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Speaker 1: Powered by My Arms Radio act from ninety six AIRFM

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Speaker 1: to wherever you're listening today, This is Clearsy and Leases podcast.

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Speaker 1: Coming up on the podcast was a Busy One actor

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Speaker 1: and comedian Jeremy Piven.

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Speaker 2: We took a calls on what Wouldn't be Made Now

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Speaker 2: on TV?

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Speaker 1: American author James Patterson showed how funny he is.

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Speaker 2: Was the actor Ben mingay Joy just to talk about

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Speaker 2: Pirates of Penzance on the.

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Speaker 1: Short Report Adolescents has broken a record already.

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Speaker 2: In the UK and freer JOCKA. Hayden Young about the

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Speaker 2: Derby this weekend.

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Speaker 1: I believe it's number sixty.

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Speaker 2: James Patterson, You've already released four books this year and

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Speaker 2: you have five available for pre As someone, as someone

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Speaker 2: whose favorite hobby is to read, I wish I had

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Speaker 2: one good book in me. I mean, that's just amazing.

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Speaker 3: Coming from you. You are prolific, prolific and good. Yeah.

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Speaker 3: I have a big imagination. My time here is short.

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Speaker 3: What can I do most beautifully?

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Speaker 2: Yeah?

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Speaker 3: And for me, it's writing stories that people can't put down.

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Speaker 2: Oh that's just how I like them.

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Speaker 3: So we got we've got a couple of them. What

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Speaker 3: we got the Women's murder club, which is you know,

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Speaker 3: Alice crosses all over the place because he's on Prime

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Speaker 3: Video and whatever, but actually the biggest around the world

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Speaker 3: is a women's murder club. So we got a new one,

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Speaker 3: twenty five Alive. Yes, and it's all about these four

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Speaker 3: women who you know wants a homicide detective, Ones, a sister,

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Speaker 3: d a ones, a lawyer and and they're the kind

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Speaker 3: of friends we all wish we had, yes, and they

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Speaker 3: and they love to get together and solve murders.

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Speaker 1: Very good jimes. You mentioned the were prolific. We said,

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Speaker 1: prolific and great. But what are your fans like They

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Speaker 1: obviously they rolled up to book signings and heard.

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Speaker 3: They're all they love to hear. They love to hear

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Speaker 3: a good story. Everybody does, you know exactly, And that's

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Speaker 3: what I try to do. The other one that's that's

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Speaker 3: I think out right now is Two Sisters Murder Investigation.

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Speaker 3: And it's kind of the weird family business. Two sisters.

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Speaker 3: One's sixteen years old and she's you know, sort of

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Speaker 3: Internet obsessed and the other one is sort of a lawyer,

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Speaker 3: just in minded kind of lawyer. Yeah, and they don't

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Speaker 3: get along on anything, but they're really they're really fun.

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Speaker 3: And actually I wrote that one with Candace Fox, who

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Speaker 3: is a very good Australian writer. So those two two

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Speaker 3: Sisters Murder Investigations, and then and then The Woman's Murder Club.

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Speaker 2: I think we spoked to Canada when the last one

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Speaker 2: came out. And I love what you're write with Candace

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Speaker 2: Fox doing. But do you enjoy collaborating with other people?

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Speaker 3: Candace No, Oh, no, my god, she's awful. She's no,

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Speaker 3: she's great. I do, I do. She's really a lot

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Speaker 3: of fun. He has a big imagination, she's very lively,

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Speaker 3: and she's got a new little daughter, not so new

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Speaker 3: right now, but yeah, yeah, so yeah, we we have

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Speaker 3: a great time doing our books. Two Sisters, there's a

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Speaker 3: lot of fun and it's funnier the one is Matt Club.

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Speaker 3: Isn't this fun? He has two sisters and a lot

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Speaker 3: of that is Candace because she's off the wall, and

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Speaker 3: and between the two of us, I think we tell

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Speaker 3: a pretty good story.

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Speaker 1: I'ty tell us on your birthday on the weekend that

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Speaker 1: you didn't work? Were you please not writing? Were you

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Speaker 1: doing something to spoil yourself on my birthday? Yeah?

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Speaker 3: Yeah, we had a son down here and and my

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Speaker 3: three sisters, and and they all love me, but they

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Speaker 3: don't like each other. So it was perfect, just like

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Speaker 3: just like Canda, just like Rohnda and baby Bird and

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Speaker 3: two sisters.

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Speaker 1: Yeah.

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Speaker 3: Minus three.

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Speaker 2: Right, you and I share a birthday. Actually mine was

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Speaker 2: on Saturday as well.

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Speaker 1: Well Saturday.

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Speaker 3: Oh really birthday. It's a little lame.

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Speaker 4: I've been on.

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Speaker 3: Happy birthday birthday weeks anyway, did you hear that class?

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Speaker 1: Yeah, another.

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Speaker 3: Attention.

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Speaker 2: Have you ever written a character named it after someone

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Speaker 2: you didn't like then killed them off?

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Speaker 3: Yeah? Well the time. No, I don't want that many

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Speaker 3: people I don't like to. I'm pretty open about people.

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Speaker 2: Yeah, maybe the occasional reviewer.

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Speaker 3: Well, yeah, there are a couple of those.

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Speaker 1: You're generals of them are pretty kind. Yeah, you are

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Speaker 1: a generous soul. Those countless grunts and scholarships over the

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Speaker 1: years to so many institutions. I mean, was it just

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Speaker 1: something that you felt like, when you've got some success,

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Speaker 1: you just wanted to give back, you know, I don't.

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Speaker 3: Take the credit. My mom and my grandmother that was

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Speaker 3: this their deal to give away stuff. And yeah, we've

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Speaker 3: given away one hundred and sixty million dollars, So it's

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Speaker 3: a lot. You know, my poor son is going to

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Speaker 3: inherit nothing but.

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Speaker 2: Well, James, can I don't know when you have the time,

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Speaker 2: but can I ask what was the last book you

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Speaker 2: read and loved?

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Speaker 3: I just read a new Michael Connolly that's not out yet.

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Speaker 3: Michael's a friend of my fact, I'm interviewing him Friday.

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Speaker 3: I do a little thing online interviews. So yeah, and

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Speaker 3: his new one is he's a he's a terrific mystery

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Speaker 3: writer as well. Yeah, not to compare myself to Michael,

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Speaker 3: but yeah, that was that the most recent. Yeah.

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Speaker 2: I think some of his stuff has been made into

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Speaker 2: TV shows, has it or.

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Speaker 3: But enough about him?

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Speaker 2: Yeah, enough about it?

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Speaker 3: Yeah, yeah, they have, they have, they have. Yeah, we

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Speaker 3: have a well the Alice Cross stuff that's done well

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Speaker 3: on TV, and we have I don't know if the

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Speaker 3: Idaho murders a de get over there, that whole those

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Speaker 3: terrible those four young kids in college, I think, uh, yeah,

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Speaker 3: we have a documentary coming on Yeah, it's it's a terrible,

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Speaker 3: terrible crime. I murdered these four college kids in their dormitory. Yeah,

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Speaker 3: and that's going to come on Amazon as well or

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Speaker 3: on Prime Video as a documentary.

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Speaker 1: Yeah, Madam fascinated by the writing process process. Do you

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Speaker 1: have a favorite room, a favorite desk. Do you work

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Speaker 1: on the laptop or I don't care.

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Speaker 3: Yeah, I don't work for a living. I play for Yeah,

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Speaker 3: I I I write seven days a week. Yeah, I met.

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Speaker 3: I'm at one of my desks in my office. I

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Speaker 3: haven't a place on the ocean, so I have to

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Speaker 3: make sure I put the block down so I'm not

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Speaker 3: looking at the ocean. But I have a couple of

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Speaker 3: desks in here, and I'll go back and forth between

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Speaker 3: the desks, and you know, so so if I like

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Speaker 3: right now with the two books with the Woman's Murder

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Speaker 3: Club and the Two Sisters, I might you know, if

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Speaker 3: I'm writing those series, I might write them at the

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Speaker 3: different desks, just like that trick myself, right.

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Speaker 1: You know, everything will be a Florida story.

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Speaker 3: I've done a couple of stories in Florida stories as well. Yeah,

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Speaker 3: came down to visit us here. She loved it. It's

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Speaker 3: not hard to get people here. We just President Clinton.

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Speaker 3: I've written books of President Clinton. To just visited us

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Speaker 3: down here. Yeah, yeah, yeah, it's great.

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Speaker 2: Love that you can just drop.

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Speaker 3: Where I am in Florida. We're one mile from from

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Speaker 3: Mary Lago, which is the President Trump camps out.

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Speaker 1: Yeah, you're so lokable and funny. We want to visit.

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Speaker 3: Come, yes, come on down a guest house, right, Be

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Speaker 3: careful what you.

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Speaker 2: Wish, James. I can't wait to read the latest two

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Speaker 2: and I'm about to have a little holiday, so I

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Speaker 2: will be taking those those with me.

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Speaker 3: Read those books. It's a holiday even if you don't

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Speaker 3: have a holiday exactly.

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Speaker 2: Yeah, it's lovely to chat with you, James.

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Speaker 3: Chat very nice, very nice.

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Speaker 1: You're playing not working well done.

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Speaker 3: Well, have a nice morning and night.

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Speaker 1: Yeah, you take care of okay speak.

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Speaker 3: This is delateful, Thank you.

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Speaker 2: Jeremy Piven is coming to town. He is coming in August.

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Speaker 2: He's going to be at the Asta Theater Wednesday, August six.

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Speaker 2: Tickets are available through ticket Tech and he's joining us

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Speaker 2: this morning. Good morning, Jeremy Piven.

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Speaker 1: Hey, welcome Jeremy.

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Speaker 5: Thank you guys.

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Speaker 2: How are you Have you been to Perth before?

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Speaker 5: I've never been to Perth in my life, but I

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Speaker 5: can't wait to go. I've heard incredible things.

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Speaker 1: Well a distant city, been different to anywhere else. But yeah,

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Speaker 1: and there's a lot of love for you.

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Speaker 5: Human I can't wait to feel it. I want to

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Speaker 5: get there and make people laugh and we need it

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Speaker 5: right now.

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Speaker 2: Yeah, we do it. Well, you'll definitely feel that. The

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Speaker 2: Asterid's a great venue to do a show. What what

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Speaker 2: kind of things do you cover off in your in

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Speaker 2: your stand up show.

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Speaker 5: I talk about I do topical stuff, observational stuff, stories, impressions.

