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Speaker 1: Dowered by the radio WAB from ninety six air FM

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Speaker 1: to whereever you're listening today.

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Speaker 2: This is Clezy and Lisa's podcast.

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Speaker 3: Coming up on the podcast, a guitar god and a

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Speaker 3: rocker who loves Quaker's Steve Vie.

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Speaker 4: We took your calls on how you embarrassed yourself on holidays.

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Speaker 3: And Benochet looked at the movie Strays.

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Speaker 5: Oh.

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Speaker 4: The Matilda's World Cup hopes came to an end last night,

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Speaker 4: beaten in the semi final by England three to one.

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Speaker 4: Someone who didn't miss a minute of their amazing run

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Speaker 4: is Channel seven's Sports straordinaire Anna Hay.

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Speaker 2: Good morning, Hello, How are you okay? Are you all right?

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Speaker 2: Are you okay?

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Speaker 6: I'm okay, yeah, yeah, not what I was hoping for,

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Speaker 6: not along a whole.

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Speaker 3: I think I'm.

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Speaker 2: Alone, So you know where to now?

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Speaker 4: There's been an unprecedented out pouring for this team over

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Speaker 4: the past few weeks. Will they be able to carry

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Speaker 4: that through to their advantage?

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Speaker 6: Now?

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Speaker 4: Are they likely to see some more investment their sport

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Speaker 4: coming their way?

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Speaker 6: Well hopefully, I mean Sam Kerr did ask for more

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Speaker 6: financial support to ensure that, you know, the semi final

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Speaker 6: in the World Cup was not just one off. She

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Speaker 6: basically said, we do need more funding at the ground roots.

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Speaker 6: And I did go to her club on her former club,

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Speaker 6: the Western Nights, on Tuesday, and they said that they

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Speaker 6: have had so many calls from parents wanting their little

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Speaker 6: girls and little boys to sign up and play soccer. Now.

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Speaker 6: I think it's the interest of you know, soccer is

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Speaker 6: going to skyrocket, so it's you know, they might not

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Speaker 6: have gotten through to the final, but they certainly have changed.

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Speaker 6: And I will play for third now against Sweden on

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Speaker 6: Saturday night in Brisbane. This doesn't really work in their favor,

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Speaker 6: but Sweden has played in the third place playoffs three

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Speaker 6: times before and they've won all.

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Speaker 3: Three women's Sir World Soccer.

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Speaker 6: Yeah they are Hopefully we can change that.

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Speaker 3: Yeah, I know that we went down last night, but

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Speaker 3: that's Sam Kerr goal was absolute, top world class. We

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Speaker 3: know how good she is, but there was incredible, wasn't it.

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Speaker 5: It was.

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Speaker 6: Honestly, I couldn't believe my eyes. I jumped that high

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Speaker 6: off the cout. It was. It was incredible and I

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Speaker 6: think we hadn't seen her all that much this tournament.

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Speaker 6: Obviously interesting on the bench with injury for a lot

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Speaker 6: of it. But that's the Sam Curve we knew we

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Speaker 6: needed and if we were going to go through this

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Speaker 6: tournament and it was absolutely incredible, I think she would

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Speaker 6: have the whole country would have erupted in that moment.

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Speaker 4: Finishing top four, as we said, is amazing in the

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Speaker 4: World Cup. What does this mean for the individual players

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Speaker 4: where they find themselves fielding all sorts of interest internationally?

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Speaker 6: Yeah, I mean a lot of them are already with

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Speaker 6: England clubs like Sam Curve, they just really up to.

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Speaker 2: Their own, you know, sort of value things.

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Speaker 6: They definitely would have, as I said, are part of

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Speaker 6: clubs already, but they also will focus on the Olympics, so.

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Speaker 2: It's still that's not Yeah.

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Speaker 6: That's in twenty twenty four and the qualifiers start later

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Speaker 6: this year, so that's we still have hope.

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Speaker 4: And for women's sport in general, how would you sum

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Speaker 4: up the last few weeks and the legacy of it.

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Speaker 6: I actually was thinking about this the other day. I

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Speaker 6: don't even know if I thought I would ever see

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Speaker 6: anything like this. For women to be able to fill

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Speaker 6: out a stadium with seventy thousand plus people is remarkable

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Speaker 6: and it has just I think it's it's this World

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Speaker 6: Cup has changed the game and the.

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Speaker 3: Rest so many women, so many scarves and shirts around

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Speaker 3: this nation in household. It wouldn't have been there if

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Speaker 3: it wasn't for this team getting so far in Yeah.

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Speaker 6: Absolutely, And I spoke to someone the other day who

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Speaker 6: was saying they've actually sold more Matilda's merch than soccer

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Speaker 6: Roo's merch so like in history. So it just shows

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Speaker 6: the popularity of this team and I think Kerr has

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Speaker 6: a huge sway in that. But we've also seen the

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Speaker 6: depth of this squad and you know it's not just

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Speaker 6: Sam Kerr. I mean, she's incredible though, and last night

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Speaker 6: she reminded us of.

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Speaker 3: That a lot of these girls play in England and

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Speaker 3: I mean the French League as well. So it's yeah,

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Speaker 3: it is a it's a very good side, but they

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Speaker 3: just were they were beaten by a better team last night.

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Speaker 7: Yea.

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Speaker 6: Yeah, England definitely dominated, had more of the ball and

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Speaker 6: you know, capitalized on their opportunities. But still have to

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Speaker 6: be proud of that performance. Performance.

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Speaker 4: Well, hats off to the Matilda's good luck on Saturday

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Speaker 4: with the bronze. I don't have to get words, but

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Speaker 4: you know what I mean, And we will see you

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Speaker 4: tomorrow morning.

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Speaker 5: Tomorrow, yeah, tomorrow.

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Speaker 8: See.

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Speaker 4: Two American tourists were found sleeping near the top of

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Speaker 4: the Eiffel Tower yesterday after drunkenly getting trapped inside woops.

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Speaker 2: Security guards are believe.

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Speaker 4: To have roused the men as they were making their

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Speaker 4: rounds before the French landmarks nine am opening time.

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Speaker 2: Wiki Wiki.

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Speaker 4: The Americans had spent the night in a spot normally

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Speaker 4: close to the public between the towers second and third levels.

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Speaker 4: They brought they'd bought, I beg your pardon an entry

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Speaker 4: ticket late the night before, and then they'd gone to

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Speaker 4: have a little lookie and then hopped security barriers while

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Speaker 4: climbing down the stairs from the tower's top. Firefighters, including

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Speaker 4: a specialist unit for recovering people from dangerous heights, were

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Speaker 4: sent to get them. It delayed the Eiffel Tower opening

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Speaker 4: yesterday for an hour.

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Speaker 3: Too much French wine. The twits absolutely sourced as a man.

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Speaker 4: And they just stopped saying late in front of it,

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Speaker 4: like that's stupid, good, okay, down.

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Speaker 3: But as you said earlier, when we said we're going

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Speaker 3: to be talking about this, remember you're out in the bed.

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Speaker 2: Remember you're out yourself.

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Speaker 3: Nice holidays, look, sometimes there are things that aren't necessarily

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Speaker 3: can be avoided. I remember being a holiday in Singapore,

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Speaker 3: and Singapore is a very humid place, and as you know,

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Speaker 3: I'm a bit of a sweater so I was walking

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Speaker 3: around Singapore in a light blue T shirt.

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Speaker 5: Yeah, I went.

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Speaker 3: We ended up at Orchard Road where all the fancy

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Speaker 3: high end labels and shops are nice. So you got

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Speaker 3: your fashion places Christian or or Gucci whatever. I remember

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Speaker 3: all of a sudden being inside a very fancy art

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Speaker 3: shop looking at these art pieces, and then I saw

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Speaker 3: your sweaty tea shir saw myself in the mirror. My

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Speaker 3: light blue shirt was dark blue, and I was so embarrassed,

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Speaker 3: and all of a sudden the aircon kicked in. It

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Speaker 3: was like, oh, but embarrassed on holiday turned it on

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Speaker 3: for you, of course I did. They saw the sweaty

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Speaker 3: Australian for the sweaty Australian.

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Speaker 4: Yeah, and then because they do keep themselves dice in Singapore,

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Speaker 4: you just feel like a big, lumbering sweaty Foh absolutely.

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Speaker 3: Funny how you say that. That's what I was, because

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Speaker 3: the people in there were buying these thirty thousand dollars.

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Speaker 5: Right pieces not me.

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Speaker 2: Did you get anything?

