker 1: This is something, this is that you know more about?

584
00:29:02,000 --> 00:29:04,320
Speaker 3: Well, ask more about your music, maybe not the organization

585
00:29:04,400 --> 00:29:05,040
Speaker 3: of the areas?

586
00:29:05,800 --> 00:29:08,520
Speaker 1: Amy, I saw a video. How many people can you

587
00:29:08,520 --> 00:29:10,080
Speaker 1: fit in the auditory?

588
00:29:10,040 --> 00:29:10,240
Speaker 3: Yeah?

589
00:29:10,400 --> 00:29:12,120
Speaker 5: Well, you know, we're having a meeting tomorrow.

590
00:29:12,280 --> 00:29:14,640
Speaker 1: And what do you do in the case of a fire?

591
00:29:14,640 --> 00:29:17,920
Speaker 1: Has it doing the areas? Amy?

592
00:29:17,960 --> 00:29:20,440
Speaker 3: I saw you do a video on Twitter where you

593
00:29:20,440 --> 00:29:23,200
Speaker 3: were on set of the music video for come On,

594
00:29:23,440 --> 00:29:26,760
Speaker 3: and you said in the caption of the video that

595
00:29:26,800 --> 00:29:32,120
Speaker 3: you wrote come on late at night, feeling frustrated and lonely.

596
00:29:33,160 --> 00:29:34,479
Speaker 3: Can you talk to us a bit about that?

597
00:29:35,000 --> 00:29:39,120
Speaker 5: Yeah, it's funny, like some songs come at weird times,

598
00:29:39,200 --> 00:29:41,560
Speaker 5: and this one, I think one of some of my

599
00:29:41,680 --> 00:29:45,440
Speaker 5: favorite songs end up coming out where I'm probably just

600
00:29:45,480 --> 00:29:49,959
Speaker 5: not feeling one hundred percent or just not super stoked.

601
00:29:50,160 --> 00:29:52,120
Speaker 5: And a lot of the time it's hard to talk

602
00:29:52,120 --> 00:29:55,240
Speaker 5: about it because you don't want to sound ungrateful. And

603
00:29:55,360 --> 00:29:57,960
Speaker 5: you know, we've been given this great life to do music,

604
00:29:58,160 --> 00:30:01,360
Speaker 5: and you know, everyone's highs all the time. But I

605
00:30:01,360 --> 00:30:03,959
Speaker 5: remember the night, there was a lot going on, and

606
00:30:03,960 --> 00:30:08,640
Speaker 5: there's many many personalities to manage and people to sort of,

607
00:30:09,280 --> 00:30:11,640
Speaker 5: you know, if I get to steal with in my life,

608
00:30:11,840 --> 00:30:14,720
Speaker 5: and it just felt really difficult. And then I knew

609
00:30:14,760 --> 00:30:16,600
Speaker 5: I had a massive day the next day, so I

610
00:30:16,720 --> 00:30:19,560
Speaker 5: was a bit, you know, it just couldn't sleep and

611
00:30:20,000 --> 00:30:22,320
Speaker 5: I just remember getting up it was like probably midnight

612
00:30:22,440 --> 00:30:25,959
Speaker 5: or just after and I just started playing and I

613
00:30:26,040 --> 00:30:28,280
Speaker 5: just fell into those chords and the song was written

614
00:30:28,400 --> 00:30:31,640
Speaker 5: so quick and then I'm staying up for about two am,

615
00:30:31,680 --> 00:30:33,400
Speaker 5: and I was just walking around the hotel listening to

616
00:30:33,480 --> 00:30:35,840
Speaker 5: it because I'm so excited about it. And I guess

617
00:30:35,840 --> 00:30:38,400
Speaker 5: that's what I love about music is I wasn't feeling

618
00:30:38,680 --> 00:30:41,440
Speaker 5: like sad anymore because I was like, this song was sick,

619
00:30:41,640 --> 00:30:44,560
Speaker 5: like something's great. So yeah, I don't know. I guess

620
00:30:44,560 --> 00:30:47,440
Speaker 5: it was just the beauty of using music for therapy.

621
00:30:47,600 --> 00:30:50,560
Speaker 5: So yeah, I'm glad it's out. It's a special.

622
00:30:52,000 --> 00:30:56,200
Speaker 1: Now, well, you've got Amy shocked on the line. Now, Amy,

623
00:30:56,440 --> 00:30:59,959
Speaker 1: you were just talking more about writing music being therapy

624
00:31:00,400 --> 00:31:01,960
Speaker 1: for you and maybe this is a little bit too

625
00:31:02,400 --> 00:31:05,200
Speaker 1: highbrow for a Friday afternoon and Woods, I know you're

626
00:31:05,200 --> 00:31:07,000
Speaker 1: going to roll your eyes at me in a second.

