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Speaker 1: It's the Will and Woody podcast.

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Speaker 2: I woulds so look, I mean you do get stabled

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Speaker 2: in the ass. We've got the audio of that play

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Speaker 2: that very shortly. But the reason it came up because

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Speaker 2: Tokyo crowds are for the twenty twenty one Olympics have

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Speaker 2: been told they can attend, but then it allowed to

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Speaker 2: make any noise.

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Speaker 3: Well, it's very similar to Adelaide when they said to

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Speaker 3: their football crowds, yeah, what was it two or three

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Speaker 3: months ago, go to the game, but if the balls

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Speaker 3: come in for you, don't touch it.

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Speaker 2: Yeah. But I think that's a different sort of a request.

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Speaker 2: I mean, I don't think we can group them in.

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Speaker 2: I mean, like you know, in the one instance, we've

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Speaker 2: got don't touch a ball if it goes over the boundary,

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Speaker 2: which duck the ball, duck the ball, which might happen,

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Speaker 2: you know, five times a game. Yeah, at the Olympics

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Speaker 2: we've got don't open your mouth and let anything come

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Speaker 2: out of it. An event it is, It is ridiculous.

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Speaker 2: But as I as I suggested on air today, I

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Speaker 2: mean sure for your swimmings, your badminton's, your athletics, these

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Speaker 2: sorts of events tough, tough.

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Speaker 3: To do because they're exciting sports.

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Speaker 2: Absolutely, But if I'm hanging out at the kayak slalom,

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Speaker 2: I mean I I think it's going to be too

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Speaker 2: hard for me to continue to eat my insert beautiful

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Speaker 2: Japanese delicacy instead of erupting in raucous cheers.

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Speaker 3: Just business as usual for those sports.

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Speaker 2: I mean some of those sports. Actually they move so fast.

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Speaker 2: If you watched the BMX at the Olympics, never have no, Well,

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Speaker 2: it's actually pretty good to watch. But like Joe's watching

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Speaker 2: a b MC bandit are you ge though the day,

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Speaker 2: didn't you?

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Speaker 4: Yeah?

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Speaker 3: We used to build jumps of dirt and clay. Yeah,

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Speaker 3: it was nothing.

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Speaker 2: Every other city in the town you build it with wood.

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Speaker 2: I would have.

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Speaker 5: Thought you make the track out of dirt and you

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Speaker 5: go around circle.

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Speaker 2: Yeah nice, nice man, And I argue with a couple

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Speaker 2: of mud piles for the boys, No matter, jump out

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Speaker 2: of clay.

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Speaker 3: Will I go back to your torching of Olympic sports.

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Speaker 5: You're on a good roll there, what's next enjoying torching?

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Speaker 2: I was just starting to move the blow tows towards

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Speaker 2: that city.

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Speaker 5: Come from the Duwel of the Australian Outback dull in

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Speaker 5: the Northern Territory.

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Speaker 2: Curling is an Olympic event. Not at the Summer Olympic.

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Speaker 3: Games curling curling, you'd be fine staying quiet. Are you

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Speaker 3: drinking your letter? Talk at the events at Tokyo? Like,

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Speaker 3: let's that's what's the difference between a cheer and a

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Speaker 3: bit of chat, like could you go like, great shot

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Speaker 3: or you know, good run? Is that a cheer or

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Speaker 3: is that? Is that just a bit of dialogue between

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Speaker 3: you and your bud?

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Speaker 2: Would you say that to your bud If I was

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Speaker 2: sitting watching a sport with you, I hope you'd say

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Speaker 2: more to me than good run.

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Speaker 3: Well, someone just did a good run. I probably want

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Speaker 3: to I want to acknowledge the fact that someone's done

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Speaker 3: a good run and give your little elbow and say good.

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Speaker 2: You'd probably say something one of the lines that wow,

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Speaker 2: how good was that? You know?

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Speaker 6: Oh?

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Speaker 3: Yeah? So is that though? Is that a cheer or

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Speaker 3: is that chat?

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Speaker 2: Good question?

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Speaker 3: Because because tennis you've got to stay quiet.

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Speaker 2: Yeah during the points quiet please? Yeah? But after the

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Speaker 2: points you can cheat.

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Speaker 4: Yeah.

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Speaker 5: Imagine saying Bolt is running up the track and you're

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Speaker 5: meant to sit there and this is all you're here

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Speaker 5: after he wins his eighth gold.

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Speaker 2: Can you applaud those applaud?

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Speaker 4: It is not cheering.

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Speaker 2: You might be able to clap.

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Speaker 3: Clapping, it's just a lot of well you get really

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Speaker 3: intense about it. Tho wouldn't you be goodn't cheer? You'd

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Speaker 3: go buddy crazy.

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Speaker 5: If you was in Japanese baseball. They actually insanely loud.

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Speaker 5: They have They take lots of plastic.

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Speaker 3: I was going to.

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Speaker 2: Say, that's the fort that what you reckon? They've got

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Speaker 2: a couple of those blow up smacky sticks.

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Speaker 4: Yea.

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Speaker 3: The South African Soccer World Final they.

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Speaker 2: Had those Zayla horns the South African. Yeah, don't return

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Speaker 2: the TV.

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Speaker 3: Just our school bandon and you'd.

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Speaker 2: Be watching three in the morning at your girlfriend's place

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Speaker 2: and just like it happens, the volume right down because

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Speaker 2: it was just this drone came over the TV. I

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Speaker 2: think it'll be the same with living. It'll just be

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Speaker 2: like this pitter pattering of those smack sticks. Never had

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Speaker 2: a smack stick. I should change the name of them

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Speaker 2: immediately because it sounds like I've.

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Speaker 3: Never used a smack stick. But what is what are

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Speaker 3: you in the basketball? Basketball? You use the smack sticks.

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Speaker 3: They make a very loud noise those smack sticks.

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Speaker 2: Yeah, I would never have bought a smack stick though.

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Speaker 2: If you bought a smack stick, they give it to you.

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Speaker 2: Oh well, we're not all in the bloody box at

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Speaker 2: the basketball, mate, Well we're not getting.

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Speaker 3: Of course, we get a little shows now that the

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Speaker 3: reason we are talking about this.

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Speaker 2: At the end, at the end of at the endbl

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Speaker 2: at the NBL. I'm pretty sure Corey Worthington's Ben courts

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Speaker 2: out at the NBL is don't than a brag about it.

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Speaker 3: He was sitting next to me, had a part of

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Speaker 3: his sticks, then a couple of bags.

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Speaker 2: Now, look what we're going to do is play you,

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Speaker 2: because you were trying to claim that you would be

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Speaker 2: able to be silent in the face of anything if

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Speaker 2: you have the right mental strength. Yes, so you can

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Speaker 2: see this for yourself on our Instagram. But I did

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Speaker 2: stay for you in the ass, and you failed to

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Speaker 2: keep your mouth so long, for so long. I enjoyed

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Speaker 2: the show, guys. Lots of plots on there and great stuff,

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Speaker 2: including as well from Rupaul' drag race.

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Speaker 3: To see Me from I got a prank call challenge

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Speaker 3: for you will, which I'm very excited about. So I

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Speaker 3: dreamed about this last night, and I think you're a challenge. No,

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Speaker 3: you know, I don't know. So here's the thing I

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Speaker 3: want you. So, I've looked up a whole bunch of

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Speaker 3: job ads online and I've got the number for what

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Speaker 3: you're doing there. I've got a number for a place

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Speaker 3: that's currently advertising a position a job. Now, your challenge

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Speaker 3: is this, I want to put the number into the system.

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Speaker 3: Call the number. You have to try and figure out

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Speaker 3: what the job is without asking exactly like you know,

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Speaker 3: what is the job and without them mentioning what the

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Speaker 3: job is. Wow.

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Speaker 2: So I'm just calling a random number and I have

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Speaker 2: to try and figure out what the job is. Yep.

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Speaker 2: Because they've they've obviously advertised for it. I can't ask

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Speaker 2: them what the job is.

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Speaker 3: Yes, you can't ask them specifically what you ask questions,

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Speaker 3: but you can't ask.

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Speaker 2: But what if they clarify it. What if they come

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Speaker 2: on and they're like, oh, you know you're not going

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Speaker 2: to need that because you're cleaning a house, do you

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Speaker 2: know what I mean?

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Speaker 3: Then you lose. You have to stop them from telling

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Speaker 3: you exactly what the job is.

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Speaker 2: I have to figure out what the job is, yes,

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Speaker 2: without asking the question, and as soon as they tell

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Speaker 2: me what the job is, I lose.

