WEBVTT - Catch and Kill: The Podcast Tapes

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<v Speaker 1>Welcome back to TV Reload. My name's Benjamin Norris, and

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<v Speaker 1>on this podcast, I'll be going behind the scenes with

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<v Speaker 1>the biggest players in television. Thanks to all of those

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<v Speaker 1>subscribers who sent me some amazing feedback on last week's

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<v Speaker 1>episode with Big Brother winner Maali. He was a fantastic

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<v Speaker 1>chat and it was an eye opener into the current

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<v Speaker 1>landscape in reality television. If you missed it, you can

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<v Speaker 1>flip back and catch up on that episode on all

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<v Speaker 1>of your podcast platforms, including my Heart Radio. As you know,

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<v Speaker 1>I love to recommend other people's podcasts, and this week

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<v Speaker 1>I've been listening to So Bad It's Good because one

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<v Speaker 1>of my favorite podcasters, Jacques Peterson, guested on their pod.

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<v Speaker 1>It's a must for all pop culture enthusiasts, so check

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<v Speaker 1>that one out. This week, my partner and I have

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<v Speaker 1>been watching Love Island UK as a precursor to the

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<v Speaker 1>Love Island Australian series which is about to go into production.

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<v Speaker 1>It's really light entertainment and if you're into voyeurism and

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<v Speaker 1>shameless flirting check it out. You won't want to miss

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<v Speaker 1>those bikini lines and it's on Channel lines catch up

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<v Speaker 1>Platform nine now if you want to have a look.

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<v Speaker 1>Next week, I have Caitlin Shay on the podcast, who

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<v Speaker 1>is an executive producer of Australian Story on the ABC.

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<v Speaker 1>After twenty five years of working on the show, Caitlin

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<v Speaker 1>is ready to unpack one of Australia's most love programs. FYI,

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<v Speaker 1>there is actually a back catalog of past episodes on

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<v Speaker 1>ABC dot net dot Au and if you love stories told,

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<v Speaker 1>well dip back into those past episodes. I'm sure you

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<v Speaker 1>will end up as addicted to them as I have been.

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<v Speaker 1>This week on the podcast, I have Venton Bailey and

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<v Speaker 1>Randy Barbado, who are the founders of World Wonder. Both

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<v Speaker 1>of these guys are as inspiring as you could ever imagine.

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<v Speaker 1>I personally have followed their work for years. They are

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<v Speaker 1>a award winning Emmy winners who most would know are

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<v Speaker 1>behind the global phenomenon of RuPaul's Drag Race. But at

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<v Speaker 1>their core they are storytellers who have been giving voices

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<v Speaker 1>to those who need a bigger platform, who deserve a

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<v Speaker 1>bigger platform. Their documentary film work includes Carrie Fisher's Wishful Drinking,

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<v Speaker 1>The Eyes of Tammy Fay Monika and Black and White

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<v Speaker 1>Gender Revolution with Katie Curic and The Last Beekeeper. They

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<v Speaker 1>have a mission to tell the truth and to be honest,

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<v Speaker 1>and their work is simply unbelievable. This week we will

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<v Speaker 1>focus on their new series Catch and Kill the podcast tapes,

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<v Speaker 1>which debuts on Binge here in Australia and HBO internationally

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<v Speaker 1>on July thirteenth. The documentary follows the Harvey Weinstein investigation

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<v Speaker 1>and explores the systems protecting powerful men accused of awful crimes.

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<v Speaker 1>We've never before seen footage from this culture shaking story book.

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<v Speaker 1>This one into your calendar because the series is groundbreaking

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<v Speaker 1>and it'll blow your mind in ways that you won't expect.

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<v Speaker 1>I do want to offer a content warning at this point.

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<v Speaker 1>There are general discussions of violence against minorities, specific discussions

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<v Speaker 1>of assault and rape that may upset some listeners. If

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<v Speaker 1>you are triggered by some of this content, please contact

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<v Speaker 1>Beyond Blue, who provides information and support to help everyday Australians.

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<v Speaker 1>But let's get started with the boys who I chatted

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<v Speaker 1>with in the US. Welcome to TV, Reload, Venton and Randy.

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<v Speaker 2>You know, in all fair we only make films about

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<v Speaker 2>things we're passionate about.

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<v Speaker 3>We're living in a precarious moment when it comes to

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<v Speaker 3>the free press.

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<v Speaker 2>It felt like a really important piece of work.

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<v Speaker 4>I said, Ronan Pharaoh has broken the code. He's got

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<v Speaker 4>the good sound of wise there. And I think it's

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<v Speaker 4>fair to say that everyone who has come forward, there

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<v Speaker 4>are many many more who have not.

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<v Speaker 1>And there were some disturbing moments where I was kind

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<v Speaker 1>of shocked by how much he expected things to go

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<v Speaker 1>his way.

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<v Speaker 4>Trump was a bully who simply was never stopped. No

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<v Speaker 4>one ever stood up to him putting new claims of

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<v Speaker 4>sexual harassment, assault and rape. And if you don't stand

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<v Speaker 4>up to a bully, they could well end up being

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<v Speaker 4>the president.

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<v Speaker 1>Hi, guys, how are you both good?

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<v Speaker 4>Thanks today?

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<v Speaker 1>You know, it's funny with this podcast. I quite often

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<v Speaker 1>say gooday when I'm talking to people overseas, But the

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<v Speaker 1>last time I did it, they didn't understand what I

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<v Speaker 1>was saying. I think they thought I was talking in

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<v Speaker 1>a completely different language. So I've stopped saying gooday.

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<v Speaker 4>It Rue likes to say Ozzy OSSI I know.

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<v Speaker 1>And I loved that he did that, and he did

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<v Speaker 1>it for every episode of RuPaul's Down Under, which I

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<v Speaker 1>just thought was so fantastic.

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<v Speaker 4>Asiasiazzi.

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<v Speaker 1>He really did seem to embrace a lot of the

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<v Speaker 1>Australian culture. But that's not what we're talking about today.

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<v Speaker 1>We're talking about something else. And I want to say

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<v Speaker 1>congratulations on this documentary series, Catch and Kill the podcast tapes.

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<v Speaker 1>It is so compelling and it offers so much detail

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<v Speaker 1>in such a compelling manner. Randy, are you proud of

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<v Speaker 1>the finished product?

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<v Speaker 2>Oh, we're really proud of the finished product. I mean,

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<v Speaker 2>it was a very It was a major passion project

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<v Speaker 2>for Fenton and myself and everyone who worked on the team.

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<v Speaker 2>I think we were all really moved by the participants

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<v Speaker 2>and by Ronan's work on the book and on the

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<v Speaker 2>podcast and on the series. So it felt like a

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<v Speaker 2>really important piece of work for us.

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<v Speaker 3>This is the story of the efforts to uncover the

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<v Speaker 3>truth about how powerful and predatory man for decades evated justice.