627
00:31:07,120 --> 00:31:10,360
Speaker 1: I know you are perfect. I know that the Dutch

628
00:31:10,440 --> 00:31:14,160
Speaker 1: painter Van Goff actually felt that he would get madder

629
00:31:14,720 --> 00:31:17,000
Speaker 1: if he didn't paint, so he got locked up in

630
00:31:17,000 --> 00:31:19,080
Speaker 1: a mental asylum for a long time, away from his

631
00:31:19,160 --> 00:31:21,680
Speaker 1: nephew and stuff, and they took away his painting tools

632
00:31:21,720 --> 00:31:24,280
Speaker 1: because I thought that that was making him madder. But

633
00:31:24,480 --> 00:31:27,760
Speaker 1: his when he wasn't painting, he went crazier and crazier,

634
00:31:27,760 --> 00:31:30,840
Speaker 1: and he needed to paint to feel like his madness

635
00:31:30,880 --> 00:31:35,200
Speaker 1: and his creativity were like undeniably linked. Do you ever

636
00:31:35,280 --> 00:31:38,120
Speaker 1: feel that if you stop making music or stop creating,

637
00:31:38,280 --> 00:31:41,200
Speaker 1: you ever scared of the thing that exists when you're

638
00:31:41,240 --> 00:31:42,280
Speaker 1: not doing it.

639
00:31:42,280 --> 00:31:45,160
Speaker 5: It's so weird that you are saying this because I'd

640
00:31:45,200 --> 00:31:47,920
Speaker 5: literally just had like a conversation with someone not that

641
00:31:48,000 --> 00:31:51,480
Speaker 5: long ago about that exact thing, and because I actually

642
00:31:51,560 --> 00:31:54,120
Speaker 5: do I get in. I'm probably in a worse mood

643
00:31:54,160 --> 00:31:57,160
Speaker 5: if I having written a song, if I haven't played guitar.

644
00:31:57,280 --> 00:31:59,720
Speaker 5: I'm like, you know, my partner will say, just go

645
00:31:59,840 --> 00:32:02,840
Speaker 5: on freaking write a song or something. You are absolutely

646
00:32:02,920 --> 00:32:03,600
Speaker 5: rank right now.

647
00:32:04,600 --> 00:32:08,480
Speaker 2: But also, and you know it sounds.

648
00:32:08,080 --> 00:32:11,160
Speaker 5: Really bad, but I'm like, you could take everything from me,

649
00:32:11,440 --> 00:32:13,480
Speaker 5: like you could take it all, and I could be

650
00:32:13,560 --> 00:32:16,200
Speaker 5: left alone. As long as I could play music, I

651
00:32:16,240 --> 00:32:19,320
Speaker 5: would start to rebuild because it's such a strong part

652
00:32:19,440 --> 00:32:22,400
Speaker 5: of who I am, And I think I would be

653
00:32:22,520 --> 00:32:26,080
Speaker 5: okay as long as I had my hands and the guitar,

654
00:32:26,320 --> 00:32:29,480
Speaker 5: and so you know, it's just, yeah, it's it's weird.

655
00:32:29,560 --> 00:32:31,160
Speaker 5: It's a really weird relationship.

656
00:32:31,400 --> 00:32:33,760
Speaker 3: Now we've spoken for a long time, so I'm going

657
00:32:33,840 --> 00:32:35,959
Speaker 3: to give you the option here as to whether you

658
00:32:36,000 --> 00:32:39,560
Speaker 3: would like to play or not play a game that

659
00:32:39,600 --> 00:32:43,239
Speaker 3: we have coined, which court is Leydon Stewart coming on?

660
00:32:43,600 --> 00:32:45,600
Speaker 1: Because your songs called come On, Yes, and that's the

661
00:32:45,640 --> 00:32:46,280
Speaker 1: game we came up.

662
00:32:46,520 --> 00:32:49,600
Speaker 5: I like it, okay, all right, and I think i'll

663
00:32:49,840 --> 00:32:52,560
Speaker 5: you guys. You know we're good friends, so I'll play.