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Speaker 3: I tell you you should? I give a dry one.

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Speaker 4: Well we want to hear from you is how did

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Speaker 4: you embarrass yourself on holiday? Donna and Yanjeba, Hello, Hello,

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Speaker 4: good money. Why did you embarrass yourself on holiday?

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Speaker 8: We were in Sandy Dassa in Bali diving. We thought

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Speaker 8: we'd go diving and we got already and I thought, no,

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Speaker 8: I better go to the lou before we headed off

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Speaker 8: on their little tiny boat. Yeah yeah, and there those

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Speaker 8: you know, the squat toilet yea. Anyway, got through dad

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Speaker 8: all right, and put my buck at the water down it.

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Speaker 8: But then I couldn't open the door. I couldn't get

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Speaker 8: out in the toilet, and there was this little window

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Speaker 8: above the toilet, and I've been yelling, going, you know,

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Speaker 8: I can't get out. Help help, help, help, please help

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Speaker 8: please mum. So then I thought, well, my only option

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Speaker 8: now is to scrabble out through this window. So I

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Speaker 8: thought it didn't chimney effect like climbing up the walls

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Speaker 8: literally with the with the squat toilet under me, which

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Speaker 8: is a little bit scary perilous.

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Speaker 5: Yeah, yeah, I.

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Speaker 8: Was actually going to get out of this window. But

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Speaker 8: I did get my head out, so.

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Speaker 6: I help.

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Speaker 5: A long drop.

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Speaker 2: Someone wasn't that long.

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Speaker 8: It wasn't that long. It was like a really really.

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Speaker 4: Long head out the window, braced over squat toilet.

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Speaker 5: It's a lot.

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Speaker 2: Yeah, that's not a place you want to be.

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Speaker 3: And was it one of those ones don where it

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Speaker 3: was just a simple latch you couldn't operate. Maybe then

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Speaker 3: became more embarrassing.

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Speaker 8: Was really super simple.

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Speaker 4: Never mind, you're still with us.

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Speaker 5: It's good.

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Speaker 4: Praying Quinn's rock. Hello, Hey, good morning, How are you good?

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Speaker 5: Good?

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Speaker 2: How did you embarrass yourself on holiday?

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Speaker 9: A few years ago now, my ben partner and I

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Speaker 9: were going on a cruise out of Singapore with her

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Speaker 9: family to celebrate her mom and dad's fiftieth wedding anniversary.

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Speaker 5: Nice.

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Speaker 9: Prior to leaving hers birth I was I won't mention

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Speaker 9: the shop. That was just one of the two dollar places.

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Speaker 9: I bought a pair of rouffy pink handcuffs to have

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Speaker 9: a basically the teas to packed member back think anything

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Speaker 9: of it. When we were at immigration in Singapore heading

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Speaker 9: towards the boat. Brand Singapore considered handcuffs to be a weapon.

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Speaker 5: Yeah, yeah, I'm put.

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Speaker 9: Out the line basically to say you've got a weapon,

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Speaker 9: and I'm like, what about them? An hour and a

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Speaker 9: half late, like everybody else is on board the ship,

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Speaker 9: I'm still sitting with Immigration explaining to them that they

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Speaker 9: were a child's toy. I mean they're bright, yeah, yeah,

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Speaker 9: And it was only when I showed them that you

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Speaker 9: could undo the handcuffs by a little clip on them.

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Speaker 9: You didn't need to thet.

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Speaker 10: Yeah.

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Speaker 9: They basically said, okay, you can go. I mean they

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Speaker 9: were very light metal and I said, looked bit of

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Speaker 9: toys and I actually snapped them in half in front

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Speaker 9: of the immigration officers. Of course, then I've got on

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Speaker 9: the boat and everybody wanted.

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Speaker 3: To know why and you had a weapon of restraint.

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Speaker 9: You know, we didn't go there.

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Speaker 2: They talked about you and the immigration apartment.

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Speaker 4: Therefore, it's coming out of your bag can be some

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Speaker 4: of the most embarrassing moments.

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Speaker 3: Absolutely, Yeah, because you've got people behind you and they've

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Speaker 3: seen something dodgy on the scan and they're rifling through

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Speaker 3: and checking stuff around to a costume body. Yeah, they're

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Speaker 3: not real cable tize, but that's an embarrassing one.

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Speaker 4: My friend ethel Chop, you know, I thought, yeah, yeah,

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Speaker 4: she had an incident also with Singapore Immigration when because

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Speaker 4: ethel Chop is a character, yeah, an older lady.

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Speaker 2: Hilarious, very large bosom sorest.

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Speaker 4: Let's say she was a prosthetic bosom, and Immigration's opened

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Speaker 4: her suitcase and this thing has just lopped.

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Speaker 11: Like like sprung up, like it's like donning a Thanksgiving

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Speaker 11: like you know when you bread since the counter to

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Speaker 11: expand the bo and she had quite a hard time

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Speaker 11: trying to explain.

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Speaker 2: That I'm a comedian.

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Speaker 5: Yeah, yeah, and I.

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Speaker 2: This is my cost that's embarrassing, Yeah, embarrassing. Carolyn and Willeton.

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Speaker 12: I was on a skiing holiday, last run of the day,

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Speaker 12: got to go on the chairlift to go back to

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Speaker 12: the hotel and managed to drop one of my ski

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Speaker 12: poles below the chairlift. So I'm going to have to

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Speaker 12: go back and get that. So I go all the

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Speaker 12: way down the lift, go all the way back up

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Speaker 12: to go and ski down and try and pick it up.

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Speaker 12: Halfway back up, the ski lift stopped and I'm hanging

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Speaker 12: in mid air clouds coming down. I'm like, Okay, I

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Speaker 12: wonder if I remember I'm here. So waited a few minutes,

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Speaker 12: thinking I could slide out of the chair and probably jump,

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Speaker 12: I might break my leg. Note, what are we going

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Speaker 12: to do? And it merched back into motion. Got up

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Speaker 12: the top of this Spanish man's yelling at me and

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Speaker 12: all abusing me and throws me back on the chairlift

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Speaker 12: again to go back down again. I'm like, but I

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Speaker 12: haven't got my pole. And then when I got to

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Speaker 12: the next station, someone had obviously picked it up as

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Speaker 12: they were skiing down. But when I got to the bottom,

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Speaker 12: there's the entire staff of the chairlift standing there, sort

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Speaker 12: of hands on hit, looking at me like we were

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Speaker 12: supposed to go home for a quarter of an hour ago. Okay,

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Speaker 12: the chair lift to go down to the hotel had

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Speaker 12: already stopped. They'd already gone, so I had to ski

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Speaker 12: down the very last part the hand whisky us and

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Speaker 12: things back walk into the hotel. It was like a

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Speaker 12: pin drop moment I had done their presentations that I

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Speaker 12: wasn't there and walks in just as they finished in

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Speaker 12: the whole room, turned around and look at me like,

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Speaker 12: what the hell.

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Speaker 2: In future Polby damned you go, Yeah, make.

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Speaker 12: Sure it's around your risks before you get on the

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Speaker 12: damn choir.

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Speaker 2: Just just leave it there.

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Speaker 3: Yeah, and get fined, right, yeah, but when you're among those,

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Speaker 3: you're never going to send me.

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Speaker 4: Yeah, all right, thank you, Carolyn Peter and Canning Vale.

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Speaker 4: What happened?

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Speaker 5: Good morning, guys.

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Speaker 10: I was in a large Asian city and I went

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Speaker 10: on a holiday with a friend and we done. We

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Speaker 10: met a guy at a bloke who was at a

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Speaker 10: restaurant with his with his wife and said today and

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Speaker 10: got chatting to them. Anyway, two days later we all

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Speaker 10: found each other on this very busy commuter train going

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Speaker 10: into the city and then it had office workers and

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Speaker 10: everybody on there, and I said to my friend, I said, oh,

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Speaker 10: there's that couple.

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Speaker 5: They're just about to get on.

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Speaker 10: And as we got on, we greeted, and as they

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Speaker 10: got on, we greeted and said today. And I noticed

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Speaker 10: everybody was sort of moving away from them, and I

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Speaker 10: thought this didn't seem right. And the guys turned around

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Speaker 10: and he had about a meter of toilet paper hanging

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Speaker 10: out his pants, and yeah.

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Speaker 5: So anyway, that wasn't the embarrassing bit.

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Speaker 10: I said to Mars, my mate, I said, I've got

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Speaker 10: to help him out here, mate, I said, you've got

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Speaker 10: toilet paper. Just turn around.