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<v Speaker 3>It's the story of how media and law enforcement and

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<v Speaker 3>the world of private espionage protected that man.

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<v Speaker 1>Oh I knew there's going.

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<v Speaker 3>To be retaliation.

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<v Speaker 4>I didn't think there's going to be such.

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<v Speaker 3>Collusion, and how in the end all of that wasn't

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<v Speaker 3>enough in the face of a group of sources who

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<v Speaker 3>risked everything to expose the truth.

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<v Speaker 1>Why did you decide to hone in on this particular story.

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<v Speaker 4>Well, HBO came to us and said that they had

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<v Speaker 4>in the course of Ronan doing his podcast, he had

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<v Speaker 4>taped the interviews and they were like, could we do

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<v Speaker 4>something with them? And we took a look at them,

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<v Speaker 4>and they were just so powerful.

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<v Speaker 2>You know.

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<v Speaker 4>I think you can you can read a transcript, or

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<v Speaker 4>you can listen to an audio clip, but when you

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<v Speaker 4>actually see someone talking about being raped by Harvey Weinstein

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<v Speaker 4>and the trauma of that experience, and you see them

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<v Speaker 4>literally reliving it in front of your eyes, it's overwhelming.

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<v Speaker 3>When you say sexual assault, what do you mean except

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<v Speaker 3>what did mister Weinstein do to you? He forced himself

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<v Speaker 3>on me sexually when it was unwanted. Why are you

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<v Speaker 3>speaking out about this today? Because I don't want anyone

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<v Speaker 3>else to have to live with this.

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<v Speaker 4>And we just felt it was really important to tell

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<v Speaker 4>that story. Even though I think people at large know

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<v Speaker 4>the basic headlines, you know, and have seen bits and

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<v Speaker 4>pieces of the story, we just felt this was a

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<v Speaker 4>real opportunity to bring it home for people in a

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<v Speaker 4>very real way. Harvey Weinstein may be a movie mogul,

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<v Speaker 4>but he's as Rose McGowan says in one of our interviews,

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<v Speaker 4>you know, I want the lawyers to look at this

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<v Speaker 4>because this is something that happens to their daughters, to

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<v Speaker 4>their mothers, to their sisters.

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<v Speaker 1>It's fact. Yeah, that's the end of the quote. Fact

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<v Speaker 1>And there's nothing more compelling I think when you're telling

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<v Speaker 1>a story than when you're talking about the truth. When

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<v Speaker 1>did you guys know that the subject matter was worth

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<v Speaker 1>a TV series and what did you guys personally want

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<v Speaker 1>to add to the conversation.

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<v Speaker 2>I mean, I think that that you know, we were

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<v Speaker 2>huge fans of the book, of the original article, the

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<v Speaker 2>book and the podcast, so for us, the opportunity to

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<v Speaker 2>amplify the message was kind of a no brainer. I mean,

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<v Speaker 2>the challenge was how to do it, But I think

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<v Speaker 2>you know, we we were fans from the get go

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<v Speaker 2>and we thought it was an extraordinary story. And the

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<v Speaker 2>more you learn about it, the more you get beyond

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<v Speaker 2>the headlines, the broader the story is, the more significant

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<v Speaker 2>the story is because it's not just the Harvey Weinstein story.

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<v Speaker 2>It's the story of how that story came to be.

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<v Speaker 2>It's the story of the threat to investigative journalism that

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<v Speaker 2>is going on all over the world. So I think

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<v Speaker 2>it was always the story that we're very interested in,

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<v Speaker 2>and then to be presented with the opportunity to make

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<v Speaker 2>a TV adaptation of the podcast was like.

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<v Speaker 1>Where, Yeah, Well, I think that that's what was so

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<v Speaker 1>powerful about this was that, yes, we get the headline,

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<v Speaker 1>we know that it's Ronan Parah, we know that it's

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<v Speaker 1>Harvey Weinstein, but you know, I don't want to take

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<v Speaker 1>anything away from the viewer, but there is very much

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<v Speaker 1>that theme of protecting the journalist and in protecting the

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<v Speaker 1>journalist's integrity, which I thought was so powerfully underwritten throughout

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<v Speaker 1>the story. How would you describe the relationship that you

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<v Speaker 1>have with Ronan Parah now? And I guess what was

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<v Speaker 1>your take home experience for the both of you.

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<v Speaker 4>I think the relationship with Ronan is really one of

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<v Speaker 4>profound respect. I mean, I think it took an enormous

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<v Speaker 4>amount of courage for him to do what he did,

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<v Speaker 4>and also his producing partner at NBC, Rich McHugh, who

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<v Speaker 4>actually lost his job over this. They put an awful

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<v Speaker 4>lot on the line, as did the people who spoke

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<v Speaker 4>to Ronan, the whistleblowers and it was by no means

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<v Speaker 4>an easy, clear direct path from them coming to Ronan

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<v Speaker 4>to the story being published. Even Ambergerts Tiers, who the

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<v Speaker 4>New York Police asked her to wear a wire and

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<v Speaker 4>she did, and she got this amazing confession from Harvey Weinstein.

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<v Speaker 4>You would have thought that would be the end of

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<v Speaker 4>the story. They would arrest him, charges, trial, locked up,

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<v Speaker 4>but it wasn't that at all, and in fact, she

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<v Speaker 4>found herself on trial, sort of smeared in the press.

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<v Speaker 4>And you realize that the sort of path of getting

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<v Speaker 4>this story out in front of the public was a

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<v Speaker 4>really hard path with lots of twists and turns, and

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<v Speaker 4>the outcome was never certain. So along answer to your

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<v Speaker 4>question is just we have tremendous respect for Ronan and

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<v Speaker 4>all the people he talked to and the people he

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<v Speaker 4>worked with in getting this story out there, because you know,

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<v Speaker 4>it's quite possible that perhaps one it might never have

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<v Speaker 4>come out. You know, just one tiny detail, you know,

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<v Speaker 4>Amber Gutierrez wore that police wire. But the reason we

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<v Speaker 4>heard that tape and Harvey Weinstein badgering her and harassing

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<v Speaker 4>her is becau she on her own initiative, but her

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<v Speaker 4>iPhone in her bag on record as well. Once you'd

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<v Speaker 4>done the wine handed it over, she no longer had

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<v Speaker 4>the tape, but she had had the presence of mind

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<v Speaker 4>to make her own version. And it's only because of

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<v Speaker 4>that that we have that It's extraordinary.

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<v Speaker 3>Really, When we told them we had a copy of

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<v Speaker 3>the recording, Weinstein was shocked. I need to know a person.

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<v Speaker 1>I won't do a thing I want to think. Please,

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<v Speaker 1>I swear, I won't just sit with me. Don't embarrass

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<v Speaker 1>me in the hotel. I'm here all the time. Please,

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<v Speaker 1>I'm not going to do anything.