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Speaker 5: I'm all over the map, I'm everywhere.

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Speaker 1: Right, we've said, you nailed it. We need a lot

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Speaker 1: right now. But there is a lot of stuff going on.

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Speaker 1: It's funny, just funny. Is it getting a little bit

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Speaker 1: hotter as people get a bit more sensitive?

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Speaker 5: Yeah, I don't. I think you just don't even go there.

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Speaker 5: You just speak the truth as you know it, and

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Speaker 5: that's going to be polarizing, and you know not everyone's

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Speaker 5: going to love you, but you just jump in. And

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Speaker 5: I think right now, if if you get really offended

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Speaker 5: by someone making jokes, that's on you.

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Speaker 2: Yes, you know what I mean, absolutely, Why should it

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Speaker 2: be the jokers? But don't turn off, don't this whatever,

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Speaker 2: Do what you gotta do. But it's nothing to do

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Speaker 2: with Jeremy. Jeremy, You've been around for quite a while now.

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Speaker 2: So if I don't mean any offense. The first time

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Speaker 2: I saw you was in the best show of the nineties,

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Speaker 2: the Larry Sanders Show. Yes, that must have been an

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Speaker 2: incredible experience to work on that show. It was such

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Speaker 2: a novel concept that.

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Speaker 5: It was a brilliant show. Yeah, it was the backstage

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Speaker 5: life of a talk show that was so good that

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Speaker 5: people even thought it was a real talk show.

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Speaker 2: Yeah.

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Speaker 5: Garry Shandling was a genius, and I played the head writer,

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Speaker 5: and I was right out of college, and it was

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Speaker 5: just an incredible experience for me. I just learned so much.

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Speaker 5: It kind of kicked off original program programming at HBO,

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Speaker 5: and then I did Entourage for about a decade with them.

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Speaker 5: So I've been at HBO for a while.

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Speaker 1: That Ari Gold character, when you've I just read that,

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Speaker 1: did you just go this is familiar? And no one

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Speaker 1: else is getting their hands on it because it's such

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Speaker 1: a classic character.

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Speaker 5: You know, you would laugh because the way they used

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Speaker 5: to do it, you would only get the pilot and

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Speaker 5: then they would green light it. And then so in

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Speaker 5: the pilot Ari Gold had one scene and he wasn't

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Speaker 5: even as fleshed out as he became, So I knew

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Speaker 5: what it could be because my agent was Ari Emmanuel,

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Speaker 5: who the characters based on, So unbeknownst to me, I

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Speaker 5: had been doing you know, I was like a drama tour.

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Speaker 5: I had been doing my homework for a very long

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Speaker 5: time on the character, and so I got very lucky

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Speaker 5: and I knew. I knew intrinsically what Ari Emmanuel slash

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Speaker 5: Ari Gold was like and the dualities of that character

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Speaker 5: who you thought was a pig, but he was really

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Speaker 5: monogamous to his wife. He was all bark and no bite.

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Speaker 5: He was you know, hot tempered and all those beautiful things.

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Speaker 5: So I knew that if we got it right, that

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Speaker 5: people would be fascinated with the backstage life of Hollywood.

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Speaker 2: Yeah, some of his verbal barrages script together words I

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Speaker 2: didn't think I'd ever hear all in one sentence. But

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Speaker 2: was there much ad lib involved in in Ari? On

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Speaker 2: your end?

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Speaker 5: You know, I am my background. Part of my background

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Speaker 5: is sketch, comedy, improv and all that stuff, and so

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Speaker 5: I've been writing on my feet my whole life, and

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Speaker 5: i love to be able to contribute. But Doug Allen,

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Speaker 5: who wrote it, wrote a very tight, perfect, beautiful script,

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Speaker 5: and you know, he he didn't want me you know,

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Speaker 5: he wanted me to stick to the script and I

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Speaker 5: was honored to do it. And then I would kind

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Speaker 5: of beg and plead for a free take, and I

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Speaker 5: would I would kind of go off, and every once

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Speaker 5: in a while, like I would say something in an

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Speaker 5: improvisational moment like let's hug it out, bitch, something like that,

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Speaker 5: and it would kind of make it in, but not

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Speaker 5: not a lot. Not a lot. So I you know,

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Speaker 5: that's why I'm doing stand up, so so I can

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Speaker 5: let my hands go and just you know, have fun

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Speaker 5: and freestyle.

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Speaker 2: That's like a Robin Williams clause, isn't it. Didn't they didn't.

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Speaker 2: They often promise Robin a free take at the end

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Speaker 2: of him reading you know, the script and let him go.

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Speaker 2: So that's what we can expect at your stand up show.

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Speaker 5: Yeah, I mean, you know, be careful what you wish for.

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Speaker 5: I love the freedom. I just love being able to

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Speaker 5: just show up, grab the mic and just kind of

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Speaker 5: take off and and also selfishly have people get a

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Speaker 5: sense of who I am. You know, they may think,

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Speaker 5: you know, how could you possibly know me? You may

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Speaker 5: know me from these characters, but you don't know that

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Speaker 5: I'm a stage actor from Chicago when I grew up

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Speaker 5: on the stage, and I've got this amazing family and

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Speaker 5: and everything that went along with it. So you know,

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Speaker 5: it's it's a way of I know how to give

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Speaker 5: the people what they want, but also do it, you know,

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Speaker 5: in a way that shows who I am and where

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Speaker 5: I come from.

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Speaker 1: Yeah, I'm being an Entorage superfan. Might have to tell

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Speaker 1: a couple of plagious to your incredible body of work,

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Speaker 1: because all I did when I said when I was

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Speaker 1: talking to you that I lied. Did Risley actually get

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Speaker 1: caught upset on a regular basis with you yelling his

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Speaker 1: nay might or he just sometimes just crack out?

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Speaker 5: You know? He Rex is a very interesting guy. I

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Speaker 5: mean he Rex was an assistant. You know, he is Asian.

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Speaker 5: He is gay. He is a gay Asian assistant who

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Speaker 5: was working in the cat or as Ari Gold said

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Speaker 5: Gaijin gaig uh, and you know he he just entered

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Speaker 5: into that character and we were like a perfect match

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Speaker 5: for each other, two people that you would never expect

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Speaker 5: to be in the same room together, and it was

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Speaker 5: just magical. And to Doug Allen's credit, he could see

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Speaker 5: chemistry and then explore it heightened that and you know,

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Speaker 5: and then you know, I've done the best work of

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Speaker 5: my life now with this.

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Speaker 6: Uh.

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Speaker 5: I don't know if you can see that. I have

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Speaker 5: his poster behind the Foremance, which comes out this year,

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Speaker 5: and it's an Arthur Miller short story that my sister

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Speaker 5: adapted and I produced and started. And you know, guys

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Speaker 5: like you know Adam Garcia and Aussie Yes is in

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Speaker 5: my film with me and Robert Carlisle. And it's definitely

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Speaker 5: it's I feel like it's kind of the best work

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Speaker 5: of my life. And it took me fifteen years to make,

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Speaker 5: and I'm excited.

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Speaker 1: Fifteen years and with your sister, it's a telling fam.

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Speaker 2: Yeah, labor of love. I read that you have but

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Speaker 2: a desire to play Keith Moon from the Who because

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Speaker 2: you play drums. Is that something you still would love

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Speaker 2: to do? Any closer to that dream?

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Speaker 5: You know? I wonder if I'm too old to play

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Speaker 5: Keith Moon. But then I realized Keith Moon, you know,

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Speaker 5: was such a rock star that he looked way older than.

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Speaker 1: He did he did did.

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Speaker 5: Yeah, maybe I can still you know, at one hundred

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Speaker 5: and twenty years old, I can still play him.

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Speaker 1: As long as you could drive a Charen to a

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Speaker 1: swimming pool. You'll be real good because he was a

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Speaker 1: fascinating character. Keith Man, Yeah, he was.

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Speaker 5: He was definitely the original rock star. Yeah. And also,

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Speaker 5: you know, a brilliant drummer. That story needs to be told.

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Speaker 5: There's a lot of stories that I'm after right now,

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Speaker 5: and I don't want I don't want to say too

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Speaker 5: many of them because I almost feel like, to be

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Speaker 5: honest with you, sometimes when you say things, you put

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Speaker 5: it out into the universe, and like, you know, you

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Speaker 5: better be getting after it. Otherwise it's just talk. Someone

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Speaker 5: else can grab it and run with it.

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Speaker 4: Yeah.

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Speaker 5: I hate to be like a little bitch.

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Speaker 1: But to be cautious's close. And I'm speaking of Keith

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Speaker 1: of a podcast with Roger Adultry and Pete Tanzen recently,

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Speaker 1: and I said that behind everything else, Keith Moon was

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Speaker 1: a He's a very he was a very caring man,

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Speaker 1: you know, very sweet man to the people that he trusted.

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Speaker 5: I bet you know, I bet he was. And he

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Speaker 5: was also a brilliant musician and an absolute beautiful lunatic.

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Speaker 1: Yeah.

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Speaker 5: Well, I think Ringo Starr said that that he locked

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Speaker 5: him in a house and put a rhino in there

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Speaker 5: with him that was smashing in the things like there

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Speaker 5: was no one crazier.

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Speaker 1: Yeah, yeah, absolutely, I love it.

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Speaker 5: Well.

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Speaker 2: You can catch Sharing Me Pivot at the Astra Theater

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Speaker 2: on Wednesday, August sixth. Tickets are available through Ticke Tech

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Speaker 2: and the Performance. How do we get around that, Jeremy, You.

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Speaker 5: Know what, I hope by the time I get there

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Speaker 5: with you guys, we have we have a release date,

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Speaker 5: or I'll just bring the film with me in my

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Speaker 5: hands and I will make you watch it.

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Speaker 1: Yeah, we want to do that. Coming here, coming to

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Speaker 1: ninety six of him.

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Speaker 2: All right, Jeremy, thanks so much for joining us.

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Speaker 1: This morning's been a privilege.

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Speaker 5: Man. Thank you. I'll see you soon in a few months.

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Speaker 1: Thanks August, see you at the So good More Crazy

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Speaker 1: More podcasts.

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Speaker 2: In recent years, in very recent years, in the overall

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Speaker 2: scheme of things, everyone's got all you know, yeah, don't

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Speaker 2: hurt over everything, and shows like Entourage would be considered problematic.

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Speaker 1: A little bit too risky. Yourecon a little bit.

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Speaker 2: Too risk So this morning we want to talk about

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Speaker 2: what you reckon wouldn't get made now if they tried

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Speaker 2: to make it now. I would say, if you tried

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Speaker 2: to make little Britain now struggle you'd get this response?

