WEBVTT - BONY & HANNAH - AUSTRALIAN IDOL - CHANNEL SEVEN

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV reloaded the podcast last week. Thereby, Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading. On today's episode with Bonnie and Hannah,

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<v Speaker 1>the next two contestants who've been booted from Australian Idols

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<v Speaker 1>Top ten, the competition is really heating up, and honestly,

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<v Speaker 1>I think week after week fans are going to be

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<v Speaker 1>pulling at their heads after seeing their favorites go home.

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<v Speaker 1>It's anyone's guess on who's going to take out this

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<v Speaker 1>year's competition. I'm going to say that I'm not completely

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<v Speaker 1>shocked at this week's eliminations. I think these two are

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<v Speaker 1>both fantastic artists, but I truly don't know if this

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<v Speaker 1>show would have brought these two artists anything more or

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<v Speaker 1>any more gravitas than they'd already got from being on

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<v Speaker 1>the show thus far. Just my opinion. Bonnie is going

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<v Speaker 1>to discuss his career trajectory. He's very ambitious, let me

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<v Speaker 1>tell you, and if he will take Kyle Sandilands up

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<v Speaker 1>on his offer to record in his private studio. Hannah

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<v Speaker 1>will share how she really feels about being called a

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<v Speaker 1>giraffe by one of the judges. I will find out

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<v Speaker 1>the game's going on behind the scenes with this year's

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<v Speaker 1>Top twelve and what joke went too far for one contestant.

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<v Speaker 1>You were going to get everything from their thoughts on

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<v Speaker 1>the song choices, how much public interaction they are really getting,

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<v Speaker 1>and we will talk about auto tuning that might be

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<v Speaker 1>happening outside of just Bonnie. There is actually so much

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<v Speaker 1>to talk about, with so many inside revelations on this

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<v Speaker 1>series of Australian Idol. To sit back and relax as

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<v Speaker 1>we unpack the wonderful world of this amazing singing competition,

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<v Speaker 1>which returns this Sunday night on Channel seven. How are you,

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<v Speaker 1>mate me?

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<v Speaker 2>I'm fantastic, My god, how are you?

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<v Speaker 1>I'm very well. You know you just interrupted me because

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<v Speaker 1>I was rewatching your performance from last night.

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<v Speaker 2>I know, yeah, that's a good interruption there, my friend.

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<v Speaker 1>You know how weird it is for me though while

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<v Speaker 1>I'm watching this and how good you are on this

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<v Speaker 1>show and then to hear your voice this is amazing.

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<v Speaker 3>I appreciate you more, brother, Thank you.

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<v Speaker 1>What did you think about getting this far in this

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<v Speaker 1>competition when you signed up? Did you think you would

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<v Speaker 1>make it this far.

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<v Speaker 2>No, to be honest, you didn't think much of it.

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<v Speaker 2>It's like, for real, I mean we made it this

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<v Speaker 2>far off. I don't know made it this far?

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<v Speaker 1>You know you had some hills to climb. My friend

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<v Speaker 1>didn't do well on this show. How did you approach it?

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<v Speaker 1>I mean, did you know much about Australian idol because

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<v Speaker 1>this is in your home country.

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<v Speaker 3>I thought it was a singing contest, to be honest

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<v Speaker 3>with you, and at the time, I just like I

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<v Speaker 3>need more exposure as an artist.

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<v Speaker 2>So I just signed off on a whim, like one night.

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<v Speaker 3>Just because I think we add toll up on Instagram

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<v Speaker 3>just randomly.

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<v Speaker 2>I was like, you know what, I'm gonna sign up

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<v Speaker 2>for it.

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<v Speaker 4>Wow.

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<v Speaker 1>So yeah, was it a shock to go home at

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<v Speaker 1>this point of the competition because I like reading into

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<v Speaker 1>what I think I can see on the TV, and

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<v Speaker 1>I kind of felt like you've got everything you needed

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<v Speaker 1>out of the show. At this point. I felt like

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<v Speaker 1>you could just take what you've been given with this

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<v Speaker 1>exposure and go in a different direction, which is still up.

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<v Speaker 3>Oh we're going international with this direction. But the way

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<v Speaker 3>I like to see is like, look, I'm a competitor

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<v Speaker 3>at heart.

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<v Speaker 2>If you're not first to your last.

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<v Speaker 3>And the opportunities that make you, you make the opportunity,

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<v Speaker 3>you know what I mean, So regardless of work, of

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<v Speaker 3>course I would have loved to opportunity that can make

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<v Speaker 3>the most of you know, coming first, but you get

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<v Speaker 3>what you get.

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<v Speaker 5>The city's going to break, The city is gonna love

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<v Speaker 5>me to leave me alone. The city is gonna be jaesiss.

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<v Speaker 5>It's been a couple of months as I've got like

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<v Speaker 5>a bold am I getting bossert where the city is

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<v Speaker 5>going to a break, She's always going to break your heart.

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<v Speaker 1>I feel like going with an original song at this

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<v Speaker 1>point might have been what elevated you or kept you

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<v Speaker 1>in the competition. Did you have many conversations about bringing

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<v Speaker 1>in your own music and seeing what that might have done.

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<v Speaker 1>I feel like that's the only thing we've been stolen

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<v Speaker 1>from you.

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<v Speaker 3>I think everyone had the general consensus and we were

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<v Speaker 3>all told we're not saying no to the originals, but

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<v Speaker 3>the chances of you getting it are quite slink is one.

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<v Speaker 3>We do want to also cater to the audience, and

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<v Speaker 3>the audiences most popular songs, and it's easy to get

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<v Speaker 3>behind something familiar.

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<v Speaker 1>Did you feel limited by the choices in music though.

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<v Speaker 1>I mean the music that you were singing was very recognizable,

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<v Speaker 1>and mate, you did such a good job, like it

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<v Speaker 1>was so good every week to see it get up

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<v Speaker 1>there and sing. But I did wonder whether or not

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<v Speaker 1>this was truly the sort of music that you would

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<v Speaker 1>be releasing if you were recording in a studio.

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<v Speaker 3>If you asked me what, maybe four years ago, I'd

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<v Speaker 3>be like, yeah, But as I've discovered myself more as

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<v Speaker 3>an artist, I would say no, you know, but not

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<v Speaker 3>to say that it's not good, you know. I quite

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<v Speaker 3>enjoyed the songs I did, you know, end up performing.

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<v Speaker 3>You know, my biggest inspiration is a Justin Bieber and

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<v Speaker 3>Issuan and I did one of the songs that go

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<v Speaker 3>on together, you know Ala.

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<v Speaker 2>So I guess you know that paid comments to that.

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<v Speaker 2>But na an.

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<v Speaker 3>Opportunity to get out of my comfort zone made me

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<v Speaker 3>feel a bit comfortable.

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<v Speaker 2>I don't know if that makes sense, do you know

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<v Speaker 2>what I mean?

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<v Speaker 1>I hear what you're saying when you're saying, that's the

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<v Speaker 1>sort of music I would have been singing four years ago. Absolutely,

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<v Speaker 1>because I think the way that this show works is

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<v Speaker 1>it's a bit like you know, it's catering to a

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<v Speaker 1>younger audience, songs that everyone would know, kind of like

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<v Speaker 1>what you'd say on like a Disney show. Do you

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<v Speaker 1>know what I mean?

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<v Speaker 2>Pretty much?

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<v Speaker 1>Yeah. So then you as an artist now are in

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<v Speaker 1>a different space where I think that for you to

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<v Speaker 1>go and take this music internationally, there needs to be

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<v Speaker 1>the key sound of who you are and you can

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<v Speaker 1>sing without the auto tune. We definitely saw that. Do

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<v Speaker 1>you think if you do go into the recording studio

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<v Speaker 1>at this point it would be a mix of the

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<v Speaker 1>auto tune and just using your own voice, Like, what's

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<v Speaker 1>what's the I look at this point?

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<v Speaker 2>Well, I'll tell you what I think.