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<v Speaker 2>I swear my children.

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<v Speaker 1>It's like a run of events. And I think the

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<v Speaker 1>saddest thing about some of these realities is it's a

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<v Speaker 1>breeding ground for depression and for ongoing personal issue when

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<v Speaker 1>we're told not to feel a certain way, and the

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<v Speaker 1>problem for a lot of these victims was that they

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<v Speaker 1>were continuously made to feel like they weren't allowed to

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<v Speaker 1>feel that way. And then in this documentary we get

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<v Speaker 1>to see the reaction, We get to say see it

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<v Speaker 1>then play out over a period of time. Do you

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<v Speaker 1>think that Harvey played an open game of chess with

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<v Speaker 1>these players? I mean, you have Nicole Kidman and Kate

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<v Speaker 1>Blanchette in the front as a diversion and as an attraction.

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<v Speaker 1>But then he sort of repeatedly attacked or seemed to

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<v Speaker 1>happen with people who didn't have a large voice or

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<v Speaker 1>a global platform. Is that a deliberate and sociopathic game

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<v Speaker 1>that he played on his behalf.

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<v Speaker 2>Well, he definitely prayed on vulnerable and innocent women. I

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<v Speaker 2>mean he definitely was a sort of power play. And yeah,

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<v Speaker 2>I think it was. You know, I'm not a doctor.

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<v Speaker 2>I couldn't sort of diagnose it as sociopathic, but it

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<v Speaker 2>was sick and twisted and exploitative. It happened over and

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<v Speaker 2>over again. And I think, you know, going back to

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<v Speaker 2>the courageous women who spoke out, they not only experienced

0:11:56.320 --> 0:12:03.200
<v Speaker 2>this horrific trauma of either being attacked or harassed or exploited,

0:12:03.559 --> 0:12:06.120
<v Speaker 2>they had to live it over and over again. Coming

0:12:06.120 --> 0:12:09.240
<v Speaker 2>out to speak about that is like reliving that trauma

0:12:09.520 --> 0:12:15.520
<v Speaker 2>and inviting the media and people to sort of scrutinize.

0:12:15.960 --> 0:12:19.080
<v Speaker 2>And you know, people aren't always kind.

0:12:20.160 --> 0:12:23.640
<v Speaker 3>I thought I was for an hour at a meeting,

0:12:24.600 --> 0:12:26.640
<v Speaker 3>and then on the way out it turned into anatomy.

0:12:28.040 --> 0:12:33.800
<v Speaker 3>Was this a sexual assault? Yes, this was a rape.

0:12:34.360 --> 0:12:39.480
<v Speaker 2>Yes, For me, I feel like our series is more

0:12:39.520 --> 0:12:43.880
<v Speaker 2>about all these courageous people that took him down, and

0:12:44.000 --> 0:12:48.000
<v Speaker 2>the series is a reminder that there can be hope

0:12:48.240 --> 0:12:52.200
<v Speaker 2>and there are ways to combat these sorts of forces,

0:12:52.520 --> 0:12:56.720
<v Speaker 2>and that there's there are ways for truth to trump power.

0:12:56.880 --> 0:12:59.320
<v Speaker 1>Absolutely. You know, in two thousand and seven, I was

0:12:59.360 --> 0:13:01.560
<v Speaker 1>living in Las Angela's and a friend of mine caught

0:13:01.640 --> 0:13:04.920
<v Speaker 1>up with Harvey Weinstein and he told her a story

0:13:04.920 --> 0:13:08.040
<v Speaker 1>about a very famous actress that was currently working at Miramax.

0:13:08.240 --> 0:13:10.960
<v Speaker 1>He told this Australian friend of mine, who is an actress,

0:13:11.120 --> 0:13:14.240
<v Speaker 1>that this Hollywood film star gained her career by performing

0:13:14.240 --> 0:13:16.560
<v Speaker 1>a sexual act in front of him. It was one

0:13:16.679 --> 0:13:19.679
<v Speaker 1>hundred percent an offer and an assumption that a quid

0:13:19.679 --> 0:13:22.440
<v Speaker 1>pro quo was on the table. How many times that

0:13:22.600 --> 0:13:25.640
<v Speaker 1>happened in real life prior to this expose a of

0:13:25.679 --> 0:13:28.400
<v Speaker 1>Harvey we will never know. But my question to you

0:13:28.480 --> 0:13:31.480
<v Speaker 1>both is do you think this type of documentary will

0:13:31.520 --> 0:13:33.520
<v Speaker 1>make an impact on the culture of the cast and

0:13:33.600 --> 0:13:34.560
<v Speaker 1>couch moving forward.

0:13:34.840 --> 0:13:36.960
<v Speaker 4>I think it will make a difference. I mean I

0:13:37.000 --> 0:13:39.800
<v Speaker 4>think that yes. A couple of things really. One is

0:13:39.800 --> 0:13:43.400
<v Speaker 4>that the extent of Harvey's predation. You're right, we probably

0:13:43.640 --> 0:13:47.360
<v Speaker 4>never will know, because I think something that is examined

0:13:47.640 --> 0:13:51.720
<v Speaker 4>by the people in the series is very much the

0:13:51.720 --> 0:13:55.800
<v Speaker 4>pros and cons of coming forward and how they deliberated

0:13:55.840 --> 0:13:58.320
<v Speaker 4>about whether to come forward or not, and the tremendous

0:13:58.320 --> 0:14:01.000
<v Speaker 4>anxiety about doing that. And I think it's fair to

0:14:01.000 --> 0:14:03.280
<v Speaker 4>say that everyone who has come forward, there are many

0:14:03.280 --> 0:14:06.480
<v Speaker 4>many more who have not, and that's no shade to them.

0:14:06.600 --> 0:14:09.160
<v Speaker 4>I think it's it's an incredibly difficult thing to do,

0:14:09.520 --> 0:14:12.679
<v Speaker 4>takes great courage, and it's extremely risky. I don't think

0:14:12.960 --> 0:14:15.600
<v Speaker 4>it's not all upside by any means, but I do

0:14:15.640 --> 0:14:18.120
<v Speaker 4>think there is a rising tide and a sense that

0:14:18.440 --> 0:14:21.240
<v Speaker 4>enough is enough, and there is a sea change, and

0:14:21.280 --> 0:14:23.800
<v Speaker 4>I think that that's why you have the me Too movement,

0:14:23.840 --> 0:14:26.480
<v Speaker 4>which I think has been largely triggered by this Harvey

0:14:26.520 --> 0:14:30.760
<v Speaker 4>Weinstein scandal. But it's absolutely a current story. It doesn't

0:14:30.800 --> 0:14:33.200
<v Speaker 4>mean that all the work is done and all the

0:14:33.240 --> 0:14:36.160
<v Speaker 4>bad guys have gone. I think the problem in America

0:14:36.280 --> 0:14:41.120
<v Speaker 4>is that the bully type is tolerated, even lauded, and

0:14:41.440 --> 0:14:45.000
<v Speaker 4>has been given a free pass for far too long,

0:14:45.520 --> 0:14:48.800
<v Speaker 4>so to an extent that it's almost become institutionalized. And

0:14:48.840 --> 0:14:50.800
<v Speaker 4>I think you can look for proof of that no

0:14:50.920 --> 0:14:53.800
<v Speaker 4>further than the president we had for the last four years.

