1 00:00:00,120 --> 00:00:01,520 Speaker 1: Being a bisk chopping a chowder. 2 00:00:01,639 --> 00:00:02,880 Speaker 2: We need to stop talking about this. 3 00:00:03,040 --> 00:00:05,080 Speaker 1: Oh yeah, you really hung up on it, aren't you. 4 00:00:05,120 --> 00:00:05,840 Speaker 2: No, I'm not hung up. 5 00:00:07,080 --> 00:00:09,600 Speaker 1: I'm sensing a little bit of what's that song? So 6 00:00:09,840 --> 00:00:11,559 Speaker 1: hung up? Isn't that a song? 7 00:00:11,640 --> 00:00:14,120 Speaker 2: I'm so hung up? No, it's caught up. 8 00:00:15,920 --> 00:00:17,480 Speaker 3: Madonna did a song called hung. 9 00:00:17,400 --> 00:00:19,840 Speaker 1: Up, did you? Oh you hung up on you? Yeah? 10 00:00:20,079 --> 00:00:23,919 Speaker 4: Yeah, anyway, you're hung up on the name chowder Finger, 11 00:00:23,920 --> 00:00:25,600 Speaker 4: whether Madonna sang about it or. 12 00:00:25,640 --> 00:00:26,440 Speaker 2: Yeah, yeah, yeah, yeah. 13 00:00:26,440 --> 00:00:28,479 Speaker 5: So we were decide in the name of the cover 14 00:00:28,520 --> 00:00:31,320 Speaker 5: band that is going to be performing one powder Finger. 15 00:00:31,200 --> 00:00:34,320 Speaker 2: Song at a very lucky venue. Shortly we took it 16 00:00:34,360 --> 00:00:34,800 Speaker 2: to a vote. 17 00:00:34,960 --> 00:00:35,200 Speaker 1: Yeah. 18 00:00:35,400 --> 00:00:37,559 Speaker 5: Look, I think my heart was with chowder Finger, but 19 00:00:37,600 --> 00:00:38,800 Speaker 5: I'm happy with pull my finger. 20 00:00:39,120 --> 00:00:41,000 Speaker 1: Yeah, pull my fingers a great name. 21 00:00:41,320 --> 00:00:41,800 Speaker 2: It's great. 22 00:00:42,159 --> 00:00:43,320 Speaker 1: And see all my finger. 23 00:00:43,280 --> 00:00:46,000 Speaker 3: Powerd her finger Pull my finger it just rolls. 24 00:00:46,120 --> 00:00:46,560 Speaker 2: It's great. 25 00:00:47,000 --> 00:00:48,640 Speaker 5: You open the gig with a pulling of the finger. 26 00:00:48,760 --> 00:00:51,559 Speaker 5: That's that's incredibly exciting for everyone. As you said, will 27 00:00:51,640 --> 00:00:53,760 Speaker 5: pulled pork could serve it there. 28 00:00:53,880 --> 00:00:54,280 Speaker 2: That's great. 29 00:00:54,280 --> 00:00:57,720 Speaker 5: If anyone out there makes those little adorable foam fingers 30 00:00:57,720 --> 00:01:00,640 Speaker 5: that you see at sporting events, him off alien sport. 31 00:01:00,720 --> 00:01:02,440 Speaker 3: But we're gonna have to pull my finger. 32 00:01:02,640 --> 00:01:04,880 Speaker 2: NBL, NBL have the have the fingers. 33 00:01:04,560 --> 00:01:04,840 Speaker 1: Don't they? 34 00:01:05,520 --> 00:01:08,679 Speaker 4: Or but you also have like a giant like a 35 00:01:08,720 --> 00:01:11,360 Speaker 4: giant finger there that you know that you pull for 36 00:01:11,400 --> 00:01:12,279 Speaker 4: a prize or something. 37 00:01:12,319 --> 00:01:14,120 Speaker 2: Oh yeah, wet like a mascot. 38 00:01:14,160 --> 00:01:17,480 Speaker 3: Like there's some dude walking around dressed. People pull on. 39 00:01:17,520 --> 00:01:21,160 Speaker 5: Him finger YadA, pinada with a finger, huge finger. 40 00:01:21,319 --> 00:01:24,760 Speaker 2: Prizes again, more cash. That's all you're thinking about, money maker. 41 00:01:24,880 --> 00:01:26,600 Speaker 4: That's why you're caught up on the name chowder finger, 42 00:01:26,600 --> 00:01:29,080 Speaker 4: because you're thinking about the about the promotional opportunities. 43 00:01:29,120 --> 00:01:30,759 Speaker 1: Come down and have a beer and a bisk. 44 00:01:30,920 --> 00:01:33,119 Speaker 2: The profit off a chowder is no chopping a chowder. 45 00:01:33,720 --> 00:01:35,600 Speaker 4: I mean probably an awful combination, but it's a bit 46 00:01:35,640 --> 00:01:37,760 Speaker 4: of serf and turf. I suppose people chopping chowder dip you. 47 00:01:37,800 --> 00:01:39,000 Speaker 4: What do you do with that chopping? You dip your 48 00:01:39,040 --> 00:01:39,800 Speaker 4: chopping the chowder. 49 00:01:39,920 --> 00:01:41,840 Speaker 2: Yeah, it sounds a very moist chop you. You're moisten 50 00:01:41,880 --> 00:01:42,759 Speaker 2: your chopping your chowder. 51 00:01:43,520 --> 00:01:48,760 Speaker 3: That's the key, shocking shocking live band food. Chowder I 52 00:01:48,760 --> 00:01:50,279 Speaker 3: mean hot chowder. 53 00:01:50,680 --> 00:01:53,240 Speaker 4: Yeah, you don't want to, but you can little sippy 54 00:01:53,240 --> 00:01:55,320 Speaker 4: cups takeaway. 55 00:01:54,960 --> 00:01:56,520 Speaker 2: Because we need to stop talking about the chatterer. 56 00:01:58,320 --> 00:02:01,640 Speaker 4: Never take away latte up, but have chowder in there 57 00:02:01,680 --> 00:02:04,000 Speaker 4: so people are sipping chowder and more importantly, stops. 58 00:02:04,280 --> 00:02:07,720 Speaker 1: You want to spice up your evening, you know, put 59 00:02:07,720 --> 00:02:09,280 Speaker 1: a little bit of you know, you could have. 60 00:02:09,280 --> 00:02:12,960 Speaker 4: Like a a charming chowder or something like that. I 61 00:02:13,000 --> 00:02:15,480 Speaker 4: spike the chowder and you could spike the chowder, okay, 62 00:02:15,840 --> 00:02:18,959 Speaker 4: or a pulled pork bun at pull my finger, pulled 63 00:02:19,000 --> 00:02:19,920 Speaker 4: pork and pull my finger. 64 00:02:20,800 --> 00:02:24,560 Speaker 2: Beer. It's still great. Finger is still great. Now let's 65 00:02:24,560 --> 00:02:26,320 Speaker 2: get down to. 66 00:02:25,560 --> 00:02:27,480 Speaker 1: Pull my finger. Yes, you know, here we go. 67 00:02:29,080 --> 00:02:30,640 Speaker 2: Write that down. That's good stuff from the manage. 68 00:02:31,120 --> 00:02:33,240 Speaker 5: And speaking of you being a manager, it just feels 69 00:02:33,280 --> 00:02:34,720 Speaker 5: like you're not helping. 70 00:02:34,919 --> 00:02:35,480 Speaker 1: What do you mean. 71 00:02:35,760 --> 00:02:37,519 Speaker 5: I'm sorry, I'm sorry to be brutal, but I'm telling 72 00:02:37,520 --> 00:02:40,080 Speaker 5: you this as a favorite, as a friend, as a 73 00:02:40,080 --> 00:02:42,160 Speaker 5: favorite of friends, favorite of a friend. 74 00:02:42,600 --> 00:02:44,960 Speaker 2: If you've got you need to help us book like 75 00:02:45,000 --> 00:02:47,360 Speaker 2: a good venue. You're you're on air talking about me 76 00:02:47,400 --> 00:02:49,840 Speaker 2: being a warm my bags. But is that embarrassing? 77 00:02:49,880 --> 00:02:52,960 Speaker 4: You know, if we're being honest with each other. You 78 00:02:53,000 --> 00:02:55,040 Speaker 4: know I love music. It's a big passion of mine. 79 00:02:55,639 --> 00:02:57,760 Speaker 2: So get around. What's going to be a great song 80 00:02:58,360 --> 00:03:00,399 Speaker 2: because we're only doing one song song. 81 00:03:00,520 --> 00:03:02,919 Speaker 4: Yeah, and I just think, okay, look, I'm happy to 82 00:03:03,040 --> 00:03:04,080 Speaker 4: bill you as the warm up back. 83 00:03:04,200 --> 00:03:06,600 Speaker 2: I just know No, this is headline. 84 00:03:06,240 --> 00:03:07,880 Speaker 4: Sorry, headlight Act. I'm happy to bill you as the 85 00:03:07,880 --> 00:03:09,200 Speaker 4: headlight ad. I'm just worried, like. 86 00:03:11,240 --> 00:03:12,640 Speaker 1: I don't want you to be disappointed. 87 00:03:13,160 --> 00:03:13,680 Speaker 2: What do you mean? 88 00:03:13,960 --> 00:03:16,560 Speaker 4: Well, see if you if you're the warm up act, 89 00:03:17,320 --> 00:03:19,000 Speaker 4: that means we play it safe. 90 00:03:19,120 --> 00:03:20,760 Speaker 1: Because people are already coming in. 91 00:03:20,840 --> 00:03:23,120 Speaker 4: But hey, just listen to me, because people are already 92 00:03:23,120 --> 00:03:26,280 Speaker 4: coming in to see you know, the food fighters, and what. 93 00:03:26,200 --> 00:03:28,200 Speaker 2: If the food fighters with my warm up act? 94 00:03:28,360 --> 00:03:30,400 Speaker 1: So if you if. 95 00:03:30,280 --> 00:03:32,640 Speaker 5: You book a good warm up act, Yeah, this is 96 00:03:32,680 --> 00:03:34,880 Speaker 5: this is amazing like can's on the table, This is 97 00:03:34,920 --> 00:03:36,120 Speaker 5: amazing exposure on radio. 98 00:03:36,120 --> 00:03:37,440 Speaker 2: We're don't be talking about this game. 99 00:03:37,800 --> 00:03:40,640 Speaker 1: For the band for the warm up act? Yeah, who 100 00:03:40,640 --> 00:03:41,080 Speaker 1: are you thinking? 101 00:03:41,160 --> 00:03:45,040 Speaker 2: Nikki Webster, Nikki, I'm just throwing names up there, Shannon. 102 00:03:45,080 --> 00:03:48,120 Speaker 3: No, I don't want to headline them. Just quietly you 103 00:03:48,200 --> 00:03:52,160 Speaker 3: do a second Webster and Shannon headline. Yeah, you'd gone 104 00:03:52,160 --> 00:03:52,480 Speaker 3: to that. 105 00:03:52,440 --> 00:03:53,400 Speaker 1: Show, you'd go and see Shannon. 106 00:03:53,480 --> 00:03:55,520 Speaker 4: You don't see nailsy pull my finger warming up for 107 00:03:55,640 --> 00:03:59,520 Speaker 4: Naalsy going to warm up my finger. 108 00:04:00,000 --> 00:04:02,200 Speaker 2: You can't warm up for Nolesy could pull my finger. 109 00:04:02,560 --> 00:04:04,360 Speaker 1: Nosy, he could be the one. 110 00:04:05,040 --> 00:04:07,320 Speaker 2: So look, I don't want. 111 00:04:07,200 --> 00:04:09,480 Speaker 1: To take there. He's warming up in that instance. That's 112 00:04:09,480 --> 00:04:10,000 Speaker 1: what you said. 113 00:04:10,200 --> 00:04:13,560 Speaker 4: So what you're saying is why I call Shannon nole who. 114 00:04:13,640 --> 00:04:17,159 Speaker 4: Let's say if he Knowlesey does a gig. Right, Yeah, 115 00:04:17,240 --> 00:04:19,880 Speaker 4: let's say he'd take home fifty grand. 116 00:04:19,960 --> 00:04:21,720 Speaker 2: That's the door. Is it the learm what the door 117 00:04:21,720 --> 00:04:22,200 Speaker 2: was today. 118 00:04:22,040 --> 00:04:22,320 Speaker 1: That's the door. 119 00:04:22,320 --> 00:04:23,800 Speaker 4: He'd probably take the bar as well. He probably at 120 00:04:23,800 --> 00:04:26,120 Speaker 4: the bar on the door. If it's Naisy, he go 121 00:04:26,160 --> 00:04:27,240 Speaker 4: to the corner hotel. 