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Speaker 3: Yes, you have to figure it out by yourself. Jesus

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Speaker 3: up for it. It might be entertaining, but I just

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Speaker 3: want to see if you can do it. So long

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Speaker 3: I've figured this out with that with the text and stuff.

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Speaker 3: So you're not going to be able to hear the

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Speaker 3: start of this phone call. Okay, okay, but everyone will

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Speaker 3: hear a ding when Will can actually hear the cooks.

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Speaker 3: I'm actually going to be the one to talk first, okay,

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Speaker 3: in case they say interact with.

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Speaker 2: Them, yeah yeah, yeah, yeah, gee whiz.

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Speaker 3: Then when you hear a ding, you're going to be

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Speaker 3: able to hear and.

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Speaker 2: That I can't. That's not the job is. I just

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Speaker 2: have to guess what it is without specifically asking them,

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Speaker 2: because as soon as they say what the job is,

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Speaker 2: game over you lose.

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Speaker 3: Wright you got it?

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Speaker 2: Not really but yeah, far away.

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Speaker 3: But it's okay, here we go. Thank you for calling.

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Speaker 6: This is Morgan.

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Speaker 3: Hi, Morgan. I'm just calling about the job for the hairdresser.

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Speaker 2: Hello are you there?

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Speaker 3: Hello?

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Speaker 2: Can you hear me?

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Speaker 3: Hi?

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Speaker 7: Hi?

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Speaker 2: So yeah, look mine as Will. I'm just calling about

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Speaker 2: the job I've got loads of experience and just sort

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Speaker 2: of seeing when you might be available effectively.

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Speaker 6: Yeah, sure, what are you doing at the moment?

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Speaker 2: Yeah, yeah, absolutely absolutely, I work right now. I haven't

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Speaker 2: been in the field for a while because I've been,

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Speaker 2: you know, doing a bit of teaching and a bit

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Speaker 2: of farm work as well, but not a lot of

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Speaker 2: you know what I obviously want to get into with

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Speaker 2: you guys. Yeah, so, you know, and you're looking for

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Speaker 2: someone with lots of experience or relatively green, probably lots lots. Yeah,

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Speaker 2: totally fair enough, totally fair enough. Well, I've I've sort

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Speaker 2: of been in you know, those sorts of buildings lots

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Speaker 2: and lots of times, and I've worked with a team

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Speaker 2: a lot as well. You guys obviously work in the

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Speaker 2: team there.

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Speaker 4: Yeah, absolutely yeah.

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Speaker 2: Do you have a resume? Of course, of course, the resume.

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Speaker 2: Of course I've got a resume.

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Speaker 3: Yeah, yeah, do you want to maybe email it through

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Speaker 3: to our Are you busy?

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Speaker 2: You're busy right now? Obviously. I can hear a few

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Speaker 2: things going on in the background there, a bit of

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Speaker 2: a sounds like a bit of a factory back there,

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Speaker 2: like it sounds like it's it's just nuts. You obviously

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Speaker 2: got lots of clients, lots of clients, a busy lots

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Speaker 2: of chatter going on. Yeah, absolutely all the time. Oh,

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Speaker 2: I've got great chat So I suppose that's another big

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Speaker 2: part of the job obviously, isn't it. Chatting? Absolutely always? Okay, huge,

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Speaker 2: Well look mate, I'm ready to get down there and

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Speaker 2: and uh uh you know, work with with people one

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Speaker 2: on one, as you guys obviously do. And that was

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Speaker 2: your name again, Morgan Morgan? All right, perfectly, hopefully do

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Speaker 2: you want to I'll give you the email address, and yes, yes, yes,

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Speaker 2: Before you give me the email address, though, just know

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Speaker 2: that I've been yeah, always looking forward to coming down

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Speaker 2: and and cutting hair down that way. Yeah cool.

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Speaker 3: Do you hang up on us?

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Speaker 2: Of course hang up on her. She served her purpose

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Speaker 2: and as a bold man, she has no purpose in

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Speaker 2: my life, so I have no regard for her apart

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Speaker 2: from improving that I am one.

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Speaker 3: Yeah, well what a challenge. Well play, No, you questioned her,

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Speaker 3: Well did I I'm impressed.

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Speaker 2: It's a part of me. I think that was awful

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Speaker 2: to listen to.

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Speaker 3: But look, we'll never know, we'll never know, well.

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Speaker 2: We will, we both will feedback. But look, I had

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Speaker 2: a good time a good time. I appreciate that. I

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Speaker 2: appreciate that. I'd like to give you the same challenge. Actually, no,

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Speaker 2: we we are great.

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Speaker 3: It sounded awful, did.

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Speaker 1: It's the Will and Woody podcast right now.

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Speaker 2: I'm explaining a movie plot really poorly, and you guys

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Speaker 2: have to guess what the movie is. Will and Woodies,

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Speaker 2: I'm fuck lost plot, all right? So Woods, sorry about that.

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Speaker 2: My audio is mistimed a couple of I've had a

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Speaker 2: frog in my throat, to be honest, all the way

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Speaker 2: through the song, and I haven't got rid of it,

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Speaker 2: so I have a coughing fit. That's what's going on,

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Speaker 2: all right. So the movie plot is drunken man's chance

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Speaker 2: dance move leads to unplanned miracle thirty one or six five.

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Speaker 3: If you think you know what the movie is magic Mike.

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Speaker 2: Chance? Is that just the word dance that you've just thrown?

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Speaker 2: What do you think that footlosts ken Have you seen Footlerts?

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Speaker 3: Doesn't he save the world at the end? What do

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Speaker 3: you save the world at the end? Got into the galaxy?

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Speaker 2: Haven't seen footlers.

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Speaker 3: Movies? The dance move he danced at the start of

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Speaker 3: He's not drunken though, No he's always a bit drunk.

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Speaker 2: He's always I've got a cam. People are calling, Kim Caim,

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Speaker 2: what do you think? Yeah, we might just to step

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Speaker 2: away from the plate there, cam. What's the movie?

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Speaker 7: Okay? So I was thinking about this and it starts

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Speaker 7: the Fed and Seth Reagan and the really monotonurse Catherine Heigel.

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Speaker 7: Seth is dancing up his storm on the dance floor

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Speaker 7: and then he bumps ugly is Catherine Heigel, and then

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Speaker 7: they have a beautiful little baby and the movie is

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Speaker 7: knocked up.

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Speaker 2: Drunken man's chance dance move leads to unplanned miracle.

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Speaker 3: It's pretty good, great explanation.

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Speaker 2: Can I just say what's the but the what's the

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Speaker 2: chance dance move? Is that just they bump into each

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Speaker 2: other and that's the chance.

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Speaker 7: That's a little shaker's little groove. And then they kind

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Speaker 7: of bump into each other and then he they bump bugglies.

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Speaker 3: It's pretty good.

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Speaker 2: Cam. Yeah, I'm going to give it to you. I'm

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Speaker 2: going to give it to you too much. The chair guy.

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Speaker 2: The chance dance move in that movie is the dice

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Speaker 2: move that he continually does on the dance floor. So

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Speaker 2: you were so close in your explanage, but well played, mate,

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Speaker 2: great loss the plotting and the unplanned miracle is obviously

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Speaker 2: the kid that Catherine Heigel is prettyant with. Yeah, well done, Cam,

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Speaker 2: great loss, the plot well known.

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Speaker 3: True described seth Rogen as efforescent. That was a real highlight.

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Speaker 2: I think it was eirf vescent, but you know, I

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Speaker 2: don't think it's a word. But so all these movies

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Speaker 2: are ominous threats to peace and lost the plot today

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Speaker 2: are given that Barnaby Joyce is our new acting PM

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Speaker 2: for a little while. Woods next movie.

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Speaker 3: Yeah, ready, Yeah, I'm ready, I'm ready.

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Speaker 2: All right, here we go, quick, easy one for you,

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Speaker 2: maybe just to just get things moving.

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Speaker 3: You don't have to say that beforehand, though, because it

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Speaker 3: takes away from the nice thing you do. No, perfect

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Speaker 3: thank you. I forgot what her name was. Gail seventy

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Speaker 3: four year old.

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Speaker 2: Gail bulbous vegetable and color blind chatterbox crash wedding, Well it's.

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Speaker 3: Not wedding crashes. Want to put that on record. Bulbous

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Speaker 3: vegetable and then blind someone.

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Speaker 2: And color blind chatterbox.

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Speaker 3: Color blind chatter box.

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Speaker 2: Crash wedding Crash thirteen one oh six five. If you

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Speaker 2: think you know what the movie is we've got any thoughts?

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Speaker 3: Vegetable on a color one? This was an easy one.