0:14:53.800 --> 0:14:57.640
<v Speaker 4>I mean, Trump was a bully who simply was never stopped.

0:14:58.000 --> 0:15:00.400
<v Speaker 4>No one ever stood up to him. And if you

0:15:00.400 --> 0:15:02.560
<v Speaker 4>don't stand up to a bully, they could well end

0:15:02.640 --> 0:15:07.240
<v Speaker 4>up being the president. And the cost of that is inestimable.

0:15:07.520 --> 0:15:11.360
<v Speaker 4>The number of lies lost, wrecked, destroyed. And let's not

0:15:11.400 --> 0:15:14.400
<v Speaker 4>forget Trump is someone who's been accused by twenty five

0:15:14.480 --> 0:15:18.080
<v Speaker 4>or twenty six women of rape and assault and harassment.

0:15:18.320 --> 0:15:21.440
<v Speaker 4>So it's not just the hundreds of thousands of lies

0:15:21.520 --> 0:15:24.440
<v Speaker 4>lost because of complete incompetence in the face of a pandemic.

0:15:24.720 --> 0:15:28.040
<v Speaker 4>It's also sex crimes as well. And he's still out

0:15:28.040 --> 0:15:30.280
<v Speaker 4>there walking free. So I think there's a long way

0:15:30.320 --> 0:15:32.160
<v Speaker 4>of saying I think there's a tremendous amount of work

0:15:32.240 --> 0:15:33.440
<v Speaker 4>still to too here.

0:15:33.960 --> 0:15:36.880
<v Speaker 1>We just hope that this kind of work does highlight it,

0:15:37.000 --> 0:15:39.560
<v Speaker 1>you know, that does start to draw a line under it.

0:15:39.600 --> 0:15:42.320
<v Speaker 1>I mean, we never will ever erode or eradicate the

0:15:42.400 --> 0:15:44.640
<v Speaker 1>villains in the world. It's very hard to do that.

0:15:44.760 --> 0:15:47.640
<v Speaker 1>But to be a good documentary filmmaker. How much are

0:15:47.720 --> 0:15:50.400
<v Speaker 1>you guys allowed to have a bias? I mean, no

0:15:50.400 --> 0:15:53.400
<v Speaker 1>matter how guilty, do you try and restrict your presentation

0:15:53.840 --> 0:15:54.840
<v Speaker 1>in any way.

0:15:54.720 --> 0:15:57.440
<v Speaker 2>You know, in this instance, for this series, we've made

0:15:57.520 --> 0:16:04.640
<v Speaker 2>many documentaries. This series is based on some incredible reporting

0:16:05.080 --> 0:16:11.560
<v Speaker 2>and some well sourced and well researched investigative journalism, so

0:16:12.360 --> 0:16:18.640
<v Speaker 2>we have no hesitations about the truths within it. So

0:16:19.200 --> 0:16:22.320
<v Speaker 2>you know, in all fairness, we only make films about

0:16:22.440 --> 0:16:26.680
<v Speaker 2>things we're passionate about, about things that we feel stories

0:16:26.680 --> 0:16:30.520
<v Speaker 2>that we feel are important to share about people who

0:16:30.680 --> 0:16:34.240
<v Speaker 2>either inspire us or who we feel need to be heard,

0:16:34.640 --> 0:16:38.440
<v Speaker 2>and this is absolutely an example of all of those things.

0:16:38.880 --> 0:16:42.440
<v Speaker 1>Well, the success of true crime and unpacking criminal cases

0:16:42.560 --> 0:16:45.200
<v Speaker 1>has a lot to do with making the audiences feel

0:16:45.240 --> 0:16:47.920
<v Speaker 1>like that they are detectives, that they are the ones

0:16:48.000 --> 0:16:50.920
<v Speaker 1>solving the crime. How did you plan and produce this

0:16:51.080 --> 0:16:53.360
<v Speaker 1>story and what tactics did you try and use to

0:16:53.440 --> 0:16:54.880
<v Speaker 1>keepe the view enthralled?

0:16:54.960 --> 0:16:57.520
<v Speaker 4>Well, you're right, it is a true crime story. But

0:16:57.600 --> 0:17:01.480
<v Speaker 4>I think sometimes true crime gives too much space to

0:17:01.840 --> 0:17:06.080
<v Speaker 4>the criminal and sort of inevitably puts them on a platform.

0:17:06.400 --> 0:17:08.320
<v Speaker 4>And I think, funnily enough, in this story, the least

0:17:08.320 --> 0:17:12.320
<v Speaker 4>important person is Harvey Weinstein, and our approach was very

0:17:12.400 --> 0:17:15.400
<v Speaker 4>much to focus on the victims, and so each episode

0:17:15.440 --> 0:17:17.800
<v Speaker 4>is very much about a different person, whether it's Amber

0:17:17.880 --> 0:17:20.879
<v Speaker 4>Gutierrez in the first episode who wore that wire, or

0:17:21.040 --> 0:17:24.280
<v Speaker 4>Rowena Chu who was an assistant to Harvey Weinstein who

0:17:24.320 --> 0:17:28.640
<v Speaker 4>he assaulted. These are all individual episodes in the series.

0:17:29.000 --> 0:17:32.840
<v Speaker 4>Another episode is the reporters ken A Ladder and Kim Masters,

0:17:32.840 --> 0:17:35.919
<v Speaker 4>who tried to break this story for many years. So

0:17:35.960 --> 0:17:38.080
<v Speaker 4>I think that that was our approach is a sort

0:17:38.119 --> 0:17:41.480
<v Speaker 4>of really, we're telling the story of the story, how

0:17:41.520 --> 0:17:45.919
<v Speaker 4>the story came out, and yes there's a true crime perspective,

0:17:46.240 --> 0:17:51.240
<v Speaker 4>but we're not really interested in giving space to the criminal.

0:17:51.680 --> 0:17:57.480
<v Speaker 2>We're inspired by all of these whistleblowers and journalists and

0:17:57.760 --> 0:18:01.480
<v Speaker 2>Rich Mchue, the producer who worked with rown In. They're

0:18:01.520 --> 0:18:04.280
<v Speaker 2>the heroes of the story and they're you know, the

0:18:04.400 --> 0:18:07.960
<v Speaker 2>hope is that they will inspire others. The hope is

0:18:08.600 --> 0:18:14.639
<v Speaker 2>that their strength and their voices will inspire people to

0:18:14.800 --> 0:18:20.080
<v Speaker 2>either support other whistleblowers or to speak truth that they

0:18:20.160 --> 0:18:22.959
<v Speaker 2>may have been anxious about speaking in the pasts.

