1 00:00:00,400 --> 00:00:03,680 Speaker 1: Jump Mission with Jones and Amanda listened to. 2 00:00:03,640 --> 00:00:05,600 Speaker 2: This and saw me, good. 3 00:00:07,120 --> 00:00:12,160 Speaker 1: Guys, it's new. It's Guy Sebastian's new song, Believer. It's beautiful, 4 00:00:12,200 --> 00:00:12,480 Speaker 1: isn't it? 5 00:00:12,560 --> 00:00:16,079 Speaker 2: Man? I love guys. Sebastian is a very busy man 6 00:00:16,120 --> 00:00:18,439 Speaker 2: at the moment, really sing new music. And of course 7 00:00:18,560 --> 00:00:20,160 Speaker 2: he's one of the judges on the voice. 8 00:00:20,200 --> 00:00:23,079 Speaker 1: Do you think it sounds like it's got a touch 9 00:00:23,120 --> 00:00:25,959 Speaker 1: of the edge shearings about it, which I really like. 10 00:00:26,000 --> 00:00:27,760 Speaker 1: I assurance like when I was six, I break my 11 00:00:27,800 --> 00:00:31,320 Speaker 1: leg and that's not bad. You'll think of Slim Dusty 12 00:00:31,720 --> 00:00:32,240 Speaker 1: either way. 13 00:00:32,400 --> 00:00:34,720 Speaker 2: This is a brilliant song. We've got the man himself 14 00:00:34,800 --> 00:00:39,559 Speaker 2: on the line, Guy Sebastian, Hello, Hello guys. It is 15 00:00:39,600 --> 00:00:42,080 Speaker 2: a big country actually, I was just listening to that. 16 00:00:42,120 --> 00:00:44,440 Speaker 2: It's got a COVID of Slim Dusty, so a little 17 00:00:44,440 --> 00:00:48,200 Speaker 2: bit a little bit of country to it with this one. Guy. 18 00:00:48,600 --> 00:00:51,839 Speaker 2: Is it true you wrote this song for Jules? I 19 00:00:51,840 --> 00:00:55,360 Speaker 2: wrote it for It was actually more about us early 20 00:00:55,440 --> 00:00:58,080 Speaker 2: on in our relationship because we've known each other since 21 00:00:58,080 --> 00:01:00,920 Speaker 2: we were twelve years old. And I got together with 22 00:01:01,000 --> 00:01:03,639 Speaker 2: Jills when I was eighteen and we had a couple 23 00:01:03,680 --> 00:01:07,520 Speaker 2: of little breaks but you know when when life changed 24 00:01:07,520 --> 00:01:11,720 Speaker 2: for me after ween Idol and Moni with Sydney, and like, 25 00:01:11,840 --> 00:01:15,399 Speaker 2: she would have moments of weakness, I guess and say 26 00:01:15,680 --> 00:01:18,360 Speaker 2: things like, oh, you know, you need someone more suited 27 00:01:18,360 --> 00:01:21,680 Speaker 2: to public life. She would have panic attacks before red 28 00:01:21,720 --> 00:01:23,880 Speaker 2: carpets and stuff because she just wasn't a you know, 29 00:01:23,959 --> 00:01:26,400 Speaker 2: she just didn't think she was cut out for public life. 30 00:01:26,480 --> 00:01:29,360 Speaker 2: And I would have moments where I'm like, you know, 31 00:01:29,440 --> 00:01:33,240 Speaker 2: you deserve someone more solid. You know, I'm away again 32 00:01:33,280 --> 00:01:35,959 Speaker 2: onto her, I'm away for almost eight months, and you know, 33 00:01:36,120 --> 00:01:38,840 Speaker 2: so it's really just a song to say, like if 34 00:01:38,880 --> 00:01:41,160 Speaker 2: you think there's someone better for me, then you will 35 00:01:41,200 --> 00:01:43,920 Speaker 2: never make me a beliefer, like like you're the one. 36 00:01:44,520 --> 00:01:48,280 Speaker 2: And Jills has just always been. She's so normal and 37 00:01:48,360 --> 00:01:52,840 Speaker 2: so loving and always thinking of others. She always puts 38 00:01:53,040 --> 00:01:58,400 Speaker 2: others like before herself. And so yeah, I think that 39 00:01:58,600 --> 00:02:02,400 Speaker 2: history and just sticking it out through those tough times. Yeah, 40 00:02:02,640 --> 00:02:03,400 Speaker 2: it's a good one. 41 00:02:03,520 --> 00:02:05,480 Speaker 1: So really, it took a long time for you to 42 00:02:05,480 --> 00:02:08,280 Speaker 1: write that song. If anything, Jill's probably has a reason 43 00:02:08,280 --> 00:02:11,360 Speaker 1: to complain what you've been with me for since we 44 00:02:11,360 --> 00:02:14,160 Speaker 1: were twelve, and now you're writing a song now. 45 00:02:15,200 --> 00:02:17,640 Speaker 2: Well, I mean, I just thought it's going to score 46 00:02:17,720 --> 00:02:19,880 Speaker 2: me bet at Brownie points because I had this arther 47 00:02:20,000 --> 00:02:22,680 Speaker 2: song ready to go, which was really all about just 48 00:02:22,800 --> 00:02:24,960 Speaker 2: reminding her how lucky she is. 49 00:02:27,480 --> 00:02:31,200 Speaker 1: G You're lucky to have me, and I go, well, mate, 50 00:02:31,240 --> 00:02:33,040 Speaker 1: it's always great to talk to you. Have you got 51 00:02:33,080 --> 00:02:36,200 Speaker 1: any other secrets about the voice you want to blab about? Anything? 