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Speaker 2: A bulbous vegetable and a color blind chatterbox.

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Speaker 3: Can you use bulbous in a sentence?

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Speaker 2: Please? Crash a wedding.

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Speaker 3: Bulbous just means like a bulb, like a light bulb,

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Speaker 3: the shape, Yeah, sounds like an onion, Yes, an onion

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Speaker 3: and a color blind thing. Crash a wedding. Yes, O

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Speaker 3: my god, Alice in Wonderland. It's gonna be one of

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Speaker 3: those weird ones, though, doesn't it. No vegetable, No, you've

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Speaker 3: sunged me. You've bloody sunged me.

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Speaker 2: I feel like that. I mean, that is so gettable.

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Speaker 2: We're gonna have this on the other side. But you're

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Speaker 2: so close in Wonderland?

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Speaker 3: Well when was I close?

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Speaker 2: Right now? It's lost? The plot here given? Damn will

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Speaker 2: Woody believe you have made the peopler lost.

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Speaker 4: Plot given?

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Speaker 2: All would like explain a movie plot really badly. You

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Speaker 2: guys have to guess what the movie is if you're

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Speaker 2: just joining us. The current movie plot is bulbous, vegetable

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Speaker 2: and color blind chatterbox. Crash a wedding. Full candidacy here,

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Speaker 2: everybody who's called's got it right, everybody full phone bank.

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Speaker 2: I might just work through them. Rebecca, you reckon? You

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Speaker 2: know what the movie is? Yeah, okay, anything to say

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Speaker 2: before you guess?

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Speaker 3: Come on, Rebecca, tell me best out of here. I

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Speaker 3: spent her when Naga calls the bat is the the

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Speaker 3: bat is the bulbous vegetable? That was the blind colored chatterbox?

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Speaker 3: Because you know she got car and I can't say

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Speaker 3: anyway that.

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Speaker 2: Was nothing short of gibberish. Jack, you reckon. You've got

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Speaker 2: the movie, but you've got something to say before you guess.

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Speaker 8: Cucket would.

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Speaker 3: Jack stuff? Yeah? What about American Pie? The wedding?

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Speaker 2: Getting to Katie? Katie? You know what the movie is.

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Speaker 2: You feel like you've got something else you need to

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Speaker 2: get off your chest before you guess.

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Speaker 7: Yeah, I think he was on.

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Speaker 3: A Did you elevate her when she was going to say.

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Speaker 2: Suck it? If the fader doesn't hit her on the

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Speaker 2: way out? Where are you mate? Where are your mate?

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Speaker 2: You don't have a guess? Your buddy know?

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Speaker 3: Shrek is a Shrek.

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Speaker 2: Let's go to Lea on thirty Lea. What's the movie, sucker, Woody,

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Speaker 2: what's the film? What's the film?

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Speaker 3: Game on? Who's the Because the donkey's the chadder box

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Speaker 3: that dropped for me?

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Speaker 2: Who's the Let the audio do the talking.

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Speaker 3: L Girls are like onions. They steak yes no, or

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Speaker 3: they make your cray no. Oh you leave them mount

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Speaker 3: in the sun. They get a brown start sprouting little

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Speaker 3: white hairs.

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Speaker 2: No layers. Onions have layers.

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Speaker 3: He's the onion.

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Speaker 2: Yes, he is the bulbous vegetable. Now, look we've got

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Speaker 2: about I'll tell you what I've got. I haven't got

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Speaker 2: long to one more, but i'll do one more here

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Speaker 2: and then if you don't get it, we'll link it

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Speaker 2: over the next week.

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Speaker 3: Okay, great, great, okay, promise won't do any research. I okay,

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Speaker 3: here we go. I need it. Come on, give it

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Speaker 3: to me.

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Speaker 2: You never know, you never okay. Cat snaps table and

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Speaker 2: causes global warming.

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Speaker 3: Cat snaps table, global warming.

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Speaker 2: And causes global warming. Cat snaps a table, Cat snaps

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Speaker 2: table and causes global warming.

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Speaker 3: I'm gonna I'm going to take people inside my mind.

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Speaker 2: Six five, all right, Rob Williams, Fine, right here.

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Speaker 3: Cat, I think you're trying to confuse me there. I

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Speaker 3: think that's maybe more like a lion. Yeah, a lion?

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Speaker 3: What lion? Snaps a table, Lion snaps table? Or is

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Speaker 3: it like, is it a sports athlete who plays for

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Speaker 3: the Cats?

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Speaker 8: Now?

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Speaker 2: Is it? What do you want to go with a

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Speaker 2: documentary on the Geelong Football Club that I'm I might

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Speaker 2: go to Emily Emily w what's a movie? And I

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Speaker 2: love that we didn't get the new revamped hollywoodized versions

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Speaker 2: theme No, no, no, We've got the nineteen eighty eights

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Speaker 2: BBC's version, which we all had on VIHS.

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Speaker 3: What is that movie about? Lion and the Witch and

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Speaker 3: the Wardrobe?

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Speaker 2: Essentially, it's CS Lewis's analogy for Jesus Christ coming back

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Speaker 2: to the.

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Speaker 3: Earth blood dear hell. I wasn't expecting that.

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Speaker 2: Yeah, but it's also it's kind of like through the

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Speaker 2: prism of four kids to get lost and find themselves

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Speaker 2: the other side. CS. Look, it's amazing story. Anyway, go

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Speaker 2: and check it out line The Witch in the Wardrobe.

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Speaker 2: I we recommend the nineteen eighty eights BBC's version if

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Speaker 2: you are interested at all.

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Speaker 1: It's the rhymm Woody podcast.

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Speaker 3: One of the great actors of the modern era, James

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Speaker 3: gandel Feeni, famously played Tony soprano in the Sopranos. Now,

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Speaker 3: even if you're not a fan of The Sopranos, this

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Speaker 3: little fact, this little tidbit is hopefully going to blow

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Speaker 3: your mind.

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Speaker 2: I think it might be important to maybe paint the

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Speaker 2: picture of who Tony Soprano is, because I know you're

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Speaker 2: saying he's one of the greatest actors of the modern era.

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Speaker 2: But I think everybody was expecting you to say, you know,

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Speaker 2: Clooney pit DiCaprio. I mean, like, you know, it wasn't

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Speaker 2: a big show.

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Speaker 3: But he's a thing. Pound for pound. I think he

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Speaker 3: was a better performer. He won three Emmys James Gandelphoeni

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Speaker 3: for the show The Sopranos. Now, if you had to

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Speaker 3: paint the picture more, Tony Soprano was a mob boss,

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Speaker 3: and on screen he became quite famous for his violence

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Speaker 3: in his anger that he brought to every scene worth

402
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Speaker 3: watching The Sopranos. If you haven't seen it, you've seen it,

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Speaker 3: seen it. I watched the first episode.

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Speaker 2: You're just every giant I've heard.

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Speaker 3: It's good. I'm not anyway, he's actually he's no longer

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Speaker 3: with this. He actually he died in twenty thirteen, but

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00:19:43,640 --> 00:19:46,760
Speaker 3: it's come out that he used to do something before

408
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Speaker 3: the scenes where he had to be really violent and angry.

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Speaker 3: He would actually put a very sharp rock in his

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Speaker 3: shoes and would just walk around with with this sharp

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Speaker 3: rock in his shoes, and that would annoy him so

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Speaker 3: much that when he got to doing the scene, this

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Speaker 3: anger came out.

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Speaker 2: Go back to Miami and played volleyball. What did you

415
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Speaker 2: do down there? Oh, we cut off your mast? How

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Speaker 2: long was the rock in his shoe? Like, was it

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Speaker 2: like five minutes before the cameras were rolling or was

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Speaker 2: he weeks beforehand?

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Speaker 3: I don't think weeks, But I think he'd wake up

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Speaker 3: in the morning knowing he's I've got to lose it today.

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Speaker 2: But that was like every day.

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Speaker 3: So pretty much. Also, I guess then every day in

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Speaker 3: the morning and part of his.

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Speaker 2: Rot little bag of rocks next to his bed.

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Speaker 3: I put a really sharp one and I've got to

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Speaker 3: kill someone today. Bang it. It'd walk around be really annoyed,

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Speaker 3: and then he go and deliver that. Wow. But it's

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Speaker 3: a great example of you know, a rock in your

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Speaker 3: shoe is a really small thing that makes you unjustifiably angry,

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Speaker 3: isn't it.

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Speaker 2: Yeah? Absolutely well. I was actually gonna ask, what would

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Speaker 2: you go for to if you had to do the

433
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Speaker 2: tony soprano yelling, well you do.