0:18:23.560 --> 0:18:27.960
<v Speaker 1>Interestingly enough, you know, watching this documentary series after it finished,

0:18:28.480 --> 0:18:30.560
<v Speaker 1>it bled into my life in so many different ways.

0:18:30.560 --> 0:18:32.120
<v Speaker 1>I did watch it twice, and I had the same

0:18:32.119 --> 0:18:35.320
<v Speaker 1>reaction both times as I finished it, and it made

0:18:35.320 --> 0:18:37.360
<v Speaker 1>me want to be a better person. I don't know

0:18:37.400 --> 0:18:40.760
<v Speaker 1>how that is possible when the subject matter is sometimes

0:18:40.760 --> 0:18:44.159
<v Speaker 1>so bleak, but the ability for these courageous people to

0:18:44.160 --> 0:18:47.080
<v Speaker 1>share their stories was just so palpable, Like it was

0:18:47.200 --> 0:18:49.800
<v Speaker 1>just so courageous. I don't know. I just walked out

0:18:49.800 --> 0:18:52.119
<v Speaker 1>of it afterwards, being like, I want to prepare my

0:18:52.480 --> 0:18:55.320
<v Speaker 1>interviews better, I want to cook my dinner better. And

0:18:55.359 --> 0:18:58.119
<v Speaker 1>I think that's such a strange response, don't you think

0:18:58.160 --> 0:19:00.199
<v Speaker 1>to watching something like this, I.

0:19:00.200 --> 0:19:01.560
<v Speaker 4>Think it's very kind of you to say that. I

0:19:01.640 --> 0:19:04.840
<v Speaker 4>also think, in a sense, I do think the story

0:19:04.840 --> 0:19:06.960
<v Speaker 4>connects to all of us. I don't think by any

0:19:07.000 --> 0:19:11.040
<v Speaker 4>means all of us have been subjected necessarily to sexual harassment,

0:19:11.440 --> 0:19:14.919
<v Speaker 4>but I do think we all know what a bully is,

0:19:15.040 --> 0:19:18.880
<v Speaker 4>and I think that if anyone walks away strengthened and

0:19:18.960 --> 0:19:21.760
<v Speaker 4>inspired to stand up to a bully, I think that's great,

0:19:21.840 --> 0:19:25.120
<v Speaker 4>because I think there is no time like the present

0:19:25.280 --> 0:19:27.400
<v Speaker 4>to stop a bully, and if you don't stop them,

0:19:27.760 --> 0:19:30.359
<v Speaker 4>they're just going to go on and abuse more people

0:19:30.560 --> 0:19:32.280
<v Speaker 4>and run for president.

0:19:32.760 --> 0:19:33.080
<v Speaker 2>Right.

0:19:33.320 --> 0:19:35.439
<v Speaker 1>Call them out, you know, call them out before it happens.

0:19:35.480 --> 0:19:37.760
<v Speaker 1>I think that's the message. You know, how many times

0:19:37.760 --> 0:19:39.320
<v Speaker 1>do you think that you or anyone can hear a

0:19:39.359 --> 0:19:42.560
<v Speaker 1>story before it becomes true or in this case, becomes investigated.

0:19:42.640 --> 0:19:46.240
<v Speaker 4>Well, you know, it's an interesting situation, like just you know,

0:19:46.359 --> 0:19:48.720
<v Speaker 4>Ronan's just written a new piece in The New Yorker

0:19:49.160 --> 0:19:50.600
<v Speaker 4>all about Britney.

0:19:50.240 --> 0:19:54.119
<v Speaker 1>Spears and the the Conservativeship.

0:19:54.200 --> 0:19:57.840
<v Speaker 4>Yeah, conservativeship, which is what it's been thirteen years. And

0:19:57.880 --> 0:20:02.720
<v Speaker 4>I do feel with her recent court appearance there's a

0:20:02.760 --> 0:20:04.600
<v Speaker 4>sense in which she's being heard. But then on the

0:20:04.640 --> 0:20:07.960
<v Speaker 4>other hand, you know, the judge ruled not to dissolve

0:20:08.000 --> 0:20:12.800
<v Speaker 4>the conservatorship, and then you've got Bill Cosby who's just

0:20:12.880 --> 0:20:15.359
<v Speaker 4>been you know, whose case was just overturned. You know,

0:20:16.320 --> 0:20:18.760
<v Speaker 4>it doesn't change the fact that he drugged and raped

0:20:18.840 --> 0:20:19.920
<v Speaker 4>multiple women.

0:20:20.600 --> 0:20:22.520
<v Speaker 1>And he admitted to it. You know, like that's the

0:20:22.600 --> 0:20:25.480
<v Speaker 1>hard thing, you know, like there's a confession on the

0:20:25.520 --> 0:20:27.639
<v Speaker 1>record at some point, and then you're trying to change

0:20:27.640 --> 0:20:30.880
<v Speaker 1>the narrative. It's it's terrifying to think that these things

0:20:30.960 --> 0:20:34.439
<v Speaker 1>can happen now, you know, people in positions of power

0:20:34.480 --> 0:20:38.080
<v Speaker 1>have been protected by fear that they install into their victims.

0:20:38.359 --> 0:20:40.800
<v Speaker 1>Do you think that people these days can't get away

0:20:40.800 --> 0:20:43.760
<v Speaker 1>with as much because of the visibility allowed, you know,

0:20:43.880 --> 0:20:47.000
<v Speaker 1>or available due to the Internet. You know, here we are,

0:20:47.040 --> 0:20:49.399
<v Speaker 1>I'm in Melbourne, Australia talking to you guys, which is

0:20:49.480 --> 0:20:53.280
<v Speaker 1>kind of amazing. But do you think that now because

0:20:53.280 --> 0:20:55.800
<v Speaker 1>of the Internet, that that is allowing people to be

0:20:56.160 --> 0:20:58.560
<v Speaker 1>I don't know, to take away some of that private

0:20:58.640 --> 0:21:01.280
<v Speaker 1>fear that gets installed into them because there are means

0:21:01.280 --> 0:21:03.280
<v Speaker 1>to be able to share your story potentially.