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Speaker 5: I'll try and get it out for you.

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Speaker 10: So there's me checking for contraband before I touched it.

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Speaker 5: Yeah, and it was all good.

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Speaker 10: I was a bit concerned about pulling it out.

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Speaker 5: But I'm standing there.

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Speaker 10: I'm standing there, and it was really tough toilet paper.

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Speaker 10: And I'm standing there on this pack commuter train with

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Speaker 10: everybody literally pushed both sides of the carriage five deep.

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Speaker 5: Ye, and I'm yanked on this and it's not working.

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Speaker 10: I'm sarting to do it, mate, it ain't coming out,

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Speaker 10: hang on, let you go. And it broke off and

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Speaker 10: I popped it on the floor and then we pretended

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Speaker 10: nothing happened.

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Speaker 5: All right.

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Speaker 4: Yeah, there's like a really kind of off magicians act

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Speaker 4: where you yeah, thanks not and.

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Speaker 10: Yeah, I had about twenty injections after that.

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Speaker 5: Yeah.

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Speaker 3: I think, yeah, if it sanitize a handy, you would

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Speaker 3: have done it.

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Speaker 5: Yeah, yeah, thanks Peter, No worries.

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Speaker 4: Oh, I don't know who's more embarrassed, the paper puller

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Speaker 4: or the pulley.

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Speaker 3: I think the guy who's got the stuff in there,

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Speaker 3: but he was making it. It sounds a bit like

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Speaker 3: when you pull a little thing out when you've got

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Speaker 3: a new device and it's got the battery thing, a

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Speaker 3: little plastic bit of separation, gross walk another call Camelia, Hello, Canita.

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Speaker 13: Hello guys.

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Speaker 12: How are we?

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Speaker 2: Did I say your name right?

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Speaker 4: Did you notice Clazy just avoided it?

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Speaker 2: Class gone. We've got another call.

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Speaker 3: He knows me well, but I'll always give it, give it.

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Speaker 2: How did you embarrass yourself on holiday?

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Speaker 14: Well it was on Bali again, okay, I decided to

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Speaker 14: go snorkeling. Well, he had near infection, so we hit

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Speaker 14: the stay in the boat.

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Speaker 7: So if I go, and I'm looking at the fish

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Speaker 7: and I'm having a great time, and.

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Speaker 9: It was time to get back on the boat.

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Speaker 14: Well I wasn't very big.

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Speaker 7: I mean I was seventy k though, But for me,

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Speaker 7: I could not crawl up this right to get back

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Speaker 7: on the boat.

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Speaker 14: His men have called.

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Speaker 7: Him Paul Paul, and I'm trying to and I'm getting exhausted.

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Speaker 14: So Balin he jumps in, head up my bum and

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Speaker 14: he's crawling up this bloody right with my head sitting

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Speaker 14: on my bump, sitting on his.

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Speaker 5: Head, and he's got.

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Speaker 14: And all these bikes are pulling my arse at night.

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Speaker 9: I will not do it, my past answer.

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Speaker 7: He's sitting in and his head going how embarrassing it is?

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Speaker 7: Half an hour forty five minutes, Canaedi gets on in

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Speaker 7: the whole boat.

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Speaker 14: Yeah, I'll shut me on and I collapsed.

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Speaker 9: I was out, So.

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Speaker 4: It doesn't it doesn't help that the you know, the

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Speaker 4: Balinese are all fairly tiny.

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Speaker 5: Yeah, pulling my proverbial.

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Speaker 2: Thanks for your coconading on your Canada.

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Speaker 5: More Crazy, more Lisa, more podcasts.

349
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Speaker 3: So this is a real lina to catch up with

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Speaker 3: one of the great guitarists. He's played with work with

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Speaker 3: everyone from Frank Zapata White Snake to David Lee Roth

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00:18:00,880 --> 00:18:02,159
Speaker 3: and a whole lot more. And it's going to be

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Speaker 3: great to having back here. And he's in Violate tour

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Speaker 3: at the Perth Concert Hall Saturday, November eleven. It's been

355
00:18:07,280 --> 00:18:09,840
Speaker 3: too long, Steve vik mate, how are you good?

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Speaker 5: Good? Nice to be here, Thank you.

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Speaker 2: Good morning. It has been too long. It's been ten

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Speaker 2: years now.

359
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Speaker 4: I know we had a pandemic in the middle of it,

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Speaker 4: and that's often the answer to why has it been

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Speaker 4: so long?

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00:18:19,440 --> 00:18:20,520
Speaker 2: But why has it been so long?

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Speaker 5: Well, that's one of the reasons.

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Speaker 1: But also you know, I had done other tours, but

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00:18:26,560 --> 00:18:31,359
Speaker 1: it's taking it to Australia is sometimes more of a

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Speaker 1: challenge of all the travel, so I try to get

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Speaker 1: there on all the tours, but every now and then

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Speaker 1: I got to kind of skip around.

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Speaker 4: We are a long wayial, so much love coming there.

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Speaker 5: I'm so glad we've got it on the agenda now.

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Speaker 3: Yeah, we're so excited because I went with my wife

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Speaker 3: last time. My wife's a little bit like a Perth

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Speaker 3: version of Julie Andrews. And during your gig when you

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Speaker 3: had the laser suit on and you were playing in

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Speaker 3: the dark, she was losing it going rock and roan.

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00:19:00,920 --> 00:19:04,040
Speaker 3: That's amazing. I don't if you still the Perth crowd

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Speaker 3: love that night.

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Speaker 5: Well, there's other surprises, but the suits staying home.

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Speaker 4: We're the last show in Perth with the last show

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Speaker 4: on the Australia New Zealand leg, which I always get

381
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Speaker 4: a little more excited about. I always feel like it's

382
00:19:17,560 --> 00:19:20,760
Speaker 4: going to be just even more you know, more energy,

383
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Speaker 4: more atmosphere, more something.

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Speaker 1: Well, you know, it may very well be the last

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Speaker 1: show of the entire Inviolent full length set.

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Speaker 2: Oh wow.

387
00:19:31,200 --> 00:19:34,480
Speaker 5: Cost And we started over a year ago last.

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Speaker 1: May, and we did Europe and then and then America

389
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Speaker 1: and then Eastern Europe and then South America and Mexico

390
00:19:41,480 --> 00:19:44,240
Speaker 1: and now we're in North America again, and then right

391
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Speaker 1: after this we're in Asia. I have nine shows in

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Speaker 1: China and then work our way way down through Japan

393
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Speaker 1: and Indonesia, Kualum, Poor, Singapore, Jakarta, Vietnam. Then it's New

394
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Speaker 1: Zealand in Australia. I was lucky I was able to

395
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Speaker 1: arrange so the last show is in Perth because oddly enough,

396
00:20:04,800 --> 00:20:06,720
Speaker 1: I know this will sound kind of kooky to you,

397
00:20:07,359 --> 00:20:11,160
Speaker 1: but I very rarely get a full day off where

398
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Speaker 1: you travel, you.

399
00:20:12,560 --> 00:20:13,640
Speaker 5: Know, it's very rare.

400
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Speaker 1: And I arranged it so that after the show on Perth,

401
00:20:16,680 --> 00:20:19,879
Speaker 1: everybody goes home. I'm staying an extra day because I

402
00:20:19,920 --> 00:20:22,520
Speaker 1: have a soft spot in my heart for Rottenest Island.

403
00:20:22,680 --> 00:20:27,080
Speaker 1: Oh yeah, I've been there like three or four times

404
00:20:27,320 --> 00:20:30,760
Speaker 1: and I don't know what. It's just it's so far

405
00:20:30,800 --> 00:20:32,280
Speaker 1: away from.

406
00:20:31,800 --> 00:20:34,760
Speaker 5: Yeah yeah, yeah yeah, just you and the CERs. Well

407
00:20:34,760 --> 00:20:40,560
Speaker 5: that's very that's the end of the tour.

408
00:20:40,880 --> 00:20:41,120
Speaker 6: Yeah.

409
00:20:41,920 --> 00:20:44,320
Speaker 3: Speaking of touring, right, we're seeing the Eagles hitting out

410
00:20:44,320 --> 00:20:46,399
Speaker 3: on the road one more time with Steely. Dan was

411
00:20:46,400 --> 00:20:49,600
Speaker 3: seeing Foreigner wrapping things up because mc johnson's health isn't

412
00:20:49,600 --> 00:20:51,239
Speaker 3: great and Kiss have been on their twenty five year

413
00:20:51,280 --> 00:20:53,600
Speaker 3: farewell to Elton as well as a lot of rockers

414
00:20:53,600 --> 00:20:55,400
Speaker 3: wrapping up. But you're just as busy as ever.