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<v Speaker 3>I was get a really fantastic job of confusing people

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<v Speaker 3>of my style of audo tunes. Plus everyone does use

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<v Speaker 3>aoudy tune. It's just I think what they wanted to

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<v Speaker 3>do was be able to at least for the audience.

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<v Speaker 3>It doesn't understand what audi tune is. Turn it up

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<v Speaker 3>to a point where it's like a distorted effect.

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<v Speaker 2>Essentially, it is just an effect. But I use auditude

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<v Speaker 2>in all my tracks, right, you know what I mean?

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<v Speaker 3>It's an industry standard. It's just that I don't use it.

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<v Speaker 3>To the point where it dilute my own vocals, I

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<v Speaker 3>use saying that we're almost trying to take the soul out.

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<v Speaker 1>Are you saying, though, that Australian Idol is using auto

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<v Speaker 1>tune like that? Are you saying all artists are using

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<v Speaker 1>auto tune like that?

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<v Speaker 3>I would say, through my experience, that's how my artistry

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<v Speaker 3>was being used, Okay, through audition like that.

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<v Speaker 2>If that makes sense, you know.

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<v Speaker 1>That makes sense. The interesting thing about this is that

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<v Speaker 1>you are kind of like an artist for this generation.

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<v Speaker 1>Like it sounds to me like and it was for

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<v Speaker 1>me when I was watching you, I could see that

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<v Speaker 1>what you're doing is probably more current at the moment

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<v Speaker 1>than you know, just getting up and straight singing. Do

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<v Speaker 1>you feel like you, in a way brought something more

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<v Speaker 1>current to Australian Idol by bringing this dimension in?

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<v Speaker 6>Yes?

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<v Speaker 2>I would.

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<v Speaker 3>I would say I have brought something more current, Okay,

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<v Speaker 3>because the new sounds, you know, the Travis Scott's and Drakes,

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<v Speaker 3>you know, the one that the kids are really bopping,

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<v Speaker 3>you really use it like that, the little babies, you

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<v Speaker 3>know what I mean, the really big the really big stars.

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<v Speaker 3>You know, you can hear it very prevalent. I don't

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<v Speaker 3>know if he's gotten lazy. Especially in Justin Beers vocals.

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<v Speaker 3>You know, he has a bit, he has it tuned

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<v Speaker 3>up a bit, and if you listen to Chris Brown,

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<v Speaker 3>he pretty much records his order tune on, you know,

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<v Speaker 3>so that's all.

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<v Speaker 2>You kind of get.

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<v Speaker 3>So yes, I would say something that is I did

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<v Speaker 3>bring something that is more familiar. But at the same time,

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<v Speaker 3>it depends how deep you look into it. I've done

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<v Speaker 3>all the I've done the research that I've needed to do,

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<v Speaker 3>and I continue to so I learn more about.

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<v Speaker 2>Which artists you use it. But it's very prevalent, man,

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<v Speaker 2>It's very especially in live shows. Oh my god.

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<v Speaker 3>To be honest, I feel like I bought what the

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<v Speaker 3>standard is right now and at least the you know,

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<v Speaker 3>the R and B hip hop kind of vibe.

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<v Speaker 1>Give couple lot of flak when you're trying to do

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<v Speaker 1>something against the norm. Is that a part of your

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<v Speaker 1>personality to kind of push yourself and go against the majority.

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<v Speaker 3>I don't know if if that's innately what I'm doing

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<v Speaker 3>on purpose, but I do know I do things that

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<v Speaker 3>I enjoy, you know, and if it's like you know,

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<v Speaker 3>for if I can if it's one of my songs

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<v Speaker 3>Big That was the first time I played with auto tune,

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<v Speaker 3>like how they would have it on how they had

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<v Speaker 3>it on Idol, like you know, the reaching people. But

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<v Speaker 3>it was you know, music more tally to me. I

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<v Speaker 3>don't know if that answered the question.

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<v Speaker 1>No, it does in a way, you know. It was

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<v Speaker 1>also kind of beautiful to watch, was the reactions from

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<v Speaker 1>the crowd for you. And then that's the live audience

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<v Speaker 1>and you might have friends that have come along and

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<v Speaker 1>support you and family, But what's been the reaction walking

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<v Speaker 1>down the street, like are you on a primetime TV

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<v Speaker 1>show and everyone's running up to you? Like I'd love

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<v Speaker 1>to know what people are thinking and where Australian idol

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<v Speaker 1>fits into the general public.

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<v Speaker 7>Psychist, Well, I didn't mean to even get recognized as

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<v Speaker 7>much this morning, but I've been recognized last night and

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<v Speaker 7>this morning more sad to see me go I get

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<v Speaker 7>after everything that happened last night, But I don't I

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<v Speaker 7>don't even know why I seem so recognizable, But people

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<v Speaker 7>don't even have to be close Like this morning, I

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<v Speaker 7>think maybe I was fifteen meters and maybe away from

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<v Speaker 7>this van and there's somebody.

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<v Speaker 2>Just plant them like Bonnie, like what I look.

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<v Speaker 3>Maybe that talking about me.

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<v Speaker 1>Maybe they're like me, they've woken up this morning and

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<v Speaker 1>they're just replaying all the songs that you sung throughout.

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<v Speaker 2>The show, hope, so get them Trees of the Back.

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<v Speaker 1>I've been listening to it though, Like I was listening

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<v Speaker 1>to God as a Woman by Ariana run Day, which

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<v Speaker 1>you did right at the stage.

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<v Speaker 2>I enjoyed that one.

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<v Speaker 1>Yeah you were great, Like that was quite amazing. But

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<v Speaker 1>then even the Ed shering bad Habits, what do you mean? Like,

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<v Speaker 1>I love that song by Justin Timberlake. To be honest

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<v Speaker 1>with you, it's one of my favorite. It's probably my

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<v Speaker 1>favorite Justin Bieber's song. But I loved that. Yeah, there's

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<v Speaker 1>the sound that you have, and I think people will

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<v Speaker 1>continue to come back to your versions of these songs

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<v Speaker 1>and listen to it, and you should share it to

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<v Speaker 1>see what Justin Bieber and Ed Sheeron have to say,

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<v Speaker 1>Like I.

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<v Speaker 3>Think, I mean, if I have it post it that

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<v Speaker 3>that'd be super dope, you know. At the same time

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<v Speaker 3>I do I would like to get I get maybe

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<v Speaker 3>your mind frame out.

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<v Speaker 2>Of like the audit to sound okay, because.

0:09:58.520 --> 0:10:01.560
<v Speaker 3>Evidently people are saying, oh, you know you have an

0:10:01.600 --> 0:10:03.880
<v Speaker 3>amazing voice, and I hear it over and over again, and.

0:10:03.840 --> 0:10:05.440
<v Speaker 2>I'm just like, what are they listening to?

0:10:05.440 --> 0:10:08.160
<v Speaker 3>They're listening to my music or they listening to Idle

0:10:08.400 --> 0:10:10.719
<v Speaker 3>And this is after everything, and you know, people are

0:10:10.760 --> 0:10:13.120
<v Speaker 3>even referencing, Hey, listen to his students. If you don't

0:10:13.160 --> 0:10:14.920
<v Speaker 3>think he can have seen I'm not too.

0:10:14.800 --> 0:10:17.120
<v Speaker 1>Sure, Bonnie. I think you go out there, you ring

0:10:17.240 --> 0:10:21.439
<v Speaker 1>Kyle Sandalans today, and you go and drop something original

0:10:21.760 --> 0:10:24.640
<v Speaker 1>into a recording studio that you're willing to have because

0:10:24.720 --> 0:10:26.720
<v Speaker 1>these eyes are on you today. You understand that you

0:10:26.720 --> 0:10:28.560
<v Speaker 1>were standing next to a van and they all point

0:10:28.600 --> 0:10:31.320
<v Speaker 1>at you. You know, that kind of height that comes

0:10:31.360 --> 0:10:34.319
<v Speaker 1>off a show like this is very limited. I think,

0:10:34.480 --> 0:10:37.560
<v Speaker 1>you know, you could be a winner of this show,

0:10:37.880 --> 0:10:39.760
<v Speaker 1>and it's still going to be limited. But if you

0:10:39.840 --> 0:10:42.720
<v Speaker 1>give people while the eyes are on you something to digest,

0:10:42.800 --> 0:10:46.520
<v Speaker 1>something tangible, I think, yeah, that's what that is where

0:10:46.559 --> 0:10:48.360
<v Speaker 1>you go from this at this point?

