1 00:00:10,204 --> 00:00:13,484 Speaker 1: My Heart podcasts here, more Gold one on one point 2 00:00:13,524 --> 00:00:17,364 Speaker 1: seven podcasts, playlists and listen live on the free iHeart 3 00:00:17,404 --> 00:00:21,884 Speaker 1: app and Amanda gam Nation. You know you're in for 4 00:00:21,924 --> 00:00:24,004 Speaker 1: a good time when Jack Whitehall is on the show, 5 00:00:24,323 --> 00:00:26,204 Speaker 1: and there were used to seeing him on stage doing 6 00:00:26,324 --> 00:00:28,724 Speaker 1: stand up or galivanding around the world with his father, 7 00:00:29,164 --> 00:00:31,324 Speaker 1: but he's taken a bit of a pivot starring in 8 00:00:31,364 --> 00:00:35,324 Speaker 1: a thriller series called Malice about a multi millionaire who 9 00:00:35,403 --> 00:00:41,244 Speaker 1: hires a sinister nanny played by Jack. Hello. Jack, Hello, 10 00:00:42,004 --> 00:00:45,723 Speaker 1: So you sinister nanny like mister Sheffield? 11 00:00:46,804 --> 00:00:48,324 Speaker 2: Pretty she was sinister? 12 00:00:48,844 --> 00:00:51,284 Speaker 3: Yeah, I mean it's a bit of a departure for me. 13 00:00:51,484 --> 00:00:56,444 Speaker 3: And yeah, very very different kind of pace to doing 14 00:00:56,444 --> 00:00:57,684 Speaker 3: the shows with my dad. 15 00:00:57,484 --> 00:00:58,044 Speaker 2: That's for sure. 16 00:00:58,484 --> 00:01:01,044 Speaker 1: And when you're filming and traveling with your dad or 17 00:01:01,044 --> 00:01:03,284 Speaker 1: doing stand up, you're your own boss to a certain extent, 18 00:01:03,324 --> 00:01:06,524 Speaker 1: but you're a cog in a very particular kind of 19 00:01:06,563 --> 00:01:08,324 Speaker 1: a wheel. How different did that feel? 20 00:01:08,924 --> 00:01:09,084 Speaker 2: Yeah? 21 00:01:09,084 --> 00:01:12,164 Speaker 3: I mean, I love, I love the opportunity to, you know, 22 00:01:12,924 --> 00:01:16,044 Speaker 3: jump into acting roles like this because you are sort 23 00:01:16,084 --> 00:01:18,884 Speaker 3: of part of an ensemble and it's great, you know, 24 00:01:19,203 --> 00:01:23,364 Speaker 3: being in that creative process and working with other actors 25 00:01:23,404 --> 00:01:26,524 Speaker 3: and directors and writers and like stand up can be 26 00:01:26,684 --> 00:01:30,164 Speaker 3: very solitary and quite lonely at times when you're on 27 00:01:30,244 --> 00:01:33,684 Speaker 3: tour and your own and you know, working with my dad, 28 00:01:34,004 --> 00:01:36,284 Speaker 3: I don't know, the most professional thing in the world. 29 00:01:36,324 --> 00:01:38,084 Speaker 3: So yeah, it was nice to be on a set 30 00:01:38,124 --> 00:01:40,164 Speaker 3: with like a load of grown. 31 00:01:39,964 --> 00:01:43,444 Speaker 2: Ups and his as you've gone from your dad to 32 00:01:43,564 --> 00:01:44,404 Speaker 2: David d'covney. 33 00:01:44,604 --> 00:01:50,204 Speaker 3: Yeah, yes, yeah, I think that was That was great 34 00:01:50,244 --> 00:01:53,044 Speaker 3: working with David d'govney. He's, you know, a legend and 35 00:01:53,044 --> 00:01:55,564 Speaker 3: obviously I grew up watching him in The X Files 36 00:01:55,564 --> 00:01:58,804 Speaker 3: and califor Monication and all of these shows, and he's 37 00:01:58,844 --> 00:02:03,684 Speaker 3: a really interesting and charming guy who I had like 38 00:02:03,804 --> 00:02:06,324 Speaker 3: a really good natural chemistry with. But then we sort 39 00:02:06,364 --> 00:02:08,484 Speaker 3: of had to strip it all away because We're playing 40 00:02:08,483 --> 00:02:10,923 Speaker 3: adverse in this show and I'm meant to hate his guts, 41 00:02:10,924 --> 00:02:14,364 Speaker 3: which is quite challenging because he's just so effortlessly charming. 42 00:02:14,964 --> 00:02:15,763 Speaker 1: How annoying for you? 43 00:02:15,844 --> 00:02:16,524 Speaker 2: That would be hard? 44 00:02:16,644 --> 00:02:19,124 Speaker 1: Yes, well that's what acting is, but still it would 45 00:02:19,163 --> 00:02:24,043 Speaker 1: be hard. I'm sure Jack's mastered the art of acting. 46 00:02:25,603 --> 00:02:26,284 Speaker 2: Juries out. 47 00:02:28,004 --> 00:02:30,004 Speaker 1: Your daughter is two years old. Have you picked up 48 00:02:30,004 --> 00:02:31,923 Speaker 1: some tips on what you don't want in a nanny. 