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Speaker 1: Got anything good. Hey, this is the Christian O'Connell show

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Speaker 1: podcast Christian O'Connell's show. I went to see the new

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Speaker 1: Jason Stathan movie. Essay. I love Staitha movies, not one

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Speaker 1: of his better ones, working man. If I had watched

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Speaker 1: it on TV, I would have just paused it halfway

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Speaker 1: through and go. I watched the rest of another night

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Speaker 1: because you've come out. That was gold Class, so you still.

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Speaker 1: Because I wanted to treat myself, I went alone. And

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Speaker 1: here's the situation. There was only me and another guy

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Speaker 1: in Gold Class. I'm surprised anybody else but.

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Speaker 2: Out of it. His movies are huge, Hue.

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Speaker 1: It was huge at the box office. Me and a Yes,

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Speaker 1: state of movies delivery. You know what you're going to get.

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Speaker 1: This one was written by Sylvester Sloane. Even Stone realizes

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Speaker 1: I can't pull this kind of action off anymore. The

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Speaker 1: new gen is Statham. Statham is in his own kind

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Speaker 1: of category of movie making where he doesn't make any

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Speaker 1: effort to either do his you know, native British accent

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Speaker 1: or try an American one. In this movie, he said

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Speaker 1: he was a Fort British Marine commando, but then also

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Speaker 1: keeps herself as American to the movie, and the accent

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Speaker 1: is nowhere, which is like he goes, well, I'm just

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Speaker 1: I speak my own language, which is staith of them.

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Speaker 1: Maybe that dialogue was deliberate so that if anyone said

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Speaker 1: are you British or are you American? I'm both, you

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Speaker 1: can't py me down. And also it's just like staith

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Speaker 1: and movies. Nothing you can't get upset, like, oh, that

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Speaker 1: wouldn't happen in real life because none of it is believable.

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Speaker 1: Every stath of movie, he's either an xcia X something

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Speaker 1: who is trying to make good of a different kind

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Speaker 1: of monk like life. Something happens he here's a girl

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Speaker 1: being kidnapped out of scene and he then reluctantly has

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Speaker 1: to pick up the guns and start smashing people in

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Speaker 1: the face. Yesterday there was like there was that scene

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Speaker 1: where it's like, please, please, can you rescue our daughter?

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Speaker 1: I'm a change man, I don't know people anymore. And

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Speaker 1: you're thinking he's got to be kidding, right, because there's

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Speaker 1: another two hours on this. It can't be him living

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Speaker 1: this boring monk like life. Sure enough, he comes back

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Speaker 1: and he gets he rescues anyway, So it's an empty

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Speaker 1: gold class, right, it's just me and another guy. I

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Speaker 1: get there first, I sit down, right. I'm thinking that

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Speaker 1: maybe because when I booked it earlier, there was just

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Speaker 1: like some other guy. He must be sitting somewhere else,

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Speaker 1: you know, girl class. They're like, you know, like him

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Speaker 1: too soon? Yeah, you're in couples, yeah, he says, next?

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Speaker 2: What right?

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Speaker 1: And then right the lights go out? The lights are

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Speaker 1: you sharing a table between? Yes? Now, I'm like, you

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Speaker 1: going to be kidding me? Right? I am now trapped

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Speaker 1: because I don't want to appear rude by just moving

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Speaker 1: myself because just me and him, my moving myself over

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Speaker 1: to another thing to watch it as he said hello, yeah,

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Speaker 1: we both did this awkward light and then a couple

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Speaker 1: of times during the movie, my hand would touch his plate.

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Speaker 2: He go, it's just the two of us sharing unnecessarily

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Speaker 2: intimate moment together, watching her very fine, and then.

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Speaker 1: He reclined his bed fully. I couldn't fully relate.

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Speaker 2: It looks like we're The Christian O'Connell Show podcast