0:10:48.480 --> 0:10:51.439
<v Speaker 3>And I look, if I could have been in Kyle's

0:10:51.440 --> 0:10:55.280
<v Speaker 3>studio last night after the work, after the show there,

0:10:55.559 --> 0:10:57.960
<v Speaker 3>he would have let you all, I could do the.

0:10:57.800 --> 0:11:00.160
<v Speaker 2>Things that I don't have a contacts.

0:11:00.160 --> 0:11:02.280
<v Speaker 1>Anything you want to add before, Bonnie Lee's the Art

0:11:02.400 --> 0:11:03.679
<v Speaker 1>States for the last time.

0:11:03.840 --> 0:11:07.240
<v Speaker 4>Yeah, you're my top thirty wild card. I'm so glad

0:11:07.320 --> 0:11:10.360
<v Speaker 4>we brought you back. You're a real vibe, You're real energy.

0:11:10.440 --> 0:11:12.480
<v Speaker 4>And if I own a recording studio, if you want

0:11:12.480 --> 0:11:13.360
<v Speaker 4>to use it, it's free.

0:11:13.440 --> 0:11:18.240
<v Speaker 3>Twenty four seven. I appreciate that. Thank you.

0:11:19.440 --> 0:11:23.040
<v Speaker 1>Give him a call today because I mean, Kyle is amazing.

0:11:23.080 --> 0:11:24.440
<v Speaker 1>I think he gets a lot of flak in this

0:11:24.520 --> 0:11:27.680
<v Speaker 1>industry for his personality. I think along of it's mister,

0:11:27.840 --> 0:11:30.240
<v Speaker 1>A lot of it's misdirected at the moment, but he

0:11:30.320 --> 0:11:33.080
<v Speaker 1>has always been very supportive of me, very supportive of

0:11:33.160 --> 0:11:35.720
<v Speaker 1>Ricky Lee and plenty of people in the Idol family.

0:11:35.920 --> 0:11:38.760
<v Speaker 3>If I can put up plainly, if someone can see

0:11:38.760 --> 0:11:42.120
<v Speaker 3>something in me that I give him my respect, you know,

0:11:42.320 --> 0:11:44.840
<v Speaker 3>because I've been doing this. I wouldn't say for quite

0:11:44.840 --> 0:11:46.320
<v Speaker 3>some time, but I've been doing this for some time,

0:11:46.360 --> 0:11:49.800
<v Speaker 3>and you know, no one really back an iron. I

0:11:50.200 --> 0:11:53.160
<v Speaker 3>stick with people that when they first meet me and

0:11:53.200 --> 0:11:54.280
<v Speaker 3>they see potential.

0:11:54.720 --> 0:11:56.600
<v Speaker 2>That's another level of way.

0:11:56.640 --> 0:11:58.240
<v Speaker 3>I don't know. I don't even know how to explain

0:11:58.240 --> 0:12:00.320
<v Speaker 3>the gratitude that I have for him. This is even

0:12:00.360 --> 0:12:04.959
<v Speaker 3>before he offered his studios to recording, Like I already

0:12:05.160 --> 0:12:09.319
<v Speaker 3>had a high regard of him because she saw something

0:12:09.320 --> 0:12:11.880
<v Speaker 3>in me that's other people didn't. He's probably going to

0:12:12.000 --> 0:12:14.720
<v Speaker 3>keep getting Black cops to him because of, you know,

0:12:14.760 --> 0:12:17.480
<v Speaker 3>the decision he made, because yeah, they're still on him.

0:12:17.520 --> 0:12:18.360
<v Speaker 2>I'm like, what the fuck?

0:12:18.480 --> 0:12:19.160
<v Speaker 3>Like show out.

0:12:19.679 --> 0:12:21.599
<v Speaker 1>He knows what he's doing though, you know, Bonnie, he

0:12:21.679 --> 0:12:25.680
<v Speaker 1>knows what he's doing. He is in music studios, you know,

0:12:25.880 --> 0:12:28.920
<v Speaker 1>and supporting artists and has been doing so, has been

0:12:28.960 --> 0:12:31.360
<v Speaker 1>doing that for decades. Like and I guess that's one

0:12:31.400 --> 0:12:34.120
<v Speaker 1>of the things I really do appreciate it about him,

0:12:34.360 --> 0:12:36.920
<v Speaker 1>is his sincerity. As a judge on this show, did

0:12:36.920 --> 0:12:39.760
<v Speaker 1>you feel that sincerity from the judging panel?

0:12:40.040 --> 0:12:43.600
<v Speaker 3>I don't. I don't know, because I'll be honest with you,

0:12:43.720 --> 0:12:45.600
<v Speaker 3>there's been a lot of whiskers.

0:12:45.720 --> 0:12:47.000
<v Speaker 2>You know, I'm very naive to.

0:12:46.960 --> 0:12:49.760
<v Speaker 3>Me my first time doing something like this, and they've

0:12:49.760 --> 0:12:52.319
<v Speaker 3>got there's whiskers you here because people have done this before,

0:12:52.360 --> 0:12:55.360
<v Speaker 3>and yeah, and that had made me believe, you know that,

0:12:55.480 --> 0:12:57.640
<v Speaker 3>like I don't know, when they're on camera, can you

0:12:57.720 --> 0:13:00.880
<v Speaker 3>really believe what they say? But that even knowing that

0:13:01.040 --> 0:13:03.800
<v Speaker 3>had never really changed how I felt about him from

0:13:03.800 --> 0:13:06.839
<v Speaker 3>our first experience, and you know how I'm just like, well,

0:13:07.280 --> 0:13:09.920
<v Speaker 3>you know, he's still seeing something in me that other

0:13:09.960 --> 0:13:12.719
<v Speaker 3>people didn't, you know, to bring me back. And I

0:13:12.760 --> 0:13:14.120
<v Speaker 3>don't know how much of that as a part of

0:13:14.160 --> 0:13:16.480
<v Speaker 3>the show, how much of that was him, he was

0:13:16.520 --> 0:13:17.679
<v Speaker 3>still there. You know that.

0:13:17.840 --> 0:13:19.360
<v Speaker 2>That really doesn't mean a lot to me.

0:13:19.440 --> 0:13:19.600
<v Speaker 8>Man.

0:13:19.840 --> 0:13:22.440
<v Speaker 3>I don't know how to show gratitude or whatever it is,

0:13:22.520 --> 0:13:25.439
<v Speaker 3>but I will. I will in ten foles. He'll see

0:13:25.480 --> 0:13:26.000
<v Speaker 3>it for sure.

0:13:26.160 --> 0:13:29.040
<v Speaker 1>And I think there is an ability to live up

0:13:29.080 --> 0:13:32.160
<v Speaker 1>to being a television judge, and then there's living up

0:13:32.200 --> 0:13:35.679
<v Speaker 1>to being a mental you know, in someone's career. And

0:13:35.800 --> 0:13:39.280
<v Speaker 1>however that transcends, we'll probably see with you because you

0:13:39.360 --> 0:13:42.079
<v Speaker 1>do need that support right now. And if that happened

0:13:42.080 --> 0:13:44.440
<v Speaker 1>to that, yeah, before you go, I have to ask

0:13:44.480 --> 0:13:46.600
<v Speaker 1>you very quickly, how did you get along with the

0:13:46.600 --> 0:13:49.200
<v Speaker 1>topeve welve? Did you get along with the Top twelve? Well?

0:13:49.520 --> 0:13:50.920
<v Speaker 2>Oh, man, fantastically.

0:13:51.000 --> 0:13:51.200
<v Speaker 8>Man.