122 00:04:26,920 --> 00:04:29,120 Speaker 2: And go it brings a ground, He brings a huge exactly. 123 00:04:29,160 --> 00:04:31,120 Speaker 4: So Noleley goes to the corner hotel and he goes, look, 124 00:04:31,440 --> 00:04:32,160 Speaker 4: you guys take the bar. 125 00:04:32,240 --> 00:04:32,839 Speaker 1: I take the door. 126 00:04:33,800 --> 00:04:34,440 Speaker 2: I have no idea. 127 00:04:34,480 --> 00:04:36,400 Speaker 1: But that's because because the corner is not. 128 00:04:36,400 --> 00:04:39,159 Speaker 4: Going to want to keep the bar because the drink prices. Yeah, 129 00:04:39,160 --> 00:04:41,559 Speaker 4: but he takes the door, sure, and he charges fifty 130 00:04:41,560 --> 00:04:43,200 Speaker 4: bucks a ticket to see Nailsy. 131 00:04:43,360 --> 00:04:45,320 Speaker 2: Yeah, let's say he gets five. 132 00:04:45,200 --> 00:04:46,200 Speaker 1: Hundred people in the door. 133 00:04:46,760 --> 00:04:49,800 Speaker 4: Okay, you know he's walking away with twenty five grand 134 00:04:49,880 --> 00:04:50,120 Speaker 4: or something. 135 00:04:50,279 --> 00:04:52,800 Speaker 2: Good money, good money. He's saying, I split the door 136 00:04:52,839 --> 00:04:53,159 Speaker 2: with Shan. 137 00:04:53,880 --> 00:04:56,200 Speaker 4: Is that what you're getting too, I'm saying, I'm saying, 138 00:04:57,200 --> 00:04:59,800 Speaker 4: I'm I'm saying, if he does a gig for twenty 139 00:04:59,800 --> 00:05:03,039 Speaker 4: five grand, if I call Naulsy and go Nolsy, can 140 00:05:03,080 --> 00:05:06,080 Speaker 4: you do a warm up act for what he's powdering? 141 00:05:06,120 --> 00:05:06,880 Speaker 1: A tribute band? 142 00:05:06,960 --> 00:05:09,120 Speaker 2: And before you answer, he's willing to split the door. 143 00:05:09,960 --> 00:05:14,080 Speaker 4: But your your door, your door might be like you 144 00:05:14,160 --> 00:05:15,960 Speaker 4: might get like a couple hundred bucks in the door. 145 00:05:16,240 --> 00:05:20,119 Speaker 2: Here's I'm thinking, and no cover band? 146 00:05:20,320 --> 00:05:22,680 Speaker 3: Well, how much Shon Shannon? 147 00:05:22,760 --> 00:05:23,200 Speaker 1: No cover? 148 00:05:23,560 --> 00:05:28,080 Speaker 5: Yeah, we're not getting Nausy Will's just done the mat there, 149 00:05:28,320 --> 00:05:29,040 Speaker 5: it's a solid no. 150 00:05:29,680 --> 00:05:30,400 Speaker 2: He's a friend of ours. 151 00:05:30,520 --> 00:05:33,400 Speaker 1: Yeah. Yeah. Anyway, So my point is, okay, well, let's 152 00:05:33,440 --> 00:05:36,000 Speaker 1: ask a couple of questions. Logistically, how many people directing 153 00:05:36,000 --> 00:05:37,200 Speaker 1: will come to the gig? Thousands? 154 00:05:37,640 --> 00:05:40,960 Speaker 2: Jesus, we're promoting it on radio. People are going to 155 00:05:41,040 --> 00:05:41,920 Speaker 2: want to see this thing. 156 00:05:42,160 --> 00:05:44,560 Speaker 1: We're gonna have to give away tickets. Well, let's say 157 00:05:45,080 --> 00:05:48,320 Speaker 1: if you give u let's say what venue are you thinking? 158 00:05:50,160 --> 00:05:50,240 Speaker 4: Like? 159 00:05:50,320 --> 00:05:52,880 Speaker 2: I wanted to be cool but also quite big? 160 00:05:52,960 --> 00:05:53,919 Speaker 1: Okay, what are you thinking? 161 00:05:55,240 --> 00:05:56,240 Speaker 2: North Social Club? 162 00:05:57,040 --> 00:05:57,200 Speaker 3: Oh? 163 00:05:57,279 --> 00:05:59,000 Speaker 2: Yeah, maybe because it's around the corner, from. 164 00:06:01,240 --> 00:06:03,120 Speaker 1: A stone's throw from your place, maybe. 165 00:06:02,880 --> 00:06:03,440 Speaker 2: We should do one. 166 00:06:05,760 --> 00:06:06,160 Speaker 1: Hang on. 167 00:06:10,520 --> 00:06:14,200 Speaker 4: Suggesting one venue, I'm just having I'm just getting an idea. 168 00:06:14,320 --> 00:06:16,679 Speaker 1: It's just ballpark of what venue you wanted? 169 00:06:16,920 --> 00:06:19,120 Speaker 2: Yeah, well, and you want to cool one. You want 170 00:06:19,120 --> 00:06:21,839 Speaker 2: to cool like the corner you mentioned the corner corner. 171 00:06:22,400 --> 00:06:25,320 Speaker 1: The corner is like a premium live music venues. 172 00:06:25,320 --> 00:06:26,679 Speaker 2: But again, like what venue. 173 00:06:27,720 --> 00:06:28,480 Speaker 1: I'm glad to hear. 174 00:06:28,360 --> 00:06:30,640 Speaker 4: That you're out of the stratosphere of the conversations we've 175 00:06:30,640 --> 00:06:33,080 Speaker 4: had off here where you've been suggesting opera house, high 176 00:06:33,160 --> 00:06:37,360 Speaker 4: Sense Arena, Margaret Court, Opera House, Que Pac, Riverside Theater. 177 00:06:37,680 --> 00:06:38,240 Speaker 1: We can that. 178 00:06:39,080 --> 00:06:41,360 Speaker 4: Well, yeah, if you can't get no, well, I'm telling 179 00:06:41,360 --> 00:06:42,479 Speaker 4: you right now we can't get Okay. 180 00:06:43,520 --> 00:06:46,160 Speaker 1: I want to cool cool mass slash pub. 181 00:06:46,279 --> 00:06:48,760 Speaker 5: Yeah with like you usually got a back room or 182 00:06:48,800 --> 00:06:51,559 Speaker 5: an upstairs and really cool bands play there. 183 00:06:51,680 --> 00:06:51,920 Speaker 1: Cool. 184 00:06:52,040 --> 00:06:54,240 Speaker 2: That's where I want to pull my finger to be playing. Okay, 185 00:06:54,240 --> 00:06:55,560 Speaker 2: what about what is courtyard? 186 00:06:55,640 --> 00:06:59,960 Speaker 5: Yeah, you can fit about five people back there, did 187 00:07:00,040 --> 00:07:00,800 Speaker 5: shows from out there? 188 00:07:01,480 --> 00:07:03,440 Speaker 3: Less people in there, all of a sudden, it becomes 189 00:07:03,440 --> 00:07:04,200 Speaker 3: more exclusive. 190 00:07:04,279 --> 00:07:06,720 Speaker 2: This is this is incredibly disrespectful. 191 00:07:06,720 --> 00:07:08,760 Speaker 4: I could probably get you a good spot on Swanson 192 00:07:08,839 --> 00:07:09,880 Speaker 4: Street busking as well. 193 00:07:10,640 --> 00:07:14,600 Speaker 1: If it came down to you're fired, magic words. 194 00:07:14,320 --> 00:07:19,920 Speaker 5: You're fired, Open open job application manager of buma Finger, 195 00:07:20,080 --> 00:07:23,520 Speaker 5: and I'll put the door with you. This is the 196 00:07:23,560 --> 00:07:26,680 Speaker 5: Will and Woody podcast. 197 00:07:27,840 --> 00:07:31,120 Speaker 4: Wood He is trying to relive a fantasy of his 198 00:07:31,200 --> 00:07:35,080 Speaker 4: which occurred fifteen years ago in South America. A number 199 00:07:35,080 --> 00:07:38,400 Speaker 4: of years ago, Woody toured South America with his mates 200 00:07:38,440 --> 00:07:40,400 Speaker 4: pretending to be the band of powder Finger. 201 00:07:43,760 --> 00:07:44,120 Speaker 1: Boys. 202 00:07:44,360 --> 00:07:46,960 Speaker 2: I want to get the band back together, joke, Shag. 203 00:07:46,680 --> 00:07:48,960 Speaker 1: And Lafleur are in. Only one of them actually plays 204 00:07:49,000 --> 00:07:52,600 Speaker 1: an instrument, but that's fine. We need a tribute band 205 00:07:52,720 --> 00:07:53,920 Speaker 1: name for powder Finger. 206 00:07:54,000 --> 00:07:54,720 Speaker 2: What's the top truck? 207 00:07:55,000 --> 00:07:57,600 Speaker 4: Power stinkerd Finger, bull Finger? 208 00:07:57,760 --> 00:07:58,240 Speaker 1: Get fighting? 209 00:07:58,240 --> 00:07:58,520 Speaker 4: Willim? 210 00:07:58,520 --> 00:08:01,320 Speaker 1: What are you on Instagram? We reveal the winner on Monday. 211 00:08:01,720 --> 00:08:05,480 Speaker 2: Oh here we are here, we are are so yeah. 212 00:08:05,520 --> 00:08:08,400 Speaker 5: So, as that little beautiful montage said, I actually did 213 00:08:08,440 --> 00:08:10,840 Speaker 5: travel through South America fifteen years ago and got away 214 00:08:10,840 --> 00:08:11,080 Speaker 5: with it. 215 00:08:11,680 --> 00:08:14,440 Speaker 2: I would walk, I would skip cues in bars. 216 00:08:14,320 --> 00:08:16,240 Speaker 1: Even though they didn't know who powder Fingers. 217 00:08:15,960 --> 00:08:18,760 Speaker 2: Were, but they just knew we were a famous Australian band. 218 00:08:18,840 --> 00:08:20,240 Speaker 2: And I think it was the way that we walked. 219 00:08:20,440 --> 00:08:24,960 Speaker 2: I don't know how was that well, I can't show well. 220 00:08:24,960 --> 00:08:26,960 Speaker 2: I mean it's very visual, very visual, but you can 221 00:08:27,000 --> 00:08:28,400 Speaker 2: probably describe what I'm doing right now. 222 00:08:28,480 --> 00:08:32,480 Speaker 1: Yeah, yeah, very slow. 223 00:08:32,600 --> 00:08:34,679 Speaker 5: Describing me at all. This is not helping the people 224 00:08:34,720 --> 00:08:36,520 Speaker 5: in their cars. Look at me, Look at what I'm doing. 225 00:08:36,679 --> 00:08:40,160 Speaker 1: Yeah, you're looking over your shoulder. 226 00:08:39,800 --> 00:08:41,600 Speaker 2: Because I don't want to go in your bar. And 227 00:08:41,640 --> 00:08:43,040 Speaker 2: then all of a sudden the bars like hang on 228 00:08:43,080 --> 00:08:43,439 Speaker 2: a second. 229 00:08:44,200 --> 00:08:45,400 Speaker 1: That definitely wasn't worth it. 230 00:08:45,440 --> 00:08:48,120 Speaker 4: All right, So we've got we've got three names that 231 00:08:48,160 --> 00:08:52,200 Speaker 4: we whittled this down to that you So you guys 232 00:08:52,240 --> 00:08:54,840 Speaker 4: nominated the names and I just want to say big 233 00:08:54,840 --> 00:08:57,400 Speaker 4: shout out to all the people that nominated tribute band names. 