1 00:00:02,520 --> 00:00:04,800 Speaker 1: The Christian O'Connell show podcast. 2 00:00:07,440 --> 00:00:17,880 Speaker 2: He's a working man. 3 00:00:19,040 --> 00:00:22,119 Speaker 1: I glad that sounds That was Jimmy Barnes working Classman 4 00:00:22,280 --> 00:00:26,480 Speaker 1: from Saturday Night's Extraordinary Night of Too Many Legends almost 5 00:00:26,520 --> 00:00:30,320 Speaker 1: of Australian music, music from the home front, respecting frontline 6 00:00:30,360 --> 00:00:33,519 Speaker 1: workers past and present. That was a beautiful performance. I 7 00:00:33,560 --> 00:00:36,120 Speaker 1: thought he's saying it his voice is actually getting better 8 00:00:36,240 --> 00:00:37,000 Speaker 1: as he gets older. 9 00:00:37,280 --> 00:00:39,519 Speaker 3: It doesn't it? Yeah, it's aging well like why. 10 00:00:39,680 --> 00:00:41,960 Speaker 1: Yeah, it's like Springsteen, you know, it has a more 11 00:00:41,960 --> 00:00:44,280 Speaker 1: of a lived in quality to it. I think it 12 00:00:44,400 --> 00:00:46,440 Speaker 1: sounds it's so nice because you know the power and 13 00:00:46,479 --> 00:00:48,640 Speaker 1: the fury in his voice, and then suddenly when you 14 00:00:48,680 --> 00:00:51,320 Speaker 1: were here, when he slows it down, he realized. I 15 00:00:51,360 --> 00:00:53,440 Speaker 1: think he sometimes you just know this has been more 16 00:00:53,440 --> 00:00:55,680 Speaker 1: of a screamer and a belter, you know, and all 17 00:00:55,720 --> 00:00:57,680 Speaker 1: that power he's gone it. But actually there's a real 18 00:00:57,880 --> 00:00:59,760 Speaker 1: there's a softness to it, a rawness to it all. 19 00:00:59,760 --> 00:01:01,800 Speaker 1: And I thought that was brilliant, very different kind of 20 00:01:01,880 --> 00:01:04,240 Speaker 1: version of a working class man. So many of the 21 00:01:04,319 --> 00:01:07,479 Speaker 1: songs on Saturday Night you would have you guys would 22 00:01:07,480 --> 00:01:08,920 Speaker 1: have grown up with it, must have got a lot 23 00:01:08,920 --> 00:01:11,240 Speaker 1: of your nostalgic about because that's a great thing about music. 24 00:01:11,240 --> 00:01:13,760 Speaker 1: It's like a little time portal. It's a time capsule 25 00:01:13,760 --> 00:01:16,119 Speaker 1: that takes you right back to her a different time 26 00:01:16,160 --> 00:01:18,440 Speaker 1: when you were growing up. Did it remind you of 27 00:01:18,440 --> 00:01:20,360 Speaker 1: some of those we've saw people like Mark Seymour and 28 00:01:20,920 --> 00:01:22,960 Speaker 1: James Rain, who I thought were great together in the 29 00:01:23,160 --> 00:01:26,280 Speaker 1: Mark Seymore's garage, which is the cleanest garage I've ever seen, 30 00:01:27,360 --> 00:01:29,760 Speaker 1: like a garage. I see no car tires. I was like, 31 00:01:29,880 --> 00:01:33,960 Speaker 1: where's the cartuer, where's the paintings of setup? Have you 32 00:01:34,040 --> 00:01:36,240 Speaker 1: got there? This's like an Italian coffee shop. 33 00:01:36,440 --> 00:01:39,480 Speaker 3: Yeah, the flour looks spotless as well. Which garage floor 34 00:01:39,520 --> 00:01:43,520 Speaker 3: should Seeing James Rain and Marks Aymore playing together in 35 00:01:43,560 --> 00:01:46,640 Speaker 3: the garage, Bianchor asked me, I guess assuming that they 36 00:01:46,959 --> 00:01:50,320 Speaker 3: they shouldn't be together because of social distancing. So she 37 00:01:50,400 --> 00:01:52,800 Speaker 3: asked me do they live together? Which I got a 38 00:01:52,840 --> 00:01:55,880 Speaker 3: real laugh out of. Imagine some kind of sitcom. 