0:13:51.280 --> 0:13:54.880
<v Speaker 3>These these are people that one day when I'm touring

0:13:54.920 --> 0:13:56.880
<v Speaker 3>Big There two and Big two Men and we just

0:13:57.040 --> 0:13:59.520
<v Speaker 3>mix shows like these These are people.

0:14:00.000 --> 0:14:01.319
<v Speaker 2>But I look forward to.

0:14:01.320 --> 0:14:04.040
<v Speaker 3>More the drinks off of the shows with because they're

0:14:04.080 --> 0:14:07.200
<v Speaker 3>just the best people to talk to. Biggest hearts, best smile,

0:14:07.400 --> 0:14:10.920
<v Speaker 3>best advice. And I didn't realize till last night what

0:14:11.120 --> 0:14:13.560
<v Speaker 3>I had been yearning for for years was looking for

0:14:13.640 --> 0:14:16.320
<v Speaker 3>fellowship within the music industry because I never had that

0:14:16.360 --> 0:14:19.000
<v Speaker 3>in prison, so small, and last night just made me

0:14:19.040 --> 0:14:21.760
<v Speaker 3>realize that because the top twelve haven't been roadly just

0:14:21.800 --> 0:14:23.760
<v Speaker 3>the top twelve, man, you know what I mean, people

0:14:23.800 --> 0:14:26.080
<v Speaker 3>from the top thirty, you know, like.

0:14:26.600 --> 0:14:29.440
<v Speaker 1>Yeah, it's wild. I ask everyone about it, you know,

0:14:29.480 --> 0:14:31.440
<v Speaker 1>like a behind the scenes sort of question, you know,

0:14:31.520 --> 0:14:33.680
<v Speaker 1>to finish off my chat with everyone. And I was

0:14:33.720 --> 0:14:35.800
<v Speaker 1>wondering whether or not from behind the scenes you could

0:14:35.800 --> 0:14:38.040
<v Speaker 1>tell me who's your ride or die, Like as in,

0:14:38.120 --> 0:14:40.040
<v Speaker 1>who out of the top twelve have you been hanging

0:14:40.040 --> 0:14:42.400
<v Speaker 1>out with that you can see yourself still being friends

0:14:42.400 --> 0:14:44.080
<v Speaker 1>with in say ten years.

0:14:44.320 --> 0:14:47.560
<v Speaker 2>Oh right, Diet, I'll be honest with you, John. I

0:14:47.640 --> 0:14:48.560
<v Speaker 2>love that kid. Man.

0:14:48.800 --> 0:14:52.320
<v Speaker 3>He's such a good kid, big heart, biggest smile. I

0:14:52.480 --> 0:14:55.040
<v Speaker 3>just I don't know, you know, he's got the charism,

0:14:55.080 --> 0:14:55.920
<v Speaker 3>he's got the swag.

0:14:55.960 --> 0:14:56.160
<v Speaker 2>Guy.

0:14:56.280 --> 0:14:59.040
<v Speaker 3>You know, we just found itself easy to get along.

0:14:59.160 --> 0:15:02.800
<v Speaker 3>Like cracking Joe, Yeah, like he's it's just the cood an.

0:15:02.920 --> 0:15:07.400
<v Speaker 3>Same with William, Like, oh, man, yeah, i'd say William

0:15:07.440 --> 0:15:08.040
<v Speaker 3>and John.

0:15:08.320 --> 0:15:09.920
<v Speaker 1>I mean, it must have been hard to be standing

0:15:09.920 --> 0:15:12.320
<v Speaker 1>there with John, you know, in that in those final

0:15:12.400 --> 0:15:14.400
<v Speaker 1>save me moments, you know what I mean, Like you

0:15:14.520 --> 0:15:17.400
<v Speaker 1>want to be supportive of your you know of the

0:15:17.400 --> 0:15:19.160
<v Speaker 1>other people that are still left there, and you still

0:15:19.160 --> 0:15:21.160
<v Speaker 1>want to route for yourself. So it's a it's an

0:15:21.200 --> 0:15:22.400
<v Speaker 1>awkward situation to be in.

0:15:22.680 --> 0:15:24.600
<v Speaker 2>Yeah, it definitely is.

0:15:24.640 --> 0:15:27.200
<v Speaker 3>And maybe this is my ego talking, but I think

0:15:27.480 --> 0:15:30.360
<v Speaker 3>I'm probably more capable at this stage to do what

0:15:30.400 --> 0:15:33.280
<v Speaker 3>I need to do than he probably is being a bit.

0:15:33.200 --> 0:15:35.360
<v Speaker 1>Young, and I think that's being arrogant at all. I

0:15:35.360 --> 0:15:39.280
<v Speaker 1>think that has been very realistic about the trajectory that

0:15:39.320 --> 0:15:40.920
<v Speaker 1>I think both of you will need to go on

0:15:41.000 --> 0:15:44.440
<v Speaker 1>to make yourselves be successful and in this industry. And

0:15:44.680 --> 0:15:47.000
<v Speaker 1>there's a lot right here right now for you. I

0:15:47.080 --> 0:15:49.600
<v Speaker 1>genuinely believe that where I can see for him, you know,

0:15:49.640 --> 0:15:51.880
<v Speaker 1>there's still some work to be done before he could

0:15:52.280 --> 0:15:56.200
<v Speaker 1>penetrate charts and and be top of mind amongst studio executives.

0:15:56.200 --> 0:15:58.480
<v Speaker 1>Do you know what I mean? He's cute, but you

0:15:58.560 --> 0:16:01.680
<v Speaker 1>know what I mean, can congratulations on making it to

0:16:01.720 --> 0:16:04.680
<v Speaker 1>the top twelve. I've thoroughly enjoyed watching you week after

0:16:04.760 --> 0:16:07.480
<v Speaker 1>week and I can't wait to see what happens next few.

0:16:07.520 --> 0:16:08.400
<v Speaker 1>I'm in your audience.

0:16:08.600 --> 0:16:10.560
<v Speaker 3>I'm telling you, bro, you've got to keep your eyes open.

0:16:10.640 --> 0:16:11.720
<v Speaker 2>It's going to happen real quick.

0:16:11.800 --> 0:16:15.720
<v Speaker 1>Oh, I'm doing it. I'm doing it. What a fantastic

0:16:15.800 --> 0:16:18.240
<v Speaker 1>chat I'm going to say with Bonnie and some great

0:16:18.280 --> 0:16:20.920
<v Speaker 1>insights there. Now we are going to unpack the Australian

0:16:21.000 --> 0:16:24.080
<v Speaker 1>Idol journey with Hannah, who I'm sure will also have

0:16:24.280 --> 0:16:25.840
<v Speaker 1>some pretty interesting tales to tell.

0:16:26.520 --> 0:16:26.680
<v Speaker 8>Hi.

0:16:26.720 --> 0:16:27.960
<v Speaker 1>Hannah, how are you good?

0:16:28.040 --> 0:16:28.520
<v Speaker 8>How are you?

0:16:29.040 --> 0:16:31.000
<v Speaker 1>I'm doing very well. Did you manage to get any

0:16:31.040 --> 0:16:34.080
<v Speaker 1>sleep last night? Or as adrenaline still running through your bones?

0:16:34.720 --> 0:16:37.640
<v Speaker 8>Look, I got some sleep, but I just realized as

0:16:37.640 --> 0:16:39.520
<v Speaker 8>I walked out that I was wearing my pants backwards,

0:16:39.520 --> 0:16:40.680
<v Speaker 8>so clearly not quality.

0:16:40.840 --> 0:16:43.200
<v Speaker 1>Where did you go with your pants on backwards.

0:16:43.200 --> 0:16:45.960
<v Speaker 8>Just to cross the road? Lucky there's no one around me?

0:16:46.280 --> 0:16:48.400
<v Speaker 1>Yeah right, okay. Did you go to get a coffee

0:16:48.400 --> 0:16:49.880
<v Speaker 1>and you've got your pants on backwards? It's a great

0:16:49.880 --> 0:16:50.640
<v Speaker 1>way to start the day.

