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Speaker 1: Jum mission with Jones and Amanda.

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Speaker 2: It was sad to wake up this morning to the

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Speaker 2: news that Charlie What's the drummer from the Rolling Stones

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Speaker 2: had passed away the.

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Speaker 3: Age of eighty. He hadn't been well recently. He wasn't

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Speaker 3: going to do the latest tour of them. The rest

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Speaker 3: of them were.

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Speaker 1: It's amazing, isn't it.

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Speaker 4: It's amazing.

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Speaker 2: I was reading about Keith Richards in his book Keith

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Speaker 2: Richard's Life by Keith Richards, and he said, he doesn't perform.

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Speaker 4: He doesn't perform for you. He doesn't perform for the money.

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Speaker 4: He just does it for himself. That's his thing.

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Speaker 1: Yeah, they love it, he loves it. They love it.

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Speaker 3: And well, I've told you the story before that Harley's

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Speaker 3: father could have been in the Rolling Stones.

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Speaker 4: That's right. It was an amplifier thing something.

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Speaker 3: What happened was that Harley's dad made amplifiers. Living in England.

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Speaker 3: Harley's dad made amplifiers for Bill Wyman, and Bill Wyman

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Speaker 3: has gone on to say many times the only reason

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Speaker 3: he got into the Rolling Stones was because he had

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Speaker 3: his own amplifiers.

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Speaker 2: Should have been because of Oliver Rhodes. That's Harley's dad

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Speaker 2: Rhodes Oliver, Rhodse.

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Speaker 3: Oliver, No, no, I've extrap Lady said I got the

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Speaker 3: job because I had the amps, my own ams. Harley's

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Speaker 3: dad made him those amps. It doesn't take much thinking

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Speaker 3: to suddenly have Harley's father in the Rolling Stones, don't

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Speaker 3: you think?

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Speaker 1: Direct line?

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Speaker 5: Oh?

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Speaker 3: Come on, can I be any clearer? Anyway, he didn't

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Speaker 3: get in there, and the others did. But this is

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Speaker 3: interesting that Charlie was saying this earlier. He's been with

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Speaker 3: the band since nineteen sixty three. He married in sixty two.

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Speaker 3: He's a stayer, stayed with the same band, stayed with

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Speaker 3: the same wife.

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Speaker 2: He was the only professional musician in the band, so

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Speaker 2: he was playing in a jazz band and he wasn't

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Speaker 2: really interested in joining a rock band. And Keith Richards

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Speaker 2: had such a vibe on Charlie said, look what we've

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Speaker 2: got to do. We've got to get this guy in

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Speaker 2: our band because he's so good. Let's get him and

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Speaker 2: we'll pay him. So he was the only guy that

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Speaker 2: was getting paid in the band. And there was a

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Speaker 2: point where they'd run out of money and he said, okay,

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Speaker 2: fellas has been good knowing it and he just left them.

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Speaker 4: He was very pragmatic that way.

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Speaker 1: Yeah, well, didn't he think the band would last a year?

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Speaker 1: And that a year?

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Speaker 4: He said, you know, and here they are sixty years later.

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Speaker 4: Reason it eighty.

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Speaker 3: And it's hard to imagine the band without him. And

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Speaker 3: it's often said that Keith and Mick feuded over everything.

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Speaker 3: The one thing that they constantly agreed on was the

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Speaker 3: adoration of Charlie Wattson.

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Speaker 4: Also his love of his drum kit. He had this

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Speaker 4: Gretch drum kit that he had for forever.

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Speaker 2: Hear how he explains, like, so this drum kit came

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Speaker 2: from the fifties, but he inherited it in the seventies.

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Speaker 5: Six or seven Gretch with a round badge, which those

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Speaker 5: who collect them is quite important. This particular mate and

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Speaker 5: drums were like what everybody loved to use. In the

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Speaker 5: early seventies. I was doing a session for Ronnie Wood

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Speaker 5: in Los Angeles, one of his many solo epics, and

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Speaker 5: he hired a drum kit from sir and the boy

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Speaker 5: that got it bought this along, which is like his

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Speaker 5: favorite one in the place, and I fell in.

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Speaker 2: Love with it.

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Speaker 5: I've had it ever since and I use it all

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Speaker 5: the time.

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Speaker 3: One drum kit, one bad, one bad with a drum kit?

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Speaker 3: Do you have to replace the skins?

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Speaker 1: Do I get all droopy?

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Speaker 3: Not your actual skins, but the drum like micking Keith.

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Speaker 1: Bulldog clip at the back of the neck.

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Speaker 2: I would say that the head, it's called.

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Speaker 4: The drum head.

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Speaker 3: And you know he was a major collector of cars,

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Speaker 3: even though he didn't dry it.

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Speaker 1: He just like to look at them. What else you're

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Speaker 1: going to spend your money on? Really? How much money?

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Speaker 1: You get? So much money, that's what you do.

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Speaker 2: But that jazz drumming was so iconic on so many songs,

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Speaker 2: and I've separated the just the drum tracks.

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Speaker 4: Here you guess the song? Okay, I'll put this.

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Speaker 6: On that satisfaction No, how can you taste so good now?

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Speaker 1: Brown sugar?

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Speaker 5: Yeah?

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Speaker 1: Could you never sing it again? Please?

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Speaker 4: What about this one? Miss m hm? How good is he?

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Speaker 1: He didn't look like he had big bulky arms.

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Speaker 4: He doesn't have the rob rob Hurst has got wiry.

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Speaker 1: Arms, big bulky ones. I think I think he's got

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Speaker 1: big guns, hasn't he. I don't think Charlie had big guns.

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Speaker 4: He's wiry.

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Speaker 1: He was Life Jonesy and Amanda's