0:21:03.359 --> 0:21:05.919
<v Speaker 4>Yes. At the same time, though, I think you've got

0:21:05.920 --> 0:21:07.880
<v Speaker 4>to bear in mind that, you know, fear is still

0:21:07.920 --> 0:21:12.000
<v Speaker 4>being used to control people and intimidate them into silence

0:21:12.480 --> 0:21:16.280
<v Speaker 4>in all sorts of ways, you know, And and I

0:21:16.320 --> 0:21:20.040
<v Speaker 4>think that's the thing again to fight back against and

0:21:20.119 --> 0:21:23.919
<v Speaker 4>that you know, the Internet can be It's great that

0:21:23.960 --> 0:21:26.000
<v Speaker 4>you and I can have this conversation, you know, But

0:21:26.080 --> 0:21:29.960
<v Speaker 4>at the same time, the Internet can also spread lies

0:21:30.000 --> 0:21:33.800
<v Speaker 4>and false and full stories and be used to intimidate people.

0:21:33.960 --> 0:21:37.880
<v Speaker 4>And I think that Trump demonstrated how you can pervert

0:21:38.000 --> 0:21:42.320
<v Speaker 4>truth and corrupt truth actually quite easily using the Internet.

0:21:42.640 --> 0:21:46.560
<v Speaker 2>And you know, power and tyranny is like a virus,

0:21:46.920 --> 0:21:51.120
<v Speaker 2>and there are variants, and it's incredibly adaptable and so

0:21:51.200 --> 0:21:55.240
<v Speaker 2>that you know, while there may be different means to

0:21:55.400 --> 0:22:00.480
<v Speaker 2>spread truths, there these same means are They are to

0:22:00.600 --> 0:22:06.120
<v Speaker 2>spread untruths and to be used and corrupted by people

0:22:06.240 --> 0:22:09.639
<v Speaker 2>who have, you know, whose goals are not in the

0:22:09.640 --> 0:22:12.360
<v Speaker 2>best interest of anyone other than themselves.

0:22:12.680 --> 0:22:14.800
<v Speaker 1>I want to offer you guys a scenario that I

0:22:14.840 --> 0:22:17.840
<v Speaker 1>would love your interpretation on. You know, there are two

0:22:17.920 --> 0:22:20.400
<v Speaker 1>people in a room and they sort of both walk out,

0:22:20.800 --> 0:22:24.359
<v Speaker 1>they both witness the same thing. How many truths are there?

0:22:24.440 --> 0:22:27.240
<v Speaker 1>And how many ways can we interpret the truth?

0:22:27.720 --> 0:22:32.480
<v Speaker 2>Everyone? Everything is so subjective and two people can see

0:22:32.520 --> 0:22:36.600
<v Speaker 2>the same thing and have a completely different perspective on it.

0:22:36.920 --> 0:22:41.000
<v Speaker 2>I mean, you know, it's interesting because as documentary filmmakers,

0:22:41.080 --> 0:22:44.800
<v Speaker 2>we've been making films for a very long time, and

0:22:45.280 --> 0:22:48.800
<v Speaker 2>every single one of them is about an idea or

0:22:48.840 --> 0:22:51.760
<v Speaker 2>a person or a group of people who we are

0:22:51.880 --> 0:22:54.879
<v Speaker 2>passionate about, whether it was you know, the eyes of

0:22:54.920 --> 0:22:58.479
<v Speaker 2>Tammy Fay or Monica Lewinsky in Black and White. And

0:22:58.680 --> 0:23:03.720
<v Speaker 2>we never we never pretended that we were coming in

0:23:03.920 --> 0:23:10.159
<v Speaker 2>as these completely objective filmmakers. We've always been direct and

0:23:10.359 --> 0:23:15.200
<v Speaker 2>upfront that you know, there is a point of view

0:23:15.240 --> 0:23:21.879
<v Speaker 2>here and we're always open to the possibility of that

0:23:22.040 --> 0:23:24.800
<v Speaker 2>point of view changing and the process of making the film.

0:23:25.119 --> 0:23:30.000
<v Speaker 2>But we're documentary filmmakers. We don't consider ourselves an investigative journalists.

0:23:30.200 --> 0:23:34.159
<v Speaker 2>Ronan is an investigative journalist, and this series is based

0:23:34.200 --> 0:23:39.840
<v Speaker 2>on his work. So our job was to represent his work,

0:23:39.880 --> 0:23:43.639
<v Speaker 2>which we were very passionate about, and his work I

0:23:43.760 --> 0:23:49.440
<v Speaker 2>believe is closer to representing objective truth than most documentaries are,

0:23:50.000 --> 0:23:54.600
<v Speaker 2>because objectivity subjectivity. It's you know, you pick up the camera,

0:23:55.160 --> 0:23:58.880
<v Speaker 2>whatever way you point it, you immediately have a point

0:23:58.920 --> 0:24:05.000
<v Speaker 2>of view. This project is precious because of the work

0:24:05.480 --> 0:24:11.400
<v Speaker 2>it's based on, and because of Ronan himself, the conversations

0:24:11.440 --> 0:24:17.240
<v Speaker 2>he's had with these people, his ability to combine compassion

0:24:17.359 --> 0:24:22.960
<v Speaker 2>and empathy with you know, such a kind of incredible intellect.

0:24:23.480 --> 0:24:29.639
<v Speaker 2>He's put together something incredible. And Fenton and myself, along

0:24:29.640 --> 0:24:34.360
<v Speaker 2>with these incredible artists, we've worked with, editors and composers.

0:24:34.960 --> 0:24:39.280
<v Speaker 2>I hope that we've been able to take the work

0:24:39.320 --> 0:24:44.280
<v Speaker 2>that he's done and amplify it. You know, we never

0:24:44.600 --> 0:24:48.679
<v Speaker 2>had an agenda other than to kind of broaden the

0:24:48.720 --> 0:24:50.320
<v Speaker 2>potential audience for it.

0:24:50.880 --> 0:24:53.720
<v Speaker 1>Well, your work consistently offers a crystal clear vision of

0:24:53.760 --> 0:24:56.600
<v Speaker 1>the truth. I mean in everything I've ever watched of yours.

0:24:56.600 --> 0:24:58.119
<v Speaker 1>And as I said to you at the start of this,

0:24:58.240 --> 0:25:00.640
<v Speaker 1>I've been in your audience for so long and I

0:25:00.680 --> 0:25:03.719
<v Speaker 1>love your work because it's simplictic. It has a simplistic

0:25:04.119 --> 0:25:07.000
<v Speaker 1>but almost perfect tone to it, you know, a vision

0:25:07.040 --> 0:25:10.480
<v Speaker 1>which you know so much clarity is given to the

0:25:10.520 --> 0:25:13.000
<v Speaker 1>audience that sometimes we can feel drunk on the truth

0:25:13.119 --> 0:25:16.080
<v Speaker 1>because you don't miss a beat. You know, it's actually

0:25:16.160 --> 0:25:20.000
<v Speaker 1>genius in so many ways. What kind of mission statement

0:25:20.040 --> 0:25:22.440
<v Speaker 1>do you both work by? And you know how much

0:25:22.480 --> 0:25:25.320
<v Speaker 1>scrutiny do you have over the over the fine edges

0:25:25.359 --> 0:25:26.280
<v Speaker 1>of your storytelling?