0:16:50.840 --> 0:16:53.680
<v Speaker 8>Yeah, it's not noticeable, and I couldn't notice it until

0:16:53.680 --> 0:16:55.320
<v Speaker 8>I try to put my hands in my pockets and

0:16:55.520 --> 0:16:56.880
<v Speaker 8>nothing quite working properly.

0:16:57.160 --> 0:16:58.800
<v Speaker 1>Note to self, if the zipper on the front of

0:16:58.840 --> 0:17:01.120
<v Speaker 1>the pants is on your craig, what a mistake to

0:17:01.160 --> 0:17:01.600
<v Speaker 1>the makeup?

0:17:01.840 --> 0:17:03.880
<v Speaker 8>Well that was the problem. It was on the side.

0:17:03.960 --> 0:17:05.719
<v Speaker 1>Oh that's right. You see, I'm a man, so I

0:17:05.720 --> 0:17:08.520
<v Speaker 1>only we only ever worked with the zipper in the front.

0:17:08.600 --> 0:17:12.200
<v Speaker 1>So you know. I wanted to say to you about

0:17:12.320 --> 0:17:15.159
<v Speaker 1>the reaction to Australian Idol this year because the talent

0:17:15.320 --> 0:17:18.800
<v Speaker 1>is next level. Since it's been back in this rebooted format,

0:17:18.920 --> 0:17:22.720
<v Speaker 1>we haven't really seen this level of talent until season three.

0:17:23.000 --> 0:17:24.879
<v Speaker 1>It feels like it's taken a couple of years to

0:17:24.920 --> 0:17:26.920
<v Speaker 1>get to that point. Why do you think that?

0:17:27.160 --> 0:17:29.520
<v Speaker 8>Yeah, well, I know there must be something in the

0:17:29.520 --> 0:17:32.359
<v Speaker 8>water when it comes to all the children being born

0:17:32.440 --> 0:17:36.480
<v Speaker 8>around in this generation. Who knows. You're absolutely right when

0:17:36.520 --> 0:17:39.600
<v Speaker 8>you say that everyone that in the competition, that was

0:17:39.640 --> 0:17:44.080
<v Speaker 8>in Top twelve and onwards are massively talented and deserve

0:17:44.160 --> 0:17:44.680
<v Speaker 8>to be there.

0:17:44.800 --> 0:17:48.120
<v Speaker 1>What was your relationship with Australian Idol growing up? I mean,

0:17:48.119 --> 0:17:50.359
<v Speaker 1>did you watch this show and was this something on

0:17:50.400 --> 0:17:51.160
<v Speaker 1>your bucket list?

0:17:51.280 --> 0:17:51.480
<v Speaker 3>Yeah?

0:17:51.520 --> 0:17:54.399
<v Speaker 8>I mean grew up watching Australian Idol. That was one

0:17:54.440 --> 0:17:56.680
<v Speaker 8>of my favorite shows. I think that might have been

0:17:56.680 --> 0:17:59.560
<v Speaker 8>the reason why I got into singing in the first place.

0:17:59.880 --> 0:18:02.719
<v Speaker 8>I would have. I mean, I was watching Ricky Lee

0:18:02.800 --> 0:18:05.760
<v Speaker 8>and to be on stage with her as a host,

0:18:05.920 --> 0:18:08.080
<v Speaker 8>to be next to her was kind of surreal. But

0:18:08.520 --> 0:18:10.600
<v Speaker 8>I didn't actually think I was ever going to do it.

0:18:10.600 --> 0:18:12.760
<v Speaker 8>I didn't think I had regards to do it. And

0:18:12.800 --> 0:18:15.040
<v Speaker 8>then last year I just thought, hey, why not. This

0:18:15.240 --> 0:18:17.520
<v Speaker 8>is a chance that I might not be able to

0:18:17.560 --> 0:18:21.080
<v Speaker 8>get in the future, and I've tried everything else, so

0:18:21.320 --> 0:18:22.400
<v Speaker 8>this is just the next thing.

0:18:22.720 --> 0:18:24.879
<v Speaker 1>I still after a few ones on a Friday and

0:18:24.920 --> 0:18:28.200
<v Speaker 1>I put on some like Paulini from Series one. There's

0:18:28.240 --> 0:18:30.840
<v Speaker 1>just there's so many iconic moments. Is it strange for

0:18:30.880 --> 0:18:33.199
<v Speaker 1>you to think that now there's people out there that

0:18:33.240 --> 0:18:35.560
<v Speaker 1>are probably going to have you as their hype up

0:18:35.640 --> 0:18:36.920
<v Speaker 1>song before they go out.

0:18:37.240 --> 0:18:39.960
<v Speaker 8>Yeah, well again, that's just so for real to me

0:18:40.080 --> 0:18:44.359
<v Speaker 8>to think that I could be that person for the

0:18:44.440 --> 0:18:48.000
<v Speaker 8>little ones like Paulini and Ricky and all that were

0:18:48.040 --> 0:18:52.000
<v Speaker 8>for me. I mean, how lucky? Am I? Absolutely lucky?

0:18:52.040 --> 0:18:52.280
<v Speaker 8>Am I?

0:18:52.440 --> 0:18:52.600
<v Speaker 3>Well?

0:18:52.600 --> 0:18:54.800
<v Speaker 1>You are kind of a disco queen, any kind of

0:18:54.800 --> 0:18:57.400
<v Speaker 1>owning that? Where do you see yourself taking that sort

0:18:57.400 --> 0:19:00.040
<v Speaker 1>of disco diva act because it can be quite a

0:19:00.119 --> 0:19:03.959
<v Speaker 1>niche sort of area. Is that, like nightclubs are recording artists,

0:19:03.960 --> 0:19:05.399
<v Speaker 1>Like where do you see that fit.

0:19:05.280 --> 0:19:07.240
<v Speaker 2>The end of the moment, Well, I mean the disco

0:19:07.400 --> 0:19:07.720
<v Speaker 2>was just.

0:19:07.760 --> 0:19:10.400
<v Speaker 8>One subgenre of what I want to do. I mean,

0:19:10.440 --> 0:19:15.199
<v Speaker 8>I like the old school eighties women, those ballad singers,

0:19:15.520 --> 0:19:18.560
<v Speaker 8>and disco was massive in the eighties in a different way,

0:19:18.560 --> 0:19:21.680
<v Speaker 8>and seventies musicians as well. I mean, my dad grew

0:19:21.760 --> 0:19:24.800
<v Speaker 8>up with listening to his vinyls and sitting in the

0:19:24.840 --> 0:19:26.720
<v Speaker 8>car next to him and him playing all the old

0:19:26.760 --> 0:19:30.600
<v Speaker 8>school classics. I really want to venture down there and

0:19:30.680 --> 0:19:32.760
<v Speaker 8>be an artists and kind of bring back the old school,

0:19:33.320 --> 0:19:36.440
<v Speaker 8>whether that big disco or any other kind of genre.

0:19:36.720 --> 0:19:38.920
<v Speaker 8>I want to bring back, you know, the old fashion

0:19:39.640 --> 0:19:42.280
<v Speaker 8>music that has some heart and soul in it.

0:19:42.520 --> 0:19:44.639
<v Speaker 1>I think I'm so here for that. A girlfriend of

0:19:44.640 --> 0:19:46.760
<v Speaker 1>mine's getting divorced at the moment, and she was like,

0:19:46.800 --> 0:19:48.639
<v Speaker 1>you know what, I just want to go dancing. I

0:19:48.680 --> 0:19:49.920
<v Speaker 1>just want to go out and have a good time.

0:19:49.960 --> 0:19:52.160
<v Speaker 1>I just want someone to take me through all of

0:19:51.800 --> 0:19:55.480
<v Speaker 1>the eras. And I think there's a real yeah pays

0:19:55.480 --> 0:19:56.160
<v Speaker 1>for that, don't you reckon?

0:19:56.240 --> 0:20:00.159
<v Speaker 8>Absolutely there is one hundred percent. They will always be

0:20:00.200 --> 0:20:00.880
<v Speaker 8>a place for that.

