1 00:00:00,040 --> 00:00:03,800 Speaker 1: We had Billie Eilish last week, and this week we 2 00:00:03,840 --> 00:00:07,120 Speaker 1: sit down with arguably her predecessor in terms of Queen 3 00:00:07,160 --> 00:00:11,360 Speaker 1: of Pop. I mean, she's probably the probably the Queen regent, 4 00:00:13,080 --> 00:00:15,960 Speaker 1: and Billy's probably the princess at the moment, although you know, 5 00:00:16,079 --> 00:00:17,920 Speaker 1: very much on her way to being queen, hard sort 6 00:00:17,920 --> 00:00:20,320 Speaker 1: of figure, and Madonna's probably know the queen mother. But anyway, 7 00:00:20,320 --> 00:00:23,520 Speaker 1: they're a royal family. 8 00:00:22,520 --> 00:00:24,520 Speaker 2: Big members of the royal family of Pop. 9 00:00:24,680 --> 00:00:26,960 Speaker 1: Yeah, no doubt about it, no doubt about it. And 10 00:00:27,000 --> 00:00:27,320 Speaker 1: we have. 11 00:00:27,320 --> 00:00:30,840 Speaker 2: Spoken to both of them within the span of two weeks. Yeah, 12 00:00:30,880 --> 00:00:34,600 Speaker 2: so we did do this earlier, yep. But here he 13 00:00:34,720 --> 00:00:36,920 Speaker 2: is our chat with did we call her queen in 14 00:00:36,960 --> 00:00:38,280 Speaker 2: the end? Queen of Pop? 15 00:00:38,360 --> 00:00:41,880 Speaker 1: Not to face lady, oh, lady O the lady. Yeah, 16 00:00:41,920 --> 00:00:43,920 Speaker 1: that makes it the Lady of Gaga. 17 00:00:44,479 --> 00:00:44,960 Speaker 3: How are you? 18 00:00:45,120 --> 00:00:45,279 Speaker 1: Oh? 19 00:00:45,400 --> 00:00:46,120 Speaker 2: Great? Cool? 20 00:00:46,240 --> 00:00:49,040 Speaker 1: Yeah, we know, we're really well, thanks mate, We're it 21 00:00:49,120 --> 00:00:51,040 Speaker 1: is six o'clock in the morning here, so we've kind 22 00:00:51,080 --> 00:00:53,440 Speaker 1: of like it's pretty funny. We both walk up and 23 00:00:53,440 --> 00:00:55,800 Speaker 1: I was like, did you dream about Lady Gargo last night? 24 00:00:55,880 --> 00:01:01,160 Speaker 3: What he was like, yep, is the minute you walked 25 00:01:01,160 --> 00:01:06,440 Speaker 3: down yeahred percent, Yeah, I don't think about it. I 26 00:01:06,600 --> 00:01:09,880 Speaker 3: just like, before I even talk, I'm just drinking xp us. 27 00:01:10,120 --> 00:01:12,040 Speaker 1: Yeah, that's right. It was a weird morning. We're both 28 00:01:12,040 --> 00:01:14,280 Speaker 1: out here in my backyard drinking coffee and talking about 29 00:01:14,280 --> 00:01:16,520 Speaker 1: our dreams of you, which I never thought would happened. 30 00:01:16,520 --> 00:01:17,280 Speaker 1: But here we are. 31 00:01:17,520 --> 00:01:19,479 Speaker 2: We feel like we know you quite well actually, because 32 00:01:19,480 --> 00:01:20,640 Speaker 2: we've dreamt about you all night. 33 00:01:21,240 --> 00:01:22,200 Speaker 3: I'm so happy for that. 34 00:01:23,080 --> 00:01:24,800 Speaker 1: Entirely platonic, by the way, Like I don't want this 35 00:01:24,800 --> 00:01:26,720 Speaker 1: to sound sick in any in any way, they were 36 00:01:26,760 --> 00:01:27,199 Speaker 1: they were. 37 00:01:27,360 --> 00:01:29,960 Speaker 3: Yeah, yeah, yeah, yeah, A friendly dream. 