234 00:08:57,400 --> 00:08:59,600 Speaker 4: Ben And the name is important because you are going 235 00:08:59,640 --> 00:09:01,360 Speaker 4: to be playing paying one gig. 236 00:09:01,559 --> 00:09:02,520 Speaker 1: I challenged you on this. 237 00:09:02,679 --> 00:09:04,480 Speaker 4: I said, you guys can pretend to be Powdered Finger, 238 00:09:04,480 --> 00:09:07,000 Speaker 4: but you'll never be Powdered Finger. You seem to think 239 00:09:07,000 --> 00:09:08,719 Speaker 4: you can be. So you've got one song that you're 240 00:09:08,720 --> 00:09:12,360 Speaker 4: going to play with Chuck a Shag and Lafleur. You 241 00:09:12,400 --> 00:09:14,160 Speaker 4: guys are going to be playing at a venue somewhere 242 00:09:14,160 --> 00:09:16,120 Speaker 4: in Australia's yet to be decided. But let's get down 243 00:09:16,160 --> 00:09:16,680 Speaker 4: to brass tags. 244 00:09:16,679 --> 00:09:17,000 Speaker 1: The name. 245 00:09:17,240 --> 00:09:20,679 Speaker 5: It's a bidding war, by the way, if you if 246 00:09:20,679 --> 00:09:22,319 Speaker 5: you're a venue and you are asked. 247 00:09:22,080 --> 00:09:23,679 Speaker 1: To perform, oh that's the bidding war. 248 00:09:23,800 --> 00:09:25,560 Speaker 5: Yeah, if you want us to perform at your bar, 249 00:09:26,679 --> 00:09:28,920 Speaker 5: get in touch and money talks now go on. 250 00:09:29,000 --> 00:09:33,640 Speaker 1: Well, I think we'll be paying people to see. 251 00:09:35,920 --> 00:09:37,160 Speaker 2: Does it work? We're bands? 252 00:09:38,000 --> 00:09:39,800 Speaker 1: Well, you take the door, you take the door. 253 00:09:39,880 --> 00:09:41,040 Speaker 2: What do you mean not take the door? 254 00:09:44,760 --> 00:09:54,480 Speaker 4: You give us your front door, the actual doors. 255 00:09:54,840 --> 00:09:56,400 Speaker 1: God, you're magnemus, an idiot. 256 00:09:56,720 --> 00:10:01,599 Speaker 4: No, no, no, you take the ticket sales from the door. 257 00:10:02,200 --> 00:10:04,240 Speaker 1: So you've got the bar and you've got the door. Okay, 258 00:10:04,400 --> 00:10:08,160 Speaker 1: so you take the door. If you're the band, we 259 00:10:08,240 --> 00:10:09,120 Speaker 1: might take the door. 260 00:10:08,960 --> 00:10:11,560 Speaker 4: Which means if we get you know, five hundred people there, 261 00:10:12,000 --> 00:10:13,600 Speaker 4: you know, and we take and we take the. 262 00:10:13,480 --> 00:10:15,439 Speaker 1: Door bit of cash, you know, all of a sudden. 263 00:10:15,720 --> 00:10:18,559 Speaker 2: Okay, So I want a big capacity, then we want. 264 00:10:18,360 --> 00:10:20,760 Speaker 4: To be well yeah, but the other thing is, well 265 00:10:20,800 --> 00:10:21,520 Speaker 4: we've got a big venue. 266 00:10:21,559 --> 00:10:23,640 Speaker 1: Why we're talking about venues. I'm telling you stop stop 267 00:10:23,679 --> 00:10:25,760 Speaker 1: getting me involved in venues. That's a later conversation. We're 268 00:10:25,800 --> 00:10:28,480 Speaker 1: talking about the name now, we're whittled down the three names. 269 00:10:28,920 --> 00:10:32,120 Speaker 4: The names, as voted by you guys were power Stinker 270 00:10:32,520 --> 00:10:39,240 Speaker 4: first name, second name, chowder finger, third name, pull my finger. 271 00:10:40,280 --> 00:10:41,880 Speaker 2: Three honestly, three great names. 272 00:10:41,880 --> 00:10:43,319 Speaker 1: Now if you got one, you'd prefer. 273 00:10:45,240 --> 00:10:46,760 Speaker 2: It's actually it's honestly really hard. 274 00:10:46,840 --> 00:10:50,600 Speaker 5: But I'm I'm leaning closest to chowder finger chowder finger 275 00:10:50,800 --> 00:10:55,280 Speaker 5: because I can see us monetizing the chowder of chowder finger. 276 00:10:55,480 --> 00:10:57,240 Speaker 1: So you can filling a biscuitt the bar. 277 00:10:57,720 --> 00:11:00,760 Speaker 5: Exactly right, beer and a bisk I mean, it just rides, 278 00:11:00,960 --> 00:11:01,880 Speaker 5: it rights itself. 279 00:11:03,600 --> 00:11:08,920 Speaker 1: A shady, a shardian, a choudy. Yeah, but you know. 280 00:11:08,880 --> 00:11:09,800 Speaker 2: I've got time to think about it. 281 00:11:09,920 --> 00:11:12,280 Speaker 1: Play competition. Would you like it? You know, shaddy or choudy. 282 00:11:12,280 --> 00:11:13,800 Speaker 1: And you don't know until you've got it. You know, 283 00:11:14,640 --> 00:11:16,120 Speaker 1: just a cup you're shady. 284 00:11:16,000 --> 00:11:18,920 Speaker 2: Chowdy is in your chouty. Here's here's your here's your 285 00:11:18,960 --> 00:11:21,480 Speaker 2: chowder with some shouty in it. It's a party chowder. 286 00:11:22,080 --> 00:11:24,199 Speaker 5: And look, as we're talking more, you come to see 287 00:11:25,120 --> 00:11:27,640 Speaker 5: you can just see how much money we can make. 288 00:11:27,480 --> 00:11:28,280 Speaker 2: Off that effectively. 289 00:11:28,480 --> 00:11:32,400 Speaker 4: Can you stop talking about the money? 290 00:11:33,200 --> 00:11:34,760 Speaker 1: You said money talks with the venue. 291 00:11:35,080 --> 00:11:38,120 Speaker 4: We'll take the door, and then you make money off 292 00:11:38,120 --> 00:11:40,560 Speaker 4: the me you just worried about the song. Mate, you've 293 00:11:40,559 --> 00:11:42,600 Speaker 4: got to play one song has power as a powder 294 00:11:42,800 --> 00:11:43,560 Speaker 4: an tribute band. 295 00:11:43,800 --> 00:11:45,360 Speaker 1: You've got buy the drums. You've never buy the drums 296 00:11:45,360 --> 00:11:45,760 Speaker 1: in your life. 297 00:11:45,800 --> 00:11:47,160 Speaker 2: That's true. Focus. 298 00:11:47,280 --> 00:11:48,800 Speaker 1: I've spoken far too much about this. 299 00:11:48,920 --> 00:11:51,720 Speaker 4: Now we're brought in out digital user kV. She's in 300 00:11:51,720 --> 00:11:53,640 Speaker 4: here for a chat, but we're already at four and 301 00:11:53,640 --> 00:11:56,600 Speaker 4: a half minutes. Captain poop Pants is out absolutely up 302 00:11:56,679 --> 00:12:00,400 Speaker 4: in arms because trying to clarify what the door was. 303 00:12:02,240 --> 00:12:02,520 Speaker 1: kV. 304 00:12:02,720 --> 00:12:05,760 Speaker 4: So we've got power, stinker, chowder finger and pullma finger. 305 00:12:06,120 --> 00:12:10,000 Speaker 4: There's been a vote over the weekend, that's right, big numbers. 306 00:12:09,880 --> 00:12:12,280 Speaker 6: Yep, Yeah, everyone's getting around it. We had so many 307 00:12:12,400 --> 00:12:14,720 Speaker 6: dms it was off its chops. 308 00:12:14,760 --> 00:12:18,120 Speaker 1: Oh wow wow wie wowe chop chowder. 309 00:12:18,240 --> 00:12:20,439 Speaker 2: Sorry, that could be a good one, chopping at chowder. 310 00:12:25,000 --> 00:12:25,680 Speaker 1: Chowder fingers. 311 00:12:25,720 --> 00:12:30,040 Speaker 4: One for me, purely on purely on the sellability christ 312 00:12:30,080 --> 00:12:31,440 Speaker 4: and we could do it with like a red lobster 313 00:12:31,600 --> 00:12:32,840 Speaker 4: or something, you know. 314 00:12:32,920 --> 00:12:34,280 Speaker 2: Anyway, Look, okay, we're. 315 00:12:34,120 --> 00:12:34,840 Speaker 1: Going to go to a song. 316 00:12:34,920 --> 00:12:36,520 Speaker 2: We gonna wipe out one before the song. 317 00:12:36,640 --> 00:12:39,800 Speaker 1: Oh no, surely not. I mean, are they all in 318 00:12:39,840 --> 00:12:40,200 Speaker 1: the mix. 319 00:12:41,240 --> 00:12:43,400 Speaker 6: One is significantly less. 320 00:12:43,440 --> 00:12:45,120 Speaker 1: What's the voting? Okay, give me the numbers, Give me 321 00:12:45,120 --> 00:12:45,520 Speaker 1: the numbers. 322 00:12:45,559 --> 00:12:49,240 Speaker 6: Okay. So we've got one at twenty. 323 00:12:47,840 --> 00:12:49,640 Speaker 1: Twenty one, yep, one at. 324 00:12:49,600 --> 00:12:52,240 Speaker 6: Thirty eight percent, one at forty two. 325 00:12:52,400 --> 00:12:54,520 Speaker 5: Oh jee wizh Okay, let's wipe out twenty one whatever, 326 00:12:54,559 --> 00:12:55,920 Speaker 5: twenty one, I say, wipe it out now, and then 327 00:12:55,960 --> 00:12:56,760 Speaker 5: it's a two horse race. 328 00:12:56,800 --> 00:12:59,080 Speaker 6: Okay, Okay, appreciate everyone who voted. That was great. 329 00:12:59,200 --> 00:12:59,400 Speaker 1: Yep. 330 00:13:00,720 --> 00:13:05,120 Speaker 6: The one that is gone, yeah, power stinker gone. 331 00:13:05,160 --> 00:13:05,720 Speaker 1: Wow. Yeah. 332 00:13:05,800 --> 00:13:08,319 Speaker 5: I mean when you expected, when you're yeah and well 333 00:13:08,320 --> 00:13:08,880 Speaker 5: done Australia. 334 00:13:08,920 --> 00:13:11,160 Speaker 4: There's no marketability there. We're happy it's gone. 335 00:13:11,320 --> 00:13:11,760 Speaker 2: Okay. 336 00:13:11,920 --> 00:13:13,199 Speaker 1: Right up next is. 337 00:13:13,160 --> 00:13:16,440 Speaker 4: The powder Finger tribute band chowder Finger or pull my Finger. 338 00:13:18,160 --> 00:13:21,040 Speaker 4: Right up next is Let's get down to It, A 339 00:13:21,080 --> 00:13:25,920 Speaker 4: fantasy fifteen years ago, ignited in South America, now being 340 00:13:25,960 --> 00:13:28,680 Speaker 4: relived on on Will and Woody. 341 00:13:28,960 --> 00:13:29,640 Speaker 2: A number of. 342 00:13:29,640 --> 00:13:33,160 Speaker 4: Years ago, Woody toured South America with his mates pretending 343 00:13:33,200 --> 00:13:34,480 Speaker 4: to be the band powder Finger. 344 00:13:36,080 --> 00:13:38,480 Speaker 1: Go Boys. 345 00:13:38,720 --> 00:13:40,320 Speaker 2: I want to get the band back together. 346 00:13:40,400 --> 00:13:41,920 Speaker 1: Joke. Shag and Lafleur are in. 347 00:13:42,080 --> 00:13:44,680 Speaker 4: Only one of them actually plays an instrument, but that's fine. 348 00:13:45,400 --> 00:13:48,280 Speaker 1: We need a tribute band name for powder Finger? 349 00:13:48,360 --> 00:13:49,080 Speaker 2: What's the top truck? 350 00:13:49,360 --> 00:13:53,560 Speaker 1: Power stinker fingering? Get voting, Willan? What are you on Instagram? 351 00:13:53,600 --> 00:13:56,800 Speaker 1: We reveal the winner on Monday. All right, here we go. 352 00:13:56,840 --> 00:13:58,840 Speaker 1: So the weekend's been and gone. Obviously a bigger vote 353 00:13:58,840 --> 00:14:00,800 Speaker 1: than the federal election from my no doubt. 354 00:14:00,920 --> 00:14:03,440 Speaker 4: Now we had three names to start with for this 355 00:14:03,520 --> 00:14:04,200 Speaker 4: tribute gig. 356 00:14:04,240 --> 00:14:04,560 Speaker 1: Wards. 