415
00:20:55,560 --> 00:20:58,840
Speaker 5: Well, I'm perhaps one generation younger.

416
00:20:59,040 --> 00:21:02,080
Speaker 1: Yeah, you know, I used to watch Kiss when I

417
00:21:02,160 --> 00:21:05,439
Speaker 1: was a teenager, so I still got a little gas

418
00:21:05,440 --> 00:21:06,200
Speaker 1: in the tank there.

419
00:21:06,400 --> 00:21:06,640
Speaker 5: Yeah.

420
00:21:06,640 --> 00:21:08,320
Speaker 3: Absolutely, you're in the.

421
00:21:08,320 --> 00:21:10,280
Speaker 4: Middle of a two hundred show tour. As you just

422
00:21:10,320 --> 00:21:12,480
Speaker 4: went through all the places. How do you stop from

423
00:21:12,480 --> 00:21:14,600
Speaker 4: burning out? Just by loving it?

424
00:21:14,800 --> 00:21:17,520
Speaker 1: Just by loving it? It's really it and you know

425
00:21:17,560 --> 00:21:20,000
Speaker 1: I've been doing it. I've been touring for forty three years.

426
00:21:20,200 --> 00:21:22,840
Speaker 1: My perspective of touring has changed through the years, but

427
00:21:23,080 --> 00:21:25,919
Speaker 1: I noticed that when you look at things and you

428
00:21:26,040 --> 00:21:28,640
Speaker 1: only choose to look at the things you enjoy about it,

429
00:21:28,880 --> 00:21:32,919
Speaker 1: usually that becomes the dominant kind of experience. And touring

430
00:21:32,960 --> 00:21:36,520
Speaker 1: there's so much to enjoy, you know. Frankly, it's a break.

431
00:21:36,760 --> 00:21:39,200
Speaker 1: It's a break from being home because when you're on tour,

432
00:21:39,320 --> 00:21:41,560
Speaker 1: when you have a bus you know, unfortunately we don't

433
00:21:41,600 --> 00:21:46,080
Speaker 1: have a bus in Australia's lot, but you know, you're

434
00:21:46,119 --> 00:21:49,720
Speaker 1: with your friends, You're seeing different cultures, tasting different food,

435
00:21:50,440 --> 00:21:54,280
Speaker 1: experiencing different people and playing in different venues.

436
00:21:55,040 --> 00:21:57,480
Speaker 5: There's a lot to deeply appreciate.

437
00:21:57,720 --> 00:21:58,120
Speaker 2: Yeah.

438
00:21:58,400 --> 00:22:01,520
Speaker 3: Yeah, I say, did you create this triple nick guitar?

439
00:22:01,720 --> 00:22:03,960
Speaker 3: What's it called the hydro? This incredible beast.

440
00:22:03,760 --> 00:22:04,040
Speaker 9: Of a thing.

441
00:22:05,600 --> 00:22:09,040
Speaker 1: Yeah, well, you're right on because I worked with Ibanez

442
00:22:09,119 --> 00:22:11,720
Speaker 1: on it. It started out like seven years ago, just

443
00:22:11,760 --> 00:22:15,280
Speaker 1: this kind of an instant idea, like a download to

444
00:22:15,640 --> 00:22:18,439
Speaker 1: create an instrument that I can carry an entire song on.

445
00:22:18,640 --> 00:22:22,160
Speaker 1: So I needed a bass neck, seven string neck, twelve

446
00:22:22,240 --> 00:22:23,119
Speaker 1: string harpstrings.

447
00:22:23,160 --> 00:22:26,080
Speaker 5: It's got sample and hold. It's a very technical instrument.

448
00:22:26,280 --> 00:22:28,720
Speaker 1: So I kind of wrote down everything that I wanted,

449
00:22:28,920 --> 00:22:30,760
Speaker 1: but I didn't know what it was going to look like,

450
00:22:31,160 --> 00:22:34,080
Speaker 1: so I didn't send the email. And a few years later,

451
00:22:34,600 --> 00:22:38,080
Speaker 1: just as you mentioned, I was watching a Mad Max movie. Wow,

452
00:22:38,760 --> 00:22:41,120
Speaker 1: there's that scene where they're going through the desert.

453
00:22:41,560 --> 00:22:42,440
Speaker 5: They're always.

454
00:22:43,960 --> 00:22:45,520
Speaker 1: You know, the one with the guys playing the guitar

455
00:22:45,600 --> 00:22:47,600
Speaker 1: in the front of the truck. I saw that and

456
00:22:47,640 --> 00:22:51,639
Speaker 1: I said, there it is steampunk motif. So I went online.

457
00:22:51,680 --> 00:22:54,400
Speaker 1: I pulled a bunch of steampunk motif things. I put

458
00:22:54,400 --> 00:22:56,840
Speaker 1: it in the email. I sent it to Ibanez, and

459
00:22:56,880 --> 00:23:03,000
Speaker 1: those guys sharpened their knives and just started carving that bespoke.

460
00:23:03,560 --> 00:23:08,800
Speaker 4: You started your career with a rather random position. What

461
00:23:09,280 --> 00:23:12,600
Speaker 4: is a transcriptionist and how did you end up doing it?

462
00:23:12,640 --> 00:23:17,080
Speaker 1: For Frank Zeppa, Well, music transcribing is listening, at least

463
00:23:17,119 --> 00:23:19,439
Speaker 1: in the capacity I was doing it. You listen to

464
00:23:19,560 --> 00:23:22,560
Speaker 1: music and then you write it down in musical form. Okay,

465
00:23:22,920 --> 00:23:26,439
Speaker 1: so you know, if somebody goes bo you listen, you

466
00:23:26,480 --> 00:23:30,000
Speaker 1: go boo boo boo boo up, and then you got

467
00:23:30,320 --> 00:23:35,560
Speaker 1: music for something that didn't have music before Zappa he

468
00:23:35,640 --> 00:23:37,320
Speaker 1: wanted to try me out for the band when I

469
00:23:37,600 --> 00:23:38,800
Speaker 1: but I was too young.

470
00:23:38,880 --> 00:23:39,680
Speaker 5: I was eighteen.

471
00:23:40,280 --> 00:23:42,359
Speaker 1: And one of the reasons he wanted to try me

472
00:23:42,640 --> 00:23:46,560
Speaker 1: was because I had sent some transcriptions of his music

473
00:23:46,560 --> 00:23:49,600
Speaker 1: and he saw value in that. So he actually hired

474
00:23:49,640 --> 00:23:52,760
Speaker 1: me as a transcriptionist, and for the entire time I

475
00:23:52,840 --> 00:23:56,879
Speaker 1: was recording and touring with him, I was transcribing also,

476
00:23:57,160 --> 00:23:59,439
Speaker 1: tons and tons and tons of different stuff.

477
00:24:00,160 --> 00:24:02,320
Speaker 2: It's incredible and transcribing that mind.

478
00:24:02,640 --> 00:24:04,919
Speaker 3: Yeah, weasels ripped my flesh.

479
00:24:04,960 --> 00:24:07,880
Speaker 11: Yeah, yeah, it's an incredible man.

480
00:24:07,960 --> 00:24:11,399
Speaker 5: Wasn't he very sad? Yeah, I'm describing ripped in my brain.

481
00:24:12,480 --> 00:24:15,240
Speaker 3: Absolutely about you worked with a diverse range of people,

482
00:24:15,240 --> 00:24:17,280
Speaker 3: but you ended up but I remember seeing a lot

483
00:24:17,280 --> 00:24:19,679
Speaker 3: of shots of you with David Lee Roth he is

484
00:24:20,000 --> 00:24:22,040
Speaker 3: he was a crazy man in these days. A little

485
00:24:22,080 --> 00:24:24,160
Speaker 3: more calm now, but it's the brain's still the same,

486
00:24:24,200 --> 00:24:26,520
Speaker 3: isn't it. David Lee one of the great extroverts of

487
00:24:26,560 --> 00:24:27,040
Speaker 3: rock and roll.

488
00:24:27,200 --> 00:24:28,199
Speaker 5: Yeah, he really was.

489
00:24:28,280 --> 00:24:28,639
Speaker 6: He was.

490
00:24:29,000 --> 00:24:31,160
Speaker 1: I'll just never forget. And when I joined his band,

491
00:24:31,480 --> 00:24:35,080
Speaker 1: I was young and naive. I didn't understand how to

492
00:24:35,440 --> 00:24:37,879
Speaker 1: play to a giant arena of people.