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Speaker 3: The small thing that really annoys me, and this really

435
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Speaker 3: gets up my goat is when someone says to you, oh,

436
00:21:00,840 --> 00:21:03,280
Speaker 3: have you been in the sun made when you're clearly sunburned.

437
00:21:04,600 --> 00:21:08,160
Speaker 3: I hate that, you know, when it's like, obviously, I've

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Speaker 3: been in the sun on the color of a freaking

439
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Speaker 3: beach root.

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Speaker 2: Why does it get you, know when you're because because

441
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Speaker 2: you're angry at yourself, you're angry yourself, angry.

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Speaker 3: With the person like that A strange thing. I'll give

443
00:21:23,920 --> 00:21:27,680
Speaker 3: you what, I'll give you a more normal one, hopefully

444
00:21:28,840 --> 00:21:30,040
Speaker 3: hopefully Oh my god.

445
00:21:31,800 --> 00:21:32,200
Speaker 2: Yeah, yeah.

446
00:21:32,640 --> 00:21:34,639
Speaker 3: A restaurant and you're looking at the dish and I

447
00:21:34,680 --> 00:21:37,320
Speaker 3: get that. I've got irritable bow. So I'm very conscious

448
00:21:37,320 --> 00:21:39,200
Speaker 3: of what's going in my meal because it will give

449
00:21:39,240 --> 00:21:43,080
Speaker 3: me the farts. The farts. I hate it when they

450
00:21:43,119 --> 00:21:45,639
Speaker 3: don't mention in the meal right up that there's going

451
00:21:45,680 --> 00:21:47,680
Speaker 3: to be onion in there, and then there is.

452
00:21:47,680 --> 00:21:51,440
Speaker 2: A onion all over it. But maybe go They can't

453
00:21:51,640 --> 00:21:53,600
Speaker 2: they can't just write on a meal right up there

454
00:21:53,760 --> 00:21:56,960
Speaker 2: there's onion and everything. Yeah, but maybe going into the camp,

455
00:21:57,840 --> 00:22:00,679
Speaker 2: you know, there's probably onion and everything. E would you

456
00:22:00,720 --> 00:22:03,159
Speaker 2: mind telling me the one in a million people that

457
00:22:03,200 --> 00:22:05,240
Speaker 2: come in here and can't have onion? Where the onion is?

458
00:22:05,359 --> 00:22:08,159
Speaker 2: You can't speak. Every restaurant have no onion written on

459
00:22:08,160 --> 00:22:08,959
Speaker 2: their menu items.

460
00:22:09,040 --> 00:22:11,359
Speaker 3: Not my responsibility, that is your responsibility.

461
00:22:11,359 --> 00:22:14,439
Speaker 2: That is your responsibility. Sorry, is the phone topic? What

462
00:22:14,560 --> 00:22:16,359
Speaker 2: small thing unjustifiably and nois here?

463
00:22:16,520 --> 00:22:18,000
Speaker 3: Yeah, that's what's written on the board in front of you.

464
00:22:18,040 --> 00:22:18,719
Speaker 3: Will of course it is.

465
00:22:18,920 --> 00:22:21,480
Speaker 2: Well, why don't we just go with stub your toe.

466
00:22:22,119 --> 00:22:22,960
Speaker 3: Oh, that's a good one.

467
00:22:23,000 --> 00:22:23,640
Speaker 2: That's a big one.

468
00:22:23,680 --> 00:22:24,240
Speaker 3: That's a good one.

469
00:22:24,240 --> 00:22:24,760
Speaker 2: That's a big one.

470
00:22:24,840 --> 00:22:28,000
Speaker 3: I know for you, you get very angry when your

471
00:22:28,080 --> 00:22:29,480
Speaker 3: chai latte is too hot.

472
00:22:29,880 --> 00:22:32,919
Speaker 2: I don't like people burning milk. That's true, particularly with

473
00:22:33,000 --> 00:22:36,160
Speaker 2: soy splits. We all know that it gets you very

474
00:22:36,280 --> 00:22:38,520
Speaker 2: unjustifiable at all. It's just a different drink. I mean,

475
00:22:38,600 --> 00:22:40,119
Speaker 2: gee whiz. If you're a BRIWISTERO keep it at the

476
00:22:40,119 --> 00:22:40,920
Speaker 2: perfect temperature.

477
00:22:40,960 --> 00:22:43,440
Speaker 3: All right, we'll join the boys, because the interesting thing

478
00:22:43,480 --> 00:22:46,600
Speaker 3: here is we don't agree with the unjustifiable thing that

479
00:22:46,640 --> 00:22:47,600
Speaker 3: makes you if.

480
00:22:47,520 --> 00:22:52,040
Speaker 2: Your milk's too hot, sun burnt, boy, don't checking the

481
00:22:52,080 --> 00:22:54,520
Speaker 2: onion in there to be different gives one of the

482
00:22:54,560 --> 00:22:56,600
Speaker 2: things six ' five. What's a small thing that makes

483
00:22:56,640 --> 00:22:59,239
Speaker 2: you unjustifiably angry?

484
00:22:59,280 --> 00:23:00,919
Speaker 1: It's the Will and podcast.

485
00:23:01,800 --> 00:23:07,080
Speaker 2: What thing unjustifiably or disproportionately annoys you?

486
00:23:07,880 --> 00:23:11,560
Speaker 3: Yeah, James Gandelfini, who played Tony Soprano. It's revealed that

487
00:23:11,560 --> 00:23:14,639
Speaker 3: he used to put small rocks in his shoes to

488
00:23:14,760 --> 00:23:17,440
Speaker 3: make him angry to play the character of Tony Soprano.

489
00:23:17,560 --> 00:23:20,840
Speaker 3: So beautifully great little tidbit. I've got another one for me.

490
00:23:21,680 --> 00:23:24,720
Speaker 3: You know, when you're clipping your nails. Yeah, and you

491
00:23:24,800 --> 00:23:27,480
Speaker 3: might clip a little bit too close to the skin

492
00:23:27,600 --> 00:23:29,560
Speaker 3: and you get that, oh, that really stingy bit on

493
00:23:29,840 --> 00:23:32,200
Speaker 3: the geez that puts me in a bad mood.

494
00:23:32,240 --> 00:23:35,640
Speaker 2: In the cuticles, I think any cut or abrasion on

495
00:23:35,680 --> 00:23:40,120
Speaker 2: your hand, generally speaking, is very annoying because he's start

496
00:23:40,200 --> 00:23:47,679
Speaker 2: to realize how often you use your hands. Ulny in

497
00:23:47,680 --> 00:23:50,200
Speaker 2: your mouth, anything to do with your teeth or your mouth.

498
00:23:51,880 --> 00:23:53,719
Speaker 3: Let's go to jet Jet. What's the little thing that

499
00:23:53,720 --> 00:23:54,400
Speaker 3: annoys you?

500
00:23:55,800 --> 00:23:57,760
Speaker 7: I hate when you're out in your order of vodka

501
00:23:57,840 --> 00:24:02,520
Speaker 7: limb soda and they don't squeeze the line.

502
00:24:02,880 --> 00:24:03,440
Speaker 6: Just squeeze.

503
00:24:03,520 --> 00:24:06,760
Speaker 2: I can't oken nine and ten drinks, mixed drinks that

504
00:24:06,800 --> 00:24:08,760
Speaker 2: I would get out. I would be extracting the lime

505
00:24:08,840 --> 00:24:11,240
Speaker 2: or lemon and squeezing and self squeezing.

506
00:24:11,200 --> 00:24:12,760
Speaker 7: Your fingers end up a sticky.

507
00:24:12,960 --> 00:24:16,879
Speaker 2: Yeah, maybe I've gone to the wrong place. Maybe stop

508
00:24:16,920 --> 00:24:23,399
Speaker 2: bording Vodkam third is man, Let's go to al Alex.

509
00:24:23,440 --> 00:24:26,119
Speaker 2: What thing unjustifiably annoys you?

510
00:24:27,080 --> 00:24:30,400
Speaker 3: Hey, guys, Okay, So when people gather at the top

511
00:24:30,480 --> 00:24:33,200
Speaker 3: of the bottom of escalators, when they just decide I'm

512
00:24:33,200 --> 00:24:36,320
Speaker 3: just going to stand here have a little chat, and everyone.

513
00:24:36,000 --> 00:24:38,080
Speaker 4: Has to try and sup around the outside of them.

514
00:24:38,440 --> 00:24:39,000
Speaker 7: Kick them in the.