357 00:14:04,600 --> 00:14:07,440 Speaker 4: You will be playing a gig as powder Finger as 358 00:14:07,440 --> 00:14:09,640 Speaker 4: a powder Finger tribute band, you only paint one song. 359 00:14:09,800 --> 00:14:11,400 Speaker 1: Let's face it, you'd be likely to get through a 360 00:14:11,440 --> 00:14:16,040 Speaker 1: further that. Well, yeah, but I'm just not only one 361 00:14:16,080 --> 00:14:18,480 Speaker 1: of your as a musical instrument. You reckoning the drummer. 362 00:14:18,480 --> 00:14:19,200 Speaker 1: You can't pay the drums. 363 00:14:19,320 --> 00:14:20,680 Speaker 2: Yeah, but I was born with a beat? How many 364 00:14:20,680 --> 00:14:21,680 Speaker 2: times do I have to say it? 365 00:14:21,840 --> 00:14:25,120 Speaker 1: Okay? Fine? I still don't know what the flir is 366 00:14:25,160 --> 00:14:26,160 Speaker 1: doing on the stage, but. 367 00:14:26,240 --> 00:14:29,440 Speaker 2: Flur and some sort of percussion. He'll be fine. He's energy, 368 00:14:29,440 --> 00:14:29,920 Speaker 2: he's vibe. 369 00:14:29,960 --> 00:14:30,200 Speaker 1: Okay. 370 00:14:32,040 --> 00:14:35,600 Speaker 4: Three names voted on over the weekend by you guys 371 00:14:35,600 --> 00:14:36,880 Speaker 4: on Will and Woody on the gram. 372 00:14:37,080 --> 00:14:38,520 Speaker 1: Big shout out to everybody that voted. 373 00:14:38,520 --> 00:14:41,160 Speaker 4: Big numbers people were dming us later on kV are 374 00:14:41,160 --> 00:14:42,600 Speaker 4: digital producer in the studio here. 375 00:14:42,720 --> 00:14:43,840 Speaker 6: Yeah, and I ignored them all. 376 00:14:43,720 --> 00:14:45,840 Speaker 1: Because outside of the time. 377 00:14:46,160 --> 00:14:48,240 Speaker 6: The time, Wow, you had your chance? 378 00:14:49,160 --> 00:14:51,359 Speaker 1: Is it closed in twenty four hours, didn't it? 379 00:14:51,360 --> 00:14:51,840 Speaker 2: He's quick? 380 00:14:51,880 --> 00:14:53,640 Speaker 6: But I mean in that twenty four hours, the people 381 00:14:53,680 --> 00:14:56,680 Speaker 6: who nominated different names, like hundreds of names. 382 00:14:56,760 --> 00:14:59,000 Speaker 2: Wow, ridiculous, Okay, people really care. 383 00:14:59,040 --> 00:15:01,040 Speaker 1: It's great to say, so down to two names. 384 00:15:01,440 --> 00:15:03,840 Speaker 4: One of them thirty eight percent, one of them forty 385 00:15:03,880 --> 00:15:07,920 Speaker 4: two percent chowder finger. And I mean we've just started 386 00:15:07,920 --> 00:15:09,800 Speaker 4: to skim the possibilities of what they could mean. 387 00:15:09,840 --> 00:15:12,000 Speaker 5: Would you can really monetize chowder finger? There's no doubt 388 00:15:12,000 --> 00:15:14,040 Speaker 5: about it. I've already got a few lines in the 389 00:15:14,040 --> 00:15:17,480 Speaker 5: water on some chowder chowder makers. 390 00:15:17,920 --> 00:15:20,560 Speaker 2: So look, I'm obviously I don't totally. 391 00:15:20,440 --> 00:15:22,760 Speaker 5: Yeah, yeah, put all my eggy one basket, but geez, 392 00:15:22,920 --> 00:15:24,280 Speaker 5: chowder finger chout, I think would be huge. 393 00:15:24,360 --> 00:15:26,840 Speaker 4: We haven't explored pulled my finger in terms of marketability. 394 00:15:26,880 --> 00:15:28,600 Speaker 2: Obviously, great merge. The T shirt's amazing. 395 00:15:28,640 --> 00:15:31,560 Speaker 5: A finger or a pulling of a finger, Ye, you 396 00:15:31,600 --> 00:15:33,720 Speaker 5: could open the whole night with a pulling of the finger. 397 00:15:34,560 --> 00:15:37,160 Speaker 1: Oh, a new fart potentially fart to far far, a 398 00:15:37,240 --> 00:15:38,160 Speaker 1: fart to start the gig. 399 00:15:38,200 --> 00:15:39,400 Speaker 2: I don't want to make it crass, but I mean 400 00:15:39,440 --> 00:15:40,080 Speaker 2: that's hilarious. 401 00:15:40,080 --> 00:15:41,920 Speaker 1: Oh and then people could people could raffle to see 402 00:15:41,960 --> 00:15:42,640 Speaker 1: who pulls your finger. 403 00:15:42,760 --> 00:15:43,920 Speaker 2: Oh, Bro, you get the Lord. 404 00:15:43,760 --> 00:15:47,920 Speaker 5: May get the Lord pull your finger. 405 00:15:48,040 --> 00:15:50,960 Speaker 1: Oh we get Bernard Fanning. Maybe Bernie comes down and 406 00:15:50,960 --> 00:15:51,520 Speaker 1: pulls your finger. 407 00:15:51,560 --> 00:15:54,000 Speaker 5: I'd be a dream coming true of Bernie. 408 00:15:54,280 --> 00:15:55,480 Speaker 1: And you're on the drums as well. I mean that 409 00:15:55,520 --> 00:15:57,080 Speaker 1: you could loop that as the beat for the. 410 00:15:57,040 --> 00:16:00,600 Speaker 2: Song could be fingers because name, I mean. 411 00:16:00,480 --> 00:16:03,640 Speaker 4: It's starting to so you can also get those hands. 412 00:16:03,640 --> 00:16:05,400 Speaker 4: You know, those those novelty hands they have. 413 00:16:05,400 --> 00:16:07,440 Speaker 2: At the basketball yep, you have. 414 00:16:07,920 --> 00:16:09,560 Speaker 1: Everyone gets one of them in the crowd. They do 415 00:16:09,600 --> 00:16:11,280 Speaker 1: a point. They tend to point. 416 00:16:11,280 --> 00:16:13,880 Speaker 5: Pulling fingers everywhere. Imagine the crowd. They no handshakes, just 417 00:16:13,920 --> 00:16:18,480 Speaker 5: pulling a fingers. Oh yeah, both names are amazing. Okay, 418 00:16:18,520 --> 00:16:18,960 Speaker 5: both names. 419 00:16:18,960 --> 00:16:22,480 Speaker 1: Both names are great. Pull my finger versus chowder Finger. 420 00:16:22,520 --> 00:16:24,160 Speaker 4: There can only be one name, though, I'm going to 421 00:16:24,200 --> 00:16:26,880 Speaker 4: throw kvdness nervous. 422 00:16:28,040 --> 00:16:32,120 Speaker 6: So it was very very close, like within twenty votes 423 00:16:32,120 --> 00:16:37,400 Speaker 6: between the two of them. Wow, the winner of the 424 00:16:37,440 --> 00:16:39,640 Speaker 6: cover band powder Finger name is. 425 00:16:40,760 --> 00:16:51,400 Speaker 1: Pull my finger to finger the gold Pull my finger. 426 00:16:52,720 --> 00:16:57,840 Speaker 2: Is absolutely ridiculous. Okay, so pull my finger extraordinary. Thank 427 00:16:57,840 --> 00:16:58,760 Speaker 2: You're gonna everyone invited? 428 00:16:58,800 --> 00:17:01,160 Speaker 5: So well, so when'sa haning because honestly the boys going 429 00:17:01,160 --> 00:17:01,960 Speaker 5: to get time off work. 430 00:17:02,040 --> 00:17:06,640 Speaker 1: Yeah. Well we did a book a venue that's next bit. 431 00:17:06,760 --> 00:17:08,800 Speaker 1: Yeah yeah, bull my fingers the name of the band. 432 00:17:08,880 --> 00:17:10,639 Speaker 1: You probably need to learn how to play the drums. 433 00:17:10,680 --> 00:17:12,119 Speaker 1: The venue is probably the next step. 434 00:17:12,200 --> 00:17:15,560 Speaker 4: Yeah, okay, great, and then we work on monetizing it 435 00:17:15,600 --> 00:17:16,000 Speaker 4: from there. 436 00:17:16,080 --> 00:17:18,200 Speaker 2: Absolutely, we'll a talking my let all right. 437 00:17:18,160 --> 00:17:21,000 Speaker 1: Great, stay with us more of that journey, very very surely. 438 00:17:21,000 --> 00:17:25,359 Speaker 1: Thanks coming in kV. This is the Will and Woody Podcast. 439 00:17:25,960 --> 00:17:28,800 Speaker 5: It's time for believe or not. 440 00:17:32,880 --> 00:17:33,800 Speaker 1: Very excited about this mane. 441 00:17:33,840 --> 00:17:35,919 Speaker 5: You had to win last week absolutely straight sense. It 442 00:17:35,920 --> 00:17:38,399 Speaker 5: was too easy. And there's a theme for this every 443 00:17:38,440 --> 00:17:40,480 Speaker 5: single time we do it. The game symbol by the way, 444 00:17:40,600 --> 00:17:43,880 Speaker 5: I just effectively tell you stories or facts and will 445 00:17:43,920 --> 00:17:46,199 Speaker 5: you decide if I have made up that fact or 446 00:17:46,320 --> 00:17:47,960 Speaker 5: if it is in fact true? 447 00:17:48,080 --> 00:17:48,240 Speaker 1: Yes. 448 00:17:48,480 --> 00:17:51,800 Speaker 2: So today's theme is social media faux. 449 00:17:51,520 --> 00:17:56,720 Speaker 5: Pas because geez, some work from Neil Patrick Harris has 450 00:17:56,720 --> 00:18:00,800 Speaker 5: been dug up. This is from eleven years ago and 451 00:18:01,000 --> 00:18:03,200 Speaker 5: it was a photo that he posted from a Halloween 452 00:18:03,240 --> 00:18:05,120 Speaker 5: party that he did and it. 453 00:18:05,160 --> 00:18:05,720 Speaker 2: Was a cake. 454 00:18:06,160 --> 00:18:06,960 Speaker 1: I saw this. 455 00:18:07,080 --> 00:18:09,560 Speaker 5: I saw this, Yeah, and it's just the corpse of 456 00:18:09,600 --> 00:18:12,440 Speaker 5: Amy Winehouse. And I'm pretty sure this was only a 457 00:18:12,520 --> 00:18:15,560 Speaker 5: couple of months after she'd passed away. So now he's 458 00:18:15,600 --> 00:18:17,919 Speaker 5: copying it a fair bit online. So well, today we 459 00:18:17,960 --> 00:18:20,040 Speaker 5: are doing social media faux pass. Now would you like 460 00:18:20,080 --> 00:18:20,640 Speaker 5: a warm up? 461 00:18:20,960 --> 00:18:21,919 Speaker 1: Yeah, I'll take a warm up. 462 00:18:21,960 --> 00:18:24,480 Speaker 4: I mean I was cold last week. I lost last week, 463 00:18:24,520 --> 00:18:26,200 Speaker 4: so I almost deserve a warmer. Ill, do do a 464 00:18:26,240 --> 00:18:28,240 Speaker 4: best of five? Do do a best of five? 465 00:18:28,760 --> 00:18:30,600 Speaker 2: You want best of five? Right up there? I'm not 466 00:18:30,600 --> 00:18:33,800 Speaker 2: sure if Captain poop pen you're shaking that up very quickly. 467 00:18:34,400 --> 00:18:35,199 Speaker 2: Let's take the warm up. 468 00:18:35,240 --> 00:18:35,639 Speaker 1: Let's take the. 469 00:18:37,200 --> 00:18:39,040 Speaker 5: Okay, so this isn't this is a dead rabbit. This 470 00:18:39,040 --> 00:18:40,440 Speaker 5: doesn't actually mean anything. 471 00:18:40,240 --> 00:18:41,720 Speaker 1: Poop pants. You surely don't want to do a five 472 00:18:41,800 --> 00:18:43,240 Speaker 1: best of five? Definitely not. 473 00:18:43,320 --> 00:18:46,760 Speaker 2: Okay, that's hush, but but warm up? 474 00:18:47,080 --> 00:18:48,879 Speaker 1: Yeah, so I'm ready. 