493
00:24:37,880 --> 00:24:39,119
Speaker 5: And he was a master at that.

494
00:24:39,240 --> 00:24:42,040
Speaker 1: He just really knew how to permeate an audience with

495
00:24:42,160 --> 00:24:45,399
Speaker 1: his command, his ego. You know, I just really and

496
00:24:45,440 --> 00:24:46,240
Speaker 1: he was great at that.

497
00:24:47,359 --> 00:24:49,800
Speaker 4: And what about Joe Satriani? What was he like as

498
00:24:50,240 --> 00:24:52,960
Speaker 4: a guitar teacher? I feel, as you know, growing up,

499
00:24:53,359 --> 00:24:56,479
Speaker 4: when Joe Satriani came on the scene, that was probably

500
00:24:56,520 --> 00:24:59,920
Speaker 4: my first introduction to how you could just love a guitarist.

501
00:24:59,480 --> 00:25:03,159
Speaker 2: With nothing surround them, and you know and value that.

502
00:25:03,760 --> 00:25:08,600
Speaker 1: Yes, because Joe has a melodic inner year he writes

503
00:25:08,720 --> 00:25:12,719
Speaker 1: beautiful melodies. I was a kid, I was twelve, and

504
00:25:12,760 --> 00:25:15,720
Speaker 1: I took lessons Joe. He lived right across town. You know,

505
00:25:15,760 --> 00:25:17,840
Speaker 1: we went to the same school. He was about four

506
00:25:17,920 --> 00:25:21,040
Speaker 1: years older than me and I took lessons for like

507
00:25:21,119 --> 00:25:24,360
Speaker 1: five years, you know, and my lessons with Joe were

508
00:25:24,440 --> 00:25:28,280
Speaker 1: everything and he was so sharing giving, you know, the

509
00:25:28,400 --> 00:25:31,520
Speaker 1: lessons turned into like six hour jam sessions in the back.

510
00:25:31,640 --> 00:25:32,239
Speaker 13: Yeah, you know.

511
00:25:32,480 --> 00:25:35,240
Speaker 1: But I'm just so because we've had a you know,

512
00:25:35,240 --> 00:25:37,640
Speaker 1: we've been enjoined that they hit our whole career and

513
00:25:37,680 --> 00:25:40,359
Speaker 1: we worked together. We're going to be working together again

514
00:25:40,440 --> 00:25:43,840
Speaker 1: next year doing more. G three fantastic.

515
00:25:43,320 --> 00:25:46,440
Speaker 3: Yet, well, Australia was what you know, when Jack came

516
00:25:46,520 --> 00:25:49,000
Speaker 3: out with Swiffing the Alay in that album, that absolutely

517
00:25:49,080 --> 00:25:49,600
Speaker 3: exploded it.

518
00:25:49,720 --> 00:25:53,800
Speaker 1: Yeah, I know that his song always was Always with

519
00:25:53,800 --> 00:25:54,040
Speaker 1: with You.

520
00:25:54,200 --> 00:25:59,119
Speaker 3: Was huge, huge play some music, wasn't it. And have

521
00:25:59,119 --> 00:26:01,480
Speaker 3: you been influenced by an Australian guitarist? Something the Young

522
00:26:01,520 --> 00:26:04,320
Speaker 3: Brothers said when we lost Malcolm Young. But Angus and

523
00:26:04,320 --> 00:26:06,800
Speaker 3: Malcolm you you had much to do with the the

524
00:26:06,960 --> 00:26:08,080
Speaker 3: ic they see boys of the year.

525
00:26:08,200 --> 00:26:12,080
Speaker 1: Well, unfortunately I've never met them. I'd love to be Angus.

526
00:26:12,119 --> 00:26:16,439
Speaker 1: I mean he's just the absolute, you know, cornerstone of

527
00:26:16,880 --> 00:26:21,000
Speaker 1: rock and roll guitar. I mean he's just completely perfect

528
00:26:21,320 --> 00:26:24,800
Speaker 1: in the role, you know, the image, the kinds of

529
00:26:24,880 --> 00:26:28,040
Speaker 1: songs he writes, the way he plays just every time

530
00:26:28,040 --> 00:26:30,800
Speaker 1: he solos, you just know it's him. You know, it's

531
00:26:30,840 --> 00:26:33,959
Speaker 1: like his solos are tailor built for the songs that

532
00:26:34,000 --> 00:26:37,280
Speaker 1: he plays them in, and he's just pure rock and roll.

533
00:26:37,480 --> 00:26:40,920
Speaker 1: You guys are lucky. And you also have Tommy Emmanuel. Yeah,

534
00:26:41,119 --> 00:26:44,560
Speaker 1: genius is absolutely brilliant player.

535
00:26:44,720 --> 00:26:44,960
Speaker 8: Yeah.

536
00:26:45,040 --> 00:26:46,800
Speaker 1: And one of the questions I get asked all the

537
00:26:46,880 --> 00:26:49,320
Speaker 1: time is who's the best guitar player in the world,

538
00:26:49,359 --> 00:26:50,600
Speaker 1: which is kind of a silly question.

539
00:26:50,680 --> 00:26:53,280
Speaker 5: Yeah, you know, I usually.

540
00:26:52,880 --> 00:26:55,600
Speaker 1: Go off with wax on about well, there's no best,

541
00:26:55,680 --> 00:26:58,879
Speaker 1: you know, there's there's only opinions, and there's now I

542
00:26:59,000 --> 00:26:59,879
Speaker 1: just say Tommy Amn.

543
00:27:00,080 --> 00:27:02,399
Speaker 5: Well, yeah, I.

544
00:27:02,560 --> 00:27:05,760
Speaker 4: Just mentioned a few of the names that you've hug

545
00:27:05,800 --> 00:27:10,680
Speaker 4: out with and performed with. David Rocha, Satriani. What about

546
00:27:10,760 --> 00:27:12,359
Speaker 4: how did you end up in White Snake?

547
00:27:12,640 --> 00:27:14,960
Speaker 5: Well, I got a call, okay, but covered a'll call me.

548
00:27:15,640 --> 00:27:19,560
Speaker 1: They had been recording their record and they all the

549
00:27:19,600 --> 00:27:22,639
Speaker 1: songs were written and all the tracks were recorded, and

550
00:27:22,880 --> 00:27:26,439
Speaker 1: their guitar player, Adrian Vandenberg, had he was having a

551
00:27:26,480 --> 00:27:29,280
Speaker 1: lot of problems with his wrist. It was more like

552
00:27:29,320 --> 00:27:31,560
Speaker 1: his arm. Many years later we came to find out

553
00:27:31,560 --> 00:27:35,439
Speaker 1: it was in his neck. But he couldn't really deliver

554
00:27:35,880 --> 00:27:40,119
Speaker 1: at that time with the fire that he's normally capable of.

555
00:27:40,400 --> 00:27:42,520
Speaker 5: And you know, so I was I just picked it up.

556
00:27:42,680 --> 00:27:46,960
Speaker 3: Yeah, just like a superstat gun for hire Systems.

557
00:27:47,000 --> 00:27:50,600
Speaker 1: Far together, Yeah, yeah, we worked together and Adrian and

558
00:27:50,640 --> 00:27:54,200
Speaker 1: I created a very I think, a very dynamic guitar duo.

559
00:27:54,520 --> 00:27:54,720
Speaker 6: Yeah.

560
00:27:54,760 --> 00:27:57,960
Speaker 3: Absolutely. What about people who criticized guitarists who play fast man,

561
00:27:58,080 --> 00:28:00,359
Speaker 3: whether it's Satriani, he was quickest to a Ady Van

562
00:28:00,440 --> 00:28:02,439
Speaker 3: Hyland with yourself and some people go, oh, it's just

563
00:28:02,440 --> 00:28:04,800
Speaker 3: a bad speed and that. But there's dexterity and skill

564
00:28:04,800 --> 00:28:06,280
Speaker 3: and so many other things that come into play in

565
00:28:07,440 --> 00:28:09,560
Speaker 3: your entire pelleative how you play well.