39 00:01:55,520 --> 00:02:00,840 Speaker 1: But monkey. I love the idea of them being flatmates 40 00:02:00,840 --> 00:02:02,760 Speaker 1: and getting up in the morning and strumming to each 41 00:02:02,800 --> 00:02:05,720 Speaker 1: other and then going into that beautiful garage, probably eating 42 00:02:05,720 --> 00:02:07,840 Speaker 1: off the floor. It was so clean. There were a 43 00:02:07,880 --> 00:02:09,760 Speaker 1: lot of things I noticed watching all the different us because, 44 00:02:09,760 --> 00:02:12,240 Speaker 1: well the keyboards that the guy the keyboard playing from 45 00:02:12,280 --> 00:02:15,000 Speaker 1: Crowded House seemed to be in a whare. Does he 46 00:02:15,040 --> 00:02:17,359 Speaker 1: work in a shop selling them or mending them? 47 00:02:18,320 --> 00:02:20,880 Speaker 3: Why would you need so many keyboards? I actually had 48 00:02:20,880 --> 00:02:22,359 Speaker 3: the same thought, like. 49 00:02:22,520 --> 00:02:24,520 Speaker 4: They all obviously do a different function. 50 00:02:25,320 --> 00:02:30,480 Speaker 3: No, come on, he had he had fifteen keyboards at least, going. 51 00:02:30,320 --> 00:02:32,520 Speaker 1: John can troll the world with just that one piano? 52 00:02:33,840 --> 00:02:36,960 Speaker 1: What the crowded House keyboard playing? When John doesn't know? 53 00:02:37,800 --> 00:02:39,400 Speaker 3: And the idea of a keyboard is that it's an 54 00:02:39,440 --> 00:02:42,360 Speaker 3: electric piano, so it already makes a hundred different sounds 55 00:02:42,560 --> 00:02:45,040 Speaker 3: like that, That's why it's electric. I don't know what 56 00:02:45,120 --> 00:02:46,480 Speaker 3: he needs all those keyboards for. 57 00:02:46,639 --> 00:02:49,280 Speaker 1: I seriously think he's got a workshop. He's mending them, 58 00:02:49,320 --> 00:02:51,640 Speaker 1: and these have all got be mended by Monday, So 59 00:02:51,720 --> 00:02:53,200 Speaker 1: I think that's what he was. I think that's what 60 00:02:53,240 --> 00:02:55,200 Speaker 1: it was doing. What would be the songs that sort 61 00:02:55,200 --> 00:02:57,640 Speaker 1: of were the soundtrack of your teenage years? That sort 62 00:02:57,639 --> 00:03:00,480 Speaker 1: of Saturday Night reminded you of because I saw a 63 00:03:00,520 --> 00:03:02,040 Speaker 1: lot of comments from our listeners saying that a lot 64 00:03:02,080 --> 00:03:03,800 Speaker 1: of these songs, you know, throw your arms around me. 65 00:03:04,080 --> 00:03:06,160 Speaker 1: I remember you know, he's going to see Aussie Crawl 66 00:03:06,440 --> 00:03:08,799 Speaker 1: and Hunters and Collectors. What are the ones for you guys, 67 00:03:08,840 --> 00:03:10,720 Speaker 1: perhaps what's the same that sort of sums up your 68 00:03:10,919 --> 00:03:12,440 Speaker 1: teenage years from Oh? 69 00:03:12,600 --> 00:03:15,480 Speaker 4: Definitely it was definitely Mark Seymour and James Rain For me. 70 