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Speaker 5: Can I have word with the manager computers?

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Speaker 2: I reckon for sure?

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Speaker 1: Woul No, Yeah, yeah, Well you think about someone like

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Speaker 1: Chris Lillly in Australia canceled a few years ago, didn't

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Speaker 1: he really well yeah, yeah, it's going to get idiots.

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Speaker 1: What about that whole lineup of British seventies British none

361
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Speaker 1: of us? Okay, so none of the through the list

362
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Speaker 1: he served? No, No on the buses.

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Speaker 2: No, leave something for the other people. Sorry on the

364
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Speaker 2: buses not No, probably not what probably wouldn't get made? Now,

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Speaker 2: Brody in Jodler, what do you reckon?

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Speaker 1: Brady?

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Speaker 7: I believed would be that.

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Speaker 5: Might Straggle.

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Speaker 2: Think Robert Downey Junior would be allowed to do?

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Speaker 1: Yeah, I think about battle like some of the foot Show.

371
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Speaker 7: Yeah, I think a lot of things and that I

372
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Speaker 7: personally love a very Yeah, but apart from the even

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Speaker 7: friends is problematic at this point in time, A bit

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Speaker 7: difficult topic thunder.

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Speaker 1: Thanks Brady, Brady.

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Speaker 2: That's that's probably the only time I've ever liked Tom

377
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Speaker 2: Cruise except for risky business.

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Speaker 1: Risky.

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Speaker 2: Danielle in Armadale, what do you reckon wouldn't get made.

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Speaker 6: Now, I think mash one of my all time favorites.

381
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Speaker 2: You think.

382
00:19:03,520 --> 00:19:06,320
Speaker 1: Not time, yea, what do you think?

383
00:19:06,800 --> 00:19:09,720
Speaker 7: It was full of people having a listening in affairs

384
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Speaker 7: and they were sexually all over the place, and yeah,

385
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Speaker 7: it wasn't ideal for definitely wouldn't get mad.

386
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Speaker 2: Slinger would be allowed to use this, yeah maybe not,

387
00:19:21,320 --> 00:19:21,760
Speaker 2: maybe not.

388
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Speaker 6: I think he would be the only one that would

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Speaker 6: be acceptable.

390
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Speaker 2: Yeah, but they wouldn't be able to take the mickey

391
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Speaker 2: out of it.

392
00:19:31,080 --> 00:19:31,639
Speaker 7: Definitely not.

393
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Speaker 1: Yeah, well that Frank was a bit of a silk.

394
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Speaker 1: He might fit in with a lot of people these days.

395
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Speaker 2: Frank was the title so I loved Frank.

396
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Speaker 1: It's not a competition. Frank lips would.

397
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Speaker 2: Him The text has gone completely nuts. Tim in Rockingham

398
00:19:46,680 --> 00:19:50,040
Speaker 2: says any mel Brooks movie. Adam and Gingerly says, Saturday

399
00:19:50,080 --> 00:19:53,920
Speaker 2: Disney with Agro. You're right, we were watching a little

400
00:19:53,960 --> 00:19:57,600
Speaker 2: Agro sketch the other day. He talked about a pencil

401
00:19:57,680 --> 00:20:04,000
Speaker 2: with you know something. Anyway, Brendon in Harrisdale said Kingswood Country. Now,

402
00:20:04,240 --> 00:20:06,920
Speaker 2: there's been a lot of votes for Kingswood Country a

403
00:20:07,000 --> 00:20:10,520
Speaker 2: few so many reasons why they wouldn't make Kingswood Country

404
00:20:10,520 --> 00:20:12,399
Speaker 2: Now one of the greatest shows at your time.

405
00:20:12,760 --> 00:20:14,560
Speaker 1: And some of those British shows we talk about, you know,

406
00:20:14,800 --> 00:20:17,080
Speaker 1: love thy Neighbors, going to mention I Love my Neighbors

407
00:20:17,320 --> 00:20:18,760
Speaker 1: one of the ones that would be top of the list.

408
00:20:19,000 --> 00:20:22,320
Speaker 2: Yeah, Lisa and Palmelia said, The Kenny Everett Show, Yes

409
00:20:22,400 --> 00:20:26,080
Speaker 2: there's another Kingswood Country, the Paul Hogan Show. Are you

410
00:20:26,160 --> 00:20:28,240
Speaker 2: being said? So many stuff?

411
00:20:28,560 --> 00:20:30,119
Speaker 1: I guess the stuff we got away with it. You

412
00:20:30,200 --> 00:20:33,920
Speaker 1: just wouldn't now on the Telly, let's go to ellen Brook, Josh, but.

413
00:20:33,920 --> 00:20:36,359
Speaker 2: The good Morning, Good Morning? What do you think it

414
00:20:36,400 --> 00:20:37,480
Speaker 2: would be Josh?

415
00:20:37,640 --> 00:20:38,159
Speaker 7: I reckon.

416
00:20:42,800 --> 00:20:44,240
Speaker 1: Yeah, Well.

417
00:20:45,760 --> 00:20:48,200
Speaker 2: They're making a movie about Cheach and Chong at the moment.

418
00:20:48,640 --> 00:20:52,080
Speaker 2: That's going to be awesome. Yeah, Cheach and Chong.

419
00:20:52,240 --> 00:20:54,560
Speaker 1: I don't think. You don't thinkure that smoke coming out

420
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Speaker 1: of the bongo van would it could be worse?

421
00:21:02,240 --> 00:21:03,480
Speaker 6: Yeah?

422
00:21:03,920 --> 00:21:07,920
Speaker 1: Thanks, unless you gave that to the people walking into

423
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Speaker 1: the into a cinema or something.

424
00:21:09,800 --> 00:21:14,320
Speaker 2: That could there could be a lot worse things. That's right.

425
00:21:14,840 --> 00:21:18,720
Speaker 2: Van in Bandine, Hello, what do you reckon?

426
00:21:19,000 --> 00:21:19,840
Speaker 1: It's not going to make that.

427
00:21:20,000 --> 00:21:21,920
Speaker 6: I reckon, it's got to be Andy.

428
00:21:21,680 --> 00:21:25,480
Speaker 2: Jack, your bloody arms off that's right.

429
00:21:28,400 --> 00:21:31,320
Speaker 1: One huge cross dress or and his little tiny friend

430
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Speaker 1: and every.

431
00:21:32,520 --> 00:21:34,600
Speaker 5: Trains started with their bloody arms off.

432
00:21:35,200 --> 00:21:36,760
Speaker 4: I just don't think most people will.

433
00:21:36,640 --> 00:21:39,239
Speaker 1: Deal with't they people people have did a month off

434
00:21:39,280 --> 00:21:40,280
Speaker 1: work because they were so offend.

435
00:21:44,119 --> 00:21:44,879
Speaker 2: That's so true.

436
00:21:46,200 --> 00:21:52,120
Speaker 1: And Rory somebody names of shows coming up that show

437
00:21:52,200 --> 00:21:53,160
Speaker 1: thought of that for years.

438
00:21:53,200 --> 00:21:55,280
Speaker 2: A couple of people have said, Blazing.

439
00:21:54,960 --> 00:21:58,960
Speaker 1: Saddles anything, mel Brooks, phil.

440
00:21:59,000 --> 00:22:02,640
Speaker 2: In Queen's Rocks, Oh no, feel not, Faulty Towers, Heaven's Above,

441
00:22:02,720 --> 00:22:05,040
Speaker 2: Monty Bath and the Goodies, all my favorites, the Black

442
00:22:05,040 --> 00:22:06,040
Speaker 2: and White minstrel show.

443
00:22:06,280 --> 00:22:08,080
Speaker 1: So somebody like Faulty Tales. Were you get in trouble

444
00:22:08,080 --> 00:22:11,199
Speaker 1: for Manueld because he's seen as.

445
00:22:11,320 --> 00:22:15,040
Speaker 2: And he does pat him on the head? I guess,

446
00:22:15,160 --> 00:22:17,560
Speaker 2: I guess, And you know, don't mention the war? Well

447
00:22:17,600 --> 00:22:23,800
Speaker 2: you start exactly what the it's a battery? The show

448
00:22:23,800 --> 00:22:25,520
Speaker 2: ever start?

449
00:22:25,640 --> 00:22:30,320
Speaker 1: I forgot forgot about patting him in the head? Where

450
00:22:30,320 --> 00:22:30,840
Speaker 1: do you start?

451
00:22:32,000 --> 00:22:35,240
Speaker 2: Where does it end? That's the that's what's being highlighted today.

452
00:22:35,320 --> 00:22:37,960
Speaker 2: What about married with children? Matthew and Lake Cougi said,

453
00:22:37,960 --> 00:22:39,240
Speaker 2: probably not married with children.

454
00:22:39,520 --> 00:22:42,560
Speaker 1: Even our Bundy scratching is boys. He'd get into trouble

455
00:22:42,560 --> 00:22:43,240
Speaker 1: for some.

456
00:22:43,160 --> 00:22:46,359
Speaker 2: Of these shows, even that long ago. I mean Little

457
00:22:46,359 --> 00:22:48,960
Speaker 2: Britain is one that I mean, I just think everything

458
00:22:49,000 --> 00:22:52,439
Speaker 2: about Little Britain would be considered problematic with the foot Brigade.

459
00:22:52,480 --> 00:22:55,120
Speaker 1: Now that Chris Lily stuff all feels like five minutes.

460
00:22:54,880 --> 00:22:58,879
Speaker 2: Ago, it does. It was no and we're not talking

461
00:22:58,920 --> 00:23:03,199
Speaker 2: about all the way back on the sixty four. Yeah, anyway,

462
00:23:03,320 --> 00:23:05,680
Speaker 2: Darren and ellen Brook said some mothers do have him.

463
00:23:06,040 --> 00:23:09,120
Speaker 2: So many we've had so many votes for Kings. Would

464
00:23:10,840 --> 00:23:15,040
Speaker 2: very well, that's how true, is it?

465
00:23:15,200 --> 00:23:15,400
Speaker 8: Well?

466
00:23:15,720 --> 00:23:19,000
Speaker 2: So many people would take a fence for so many

467
00:23:19,000 --> 00:23:20,119
Speaker 2: different reasons.

468
00:23:20,800 --> 00:23:22,720
Speaker 1: He said, more than just talking about the Kings. Would

469
00:23:22,840 --> 00:23:25,120
Speaker 1: Hey what about you? Are awful? But I like you?