49 00:02:33,163 --> 00:02:35,524 Speaker 3: Well, I was actually hiring for nanny whilst we were 50 00:02:35,564 --> 00:02:37,244 Speaker 3: doing this because I was filming a lot and yeah, 51 00:02:37,324 --> 00:02:39,684 Speaker 3: Elsie was one at the time, so we needed a 52 00:02:39,724 --> 00:02:41,683 Speaker 3: little bit of extra help. And I feel so sorry 53 00:02:41,684 --> 00:02:45,043 Speaker 3: for these poor nannies that we interviewed because the interviewing 54 00:02:45,124 --> 00:02:48,124 Speaker 3: process was so thorough and I was asking questions like 55 00:02:48,204 --> 00:02:50,444 Speaker 3: I was vetting them to work in the CIA, and 56 00:02:51,043 --> 00:02:53,924 Speaker 3: asking them about their relationships with their parents and what 57 00:02:53,923 --> 00:02:56,444 Speaker 3: they're like around animals, and bringing out the raw shack 58 00:02:56,524 --> 00:02:59,203 Speaker 3: test and yeah, these these poor girls. 59 00:02:59,004 --> 00:03:00,323 Speaker 2: Like rabbits and their headlights. 60 00:03:00,603 --> 00:03:03,204 Speaker 3: I was not knowing why I was digging in so deep, 61 00:03:03,244 --> 00:03:05,284 Speaker 3: but it's because the material that I was working with 62 00:03:05,324 --> 00:03:08,284 Speaker 3: every day was just so alarming. 63 00:03:09,124 --> 00:03:11,084 Speaker 2: It's quite hard to switch off. And you don't want 64 00:03:11,244 --> 00:03:13,764 Speaker 2: so many shows with around a nanny anymore. 65 00:03:13,803 --> 00:03:15,284 Speaker 3: You know, when we were growing up, you had the 66 00:03:15,324 --> 00:03:17,844 Speaker 3: Brady Bunch, you had Alice and then we the Boss. 67 00:03:17,884 --> 00:03:18,603 Speaker 2: Who's the boss? 68 00:03:18,603 --> 00:03:22,683 Speaker 1: You had Friend Dresher, mister Sheffield and anny genre. 69 00:03:22,524 --> 00:03:24,044 Speaker 2: Is back, Yeah, I think so. 70 00:03:24,163 --> 00:03:26,124 Speaker 3: I think also, you know, it's a bit of that 71 00:03:26,284 --> 00:03:29,244 Speaker 3: like coockoo in the nest thing that people like, you know, 72 00:03:29,404 --> 00:03:33,364 Speaker 3: hand that Rocks the Cradle and Talented mister Ripley and 73 00:03:33,404 --> 00:03:37,004 Speaker 3: then yeah, it's the sort of the nanny angle. But 74 00:03:37,044 --> 00:03:39,604 Speaker 3: also I think there's a little bit of that like eat. 75 00:03:39,404 --> 00:03:41,364 Speaker 2: The rich thing going on as well with our show. 76 00:03:41,604 --> 00:03:45,484 Speaker 3: People quite like watching these you know, really wealthy families 77 00:03:45,484 --> 00:03:49,924 Speaker 3: in their gilded cages on these you know, lavish holidays 78 00:03:49,964 --> 00:03:51,284 Speaker 3: having their lives ruined. 79 00:03:51,324 --> 00:03:52,644 Speaker 2: I think it's quite cathartic. 80 00:03:54,444 --> 00:03:57,324 Speaker 1: Well, the shows described as a Talented Mister Ripley meets 81 00:03:57,363 --> 00:03:59,844 Speaker 1: White Lotus. Did you get to go to somewhere gorgeous? 82 00:04:00,964 --> 00:04:01,364 Speaker 2: We did. 83 00:04:01,484 --> 00:04:04,244 Speaker 3: We filmed it all in Greece on this island called Paros, 84 00:04:04,284 --> 00:04:07,324 Speaker 3: which was amazing, and I was there for yeah, a 85 00:04:07,363 --> 00:04:09,364 Speaker 3: month and a half at the beginning of the summer. 86 00:04:10,324 --> 00:04:13,364 Speaker 3: And I've honestly never had more set visits in my life, 87 00:04:13,484 --> 00:04:15,924 Speaker 3: like the amount of agents that came to visit me. 88 00:04:15,964 --> 00:04:19,324 Speaker 3: And it's like you normally cannot drag them to set, 89 00:04:19,404 --> 00:04:21,203 Speaker 3: kicking and screaming to buy you lunch. 90 00:04:21,564 --> 00:04:23,363 Speaker 2: But on this one they were all. 91 00:04:23,044 --> 00:04:26,884 Speaker 3: Coming out of the woodwork, the agents, the publicists, My 92 00:04:27,004 --> 00:04:30,644 Speaker 3: accountant came on her on zoom and all of a 93 00:04:30,684 --> 00:04:31,604 Speaker 3: sudden she was there. 94 00:04:34,844 --> 00:04:36,684 Speaker 2: We could have done this on zoom. What about your 95 00:04:36,764 --> 00:04:40,484 Speaker 2: dad did you show up? Of course he was there 96 00:04:40,564 --> 00:04:45,164 Speaker 2: as well, everyone watching the socks in the sink. 97 00:04:46,564 --> 00:04:49,884 Speaker 3: Yeah, exactly, and then sort of giving me really withering 98 00:04:49,964 --> 00:04:52,124 Speaker 3: critique on my Yes. 99 00:04:53,524 --> 00:04:56,123 Speaker 2: Oh Jack, It's always great to talk to you. Malice 100 00:04:56,204 --> 00:04:57,684 Speaker 2: is out now on Prime Video. 101 00:04:57,764 --> 00:04:59,844 Speaker 1: This has been called the show to binge as we 102 00:04:59,884 --> 00:05:02,404 Speaker 1: head into Christmas. It's got every accolade going for it. 103 00:05:02,484 --> 00:05:05,683 Speaker 2: Jack Whitehall, thank you, oh, thank you so much, so lovely. 104 00:05:05,724 --> 00:05:07,644 Speaker 2: Is this chat to you again? Good on you