475 00:18:48,960 --> 00:18:50,680 Speaker 2: Well, no drone me, I've got to hit the drunk. 476 00:18:50,880 --> 00:18:52,040 Speaker 1: Hit the let's hit the drone. 477 00:18:52,040 --> 00:18:53,600 Speaker 2: Okay, Will's paneling everyone. 478 00:18:54,440 --> 00:18:55,800 Speaker 1: Don't tell them that. Here we go. 479 00:18:57,200 --> 00:18:59,679 Speaker 2: There you go, Okay, good Jo, way to find the button? 480 00:18:59,720 --> 00:18:59,960 Speaker 1: Thanks? 481 00:19:00,440 --> 00:19:02,239 Speaker 2: All right, here you go. It's just a warm up. 482 00:19:02,960 --> 00:19:06,600 Speaker 5: You know Robin Thick, famous for bod lines A bit 483 00:19:06,640 --> 00:19:07,320 Speaker 5: of a dog of a man. 484 00:19:07,400 --> 00:19:08,720 Speaker 1: So Robin of a man, big of a man. 485 00:19:08,760 --> 00:19:10,720 Speaker 2: Why do you think he's a big because their blood lines? 486 00:19:10,760 --> 00:19:11,440 Speaker 1: Film cluick mate? 487 00:19:11,440 --> 00:19:13,160 Speaker 2: Okay, well Robin's not even his song. 488 00:19:13,520 --> 00:19:15,720 Speaker 5: Robin Thick once posted a photo with a woman in 489 00:19:15,720 --> 00:19:18,400 Speaker 5: front of a mirror. But because of this, you could 490 00:19:18,400 --> 00:19:21,440 Speaker 5: see that he actually had his hand on her bottom. 491 00:19:21,640 --> 00:19:24,920 Speaker 2: Oh the mirror picked that up? Is that true? Or 492 00:19:24,960 --> 00:19:25,760 Speaker 2: have I made that up? 493 00:19:27,240 --> 00:19:27,640 Speaker 1: Jeers? 494 00:19:28,359 --> 00:19:31,520 Speaker 4: I hope you haven't made it up because it could 495 00:19:31,520 --> 00:19:34,840 Speaker 4: be a defaming little bit in the eror. 496 00:19:34,720 --> 00:19:36,640 Speaker 2: No, this is believe it or not, though everyone knows 497 00:19:36,640 --> 00:19:40,400 Speaker 2: that they make things up that defamation. 498 00:19:41,000 --> 00:19:41,359 Speaker 1: Well, I just. 499 00:19:41,359 --> 00:19:44,920 Speaker 4: Wouldn't be saying that about someone if they didn't do it. 500 00:19:44,920 --> 00:19:46,719 Speaker 2: It's in a game called believe it or not. 501 00:19:49,560 --> 00:19:51,520 Speaker 1: I think it's I don't think it's true. I don't 502 00:19:51,520 --> 00:19:52,159 Speaker 1: think it's true. 503 00:19:52,640 --> 00:19:55,040 Speaker 2: That is true. That is true. I'm sorry, that's true. 504 00:19:55,080 --> 00:19:55,520 Speaker 1: That's true. 505 00:19:55,560 --> 00:20:00,840 Speaker 5: That's I lost you lost what money? 506 00:20:00,960 --> 00:20:01,160 Speaker 1: Well? 507 00:20:01,560 --> 00:20:05,480 Speaker 2: Okay, sut, yeah, true story. So here and his wife 508 00:20:05,560 --> 00:20:06,480 Speaker 2: led a divorced after that. 509 00:20:06,720 --> 00:20:11,800 Speaker 1: Okay, anyway, let's go to it's a fun family friendly bit. Everybody, 510 00:20:11,840 --> 00:20:13,800 Speaker 1: don't worry stay with us. 511 00:20:13,840 --> 00:20:16,520 Speaker 2: Will and Woody back for more in just a bit 512 00:20:17,680 --> 00:20:21,879 Speaker 2: the Will and Woody Podcast. It's time for Believe it 513 00:20:22,240 --> 00:20:22,439 Speaker 2: or not. 514 00:20:25,680 --> 00:20:28,960 Speaker 5: He's got some weird facts and stores. 515 00:20:29,720 --> 00:20:34,200 Speaker 1: Some of them are real. Alrighty, let's get into it. 516 00:20:34,760 --> 00:20:39,200 Speaker 5: The thing today is social media faux pas because Neil 517 00:20:39,200 --> 00:20:43,160 Speaker 5: Patrick Harris, they've unearthed a saying he put on social 518 00:20:43,240 --> 00:20:46,040 Speaker 5: media eleven years ago. It was a Halloween party and 519 00:20:46,080 --> 00:20:48,359 Speaker 5: there was a cake and it says corpse of Amy 520 00:20:48,400 --> 00:20:49,480 Speaker 5: wine House on it. 521 00:20:49,880 --> 00:20:52,320 Speaker 2: Totally right right off. 522 00:20:53,080 --> 00:20:55,040 Speaker 5: So yeah, that's been unearthed and he is obviously copying 523 00:20:55,040 --> 00:20:57,440 Speaker 5: it online for that. So yeah, social media faux pas. 524 00:20:58,040 --> 00:20:58,639 Speaker 3: Are you ready to go? 525 00:20:59,200 --> 00:21:00,000 Speaker 2: We're invested three. 526 00:21:00,320 --> 00:21:03,840 Speaker 1: Yeah, you had a win last week? 527 00:21:03,920 --> 00:21:04,880 Speaker 2: Yeah, bunny, how that had a win? 528 00:21:05,680 --> 00:21:08,840 Speaker 4: It's the expression dogs shine, suns shines on a dog's ass. 529 00:21:09,119 --> 00:21:12,399 Speaker 5: That expression only works if I only had outlier wins. 530 00:21:12,480 --> 00:21:14,639 Speaker 5: I'm a regular winner in this segment. I had a 531 00:21:14,680 --> 00:21:16,679 Speaker 5: patch for six months where I didn't win. 532 00:21:17,240 --> 00:21:19,040 Speaker 1: But that makes you not a regular winner. We do 533 00:21:19,119 --> 00:21:19,480 Speaker 1: it weekly. 534 00:21:19,560 --> 00:21:23,240 Speaker 2: There was seven months before that where I was on fire. Anyway, 535 00:21:23,720 --> 00:21:24,359 Speaker 2: here we go. 536 00:21:25,320 --> 00:21:30,880 Speaker 5: Rita Aura reata Aura Once tweeted, dropping my new song Monday. 537 00:21:31,040 --> 00:21:34,760 Speaker 5: If this get one hundred thousand retweets, that's what she said. 538 00:21:35,840 --> 00:21:37,440 Speaker 2: It got two thousand retweets. 539 00:21:38,320 --> 00:21:41,400 Speaker 1: Oh, bit of an anti climax. 540 00:21:41,000 --> 00:21:43,560 Speaker 2: And then she still dropped the song on the Monday. 541 00:21:45,280 --> 00:21:46,919 Speaker 2: Is that true? 542 00:21:47,760 --> 00:21:49,520 Speaker 1: I didn't realize that was a thing. Do people do that? 543 00:21:49,640 --> 00:21:51,600 Speaker 2: I think it's a way to promote people. 544 00:21:51,640 --> 00:21:54,479 Speaker 5: Do this gets a hundred thousand retweets, then I'm dropping 545 00:21:55,280 --> 00:21:57,919 Speaker 5: dropping this hot song on Monday two thousand. 546 00:21:58,000 --> 00:22:00,800 Speaker 4: So she was nine hundred thousand retweets is a lot 547 00:22:00,840 --> 00:22:01,520 Speaker 4: of retweets. 548 00:22:01,520 --> 00:22:04,240 Speaker 2: It was ninety eight thousand short. It's nine eight thousand short. 549 00:22:05,200 --> 00:22:09,320 Speaker 1: Rita, Aura, Do I think that that actually happened? Is 550 00:22:09,359 --> 00:22:11,480 Speaker 1: she she's popular reader? Or she's a big deal shell 551 00:22:11,760 --> 00:22:17,480 Speaker 1: a retweeting? Is she beg on Twitter? I think that happened. 552 00:22:17,720 --> 00:22:18,800 Speaker 1: I think that happened. 553 00:22:19,840 --> 00:22:25,040 Speaker 4: Yeah, yes, how about that bit of logic there? Logic, 554 00:22:25,720 --> 00:22:28,320 Speaker 4: that's the noodle, that's the brain. You can't buy that, 555 00:22:28,560 --> 00:22:32,200 Speaker 4: but you can't train. That's just logic. That sheer logic 556 00:22:32,240 --> 00:22:33,760 Speaker 4: and my baby will be blessed. 557 00:22:33,480 --> 00:22:35,320 Speaker 1: With that, which is which is great for them? 558 00:22:35,400 --> 00:22:37,639 Speaker 2: Yeah, which is great for them? Great for them. 559 00:22:38,000 --> 00:22:40,080 Speaker 4: Geologic they'll be able to work their way through these things. 560 00:22:40,160 --> 00:22:42,040 Speaker 4: Is she big on Twitter? What platform would she be 561 00:22:42,080 --> 00:22:44,760 Speaker 4: big on? Can't buy it, job, can't teach it? 562 00:22:46,119 --> 00:22:47,960 Speaker 2: Christy Tagan will if I can move on? 563 00:22:48,160 --> 00:22:52,040 Speaker 1: Sure? Sure, Christy Tagan, get married to I'm the most 564 00:22:52,040 --> 00:22:53,120 Speaker 1: boring man in the world. 565 00:22:52,960 --> 00:22:53,600 Speaker 2: John Legend. 566 00:22:54,880 --> 00:22:57,359 Speaker 5: She once took a photo of some Beats by Dre 567 00:22:57,560 --> 00:22:58,840 Speaker 5: headphones in the packaging. 568 00:22:59,800 --> 00:23:02,119 Speaker 2: In the package said Merry Christmas to me. 569 00:23:03,200 --> 00:23:05,480 Speaker 5: She didn't realize that in the photo you could see 570 00:23:05,480 --> 00:23:08,160 Speaker 5: her reflection in the plastic of the Beats by Dray 571 00:23:08,720 --> 00:23:09,320 Speaker 5: and it was her. 572 00:23:09,280 --> 00:23:12,040 Speaker 2: Nude body, a nude body. Her nude body was in 573 00:23:12,080 --> 00:23:13,320 Speaker 2: the reflection of the packaging. 574 00:23:14,040 --> 00:23:17,640 Speaker 5: Fudge Cake sixty fudge sorry Fudge Underscore Cake sixty six 575 00:23:17,640 --> 00:23:21,800 Speaker 5: tweeted more like boobs by Drey and that tweet went viral. 576 00:23:22,800 --> 00:23:25,320 Speaker 2: Did that actually happen? Or have I made that up? 577 00:23:25,480 --> 00:23:30,399 Speaker 1: Jesus Christ. That is elaborate photo. 578 00:23:30,560 --> 00:23:31,040 Speaker 2: Beats by Dre. 579 00:23:31,200 --> 00:23:32,439 Speaker 1: He said, Merry Christmas to me. 580 00:23:32,600 --> 00:23:34,359 Speaker 5: Yep, shoot the photo that other package. She was in 581 00:23:34,359 --> 00:23:37,600 Speaker 5: the reflection and you can see her her upper half nude. 582 00:23:37,760 --> 00:23:44,679 Speaker 1: Sure did she have her implants taken out? Christy Tagan? 583 00:23:45,760 --> 00:23:47,760 Speaker 2: I think yes, But I'm not one hundred percent sure. 584 00:23:47,880 --> 00:23:49,680 Speaker 2: Weird question to ask. Just answer the question. 585 00:23:50,960 --> 00:23:52,600 Speaker 4: Well, it's part of it, it's not part of the 586 00:23:52,760 --> 00:23:54,879 Speaker 4: part of the game. Don't tell me how logic works. 587 00:23:55,400 --> 00:23:58,040 Speaker 4: Tell me, okay, talking to the lord of logic over here, 588 00:23:59,320 --> 00:24:01,000 Speaker 4: and you knew trying to outlight you were like. 589 00:24:02,640 --> 00:24:03,919 Speaker 1: Story. You spoke about it on the. 590 00:24:04,000 --> 00:24:06,639 Speaker 2: F two weeks of ninety five percent. I'm not homesentual. 