470
00:23:25,160 --> 00:23:28,359
Speaker 1: Dick Emory wouldn't that show would not last an episode?

471
00:23:28,400 --> 00:23:30,880
Speaker 2: And Kenny Everetts, Oh yes, another one.

472
00:23:31,000 --> 00:23:32,240
Speaker 1: He dressed up and cross his legs.

473
00:23:32,359 --> 00:23:36,120
Speaker 2: Andrew and Mount Helena, good morning.

474
00:23:35,640 --> 00:23:40,160
Speaker 1: The Today Show wouldn't stand the test of time.

475
00:23:41,960 --> 00:23:43,240
Speaker 6: There's a whole lot of them.

476
00:23:43,440 --> 00:23:48,120
Speaker 7: The one that stood out for me wascaly, I don't

477
00:23:48,160 --> 00:23:50,080
Speaker 7: reckon that. Let them get away with some of the

478
00:23:50,119 --> 00:23:51,159
Speaker 7: one liners.

479
00:23:50,800 --> 00:23:55,160
Speaker 4: They gave, especially about the church, but.

480
00:23:56,640 --> 00:24:03,760
Speaker 2: Stereotypical dun blonde yeah, yeah, yeah, wasn't it sad?

481
00:24:04,160 --> 00:24:07,760
Speaker 1: Yeah? Thanks, thanks for throwing your hat in the ring.

482
00:24:07,960 --> 00:24:14,360
Speaker 2: Thanks Andrew, you do last call Sue's import Kennedy, Hello.

483
00:24:15,160 --> 00:24:16,760
Speaker 6: Hello, how are you good?

484
00:24:16,920 --> 00:24:17,600
Speaker 2: What do you reckon?

485
00:24:18,040 --> 00:24:18,960
Speaker 3: I m Jeanie.

486
00:24:19,600 --> 00:24:21,760
Speaker 1: You don't think, you don't think?

487
00:24:21,840 --> 00:24:25,640
Speaker 6: So imagine the whole master.

488
00:24:27,040 --> 00:24:29,719
Speaker 1: People get up locked in her bottle. You can't call

489
00:24:29,760 --> 00:24:32,680
Speaker 1: it the bottle, call it the master bedroom anymore. So

490
00:24:33,040 --> 00:24:33,399
Speaker 1: there you go.

491
00:24:33,880 --> 00:24:36,080
Speaker 2: Oh, yes, you're so right.

492
00:24:36,320 --> 00:24:41,040
Speaker 1: Yeah, completely subservient to Major Nelson, wasn't you.

493
00:24:41,320 --> 00:24:44,880
Speaker 2: Yeah, that's what was you know. Bewitched was always sort

494
00:24:44,920 --> 00:24:47,600
Speaker 2: of the opposite of that, because Samantha didn't take anything

495
00:24:48,200 --> 00:24:51,119
Speaker 2: for the roost. But it's just horrible to think that

496
00:24:51,440 --> 00:24:53,840
Speaker 2: people can be offended by a dream of Janie. But

497
00:24:53,880 --> 00:24:54,399
Speaker 2: they would be.

498
00:24:55,680 --> 00:25:00,840
Speaker 1: Definitely I agree with Yeah, but they get upset at

499
00:25:00,840 --> 00:25:03,120
Speaker 1: Gilligan's Island with ginger and there being sexy.

500
00:25:02,880 --> 00:25:08,360
Speaker 2: And I probably yes, yeah, thanks missing out.

501
00:25:09,359 --> 00:25:09,560
Speaker 7: I know.

502
00:25:09,880 --> 00:25:12,320
Speaker 1: Really we're talking about different times.

503
00:25:15,000 --> 00:25:17,640
Speaker 6: The Sure Report on ninety six AM.

504
00:25:19,800 --> 00:25:24,080
Speaker 2: Yesterday, Mariah Carey won her copyright lawsuit over All I

505
00:25:24,160 --> 00:25:27,960
Speaker 2: Want for Christmas, But today Miley Cyrus has failed in

506
00:25:28,040 --> 00:25:31,239
Speaker 2: her attempt to make a copyright lawsuit filed against her

507
00:25:31,280 --> 00:25:34,520
Speaker 2: for her song Flowers Go Away. A judge rejected Miley

508
00:25:34,600 --> 00:25:37,320
Speaker 2: and her co defendant's motion to dismiss the suit. That

509
00:25:37,480 --> 00:25:40,800
Speaker 2: means the copyright infringement file by Tempo Music Investments can

510
00:25:40,920 --> 00:25:43,640
Speaker 2: proceed now. Tempo is a part owner of the copyright

511
00:25:43,720 --> 00:25:46,520
Speaker 2: of the Bruno Mars song When I Was Your Man,

512
00:25:46,680 --> 00:25:50,959
Speaker 2: and argues that Flowers is substantially similar to Bruno's hit.

513
00:25:51,280 --> 00:25:53,359
Speaker 2: It's not even so much about the sound, it's the

514
00:25:53,440 --> 00:25:56,520
Speaker 2: similarity in the lyrics that's the problem. In Miley's song,

515
00:25:56,600 --> 00:25:58,800
Speaker 2: she talks about buying her self flowers and holding her

516
00:25:58,840 --> 00:26:00,720
Speaker 2: own hand, and Bruno sings, I should have brought you

517
00:26:00,800 --> 00:26:03,879
Speaker 2: flowers and held your hand. To be fair, they do

518
00:26:04,040 --> 00:26:06,639
Speaker 2: sound a bit the same too. I'll keep you posted.

519
00:26:07,280 --> 00:26:10,439
Speaker 2: Two years ago, a video of Pedro Pascal went viral

520
00:26:10,680 --> 00:26:13,240
Speaker 2: because of his Starbucks coffee order. You can see what's

521
00:26:13,240 --> 00:26:15,200
Speaker 2: written on his coffee cup in the video, A niced

522
00:26:15,359 --> 00:26:18,640
Speaker 2: espresso with a lot of coffee six shots. Two years

523
00:26:18,680 --> 00:26:20,920
Speaker 2: down the track on Jimmy Kimmel Live, He's joked about

524
00:26:20,920 --> 00:26:21,639
Speaker 2: it going viral.

525
00:26:21,800 --> 00:26:24,639
Speaker 8: I cannot begin to tell you how violating this was.

526
00:26:25,240 --> 00:26:28,640
Speaker 8: There's so much context to why it has become six

527
00:26:28,720 --> 00:26:31,560
Speaker 8: shots of espresso. It was always a quad, but then

528
00:26:31,600 --> 00:26:34,480
Speaker 8: I feel like the cups got bigger, and I don't know,

529
00:26:34,560 --> 00:26:37,080
Speaker 8: the shots got less strong, and at some point it

530
00:26:37,200 --> 00:26:40,760
Speaker 8: became six. And it was an incredibly private morning ritual

531
00:26:41,640 --> 00:26:43,960
Speaker 8: that I never wanted anyone to know about it. I

532
00:26:44,000 --> 00:26:46,000
Speaker 8: don't have more coffee for the rest of the day.

533
00:26:46,000 --> 00:26:47,280
Speaker 4: I swear it's a lot.

534
00:26:47,520 --> 00:26:50,760
Speaker 2: But some of those cups are like buckets, and I

535
00:26:50,800 --> 00:26:53,280
Speaker 2: don't think Starbucks coffee even tastes like coffee. By the way,

536
00:26:53,880 --> 00:26:57,360
Speaker 2: so you've watched You've started watching Adolescents on Netflix, Yes,

537
00:26:57,600 --> 00:27:00,359
Speaker 2: last night. I've been bugging you about this for a

538
00:27:00,400 --> 00:27:02,840
Speaker 2: couple of weeks. Now it is the show of the moment.

539
00:27:03,119 --> 00:27:06,160
Speaker 2: Stephen Graham is amazing, the kid's amazing. In fact, every

540
00:27:06,240 --> 00:27:11,760
Speaker 2: episode is filmed in one take. Blows my mind. That

541
00:27:11,960 --> 00:27:15,760
Speaker 2: mustle cop guy basically that episode because he's got a

542
00:27:15,840 --> 00:27:18,359
Speaker 2: lot of dialogue and he's constantly on the move. And

543
00:27:18,960 --> 00:27:22,280
Speaker 2: he said, I read him. He said, you don't say

544
00:27:22,440 --> 00:27:25,520
Speaker 2: no to Stephen Graham. But when he got on set,

545
00:27:25,560 --> 00:27:27,040
Speaker 2: he thought, what have I got myself in for? He

546
00:27:27,119 --> 00:27:29,000
Speaker 2: went home crying because he just could.

547
00:27:29,080 --> 00:27:29,240
Speaker 3: Yeah.

548
00:27:29,720 --> 00:27:32,760
Speaker 2: And now Adolescents has shattered a significant barrier in the

549
00:27:32,920 --> 00:27:36,480
Speaker 2: UK television landscape. It just became that the first streaming

550
00:27:36,560 --> 00:27:39,679
Speaker 2: show to claim top spot in their weekly TV ratings.

551
00:27:39,960 --> 00:27:42,159
Speaker 2: You must get around this show if you have to

552
00:27:42,320 --> 00:27:43,760
Speaker 2: get Netflix to watch it.

553
00:27:45,440 --> 00:27:49,199
Speaker 1: Changed. It's It's good Telly and he just kept eating apples.

554
00:27:49,280 --> 00:27:52,240
Speaker 1: It's trying to get up the smokes with Yeah, unreal.

555
00:27:52,880 --> 00:27:56,480
Speaker 2: More Cleazya more podcast Soon.

556
00:28:00,040 --> 00:28:01,440
Speaker 1: You under the Lethal left foot.

557
00:28:01,520 --> 00:28:05,920
Speaker 5: I strut grabbed that from ninety six a Freemantle Docker.

558
00:28:09,000 --> 00:28:11,720
Speaker 1: Window and Door Replacement company. Give your home and new

559
00:28:11,800 --> 00:28:14,760
Speaker 1: leaves online with Perth Window and Door Replacement Company, the

560
00:28:14,920 --> 00:28:17,120
Speaker 1: number one name in the game to book your free

561
00:28:17,240 --> 00:28:21,360
Speaker 1: quote search per Window and Door. After leaving for much

562
00:28:21,400 --> 00:28:23,520
Speaker 1: of the game, the doc has lost to Sydney just

563
00:28:23,600 --> 00:28:25,840
Speaker 1: by three points at Optics Stadium in front of over

564
00:28:25,920 --> 00:28:28,560
Speaker 1: forty three thousand fans on Sunday. It was sixty eight

565
00:28:28,600 --> 00:28:31,120
Speaker 1: to sixty five. Young How are you mate?