38 00:01:29,800 --> 00:01:32,280 Speaker 1: A friendly dream, A friendly A very friendly dream. Sorry, 39 00:01:32,360 --> 00:01:39,240 Speaker 1: not very friendly, je friendly anyway. Hey, mate, let's talk 40 00:01:39,280 --> 00:01:42,920 Speaker 1: about Mayhem. I'm really interested because I saw an l 41 00:01:43,040 --> 00:01:46,520 Speaker 1: magazine that you said that this is the first record 42 00:01:46,560 --> 00:01:50,920 Speaker 1: whereby you kind of tapped into your persona rather than 43 00:01:50,960 --> 00:01:54,080 Speaker 1: the Lady Gaga persona. And I know that you've to 44 00:01:54,160 --> 00:01:56,200 Speaker 1: write where the music has come from. And I and 45 00:01:56,240 --> 00:01:57,800 Speaker 1: I've and I've heard you talk a lot about your 46 00:01:57,840 --> 00:02:00,600 Speaker 1: mental health, and I know that Gaga is you know, 47 00:02:00,640 --> 00:02:02,560 Speaker 1: and I imagine I've had a lot of mental health 48 00:02:02,600 --> 00:02:05,240 Speaker 1: issues as well. A beautiful shield at times and a 49 00:02:05,280 --> 00:02:09,400 Speaker 1: beautiful mask for you. I'm just really and obviously there's 50 00:02:09,520 --> 00:02:11,560 Speaker 1: the track Disease on there, which is about you sort 51 00:02:11,560 --> 00:02:14,320 Speaker 1: of confronting you in the darkness, and I just wanted 52 00:02:14,360 --> 00:02:16,760 Speaker 1: to know, like, did you was there a moment where 53 00:02:17,200 --> 00:02:21,600 Speaker 1: you got to the piano. Imagine you're in there pounding coffees, 54 00:02:21,639 --> 00:02:23,600 Speaker 1: dreaming of Will and Woody at six am in the morning. 55 00:02:24,320 --> 00:02:27,480 Speaker 1: Did you did you sit down and you were like, oh, 56 00:02:28,080 --> 00:02:32,639 Speaker 1: like this is this is Stephanie at the piano today, Like, you. 57 00:02:32,600 --> 00:02:36,440 Speaker 3: Know, I think that what I realized is that this 58 00:02:36,880 --> 00:02:40,400 Speaker 3: like style of music that I started when I was 59 00:02:40,639 --> 00:02:44,520 Speaker 3: a teenager, it's like a huge part of who I am, 60 00:02:44,840 --> 00:02:47,880 Speaker 3: and that I like I departed in a way after 61 00:02:47,960 --> 00:02:51,280 Speaker 3: my first few studio albums. I think because part of 62 00:02:51,320 --> 00:02:54,079 Speaker 3: the job is like people are going to criticize your music, 63 00:02:55,360 --> 00:02:57,919 Speaker 3: and I actually love that part of it in a 64 00:02:57,960 --> 00:02:59,640 Speaker 3: way because I like, I like want to know what 65 00:02:59,680 --> 00:03:04,839 Speaker 3: people think. You know. I realized that I've always had 66 00:03:04,880 --> 00:03:08,840 Speaker 3: these kind of like, uh, these like dark dreams since 67 00:03:08,880 --> 00:03:12,320 Speaker 3: I was a kid, and my music is an expression 68 00:03:12,360 --> 00:03:15,720 Speaker 3: of those dark dreams, and I like try to find 69 00:03:15,760 --> 00:03:20,560 Speaker 3: a way to turn my nightmares into things that are fun. 70 00:03:21,080 --> 00:03:23,799 Speaker 3: So I think in a way, yeah, I did feel 71 00:03:23,800 --> 00:03:26,680 Speaker 3: like you know, Stephanie. But I think also I'm I'm 72 00:03:26,760 --> 00:03:30,800 Speaker 3: kind I'm both now. Yeah, I'm both now, and I 73 00:03:30,800 --> 