591 00:24:07,240 --> 00:24:11,400 Speaker 4: I I don't think that's a real story. 592 00:24:11,480 --> 00:24:16,720 Speaker 1: Yes, and he's back. Wow wow wait. 593 00:24:16,880 --> 00:24:18,199 Speaker 4: I mean it was short at the top, and it 594 00:24:18,200 --> 00:24:20,880 Speaker 4: makes everybody think, did he gift you last week? 595 00:24:20,880 --> 00:24:21,760 Speaker 1: Did I gift it to you? 596 00:24:21,920 --> 00:24:22,720 Speaker 3: Or did you do that? 597 00:24:23,800 --> 00:24:25,719 Speaker 2: The Will and Woody podcast. 598 00:24:25,800 --> 00:24:26,479 Speaker 1: Woods right now. 599 00:24:26,520 --> 00:24:29,200 Speaker 4: I don't say this very often. I really don't, because 600 00:24:29,320 --> 00:24:31,320 Speaker 4: I'm going to be honest. We don't get great prizing 601 00:24:31,320 --> 00:24:32,800 Speaker 4: on the show. We just we just don't. 602 00:24:32,800 --> 00:24:34,360 Speaker 1: We're not We're not a Hollywood show. 603 00:24:34,600 --> 00:24:37,000 Speaker 4: We're not We're certainly we're not. We're not a Hollywood 604 00:24:37,000 --> 00:24:39,800 Speaker 4: Boulevard show. However, if you are into. 605 00:24:39,680 --> 00:24:42,080 Speaker 1: Hollywood, Hollywood Boulevard. 606 00:24:41,720 --> 00:24:45,159 Speaker 4: All those things, then right now, and that's as I 607 00:24:45,200 --> 00:24:47,119 Speaker 4: was talking about. I can't believe I'm saying this. We 608 00:24:47,200 --> 00:24:49,919 Speaker 4: have a chance to win a trip for two to 609 00:24:50,000 --> 00:24:56,560 Speaker 4: the iHeartRadio Wango Tango Festival in La flying United Airlines 610 00:24:56,600 --> 00:24:59,760 Speaker 4: and staying at one West Hollywood now. 611 00:25:00,320 --> 00:25:04,240 Speaker 5: United Airlines seven eight seven Dreamliner flying NonStop. 612 00:25:03,840 --> 00:25:05,720 Speaker 1: Daily out of Sydney to Los Angeles. 613 00:25:05,880 --> 00:25:08,399 Speaker 5: Oh how funny we are so alone, so we finish 614 00:25:08,480 --> 00:25:10,600 Speaker 5: each other's It's women. 615 00:25:10,400 --> 00:25:19,080 Speaker 4: Woodies'll try the festivals Wango Tango in La, Chainsmokers, Sewn, Mendes, 616 00:25:19,080 --> 00:25:22,439 Speaker 4: Comia Cabo, Laurence Spencer, Smith Tat McCrae, five Sauce, Charlie 617 00:25:22,440 --> 00:25:25,040 Speaker 4: Powe just some of the people who are going to 618 00:25:25,080 --> 00:25:27,199 Speaker 4: be playing at Wango Tango. And if you want tickets, 619 00:25:27,240 --> 00:25:28,520 Speaker 4: headle onto Willanwoody dot com. 620 00:25:28,520 --> 00:25:29,640 Speaker 1: You've got a register there. 621 00:25:30,280 --> 00:25:32,280 Speaker 4: And what we're going to do for Wango Tango is 622 00:25:32,320 --> 00:25:33,919 Speaker 4: it takes two to tango, woulds? 623 00:25:33,920 --> 00:25:34,920 Speaker 1: So you and I will be. 624 00:25:34,880 --> 00:25:41,320 Speaker 4: Competing against another two people every day to see who 625 00:25:42,040 --> 00:25:45,000 Speaker 4: has a better synchronicity with the person they want to take. 626 00:25:45,040 --> 00:25:46,360 Speaker 2: Because what do you think we're hard to beat? 627 00:25:46,480 --> 00:25:46,840 Speaker 1: Yeah? 628 00:25:46,880 --> 00:25:48,680 Speaker 2: I mean, and good luck to anyone who's going to 629 00:25:48,720 --> 00:25:49,080 Speaker 2: take us on. 630 00:25:49,160 --> 00:25:51,880 Speaker 4: We're the definition of it takes two to tango. We're 631 00:25:51,920 --> 00:25:53,640 Speaker 4: in sync all day, every day baby, So. 632 00:25:53,600 --> 00:25:54,560 Speaker 2: You need to beat us. 633 00:25:54,640 --> 00:25:56,960 Speaker 5: If you beat us, then you go into the chance 634 00:25:56,960 --> 00:25:58,960 Speaker 5: to win the tickets on the Friday, but you have 635 00:25:59,000 --> 00:25:59,600 Speaker 5: to beat us first. 636 00:25:59,640 --> 00:26:00,359 Speaker 2: And the game is this. 637 00:26:00,680 --> 00:26:02,920 Speaker 5: We just we just name a question or say a 638 00:26:03,000 --> 00:26:05,680 Speaker 5: question effectively, and you and your friend have to say 639 00:26:05,680 --> 00:26:07,040 Speaker 5: the same answer at the same time. 640 00:26:07,119 --> 00:26:09,560 Speaker 4: Yeah, that's all it is. Okay, But as I said, 641 00:26:09,560 --> 00:26:10,760 Speaker 4: you got you and I are gonna be hard to beat. 642 00:26:10,760 --> 00:26:14,600 Speaker 4: What am I thinking about right now? Orange juice exactly? 643 00:26:15,240 --> 00:26:17,520 Speaker 1: Dang, i'd wear good? God going on, We're good? 644 00:26:18,440 --> 00:26:21,600 Speaker 2: What? What? What I dream about last night? 645 00:26:23,160 --> 00:26:23,840 Speaker 1: Strawberries? 646 00:26:24,000 --> 00:26:24,200 Speaker 4: Yeah? 647 00:26:24,200 --> 00:26:25,919 Speaker 1: I did bye, Yeah. 648 00:26:25,880 --> 00:26:29,200 Speaker 5: Just strawberries, just non stop strawberries in my dreams last night. 649 00:26:29,359 --> 00:26:30,720 Speaker 2: I don't even like him, but I dream about it. 650 00:26:30,720 --> 00:26:32,640 Speaker 1: We're gonna be hard to beat. Yeah, If you haven't 651 00:26:32,680 --> 00:26:35,240 Speaker 1: registered yet Willanwoody dot com, we're going to play. It 652 00:26:35,280 --> 00:26:36,960 Speaker 1: takes two to tango. Right up next. 653 00:26:36,960 --> 00:26:39,080 Speaker 4: If you would like to verse us, find the person 654 00:26:39,119 --> 00:26:41,960 Speaker 4: you want to take to La to go to iHeartRadio's 655 00:26:42,000 --> 00:26:45,639 Speaker 4: Wango Tango Festival in La. Register at Willanwoody dot com 656 00:26:45,680 --> 00:26:49,080 Speaker 4: and we could choose you right up next to play us, 657 00:26:49,200 --> 00:26:51,320 Speaker 4: And it takes two to tango all thanks United Online 658 00:26:51,359 --> 00:26:53,760 Speaker 4: seven eight to seven Dreamline of flying NonStop daily out 659 00:26:53,800 --> 00:26:55,639 Speaker 4: of Sydney to La We'll do it right up next, 660 00:26:55,960 --> 00:26:58,000 Speaker 4: right now, we have a chance for you to win 661 00:26:58,040 --> 00:27:01,600 Speaker 4: a trip for two to Iheartradios Wango Tango in La 662 00:27:01,720 --> 00:27:06,639 Speaker 4: flying United Airlines and staying at one West hollywoods. 663 00:27:06,560 --> 00:27:10,560 Speaker 5: United Airlines seven eight seven Dreamliner flying NonStop daily out 664 00:27:10,560 --> 00:27:12,000 Speaker 5: of Sydney to Los Angeles. 665 00:27:12,119 --> 00:27:15,120 Speaker 2: Oh, how funny we are so alone. So we finished each. 666 00:27:14,920 --> 00:27:18,520 Speaker 1: Other's It's Women Woodies two. 667 00:27:20,840 --> 00:27:25,560 Speaker 4: Absolutely extraordinary woods, Wango Tangle, Wango Tango in La, Wango Tangle, 668 00:27:25,640 --> 00:27:29,800 Speaker 4: different place, but yeah, there's an amazing line up it Wango, 669 00:27:30,000 --> 00:27:33,520 Speaker 4: the Chain, Smokers, Sure Mendes Community, Laurence Spencer, Smith Tat mccraye, 670 00:27:33,520 --> 00:27:36,240 Speaker 4: five Sauce, Charlie Pooth. I could go on, it is 671 00:27:36,480 --> 00:27:38,320 Speaker 4: not there. It was a hell of a bill. This 672 00:27:38,400 --> 00:27:39,959 Speaker 4: is one of the hottest festivals in the world. We've 673 00:27:40,000 --> 00:27:43,480 Speaker 4: got flights, accommodation, tickets all sorted. All you've got to 674 00:27:43,480 --> 00:27:45,919 Speaker 4: do is beat us in. It takes two to tango, 675 00:27:45,960 --> 00:27:47,880 Speaker 4: which means that you have to prove that you're more 676 00:27:47,920 --> 00:27:49,480 Speaker 4: in sync than the two of us. 677 00:27:49,600 --> 00:27:52,480 Speaker 5: Yes, so tagging us on today is I think it's 678 00:27:52,560 --> 00:27:55,000 Speaker 5: Is it aish and dash? 679 00:27:55,000 --> 00:28:00,000 Speaker 4: Hello? Yeah, yeah, it isan dashish ice and dash. 680 00:28:00,119 --> 00:28:03,080 Speaker 1: Yeah, like reindeers. 681 00:28:03,440 --> 00:28:06,040 Speaker 2: Your your sisters, your sisters with dash. 682 00:28:06,359 --> 00:28:07,240 Speaker 6: Yeah. 683 00:28:07,440 --> 00:28:09,600 Speaker 1: Okay, so you guys obviously think you're pretty in sync. 684 00:28:10,520 --> 00:28:12,320 Speaker 1: I okay, you. 685 00:28:12,240 --> 00:28:13,399 Speaker 2: Actually sound exactly. 686 00:28:14,000 --> 00:28:14,840 Speaker 1: It's gonna be hard to beat. 687 00:28:14,880 --> 00:28:16,880 Speaker 5: So the way it works you too, is that it's 688 00:28:16,880 --> 00:28:19,600 Speaker 5: sort of like it it's sort of like tennis in 689 00:28:19,640 --> 00:28:21,480 Speaker 5: this way. So we're going to give you a prompt. 690 00:28:21,560 --> 00:28:23,000 Speaker 5: We're going to ask you a question. You have to 691 00:28:23,080 --> 00:28:24,960 Speaker 5: answer at exactly the same time. 692 00:28:25,119 --> 00:28:26,359 Speaker 2: Okay. 693 00:28:26,480 --> 00:28:30,720 Speaker 4: If there's any delay, you lose. Okay, So you have 694 00:28:30,760 --> 00:28:32,600 Speaker 4: to answer the same It'll be very clear. I'll give 695 00:28:32,600 --> 00:28:34,199 Speaker 4: you an example of what it's going to sound like, 696 00:28:34,200 --> 00:28:35,800 Speaker 4: but same answer the same time. This is what it 697 00:28:35,840 --> 00:28:41,520 Speaker 4: will sound like. You'll hear it now, two one, and 698 00:28:41,560 --> 00:28:43,920 Speaker 4: then on the bring you say your answer. 699 00:28:44,280 --> 00:28:45,520 Speaker 1: Okay, okay. 700 00:28:45,720 --> 00:28:47,400 Speaker 5: Now, ladies, we're going to let you go first, so 701 00:28:47,440 --> 00:28:49,160 Speaker 5: you can ask us a question or give us a 702 00:28:49,160 --> 00:28:52,480 Speaker 5: prompt first. And the way this because this is so hard. 703 00:28:52,760 --> 00:28:55,280 Speaker 5: As soon as someone gets a hit, it's all over. 704 00:28:55,840 --> 00:28:59,480 Speaker 4: Yeah, okay, guys, And if you beat us, you go 705 00:28:59,760 --> 00:29:01,840 Speaker 4: in to the draw to win. 706 00:29:01,920 --> 00:29:06,400 Speaker 1: The tickets this Friday. Are you ready ready? Your question 707 00:29:06,480 --> 00:29:07,120 Speaker 1: for us? First? 