566
00:28:31,280 --> 00:28:35,480
Speaker 4: I'm good good morning, good morning, good good.

567
00:28:35,520 --> 00:28:37,560
Speaker 1: It would have been nicer with the four points, wouldn't.

568
00:28:37,200 --> 00:28:39,720
Speaker 4: It It would have. Yeah, it's a tough one. Sometimes

569
00:28:39,960 --> 00:28:42,360
Speaker 4: those losses can can be harder than you know, getting

570
00:28:42,440 --> 00:28:43,560
Speaker 4: smashed and play.

571
00:28:44,200 --> 00:28:45,440
Speaker 2: They would always be harder.

572
00:28:45,360 --> 00:28:47,480
Speaker 4: Because, yeah, we actually felt like we played some pretty

573
00:28:47,520 --> 00:28:49,960
Speaker 4: good footing and we yeah, I felt like we controlled

574
00:28:50,000 --> 00:28:54,040
Speaker 4: the game. Yeah, for much of the evening. It was just, yeah,

575
00:28:54,080 --> 00:28:56,760
Speaker 4: we just fell short in the end there. And yeah,

576
00:28:56,760 --> 00:28:59,320
Speaker 4: it's quite tricky when you've you've got a short lead

577
00:28:59,400 --> 00:29:01,040
Speaker 4: and you feel like you need to score again to

578
00:29:01,840 --> 00:29:05,000
Speaker 4: put them to bed. And at times that can get

579
00:29:05,000 --> 00:29:07,440
Speaker 4: of course some issues for you because you might rush yourself,

580
00:29:07,480 --> 00:29:10,160
Speaker 4: for you feel the pressure that we need to score again,

581
00:29:10,240 --> 00:29:12,320
Speaker 4: but you forget that you are still winning and you're

582
00:29:12,360 --> 00:29:14,520
Speaker 4: in the lead, and there might be three minutes to go,

583
00:29:14,720 --> 00:29:18,240
Speaker 4: but you don't have to rush and score. I suppose

584
00:29:18,280 --> 00:29:20,440
Speaker 4: put it to bed, and I suppose that might have

585
00:29:20,480 --> 00:29:23,320
Speaker 4: been a lesson on the weekend. Was Yeah, we probably

586
00:29:23,360 --> 00:29:25,280
Speaker 4: didn't deal with that last few minutes very well. But

587
00:29:25,800 --> 00:29:29,000
Speaker 4: when we look at the whole game is in entirety,

588
00:29:29,280 --> 00:29:32,560
Speaker 4: we actually played some really good footing and I suppose

589
00:29:32,600 --> 00:29:35,080
Speaker 4: that's the positive we're taking out of it. And we

590
00:29:35,200 --> 00:29:38,240
Speaker 4: want to keep imposing our brand for longer, and the

591
00:29:38,320 --> 00:29:39,960
Speaker 4: longer we can do that, the more we're going to

592
00:29:40,000 --> 00:29:40,600
Speaker 4: be in games.

593
00:29:40,960 --> 00:29:44,240
Speaker 2: Yeah, but adding insult close injury was how close it

594
00:29:44,320 --> 00:29:47,240
Speaker 2: came at the end too, with Jamus marking inside fifty.

595
00:29:47,600 --> 00:29:49,360
Speaker 2: But what was it just after the siren?

596
00:29:49,520 --> 00:29:53,080
Speaker 4: Yeah, it's funny. I've spoken two more seconds of people

597
00:29:53,120 --> 00:29:55,040
Speaker 4: that were sort of in the stands, and I think

598
00:29:55,120 --> 00:29:58,400
Speaker 4: in the stands it's harder to hear the sign. People

599
00:29:58,440 --> 00:30:00,840
Speaker 4: didn't know and they were thinking what's going on. I

600
00:30:00,960 --> 00:30:02,520
Speaker 4: was in the box and I heard the siren, and

601
00:30:02,800 --> 00:30:04,440
Speaker 4: I was also watching the sort of the clock on

602
00:30:04,480 --> 00:30:08,920
Speaker 4: the TV, and yeah, yeah, yeah, so yeah, it was.

603
00:30:09,200 --> 00:30:11,640
Speaker 4: It was stressful, but yeah, I think it was obviously

604
00:30:11,680 --> 00:30:14,680
Speaker 4: a little just just after the sirens. So, like you say,

605
00:30:15,200 --> 00:30:17,520
Speaker 4: we could if that was a second earlier giant mark

606
00:30:17,560 --> 00:30:18,960
Speaker 4: so that potentially kicks a goal and we could be

607
00:30:19,000 --> 00:30:19,720
Speaker 4: sitting there going.

608
00:30:19,680 --> 00:30:22,800
Speaker 2: How good, What a great response effort exactly.

609
00:30:23,240 --> 00:30:24,880
Speaker 4: So yeah, we gotta we gotta look at it for

610
00:30:24,960 --> 00:30:27,880
Speaker 4: what it is. It was a better, better response than

611
00:30:27,920 --> 00:30:28,480
Speaker 4: the weak before.

612
00:30:28,680 --> 00:30:29,360
Speaker 6: So take it.

613
00:30:29,400 --> 00:30:31,240
Speaker 1: When you were saying kick kick it, you've been banished

614
00:30:31,280 --> 00:30:32,040
Speaker 1: from the coaches box.

615
00:30:32,520 --> 00:30:35,800
Speaker 4: Yeah, yeah, I got got sent with the rest of

616
00:30:35,840 --> 00:30:40,600
Speaker 4: the playing group, which is good though, because yeah, it's yeah,

617
00:30:40,640 --> 00:30:42,480
Speaker 4: everyone else in the room sort of joins in. It's

618
00:30:43,000 --> 00:30:47,840
Speaker 4: everyone gets pretty emotional and gets yeah involved in the game,

619
00:30:47,920 --> 00:30:50,640
Speaker 4: so it's it's better, probably better viewing than the coaching box.

620
00:30:51,800 --> 00:30:54,320
Speaker 1: Yeah. Foot is a funny game, isn't it. It can be.

621
00:30:54,440 --> 00:30:55,800
Speaker 1: It's a real level over and all the rest of it.

622
00:30:55,880 --> 00:30:57,840
Speaker 1: So you've got a young player from Sydney, Carter Marty,

623
00:30:57,880 --> 00:31:00,560
Speaker 1: who really struggled to really make his stamp on the

624
00:31:00,560 --> 00:31:02,880
Speaker 1: Grand Final last year, had a pretty dirty day and

625
00:31:02,960 --> 00:31:04,600
Speaker 1: then he's got that one and that went out with

626
00:31:04,720 --> 00:31:06,920
Speaker 1: Brendan Cox right at the end of the game. And

627
00:31:07,080 --> 00:31:08,720
Speaker 1: poor Cox he got sort of pushed out of the

628
00:31:08,760 --> 00:31:10,680
Speaker 1: way and that kind of thing and kicked the goal

629
00:31:10,760 --> 00:31:13,040
Speaker 1: which which put them in front. But for Brendan Cox,

630
00:31:13,200 --> 00:31:15,240
Speaker 1: that's a tough one because you're he looked tanked and

631
00:31:15,240 --> 00:31:16,400
Speaker 1: when you're stuffed at the end of the game on

632
00:31:16,440 --> 00:31:18,400
Speaker 1: a hot day like that, how do you handle something

633
00:31:18,440 --> 00:31:20,000
Speaker 1: like that when that when Yeah, because it comes in

634
00:31:20,080 --> 00:31:21,239
Speaker 1: and everyone's focusing on the one thing.

635
00:31:21,320 --> 00:31:23,200
Speaker 4: Yeah, yeah, I think, and I like after the game,

636
00:31:23,200 --> 00:31:26,560
Speaker 4: everyone's disappointed and Cox he certainly felt really disappointed, but

637
00:31:27,120 --> 00:31:28,840
Speaker 4: I think we're all pretty aware that it wasn't that

638
00:31:28,920 --> 00:31:31,840
Speaker 4: one moment crossed the game and we really assured him

639
00:31:31,840 --> 00:31:35,080
Speaker 4: of that. And yeah, Marty, you know, he's a good

640
00:31:35,080 --> 00:31:38,400
Speaker 4: player and he had a good moment and he kicked

641
00:31:38,400 --> 00:31:42,120
Speaker 4: the goal and but certainly not Coxy's fault and will

642
00:31:42,120 --> 00:31:44,719
Speaker 4: support him in that. And yeah, there was a lot

643
00:31:44,800 --> 00:31:46,240
Speaker 4: that we did right in the day. There was a

644
00:31:46,280 --> 00:31:48,640
Speaker 4: few things that we did wrong, and we've addressed that

645
00:31:48,800 --> 00:31:52,800
Speaker 4: and I think largely were pretty positive with with our performance.

646
00:31:52,840 --> 00:31:56,120
Speaker 4: And we want to keep I suppose reinforcing that the

647
00:31:56,320 --> 00:31:58,400
Speaker 4: good things, because if we're just a negative and if

648
00:31:58,440 --> 00:32:02,160
Speaker 4: we ride the emotions of a loss, it's probably not

649
00:32:02,240 --> 00:32:03,840
Speaker 4: going to help us going forward. So we've got to

650
00:32:03,880 --> 00:32:06,040
Speaker 4: take it for what it is, and yeah, take the

651
00:32:06,120 --> 00:32:07,200
Speaker 4: good things and keep moving.

652
00:32:07,880 --> 00:32:10,000
Speaker 2: Do you know if Brandon Walker is okay? He seemed

653
00:32:10,040 --> 00:32:11,640
Speaker 2: to hurt his shoulder.

654
00:32:12,200 --> 00:32:14,760
Speaker 4: Yeah, I think he's okay. I'm not sure. He went

655
00:32:14,800 --> 00:32:18,000
Speaker 4: and got scans and I think they're speaking to specialists

656
00:32:18,000 --> 00:32:19,920
Speaker 4: about the best way forward. So I don't know what

657
00:32:20,000 --> 00:32:22,560
Speaker 4: the plan is going forward, but I'm assuming he'll miss

658
00:32:22,600 --> 00:32:25,160
Speaker 4: some time. Yeah, but yeah, we wish him all the best.

659
00:32:25,560 --> 00:32:27,520
Speaker 1: Josh Tracey has just become a big power forward, one

660
00:32:27,520 --> 00:32:29,520
Speaker 1: of the stars of the AOFL now, hasn't he He has.