0:25:26.440 --> 0:25:28.680
<v Speaker 4>Well, I think Renn and I like we are very

0:25:28.680 --> 0:25:30.960
<v Speaker 4>passionate about what we do, and I think that we

0:25:31.000 --> 0:25:35.600
<v Speaker 4>only do things that we really care about. And and

0:25:35.680 --> 0:25:39.760
<v Speaker 4>I think, you know, sometimes we wondered, gosh, what does

0:25:39.800 --> 0:25:45.560
<v Speaker 4>connect you know, Timmy Fay with Monarcher in Black and White,

0:25:45.880 --> 0:25:49.240
<v Speaker 4>with Catch and Kill podcast tapes? And I think it

0:25:49.320 --> 0:25:53.040
<v Speaker 4>is that sense of outside of voices or voices that

0:25:53.240 --> 0:25:57.359
<v Speaker 4>are marginalized or ignored. And I think that you know,

0:25:57.680 --> 0:26:01.960
<v Speaker 4>as a couple of gay guys, is we feel that

0:26:02.200 --> 0:26:05.920
<v Speaker 4>you know, have grown up feeling that marginalization, and I

0:26:06.280 --> 0:26:08.919
<v Speaker 4>think that that feeling of being an outsider, and I

0:26:08.960 --> 0:26:11.680
<v Speaker 4>think we just want to tell the stories that don't

0:26:11.680 --> 0:26:15.160
<v Speaker 4>get told. And I think that.

0:26:17.400 --> 0:26:19.920
<v Speaker 1>Giving the minority a voice, you know, I think that

0:26:19.920 --> 0:26:22.520
<v Speaker 1>that's something that I can see in so much of

0:26:22.560 --> 0:26:25.200
<v Speaker 1>your work is I can feel that understanding. I can

0:26:25.200 --> 0:26:27.600
<v Speaker 1>feel that under I can I can feel the knowing

0:26:28.280 --> 0:26:31.160
<v Speaker 1>or your own journey in the fact that you are

0:26:31.200 --> 0:26:34.560
<v Speaker 1>giving a voice to the minority and then letting the

0:26:34.600 --> 0:26:37.359
<v Speaker 1>majority sort of digest it. I mean, you both have

0:26:37.440 --> 0:26:40.840
<v Speaker 1>brought the LGBTI community space just so much joy with

0:26:40.920 --> 0:26:45.200
<v Speaker 1>RuPaul's drag race And a question that I have personally,

0:26:45.200 --> 0:26:47.080
<v Speaker 1>and I just would be remissive me not to ask

0:26:47.119 --> 0:26:50.760
<v Speaker 1>you one question about RuPaul is how much has this

0:26:50.960 --> 0:26:53.160
<v Speaker 1>phenomenon exceeded your expectations.

0:26:54.359 --> 0:26:59.159
<v Speaker 2>It's crazy, the phenomenon of the show has exceeded expectations.

0:27:00.000 --> 0:27:04.359
<v Speaker 2>Nomanon of Rue Paul has not, because at the heart

0:27:04.400 --> 0:27:08.760
<v Speaker 2>of the show is Rue and his message, and everybody

0:27:08.800 --> 0:27:15.000
<v Speaker 2>say love and that spirituality and that curiosity is real,

0:27:16.000 --> 0:27:19.920
<v Speaker 2>and so are the looks and the hair and everything else.

0:27:20.200 --> 0:27:24.439
<v Speaker 2>But it's the combination they say they want to do

0:27:24.480 --> 0:27:27.080
<v Speaker 2>all this stuff in life, but they want to hold on.

0:27:27.080 --> 0:27:30.199
<v Speaker 4>To all of the baggage. But to be able to

0:27:30.200 --> 0:27:32.160
<v Speaker 4>move forward, you've got to be willing to let someone.

0:27:32.280 --> 0:27:34.639
<v Speaker 2>You've got to be willing to let all of it go, really,

0:27:35.119 --> 0:27:37.840
<v Speaker 2>you know, And so.

0:27:36.960 --> 0:27:38.520
<v Speaker 1>Did Rand and Fenton help you do that?

0:27:38.560 --> 0:27:39.200
<v Speaker 4>Absolutely?

0:27:40.960 --> 0:27:43.479
<v Speaker 2>Yeah. I don't want to compare a Ronan with Rue,

0:27:43.720 --> 0:27:47.440
<v Speaker 2>but there is a similarity in like, these people who

0:27:47.440 --> 0:27:52.520
<v Speaker 2>are incredibly compassionate and empathetic on the one hand, but

0:27:52.640 --> 0:27:56.720
<v Speaker 2>have this also have this intellect. So I do think

0:27:56.760 --> 0:28:00.960
<v Speaker 2>that that the show, the phenomen of the show has

0:28:01.000 --> 0:28:03.920
<v Speaker 2>been surprising, but the success of the show there's room

0:28:03.960 --> 0:28:06.520
<v Speaker 2>at the heart and then it's all about these queens,

0:28:07.119 --> 0:28:10.680
<v Speaker 2>these queens you fall in love with. That's why it's

0:28:10.760 --> 0:28:14.359
<v Speaker 2>gone on and on and on and will probably for

0:28:14.440 --> 0:28:18.040
<v Speaker 2>a while because there's planning more out there, and well.

0:28:17.920 --> 0:28:21.520
<v Speaker 1>You've come to Australia, you know, like it's in you know.

0:28:21.960 --> 0:28:26.000
<v Speaker 1>The interesting thing about the story is globally expanding it.

0:28:26.080 --> 0:28:28.880
<v Speaker 1>But then also it's so interesting now that it came

0:28:28.920 --> 0:28:31.320
<v Speaker 1>to Australia. And I understood because I'd met some of

0:28:31.359 --> 0:28:34.520
<v Speaker 1>the queens on the show before that it's interesting that

0:28:34.640 --> 0:28:37.240
<v Speaker 1>you're going down these roads and finding people from rough track,

0:28:37.359 --> 0:28:39.560
<v Speaker 1>you know, like it's in people who have had it

0:28:39.600 --> 0:28:42.880
<v Speaker 1>hard and then elevating them and putting them on a platform.

0:28:43.160 --> 0:28:46.560
<v Speaker 1>That's powerful, you know, you know, that's actually going beyond

0:28:46.640 --> 0:28:50.880
<v Speaker 1>just going to a country and retelling the story, you know,

0:28:51.040 --> 0:28:53.800
<v Speaker 1>just keep going down those parts and allowing people that

0:28:53.840 --> 0:28:56.120
<v Speaker 1>probably never thought they could be on television to be

0:28:56.240 --> 0:28:57.880
<v Speaker 1>on television. That's powerful.