0:20:00.920 --> 0:20:02.760
<v Speaker 1>I mean you can still record songs and have them

0:20:02.800 --> 0:20:04.879
<v Speaker 1>in the charts. Is there an artist at the moment

0:20:04.920 --> 0:20:07.800
<v Speaker 1>that you see yourself in that's quite current?

0:20:08.119 --> 0:20:11.680
<v Speaker 8>I mean Chapel Of course. When I got to sing

0:20:11.680 --> 0:20:13.800
<v Speaker 8>her song, I was over the moon because you know,

0:20:13.880 --> 0:20:16.720
<v Speaker 8>she embodied not just as a musician, but as a

0:20:17.200 --> 0:20:20.479
<v Speaker 8>person that I resonate with her a lot. You know,

0:20:20.560 --> 0:20:23.640
<v Speaker 8>her advocating for things that she cares about, even though

0:20:23.640 --> 0:20:26.520
<v Speaker 8>it might put her career in deputy. I absolutely love

0:20:26.600 --> 0:21:09.400
<v Speaker 8>that about her and standing for the right things. Even

0:21:09.440 --> 0:21:13.959
<v Speaker 8>Australian musicians The Preachers for example, very old school indie

0:21:14.040 --> 0:21:18.920
<v Speaker 8>rock band, and yeah, so many artists that have been

0:21:18.960 --> 0:21:21.200
<v Speaker 8>popping up lately that kind of embody, that old school

0:21:21.200 --> 0:21:23.560
<v Speaker 8>classic field and kind of keeping my heart and soul

0:21:23.600 --> 0:21:24.479
<v Speaker 8>of musical lives.

0:21:24.560 --> 0:21:26.800
<v Speaker 1>Yeah for sure. Is there a bird in the background?

0:21:26.840 --> 0:21:28.240
<v Speaker 1>What is that in the background?

0:21:28.320 --> 0:21:31.800
<v Speaker 8>Yeah, I'm so sorry that is I'm so sorry I had.

0:21:31.680 --> 0:21:35.240
<v Speaker 1>To sounds like they're having it. Sounds like, how do

0:21:35.280 --> 0:21:36.880
<v Speaker 1>they sound like they're having a really good time?

0:21:37.280 --> 0:21:40.840
<v Speaker 8>They actually I think they are somewhere in my parents backwards.

0:21:40.840 --> 0:21:42.920
<v Speaker 1>You've got your pants on backwards and they've lost their ship.

0:21:43.160 --> 0:21:43.920
<v Speaker 1>I'm like, oh my.

0:21:43.920 --> 0:21:45.600
<v Speaker 8>God, Okay, I think they've stopped now.

0:21:46.440 --> 0:21:48.400
<v Speaker 1>I hope you haven't, you know, sprayed them with water

0:21:48.680 --> 0:21:49.800
<v Speaker 1>or shot them out of the tree with.

0:21:49.720 --> 0:21:52.840
<v Speaker 8>A baby No never, never, no, no never.

0:21:53.280 --> 0:21:55.600
<v Speaker 1>You know, it's funny that you mentioned Chapel because that's

0:21:55.600 --> 0:21:57.760
<v Speaker 1>what I was listening to before you came on and

0:21:57.800 --> 0:21:59.600
<v Speaker 1>was chatting to me. I was chatting to Bonny before

0:21:59.640 --> 0:22:01.719
<v Speaker 1>and listening to some of his music, and then I

0:22:01.760 --> 0:22:03.960
<v Speaker 1>was listening to yours, and I thought, good luck, babe,

0:22:04.440 --> 0:22:06.560
<v Speaker 1>it was so amazing. You did such a great job

0:22:06.560 --> 0:22:09.640
<v Speaker 1>of that song. Do you think you'll reach and send

0:22:09.680 --> 0:22:13.040
<v Speaker 1>your music so, because I mean, you've your playlist is huge.

0:22:13.200 --> 0:22:15.080
<v Speaker 1>You know, Dual Leaper is in the country right now.

0:22:15.240 --> 0:22:17.359
<v Speaker 1>You know there's a lot of these songs where you

0:22:17.400 --> 0:22:19.800
<v Speaker 1>could tweet these people and include them. Are you going

0:22:19.800 --> 0:22:21.200
<v Speaker 1>to reach out and see what they have to say

0:22:21.240 --> 0:22:22.679
<v Speaker 1>about your versions of their music?

0:22:22.880 --> 0:22:25.120
<v Speaker 8>I mean, I'm going to do everything I possibly can

0:22:25.280 --> 0:22:32.680
<v Speaker 8>to utilize this opportunity and keep the momentum after this show.

0:22:33.040 --> 0:22:34.919
<v Speaker 1>Well, use one of those birds, Hannah. We're like a

0:22:34.960 --> 0:22:36.840
<v Speaker 1>homing pigeon. We'll just put a little note on that

0:22:36.880 --> 0:22:40.439
<v Speaker 1>bird outside the window off to dual lipa. Listen to

0:22:40.480 --> 0:22:41.920
<v Speaker 1>my version of don't start now?

0:22:42.119 --> 0:22:44.040
<v Speaker 8>Thank you love a pigeon carrier?

0:22:44.280 --> 0:22:46.960
<v Speaker 1>Yeah, of course? And who I mean, who doesn't you know?

0:22:47.000 --> 0:22:49.320
<v Speaker 1>It was interesting that when I was watching you perform

0:22:49.359 --> 0:22:51.919
<v Speaker 1>a couple of times, there was some moments where it

0:22:52.040 --> 0:22:54.520
<v Speaker 1>felt like you were a little bit uncomfortable in the

0:22:54.720 --> 0:22:58.159
<v Speaker 1>Australian Idol vehicle. And I wondered, because I get to

0:22:58.160 --> 0:23:00.399
<v Speaker 1>talk to you today, I get to actually ask that question,

0:23:00.560 --> 0:23:02.360
<v Speaker 1>and I don't know if we got to hear an

0:23:02.400 --> 0:23:04.960
<v Speaker 1>answer to it when you were in those moments where

0:23:05.280 --> 0:23:08.000
<v Speaker 1>the cloud made front of your dancing or you did

0:23:08.080 --> 0:23:10.399
<v Speaker 1>feel a little uncomfortable in that What was going on

0:23:10.440 --> 0:23:13.280
<v Speaker 1>in your mind? Why were you uncomfortable? Were you doing

0:23:13.320 --> 0:23:15.080
<v Speaker 1>something you didn't want to do?

0:23:15.400 --> 0:23:17.399
<v Speaker 8>I mean, I guess the nature of the show is,

0:23:17.760 --> 0:23:20.080
<v Speaker 8>you know, you have to step out of your comfort zone,

0:23:20.119 --> 0:23:23.240
<v Speaker 8>and sometimes I mean giving up bits of yourself or

0:23:23.359 --> 0:23:27.159
<v Speaker 8>doing something that you would normally do for yourself. I

0:23:27.160 --> 0:23:29.919
<v Speaker 8>think I know myself quite well, and I know my

0:23:29.960 --> 0:23:33.639
<v Speaker 8>strong suits, and I know you know I can't actually dance,

0:23:33.720 --> 0:23:37.120
<v Speaker 8>and so I probably want to avoid that. But I guess, hey,

0:23:38.040 --> 0:23:41.320
<v Speaker 8>I would never go out and talk badly about my

0:23:41.440 --> 0:23:44.040
<v Speaker 8>experience because at the end of the day, the decisions

0:23:44.040 --> 0:23:47.440
<v Speaker 8>that were made for me in all areas of the show,

0:23:47.920 --> 0:23:49.760
<v Speaker 8>it helped me to get as far as I have,

0:23:49.920 --> 0:23:53.520
<v Speaker 8>and without those decisions, I probably wouldn't have been here

0:23:53.560 --> 0:23:57.520
<v Speaker 8>in the first place. But yeah, I mean it was challenging.