661
00:32:29,640 --> 00:32:32,920
Speaker 4: Yeah, he's just gone from strength to strength. Yeah, It's

662
00:32:32,960 --> 00:32:34,840
Speaker 4: just really good seeing a big key forward take a

663
00:32:34,880 --> 00:32:37,640
Speaker 4: game by the scraff of the neck and really lead.

664
00:32:37,720 --> 00:32:40,000
Speaker 4: And I think that's what's growing in his game over

665
00:32:40,040 --> 00:32:42,280
Speaker 4: the last year and a half is he's really become

666
00:32:42,320 --> 00:32:44,440
Speaker 4: a leader for our forward line and our team. And

667
00:32:45,240 --> 00:32:47,840
Speaker 4: I think he brings a lot of energy and I

668
00:32:47,880 --> 00:32:50,120
Speaker 4: suppose when he's playing, well we all sort of stand

669
00:32:50,160 --> 00:32:53,280
Speaker 4: a bit taller. And yeah, he gets the crowd involved,

670
00:32:53,360 --> 00:32:56,040
Speaker 4: and yeah, he's playing some really good footing which is great.

671
00:32:56,600 --> 00:33:00,320
Speaker 2: Well it's Derby Day on Sunday, Derby number sixty, which

672
00:33:00,360 --> 00:33:04,720
Speaker 2: is unbelievable. Both teams of course desperate to be the

673
00:33:04,800 --> 00:33:09,080
Speaker 2: one that you know, gets those points. It's going to

674
00:33:09,120 --> 00:33:10,000
Speaker 2: make for a great game.

675
00:33:10,440 --> 00:33:13,960
Speaker 4: It will, it will always does. Yeah, there's always it

676
00:33:13,960 --> 00:33:16,160
Speaker 4: doesn't matter where the teams are at or what the

677
00:33:16,360 --> 00:33:19,040
Speaker 4: I suppose owing to to, it's always going to be

678
00:33:19,080 --> 00:33:22,720
Speaker 4: a great, great battle. And yeah, we're really looking forward

679
00:33:22,720 --> 00:33:25,080
Speaker 4: to it. I think someone told me it's the most

680
00:33:25,160 --> 00:33:31,440
Speaker 4: inexperienced Derby game for both sides. Yeah, yeah, I think

681
00:33:31,640 --> 00:33:35,200
Speaker 4: there's just you know, with the out and bolt is out,

682
00:33:36,160 --> 00:33:37,720
Speaker 4: so yeah, some fresh faces out there.

683
00:33:37,640 --> 00:33:40,840
Speaker 2: Which is fresh blood, really inexperienced.

684
00:33:41,000 --> 00:33:46,600
Speaker 1: Yeah, exactly, so a youthful, youthful Geff and Darling retiring, Yeah,

685
00:33:46,800 --> 00:33:47,440
Speaker 1: as well as.

686
00:33:48,200 --> 00:33:52,000
Speaker 4: Crips is the only two hundred game player. Wow, So yeah,

687
00:33:52,120 --> 00:33:54,960
Speaker 4: it's Yeah, it's a new feel to it, and yeah,

688
00:33:55,160 --> 00:33:58,200
Speaker 4: with youth comes a bit of excitement. So I'm looking

689
00:33:58,240 --> 00:34:01,760
Speaker 4: forward to seeing our young mids, some of our new players.

690
00:34:01,960 --> 00:34:04,960
Speaker 4: Murphy Reid in his first Who's on the weekend when

691
00:34:04,960 --> 00:34:06,640
Speaker 4: he touched the ball of the crowd sort of it's

692
00:34:06,680 --> 00:34:09,600
Speaker 4: pretty if they're a fan favorite, which is exciting, so

693
00:34:09,840 --> 00:34:13,120
Speaker 4: hopefully he can you light it up on the derby.

694
00:34:13,320 --> 00:34:16,200
Speaker 2: Makes it more exciting to watch when it's an unknown quantity.

695
00:34:16,239 --> 00:34:18,839
Speaker 2: I don't know how it's going to go. Is NAP

696
00:34:18,880 --> 00:34:20,759
Speaker 2: five like likely at all?

697
00:34:20,880 --> 00:34:23,120
Speaker 4: To be not sure, I don't experience, I'm not, I

698
00:34:23,160 --> 00:34:27,320
Speaker 4: don't think so. He's played the last two weeks on

699
00:34:27,480 --> 00:34:30,279
Speaker 4: managed minutes, so this week's his first opportunity to play

700
00:34:30,480 --> 00:34:32,560
Speaker 4: sort of a full game, and I think I think

701
00:34:32,600 --> 00:34:34,120
Speaker 4: the idea is that we really just want to get

702
00:34:34,160 --> 00:34:36,200
Speaker 4: some continuity in his body. He's obviously had a bit

703
00:34:36,200 --> 00:34:39,440
Speaker 4: of an interrupted preseason, and yeah, once we get him

704
00:34:39,480 --> 00:34:41,160
Speaker 4: back in, we wanted to be ready to go. So

705
00:34:41,719 --> 00:34:44,359
Speaker 4: I think he'll yeah, play Waffle potentially this week.

706
00:34:44,480 --> 00:34:45,440
Speaker 1: It's pretty good last week.

707
00:34:45,719 --> 00:34:48,520
Speaker 4: Yeah, yeah, I sort of think he's really he's building

708
00:34:49,080 --> 00:34:52,280
Speaker 4: and making great progress. So I think just minutes minutes

709
00:34:52,280 --> 00:34:54,480
Speaker 4: into his body is really important and you don't want

710
00:34:54,480 --> 00:34:56,520
Speaker 4: to rush that back and you want to have him

711
00:34:56,560 --> 00:34:59,120
Speaker 4: right and ready to go so he can play the

712
00:34:59,160 --> 00:35:01,480
Speaker 4: rest of the year. So yeah, I don't think he'll

713
00:35:01,480 --> 00:35:03,480
Speaker 4: play this week, but he's tracking really well.

714
00:35:03,560 --> 00:35:05,719
Speaker 1: Fifty nine games in so this is Derby sixty. It's

715
00:35:05,760 --> 00:35:08,560
Speaker 1: Eagles thirty three three twenty six. That's the Ledger at

716
00:35:08,600 --> 00:35:10,840
Speaker 1: this point in time, and it's gone. Yeah when you

717
00:35:10,880 --> 00:35:13,479
Speaker 1: consider it was nine zip in the early gay because

718
00:35:13,480 --> 00:35:15,480
Speaker 1: that early Eagles team in the nineties didn't want to

719
00:35:15,520 --> 00:35:15,920
Speaker 1: lose one.

720
00:35:16,320 --> 00:35:18,640
Speaker 4: Yeah, they were a good side, good side early on.

721
00:35:18,800 --> 00:35:20,560
Speaker 4: So yeah, I know we've made some ground, which is nice.

722
00:35:20,640 --> 00:35:21,760
Speaker 4: Hopefully we can keep pushing.

723
00:35:21,800 --> 00:35:24,040
Speaker 1: Yeah, there was one a piece last year, wasn't that.

724
00:35:24,120 --> 00:35:24,279
Speaker 5: Yeah?

725
00:35:24,719 --> 00:35:25,759
Speaker 2: Yeah, And what about you?

726
00:35:25,880 --> 00:35:28,759
Speaker 4: How are you looking for I'm looking good. Yeah, I've

727
00:35:29,080 --> 00:35:32,680
Speaker 4: been traveling really well. The plan at the moment is

728
00:35:32,760 --> 00:35:35,360
Speaker 4: to return to play next week, so yeah, yeah, I

729
00:35:35,400 --> 00:35:37,240
Speaker 4: would have loved to make it back for the Derby,

730
00:35:37,320 --> 00:35:39,320
Speaker 4: but these things you just can't rush, and it's a

731
00:35:39,360 --> 00:35:41,800
Speaker 4: long year, so to make sure we tick all the

732
00:35:41,840 --> 00:35:42,560
Speaker 4: boxes and get.

733
00:35:42,480 --> 00:35:43,840
Speaker 1: It right and you don't want to regret that.

734
00:35:43,920 --> 00:35:45,680
Speaker 4: And I also want to when I come back to player,

735
00:35:45,719 --> 00:35:49,120
Speaker 4: when I feel really confident and feel good. So I'm

736
00:35:49,160 --> 00:35:51,640
Speaker 4: looking forward to that. But there's still you know, it

737
00:35:51,719 --> 00:35:53,600
Speaker 4: was weaking a bit to go, so got some important

738
00:35:53,640 --> 00:35:56,879
Speaker 4: sessions to get through big training system tomorrow, So looking

739
00:35:56,960 --> 00:35:57,320
Speaker 4: forward to it.

740
00:35:57,400 --> 00:35:58,919
Speaker 1: Hey, Hay, and I just want to bring up one thing, mate.

741
00:35:59,160 --> 00:36:01,719
Speaker 1: You've mentioned somebody young players in both teams, but talking

742
00:36:01,760 --> 00:36:03,799
Speaker 1: about free inside the club, is there an instruction because

743
00:36:03,800 --> 00:36:05,600
Speaker 1: a lot of young guys you're looking at social media

744
00:36:05,640 --> 00:36:07,879
Speaker 1: and stuff, and straight after the last two games it's

745
00:36:07,920 --> 00:36:10,960
Speaker 1: been a lot of vitriol online. Do you just ignore that?

746
00:36:11,080 --> 00:36:12,960
Speaker 1: Is there an instruction to ignore it and not look

747
00:36:13,000 --> 00:36:14,719
Speaker 1: at all, or what's the world or you keep it

748
00:36:14,760 --> 00:36:15,280
Speaker 1: up to yourselves?

749
00:36:15,520 --> 00:36:17,960
Speaker 4: Yeah, there certainly is an instruction too, but it is

750
00:36:18,120 --> 00:36:20,239
Speaker 4: so hard at this day and age, particularly with the

751
00:36:20,239 --> 00:36:24,640
Speaker 4: young players, and I suppose I've become quite quite good

752
00:36:24,680 --> 00:36:27,880
Speaker 4: at just blocking it out. And I just feel like

753
00:36:27,960 --> 00:36:30,399
Speaker 4: I'm so used to overreactions now that you just don't

754
00:36:30,440 --> 00:36:34,160
Speaker 4: read into anything so yeah, I'm quite good at but yeah,

755
00:36:34,239 --> 00:36:36,040
Speaker 4: these young players, this might be very new to them.