00:03:33,440 Speaker 3: don't I don't feel like a separation between myself as 74 00:03:33,440 --> 00:03:36,560 Speaker 3: an artist and as a woman. I feel like I'm 75 00:03:36,560 --> 00:03:40,240 Speaker 3: a female artist yea, And I don't feel the need 76 00:03:40,360 --> 00:03:43,920 Speaker 3: to play a character in the same way. But that's 77 00:03:43,960 --> 00:03:47,320 Speaker 3: also because I integrated the character fully into my life, 78 00:03:47,320 --> 00:03:48,120 Speaker 3: if that makes sense. 79 00:03:48,200 --> 00:03:50,800 Speaker 2: Yeah, yeah, yeah. Is that the same when you step 80 00:03:50,840 --> 00:03:53,320 Speaker 2: out onto the stage, Gaga? Like is it you know, 81 00:03:53,520 --> 00:03:56,040 Speaker 2: is it both of you walking out onto the stage 82 00:03:56,240 --> 00:03:58,440 Speaker 2: or is the same person walking out or is that 83 00:03:58,480 --> 00:03:59,160 Speaker 2: still Gaga? 84 00:03:59,760 --> 00:04:03,400 Speaker 3: No, I think it's it's both because it's like, you know, 85 00:04:03,880 --> 00:04:07,000 Speaker 3: I have to bring my heart with me otherwise. I 86 00:04:07,040 --> 00:04:11,360 Speaker 3: mean some of who like Gaga became over the years 87 00:04:11,480 --> 00:04:14,160 Speaker 3: was like maybe not my favorite person. 88 00:04:16,160 --> 00:04:18,560 Speaker 1: And you've got no control over that, like you're like, 89 00:04:18,680 --> 00:04:21,800 Speaker 1: oh jaysus, like back off, Garga, like who are you today? 90 00:04:22,720 --> 00:04:25,080 Speaker 3: Kind of. I mean, there was like there was definitely 91 00:04:25,120 --> 00:04:26,960 Speaker 3: like ten years of my life where I was like 92 00:04:27,040 --> 00:04:30,480 Speaker 3: in my twenties and I just was like traveling and 93 00:04:31,480 --> 00:04:35,080 Speaker 3: you know, my life really revolved around my career, and 94 00:04:35,839 --> 00:04:39,080 Speaker 3: you know, it's Nice, I'm thirty eight now. It's it's 95 00:04:39,240 --> 00:04:43,640 Speaker 3: nice to like have a full life that encompasses like 96 00:04:43,680 --> 00:04:49,480 Speaker 3: my friendships and like my family more and being in 97 00:04:49,520 --> 00:04:51,680 Speaker 3: my life that I care about, and when I take 98 00:04:51,760 --> 00:04:54,640 Speaker 3: that person on stage with me, I can also bring 99 00:04:54,680 --> 00:04:57,920 Speaker 3: like that kind of warmth to the audience. It's both 100 00:04:58,080 --> 00:05:02,200 Speaker 3: right and because I don't know, I didn't find it 101 00:05:02,200 --> 00:05:06,960 Speaker 3: fulfilling when everything was all about my career. But I 102 00:05:08,160 --> 00:05:11,800 Speaker 3: do view like making music as a gift to fans 103 00:05:11,960 --> 00:05:15,000 Speaker 3: as like a huge privilege, Like I'm so excited for 104 00:05:15,080 --> 00:05:17,080 Speaker 3: my album to come out because I'm just like, I 105 00:05:17,200 --> 00:05:20,240 Speaker 3: made this thing for you that I really want. I 106 00:05:20,279 --> 00:05:22,080 Speaker 3: really should have a good time listening too. 107 00:05:22,480 --> 00:05:22,760 Speaker 1: Nice. 108 00:05:22,800 --> 00:05:24,880 Speaker 2: I want to touch on that idea of the making 109 00:05:24,920 --> 00:05:27,000 