0:28:58.080 --> 0:29:01.160
<v Speaker 2>People who've always deserved to be on televison. Exact, they

0:29:01.360 --> 0:29:04.880
<v Speaker 2>are talented, if not more than any movie star or

0:29:05.000 --> 0:29:08.320
<v Speaker 2>pop star or TV star. We've always felt that way.

0:29:08.720 --> 0:29:13.320
<v Speaker 2>We've always you know, we'd rather be at the local

0:29:13.440 --> 0:29:17.000
<v Speaker 2>drag club than on a red carpet in Hollywood.

0:29:17.760 --> 0:29:21.000
<v Speaker 4>Yeah, that talent in our street is phenomenal, and it's

0:29:21.160 --> 0:29:24.080
<v Speaker 4>you know, it's just been the factor that has been

0:29:24.200 --> 0:29:27.000
<v Speaker 4>ignored for so long, is the opportunity that drag race

0:29:27.040 --> 0:29:30.960
<v Speaker 4>has been able to take advantage of. But it's you know, look,

0:29:31.000 --> 0:29:33.200
<v Speaker 4>it's the same thing in a way. It's like, you know,

0:29:33.240 --> 0:29:36.200
<v Speaker 4>a drag queen. No one becomes a drag queen accidentally

0:29:36.320 --> 0:29:40.200
<v Speaker 4>and finds themselves on a stage. It takes courage and

0:29:40.320 --> 0:29:45.280
<v Speaker 4>guts and real determination, often to the extent of you know,

0:29:45.800 --> 0:29:49.360
<v Speaker 4>you are rejected by your family, you know, you're kicked

0:29:49.360 --> 0:29:53.040
<v Speaker 4>out it. So many of those queens have been through

0:29:53.080 --> 0:29:55.760
<v Speaker 4>so much to be who they are, and I think

0:29:55.800 --> 0:29:58.640
<v Speaker 4>that's what Renn and I respond to, is that that

0:29:58.800 --> 0:30:03.240
<v Speaker 4>authenticity and that that determination to be themselves and not

0:30:03.360 --> 0:30:08.040
<v Speaker 4>to be bullied by other people into one thing or another.

0:30:08.240 --> 0:30:10.480
<v Speaker 1>You know, I think it's a message of being true

0:30:10.480 --> 0:30:12.240
<v Speaker 1>to yourself because I mean, even if you go through

0:30:12.280 --> 0:30:14.640
<v Speaker 1>a lot of your work, you know, with wishful drinking

0:30:14.680 --> 0:30:17.280
<v Speaker 1>with Carrie Fisher, you know, there's just actually just so

0:30:17.360 --> 0:30:19.080
<v Speaker 1>many I could list, I could list to so many

0:30:19.160 --> 0:30:22.200
<v Speaker 1>of them, but these people that are undeniable truth tellers

0:30:22.520 --> 0:30:24.640
<v Speaker 1>and that are not going to apologize for it, which

0:30:25.480 --> 0:30:28.040
<v Speaker 1>you know, I think is some of the strongest messages

0:30:28.040 --> 0:30:29.160
<v Speaker 1>that we can give young people.

0:30:29.400 --> 0:30:31.560
<v Speaker 4>They inspire us. I mean, those people is I think

0:30:31.600 --> 0:30:34.040
<v Speaker 4>that's why Ranny and I do this, is because you know,

0:30:34.120 --> 0:30:36.520
<v Speaker 4>we've learned so much Tammy fay ord Us so much,

0:30:36.640 --> 0:30:39.440
<v Speaker 4>Carry Fisher sort of so much, Monica Lewinski. I mean,

0:30:39.760 --> 0:30:42.880
<v Speaker 4>they are truth tellers and they're inspiring and we are

0:30:42.960 --> 0:30:45.920
<v Speaker 4>so grateful to them because in telling their story to

0:30:45.960 --> 0:30:47.960
<v Speaker 4>some extent, we've been able to learn from them.

0:30:48.240 --> 0:30:50.040
<v Speaker 1>Well, one question I have which I ask all my

0:30:50.080 --> 0:30:52.680
<v Speaker 1>guests before they go, and that is, what's an amazing

0:30:52.720 --> 0:30:54.720
<v Speaker 1>story from behind the scenes that we as an audience

0:30:54.760 --> 0:30:56.480
<v Speaker 1>would appreciate that we may not have seen.

0:30:56.880 --> 0:30:59.320
<v Speaker 4>That's a really good question. It was an unusual project though,

0:30:59.320 --> 0:31:05.520
<v Speaker 4>because it was all done so remotely. No, it's hard

0:31:05.560 --> 0:31:08.440
<v Speaker 4>to think of a behind the scenes moment because as

0:31:08.520 --> 0:31:11.120
<v Speaker 4>a group, we've never really been together. We've all been

0:31:11.240 --> 0:31:13.200
<v Speaker 4>like in our different spaces.

0:31:13.440 --> 0:31:18.320
<v Speaker 2>We did film, There was a lot of filming. Most

0:31:18.320 --> 0:31:20.440
<v Speaker 2>of it was in the basement of World of Wonder,

0:31:20.560 --> 0:31:27.800
<v Speaker 2>with everybody masked up, and a lot of experimentation ink

0:31:28.000 --> 0:31:34.200
<v Speaker 2>drops into water and ice cubes into glasses and you

0:31:34.240 --> 0:31:37.720
<v Speaker 2>know stuff that I mean, we love doing that kind

0:31:37.760 --> 0:31:38.240
<v Speaker 2>of stuff.

0:31:38.600 --> 0:31:41.200
<v Speaker 4>I mean, it is so strange. We have not met

0:31:41.280 --> 0:31:44.960
<v Speaker 4>a single person in the series other than Rona, right,

0:31:45.120 --> 0:31:48.400
<v Speaker 4>I mean face to face Brandy. I met Harvey Weinstein

0:31:48.480 --> 0:31:52.120
<v Speaker 4>once and in passing and it wasn't it's so weird,

0:31:52.280 --> 0:31:55.640
<v Speaker 4>like nothing to do with this project. But even we

0:31:55.640 --> 0:31:58.640
<v Speaker 4>were at Sundance and was barreling down Main Street and

0:31:58.880 --> 0:32:02.920
<v Speaker 4>you just the ck factor was I don't know, I

0:32:03.080 --> 0:32:06.440
<v Speaker 4>just just I personally always thought he was a repulsive person.

0:32:06.880 --> 0:32:08.360
<v Speaker 1>I've been in your audience for so long, and I

0:32:08.400 --> 0:32:10.240
<v Speaker 1>could all continue to be and thank you for telling

0:32:10.280 --> 0:32:13.320
<v Speaker 1>such amazing stories, and I will all forever be in

0:32:13.320 --> 0:32:13.880
<v Speaker 1>your audience.

0:32:14.160 --> 0:32:17.000
<v Speaker 4>I hear you, thank you for watching it. That's so touching.

0:32:17.080 --> 0:32:17.400
<v Speaker 1>Thank you,