00:03:15,520 --> 00:03:17,720 Speaker 4: We've gone to see James Rain a couple of times 71 00:03:17,760 --> 00:03:21,800 Speaker 4: over the years. I just love him. He's got an album, 72 00:03:22,200 --> 00:03:25,600 Speaker 4: Oh he honestly, and he's such an attractive looking man, 73 00:03:25,639 --> 00:03:28,880 Speaker 4: I have to say, but he's it's beautiful and he's 74 00:03:28,960 --> 00:03:32,400 Speaker 4: done like an unplugged album quite a while ago, which 75 00:03:32,680 --> 00:03:36,560 Speaker 4: of acoustic. It takes back to its raw sort of 76 00:03:36,600 --> 00:03:40,880 Speaker 4: form and it's a really beautiful album. But definitely those 77 00:03:40,920 --> 00:03:43,720 Speaker 4: two and Jimmy Barns of course, is just like the 78 00:03:43,760 --> 00:03:45,160 Speaker 4: godfather of Ossie music. 79 00:03:45,200 --> 00:03:46,680 Speaker 1: I reckon, who's it for you, Jackie boy? 80 00:03:48,160 --> 00:03:51,600 Speaker 3: I think for as far as Australian bands go, Silverchair 81 00:03:51,640 --> 00:03:54,840 Speaker 3: and powder Finger right in my teenage years when they 82 00:03:54,840 --> 00:03:57,240 Speaker 3: were really big. The Living End is another one that 83 00:03:57,320 --> 00:03:59,839 Speaker 3: I saw a bunch of times that I really loves. 84 00:04:00,120 --> 00:04:03,360 Speaker 1: You know Connell Show podcast, Well, the artists saw the 85 00:04:03,480 --> 00:04:05,560 Speaker 1: album or the song that really reminds her of your 86 00:04:05,600 --> 00:04:08,040 Speaker 1: teenage years. I always think that's when you first sort of 87 00:04:08,080 --> 00:04:12,000 Speaker 1: discover music and get into your bands as well. All right, 88 00:04:12,040 --> 00:04:15,480 Speaker 1: let's go to Erin, Good morning Erin Hi. 89 00:04:15,400 --> 00:04:19,160 Speaker 5: Christian, Hi guys, you just played it recently Christian as 90 00:04:19,240 --> 00:04:22,599 Speaker 5: Working class Man, particularly the Barnstorming album. 91 00:04:23,040 --> 00:04:23,280 Speaker 1: Yep. 92 00:04:23,440 --> 00:04:27,919 Speaker 5: My mum used to sunbake topless to the to the cassette, 93 00:04:28,520 --> 00:04:31,600 Speaker 5: so he would she would do one side to one 94 00:04:31,680 --> 00:04:35,920 Speaker 5: side of cakes and then tape and flip over herself. 95 00:04:36,200 --> 00:04:36,800 Speaker 1: That's amazing. 96 00:04:36,880 --> 00:04:41,160 Speaker 5: If we came walking down the driveway and heard that 97 00:04:41,279 --> 00:04:44,000 Speaker 5: with mate, we would quickly turn around. Let's go back 98 00:04:44,000 --> 00:04:44,559 Speaker 5: to your plate. 99 00:04:44,839 --> 00:04:47,040 Speaker 1: This is a warning. 100 00:04:48,520 --> 00:04:51,960 Speaker 5: You now know that if that's playing, let's not stop 101 00:04:52,000 --> 00:04:54,239 Speaker 5: for cakes. With their mates, they just keep. 102 00:04:54,080 --> 00:04:56,080 Speaker 2: Going on, walk on. 103 00:04:56,120 --> 00:04:58,440 Speaker 1: Also, I guess you'd know from the track listing if 104 00:04:58,440 --> 00:05:00,880 Speaker 1: you heard the song actually actually flipped over as well. 105 00:05:00,880 --> 00:05:05,960 Speaker 1: She's face down the moment to move through the back exactly. 