Speaker 2: of the music. I've heard you say before that when 110 00:05:27,000 --> 00:05:30,880 Speaker 2: you are making music, you actually listen, like you are 111 00:05:30,960 --> 00:05:33,480 Speaker 2: listening to the melody that will come to you. I'm 112 00:05:33,520 --> 00:05:35,720 Speaker 2: curious to know. Is that something that you turn on 113 00:05:36,080 --> 00:05:39,039 Speaker 2: and off or does it hit you at really inconvenient times, 114 00:05:39,120 --> 00:05:41,520 Speaker 2: like the grocery shopping or something, and you'll all of 115 00:05:41,520 --> 00:05:43,160 Speaker 2: a sudden like, oh no, I've got a banger in 116 00:05:43,160 --> 00:05:43,440 Speaker 2: my head. 117 00:05:44,400 --> 00:05:49,080 Speaker 3: Yeah, it can hit it inconvenient times for sure, And 118 00:05:49,160 --> 00:05:52,880 Speaker 3: when I'm I'm writing a lot, it comes a lot 119 00:05:53,080 --> 00:05:57,159 Speaker 3: more frequently. It's like so cute, like when I'm with 120 00:05:57,279 --> 00:06:00,280 Speaker 3: my man, Like like when I'm with Michael, like we'll 121 00:06:00,320 --> 00:06:03,160 Speaker 3: be doing something and if I've been working like all day, 122 00:06:03,240 --> 00:06:06,000 Speaker 3: and then I like have another idea, I'm like he like, see, 123 00:06:06,040 --> 00:06:08,120 Speaker 3: He's like, just go do it, like he knows, like 124 00:06:08,200 --> 00:06:10,480 Speaker 3: I have to like go write the song. 125 00:06:11,480 --> 00:06:13,640 Speaker 1: What's the most inconvenient time that that's sort of come 126 00:06:13,640 --> 00:06:14,080 Speaker 1: out for you? 127 00:06:14,760 --> 00:06:17,320 Speaker 3: I mean probably probably like when I'm. 128 00:06:17,160 --> 00:06:21,040 Speaker 1: Asleep, Oh sure, yeah, yeah, it's. 129 00:06:20,920 --> 00:06:22,800 Speaker 3: But I sleep with the phone by the bed, and 130 00:06:22,839 --> 00:06:26,800 Speaker 3: then like sometimes like Michael will just hear me being 131 00:06:26,839 --> 00:06:30,000 Speaker 3: like this, you. 132 00:06:29,960 --> 00:06:32,039 Speaker 1: Would be in the other room so fast in my 133 00:06:32,320 --> 00:06:33,000 Speaker 1: in my house. 134 00:06:33,360 --> 00:06:37,080 Speaker 2: Get how often? How is that always something good as well? 135 00:06:37,080 --> 00:06:39,360 Speaker 2: Because sometimes I have a little notepad by my by 136 00:06:39,400 --> 00:06:41,360 Speaker 2: my bed, and I'll write down what I think he's 137 00:06:41,360 --> 00:06:43,120 Speaker 2: a good joke or something, a good radio idea, and 138 00:06:43,120 --> 00:06:44,600 Speaker 2: then I wake up and go, oh my god, that's 139 00:06:44,600 --> 00:06:45,880 Speaker 2: the worst idea I've ever written down. 140 00:06:46,080 --> 00:06:48,440 Speaker 3: Every once in a while, yes, every once in a while, 141 00:06:48,440 --> 00:06:50,360 Speaker 3: I'll hear it back and I'm like, man, I thought 142 00:06:50,360 --> 00:06:52,720 Speaker 3: I was such a genius at three am and this 143 00:06:52,920 --> 00:06:53,599 Speaker 3: is horrible. 