0:23:57.520 --> 0:24:01.600
<v Speaker 8>At some point. I definitely did feel quite out of place,

0:24:01.760 --> 0:24:05.879
<v Speaker 8>and I would have liked to show a more authentic

0:24:06.240 --> 0:24:09.840
<v Speaker 8>side of me and the direction of music I had

0:24:09.880 --> 0:24:12.520
<v Speaker 8>been working on and where I want to go after

0:24:12.560 --> 0:24:16.360
<v Speaker 8>the show. But I mean, if I've gotten as much

0:24:16.359 --> 0:24:18.800
<v Speaker 8>as I have out of this, then I'm grateful for

0:24:18.840 --> 0:24:23.119
<v Speaker 8>everything I am singing. And if I got to make decisions,

0:24:23.119 --> 0:24:25.919
<v Speaker 8>I definitely would wear longer shorts or a bit of

0:24:25.960 --> 0:24:28.600
<v Speaker 8>a longer dressed and wouldn't go for the sixth and

0:24:28.720 --> 0:24:29.919
<v Speaker 8>heels on stage.

0:24:29.960 --> 0:24:34.679
<v Speaker 9>But I think there was a there was a place

0:24:34.960 --> 0:24:37.959
<v Speaker 9>to be filled, and if I got to do that,

0:24:38.080 --> 0:24:40.720
<v Speaker 9>then that's what I was there for.

0:24:40.800 --> 0:24:43.640
<v Speaker 8>And some of the decisions would in terms of upfits

0:24:43.720 --> 0:24:47.320
<v Speaker 8>or even songs that were made I gratefully accepted and

0:24:47.440 --> 0:24:51.240
<v Speaker 8>it helped me to do what I did, and it's

0:24:51.400 --> 0:24:53.280
<v Speaker 8>proven to me that I can step out of my

0:24:53.320 --> 0:24:56.080
<v Speaker 8>comfort zone and I can do these things that I

0:24:56.080 --> 0:24:59.119
<v Speaker 8>thought I would be too afraid to do. And I

0:24:59.119 --> 0:25:01.960
<v Speaker 8>mean in terms of gosh, some of them are my

0:25:02.080 --> 0:25:06.359
<v Speaker 8>greatest friends. I'm so lucky to have met them, and

0:25:06.640 --> 0:25:09.240
<v Speaker 8>I know that we're going to have lasting relationships after

0:25:09.280 --> 0:25:10.000
<v Speaker 8>the show as well.

0:25:10.160 --> 0:25:13.520
<v Speaker 1>Will you try and stay connected to any of those

0:25:13.560 --> 0:25:16.000
<v Speaker 1>three judges? I mean, you've got those judges doing a

0:25:16.040 --> 0:25:18.480
<v Speaker 1>great job this season. I think they've been quite fantastic.

0:25:18.520 --> 0:25:21.119
<v Speaker 1>If you could pick maybe one of them to continue

0:25:21.160 --> 0:25:23.600
<v Speaker 1>like a mentorship with, is there one of those three

0:25:23.640 --> 0:25:25.840
<v Speaker 1>that you think would still be a would still have

0:25:25.920 --> 0:25:26.679
<v Speaker 1>things to teach you?

0:25:27.119 --> 0:25:30.280
<v Speaker 8>Yeah, Well, I mean it's hard to say because they

0:25:30.320 --> 0:25:34.440
<v Speaker 8>all would offer something so incredibly different. I mean, Marsha's

0:25:34.520 --> 0:25:38.560
<v Speaker 8>just an absolute powerhouse woman in it of itself. But Amy,

0:25:38.600 --> 0:25:40.920
<v Speaker 8>I mean, I think I really connected with Amy, even

0:25:40.960 --> 0:25:43.520
<v Speaker 8>at lost stage talking to her. She really had a

0:25:43.560 --> 0:25:45.760
<v Speaker 8>belief in me that people didn't get to see on

0:25:45.800 --> 0:25:48.760
<v Speaker 8>the show, and she was so considering what she said

0:25:48.760 --> 0:25:51.960
<v Speaker 8>to me and very very kind. And I think he

0:25:52.240 --> 0:25:53.879
<v Speaker 8>knows what it's like to be a woman in this

0:25:54.000 --> 0:25:57.840
<v Speaker 8>industry and to cop certain things about image and whatnot.

0:25:57.880 --> 0:26:00.520
<v Speaker 8>And yeah, I think I would have a lot to

0:26:00.560 --> 0:26:04.439
<v Speaker 8>learn from Amy, she who was quite inspiring throughout the season.

0:26:04.800 --> 0:26:07.280
<v Speaker 1>Have you forgiven Kyle to calling you a giraffe? Like? What,

0:26:07.359 --> 0:26:07.879
<v Speaker 1>let's go on?

0:26:07.960 --> 0:26:12.520
<v Speaker 8>Absolutely? I never held anything again, I never held anything

0:26:12.520 --> 0:26:14.680
<v Speaker 8>against him. I got off days and I was absolutely

0:26:14.720 --> 0:26:17.280
<v Speaker 8>enhausted and was upset that my family couldn't make the

0:26:17.320 --> 0:26:20.120
<v Speaker 8>show that evening. So for that to top it off,

0:26:20.200 --> 0:26:23.560
<v Speaker 8>I was just thinking, oh gosh, why did he say that?

0:26:23.720 --> 0:26:26.280
<v Speaker 8>In this moment? I just don't want to break. I

0:26:26.320 --> 0:26:27.320
<v Speaker 8>want to bloody break.

0:26:28.240 --> 0:26:30.440
<v Speaker 4>Yeah, we know you've got a very powerful voice. You

0:26:30.880 --> 0:26:34.000
<v Speaker 4>really stand out every time we see you. You're very memorable.

0:26:34.680 --> 0:26:37.040
<v Speaker 4>And the only thing that performance was missing was David

0:26:37.040 --> 0:26:40.520
<v Speaker 4>Attenburg going and the baby giraffe takes the first steps

0:26:41.960 --> 0:26:45.560
<v Speaker 4>as it stumbles to its legs. It takes the first

0:26:45.680 --> 0:26:49.320
<v Speaker 4>nervous steps on earth. But you're not a dancer. You

0:26:49.400 --> 0:26:52.320
<v Speaker 4>admitted it, but you gave it everything, and I wouldn't

0:26:52.359 --> 0:26:54.280
<v Speaker 4>have noticed if you didn't say anything. I would have

0:26:54.320 --> 0:26:56.560
<v Speaker 4>just thought I would have just paid attention to the voice.

0:26:56.920 --> 0:26:59.800
<v Speaker 4>But because you pointed it out, everyone was paying attention.

0:27:00.320 --> 0:27:03.160
<v Speaker 4>So fake anything, you're no good at, just fake it.

0:27:04.160 --> 0:27:06.480
<v Speaker 8>I was just trying to dance in six inch heels

0:27:06.560 --> 0:27:09.560
<v Speaker 8>and now he's just called me dru, which can agree

0:27:09.600 --> 0:27:14.520
<v Speaker 8>with to an extent, and Bloody felt like it. But yeah,

0:27:14.560 --> 0:27:19.200
<v Speaker 8>I mean, if anything, it somewhat helped me in that

0:27:19.280 --> 0:27:23.040
<v Speaker 8>situation because I think people thought, well, damn, she had

0:27:23.119 --> 0:27:24.880
<v Speaker 8>to dance, and she gave it a go, and now

0:27:24.880 --> 0:27:27.119
<v Speaker 8>he's making fun of her, so let's help her get through.

0:27:27.320 --> 0:27:30.120
<v Speaker 1>Yeah, I think he gave you a TV exactly.

0:27:29.800 --> 0:27:33.240
<v Speaker 8>Right, exactly right. How could you be mad at the man?

0:27:33.320 --> 0:27:36.440
<v Speaker 8>He might say some funny things every now and then,

0:27:36.520 --> 0:27:40.159
<v Speaker 8>but he's a solid blow backstage, and he's a family

0:27:40.200 --> 0:27:41.040
<v Speaker 8>orientated man.

0:27:41.400 --> 0:27:44.399
<v Speaker 1>He's being a parent now has changed him quite a lot.

0:27:44.440 --> 0:27:45.639
<v Speaker 1>He's mellowed.