756
00:36:36,160 --> 00:36:37,960
Speaker 4: So it's something that you've got to support them through

757
00:36:38,080 --> 00:36:40,359
Speaker 4: and if they've got any issues or if they feel

758
00:36:40,400 --> 00:36:43,279
Speaker 4: pressure or but yeah, Jay was pretty good at, like,

759
00:36:44,000 --> 00:36:47,000
Speaker 4: you know, acknowledging the people are going to say things

760
00:36:47,120 --> 00:36:49,640
Speaker 4: we can't control that week control what we can control.

761
00:36:49,760 --> 00:36:53,040
Speaker 4: And I think that's what was good about our review

762
00:36:53,160 --> 00:36:55,960
Speaker 4: yesterday is that you know, people could have been reading things,

763
00:36:56,000 --> 00:36:57,839
Speaker 4: young players might have been reading things going oh god,

764
00:36:57,880 --> 00:36:59,279
Speaker 4: this is going to be a tough review, and like

765
00:36:59,360 --> 00:37:01,920
Speaker 4: the pressures on, I think j always just took it

766
00:37:01,960 --> 00:37:04,600
Speaker 4: for what it was and yeah, it was really honest

767
00:37:04,600 --> 00:37:08,120
Speaker 4: with his feedback and acknowledges the positive things and just

768
00:37:08,239 --> 00:37:09,960
Speaker 4: ignores that we're on the right path and this is

769
00:37:10,360 --> 00:37:11,960
Speaker 4: a good step in the right direction. And I think

770
00:37:12,000 --> 00:37:14,080
Speaker 4: we all walked out of the room thinking, oh, okay.

771
00:37:14,120 --> 00:37:14,520
Speaker 6: This is good.

772
00:37:14,600 --> 00:37:16,480
Speaker 1: Yeah, because four points the other way the comments, none

773
00:37:16,520 --> 00:37:18,640
Speaker 1: of those comments would have been exactly exactly.

774
00:37:18,719 --> 00:37:21,600
Speaker 4: So you can't you can't overreact to those things because

775
00:37:21,680 --> 00:37:23,480
Speaker 4: like you said, we could be walking away with four

776
00:37:23,520 --> 00:37:25,960
Speaker 4: points and everyone's happy. So we got to acknowledge that

777
00:37:26,520 --> 00:37:28,200
Speaker 4: A large part of our game is in good order.

778
00:37:28,600 --> 00:37:32,359
Speaker 2: Yeah, well, bounce down is three ten on Sunday at

779
00:37:32,400 --> 00:37:35,120
Speaker 2: OPTAs Stadium for Derby number sixty.

780
00:37:35,239 --> 00:37:38,600
Speaker 1: Good luck than wrapping you and cotton wool for another week, mate,

781
00:37:39,200 --> 00:37:39,920
Speaker 1: gets back out there.

782
00:37:40,200 --> 00:37:43,759
Speaker 2: The Pirates of Penzance has honored His Majesty's Theater from

783
00:37:43,920 --> 00:37:48,200
Speaker 2: this Friday until April five, just the one week. Basically.

784
00:37:48,320 --> 00:37:53,160
Speaker 2: Tickets are available through Waopera dot asn dot AU and

785
00:37:53,440 --> 00:37:56,160
Speaker 2: the star of the show, Ben Mingey is joining us.

786
00:37:56,200 --> 00:38:01,080
Speaker 6: Hello Ben, Ben, Hello, lads, very cleosy, good Ben.

787
00:38:01,320 --> 00:38:04,640
Speaker 2: I love Gilbert and Sullivan. They are the masters of

788
00:38:04,760 --> 00:38:10,840
Speaker 2: the uproariously silly, and you play the pirate king in

789
00:38:11,080 --> 00:38:14,080
Speaker 2: this indeed, So is it the most fun you can

790
00:38:14,200 --> 00:38:16,080
Speaker 2: have playing a pirate on stage?

791
00:38:17,200 --> 00:38:20,279
Speaker 6: Yeah, I'd say it is. It's definitely a lot of fun.

792
00:38:20,480 --> 00:38:23,840
Speaker 6: I think, you know, Gilbert and Sullivan is one of

793
00:38:23,920 --> 00:38:27,880
Speaker 6: those ye know, it's one of those situations where you

794
00:38:28,880 --> 00:38:33,200
Speaker 6: can't not have fun. It's just very intelligent music. So

795
00:38:33,280 --> 00:38:35,320
Speaker 6: I think, you know, it's one of those ones that

796
00:38:35,440 --> 00:38:36,640
Speaker 6: everybody enjoys.

797
00:38:37,640 --> 00:38:39,400
Speaker 1: Seeing so many actors run around in this role. That

798
00:38:39,480 --> 00:38:41,320
Speaker 1: and you know John English and the like. It's a

799
00:38:41,440 --> 00:38:43,320
Speaker 1: very physical role too. And you have to be in shape.

800
00:38:44,560 --> 00:38:47,479
Speaker 6: Yeah it is. Actually there's a lot of sword play

801
00:38:47,560 --> 00:38:50,160
Speaker 6: and a lot of leaping over barrels and climbing ships

802
00:38:50,239 --> 00:38:52,920
Speaker 6: and feeling about. So, yeah it is. And the costumes

803
00:38:52,960 --> 00:38:57,280
Speaker 6: are quite elaborate. They're very impressive, so they're also quite heavy.

804
00:38:57,920 --> 00:39:00,279
Speaker 2: I guess any man who could say to his nine

805
00:39:00,320 --> 00:39:02,839
Speaker 2: year old self, one day you will be leaping over

806
00:39:02,920 --> 00:39:08,000
Speaker 2: barrels and playing with swords on stage, that's you would think, Oh,

807
00:39:08,080 --> 00:39:09,279
Speaker 2: you dream had come true.

808
00:39:09,920 --> 00:39:12,520
Speaker 6: Yeah, absolutely kicked the box living the dream.

809
00:39:12,719 --> 00:39:12,919
Speaker 8: Yeah.

810
00:39:13,120 --> 00:39:16,080
Speaker 2: Now is it true band that you basically got into

811
00:39:16,160 --> 00:39:17,879
Speaker 2: this Beers on a Dare?

812
00:39:19,640 --> 00:39:23,520
Speaker 6: Yeah, that is true. Actually I grew up grew up

813
00:39:23,560 --> 00:39:26,880
Speaker 6: in Newcastle and when I left school, I worked on

814
00:39:27,000 --> 00:39:32,480
Speaker 6: the F three Bypass, which was the bypass that basically

815
00:39:32,560 --> 00:39:37,359
Speaker 6: bypasses Newcastle. And we were sitting around at Smoker having

816
00:39:37,360 --> 00:39:41,000
Speaker 6: a couple of scallops and a coke and one of

817
00:39:41,080 --> 00:39:44,080
Speaker 6: the guys pulled out this clipping from the newspaper for

818
00:39:44,800 --> 00:39:48,080
Speaker 6: auditions for the Conservatorium for Opera Voice. And because I

819
00:39:48,280 --> 00:39:51,320
Speaker 6: sang in a rock band, they all sort of issould

820
00:39:51,520 --> 00:39:53,799
Speaker 6: audition for this, and you know you're a singer. I'm like, yeah,

821
00:39:53,800 --> 00:39:54,960
Speaker 6: but I'm not that sort of singer.

822
00:39:55,239 --> 00:39:55,439
Speaker 3: Yeah.

823
00:39:56,719 --> 00:39:58,840
Speaker 6: Anyway, they all threw in fifty bucks each and a

824
00:39:58,880 --> 00:40:01,080
Speaker 6: couple of cartains of beer. A dead met to audition.

825
00:40:01,280 --> 00:40:05,720
Speaker 6: So yeah, yeah, loaded up on my best king JS

826
00:40:05,760 --> 00:40:08,479
Speaker 6: and went in and sang songs and got the goods.

827
00:40:09,000 --> 00:40:10,920
Speaker 1: That's one of the great stories of showbiz.

828
00:40:11,000 --> 00:40:14,480
Speaker 2: I guess they were potato scullops. Now it's all scullops.

829
00:40:14,520 --> 00:40:17,880
Speaker 1: And did those books want their money back? Are they

830
00:40:18,320 --> 00:40:19,000
Speaker 1: have they invested?

831
00:40:21,320 --> 00:40:22,719
Speaker 6: I'll tell you what if it was, if it was

832
00:40:22,760 --> 00:40:24,640
Speaker 6: the other tibe of scallops, I wouldn't have been sitting

833
00:40:24,680 --> 00:40:26,479
Speaker 6: around on a construction side.

834
00:40:27,560 --> 00:40:30,320
Speaker 1: I think probably not. But you know, having gigs like

835
00:40:30,400 --> 00:40:32,080
Speaker 1: you did back in the day, it's probably helped you

836
00:40:32,160 --> 00:40:35,000
Speaker 1: with a few roles, has it over the years? Oh

837
00:40:35,120 --> 00:40:39,040
Speaker 1: you mean the old rock gigs, rock gigs or even

838
00:40:39,120 --> 00:40:40,960
Speaker 1: just some of some of the jobs you did, you know,

839
00:40:41,120 --> 00:40:42,400
Speaker 1: working in construction.

840
00:40:43,880 --> 00:40:47,320
Speaker 6: Yeah, definitely, I think, you know, there's there's definitely a

841
00:40:47,440 --> 00:40:50,680
Speaker 6: lot of bonuses, a lot of pros for me having

842
00:40:50,760 --> 00:40:53,239
Speaker 6: gone through that that sort of route. You know, it's

843
00:40:54,440 --> 00:40:57,320
Speaker 6: I think there's nothing more valuable than to sort of

844
00:40:57,640 --> 00:41:00,640
Speaker 6: get on the on the ground on tool than and

845
00:41:00,800 --> 00:41:03,960
Speaker 6: really do some hard yak to realize what what's what?

846
00:41:04,360 --> 00:41:07,359
Speaker 6: And you know, just to the people I met doing

847
00:41:07,440 --> 00:41:09,840
Speaker 6: all that sort of stuff, you know, working in the

848
00:41:09,920 --> 00:41:13,960
Speaker 6: construction game, there's such such grounded down to people and

849
00:41:14,080 --> 00:41:16,560
Speaker 6: I feel like, you know, you can always bring a

850
00:41:16,600 --> 00:41:19,319
Speaker 6: lot of that into your acting, because acting is all

851
00:41:19,320 --> 00:41:22,520
Speaker 6: the way out truth. So it's it's all very very

852
00:41:22,640 --> 00:41:25,240
Speaker 6: much a learning experience, I think, good experience.