664
00:32:53,760 --> 00:32:56,560
Speaker 1: Okay. Well, Amy, you're in like it's a wild game

665
00:32:57,200 --> 00:33:00,200
Speaker 1: some game show music or something, you know, if there's like, yeah,

666
00:33:00,200 --> 00:33:07,840
Speaker 1: that's good idea YouTube. Welcome to Willhelm, Winny and Amy

667
00:33:07,840 --> 00:33:10,479
Speaker 1: Shark play Which court is Laton Stewart coming on? In

668
00:33:10,480 --> 00:33:13,320
Speaker 1: honor of Amy Shark's brand new song come On with

669
00:33:13,440 --> 00:33:16,200
Speaker 1: Travis Barker. Yeah. Now rules are.

670
00:33:16,120 --> 00:33:20,920
Speaker 3: Simple, Amy, we play Leyton Hewitt saying come on. He

671
00:33:21,040 --> 00:33:24,120
Speaker 3: was obviously famous for that cat crime or war cry.

672
00:33:24,200 --> 00:33:27,680
Speaker 3: Really and you have to tell us which court he

673
00:33:28,120 --> 00:33:33,800
Speaker 3: came on effectively, So here is number one?

674
00:33:36,520 --> 00:33:38,800
Speaker 1: Which court was that? Amy Shark?

675
00:33:38,880 --> 00:33:43,760
Speaker 5: Come on? This is this is a bit hard to

676
00:33:43,960 --> 00:33:44,240
Speaker 5: the bit.

677
00:33:44,600 --> 00:33:46,240
Speaker 1: Well, I'll give you here. It's at one of the

678
00:33:46,320 --> 00:33:48,240
Speaker 1: It's at one of the Grand Slam courts. So you've

679
00:33:48,240 --> 00:33:51,720
Speaker 1: either it's either Flushing Meadows, you can Rod Labor Arena.

680
00:33:51,880 --> 00:33:55,160
Speaker 1: It's either Roland Garross or Wimbledon and you can hear

681
00:33:55,160 --> 00:33:57,000
Speaker 1: the surface there. I mean, the tennis fans out there

682
00:33:57,040 --> 00:33:59,160
Speaker 1: will be up in arms right now, Amy Shark, Oh,

683
00:33:59,240 --> 00:33:59,800
Speaker 1: you were better than this.

684
00:34:03,480 --> 00:34:05,280
Speaker 5: I'm just gonna go with Wimbledon.

685
00:34:06,000 --> 00:34:09,840
Speaker 1: It's incorrect and I'm disappointed there on grass and you

686
00:34:09,840 --> 00:34:12,880
Speaker 1: can hear the hard court. So yeah, it's a shame

687
00:34:12,920 --> 00:34:14,879
Speaker 1: and look, but look, that's the nature of the game.

688
00:34:15,480 --> 00:34:15,719
Speaker 2: It is.

689
00:34:15,760 --> 00:34:20,399
Speaker 1: I think that's all got time for though, really game

690
00:34:20,480 --> 00:34:21,480
Speaker 1: one round only.

691
00:34:24,440 --> 00:34:27,200
Speaker 5: I think your intro music is better than that game.

692
00:34:28,360 --> 00:34:32,359
Speaker 1: That's fair, fair, Thanks so much for joining us. It's

693
00:34:32,360 --> 00:34:35,120
Speaker 1: always good to talk to you. Brand new Gear their

694
00:34:35,200 --> 00:34:37,719
Speaker 1: new single Come on with Travis Bark Friend Blink one

695
00:34:37,880 --> 00:34:40,600
Speaker 1: two fans out there get around it always good to

696
00:34:40,680 --> 00:34:42,120
Speaker 1: have you on the show, mate. Good luck with the

697
00:34:42,120 --> 00:34:43,440
Speaker 1: arias and thanks for joining us.

698
00:34:43,480 --> 00:34:44,560
Speaker 3: Man, Thank you guys.

699
00:34:44,560 --> 00:34:45,359
Speaker 6: Good to check out.

700
00:34:46,120 --> 00:34:52,080
Speaker 1: Podcasting now Wodrow. Look, you're you're fresh, fresh in your relationships,

701
00:34:52,120 --> 00:34:55,040
Speaker 1: so I'm sure the spark is still there in terms of,

702
00:34:55,200 --> 00:34:58,520
Speaker 1: you know, lusting after each other. We're talking physically, will yeah,

703
00:34:58,560 --> 00:35:01,279
Speaker 1: I am, I am, yeah. Nice. That's good for you.

704
00:35:01,760 --> 00:35:04,960
Speaker 1: So four years, four years the spark last for you.