566
00:28:09,680 --> 00:28:13,000
Speaker 1: You know, people have perspectives and they're valid because it's

567
00:28:13,040 --> 00:28:16,160
Speaker 1: their perspective and there's some truth in it. You know,

568
00:28:16,400 --> 00:28:20,240
Speaker 1: it's not very difficult to become like a virtuoso on

569
00:28:20,280 --> 00:28:23,399
Speaker 1: the instrument. You just have to practice all day, every

570
00:28:23,520 --> 00:28:26,480
Speaker 1: day and not stop and you'll be able to connect

571
00:28:26,480 --> 00:28:30,520
Speaker 1: eventually and play very fast. But that's fascinating for a

572
00:28:30,520 --> 00:28:33,480
Speaker 1: lot of people, and it can have an effect. But

573
00:28:33,800 --> 00:28:37,280
Speaker 1: melody is king. Melody will always be the thing that

574
00:28:37,400 --> 00:28:39,719
Speaker 1: brings you back. It will always be the thing that

575
00:28:39,880 --> 00:28:42,760
Speaker 1: keeps you engaged for a period of time, and it

576
00:28:42,760 --> 00:28:45,200
Speaker 1: will always be the thing that touches you the deepest.

577
00:28:45,800 --> 00:28:48,560
Speaker 1: So you can have a lot of facility, a lot

578
00:28:48,560 --> 00:28:51,959
Speaker 1: of chops, but you have to enter that dimension in

579
00:28:52,000 --> 00:28:57,560
Speaker 1: your mind that's creative and imaginative and unique. You have

580
00:28:57,600 --> 00:29:00,240
Speaker 1: to be able to pull from your unique in her

581
00:29:00,640 --> 00:29:03,640
Speaker 1: voice musical voice and have it come out. And if

582
00:29:03,680 --> 00:29:06,239
Speaker 1: that can happen, it doesn't matter if it's in a

583
00:29:06,280 --> 00:29:08,920
Speaker 1: flurry of notes, it'll still be effective. But if the

584
00:29:08,960 --> 00:29:12,719
Speaker 1: way you play is based on wrote kinds of patterns

585
00:29:12,800 --> 00:29:16,560
Speaker 1: and fascinating our peggios and scales, it has its it

586
00:29:16,600 --> 00:29:17,640
Speaker 1: has its place.

587
00:29:17,400 --> 00:29:17,480
Speaker 10: But.

588
00:29:19,360 --> 00:29:21,400
Speaker 3: Its bag the melody and feel love it.

589
00:29:21,680 --> 00:29:25,000
Speaker 4: Yeah, you had a documentary come out last year, the

590
00:29:25,080 --> 00:29:28,360
Speaker 4: First thirty Years I love. It's called the First thirty Years,

591
00:29:28,480 --> 00:29:31,200
Speaker 4: not the whole picture, And you actually co wrote it.

592
00:29:31,280 --> 00:29:33,840
Speaker 4: Was it important to you to make sure to keep

593
00:29:33,880 --> 00:29:35,520
Speaker 4: the story real and.

594
00:29:35,480 --> 00:29:38,640
Speaker 1: Honest, I didn't co write it. Actually, you know, anybody

595
00:29:38,720 --> 00:29:43,400
Speaker 1: can make a documentary. Yeah, And this guy, Alan Berry,

596
00:29:43,440 --> 00:29:46,760
Speaker 1: who's a fantastic filmographer, just out of the blue sent

597
00:29:46,840 --> 00:29:49,440
Speaker 1: me clips that he was working on and told me

598
00:29:49,480 --> 00:29:52,400
Speaker 1: his plan because of course, if I really hated what

599
00:29:52,480 --> 00:29:55,320
Speaker 1: he was doing, I could cause trouble. Yeah, yeah, course

600
00:29:55,480 --> 00:29:57,720
Speaker 1: I really liked it. I mean, this guy went out.

601
00:29:57,800 --> 00:30:01,080
Speaker 1: I mean he found all those stories. He interviewed so

602
00:30:01,120 --> 00:30:04,400
Speaker 1: many people, and he found photos and stuff, you know

603
00:30:04,440 --> 00:30:07,400
Speaker 1: that I didn't even know existed. When I felt that

604
00:30:07,440 --> 00:30:09,160
Speaker 1: he was going to be doing something that I thought

605
00:30:09,160 --> 00:30:11,520
Speaker 1: the fans would get a kick out of, I said, look,

606
00:30:12,080 --> 00:30:13,640
Speaker 1: let me help you a little bit. Let me get

607
00:30:13,680 --> 00:30:16,640
Speaker 1: some of the events in a proper order. We get

608
00:30:16,640 --> 00:30:20,360
Speaker 1: some of your pronunciations of names, and also clarify a

609
00:30:20,360 --> 00:30:21,840
Speaker 1: couple of things that you know.

610
00:30:22,000 --> 00:30:23,120
Speaker 5: So he did it all.

611
00:30:23,400 --> 00:30:25,720
Speaker 1: Yeah, and I just kind of guided him a little

612
00:30:25,760 --> 00:30:27,680
Speaker 1: bit along the way. But I love the way it

613
00:30:27,680 --> 00:30:30,960
Speaker 1: came out because you know, I'm kind of a quirky artist.

614
00:30:31,000 --> 00:30:34,560
Speaker 1: You know, there's an absurd sense of humor in me,

615
00:30:34,880 --> 00:30:36,840
Speaker 1: and he seemed to have captured a lot of that.

616
00:30:37,080 --> 00:30:38,840
Speaker 5: So I thought it was really good.

617
00:30:39,120 --> 00:30:41,920
Speaker 3: That's cool, and no one's anything without their fans, And

618
00:30:41,920 --> 00:30:42,720
Speaker 3: it was very.

619
00:30:42,600 --> 00:30:43,960
Speaker 5: Dedicated, fortunate.

620
00:30:44,160 --> 00:30:46,520
Speaker 3: Yeah, very cool. We're going to get the bud started

621
00:30:46,600 --> 00:30:46,880
Speaker 3: up for you.

622
00:30:47,800 --> 00:30:51,040
Speaker 2: He yes, yes, Tell the quock is he coming?

623
00:30:51,600 --> 00:30:55,880
Speaker 1: Tell those walks, I'm coming you hear him coming.

624
00:30:56,160 --> 00:30:59,280
Speaker 5: Okay, well, looking very forward to being that.

625
00:30:59,400 --> 00:31:01,760
Speaker 4: Well, guys, good to have you. Thank you for chatting

626
00:31:01,760 --> 00:31:02,560
Speaker 4: to us this morning.

627
00:31:02,680 --> 00:31:03,520
Speaker 5: You got it right on.

628
00:31:03,960 --> 00:31:04,240
Speaker 13: Thank you.

629
00:31:04,640 --> 00:31:05,040
Speaker 3: Bye.

630
00:31:06,160 --> 00:31:10,240
Speaker 5: More Clezy More Lisa Poor podcast soon.

631
00:31:12,680 --> 00:31:16,320
Speaker 3: Bread the Flick with Benoh on ninety six am.

632
00:31:17,200 --> 00:31:19,520
Speaker 2: Good morning, Good morning guy.

633
00:31:20,640 --> 00:31:24,040
Speaker 15: So you've got all of these famous animal movies that

634
00:31:24,080 --> 00:31:28,040
Speaker 15: we grew up watching you Homeward Bound, Milo and Otis,

635
00:31:28,280 --> 00:31:31,800
Speaker 15: all the Benji the Wonderdog movies, so many of those

636
00:31:31,880 --> 00:31:37,560
Speaker 15: family animal movies. Astrays is not one of those. So

637
00:31:37,760 --> 00:31:40,440
Speaker 15: just anybody out there who's thinking, oh, how cute is

638
00:31:40,160 --> 00:31:43,640
Speaker 15: it is a movie about dogs all hanging out. Do

639
00:31:43,760 --> 00:31:46,240
Speaker 15: not take the kids to this. They will learn some

640
00:31:46,400 --> 00:31:47,600
Speaker 15: stuff that they are not.

641
00:31:47,680 --> 00:31:48,120
Speaker 2: Meant to know.

642
00:31:48,320 --> 00:31:49,560
Speaker 3: So not even Hotel for dogs.

643
00:31:49,600 --> 00:31:51,840
Speaker 15: Oh no, So this is this is This is an

644
00:31:52,000 --> 00:31:54,760
Speaker 15: R rated in America movie. And here it'll be like

645
00:31:55,080 --> 00:31:59,840
Speaker 15: m A fifteen plus and it has some extremely adult content.

646
00:32:00,480 --> 00:32:04,200
Speaker 15: It's come from the executive producers of the Lego movie,

647
00:32:04,240 --> 00:32:07,200
Speaker 15: the Lego Batman Movie, twenty one Jump Street. So Lord

648
00:32:07,240 --> 00:32:10,840
Speaker 15: and Miller, Christopher Miller and Phil Lord a comic geniuses,

649
00:32:10,920 --> 00:32:13,080
Speaker 15: and so now people bring them scripts and they just

650
00:32:13,080 --> 00:32:15,240
Speaker 15: like straight away go, yeah, that's a winner. That's a winner.