515
00:24:38,960 --> 00:24:46,480
Speaker 2: Back, kick him in the back three hundred just I

516
00:24:46,560 --> 00:24:52,320
Speaker 2: think on the escalator thing, poor escalated decorum in terms

517
00:24:52,359 --> 00:24:57,160
Speaker 2: of standing on one side. That will I will never

518
00:24:57,280 --> 00:25:00,359
Speaker 2: understand that. Like from an early age, surely you're taught

519
00:25:00,840 --> 00:25:03,440
Speaker 2: stand on the left side and go hard left. That

520
00:25:04,280 --> 00:25:07,000
Speaker 2: canes me, particularly when you're running for a train or something.

521
00:25:07,440 --> 00:25:11,280
Speaker 2: I make sure that they get those right hand siders.

522
00:25:11,440 --> 00:25:12,720
Speaker 3: Give me a hit on the way through to get

523
00:25:12,680 --> 00:25:13,160
Speaker 3: a little.

524
00:25:12,960 --> 00:25:14,960
Speaker 2: Bit of I mean, they're on an escalator at the

525
00:25:15,000 --> 00:25:16,879
Speaker 2: end of the day. Never hit someone and watch them

526
00:25:16,880 --> 00:25:18,280
Speaker 2: fall down. They could die.

527
00:25:18,680 --> 00:25:21,200
Speaker 3: Speaking of escalators, though, something that really annoys us before

528
00:25:21,240 --> 00:25:25,360
Speaker 3: you go into save me physically hurting people in public.

529
00:25:25,640 --> 00:25:29,480
Speaker 3: Speaking of escalators, you know the baggage carousel escalator thing. Oh,

530
00:25:29,840 --> 00:25:32,239
Speaker 3: people stand so close to that thing. It's like your

531
00:25:32,240 --> 00:25:34,120
Speaker 3: bag's not going to come quick and you can't see

532
00:25:34,119 --> 00:25:37,200
Speaker 3: your bag. You can't actually see your bag. Stand.

533
00:25:37,240 --> 00:25:42,920
Speaker 2: Yes, that actually so we're on this. When we're on trains, trains,

534
00:25:43,400 --> 00:25:45,439
Speaker 2: people are trying to get on the train before you

535
00:25:45,520 --> 00:25:48,679
Speaker 2: get off the train. Oh, kills me. There's there's an

536
00:25:48,840 --> 00:25:50,959
Speaker 2: order here that people have been doing for like one

537
00:25:51,040 --> 00:25:53,359
Speaker 2: hundred and fifty years. You wait for the people to

538
00:25:53,400 --> 00:25:54,720
Speaker 2: get off before.

539
00:25:54,400 --> 00:25:55,959
Speaker 3: You get on the train, won't.

540
00:25:56,400 --> 00:25:58,679
Speaker 2: People on planes? God, you just got me going on

541
00:25:58,720 --> 00:26:00,800
Speaker 2: the bag thing? Oh, oh my god.

542
00:26:01,080 --> 00:26:02,919
Speaker 3: Who was sitting behind you? And then they go for

543
00:26:02,960 --> 00:26:05,240
Speaker 3: the exit before you? Is what you're talking?

544
00:26:05,400 --> 00:26:08,320
Speaker 2: Yes? Yes, yes, when the plane, when we all exit

545
00:26:08,359 --> 00:26:09,640
Speaker 2: the plane. Yes, the people who are.

546
00:26:09,600 --> 00:26:11,520
Speaker 3: In the aisle behind you think they've got right away.

547
00:26:11,960 --> 00:26:13,480
Speaker 3: Not up in him, Miss Pattison.

548
00:26:13,640 --> 00:26:15,240
Speaker 2: I think missus Pattison, she.

549
00:26:15,200 --> 00:26:17,600
Speaker 3: Was sitting behind me, old teacher, she's trying to leave

550
00:26:17,640 --> 00:26:21,159
Speaker 3: before me. Never forget it. Let's go to Casey here, Casey,

551
00:26:21,280 --> 00:26:22,879
Speaker 3: what's the small thing that annoys you.

552
00:26:23,840 --> 00:26:26,040
Speaker 4: When you're in a rush and you get your clothes

553
00:26:26,119 --> 00:26:28,560
Speaker 4: stuck on like a door handle and it just pulls

554
00:26:28,600 --> 00:26:29,080
Speaker 4: you back.

555
00:26:29,560 --> 00:26:33,280
Speaker 2: That's kind of funny, though, I mean frustrating Jesus funny

556
00:26:33,280 --> 00:26:36,439
Speaker 2: to watch from the outside. Yeah, speaking of doors, my

557
00:26:36,520 --> 00:26:39,360
Speaker 2: girlfriend doesn't hang her towel up on the door. That's

558
00:26:39,359 --> 00:26:41,040
Speaker 2: all I ask of her. I didn't even ask her

559
00:26:41,359 --> 00:26:44,320
Speaker 2: to hang her bathroom towel on the bathroom rack. I

560
00:26:44,320 --> 00:26:46,680
Speaker 2: actually gave up on that, Yeah, because like, look, all

561
00:26:46,720 --> 00:26:48,840
Speaker 2: I'm asking is just throw it over the bedroom door.

562
00:26:48,960 --> 00:26:49,879
Speaker 2: I'll get it on the way in.

563
00:26:49,960 --> 00:26:51,560
Speaker 3: So you need to teach her the lesson. Do you

564
00:26:51,600 --> 00:26:54,280
Speaker 3: pick it up though? For her, yes, you need to

565
00:26:54,359 --> 00:26:57,159
Speaker 3: leave it on the grounds.

566
00:26:57,160 --> 00:26:59,480
Speaker 2: Something in me. You've got to do a wet towel

567
00:26:59,480 --> 00:27:02,400
Speaker 2: on the floor. It's just like, oh, that thing's got

568
00:27:02,400 --> 00:27:04,240
Speaker 2: to dry. You just see the mold.

569
00:27:04,960 --> 00:27:06,880
Speaker 3: Yeah that's true. Yeah, that's true.

570
00:27:06,920 --> 00:27:08,560
Speaker 2: And she relishes that as well.

571
00:27:08,640 --> 00:27:12,160
Speaker 3: The mold. Yes, gross, So she doesn't care. Yeah, that's

572
00:27:12,160 --> 00:27:16,879
Speaker 3: that's that's gross. Let's go to Gail six. Gail, how

573
00:27:16,920 --> 00:27:18,280
Speaker 3: are you good?

574
00:27:18,280 --> 00:27:18,720
Speaker 4: Thank you?

575
00:27:18,720 --> 00:27:21,359
Speaker 3: How are you outstanding? Gail? What's the little thing?

576
00:27:21,520 --> 00:27:21,760
Speaker 8: Sorry?

577
00:27:21,840 --> 00:27:22,080
Speaker 2: Gail?

578
00:27:22,080 --> 00:27:24,480
Speaker 4: How old are you I'm seventy four.

579
00:27:24,600 --> 00:27:26,040
Speaker 2: She wi is what are you doing listening to Will?

580
00:27:26,080 --> 00:27:30,600
Speaker 4: And that's because I just love the show, listen to

581
00:27:30,640 --> 00:27:31,480
Speaker 4: it every day.

582
00:27:31,720 --> 00:27:33,359
Speaker 3: Oh, thank you, Gail.

583
00:27:34,000 --> 00:27:36,440
Speaker 4: The first time I've been able to get on because

584
00:27:37,000 --> 00:27:40,359
Speaker 4: mine boils down to manners. I hate it when you

585
00:27:40,480 --> 00:27:44,240
Speaker 4: hand a shopkeeper your money and they put the change

586
00:27:44,480 --> 00:27:46,680
Speaker 4: saying on the counter and you've got to stand there

587
00:27:46,720 --> 00:27:48,359
Speaker 4: and pick up the coins and whatever.

588
00:27:49,359 --> 00:27:49,719
Speaker 8: Gale.

589
00:27:50,200 --> 00:27:52,320
Speaker 2: Yeah, and you've got to swipe it over and there's

590
00:27:52,320 --> 00:27:55,960
Speaker 2: someone standing behind you and you take coins off the

591
00:27:56,000 --> 00:27:56,800
Speaker 2: flat counter.

592
00:27:57,359 --> 00:27:59,640
Speaker 4: Yes, I just say manners.

593
00:27:59,760 --> 00:28:02,080
Speaker 3: Thanks well, said Gail.

594
00:28:02,240 --> 00:28:05,080
Speaker 2: Now, yeah, well, Gail, thank you so much for the call.