853
00:41:25,520 --> 00:41:28,120
Speaker 2: So, Ben, you were absolutely marvelous as Alan Bond in

854
00:41:28,160 --> 00:41:31,200
Speaker 2: the House of Bond obviously a very big story here

855
00:41:31,360 --> 00:41:34,160
Speaker 2: in Perth. Did you Did you know much about Bondie

856
00:41:34,200 --> 00:41:36,000
Speaker 2: and the story before.

857
00:41:35,719 --> 00:41:40,799
Speaker 6: You, well the role really, I never would have thought

858
00:41:40,920 --> 00:41:43,200
Speaker 6: in a million years that I'd play Alan Bond. Maybe

859
00:41:43,239 --> 00:41:48,040
Speaker 6: I fired as a nine year old and double definitely.

860
00:41:50,920 --> 00:41:54,560
Speaker 6: But but you know what was really interesting is is

861
00:41:54,840 --> 00:41:57,640
Speaker 6: I do have some very good friends here in pers

862
00:41:58,360 --> 00:42:02,480
Speaker 6: Colin Judy, and they they sort of, you know, filled

863
00:42:02,520 --> 00:42:04,400
Speaker 6: me in on a bit of a bit of Bondie

864
00:42:04,560 --> 00:42:07,279
Speaker 6: sort of antiques when they found out I got the role.

865
00:42:07,320 --> 00:42:09,359
Speaker 6: And I had a friend of ours and Robbie, who

866
00:42:09,440 --> 00:42:13,080
Speaker 6: lived back in Newcastle. They were sailors and they used

867
00:42:13,120 --> 00:42:17,600
Speaker 6: to make sailors and rob actually sailed with Bondie. So

868
00:42:17,640 --> 00:42:20,560
Speaker 6: I got all these amazing stories about the America's Cup

869
00:42:20,680 --> 00:42:24,719
Speaker 6: sort of and and it was great. And to do

870
00:42:24,800 --> 00:42:27,120
Speaker 6: all the research and you know, go down that rabbit

871
00:42:27,160 --> 00:42:29,960
Speaker 6: hole of researching Bondie was was fascinating. I mean, what

872
00:42:30,080 --> 00:42:33,680
Speaker 6: a what a bloke didn't hold I didn't hold back

873
00:42:33,719 --> 00:42:36,200
Speaker 6: at all. And and to sort of revisit all those

874
00:42:36,360 --> 00:42:40,400
Speaker 6: like I've got to Sail, you know, the actual Australia

875
00:42:41,920 --> 00:42:46,520
Speaker 6: America's Cuppars which was which was pretty cool. And you know,

876
00:42:46,640 --> 00:42:49,440
Speaker 6: I think I think to play such an icon was

877
00:42:49,640 --> 00:42:51,000
Speaker 6: was a real treat and a real honor and a

878
00:42:51,080 --> 00:42:54,000
Speaker 6: lot of hard work. But I think it was definitely

879
00:42:54,040 --> 00:42:56,200
Speaker 6: one of the one of the more proud sort of.

880
00:42:56,320 --> 00:42:59,719
Speaker 1: Projects that I have And BONDI like Bondie like a

881
00:42:59,760 --> 00:43:04,200
Speaker 1: skull someone else paid for a long lunch on a

882
00:43:04,239 --> 00:43:07,400
Speaker 1: Friday doing that's funny.

883
00:43:07,440 --> 00:43:11,840
Speaker 6: Actually I went for a drive, yes, just around just

884
00:43:11,920 --> 00:43:14,080
Speaker 6: to have a look at a few things. And yeah,

885
00:43:14,239 --> 00:43:16,799
Speaker 6: going to like les Nerdy and all these places which

886
00:43:16,840 --> 00:43:19,600
Speaker 6: I referred to in the in the bond and you know,

887
00:43:19,760 --> 00:43:21,400
Speaker 6: looking at the map where I was going to go

888
00:43:21,480 --> 00:43:23,160
Speaker 6: for a drive up ye and Ship to see what

889
00:43:23,280 --> 00:43:29,959
Speaker 6: that was like. It's great. I mean such a great place.

890
00:43:30,040 --> 00:43:31,680
Speaker 6: I really really enjoy coming here.

891
00:43:32,360 --> 00:43:33,560
Speaker 1: City was Bondi's dream, isn't it.

892
00:43:33,640 --> 00:43:33,839
Speaker 5: Yeah?

893
00:43:34,120 --> 00:43:36,719
Speaker 2: Yeah, a lot of fun facts about you, Ben. You're

894
00:43:36,760 --> 00:43:38,840
Speaker 2: a stunt driver and a fire breather.

895
00:43:39,040 --> 00:43:41,720
Speaker 1: Far anything you don't there anything?

896
00:43:42,960 --> 00:43:46,680
Speaker 2: Well, you sail, you drive, you're seeing, you dance, your

897
00:43:46,719 --> 00:43:47,319
Speaker 2: sword play.

898
00:43:48,400 --> 00:43:53,359
Speaker 6: There's there's a lot of strings to my bow. Yeah,

899
00:43:53,719 --> 00:43:57,000
Speaker 6: I mean, look the fire breathing was that was not

900
00:43:57,160 --> 00:43:59,480
Speaker 6: something which I trained at a young age. Came I

901
00:44:01,040 --> 00:44:03,440
Speaker 6: actually hear from the first gig I ever did, and

902
00:44:04,600 --> 00:44:06,840
Speaker 6: the director It was Hair the musical and the director.

903
00:44:06,920 --> 00:44:08,720
Speaker 6: But has anybody got the special talents?

904
00:44:09,120 --> 00:44:09,239
Speaker 5: You know?

905
00:44:09,520 --> 00:44:11,800
Speaker 6: Loving if someone could fibreathe and I just put my

906
00:44:11,880 --> 00:44:15,279
Speaker 6: hand up, being young and green, I'll give it a go.

907
00:44:16,840 --> 00:44:19,680
Speaker 6: But okay, we just needed to see your certification for

908
00:44:20,120 --> 00:44:22,840
Speaker 6: to whip down the circular key on the weekend and

909
00:44:22,960 --> 00:44:25,719
Speaker 6: get certified by a street performer that I could fibreeth.

910
00:44:26,200 --> 00:44:26,399
Speaker 4: Yeah.

911
00:44:28,200 --> 00:44:31,080
Speaker 2: It harks back to that f one in Newcastle. Sets

912
00:44:31,120 --> 00:44:31,960
Speaker 2: you up for anything.

913
00:44:34,680 --> 00:44:36,839
Speaker 1: You're talking about. Young Ben's thinking you might be Bond

914
00:44:36,880 --> 00:44:38,600
Speaker 1: one day. But would young nine year old Ben have

915
00:44:38,640 --> 00:44:41,279
Speaker 1: thought you'd work with Mel Gibson, mate that's pretty cool.

916
00:44:41,440 --> 00:44:44,120
Speaker 6: I'll tell you what that was. That was definitely a

917
00:44:44,320 --> 00:44:48,279
Speaker 6: Unicorn moment. There's definitely nothing nothing like walking into the

918
00:44:49,280 --> 00:44:52,600
Speaker 6: final callback and seeing a whole panel of the biggest

919
00:44:52,760 --> 00:44:55,879
Speaker 6: producers in the world and casting directors and then Mel

920
00:44:55,960 --> 00:44:58,720
Speaker 6: Gibson standing up and coming over and giving you a target.

921
00:44:58,719 --> 00:45:03,640
Speaker 6: It's like, oh Jesus, yeah, yeah. It was a very

922
00:45:03,680 --> 00:45:08,040
Speaker 6: surreal experience. And you know, here's a bit of Pirates

923
00:45:08,080 --> 00:45:09,800
Speaker 6: trivia for you. When you were filming one of the

924
00:45:09,920 --> 00:45:12,279
Speaker 6: one of the big battle scenes out it's out of

925
00:45:12,280 --> 00:45:16,040
Speaker 6: the back of Campbelltown on hacks or Ridge. We had

926
00:45:16,080 --> 00:45:19,040
Speaker 6: to get everyone to march in time. So Mel Gibson

927
00:45:19,080 --> 00:45:20,480
Speaker 6: comes back to me to go, I mean, yeah, you're

928
00:45:20,719 --> 00:45:23,320
Speaker 6: you're a you're an offer, and you're a singer, you know,

929
00:45:23,960 --> 00:45:26,520
Speaker 6: singing something. So I sang the Pirate King song as

930
00:45:26,520 --> 00:45:29,520
Speaker 6: we all march along for it. I don't know if

931
00:45:30,880 --> 00:45:32,120
Speaker 6: the movie, but that's happened.

932
00:45:32,440 --> 00:45:33,000
Speaker 1: That's great.

933
00:45:34,480 --> 00:45:36,799
Speaker 2: Didn't they say if you're marched in time across the bridge,

934
00:45:36,800 --> 00:45:39,759
Speaker 2: you could make the bridge come down. And I don't

935
00:45:39,800 --> 00:45:43,200
Speaker 2: know anyway, that's the circle moment. I love that the

936
00:45:43,280 --> 00:45:47,560
Speaker 2: Pirates depends answers on his Majesty's Theater from Friday until

937
00:45:47,840 --> 00:45:50,680
Speaker 2: next Saturday. Tickets are available through w A Opera dot A,

938
00:45:50,880 --> 00:45:53,200
Speaker 2: s N dot au. Ben lovely to catch up with

939
00:45:53,320 --> 00:45:53,880
Speaker 2: you this morning.

940
00:45:55,080 --> 00:45:56,800
Speaker 6: Thanks for having me, guys, A real pleasure and I

941
00:45:56,880 --> 00:45:58,759
Speaker 6: hope everyone enjoys the show. This is going to be

942
00:45:58,840 --> 00:45:59,799
Speaker 6: probably one of the best.

943
00:46:00,120 --> 00:46:00,759
Speaker 2: You can't know.

944
00:46:01,960 --> 00:46:03,960
Speaker 1: You cannot know when you're here. We've got to les Murder.

945
00:46:03,960 --> 00:46:05,600
Speaker 1: You have sculpts together the whole the whole time.

946
00:46:06,760 --> 00:46:08,160
Speaker 6: I'll bring you six hundred a coke.

947
00:46:08,280 --> 00:46:12,600
Speaker 1: Yes, thanks, thanks bye, thank god

948
00:46:13,480 --> 00:46:14,760
Speaker 5: Crazy and Lisa