651
00:32:15,760 --> 00:32:19,000
Speaker 15: And so someone has brought him this script about a

652
00:32:19,080 --> 00:32:22,560
Speaker 15: dog who is abandoned by his owner who's a bit

653
00:32:22,600 --> 00:32:24,520
Speaker 15: of a you know, his owner's a bit of a

654
00:32:24,520 --> 00:32:28,840
Speaker 15: douchebag who doesn't treat him very well. But still this dog,

655
00:32:28,920 --> 00:32:32,040
Speaker 15: who's voiced by Will Ferrell, is just so happy all

656
00:32:32,040 --> 00:32:34,480
Speaker 15: the time. Every day is an amazing day. He loves

657
00:32:34,520 --> 00:32:36,640
Speaker 15: his owner, and he just can't bring himself to believe

658
00:32:36,680 --> 00:32:38,680
Speaker 15: that his owner is abandoned own dogs.

659
00:32:39,560 --> 00:32:40,160
Speaker 3: It's so dog.

660
00:32:40,640 --> 00:32:42,880
Speaker 15: And then one day he gets abandoned in this big

661
00:32:42,920 --> 00:32:46,400
Speaker 15: city and comes into the orbit of these other stray dogs,

662
00:32:46,640 --> 00:32:48,840
Speaker 15: and the stray dogs say, nah, dude, like you've got

663
00:32:48,880 --> 00:32:51,800
Speaker 15: this all wrong, like your owner is really mistreating you.

664
00:32:52,560 --> 00:32:54,640
Speaker 15: And the Will Ferrell dog comes to realize that, oh,

665
00:32:54,680 --> 00:32:56,960
Speaker 15: you know what, that's right. I've done nothing wrong, but

666
00:32:57,000 --> 00:32:59,760
Speaker 15: I've been treated terribly. I'm going to get revenge on

667
00:32:59,800 --> 00:33:02,000
Speaker 15: my owner. So I'm going to find my way back

668
00:33:02,080 --> 00:33:05,680
Speaker 15: across the country to where he lives and I'm going

669
00:33:05,720 --> 00:33:08,800
Speaker 15: to bite his win off.

670
00:33:09,560 --> 00:33:10,560
Speaker 3: Really, that was the goal.

671
00:33:10,760 --> 00:33:15,240
Speaker 15: That was that was the yes, that's what the Jamie

672
00:33:15,240 --> 00:33:17,960
Speaker 15: Fox dock. So one of the little French bulldog, a

673
00:33:18,040 --> 00:33:21,000
Speaker 15: voice by Jamie Fox is quite hilarious. The Isle of

674
00:33:21,040 --> 00:33:25,280
Speaker 15: Fisher a hometown hero Earth, so it provides a voice

675
00:33:25,320 --> 00:33:28,560
Speaker 15: for a dog, an Australian shepherd. Of course, I feel

676
00:33:28,560 --> 00:33:30,360
Speaker 15: like she's type cars. She could play a German shepherd.

677
00:33:30,760 --> 00:33:36,400
Speaker 15: She's got range. And then you've got Randall Park who

678
00:33:36,440 --> 00:33:40,240
Speaker 15: plays a great Dane. And there's one thing about this

679
00:33:40,280 --> 00:33:42,920
Speaker 15: great Dane that is particularly great that gets talked about

680
00:33:42,960 --> 00:33:47,000
Speaker 15: a lot in the movie and shown in one scene

681
00:33:47,080 --> 00:33:50,320
Speaker 15: that cannot be unseen, so just bear that in mind.

682
00:33:52,040 --> 00:33:53,680
Speaker 15: And then they meet a whole bunch of other lot

683
00:33:53,680 --> 00:33:55,640
Speaker 15: of friends along the way as they had this cross

684
00:33:55,680 --> 00:33:58,960
Speaker 15: country adventure because as dogs, you know, they don't have

685
00:33:59,000 --> 00:34:01,600
Speaker 15: Google Maps, they're not really sure about landmarks, so they've

686
00:34:01,640 --> 00:34:04,080
Speaker 15: only got a very vague idea of how to get

687
00:34:04,120 --> 00:34:06,680
Speaker 15: from A to B. And along the way they have

688
00:34:06,760 --> 00:34:10,040
Speaker 15: a lot of adventures, not all of them positive, and

689
00:34:10,520 --> 00:34:13,759
Speaker 15: they encounter police dogs who are trying to catch them

690
00:34:14,040 --> 00:34:17,799
Speaker 15: a dog pound. They eat some magic mushrooms in the

691
00:34:17,840 --> 00:34:18,799
Speaker 15: forest one day.

692
00:34:20,440 --> 00:34:21,160
Speaker 7: So this.

693
00:34:22,719 --> 00:34:24,680
Speaker 15: Is a bit like in that movie Good Boys from

694
00:34:24,680 --> 00:34:26,520
Speaker 15: a couple of years ago, where it was you know,

695
00:34:26,560 --> 00:34:29,759
Speaker 15: these young young boys, but it was a very adult movie,

696
00:34:29,760 --> 00:34:31,520
Speaker 15: and so they were swearing and talking about a lot

697
00:34:31,560 --> 00:34:35,040
Speaker 15: of adult concepts similar kind of deal with strays. The

698
00:34:35,160 --> 00:34:39,400
Speaker 15: reason it is not very effective, though, is because dogs

699
00:34:39,400 --> 00:34:41,759
Speaker 15: don't have facial expressions, you know what I mean. So

700
00:34:42,400 --> 00:34:44,880
Speaker 15: when you've got a scene of four live action dogs

701
00:34:45,120 --> 00:34:48,000
Speaker 15: sitting around and their lips are moving talking for like

702
00:34:48,080 --> 00:34:52,080
Speaker 15: five minutes, there's no facial expressions, it gets really monotonous

703
00:34:52,200 --> 00:34:56,560
Speaker 15: very quickly, and so it actually gets a little dull

704
00:34:56,760 --> 00:35:00,000
Speaker 15: in large stretches. There are some moments that are hilarious.

705
00:35:00,760 --> 00:35:03,480
Speaker 15: Jamie Fox is fantastic. Will Ferrell, we know he's funny.

706
00:35:03,520 --> 00:35:06,440
Speaker 15: He's a very funny voice actor, and so those two

707
00:35:06,480 --> 00:35:10,759
Speaker 15: are great. Will Forte plays the owner who's mistreating the

708
00:35:10,800 --> 00:35:13,919
Speaker 15: dog who's from Last Man on Earth Saturday Life. He's

709
00:35:14,400 --> 00:35:18,280
Speaker 15: perfectly cast as this guy who's just a total loser.

710
00:35:19,360 --> 00:35:19,960
Speaker 5: He plays it well.

711
00:35:20,000 --> 00:35:21,480
Speaker 15: He plays that well. It's a role he was born

712
00:35:21,520 --> 00:35:24,000
Speaker 15: to play, and it kind of you know, it gets

713
00:35:24,040 --> 00:35:26,120
Speaker 15: to the end and you know you have a moment

714
00:35:26,160 --> 00:35:28,400
Speaker 15: where you go, Okay, this is all great. It's all

715
00:35:28,440 --> 00:35:31,680
Speaker 15: kind of wrapped up pretty nicely. But yeah, it's just

716
00:35:31,719 --> 00:35:33,920
Speaker 15: a film where you feel like all the funny bits

717
00:35:34,080 --> 00:35:40,000
Speaker 15: were probably in the trailer. The trailer, yeah, yeah, And

718
00:35:40,040 --> 00:35:42,960
Speaker 15: the funny moments are hilarious. There's long stretches that are

719
00:35:43,000 --> 00:35:45,600
Speaker 15: not really that funny. Some jokes get dragged out too long,

720
00:35:45,840 --> 00:35:49,000
Speaker 15: like the idea that you know that you know humans

721
00:35:49,000 --> 00:35:51,160
Speaker 15: are collecting dog poop. You see them bagging it up,

722
00:35:51,200 --> 00:35:53,359
Speaker 15: they're collecting it. Who knows what they're collecting it for?