595
00:28:05,160 --> 00:28:07,000
Speaker 2: Thanks listening to the boys. And now, so you know,

596
00:28:07,119 --> 00:28:09,199
Speaker 2: Gail on a Tuesday, we do lost the plot the

597
00:28:09,240 --> 00:28:11,400
Speaker 2: movies the movie game, which we're going to be doing

598
00:28:11,480 --> 00:28:14,639
Speaker 2: right up next. Oh yeah, Now, I'm not sure if

599
00:28:14,680 --> 00:28:17,080
Speaker 2: those movies would be right in your in your bread basket,

600
00:28:17,160 --> 00:28:19,440
Speaker 2: some of those movies. Not to judge you on your

601
00:28:19,440 --> 00:28:22,760
Speaker 2: generation or anything, but could you do me a little

602
00:28:22,760 --> 00:28:24,359
Speaker 2: favorite because it was a little catch cry from the

603
00:28:24,359 --> 00:28:27,280
Speaker 2: audience during the segment. They tend to say, sucket Woody

604
00:28:27,560 --> 00:28:30,159
Speaker 2: on a Tuesday, could you give me one of them, please.

605
00:28:30,840 --> 00:28:31,119
Speaker 4: Go on.

606
00:28:33,119 --> 00:28:33,359
Speaker 3: Again.

607
00:28:33,560 --> 00:28:36,520
Speaker 2: Our listeners often say, sucket Woody on a Tuesday, would

608
00:28:36,560 --> 00:28:38,120
Speaker 2: you mind giving me one of them to kick us

609
00:28:38,120 --> 00:28:38,719
Speaker 2: into the traffic?

610
00:28:39,480 --> 00:28:41,240
Speaker 4: Ah, suck Woody.

611
00:28:43,640 --> 00:28:45,320
Speaker 1: It's the Will and Woody Podcast.

612
00:28:45,440 --> 00:28:50,000
Speaker 2: We have a super special guest on the show right now.

613
00:28:50,160 --> 00:28:52,800
Speaker 2: I mean, if you didn't watch it on Stan last week,

614
00:28:52,840 --> 00:28:56,600
Speaker 2: you seriously missed out. But RuPaul's drag rays down under

615
00:28:56,680 --> 00:28:58,880
Speaker 2: wrapped up, which means we have a victor.

616
00:29:05,160 --> 00:29:06,080
Speaker 6: Tell me who is it?

617
00:29:07,280 --> 00:29:12,120
Speaker 2: We don't by kidding in right now one with a

618
00:29:12,360 --> 00:29:15,360
Speaker 2: lip sync of this number I've been of Alivington John

619
00:29:15,400 --> 00:29:20,040
Speaker 2: to finish things up on Fridays. Totally wild, what a song,

620
00:29:21,280 --> 00:29:23,600
Speaker 2: what a performance in the in the safe in the

621
00:29:23,600 --> 00:29:26,360
Speaker 2: top three for the duration of the show, Like how

622
00:29:26,480 --> 00:29:28,440
Speaker 2: you feeling? Congratulations?

623
00:29:28,520 --> 00:29:31,040
Speaker 6: Oh my god, thank you so much.

624
00:29:31,160 --> 00:29:32,520
Speaker 3: It's such wow.

625
00:29:32,640 --> 00:29:35,200
Speaker 6: What a wild riote it has been in the last

626
00:29:35,440 --> 00:29:38,920
Speaker 6: couple of days after the announcement on Saturday. It's just

627
00:29:39,000 --> 00:29:42,640
Speaker 6: so hard to process. But I've just been chatting to

628
00:29:42,680 --> 00:29:45,280
Speaker 6: the most amazing people that have just been like showering

629
00:29:45,360 --> 00:29:48,600
Speaker 6: me with love and congratulations, and it's slowly starting to

630
00:29:48,680 --> 00:29:51,600
Speaker 6: sink in that like I'm the winner, I'm like, I'm

631
00:29:51,600 --> 00:29:54,600
Speaker 6: the one that has to like represent down under now,

632
00:29:54,800 --> 00:29:56,640
Speaker 6: so I'm just ready to hit it hard.

633
00:29:56,840 --> 00:29:59,960
Speaker 3: Absolutely. I love that we are being represented by someone

634
00:30:00,120 --> 00:30:04,280
Speaker 3: called uh. And can you can you give us the

635
00:30:04,320 --> 00:30:07,480
Speaker 3: backstory the kine as to how the name came about.

636
00:30:08,280 --> 00:30:11,080
Speaker 6: I'll give you the backstory if you give me a backstory.

637
00:30:16,000 --> 00:30:19,760
Speaker 6: I adopted a cat when I was twenty one. Then

638
00:30:19,880 --> 00:30:22,880
Speaker 6: I thought it was ironic. They used like kiddamine as

639
00:30:22,920 --> 00:30:25,440
Speaker 6: a vet drug, so I thought it would be ironic

640
00:30:25,480 --> 00:30:29,360
Speaker 6: if I called my cat kiddmine. And then I needed

641
00:30:29,360 --> 00:30:31,920
Speaker 6: a drag name and I didn't have one, so I

642
00:30:32,000 --> 00:30:36,120
Speaker 6: just stole her name. So I'm like literally named after

643
00:30:36,160 --> 00:30:39,800
Speaker 6: my own pussy.

644
00:30:42,480 --> 00:30:45,080
Speaker 2: Oh, very very very good stuff.

645
00:30:45,320 --> 00:30:48,719
Speaker 6: And she is now a very old pussy and she

646
00:30:48,800 --> 00:30:49,480
Speaker 6: does molt.

647
00:30:51,200 --> 00:30:54,880
Speaker 3: You know, I'm not sure what you're talking about now,

648
00:30:54,920 --> 00:30:55,880
Speaker 3: but we'll move on.

649
00:30:57,080 --> 00:31:00,000
Speaker 6: Hey, hey, kidd got some very I've got some very

650
00:31:00,120 --> 00:31:03,520
Speaker 6: understanding friends. They come over, even if they stay the night,

651
00:31:03,560 --> 00:31:05,240
Speaker 6: they're not too bothered if they wake up with a

652
00:31:05,240 --> 00:31:06,800
Speaker 6: little bit of fear and the teeth.

653
00:31:08,560 --> 00:31:13,240
Speaker 2: Made your heart walking all through to.

654
00:31:13,240 --> 00:31:14,120
Speaker 6: Sleep on my pillows.

655
00:31:14,160 --> 00:31:18,800
Speaker 2: Yeah, of course, of course, now, Kidder, so you won

656
00:31:18,960 --> 00:31:20,560
Speaker 2: thirty thousand dollars cash.

657
00:31:21,080 --> 00:31:23,920
Speaker 6: Yeah, that's crazy a U D too. So you know

658
00:31:24,040 --> 00:31:25,440
Speaker 6: that's where a couple of extra.

659
00:31:29,520 --> 00:31:32,120
Speaker 3: Is there? Is there any of the thirty k left? Kidder?

660
00:31:33,520 --> 00:31:35,880
Speaker 6: No, I spin it all on at the bar.

661
00:31:39,160 --> 00:31:42,440
Speaker 2: Exactly the same thing, Kidder. We'll come back with more

662
00:31:42,480 --> 00:31:46,320
Speaker 2: of Kidder. Mean, the winner of Rupeauld's drag race down

663
00:31:46,400 --> 00:31:48,080
Speaker 2: on that that's going to be happening right up next

664
00:31:48,160 --> 00:31:50,840
Speaker 2: day with his willing special guest joins us right now,

665
00:31:51,880 --> 00:31:55,560
Speaker 2: kitter Mean, it was the winner of RuPaul's drag race

666
00:31:55,640 --> 00:31:59,320
Speaker 2: last week only on Stan. Now the other first, same

667
00:31:59,320 --> 00:32:01,160
Speaker 2: thing about you that didn't see the show, is it

668
00:32:01,400 --> 00:32:04,680
Speaker 2: used to weigh one hundred and sixty kilos in now

669
00:32:04,720 --> 00:32:08,040
Speaker 2: ways sixty five kilos?

670
00:32:08,520 --> 00:32:08,560
Speaker 4: No?

671
00:32:08,880 --> 00:32:10,600
Speaker 6: No, I now weigh like eighty kilos.

672
00:32:10,720 --> 00:32:13,600
Speaker 2: Okay, okay, so but there wasn't there was Sorry you

673
00:32:13,720 --> 00:32:15,520
Speaker 2: lost sixty five kilos, I should say so.

674
00:32:15,760 --> 00:32:18,360
Speaker 6: So so yeah, I've lost like just under eighty kilos.

675
00:32:18,640 --> 00:32:22,600
Speaker 3: Wow, Jesus Christ, what was that journey?

676
00:32:22,800 --> 00:32:22,840
Speaker 4: Like?