705
00:35:05,719 --> 00:35:10,399
Speaker 1: A few months, it's there. Two like no, like two? Well,

706
00:35:10,400 --> 00:35:15,880
Speaker 1: how many? I mean, we'll give you give us three? Three? Nice? Yeah,

707
00:35:15,880 --> 00:35:18,040
Speaker 1: it's interesting, isn't it? Like how long does a spark last?

708
00:35:18,280 --> 00:35:20,200
Speaker 1: We know when we go in waves were going waves,

709
00:35:20,400 --> 00:35:21,680
Speaker 1: that's for sure, that's for sure.

710
00:35:21,719 --> 00:35:23,279
Speaker 3: Where are you now? Are you in the harbor with

711
00:35:23,360 --> 00:35:25,000
Speaker 3: no waves? Or are you with pipe? Are you a

712
00:35:25,120 --> 00:35:28,319
Speaker 3: serving pipe? Definitely not at pipe. The pipe has been

713
00:35:28,360 --> 00:35:32,799
Speaker 3: nowhere near so the pipes have not been cleaned for

714
00:35:32,840 --> 00:35:33,120
Speaker 3: a while.

715
00:35:33,160 --> 00:35:33,879
Speaker 2: So the.

716
00:35:35,480 --> 00:35:38,600
Speaker 1: The reason I bring this up is just because you

717
00:35:38,600 --> 00:35:40,040
Speaker 1: get to a point I think when you've been with

718
00:35:40,080 --> 00:35:42,160
Speaker 1: someone for you know, you know, the four year mark.

719
00:35:42,200 --> 00:35:44,240
Speaker 1: We're at the four year mark, we start thinking yourself

720
00:35:44,320 --> 00:35:47,760
Speaker 1: like geez, like when you go through one of those lulls,

721
00:35:48,280 --> 00:35:50,040
Speaker 1: like are you ever going to get out of the harbor?

722
00:35:50,200 --> 00:35:50,560
Speaker 6: Oh?

723
00:35:50,680 --> 00:35:53,279
Speaker 1: Yeah, maybe we're just at the point where are you

724
00:35:53,320 --> 00:35:55,560
Speaker 1: in one harbor? Harbor? Life's pretty good. We've got the

725
00:35:55,560 --> 00:35:57,719
Speaker 1: anchor down, you know, we've got to bridge over to

726
00:35:57,719 --> 00:35:59,719
Speaker 1: the shore and you know, we get hot bread from

727
00:35:59,719 --> 00:36:00,120
Speaker 1: the bake here.

728
00:36:00,120 --> 00:36:02,960
Speaker 3: And it's nice just to clarify so many analogies that

729
00:36:02,960 --> 00:36:04,359
Speaker 3: are going on right now. Are you saying that you're

730
00:36:04,360 --> 00:36:07,040
Speaker 3: going to be in a sexless relationship currently, Okay, but

731
00:36:07,160 --> 00:36:09,239
Speaker 3: then you no.

732
00:36:09,239 --> 00:36:09,919
Speaker 1: Yeah, fair enough.

733
00:36:09,960 --> 00:36:11,680
Speaker 3: But but but are you saying that's something like, yeah,

734
00:36:11,680 --> 00:36:12,319
Speaker 3: I could, I could do that.

735
00:36:12,320 --> 00:36:14,359
Speaker 1: That's worried about it. I'm worried about it, okay, because

736
00:36:14,400 --> 00:36:19,879
Speaker 1: you want you want to keep the actually sex Yeah, yeah, yeah, naturally, yeah,

737
00:36:19,880 --> 00:36:22,040
Speaker 1: I mean the Harbor Live's good, but it's not for me, Okay.

738
00:36:22,400 --> 00:36:25,040
Speaker 1: So anyway, I've got I've got there's there's a soble

739
00:36:25,080 --> 00:36:29,200
Speaker 1: that's been banging around in my head by very groovy

740
00:36:29,280 --> 00:36:32,160
Speaker 1: little eighties number by the Human League. Now I'm gonna

741
00:36:32,280 --> 00:36:34,600
Speaker 1: you've got two times that you can play this song.

742
00:36:34,600 --> 00:36:38,440
Speaker 1: I'm gonna give you control over the button. Okay, it's

743
00:36:38,480 --> 00:36:44,560
Speaker 1: this song love Me, Don't you Want Me? Don't you

744
00:36:44,640 --> 00:36:47,360
Speaker 1: Love Me? So you've got that little audio grabbed to

745
00:36:47,400 --> 00:36:54,200
Speaker 1: playing cool and you've got this one as well. Good bits.