723
00:35:53,560 --> 00:35:55,040
Speaker 15: And then someone says, you know what, I bet they're

724
00:35:55,040 --> 00:35:56,880
Speaker 15: putting it in chocolate. That's why they don't let us

725
00:35:56,920 --> 00:36:01,160
Speaker 15: have any of it. Ah, dog joke for the people

726
00:36:01,200 --> 00:36:04,000
Speaker 15: who love doggoes. Yeah, I bet you'll probably get something

727
00:36:04,040 --> 00:36:07,040
Speaker 15: out of it. But yeah, it's just just not as

728
00:36:07,120 --> 00:36:09,520
Speaker 15: good as I think people will stop.

729
00:36:09,560 --> 00:36:12,759
Speaker 3: Harry McCleary, Yeah, Harry mclary from Donaldson's theory. Maybe not

730
00:36:12,920 --> 00:36:13,319
Speaker 3: all right?

731
00:36:13,400 --> 00:36:15,840
Speaker 2: Well, how many shmack eyes are you giving it? To

732
00:36:15,960 --> 00:36:19,960
Speaker 2: give it to? And half smack guys, it's what Ziggy

733
00:36:20,000 --> 00:36:24,120
Speaker 2: has before lunchtime. Spoiled, Yes, boiled, Thank you, Ben.

734
00:36:28,000 --> 00:36:32,760
Speaker 3: There's sure report on ninety six air FM.

735
00:36:32,960 --> 00:36:38,840
Speaker 4: Imagine Talking Heads reunited on stage. Well, it's happening, but

736
00:36:38,960 --> 00:36:41,040
Speaker 4: not to do a show. All the members of Talking

737
00:36:41,080 --> 00:36:43,799
Speaker 4: Heads are reuniting at the Toronto Film Festival for a

738
00:36:43,880 --> 00:36:46,040
Speaker 4: Q and A with Spike Lee. They're going to be

739
00:36:46,080 --> 00:36:50,080
Speaker 4: discussing the re release of their nineteen eighty four masterpiece

740
00:36:50,160 --> 00:36:53,280
Speaker 4: concert movie Stopped Making Sense. Spike Lee directed the concert

741
00:36:53,360 --> 00:36:56,080
Speaker 4: film of David Burns Broadway show American Utopia as well,

742
00:36:56,120 --> 00:36:57,399
Speaker 4: so hence the connection there.

743
00:36:57,880 --> 00:37:00,640
Speaker 2: And I can't wait to see the release.

744
00:37:00,680 --> 00:37:02,719
Speaker 4: And I love the ad that you sent me that

745
00:37:02,800 --> 00:37:06,399
Speaker 4: was online David showing up at the laundromat to pick

746
00:37:06,480 --> 00:37:07,440
Speaker 4: up the giant suit.

747
00:37:07,600 --> 00:37:10,279
Speaker 2: He said, feed here for a while still fits. Yeah,

748
00:37:10,320 --> 00:37:11,160
Speaker 2: it's fantastic.

749
00:37:11,800 --> 00:37:15,040
Speaker 4: Lots of fans of Daisy Jones and the Six around here,

750
00:37:15,080 --> 00:37:17,600
Speaker 4: and it turns out Stevie Nix is a fan too.

751
00:37:18,000 --> 00:37:20,319
Speaker 4: Prime videos Daisy Jones and the Six, which is based

752
00:37:20,360 --> 00:37:22,960
Speaker 4: on a novel by Taylor Jenkins. Read is loosely based

753
00:37:22,960 --> 00:37:25,920
Speaker 4: on the early days of Fleetwood Mac and Stevie says

754
00:37:26,000 --> 00:37:28,319
Speaker 4: watching it made her feel like a ghost watching her

755
00:37:28,360 --> 00:37:31,160
Speaker 4: own story. She says it was very emotional for her

756
00:37:31,280 --> 00:37:33,920
Speaker 4: and added that she wishes Christine McVeigh could have seen it,

757
00:37:33,960 --> 00:37:34,920
Speaker 4: saying she would.

758
00:37:34,680 --> 00:37:35,279
Speaker 2: Have loved it.

759
00:37:35,400 --> 00:37:37,799
Speaker 4: Oh, if you were betting on Ed Sheeran as the

760
00:37:37,840 --> 00:37:40,480
Speaker 4: next Super Bowl halftime before me. You may want to

761
00:37:40,480 --> 00:37:43,839
Speaker 4: pick another one. Ed's revealed he's not really interested. He's

762
00:37:43,880 --> 00:37:47,480
Speaker 4: told Andy Cohen's Serious Podcast he'd really only consider making

763
00:37:47,560 --> 00:37:50,920
Speaker 4: a guest appearance in someone else's show, not doing it himself.

764
00:37:51,040 --> 00:37:53,560
Speaker 13: Do you know there was a conversation a while ago,

765
00:37:54,920 --> 00:37:56,839
Speaker 13: But I think it was when Coleplay did it of

766
00:37:56,840 --> 00:37:58,759
Speaker 13: me going on to play thinking out Loud, and I

767
00:37:58,760 --> 00:38:00,640
Speaker 13: think that would be the only that I would do

768
00:38:00,680 --> 00:38:03,439
Speaker 13: it is if I was joining someone else. I think

769
00:38:03,480 --> 00:38:06,400
Speaker 13: it's an American thing. I think I don't have pizzaz.

770
00:38:06,920 --> 00:38:10,440
Speaker 13: I don't looking at Prince. You watch Michael Jackson, you

771
00:38:10,480 --> 00:38:12,759
Speaker 13: watch Kate Perry, watch Lady Gargo, you watch Rianna, you

772
00:38:12,800 --> 00:38:15,200
Speaker 13: watch it beyondre like all these amazing performers.

773
00:38:15,440 --> 00:38:16,160
Speaker 2: I'm just not that.

774
00:38:16,400 --> 00:38:18,400
Speaker 13: I'm not gonna have dancers on stage. I'm not going

775
00:38:18,480 --> 00:38:20,320
Speaker 13: to have fireworks and blah blah like The week The

776
00:38:20,360 --> 00:38:23,520
Speaker 13: Weekends one was all of that. Like, I just can't.

777
00:38:24,320 --> 00:38:24,799
Speaker 5: That's not me.

778
00:38:25,200 --> 00:38:28,080
Speaker 2: You've got pizzaz go on.

779
00:38:28,960 --> 00:38:33,640
Speaker 4: Bradley Cooper's prosthetic nose in the Leonard Bernstein By a

780
00:38:33,680 --> 00:38:37,719
Speaker 4: pick of Maestro has sparked criticism online. Or Here we Go,

781
00:38:38,040 --> 00:38:42,120
Speaker 4: the upcoming Netflix film follows the relationship between American composer

782
00:38:42,200 --> 00:38:45,800
Speaker 4: Leonard Bernstein and his wife, who's played by Kerry Mulligan.

783
00:38:46,160 --> 00:38:48,480
Speaker 2: Sounds amazing. I think this will be a really good movie.

784
00:38:48,640 --> 00:38:50,560
Speaker 4: But you know, it's twenty twenty three, so of course

785
00:38:50,560 --> 00:38:54,319
Speaker 4: someone's offended by the prosthetic nose. It's been accused of

786
00:38:54,440 --> 00:38:58,839
Speaker 4: being tantamount to blackface or yellow face. In fact, it's

787
00:38:58,880 --> 00:39:02,960
Speaker 4: being called you face. Oh Lord helpus. Bernstein did have

788
00:39:03,000 --> 00:39:05,319
Speaker 4: a big nose. Cooper's not the first person to play

789
00:39:05,320 --> 00:39:08,759
Speaker 4: someone depicting their most prominent physical feature. Nicole Kidman won

790
00:39:08,800 --> 00:39:12,440
Speaker 4: an oscar playing Virginia Warf, complete with giant schnoz Please

791
00:39:12,480 --> 00:39:14,000
Speaker 4: get into making something out of nothing?

792
00:39:14,040 --> 00:39:14,200
Speaker 8: Bin?

793
00:39:14,560 --> 00:39:16,720
Speaker 3: Oh dear, that's just your report.

794
00:39:17,640 --> 00:39:19,560
Speaker 5: Screw it up, throw it in a bin. Do you

795
00:39:19,560 --> 00:39:19,800
Speaker 5: get in?

796
00:39:19,920 --> 00:39:20,239
Speaker 2: Got it?

797
00:39:20,320 --> 00:39:20,520
Speaker 10: Oh?

798
00:39:20,719 --> 00:39:22,800
Speaker 5: I mean one fool's eye.

799
00:39:22,719 --> 00:39:26,400
Speaker 2: Bounced off the backwall. Cleazy and Lisa