677
00:32:25,640 --> 00:32:31,320
Speaker 6: It's been Ah, there's been like heaps of ups and downs.

678
00:32:31,360 --> 00:32:33,800
Speaker 6: I mean like the journey like from doing the weight

679
00:32:33,880 --> 00:32:37,640
Speaker 6: loss has been like amazing. The journey to getting to

680
00:32:37,840 --> 00:32:39,560
Speaker 6: one hundred and sixty kilos was.

681
00:32:39,640 --> 00:32:40,960
Speaker 2: Not so amazing.

682
00:32:42,240 --> 00:32:45,400
Speaker 6: And living that life. But you know, life's full of

683
00:32:45,520 --> 00:32:48,640
Speaker 6: ups and downs and I got through it. And that's

684
00:32:48,680 --> 00:32:52,720
Speaker 6: the coolest thing is like, no matter how crappy something

685
00:32:52,880 --> 00:32:55,280
Speaker 6: is like if you if you persevere, you will get

686
00:32:55,320 --> 00:32:58,680
Speaker 6: through it. And everything everything's so much more chill in hindsight,

687
00:32:58,760 --> 00:32:59,280
Speaker 6: it always is.

688
00:32:59,560 --> 00:33:02,200
Speaker 3: That's so I'm gonna ask you, Keida, what's the difference

689
00:33:02,280 --> 00:33:04,480
Speaker 3: with the just the attention you get in the street

690
00:33:04,560 --> 00:33:07,320
Speaker 3: or the way that people interact with you or tre

691
00:33:07,520 --> 00:33:09,280
Speaker 3: Have you noticed a difference between the two?

692
00:33:10,040 --> 00:33:10,240
Speaker 2: Yeah?

693
00:33:10,360 --> 00:33:13,920
Speaker 6: Do you know what's funny? It's really interesting on things

694
00:33:14,000 --> 00:33:17,240
Speaker 6: like dating apps, and there's like people that don't realize

695
00:33:17,280 --> 00:33:20,880
Speaker 6: they've spoken to me in the past or maybe have

696
00:33:21,000 --> 00:33:23,200
Speaker 6: even been rude to me in the past, and then

697
00:33:23,440 --> 00:33:25,240
Speaker 6: like and then they're like trying to head on me

698
00:33:25,320 --> 00:33:25,760
Speaker 6: and I'm.

699
00:33:25,680 --> 00:33:30,200
Speaker 3: Like, oh, plice, you're not getting this bit rigged.

700
00:33:31,160 --> 00:33:31,360
Speaker 2: Yeah.

701
00:33:31,600 --> 00:33:34,120
Speaker 6: Yeah, But one of the best parts about weight losses,

702
00:33:34,200 --> 00:33:36,240
Speaker 6: all of the exquisite positions I can now.

703
00:33:36,240 --> 00:33:42,600
Speaker 3: Achieve, that was the motivation.

704
00:33:42,880 --> 00:33:44,800
Speaker 2: That was the motivation, Oh for sure.

705
00:33:45,240 --> 00:33:45,440
Speaker 6: Yeah.

706
00:33:46,320 --> 00:33:49,400
Speaker 2: Oh, make congratulations in all sorts of ways for the

707
00:33:49,440 --> 00:33:52,240
Speaker 2: weight laws, for the cash, for winning the competition, but

708
00:33:52,480 --> 00:33:55,080
Speaker 2: also for being as happy in yourself as you so

709
00:33:55,280 --> 00:33:57,200
Speaker 2: clearly are. What would you say to people who are

710
00:33:57,200 --> 00:34:01,400
Speaker 2: sort of feeling uncomfortable about embodying this life which is

711
00:34:01,520 --> 00:34:04,360
Speaker 2: so clearly nourishing for you and in a way that

712
00:34:04,440 --> 00:34:05,120
Speaker 2: they can live.

713
00:34:06,400 --> 00:34:10,920
Speaker 6: Yeah, it's funny. It's hard to give advice because it's

714
00:34:11,120 --> 00:34:13,680
Speaker 6: really I don't know if I would have listened to

715
00:34:13,800 --> 00:34:17,080
Speaker 6: it until I kind of got to the point of

716
00:34:17,160 --> 00:34:19,160
Speaker 6: my life where I was ready to do it. But

717
00:34:19,560 --> 00:34:22,160
Speaker 6: I lived a life of like being in the closet

718
00:34:22,320 --> 00:34:26,200
Speaker 6: for like my early twenties and definitely all my teenage years.

719
00:34:27,680 --> 00:34:32,200
Speaker 6: But one thing that I have learned and I continue

720
00:34:32,320 --> 00:34:34,840
Speaker 6: to kind of like solidify in my brain, is like

721
00:34:35,440 --> 00:34:40,960
Speaker 6: living authentically is the most freeing thing. And so much

722
00:34:41,000 --> 00:34:45,640
Speaker 6: of the negative in my life was actually like my doing,

723
00:34:45,840 --> 00:34:50,480
Speaker 6: because when you're not allowing yourself to be free, you

724
00:34:50,640 --> 00:34:53,759
Speaker 6: start kind of like putting blockages in every single part

725
00:34:53,840 --> 00:34:56,080
Speaker 6: of your life. But as soon as I found that

726
00:34:56,239 --> 00:34:59,560
Speaker 6: courage to kind of or have found that avenue that

727
00:34:59,640 --> 00:35:03,960
Speaker 6: I was able to live authentically, everything just started being

728
00:35:04,120 --> 00:35:06,960
Speaker 6: so much more real, which just opened up everything in

729
00:35:07,080 --> 00:35:09,080
Speaker 6: my life. Than all the good comes from.

730
00:35:10,120 --> 00:35:10,760
Speaker 3: Your a legend.

731
00:35:10,840 --> 00:35:14,360
Speaker 2: Kater, thank you for thank you so much for joining us,

732
00:35:14,440 --> 00:35:17,319
Speaker 2: and congratulations, thank you for having me. It's been an

733
00:35:17,400 --> 00:35:20,160
Speaker 2: absolute treat. Kaita is going to be touring in September

734
00:35:20,400 --> 00:35:22,640
Speaker 2: around Australia and New Zealand with the rest of the

735
00:35:22,719 --> 00:35:27,360
Speaker 2: queens from RuPaul's Drag Race down Under. Such a pleasure

736
00:35:27,360 --> 00:35:30,000
Speaker 2: to meet your mate and all the best. Hopefully see

737
00:35:30,000 --> 00:35:30,600
Speaker 2: you over here soon.

738
00:35:31,000 --> 00:35:32,880
Speaker 6: Thank you boys. Drive safely everybody.

739
00:35:33,160 --> 00:35:39,680
Speaker 2: Thanks night, loving to meet you, Thanks you too, have

740
00:35:39,760 --> 00:35:43,880
Speaker 2: a great afternoon. Hopefully see you over here. You too, boys. Bye.

741
00:35:44,680 --> 00:35:47,279
Speaker 2: And I should mention as well all episodes of the

742
00:35:47,400 --> 00:35:51,600
Speaker 2: Stan original series RuPaul's Drag Race down Under. If you

743
00:35:51,719 --> 00:35:53,839
Speaker 2: missed any of it, The great news is it's all

744
00:35:53,920 --> 00:35:57,120
Speaker 2: available to stream now and only on Stamp.

745
00:35:57,440 --> 00:35:59,239
Speaker 1: It's the Rhyma Woody podcast.

746
00:36:00,040 --> 00:36:03,120
Speaker 3: What is the most unattractive thing you can do in

747
00:36:03,480 --> 00:36:09,560
Speaker 3: the nude? Now you're going to be competing against a

748
00:36:09,719 --> 00:36:13,759
Speaker 3: Nebraska man who I think has done the most unattractive

749
00:36:13,800 --> 00:36:15,520
Speaker 3: thing you can do in the nude, and that is

750
00:36:15,600 --> 00:36:19,279
Speaker 3: goes skydiving naked. I mean, look, I don't want to

751
00:36:19,280 --> 00:36:23,880
Speaker 3: get gross here, but skydiving it's never gonna look worse way.

752
00:36:23,719 --> 00:36:26,399
Speaker 2: In more way, like what worried about that it's cold

753
00:36:26,480 --> 00:36:28,480
Speaker 2: up there? Are you just worried that if it was you,

754
00:36:28,760 --> 00:36:33,000
Speaker 2: that there'd be you know, relative non existence below the place?

755
00:36:33,320 --> 00:36:35,680
Speaker 2: To put it nicely, it would be that would be

756
00:36:35,800 --> 00:36:37,560
Speaker 2: like a little turtle, turtle going back in its shell.