746
00:36:54,480 --> 00:36:55,920
Speaker 1: So I was away with my girlfriend on the weekend,

747
00:36:56,000 --> 00:36:57,600
Speaker 1: and you can tell me whether I'm stuck in the harbor,

748
00:36:57,760 --> 00:36:59,960
Speaker 1: whether I'm a chance at going to go and see

749
00:37:00,080 --> 00:37:04,839
Speaker 1: that famous pipeline ever again on the weekend in bed

750
00:37:04,920 --> 00:37:07,239
Speaker 1: with her. You know, we're having a good time. We're

751
00:37:07,239 --> 00:37:08,360
Speaker 1: having a good time. But just what do you mean

752
00:37:08,400 --> 00:37:10,279
Speaker 1: you're having a good time sleeping in. We're sleeping in.

753
00:37:11,080 --> 00:37:13,359
Speaker 1: Nothing was going on. You were just sleeping in. We're

754
00:37:13,440 --> 00:37:16,640
Speaker 1: just sleeping in at this stage. You know, you know,

755
00:37:16,719 --> 00:37:21,160
Speaker 1: the old dog's got a few tricks. So what happened, Well,

756
00:37:21,239 --> 00:37:23,640
Speaker 1: this is we're sleeping in, the old dog. We're sleeping in,

757
00:37:24,000 --> 00:37:27,520
Speaker 1: and you know, I just put a hand, you know,

758
00:37:27,719 --> 00:37:30,880
Speaker 1: just on upper thigh, upper thigh. You went straight for

759
00:37:31,000 --> 00:37:35,160
Speaker 1: upper thigh, No, not like inner upper thigh, like outward

760
00:37:35,239 --> 00:37:39,399
Speaker 1: upper thigh like yeah, yeah, yeah, like the hip. Yeah,

761
00:37:39,760 --> 00:37:43,840
Speaker 1: I just went for the hip. And she was in

762
00:37:43,880 --> 00:37:46,120
Speaker 1: her underwear. If you need to know that's important details. No,

763
00:37:46,160 --> 00:37:49,600
Speaker 1: I don't think it is, definitely sorry, So I got

764
00:37:49,600 --> 00:37:51,200
Speaker 1: a hand on her hip and I just put the

765
00:37:51,239 --> 00:37:52,880
Speaker 1: hand on the hip. I have nothing else. I just

766
00:37:52,880 --> 00:37:55,360
Speaker 1: put the hand on the hip. She turned to me,

767
00:37:55,480 --> 00:37:57,359
Speaker 1: and you can play the song Grape if you feel

768
00:37:57,400 --> 00:38:01,560
Speaker 1: it's necessary. She turned to me and said, will it's

769
00:38:01,680 --> 00:38:07,440
Speaker 1: too late in the morning for that. It's too late

770
00:38:07,480 --> 00:38:09,960
Speaker 1: in the morning. What time was it, like ten? What

771
00:38:10,040 --> 00:38:10,480
Speaker 1: does she meet?

772
00:38:10,480 --> 00:38:10,520
Speaker 2: Like?

773
00:38:10,560 --> 00:38:11,160
Speaker 1: Where does she have to be?

774
00:38:11,320 --> 00:38:12,000
Speaker 2: Like long?

775
00:38:12,480 --> 00:38:14,600
Speaker 1: We're away, we're at the beach, and how early is

776
00:38:14,640 --> 00:38:16,080
Speaker 1: like a good time, Like I don't know, if you

777
00:38:16,120 --> 00:38:16,840
Speaker 1: get up at six.

778
00:38:16,719 --> 00:38:18,279
Speaker 3: Am, it's like, yeah, now's a good time, Like what

779
00:38:18,360 --> 00:38:19,000
Speaker 3: the hell is going on?

780
00:38:20,080 --> 00:38:24,400
Speaker 1: The weakest it was. The weakest is when it happened

781
00:38:24,480 --> 00:38:26,720
Speaker 1: too late in the day. That's when the action happened.

782
00:38:26,760 --> 00:38:28,400
Speaker 1: That's why I went for it. No one's doing on

783
00:38:28,440 --> 00:38:36,239
Speaker 1: a workdo work early. It's a what late in the morning?

784
00:38:36,520 --> 00:38:36,840
Speaker 3: What is that?

785
00:38:36,920 --> 00:38:42,760
Speaker 1: Even? Married? Very weird? Yeah yeah yeah yeah, I'm in travel,

786
00:38:42,760 --> 00:38:47,080
Speaker 1: aren't I. Yeah, see what you're hearing. Find us on

787
00:38:47,280 --> 00:38:49,720
Speaker 1: Instagram and Facebook search Women Woody