52 00:02:36,480 --> 00:02:40,560 Speaker 1: Is Keith animatronic? Is there something of the Little Chairman 53 00:02:40,760 --> 00:02:42,320 Speaker 1: Male Red Book? Have you got? 54 00:02:42,320 --> 00:02:47,240 Speaker 2: That's no, there's oh, yes, look there was some. There 55 00:02:47,280 --> 00:02:51,239 Speaker 2: was actually the Red Book brought up some controversy, not 56 00:02:52,360 --> 00:02:54,960 Speaker 2: from my end so much, but there was. It's actually 57 00:02:55,040 --> 00:02:58,600 Speaker 2: nice to talk about it because I cleared up a 58 00:02:58,760 --> 00:03:01,480 Speaker 2: very false headline through the week where it said we're 59 00:03:01,520 --> 00:03:04,079 Speaker 2: told to turn, and it couldn't be there, couldn't be 60 00:03:04,120 --> 00:03:07,240 Speaker 2: further from the truth. We're never, ever, as coaches, told 61 00:03:07,280 --> 00:03:10,200 Speaker 2: to turn. I was saying about this Red Book that 62 00:03:11,200 --> 00:03:13,320 Speaker 2: it just has little notes in their like who to 63 00:03:13,360 --> 00:03:16,519 Speaker 2: speak first, for example, and we very rarely remin on it, 64 00:03:16,760 --> 00:03:19,400 Speaker 2: that we just go with the flow. But instead of 65 00:03:19,480 --> 00:03:21,480 Speaker 2: us just standing there at the end of a performance 66 00:03:21,600 --> 00:03:24,200 Speaker 2: wondering who's going to take lead, you know, it just says, oh, 67 00:03:24,240 --> 00:03:26,160 Speaker 2: you know this one Keith can take lead, and so 68 00:03:26,240 --> 00:03:27,880 Speaker 2: keep will go what's your name? Or are your farm? 69 00:03:28,360 --> 00:03:31,600 Speaker 2: Or it reminds us he's got unlimited chair turns. And 70 00:03:32,480 --> 00:03:35,280 Speaker 2: so little reminders like that means if we're on the 71 00:03:35,320 --> 00:03:38,920 Speaker 2: fence and we've just reminded ourselves, oh, I don't have 72 00:03:39,000 --> 00:03:40,720 Speaker 2: to be select people like I do in the past 73 00:03:40,720 --> 00:03:43,000 Speaker 2: and fill only twelve spots. I can go in if 74 00:03:43,040 --> 00:03:45,480 Speaker 2: I'm on the fence. And it's just the little reminders 75 00:03:45,520 --> 00:03:48,120 Speaker 2: like that. But we know nothing about the artists. And 76 00:03:48,960 --> 00:03:51,480 Speaker 2: I was really disappointed actually to read that, because a 77 00:03:51,520 --> 00:03:54,680 Speaker 2: lot of people they read the headline, but they don't 78 00:03:54,720 --> 00:03:57,400 Speaker 2: actually see what's in the article, and then they make 79 00:03:57,440 --> 00:04:00,000 Speaker 2: a decision like whether they have faith in the show. 80 00:04:01,560 --> 00:04:04,200 Speaker 2: I don't want artists to think that this is something 81 00:04:04,240 --> 00:04:07,640 Speaker 2: that that's a big sham and a melkdown. 82 00:04:07,640 --> 00:04:09,320 Speaker 1: In the melkdown, let's. 83 00:04:09,200 --> 00:04:11,840 Speaker 2: Get are we normal? 84 00:04:14,840 --> 00:04:16,880 Speaker 1: Even the kids the same turn? 85 00:04:18,600 --> 00:04:18,840 Speaker 2: Dad? 86 00:04:18,839 --> 00:04:22,200 Speaker 1: Do you help with the man this week? Are they 87 00:04:22,200 --> 00:04:25,080 Speaker 1: all right? The kids are all right? We can send 88 00:04:25,120 --> 00:04:27,400 Speaker 1: them something. We'll send them a jonesy demand of tea towel. 89 00:04:27,480 --> 00:04:29,560 Speaker 2: Well, gee, that will plicate any young person. 90 00:04:29,640 --> 00:04:30,599 Speaker 1: They love that stuff. 91 00:04:31,480 --> 00:04:33,520 Speaker 2: They love that and then that will tell them that 92 00:04:33,560 --> 00:04:34,799 Speaker 2: means they got to do the dishes. 93 00:04:36,480 --> 00:04:39,320 Speaker 1: There's always a cat. Well guy, It's always great to 94 00:04:39,360 --> 00:04:41,240 Speaker 1: talk to you, say hi to Jewels for us and 95 00:04:41,279 --> 00:04:44,039 Speaker 1: will always turn for you. The first single from. 96 00:04:43,880 --> 00:04:45,839 Speaker 2: His Truth the final single. 97 00:04:45,640 --> 00:04:51,159 Speaker 1: Final single from his Truth studio album, Believer, is out now. Guys, 98 00:04:51,200 --> 00:04:52,440 Speaker 1: Sebastian thank. 99 00:04:52,240 --> 00:04:58,240 Speaker 2: You, I Love you, Guys, thank you, Jonesy and Amanda's