708 00:29:08,000 --> 00:29:12,160 Speaker 5: Okay, which country in the world has the best cuisine? 709 00:29:13,160 --> 00:29:19,239 Speaker 1: Three one? 710 00:29:20,320 --> 00:29:20,600 Speaker 2: Sorry? 711 00:29:20,600 --> 00:29:23,000 Speaker 1: That's my bad. That's your bad. 712 00:29:23,240 --> 00:29:28,800 Speaker 2: Here we go your chance. Sorry, that's my bad. I 713 00:29:28,840 --> 00:29:32,160 Speaker 2: don't even like Italian for sorry. Sorry, okay, I should 714 00:29:32,160 --> 00:29:33,200 Speaker 2: figure and dash. 715 00:29:33,280 --> 00:29:34,360 Speaker 1: Here you go go. 716 00:29:34,640 --> 00:29:37,560 Speaker 2: If you were a bat? What would you be called? 717 00:29:38,240 --> 00:29:40,480 Speaker 5: Three one? 718 00:29:47,480 --> 00:29:50,040 Speaker 4: I'll remind you you were late on that answer there, 719 00:29:50,040 --> 00:29:54,600 Speaker 4: so we wouldn't have accepted it anyway. Okay, Okay, it's 720 00:29:54,600 --> 00:29:57,840 Speaker 4: got to be. That's that three to one answer. Okay, 721 00:29:58,000 --> 00:29:59,960 Speaker 4: immediately you are. We'll show you how it's done. Here 722 00:30:00,000 --> 00:30:01,640 Speaker 4: doesn't matter, guys, because we're about to wipe you out. 723 00:30:01,680 --> 00:30:03,280 Speaker 1: Here we go. All right, here we go. Give it 724 00:30:03,320 --> 00:30:06,520 Speaker 1: to us. Where the estimas live? 725 00:30:07,800 --> 00:30:13,720 Speaker 4: Three one? 726 00:30:14,640 --> 00:30:19,080 Speaker 1: My gosh, they do? I aside the north. 727 00:30:20,440 --> 00:30:21,440 Speaker 2: Oh, this is so hard. 728 00:30:21,560 --> 00:30:24,760 Speaker 4: Okay, guys, I should have thought he glus. 729 00:30:25,840 --> 00:30:29,680 Speaker 2: Okay, I went to Okay, here we go. What is 730 00:30:29,720 --> 00:30:30,960 Speaker 2: your clown name? 731 00:30:33,760 --> 00:30:34,040 Speaker 1: One? 732 00:30:36,560 --> 00:30:37,640 Speaker 4: I don't know? 733 00:30:41,720 --> 00:30:43,960 Speaker 1: Or prince or vixen? There, let's go. Here we go, 734 00:30:44,040 --> 00:30:44,320 Speaker 1: Here we go. 735 00:30:44,400 --> 00:30:45,000 Speaker 2: Come on, here we go. 736 00:30:46,400 --> 00:30:48,320 Speaker 4: What is the cute animal in the world? 737 00:30:49,200 --> 00:30:51,440 Speaker 5: Three one? 738 00:30:51,800 --> 00:30:52,360 Speaker 1: Cool? 739 00:30:57,440 --> 00:31:01,120 Speaker 4: Bye the boy Love a call off. 740 00:31:01,120 --> 00:31:03,920 Speaker 1: We absolutely love him. Guys, thanks for playing. 741 00:31:04,160 --> 00:31:07,320 Speaker 2: Yeah, you got to be good. 742 00:31:07,520 --> 00:31:10,200 Speaker 1: These two basically finished each other sentences. They couldn't beat 743 00:31:10,240 --> 00:31:10,680 Speaker 1: the boys. 744 00:31:10,760 --> 00:31:13,640 Speaker 4: Yere another chance tomorrow to go to Wango Tango Festival. 745 00:31:13,680 --> 00:31:16,400 Speaker 4: Flights accommodation all thanks to United Airline seven eight seven 746 00:31:16,440 --> 00:31:19,520 Speaker 4: Dreamline up flying NonStop daily out of Sydney to La Woods. 747 00:31:19,600 --> 00:31:21,719 Speaker 4: You and I played. I suppose if nobody else beats us, 748 00:31:21,960 --> 00:31:22,840 Speaker 4: we're out this week. 749 00:31:22,880 --> 00:31:23,360 Speaker 1: We're going. 750 00:31:23,360 --> 00:31:23,760 Speaker 2: We're going. 751 00:31:23,800 --> 00:31:24,600 Speaker 1: We take the tickets. 752 00:31:24,600 --> 00:31:25,200 Speaker 2: When it again. 753 00:31:25,240 --> 00:31:27,400 Speaker 4: If you think you can beat us, mate, who cares? 754 00:31:27,760 --> 00:31:29,440 Speaker 1: I mean, I'm having a kid. The kid can miss 755 00:31:29,480 --> 00:31:31,800 Speaker 1: for this. This is huge. Lights and accommodation. 756 00:31:32,000 --> 00:31:35,320 Speaker 4: Jane Smokers, Comedicabao Shawn Mendes to sign me up baby anyway, 757 00:31:35,320 --> 00:31:37,880 Speaker 4: if you want to sign yourself up will Andwoody dot com. 758 00:31:37,920 --> 00:31:39,840 Speaker 4: See if you're more in sync than us. It takes 759 00:31:39,840 --> 00:31:41,160 Speaker 4: two to tango for Wango Tango. 760 00:31:41,200 --> 00:31:44,520 Speaker 1: We'll do it again tomorrow, Willie Woods. 761 00:31:44,960 --> 00:31:49,800 Speaker 4: A court in in in Sheffield has ruled that calling 762 00:31:49,800 --> 00:31:54,040 Speaker 4: a man bald is sexual harassment. No, they haven't, I'm 763 00:31:54,040 --> 00:31:58,560 Speaker 4: not joking. Three judges overseeing the case, each suffering from 764 00:31:58,640 --> 00:32:02,960 Speaker 4: hair loss, concluded that using the word ball to describe 765 00:32:03,000 --> 00:32:04,640 Speaker 4: someone is a form of discrimination. 766 00:32:04,800 --> 00:32:06,440 Speaker 1: And look, mate, I couldn't agree more with them. 767 00:32:06,440 --> 00:32:11,560 Speaker 5: Hang on with discrimination maybe, but sexual sexual harassment, sexual harassment. 768 00:32:11,640 --> 00:32:14,840 Speaker 4: Tony Fenn, who was fired from the British Bug Company 769 00:32:14,880 --> 00:32:17,680 Speaker 4: in May last year after nearly twenty four years in 770 00:32:17,720 --> 00:32:20,320 Speaker 4: the job, claimed that he was sexually arrassed because people 771 00:32:20,320 --> 00:32:21,400 Speaker 4: were calling him bald. 772 00:32:23,080 --> 00:32:24,880 Speaker 2: Sorry, that is ridiculous. 773 00:32:24,920 --> 00:32:29,120 Speaker 4: One particular judge suggested that calling a man balled is 774 00:32:29,160 --> 00:32:31,960 Speaker 4: the same as remarking on the size of a woman's breasts. 775 00:32:32,640 --> 00:32:34,720 Speaker 2: Oh, he's right off there. I think you all agree 776 00:32:34,720 --> 00:32:37,400 Speaker 2: that he's right off there, and that judge is bald. 777 00:32:37,440 --> 00:32:43,240 Speaker 2: Yet all three just absurd? So what so hang on? 778 00:32:43,280 --> 00:32:46,240 Speaker 2: So you can't call what's the precedent here? Will? 779 00:32:47,120 --> 00:32:51,920 Speaker 1: I mean? I was to give you about it. 780 00:32:51,920 --> 00:32:53,040 Speaker 2: It's all a bit of fun. You give me a 781 00:32:53,040 --> 00:32:54,480 Speaker 2: bit agreement about you talk about. 782 00:32:54,320 --> 00:32:56,320 Speaker 5: My ratty legs is a bit of fun between mates. 783 00:32:56,440 --> 00:32:58,520 Speaker 5: So is there a serious precedent here? 784 00:32:58,560 --> 00:33:02,800 Speaker 1: Though? Well, they ruled they ruled it a sexual. 785 00:33:02,400 --> 00:33:05,680 Speaker 2: Harassment in more court, in like a serious court. 786 00:33:06,000 --> 00:33:08,200 Speaker 4: So in a serious court, in an actual court, I 787 00:33:08,280 --> 00:33:10,920 Speaker 4: think the argument he is if you really want to 788 00:33:10,960 --> 00:33:15,120 Speaker 4: get down to it. They from what I can understand, 789 00:33:15,880 --> 00:33:18,360 Speaker 4: they were saying that there is a connection between the 790 00:33:18,400 --> 00:33:24,000 Speaker 4: word bald and that being a characteristic which can only 791 00:33:24,040 --> 00:33:29,880 Speaker 4: be associated with one sex, which is hence it's sexism. 792 00:33:30,400 --> 00:33:31,240 Speaker 1: That's what they said. 793 00:33:31,360 --> 00:33:32,200 Speaker 2: Women can go bald. 794 00:33:32,640 --> 00:33:37,280 Speaker 4: I mate, you're preaching to the quiet man as a 795 00:33:37,320 --> 00:33:40,080 Speaker 4: bull man. I'm not on their team, but I would 796 00:33:40,120 --> 00:33:41,800 Speaker 4: like to defend the bald right now. 797 00:33:42,880 --> 00:33:43,440 Speaker 1: Give it, Timmy. 798 00:33:45,120 --> 00:33:47,320 Speaker 4: I mean, he's a bull man doing his thing, isn't 799 00:33:47,360 --> 00:33:48,600 Speaker 4: he is the pain? 800 00:33:49,080 --> 00:33:53,560 Speaker 1: He is Pitbullso a bull man. 801 00:33:54,360 --> 00:33:58,560 Speaker 4: The world wine struggling, struggling against the weight of oppression. 802 00:33:59,400 --> 00:34:05,200 Speaker 1: Sex is dog's targeting us baldies out there. Travolta, he's 803 00:34:05,320 --> 00:34:07,280 Speaker 1: very bald made. He whe's a two pad. But the 804 00:34:07,280 --> 00:34:09,799 Speaker 1: point is, I want to protect the baldies right now. 805 00:34:09,880 --> 00:34:11,280 Speaker 1: And I'm feeling for the baldies. 806 00:34:11,280 --> 00:34:12,920 Speaker 4: And if you're out there, if you're a bald man 807 00:34:13,040 --> 00:34:14,600 Speaker 4: like me, if you're a bald bastard, if you're a 808 00:34:14,680 --> 00:34:16,359 Speaker 4: bowling ball on legs, give us a call. 809 00:34:16,440 --> 00:34:20,200 Speaker 1: Thirde and one oh six five. Are you struggling with 810 00:34:20,239 --> 00:34:22,400 Speaker 1: a bit of criticism? Are you copying it? So? 811 00:34:22,480 --> 00:34:25,040 Speaker 2: Have you been discriminated against because because you're bald. 812 00:34:26,360 --> 00:34:27,520 Speaker 1: Baldi is anonymous. 813 00:34:28,120 --> 00:34:31,040 Speaker 4: Thirdeen one o six five give us a bellu baldies 814 00:34:31,040 --> 00:34:31,399 Speaker 4: out there. 815 00:34:31,440 --> 00:34:32,400 Speaker 1: I want to get a round you. 816 00:34:32,520 --> 00:34:34,160 Speaker 4: I want to hear you, I want to feel you, 817 00:34:34,719 --> 00:34:36,280 Speaker 4: and let's share in the pain together. 818 00:34:36,360 --> 00:34:37,440 Speaker 1: We'll do it up next on William. 