757
00:36:37,719 --> 00:36:40,640
Speaker 3: It does not throw that imagery at all, but it

758
00:36:40,640 --> 00:36:42,000
Speaker 3: wouldn't be impressive, let's be honest.

759
00:36:42,000 --> 00:36:43,880
Speaker 2: And the only reason this guy's doing this, as we

760
00:36:43,960 --> 00:36:45,839
Speaker 2: were just discussing in the song, is because it looked

761
00:36:45,880 --> 00:36:47,840
Speaker 2: like he all of a sudden had a propeller when he.

762
00:36:47,880 --> 00:36:48,279
Speaker 8: Was hanging on.

763
00:36:49,160 --> 00:36:51,839
Speaker 3: I've got no doubt in my mind that Ryan Ryan

764
00:36:51,920 --> 00:36:55,799
Speaker 3: Knuve of Nebraska must have an avenue cano down there.

765
00:36:57,040 --> 00:37:00,600
Speaker 3: But yeah, no, he's actually broken the world record. Yeah

766
00:37:00,640 --> 00:37:04,120
Speaker 3: he naked sky dove. I hope that's the right tense

767
00:37:04,239 --> 00:37:07,160
Speaker 3: to use there. Yeah, sixty times in twenty four hours.

768
00:37:07,239 --> 00:37:07,439
Speaker 8: Wow.

769
00:37:07,600 --> 00:37:10,040
Speaker 2: Now you think it would look that bad? I mean men,

770
00:37:10,120 --> 00:37:13,279
Speaker 2: I think men in general underneath would wouldn't look great

771
00:37:13,280 --> 00:37:15,520
Speaker 2: because you've got the propeller on the front side, and

772
00:37:15,600 --> 00:37:18,680
Speaker 2: then it's only doing yoga behind a man, you know,

773
00:37:18,760 --> 00:37:21,000
Speaker 2: and he's in the downward phasing dog. Yeah, you look

774
00:37:21,080 --> 00:37:25,040
Speaker 2: up and you're just so grateful that he's wearing tights.

775
00:37:25,360 --> 00:37:27,400
Speaker 3: That would be the inside of a very hairy solid.

776
00:37:28,760 --> 00:37:31,759
Speaker 3: But also that the wind flapping. I just think it

777
00:37:31,760 --> 00:37:34,200
Speaker 3: would be an appalling look on the front side. It's

778
00:37:34,239 --> 00:37:36,719
Speaker 3: gonna look there though you've got nothing of Stop saying

779
00:37:36,760 --> 00:37:40,040
Speaker 3: that it's true on a turtlehead. Are you still We'll

780
00:37:40,080 --> 00:37:42,239
Speaker 3: take your calls in a second. That six five the

781
00:37:42,280 --> 00:37:44,200
Speaker 3: most unattractive thing to do in the nude. But are

782
00:37:44,239 --> 00:37:45,680
Speaker 3: you still nude gardening?

783
00:37:47,239 --> 00:37:49,839
Speaker 2: I have nude garden when the weather's warm. I enjoy

784
00:37:49,840 --> 00:37:51,760
Speaker 2: a bit of a nerd garden in the backyard.

785
00:37:51,840 --> 00:37:54,239
Speaker 3: I mean you we that's you bent over?

786
00:37:54,520 --> 00:37:56,760
Speaker 2: Yeah, in the question, were's more weeds?

787
00:37:56,840 --> 00:37:57,000
Speaker 6: You know?

788
00:37:58,320 --> 00:38:00,360
Speaker 2: I mean sleeve me behind me though, as we have

789
00:38:00,440 --> 00:38:03,320
Speaker 2: Robin Williams and Jumanju. As I've said before in the jungle,

790
00:38:03,360 --> 00:38:05,120
Speaker 2: you must wait before you roll the five. All right,

791
00:38:05,440 --> 00:38:06,360
Speaker 2: let's go to sage.

792
00:38:07,520 --> 00:38:10,080
Speaker 3: Sage, your dad does something in the nerd which is

793
00:38:10,080 --> 00:38:11,000
Speaker 3: pretty unattractive.

794
00:38:12,200 --> 00:38:14,160
Speaker 7: Well he did. He was that was a really hot day,

795
00:38:14,200 --> 00:38:15,160
Speaker 7: so he went for a quick skin.

796
00:38:15,239 --> 00:38:17,040
Speaker 5: He dipped in the pool, not knowing I was home,

797
00:38:18,719 --> 00:38:21,000
Speaker 5: And when I looked out the window, he'd gotten out

798
00:38:21,040 --> 00:38:22,920
Speaker 5: and proceeded to clean the pool filter.

799
00:38:26,200 --> 00:38:28,080
Speaker 2: So you're rolling five and eight as well. And the

800
00:38:28,200 --> 00:38:30,120
Speaker 2: thing is as well, Sage. I mean, I'm not to

801
00:38:30,239 --> 00:38:34,720
Speaker 2: judge you, but you're old. He's over the age of fifty,

802
00:38:34,800 --> 00:38:38,160
Speaker 2: no doubt. And when they get to that age, you know,

803
00:38:38,239 --> 00:38:40,400
Speaker 2: the idea of maintenance just goes out the windows, so

804
00:38:40,480 --> 00:38:42,600
Speaker 2: they get that turtle head effect plus the.

805
00:38:42,640 --> 00:38:43,200
Speaker 3: Lack of mate.

806
00:38:46,960 --> 00:38:49,880
Speaker 7: So when he reached down into the catcher, all you

807
00:38:49,920 --> 00:38:52,320
Speaker 7: could see was the and it was dripping wet. It

808
00:38:52,520 --> 00:38:53,440
Speaker 7: wasn't pretty.

809
00:38:55,200 --> 00:38:58,200
Speaker 3: Sorry, dripping, really, we might have to pull your fada

810
00:38:58,239 --> 00:38:58,680
Speaker 3: down there.

811
00:39:00,040 --> 00:39:00,839
Speaker 2: You know what you're doing When.

812
00:39:00,800 --> 00:39:03,279
Speaker 3: People get old, and people get old as well, I

813
00:39:03,320 --> 00:39:07,600
Speaker 3: think what she's referring to dripping what because things start drooping? Yes,

814
00:39:07,719 --> 00:39:10,040
Speaker 3: they get lower. So when you see him from behind,

815
00:39:10,400 --> 00:39:12,560
Speaker 3: you still see him from the front, if you know

816
00:39:12,680 --> 00:39:13,280
Speaker 3: what I mean.

817
00:39:13,239 --> 00:39:15,560
Speaker 2: What do you mean? I mean the bits at the

818
00:39:15,640 --> 00:39:16,839
Speaker 2: front you get the fruit ball.

819
00:39:17,239 --> 00:39:17,439
Speaker 4: Yeah.

820
00:39:17,640 --> 00:39:21,879
Speaker 3: Anyway, let's go to Michael now five, We'll stop talking

821
00:39:21,880 --> 00:39:30,640
Speaker 3: about Sage's dad ball illustrating that it's God to Michael, Michael,

822
00:39:30,680 --> 00:39:31,759
Speaker 3: what are you doing? The nerd mate?

823
00:39:32,719 --> 00:39:35,239
Speaker 8: It's got to be the tully whacker or the helicopter

824
00:39:36,120 --> 00:39:37,760
Speaker 8: when you get out of the shower and the missus

825
00:39:37,880 --> 00:39:40,279
Speaker 8: on the bed and get either spin it really fast

826
00:39:40,320 --> 00:39:42,280
Speaker 8: in the three sixty or just the back and forward

827
00:39:42,440 --> 00:39:43,240
Speaker 8: is the tally whacker.

828
00:39:45,480 --> 00:39:49,960
Speaker 2: It's not a good look, jumper.

829
00:39:51,360 --> 00:39:55,840
Speaker 3: Do it to call spinning around to no applause or

830
00:39:55,880 --> 00:40:00,359
Speaker 3: affection Anyway, We've got five thousand dollars to give mine

831
00:40:00,360 --> 00:40:02,480
Speaker 3: a Chris. Let's stop talking about Tellywacker, shall we.

832
00:40:05,960 --> 00:40:08,000
Speaker 2: I don't say it. I don't think it'll ever get old.

833
00:40:08,719 --> 00:40:10,880
Speaker 2: I don't think there's a person out there who's on

834
00:40:10,920 --> 00:40:13,880
Speaker 2: the receiving Internet who's ever found it remotely entertaining.

835
00:40:14,239 --> 00:40:17,360
Speaker 1: See what you're hearing. Find us on Instagram and Facebook

836
00:40:17,560 --> 00:40:18,560
Speaker 1: search Will and Woody