106 00:05:06,360 --> 00:05:08,600 Speaker 1: I know she's on the side, she's up front of 107 00:05:08,680 --> 00:05:11,200 Speaker 1: the moment. All the assets are on up. 108 00:05:11,320 --> 00:05:16,320 Speaker 5: Yes, it's not just the check found of my life. 109 00:05:16,360 --> 00:05:19,080 Speaker 5: It's also my brother, my sisters, the grand kids, poor 110 00:05:19,160 --> 00:05:26,080 Speaker 5: grand kids. So yeah, yeah, And she actually went to say, 111 00:05:26,120 --> 00:05:29,919 Speaker 5: Jimmy barns with the youngest grandson who is now obsessed 112 00:05:29,960 --> 00:05:33,320 Speaker 5: with Jimmy's arms, and I worded him map And when 113 00:05:34,560 --> 00:05:38,400 Speaker 5: Jimmy sus singing Jimmy a working class man, he turned 114 00:05:38,400 --> 00:05:42,120 Speaker 5: to Nan and said, make sure you keep your top on. Man. 115 00:05:42,720 --> 00:05:44,520 Speaker 1: I was wondering, I was wondering how that story was 116 00:05:44,560 --> 00:05:47,120 Speaker 1: going to go there. I thought the little lad was 117 00:05:47,160 --> 00:05:51,080 Speaker 1: going to ask, going to get something out like that 118 00:05:48,960 --> 00:05:52,239 Speaker 1: is just checking. 119 00:05:52,760 --> 00:05:53,400 Speaker 2: And you did an. 120 00:05:53,320 --> 00:05:57,680 Speaker 5: Amazing job on Saturday you really amazing. 121 00:05:57,920 --> 00:06:00,880 Speaker 1: Yeah, thank you. I was. I was a genuine privilege. 122 00:06:00,920 --> 00:06:03,039 Speaker 1: You know, it's a couple of weeks away from us, 123 00:06:03,120 --> 00:06:05,480 Speaker 1: been there for two years, so to be allowed and 124 00:06:05,560 --> 00:06:08,240 Speaker 1: invited be part of your doing Saturday night. 125 00:06:08,440 --> 00:06:14,480 Speaker 5: You being a yank, I think you're now you're not 126 00:06:14,520 --> 00:06:19,560 Speaker 5: a yank. 127 00:06:21,320 --> 00:06:26,120 Speaker 1: That's not about which's country or continent from That's all 128 00:06:26,160 --> 00:06:26,440 Speaker 1: I know. 129 00:06:28,520 --> 00:06:34,240 Speaker 5: Now you musical knowledge of the music, and yeah, you 130 00:06:34,279 --> 00:06:35,000 Speaker 5: did a great job. 131 00:06:35,040 --> 00:06:37,600 Speaker 1: Pleasure. Thank you very much, Erin, thank you very much. 132 00:06:38,400 --> 00:06:42,600 Speaker 1: It's as good as a citizenship test, if you. I mean, 133 00:06:42,640 --> 00:06:44,600 Speaker 1: I've called many things since coming here. Do you remember 134 00:06:44,600 --> 00:06:46,440 Speaker 1: when I first got someone accused me of being from 135 00:06:46,480 --> 00:06:49,760 Speaker 1: Marta for no reason? And now two years on. Just 136 00:06:49,760 --> 00:06:52,359 Speaker 1: when you think we're getting to know me now, Yank, 137 00:06:53,720 --> 00:06:57,240 Speaker 1: so many screamers about me, Mac, good morning, morning God 138 00:06:57,560 --> 00:07:00,599 Speaker 1: are we yes, we're very good. And what the artist 139 00:07:00,760 --> 00:07:02,840 Speaker 1: to remind you of your teenage years Matte made My 140 00:07:02,960 --> 00:07:06,960 Speaker 1: teenage years is absolutely silver Chair in their album frog 141 00:07:07,000 --> 00:07:09,680 Speaker 1: Stomp mostly Tomorrow because they broke when I was a 142 00:07:09,720 --> 00:07:13,000 Speaker 1: teenager from early years were summed up by John Farnham. 