0:27:46.040 --> 0:27:49.399
<v Speaker 8>Yeah, yeah, oh slightly, only slightly slightly.

0:27:49.480 --> 0:27:51.480
<v Speaker 1>Don't read about anything that's being said in the news

0:27:52.000 --> 0:27:53.359
<v Speaker 1>before you go. I have to ask you, what is

0:27:53.480 --> 0:27:55.960
<v Speaker 1>something from behind the scenes of your time on the show.

0:27:56.400 --> 0:27:59.280
<v Speaker 1>Is this something that that happened along the way, kind

0:27:59.280 --> 0:28:02.080
<v Speaker 1>of a funny story that your fans might like to know.

0:28:02.600 --> 0:28:05.040
<v Speaker 6>Well, yes, Jamien and I had a bit of a

0:28:05.720 --> 0:28:09.600
<v Speaker 6>fun joke between us, and one day I slipped the

0:28:09.840 --> 0:28:13.080
<v Speaker 6>letter underneath his door, trying to be pretending to be

0:28:13.400 --> 0:28:16.879
<v Speaker 6>a grave fan, and.

0:28:16.119 --> 0:28:19.840
<v Speaker 8>He felt quite scared by it. He got quite scared

0:28:19.880 --> 0:28:22.440
<v Speaker 8>about it, and I pretended it was someone else. And

0:28:22.480 --> 0:28:26.200
<v Speaker 8>then he came into the studio the next day and mentioned,

0:28:26.240 --> 0:28:29.320
<v Speaker 8>oh god, you know, someone found where I'm staying the

0:28:29.400 --> 0:28:32.960
<v Speaker 8>hotel room. And I was just thinking, oh my gosh,

0:28:33.000 --> 0:28:34.960
<v Speaker 8>he's way more freaked out than I thought. I thought

0:28:34.960 --> 0:28:37.000
<v Speaker 8>he was going to laugh at laugh about it, and

0:28:37.080 --> 0:28:39.600
<v Speaker 8>so by the next day I had to tell him.

0:28:39.600 --> 0:28:41.400
<v Speaker 8>I went. He was sitting in front of his family

0:28:41.440 --> 0:28:43.720
<v Speaker 8>telling them about it, and I just like to say, look,

0:28:43.800 --> 0:28:46.280
<v Speaker 8>I can't lie to your face anymore. I'm so sorry.

0:28:46.320 --> 0:28:47.520
<v Speaker 9>It wasn't the time.

0:28:48.480 --> 0:28:50.960
<v Speaker 8>I was going to keep it going for however long.

0:28:51.000 --> 0:28:53.320
<v Speaker 8>I was going to get crazier and crazier in the letter.

0:28:53.360 --> 0:28:55.720
<v Speaker 8>But the next day he decided to get back at

0:28:55.720 --> 0:28:57.840
<v Speaker 8>me and made wardrobe tell me that I was going

0:28:57.880 --> 0:29:00.640
<v Speaker 8>to be wearing an outfit that was completely out of

0:29:00.680 --> 0:29:03.400
<v Speaker 8>this world. It was. I was terrified when they put

0:29:03.400 --> 0:29:06.280
<v Speaker 8>me in this wardrobe out bit and then Jamon walked

0:29:06.280 --> 0:29:10.480
<v Speaker 8>out wearing my little short shorts and cape and bikini top.

0:29:10.360 --> 0:29:15.600
<v Speaker 1>And we bitched that they've really managed to create an

0:29:15.720 --> 0:29:18.600
<v Speaker 1>energy with it amongst the cast as well, which I

0:29:18.640 --> 0:29:20.320
<v Speaker 1>think is really beautiful to watch.

0:29:20.600 --> 0:29:24.160
<v Speaker 8>I wish that the audience got to see those sides

0:29:24.200 --> 0:29:27.240
<v Speaker 8>of things, a real authentic moments instead of it being,

0:29:27.280 --> 0:29:30.120
<v Speaker 8>you know, the produced, tavy side of things. I wish

0:29:30.240 --> 0:29:33.240
<v Speaker 8>that there was more moments like that that was captured.

0:29:33.000 --> 0:29:34.480
<v Speaker 1>They I wish to say it as well, but in

0:29:34.560 --> 0:29:36.360
<v Speaker 1>the first season of Vinyl, we used to watch them

0:29:36.400 --> 0:29:39.040
<v Speaker 1>go into industry, which was all the rage at the time.

0:29:39.080 --> 0:29:41.520
<v Speaker 1>This is before your time, yeah, And like I guess

0:29:41.520 --> 0:29:43.720
<v Speaker 1>it'd be the to prey for back in those days.

0:29:43.800 --> 0:29:47.160
<v Speaker 1>And we watched like them like Milsey and Shannon. I'll

0:29:47.200 --> 0:29:50.200
<v Speaker 1>be told they could get any outfit from Maya and

0:29:50.280 --> 0:29:52.520
<v Speaker 1>like they was so hoilenious to watch them go are

0:29:52.560 --> 0:29:55.080
<v Speaker 1>you joking? And the shit that they were wearing and

0:29:55.120 --> 0:29:57.920
<v Speaker 1>the insights that you got to see into their personality.

0:29:58.040 --> 0:29:59.760
<v Speaker 1>I think there's some space for that.

0:30:00.000 --> 0:30:03.000
<v Speaker 8>Absolutely there was. I mean, if you're set of sundry

0:30:03.040 --> 0:30:05.280
<v Speaker 8>joke and it was off camera, sometimes you'd get out

0:30:05.320 --> 0:30:07.760
<v Speaker 8>to do it again and need to seek Oh, it's

0:30:07.840 --> 0:30:08.720
<v Speaker 8>not funny anymore.

0:30:08.840 --> 0:30:10.560
<v Speaker 1>It's the fly on the wall stuff that you know

0:30:10.640 --> 0:30:12.440
<v Speaker 1>that it is not something you should have seen that

0:30:12.480 --> 0:30:15.360
<v Speaker 1>makes reality TV what it is. Can I just say

0:30:15.520 --> 0:30:17.920
<v Speaker 1>I loved watching you and I have to let you go,

0:30:18.160 --> 0:30:20.520
<v Speaker 1>but good luck with this. I think there's a lot

0:30:20.560 --> 0:30:22.760
<v Speaker 1>of people rooting for you, wanting to see where you

0:30:22.800 --> 0:30:25.040
<v Speaker 1>take this. I'm in your audience and yeah, I can't

0:30:25.040 --> 0:30:26.920
<v Speaker 1>wait to see where you take this and if you

0:30:27.440 --> 0:30:29.960
<v Speaker 1>take it and do what you were saying where you

0:30:29.960 --> 0:30:33.560
<v Speaker 1>were talking about sort of a retrospective. I'm there, like honestly,

0:30:33.640 --> 0:30:34.440
<v Speaker 1>I'm there right now.

0:30:34.520 --> 0:30:37.280
<v Speaker 8>Yeah, Oh, thank you. And can I just say I'm

0:30:37.280 --> 0:30:39.920
<v Speaker 8>a massive fan of yours too. It's a big brother day.

0:30:40.280 --> 0:30:45.800
<v Speaker 8>Absolutely loved Oh god, no no, I remember you quite well.

0:30:46.040 --> 0:30:48.760
<v Speaker 8>I remember you quite well. I absolutely loved you well,

0:30:48.840 --> 0:30:50.520
<v Speaker 8>I love love you now.

0:30:50.560 --> 0:30:52.440
<v Speaker 1>I'm a fan of you. You know that's what happens

0:30:52.520 --> 0:30:52.800
<v Speaker 1>is here.

0:30:53.360 --> 0:30:53.880
<v Speaker 8>Thank you.

0:30:54.040 --> 0:30:57.640
<v Speaker 1>The people that you watched on television are now watching idol.

0:30:58.600 --> 0:31:02.120
<v Speaker 1>I hardly say that after yourself was lovely chatting you

0:31:02.240 --> 0:31:02.640
<v Speaker 1>as well.

0:31:03.000 --> 0:31:07.080
<v Speaker 9>Take care, see you later, Bye bye,