144 00:06:54,960 --> 00:06:59,520 Speaker 1: Two very quick questions for you. Firstly, acting, Your acting 145 00:06:59,560 --> 00:07:02,760 Speaker 1: is amazing, obviously loved House of Girchie, Star is Born 146 00:07:02,839 --> 00:07:09,159 Speaker 1: is incredible. I saw after you did Joker most recently 147 00:07:09,360 --> 00:07:11,720 Speaker 1: that the director was saying that you and Joaquin in 148 00:07:11,800 --> 00:07:14,360 Speaker 1: a league of your own, and I just think it's 149 00:07:14,360 --> 00:07:16,080 Speaker 1: fascinating that you've just kind of, you know, sort of 150 00:07:16,080 --> 00:07:19,880 Speaker 1: turned around and taken over the you know, the acting realm, 151 00:07:20,000 --> 00:07:22,000 Speaker 1: and you know, to hear someone say that you're in 152 00:07:22,000 --> 00:07:23,960 Speaker 1: a league of your own with Joaquin fanish. I'm sure 153 00:07:24,080 --> 00:07:27,800 Speaker 1: Meryl Streep was furious about that. But do you are 154 00:07:27,840 --> 00:07:33,520 Speaker 1: there other people who I think Winslet was furious, but 155 00:07:33,680 --> 00:07:35,520 Speaker 1: were you kind of like, are you looking at there 156 00:07:35,520 --> 00:07:37,480 Speaker 1: are other careers that should be shaking in their boots 157 00:07:37,520 --> 00:07:39,360 Speaker 1: because it just feels like whatever you turn your attention to, 158 00:07:39,400 --> 00:07:41,840 Speaker 1: your dominate. So should the accountants of the world be 159 00:07:41,960 --> 00:07:44,640 Speaker 1: worried that, you know, you're going to be dominating another 160 00:07:44,680 --> 00:07:45,520 Speaker 1: industry anytime? 161 00:07:45,600 --> 00:07:49,240 Speaker 3: So no, you know, like world domination, it's not really 162 00:07:49,360 --> 00:07:56,040 Speaker 3: like yes, Like I honestly I love making films, I 163 00:07:56,120 --> 00:07:59,880 Speaker 3: love making music, I love designing shows, I love right. 164 00:08:01,600 --> 00:08:04,760 Speaker 3: I love makeup, you know, like I'm I think the 165 00:08:04,840 --> 00:08:07,560 Speaker 3: thing I like believe in the most, like you know, 166 00:08:07,600 --> 00:08:10,320 Speaker 3: because I worked with Tony Bennett for many years and 167 00:08:10,360 --> 00:08:12,080 Speaker 3: he used to always say to me, like he used 168 00:08:12,080 --> 00:08:15,440 Speaker 3: to go stick with quality, kid, And I think the 169 00:08:15,480 --> 00:08:18,040 Speaker 3: thing that I believe in the most is like being 170 00:08:18,120 --> 00:08:20,960 Speaker 3: a like a craftsman, what you. 171 00:08:20,960 --> 00:08:22,560 Speaker 1: Love working really hard. 172 00:08:22,760 --> 00:08:27,240 Speaker 3: So I'm just excited to like make stuff and you know, 173 00:08:27,720 --> 00:08:30,320 Speaker 3: fully some people will like it. They don't always, but 174 00:08:30,640 --> 00:08:32,560 Speaker 3: you know, like all you can do is like try 175 00:08:32,640 --> 00:08:36,280 Speaker 3: to contribute to culture. And I really love my fans 176 00:08:36,280 --> 00:08:38,319 Speaker 3: and I'm excited for them to hear my new music 177 00:08:38,360 --> 00:08:40,080 Speaker 3: and see the new projects. 178 00:08:39,679 --> 00:08:41,880 Speaker 1: I'm working on. And yeah, well we love you, Mite, 179 00:08:42,720 --> 00:08:43,600 Speaker 1: thank you. 180 00:08:43,360 --> 00:08:45,320 Speaker 3: Thanks Will and Woodie. I'll talk to you guys soon