143 00:07:13,040 --> 00:07:17,040 Speaker 1: Sure the voice mum played whispering Jack flat Knaka when 144 00:07:17,040 --> 00:07:22,800 Speaker 1: I was a kid. Ah, that's so funny. Yeah, I 145 00:07:22,840 --> 00:07:24,640 Speaker 1: don't know whether it. Phansie's not well at the moment, 146 00:07:24,680 --> 00:07:26,960 Speaker 1: but he was missing from Saturday night and all the 147 00:07:27,000 --> 00:07:29,360 Speaker 1: sorts of work. If you have barnsy I thought, by 148 00:07:29,440 --> 00:07:35,800 Speaker 1: law you must have within sixty minute. 149 00:07:33,680 --> 00:07:34,960 Speaker 2: They go together exactly. 150 00:07:35,920 --> 00:07:38,200 Speaker 1: Come on this redo it this weekend. We need to 151 00:07:38,280 --> 00:07:41,160 Speaker 1: make of it to correct this. Matt. Thank you very much. 152 00:07:41,160 --> 00:07:41,920 Speaker 1: You cool. Have good week. 153 00:07:42,040 --> 00:07:42,720 Speaker 2: I have a great one. 154 00:07:42,800 --> 00:07:45,800 Speaker 1: Cheers and you to squeeze in. Joe now, Joe coome oning, 155 00:07:46,520 --> 00:07:48,600 Speaker 1: good morning. Are you good morning? Joe? Have you had 156 00:07:48,640 --> 00:07:50,160 Speaker 1: a nice weekend? What's it for you? 157 00:07:51,440 --> 00:07:53,600 Speaker 5: Well, it wasn't my teenagers, it was my youth, but 158 00:07:53,680 --> 00:07:56,680 Speaker 5: it was franky town by sudo I played at five 159 00:07:56,760 --> 00:07:58,400 Speaker 5: times on my twenty first. 160 00:07:59,080 --> 00:08:02,560 Speaker 1: Yeah, that's great. There are radio stations up and down 161 00:08:02,560 --> 00:08:04,600 Speaker 1: the dial that still operates shows like that. 162 00:08:06,280 --> 00:08:10,160 Speaker 5: So wonderful with my perm care my gold. It was 163 00:08:10,200 --> 00:08:11,280 Speaker 5: in the community hall. 164 00:08:11,600 --> 00:08:15,520 Speaker 1: I looked wonderful, awesome. All the best birthday parties were 165 00:08:15,520 --> 00:08:17,720 Speaker 1: in community halls, weren't they. You remember that they're always 166 00:08:17,720 --> 00:08:21,200 Speaker 1: like the rs LS community halls as well. Do you 167 00:08:21,280 --> 00:08:22,880 Speaker 1: know what they need to bring back as well, Joe, 168 00:08:22,960 --> 00:08:27,680 Speaker 1: Now you've got to remembers the perm. What the palm 169 00:08:27,720 --> 00:08:29,680 Speaker 1: you mentioned about having a hair perm. I don't think 170 00:08:29,720 --> 00:08:39,800 Speaker 1: they need to bring Yeah, the American accent, you. 171 00:08:39,760 --> 00:08:43,560 Speaker 3: Know, all that sort of retro cyclica. It's time for 172 00:08:43,600 --> 00:08:44,199 Speaker 3: it to come back. 173 00:08:45,040 --> 00:08:46,480 Speaker 4: You won't see me with a perm again. 174 00:08:46,520 --> 00:08:48,640 Speaker 1: I'm afraid think you'd look good. Actually, some kind of 175 00:08:49,000 --> 00:08:51,160 Speaker 1: a rush look about you. You know the power of love. 176 00:08:51,200 --> 00:08:53,559 Speaker 1: I think you look good, Patsy. All right, thank you 177 00:08:53,640 --> 00:08:54,000 Speaker 1: very much? 178 00:08:54,120 --> 00:09:00,640 Speaker 2: Cool, fine, Hello. Christian O'Connell Show Podcast