819 00:34:38,200 --> 00:34:41,840 Speaker 4: If you're bald, If you're bald and people call you 820 00:34:41,960 --> 00:34:45,840 Speaker 4: names because you are bald, or you feel like society 821 00:34:45,880 --> 00:34:48,279 Speaker 4: is against you because you're bald, thirty one and sixty five, 822 00:34:48,320 --> 00:34:50,319 Speaker 4: give us a call. We're opening up a bit of 823 00:34:50,320 --> 00:34:55,400 Speaker 4: a bear and bald oh phone line right now, bearing 824 00:34:55,440 --> 00:34:57,880 Speaker 4: your baldness live on the air. Third and one and 825 00:34:57,920 --> 00:35:01,759 Speaker 4: sixty five because Thought in the UK has ruled that 826 00:35:02,320 --> 00:35:06,319 Speaker 4: calling men bald is sexual harassment. Totally. No, that's a 827 00:35:06,320 --> 00:35:08,200 Speaker 4: wild story. That's a wild story, woulds. But look, I 828 00:35:08,200 --> 00:35:10,680 Speaker 4: feel I often feel attacked by you. I feel harassed 829 00:35:10,680 --> 00:35:12,120 Speaker 4: by you. I'm going bald and with my hair. 830 00:35:12,239 --> 00:35:12,680 Speaker 1: Yeah, I. 831 00:35:14,239 --> 00:35:17,160 Speaker 2: Very minutely disagree, disagree, disagree. 832 00:35:17,200 --> 00:35:21,880 Speaker 4: When we're interviewing Liam Gallagher very recently and you joined 833 00:35:21,880 --> 00:35:25,960 Speaker 4: forces with him with Oasis front man Liam Gallagher one 834 00:35:25,960 --> 00:35:27,759 Speaker 4: of my superheroes, Imagine how that made me feel. 835 00:35:28,640 --> 00:35:30,200 Speaker 5: If I lost my hair, you'd never see me on 836 00:35:30,239 --> 00:35:32,400 Speaker 5: the stage again, because there's no place for baldness in 837 00:35:32,480 --> 00:35:32,960 Speaker 5: rock and roll? 838 00:35:33,000 --> 00:35:33,520 Speaker 1: Is that true? 839 00:35:33,920 --> 00:35:34,160 Speaker 4: Yeah? 840 00:35:34,239 --> 00:35:35,799 Speaker 5: Mate, no, listen, I love a dance. 841 00:35:39,680 --> 00:35:41,680 Speaker 1: At this point I should tell you I am actually bald. 842 00:35:41,719 --> 00:35:48,160 Speaker 1: Liam So yeah, but you're not a rock star. Oh no, 843 00:35:48,600 --> 00:35:50,120 Speaker 1: that hurt me? Heard me? 844 00:35:50,200 --> 00:35:53,279 Speaker 2: Sorry? Well yeah, okay, fair enough. 845 00:35:53,320 --> 00:35:55,399 Speaker 1: Peter Garrett's a rock star. He's a bald man. Give 846 00:35:55,400 --> 00:35:59,120 Speaker 1: me Peter. He's a great rock star. He's a great 847 00:35:59,200 --> 00:36:02,120 Speaker 1: rock star. Fair a talk, also a great minister for 848 00:36:02,160 --> 00:36:02,680 Speaker 1: the environment. 849 00:36:02,680 --> 00:36:06,440 Speaker 4: At one stage, you'll see this is another time you 850 00:36:06,520 --> 00:36:07,719 Speaker 4: teeing me up and cracking me. 851 00:36:07,719 --> 00:36:09,160 Speaker 1: If you're being bald, have a listen to this one. 852 00:36:09,400 --> 00:36:12,160 Speaker 5: I just want you to make these statements more beautiful. 853 00:36:12,239 --> 00:36:14,320 Speaker 5: I grow a beard to cover my baldness. 854 00:36:15,239 --> 00:36:18,319 Speaker 1: Okay, thanks for that. Love. This song feels like the 855 00:36:18,320 --> 00:36:19,120 Speaker 1: winds in your hair. 856 00:36:19,160 --> 00:36:19,680 Speaker 2: You're bald. 857 00:36:20,280 --> 00:36:22,160 Speaker 1: It's just a nice memory for me. Bro. 858 00:36:22,440 --> 00:36:24,200 Speaker 4: My greatest fear is losing my hair. 859 00:36:24,600 --> 00:36:26,000 Speaker 2: Did you know Will was bald? 860 00:36:26,120 --> 00:36:28,640 Speaker 4: But I didn't know if he did it, you know himself, 861 00:36:28,640 --> 00:36:29,480 Speaker 4: for it was natural. 862 00:36:29,600 --> 00:36:36,520 Speaker 5: You think he deliberately gave himself malpatent baldness. 863 00:36:37,239 --> 00:36:42,120 Speaker 1: Sorry he's still laughing. You're still laughing. You know, I 864 00:36:42,160 --> 00:36:44,600 Speaker 1: can't change this. This is how I am. I'm bald. 865 00:36:44,840 --> 00:36:45,480 Speaker 2: You can take the pill. 866 00:36:45,520 --> 00:36:48,000 Speaker 1: I'm not taking the things. I'm not taking pills. I'm 867 00:36:48,000 --> 00:36:48,480 Speaker 1: not doing it. 868 00:36:48,719 --> 00:36:51,080 Speaker 4: Okay, all right, So look thirty one O six five 869 00:36:51,320 --> 00:36:53,799 Speaker 4: because you'd like to bear your baldness right now? Okay, Yeah, 870 00:36:53,920 --> 00:36:55,680 Speaker 4: I've opened the phone lines for a bit of a 871 00:36:55,680 --> 00:36:59,280 Speaker 4: bald is anonymous to tell us about how you've been discriminated, John. 872 00:36:59,200 --> 00:36:59,959 Speaker 2: Johnny, you're bald. 873 00:37:01,560 --> 00:37:02,279 Speaker 1: John. 874 00:37:02,400 --> 00:37:04,799 Speaker 4: When we when we use sledge for being bored, what 875 00:37:04,800 --> 00:37:06,480 Speaker 4: do they say, mate? 876 00:37:07,080 --> 00:37:11,439 Speaker 1: Which is great? Your whole family's bored. Wow, the whole family, mate? Yeah? 877 00:37:11,520 --> 00:37:14,600 Speaker 4: Can you remember dresses any particular? What do you I mean, 878 00:37:14,680 --> 00:37:17,200 Speaker 4: just put it away, mate, just put it away. All 879 00:37:17,239 --> 00:37:19,600 Speaker 4: those sorts of comments, John, how can you remember a 880 00:37:19,600 --> 00:37:20,480 Speaker 4: particular sledge? 881 00:37:21,840 --> 00:37:25,440 Speaker 5: Hairdressers walked into the headdressers to look, you know, I 882 00:37:25,600 --> 00:37:27,920 Speaker 5: just sort of chat to them and see what their 883 00:37:27,920 --> 00:37:28,799 Speaker 5: availability is. 884 00:37:28,760 --> 00:37:30,400 Speaker 4: For for my wife. 885 00:37:31,080 --> 00:37:33,000 Speaker 5: And the first thing they looked at me and they're like, oh, 886 00:37:33,120 --> 00:37:34,040 Speaker 5: what are you doing here? 887 00:37:34,120 --> 00:37:39,520 Speaker 1: And I'm like, just trying to get the mists? Dare you? 888 00:37:40,280 --> 00:37:40,640 Speaker 4: I know? 889 00:37:40,880 --> 00:37:42,480 Speaker 2: I know it's terrible, mate. 890 00:37:42,320 --> 00:37:43,560 Speaker 1: Thanks for that. 891 00:37:43,719 --> 00:37:46,160 Speaker 2: Not on would it would actually be funny. Will you 892 00:37:46,160 --> 00:37:48,520 Speaker 2: should actually walk into a hairdresser. 893 00:37:48,920 --> 00:37:51,120 Speaker 4: And well, sometimes I do that. Sometimes I do that. 894 00:37:51,200 --> 00:37:53,480 Speaker 4: I'll get my I get my I get my stubble. 895 00:37:53,760 --> 00:37:56,240 Speaker 4: That's I get my beard. I get my beard shape. 896 00:37:56,360 --> 00:37:56,759 Speaker 2: That's a bar. 897 00:37:57,040 --> 00:37:57,960 Speaker 1: I walk into a hairdress. 898 00:37:58,120 --> 00:37:59,879 Speaker 5: You should walk into a headdress and just sit down, 899 00:38:00,080 --> 00:38:02,800 Speaker 5: just go oh no, something different and just see. 900 00:38:03,160 --> 00:38:04,200 Speaker 2: That'd be a really funny video. 901 00:38:04,400 --> 00:38:05,840 Speaker 4: Well you should walk into a gym and try and 902 00:38:05,880 --> 00:38:07,280 Speaker 4: do a deadlift and your legs and snap. 903 00:38:07,640 --> 00:38:08,960 Speaker 1: Now we've got alhos called. 904 00:38:09,440 --> 00:38:10,319 Speaker 2: I actually got laughed at. 905 00:38:10,360 --> 00:38:12,440 Speaker 5: I walked into a shaver shop the other day and 906 00:38:12,480 --> 00:38:14,160 Speaker 5: I was looking for a new I was looking for 907 00:38:14,200 --> 00:38:14,880 Speaker 5: a beard drimmer. 908 00:38:15,239 --> 00:38:17,080 Speaker 2: And the guy just start laughing and said, what for 909 00:38:17,760 --> 00:38:18,680 Speaker 2: that hurt my feelings? 910 00:38:18,760 --> 00:38:20,080 Speaker 4: Yeah, then that's right. So we're going to go to 911 00:38:20,120 --> 00:38:23,400 Speaker 4: al here. Al you're a bald man. Yeah, you've been 912 00:38:23,480 --> 00:38:26,080 Speaker 4: discriminated against. 913 00:38:26,640 --> 00:38:26,920 Speaker 1: Much. 914 00:38:28,880 --> 00:38:30,759 Speaker 6: I tell all the guys, and I spend less time 915 00:38:30,800 --> 00:38:31,320 Speaker 6: at the shower. 916 00:38:31,880 --> 00:38:36,880 Speaker 1: I enjoy being bold. Yeah. Yeah, hold on to what 917 00:38:36,880 --> 00:38:38,200 Speaker 1: you can make because you can't hold. 918 00:38:38,040 --> 00:38:40,840 Speaker 2: You talk about that, don't you efficient. 919 00:38:42,239 --> 00:38:43,959 Speaker 1: You do? Now I'm gonna you one more chance. 920 00:38:43,960 --> 00:38:46,480 Speaker 4: Do you actually feel like you've repented for your baldness, 921 00:38:47,000 --> 00:38:50,040 Speaker 4: for my bald No, for my baldness, for your jokes on, Well, 922 00:38:50,080 --> 00:38:53,080 Speaker 4: you tell me, because you're sniering at these people. 923 00:38:53,840 --> 00:38:55,760 Speaker 5: I thought, I think I still think it's quite funny 924 00:38:55,760 --> 00:38:57,560 Speaker 5: amongst friends to laugh at a bit of baldness. 925 00:38:57,920 --> 00:38:59,439 Speaker 4: That's a bit of a giggle, right, I thought you'd 926 00:38:59,440 --> 00:39:01,759 Speaker 4: say that. Well, these guys thought that was harassment. 927 00:39:01,800 --> 00:39:07,080 Speaker 1: I agree. So security bringing in scurity. 928 00:39:07,400 --> 00:39:08,040 Speaker 2: It's a baldy. 929 00:39:09,000 --> 00:39:13,919 Speaker 1: How dare you he's not a baldy. There's a security guard. 930 00:39:15,360 --> 00:39:16,360 Speaker 2: Can I finish the show? 931 00:39:16,840 --> 00:39:22,919 Speaker 1: No, mate, he's you're a big guy, Okay, don't open. 932 00:39:23,200 --> 00:39:25,399 Speaker 1: Get him out of here, Get him out of here. 933 00:39:26,120 --> 00:39:29,120 Speaker 1: You're bald, bastard. He's gone. 934 00:39:29,880 --> 00:39:32,319 Speaker 4: I've just had him walked out by a bald security guard. 935 00:39:32,560 --> 00:39:35,759 Speaker 1: He's a bang. I didn't know he was going to 936 00:39:35,800 --> 00:39:37,200 Speaker 1: be bored though, that really. 937 00:39:38,560 --> 00:39:38,600 Speaker 4: Was. 938 00:39:39,800 --> 00:39:41,640 Speaker 1: He was. He was, he was. There was nothing going 939 00:39:41,640 --> 00:39:44,200 Speaker 1: on up there, he was nothing up to It was 940 00:39:44,320 --> 00:39:48,680 Speaker 1: dry as the desert anyway. He was actually rattled